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#Again this is another rant
ganondoodle · 7 months
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me: finally im able to cope with how much i hate totk and can fuel that energy into other things :)
nintendy: the shiekah tech just dissappeared and no one knows why or cares enough to investigate it lol. lmao. its gone bc the calamity is gone or something even tho it literally isnt bc ganondorf is right there haha lol, stop asking, why do you care. just forget it existed and look at that sexy goatman and glue instead!! glue! isnt that wild?? also its totally a direct, 100% same universe and exact same characters, despite them act totally out of character, sequel to botw-
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dorkicon · 9 months
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accumulation of ooc megop doodles, some older than others...stuff i guess i cant post by itself ....but together i can call it a doodle dump!
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wisellamawerewolf · 2 months
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Heaven has a point and it's ruining the show's entire premise
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*rant under the cut*
It has probably been said before by other people who can articulate their thoughts better, but considering the way VivziePop chose to tell her story, Hazbin Hotel's premise just doesn't work.
At first the show's main idea was presumably about how it's never too late to become a better person. The themes of Hotel and providing redemption to damned souls if they CHOSE to become better was fitting for that concept and it could've worked well without much involvement from Heaven. Yearly extermination (although arguably not necessary) added stakes and a sense of emergency, but making Heaven fully involved in the situation was a very questionable choice. Now the main theme of the show is less about "self-improvement" and more about "Heaven is hypocritical", and it just doesn't work well for one (main) reason: every single sinner we have encountered are absolutely horrible.
I already sense some that people might bring up the "They're in Hell" argument, but here's the thing: it would've worked fine with the initial premise, but you can't say "Heaven is bad for exterminating souls" when these souls a.) killed, hurt and ruined people's lives when they were alive; and b.) kept killing, hurting and ruining people's lives in the afterlife. Is there a better solution than just killing these people? Probably. But that doesn't make Heaven seem hypocritical and unjustified. At worst it makes them look stupid, because if they knew most people would find extermination of souls abhorrent, they could've just send someone to rearrange hell and completely isolate the most vile sinners from others in order to prevent them from hurting people, instead of just letting them continue doing their shit but in a slightly worse place.
Another argument that comes in mind probably sounds something like "well obviously not EVERYONE is irredeemably bad in this place, and Heaven is surely unjustifiably sends people Hell for stupid reasons if it's overpopulated". And if this statement is true, I have a couple of questions:
Why then literally none of these people are in the Hotel? Surely Charlie could've find at least some of such people and convince them to participate in her experiment. This is probably better to live under the protection of one of the strongest beings in hell than being potentially killed in the streets, so what do they have to lose? If none of these people believe in Charlie's idea, why every time we meet a non-resident, they are always murderous assholes, with almost no exceptions? If Hell is full of wrongfully condemned souls, why doesn't Charlie address them in the seventh episode, instead of going to the cannibal town to ask for help?
I think I've said it somewhere before, but VivziePop wants to criticize religion for scaring people with eternal punishment for doing arbitrary and harmless stuff, but also wants to treat said punishment as a playground for her edgy OCs most of whom are the exact people who by all logic should be in hell.
She wants her story to be about redemption but then turns around and says "actually, my homicidal OC's did nothing wrong, the SOCIETY that condems them is a true villain. Please ignore corpses my faves piled up in the corner". Viv wants to have her cake and eat it too, which results in a sloppy writing.
The most frustrating thing about this that it could theoretically work if handled more carefully: Charlie is already naive and Vaggie is a freshly exiled angel so just make them believe that all sinners have a legitimate reason to be in hell and need to be "fixed". Let them run into Angel Dust and try to make him improve, only to later learn that better people were turned down in heaven and send to hell because of the arbitrary reasons.
It could've both drived the message of "you can always chose to be better" and provide a valid critique to the religion in regards to what counts as a "sin" and wether it deserves such a hursh punishment or not, but ut VivziePop just can't decide what she wants to do and talk about so she just throws in everything at the same time.
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amelia-yap · 5 months
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AUEGH
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sushisocks · 10 months
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Thinking about Lenny and Sean.
Thinking about how Sean, representing the liveliness and optimism of the gang, has to be unavailable in Colter, just so that we, upon arrival in Horseshoe & his return to the gang, can really remember Colter as a dour opposition to the light, fun, easiness that is Horseshoe Overlook.
Thinking about how Sean is the last to be introduced and the first to die; how he HAS to be the first to die, as the most light-hearted, easy-going, fun-loving one of them. Every camp after Clemens Point is decidedly more dour, less light, mirroring what they have lost with his death. Even the two parties are noticably different, from Sean's party in Horseshoe being genuinely fun and full of hope, to Jack's party, while starting as well as one could hope, being marred by anger and sorrow; fights, and sadness, and quiet. It ends in a storm which cuts the party off; sends everyone inside and to bed, where Sean literally stays up singing and drinking until light. The game is telling us that things are no longer the same, through the environment. Things have changed, irrevocably, and they will only get worse from here on out.
Sean dies at the game's halfway point; end of chapter 3 of 6. He is the first to die of the gang members we truly get to know. It is surprising and jarring and grotesque. The effect is IMMEDIATE, although subtle, but absolutely there. Sean dies, and the dread starts creeping in. His death is the underlining of Arthur's kidnapping; Arthur might be fine for now but that doesn't mean things aren't getting worse.
Then Lenny, who alongside Jack represents the future, and the gang's hope. Note how they're both acknowledged as exceedingly smart; Jack for his age, and Lenny just in general (though he is also young by everyone's standards), and that Hosea is fond of both of them. The critical difference is that Jack represents youthful innocence in a way Lenny doesn't; Lenny is fully aware of what the gang is, what it does, and why it exists. He is seen talking about and understanding the societal factors that have led him to this way of life; specifically pointing out the impact of slavery and its abolishment on his quality of life as a black man.
Lenny is the only one who can be seen challenging Dutch at an intellectual level. Lenny dies, and there's little rationale left in the gang. And we are immediately treated to watching the start of Dutch's more rapid decline in Guarma. Lenny is buried next to Hosea, the (arguably) oldest gang member, with the most experience to guide them. There goes the future and past of the gang; the only voices which arguably could've made a difference.
He is also, notably, the only death who is not given a cutscene. Blink and it's done, and you're left in shock and disbelief, watching Arthur stay until the last second to not let the youngest member of the gang die alone.
So what's my point here? Well, I think it's worth pointing out that these two, alongside Molly, are the ending notes of chapter 3,4, and 5, all setting the tone for the chapter to come. Each signify the further detoriation of the gang -- they lose something with each death; a life and gun, sure, but also what that person in part represented. Optimism, reasonability, compassion. And each death is brutal; sudden; jarring, in distinct ways. Then, at last, Arthur is the final death, at the end of chapter 6. The gang is already done, by that point.
I also in part think it's interesting that part of the reason Sean and Lenny die is their own flaws. Sean's easy-going inattentive nature leaves him wide open, too busy making a quick-witted quip to keep an eye out -- even when Arthur, the most senior member among them, makes it clear something is wrong, which SHOULD put one on guard in that situation. Lenny, who believes himself lucky and intelligent, also has a sense of arrogance and recklessness which has him running headfirst into danger without looking.
I love them a lot, but I think their survival inherently would mean a very different story from the one RDR2 is. Also think they absolutely would have sided with Arthur in the end, but those are both completely different rants I'll save for another time :'^)
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whumpypepsigal · 4 months
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so i found a new blorbo CHARLES SUN and…
you would have to sedate me i’m sorry
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*feral* the show is so good, excellently paced and well-acted…. plus, it has all the stuff we enjoy the most:
whump, crime family, family drama, daddy issues (MAJOR!), mommy issues (MAJOR!), well-done action sequences, trauma, “protect the family” sense of duty mindset, lots of baking (by my poor blorbo charles as a coping mechanism), sibling issues, oldest son vs youngest son dynamic (- two brothers, who have both spent their lives competing for attention, approval, and freedom; in their own different ways -), conflicted tortured oldest son, did i mention major daddy/mommy issues and PLENTY OF THE GOOD OL’ EMOTIONAL WHUMP.
and oh their troubled mother is played by THEE MICHELLE YEOH !!!!!!! ✨MOTHER✨
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ahhhh charles, his father brainwashed him, turned him into a ruthless killer and put him through so much trauma. my man just wants to have a normal life, bake pastries etc and reconnect with his mother and brother. like look at him (HE NEEDS A HUG AND SEVERAL CHURROS)
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i am a sucker for this type of genre. 10/10 no notes. HIGHLY RECOMMEND MY FRIENDS, GO WATCH IT 🎉.
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poorly-drawn-mdzs · 1 year
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Business comes first! Drinking is the job!
[First] Prev <–-> Next
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theminecraftbee · 11 months
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okay now that i'm no longer trying to keep a project secret from certain people i can complain publicly about a thing i've been losing my mind about:
why the fuck is the evo wiki like that.
listen. i know. i know fandom wikis being decent entirely relies on whether there are people who both want to obsessively categorize things enough to fill out the wiki, with the free time to do that kind of obsessive categorization, and the desire to manage it all as a wiki. believe me, i know. but please i'm just trying to do research please, please at least bigb's page was just Entirely Empty so i knew i had useless information and just left. why the fuck did the mafia's page, by contrast, have this:
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a sentence that is actively LESS USEFUL THAN IF IT WERE NOT THERE.
and then grian's page - GRIAN'S. GRIAN'S. THE ONE PAGE I THOUGHT MIGHT HAVE A SHOT OF BEING FILLED OUT. JOKE'S ON ME I GUESS.
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BECAUSE IT HAS THIS????? I'M LOSING MY MIND. WHY ON EARTH IS THE WIKI LIKE THIS. WHY IS IT THIS BAD. PLEASE I'M JUST TRYING TO FIGURE OUT WHAT EVERYONE'S RELATIONSHIPS WITH JIMMY AND MARTYN WERE PLEASE,
anyway thankfully i had friends who could help me with their own knowledge and who also found the evo recap but in conclusion i have been being driven mad by this for weeks, thank you for coming to my ted talk.
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hyakunana · 9 months
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The traditional seasonal visit to the Beyond to —report the news of this timeline— comfort your local involuntary time traveler
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bugsongs · 2 years
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the thing about jess mccready is that she cares SO MUCH!!! she cares about everything and everyone and it is so goddamned obvious!
she looks at esti, this girl who left home at sixteen years old to play baseball. jess is the only person on the team who makes any effort to communicate with her and check in with her and tries to make her feel included!
she knows carson is not only gay, but involved with greta, and she doesn't tell a soul about either of them, not even lupe- she gives them their privacy without them even having to ask for it.
the second maybelle mentions that she hasn't seen esti, jess is up and looking for her, and she is visibly torn up when lupe is translating the letter. and then when esti crashes the car because she's fighting with lupe, jess gives them space to work out their shit!
she is SO emotionally intelligent and she shows it over and over again by caring for her team at every opportunity.
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“Hey Clay?” 
“Yeah?” 
“I know you don’t really like to talk about your older bro-...” 
“Did he call again? Ignore it, he’ll stop. Honestly, he should know better by now,” Clay grumbled, not looking up from his project. Last week, Bruce had called him, out of the blue. It had been a weird phone call, acting as if the last several years didn’t happen. As if Bruce didn’t just pick up and move across the country the moment he could, leaving the rest of them to their mother.
He knew he was holding a ridiculous grudge. It had been years. And Clay might have gotten over it eventually, if Bruce hadn’t replaced them with his perfect family. He barely stayed in contact - even with the brothers who weren’t as mad at him. Branch had been young when Bruce left, barely six years old. Clay wasn’t a whole ton better but at least Branch knew him to an extent. Branch at least knew his favorite color. Clay doubted Branch knew the first thing about Bruce. 
“He… he’s here.” 
Bruce wouldn’t leave his resort and his wife and well, now his kids. It was like he expected everyone to pick up and go visit him just because he lived on an exotic island or whatever. As if Clay didn’t have responsibilities or Floyd wasn’t constantly traveling. As if it was so easy for Grandma to leave the house and fly across the country. Bruce barely called and he never, ever visited - much less out of the blue like this. 
Clay stopped and looked up, his head swiveling around to look back at his best friend. Her curly blonde hair was wrapped up in a messy ponytail, which was fairly normal, but the uncertain and awkward expression on her face was definitely not the norm for her. “What?” he asked, shocked. 
She nodded. “Yeah. There is a guy down in the courtyard. He said he’s your older brother.” 
Clay shook his head. Bruce would never leave his precious wife and resort to visit him, especially when he knew how much Clay was upset with him. Had been for years. Honestly, aside from one phone call a week or two ago, Clay hadn’t really heard from him in years. Clay could have chalked it up to Bruce just knowing that he was angry with him for abandoning him - them - with their mother the first moment he could, but he barely kept in contact with Floyd and Branch as well. And they didn’t hold the hard feelings that Clay did. Not that Clay was much better; he didn’t talk to any of his brothers much either. 
“There is no way,” he protested with a huff, rolling his eyes. She must be mistaken, there was no other option. “He’s never made a trip out here. He would never leave his resort. What is he doing out here?” Viva hesitated, glancing away, which was very strange for her. She was very straightforward and easily excitable. Clay felt his brow furrow a little. “Viva…” 
“He’s not… like how you said.” 
He just sighed and took a deep breath. Bruce definitely had a way with people; he always had. Granted, Clay probably painted him in mostly a crappy light, due to the fact that whenever the subject did come up - which was extremely rare - it was not often positive. Clay had a lot of anger and probably a lot of resentment. It was a work in progress. “Look, Viv. I know he’s easy to believe. He seems soooooo friendly and charming that you want to just swoon or whatever. He’s got that effect on people but…” 
“No.” 
“No?” Clay asked, confused. She said it so strong, so flat, so sure and Clay wasn’t sure what to make of that. 
“Clay… he’s not like that at all. He was actually really quiet and awkward and super uncertain but held him with some kind of…rigidness? At least as much as he could,” Viva looked uncomfortable, like she had seen something she really didn’t like. He wasn’t sure what that was about. At the moment, he was more hung up on the description which did not sound like Bruce at all. 
He scoffed. “Bruce?” 
“He didn’t say that was his name,” Viva continued, still uncertain, glancing towards the window. “But you only have one older brother right?” 
Clay blinked and his whole world came to a standstill. “I….” 
“Clay?”
Older brothers. 
There was no way, though. He hadn’t heard anything from him since their parent’s divorce and when he was practically dragged away almost kicking and screaming. Clay barely remembered it; he tried not to. Everyone had been crying but Branch’s screaming, going along with everyone else's tears kind of drowned everything out. It hadn’t been a pretty memory and Clay avoided thinking about it. Coupling that with his mother’s systematic way of erasing anything that evoked him or their father from their house and their lives, it only took a few years for everyone to stop considering them entirely. 
His eyes widened. There was no way. There was no way it was possible. 
Clay didn’t even think. He bolted out the door, not even bothering to strip off his lab coat. There was no way. It had been at least fifteen years. What were the chances? After fifteen years? There was no way. 
He had to be sure. 
Making his way down to the courtyard, with Viva shouting after him, he scanned the area upon slamming the doors open. It had been a decade and a half. He had no idea what to look for anymore. They had all changed. 
“He’s by the fountain, sitting on the stone wall,” Viva supplied. 
That helped. He made his way over, still looking over the area until he spotted a more middle aged guy with short hair and bandages on his arm. When he looked, Viva nudged him, giving him the sign that who she had talked to was him. Definitely not Bruce. 
He looked over at Clay and recognized him, suddenly nervous. Clay just stared. That was all he could really muster up to do. “Uh… hi, Clay. I know you might not really remember me but…” 
Clay didn’t say a word at first, just launching himself at his big brother, knocking him into the grass behind in a hug. He clearly wasn’t expecting it but he took to the action pretty quickly, wrapping his arms around Clay’s back for support and to keep him from being tossed around. 
“John Dory.” 
Clay couldn’t remember the last time he thought of him, much less said his name out loud. He hated that. His eyes were squeezed shut, just soaking up the firm grasp his oldest - his oldest - brother had on him. He had so much to say and so many questions but only one happened to come out. It had been fifteen years and now John Dory just showed up out of the blue. 
“How did…how did you find me?”
It wasn’t exactly what he wanted to say. There was a lot he wanted to say and do but his mouth had run off with him, questioning so much that he really didn’t actually care the answers to. Because he was here. After fifteen years. 
“Bruce told me.” 
Clay shifted slightly. “B-Bruce?” He supposed it might have been easier to find a resort owner before some crazy older college student. Although Clay felt like he had his name out there more than his other older brother, as he had written papers and had been featured in several journals. Although it might not have been in things John might have looked through. They could be pretty niche. 
“I…” John tensed a little and hesitated. “He found me. The hospital found him, I guess? They found him and called him. I’ve been staying with him for my recovery.” 
Clay’s heart dropped as he pulled away, trying to assess. He scrambled off his brother, stepping back. “Your what?” 
John grimaced. 
Viva nudged his shoulder and spoke quietly. “Clay.” 
Clay’s eyes were drawn downward. Sure, there were bandages on his arm but John’s grip didn’t seem to be very weak so he doubted that would be so debilitating and honestly, his legs seemed fi-… where was his leg? 
“W-Where is your leg?” 
“Sudan… I think?” 
Clay just stared. 
“Right, sorry. Kinda dark humor there,” John muttered, sitting up a little more. “I was… I have been, I guess, in the military for a while. Over ten years I guess, uhm… it’s a long story. But some stuff happened, my arm got kinda burned up but it’ll be okay. Head got banged around a bit but that should be fine too. The biggest thing was my leg which… well, that ended my military career pretttyyyy quick. The hospital found Bruce and yeah, I’ve been staying with him but…. I wanted to see you. Needed to see you.” 
There was a pause. 
“Sorry, that was… that was a lot of words.” 
“When Bruce called…” Clay drifted off in realization. Bruce had called to tell Clay about John. 
“He didn’t want to freak you out.” 
“But I hung up.” 
John nodded. “Bruce didn’t really tell me anything about what happened with you guys or anything but I just… I bought a plane ticket and well, here I am.” 
Here he was. 
“Does Bruce even know you’re here?” Clay asked, uncertainly. With John’s state, it probably meant that Bruce was kind of taking care of him, which meant he was in charge of his welfare and health. John was still on leg crutches and probably couldn’t get around super well. It couldn’t have been that long since it happened. 
John snorted. “I am a grown man.” 
“Missing a leg!” 
“So?” John asked, his nose wrinkling. Clay almost felt like he had been slapped. Floyd and Branch did the same thing. “I knew a guy who lost both and guess what? He lives alone. Does just fine.” 
“He’s probably freaking out.”
“Bruce? Probably.”
“Then why are you here?” 
John tried not to look hurt. He would have done a great job too, if he hadn’t looked away. It was a telltale sign and Clay noticed. He didn’t even realize what he had said and how it came out until it was too late. He cursed himself; he didn’t want John to think he didn’t want him here. “I haven’t seen you in fifteen years, Clay. No matter how much time passes or what happens, I love you.” 
Shit. 
“Clay… he’s so cute,” Viva sniffled. “You never told me-” 
“That I existed?” John guessed, making Clay cringe. “That seems to be an ongoing theme.” 
“JD, I just…” he didn’t really know what to say. He didn’t have any excuse, really. He could blame a lot on his mother but that felt wrong to say to him. There wasn’t any real excuse that would make anyone feel better. 
“It’s alright,” John replied, although Clay could tell there was some struggle. Which made sense. No one wanted to feel forgotten by loved ones. Especially not the ones still alive. “Bruce didn’t tell his kids I existed either. I’m getting over it.” 
He shouldn’t have to get over it, Clay thought. He shouldn’t have had to do any of it. He should have spent the last fifteen years with them. He should have been there for birthdays, for their graduations, for their important moments. He should have been there when Bruce got married. For Floyd’s first show. For Clay’s best college awards. Bruce’s kids should have known their uncle their entire life, not just now and so forth. 
“She’s dead, our mother,” Clay said, blandly. He blamed her a lot, for pretty much everything. Not the divorce itself; that was both of them, but for cutting them off from his brother. For forcing his name to never be spoken. For erasing his memory. It was one thing to keep them away from their father, although Clay didn’t like that either, but to keep them away from their older brother was unforgivable for him. 
“So is dad. Over ten years.”
Ten years. Over even. John lost his family, became an adult and lost his father. No wonder he joined the military. 
“Six.” 
“I tried looking for you,” John promised, like it was something he had to convince Clay of. Like he didn’t want Clay to think that he didn’t try. It wasn’t meant to make Clay feel worse and Clay knew it but it did anyway. Because Clay hadn’t. He hadn’t looked. He hadn’t even considered it. “Before joining the military. After too, a little, I suppose. I’m no detective I guess.” 
Clay just stared at him. Did he think…?
“I know…” John frowned again. “I know you’re mad at Bruce but I can’t… I… Clay, I want to be…to have… to be in some part of your life and I just…” 
“I’m not mad at you.” 
Clay hated the almost hopeful look that John stared at him with. It was a expression that screamed he wasn’t expecting this reaction. “You… aren’t?”  
“No. Of course not. Our parents were petty and bitter and it is all their fault. JD, you never… you didn’t abandon anyone. Dad took you away and mom decided to try and erase that part of her life. Have you blamed yourself this whole time? For years?” 
“No, no, I just… I don’t want you to think I stayed away or something.” 
“I believe you,” Clay promised. “And I’m so glad you’re here.”
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anxiouspotatorants · 8 months
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"I can't figure her out either."
He can't figure out why she does what she does. Why she would spend years renovating an apartment in the building where two of her childhood friends brutally died.
He can't figure out why she's simultaneously so respectful of the dead while passionate about murder and making a podcast with two elderly b-listers.
He can't figure out why she would ever be friends with him. The guy who did his father's literal dirty work for years. The guy who had her tied and pushed into his van with one of the b-listers. The guy who is responsible for her friend's death and for putting an innocent man in prison for ten years.
He can't figure out how she could ever forgive him. How she could show him respect. How she could show him kindness. How she could decide to spend time with him. How she could decide to learn an entire language just to communicate with him. After everything he's done. How she could like and maybe even want his company.
He can't figure out how they got to this point. To her asking him to help her pack up and move out, with every intention of staying close with him.
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grimalkinmessor · 8 months
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Once more frustrated by people seeing Light's various moves as stupid because they're looking at it from a point of omniscience and not from the perspective of Light himself and the information he had access to :')
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swan2swan · 5 months
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*SLAMS DOOR OPEN*
AND ANOTHER THING ABOUT CLIEGG LARS AND SHMI
"Oh the power dynamic, ha, yeah, bad writing George, he PURCHASES her, frees her, and then MARRIES her, oh, that's a healthy dynamic"
Okay I need you all to think about this:
If he buys a woman who has nothing (because she's a SLAVE on the CRIME PLANET)
And then says "You're free"
and follows that up with "ON THE CRIME PLANET"
What happens next?
What happens if you just turn a woman loose with nothing on the CRIME PLANET?
Yeah. Yeah.
"Well he could get her a ride off-planet" with what, the money he used to free her? To send her where? To his friends off-world? Why is he still living on the CRIME PLANET (that has nothing but SAND, where he FARMS WATER) if he has friends on other planets and the money to travel offworld?
Does Cliegg Lars have a spaceship parked out back?
Can he take her a few lightyears to Naboo? Set her loose on Theed? I mean...the fact that Naboo and Tatooine are in the same sector does raise some questions, but also, again, Naboo is the Peace Planet and Tatooine is the CRIME PLANET.
The point is, he said "Hey, you're free. Hey, come live with me. Move in with me. NOW YOU HAVE EQUAL CLAIM TO MY PROPERTY THANKS TO THIS LEGALLY BINDING DOCUMENT, do whatever you want."
Man was rickety and old and in a Space Wheelchair. There was no Unfair Power Dynamic. This dude was not Taking Advantage of Shmi. He said "Girl you deserve better, come live on a farm in the desert. I mean...you still deserve better, but this is the best I can do, hope it's enough."
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broomsick · 2 years
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Tell me you don’t understand the Gods without telling me you don’t understand the Gods 
Pagan tiktok: cancel culture applies to deities and the myths provide sufficient justification behind said cancellation
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vitiligoduncan · 4 months
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i hate when people say that gwen isn't "goth enough" or something like that. Goth is literally music based, you can look like taylor swift and still be goth if u listen to goth music. Also these people think that trad goth is the only gothic style ever like no there's other gothic styles, gwen just happens to not be trad goth
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