forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao
not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad
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I really really appreciate seeing people explicitly talk about Kabru’s PTSD & survivor’s guilt and name them as such it’s really nice… not that people necessarily need to use specific terms to discuss his character well but it’s genuinely nice to see it recognized that he isn’t just a Funny Hater Guy or an Overbearing Asshole & also that his fucking canonical trauma is absolutely foundational to his motives and character
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My fav thing about TAZ is that any aspect out of context sounds fucking bonkers.
Like, in the balance finale there's a scene in which Garfield (who is very specifically never described visually bc most people imagine him as like. The Lasagna Cat. Who in this universe is the most powerful warlock in the realm and also has a hobby of cloning people, which is great for the one character that got forced into haunting a mannequin) is summoned by an alien spaceship that runs on the power of friendship so he could beat up some flashing balls. In D&D.
And that was just. Such a normal scene in the narrative. No one blinked an eye. I would like to bow down to Griffins clear unmatched talent for making me feel such big emotions over ridiculous shit like a goddamned umbrella or a regular ass pair of jeans or the idea of a taco recipe.
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