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egg04 · 1 year
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Head hurt so bad, gonna finish the prompts later.
I offer you some sketches of my TMNT iteration
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kaemugiss · 2 months
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i believe in 🪷 supremacy
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mokutone · 1 year
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thank you to northstarfan for the kofi tip!!! here's a drawing of a cozy elnor from star trek picard! 😄
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neversetyoufree · 1 year
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Guess who noticed a really interesting tiny detail again?
Beloved mutual torterrachampion recently pointed out to me that the special thanks page in each vnc volume always has a nice crisp lineart version of the frame from its cover, and there's some really interesting details hidden in there. A bunch of the thanks pages even show extra details that aren't there on the actual color covers themselves!
In particular, volume 2's frame has this whole bottom bones/flowers arrangement that's totally left out/hidden on the actual cover:
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And right off the bat, there's a couple things about that bottom arrangement that really catch my eye.
First of all, the position of the hands there strikes me as pretty important, since uh
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reaching out and down toward Vanitas is a pretty major recurring image for Noé. It makes a lot of cool symbolic sense that this shape of reaching hand would show up in his frame, since it seems to be so important to his story.
Even more interesting than that, though, is what's going on with the left eye of that bottum skull. It looks like the skull's been partially shattered there around the eye, and while Mochijun does generally seem to enjoy a bit of cracked bone imagery, this one stands out to me because:
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Something happened to Noé's eye when he was a kid, but he's never once acknowledged it, and we've never gotten a single hint at what it was beyond it happening with the traffickers. And now the one skull featured on his cover's frame has a huge crack around its eye.
This doesn't actually give us any new information beyond just drawing yet more attention to the eye mystery, but. DAMN.
The rest of the imagery in this frame (the book and pen, the mourning lilies, the reaching hands) is all pretty central to who/what Noé is as a character. So while the cracked skull is/could be just a clever little nod to the existence of the eye mystery, its surroundings make me wonder just how relevant that injury is going to be.
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sualne · 10 months
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that guy
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charleslovemustdie · 2 years
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me and the bad bitch i pulled by being strange and off-putting
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hiiiiii toad UMMMMMM. lesbian maki zenin. <3 and nobara. :) ily!!!!!
“did you just kiss me?!” “yeas..” “it’s okay…i am a lesbo…” “you better be!”
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day 22/30 of pride character art (pls send more asks!!)
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autball · 1 year
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Maybe you’re not doing it wrong, you just haven’t found someone who gets you yet. ❤️
Disclaimers (because man do some people just wanna argue instead of have a giggle):
1. This is a cartoon, not a research paper. Generalization and exaggeration have been employed and are allowed, so please save your “Not All…” energies for something else.
2. I have used ND as a shorthand for autistic, and NT as shorthand for NOT autistic, which is popular but technically improper usage. MANY other things count as neurodivergence, and neuronormative is probably a more accurate term to use when referring to people who “don’t get” a particular flavor of neurodivergence. I only have so much room in these little boxes though, so I hope you’ll forgive me for working with what I got.
(Image description in Alt Text.)
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writing-for-life · 5 months
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Dream and How He Experiences Love
(Or: When the Unreal is at War with the Real, and Finally Understanding Unconditional Love Tightens the Noose Around Your Neck That Has Been There All Along)
And as always: Send me asks about everything Sandman-related!
Let me start this one with a few adjectives from the horse’s mouth (aka: Neil Gaiman said so 🤣) as to what Dream is actually like:
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from: Vertigo Chase Card Set
So in short: This is probably the most accurate way to describe Dream in a nutshell, from the author himself, fully knowing that Murphy doesn’t lend himself well to be described in a nutshell.
And of course it’s absolutely fine if we want to head-canon him just being 5 out of those 50 (or none of them at all)—our stories are our own. At the end of the day, we went through a whole year of Tumblrfication (I might have made up that word), and getting back to the series will be tough. So is trying to align what the current prevalent perception of Dream is like in parts of the fandom, and what he is like in both comics and series (show and comics really aren’t that different where it matters, and I’ll die on that hill). I already worry about the fallout if I look at what happened with GO or OFMD, but that just as an aside.
Anyway, Dream in fandom spaces is often portrayed as either a pathetic wet cat who can’t get to grips with anything and constantly needs rescued in one way or another, or as a completely unfeeling arsehole incapable of relating to the human experience and being horrible all around. There are very few shades of grey in how some fans perceive him, when just the list of above adjectives shows us how complex he is as a character.
One thing that obviously comes up regularly are his relationships, be they romantic or platonic. So I just wanted to draw attention to the adjectives that relate strongly to the relational element in him (although they all apply in one way or another):
touchy, sentimental, cold, loving, [elusive], gentle, hurt, deep, intense, solitary, romantic, shy, intangible, lonely
Dream is the unreal. His way of loving relates very deeply to what stereotypical romantic love is: Romance and reality are a contradiction in terms—romanticism is dreaming because it is, at its very core, an idealised view. The intangible dream that comes back to bite us in the arse once reality sets in. And his flavour of love is the prototype of idealised and intangible (=romantic) and can never be anything else by his very nature.
And I’ve often thought that the way he experiences love is also a large part of why his existence is so difficult for him, and why he ultimately makes the choices he makes. Yes, he detests his function, but if he weren't so lonely (and weren't doomed to be so by his very purpose), he might find it easier to bear.
Let me look at, and draw parallels to, the 7 types of love as the Ancient Greeks perceived them [quick note about the image references: I would have loved to give more, but there is a limit. Also: Apologies I have no alt text for the comic panels at this point, I might add them at a later stage if I find the time]…
Eros
That’s both sexual and romantic love (to varying degrees), and it can be fleeting (like a dream) if not anchored in a less idealised view. So there’s your first cue—he totally experiences that kind of love.
The Ancient Greeks also thought it was a dangerous type of love, one that clouds our judgment and one that won’t last if not combined with some of the other types. And Dream himself knows this and probably relates (he detests his sibling Desire for “meddling”, after all). And yet, he is the intangible, the ungrounded, the unreal.
It’s all over every single one of his relationships we witness:
Killalla—“gifted” by Desire. We never get any cue as to what exactly they were up to, but it can be assumed desire, for whatever, played a large part in their relationship. Killalla makes no secret about it either (and is at the same time uncertain whether she truly loves him while being confused Dream might actually love her after what seems a very short time, at least in cosmic terms). Suffice it to say, he has a very idealised view of her and their relationship. Romantic idiocy at its best: He has literal stars in his eyes and is so grateful for Desire’s help he is basically kissing their boots in gratitude.
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Alianora—again one of Desire’s gifts. And Dream tried, and I definitely think he was at least romantically (and physically) attracted to her (the art is very hard to interpret otherwise, neither is the context--she was gifted by Desire, after all). But this relationship is generally a tricky one because there is gratefulness and guilt n the mix, and that is sometimes a very unfortunate combination. He also couldn’t fully trust her because of his deep mistrust of D/desire. And lo and behold, of course the relationship soured when romantic and (potentially physical) attraction waned.
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Nada—pursuing each other on and off, broadcasting sexy time all over the Dreaming because he's just so head over heels and literally bursting at the seams—need I say more? Yes, he does say to her that her body does not matter to him, which I 100% believe is true. He also says that he will love her as no mortal man can. But everything that transpires is still deeply informed by romantic attraction, because quite frankly: You don't feel love yet after you've barely met someone. It's again a deeply idealised view and that is something inherently romantic in tandem (in this case) with physical desire. Again, because D/desire was involved.
As to the particulars of Nada’s banishment to hell, and why Dream acted so out of character compared to his other failed relationships: You can find all of it here.
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Calliope—read her speech at the Wake is all I’ll say. That is someone making romantic love so integral to their whole existence, I don’t even know where to start. He puts the world at her feet and makes sure she always comes first (quite literally) while they are still loved up…
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Thessaly—he's the romantic idiot (affectionately) in the rain with his coat billowing in the wind, and referring to her “weighing him dispassionately and finding him wanting”. It was only a handful of months--you don't feel true, stable love at that point. Again, it has the idealised view of romance (and potentially sexual desire) written all over it. He would have given her the world, just like he would have given the world to Nada and Calliope. That is the trope of every freaking romance novel, and that is exactly how he perceives love.
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Titania—who knows, she keeps her mouth shut.
Ludus
I think he has a hard time to be flirtatious and playful (at least, we don't really see it. We never really see him during the courting stage, and what went down with Thessaly was hardly "flirtatious". `Then again, bickering like they did in A Game of You is electrifying to some, so who knows. She also said at his wake he was cautious and nervous). And if he comes across as flirtatious (there is a charming on that list of adjectives after all), it’s just because he is so deliberate in everything he does that he might just push someone’s (right) buttons, so to speak. But that’s not the same as “no strings attached”-love, because I honestly believe he’s incapable of experiencing love that way. There is no “casual” with him. He always stays attached to the people/women he once loved, even if the relationship sours. He still loves each and every single one of them, he never stops. But he also doesn’t in a way that’s sustainable, and it’s an unsolvable conflict due to what/who he is.
Philia
Most closely translated as friendship and affection. Platonic love, if you will. It is also a love between equals. He has a hard time with it and only slowly learns what it means through his relationship with Hob. Needless to say: The Ancient Greeks valued platonic love as one of the highest forms of love. Hence, I’m personally reluctant to turn it into something else/slant it towards romance, because that’s exactly what this part of the story is about: His relationship to Hob is important and grows/lasts because it is not romantic in the comics.
Storge
Unconditional love for family, especially children. Based on complete acceptance and potentially sacrifice. Doesn’t need to be reciprocated. You feel it, no matter what, and you act accordingly. And for Dream and Orpheus, that didn’t work until it did. Or, let’s rather say: I don’t want to assume he didn’t feel it. But he pushed it down in his hurt and pride (as did his son in his grief). No further comment, because that one hurts.
Agape
Altruistic, universal, all-encompassing. And that’s so deeply at the core of his being, and so central to his whole conflict that I don’t even know where to start. From not wanting to kill the first vortex (or Rose, for that matter), to telling John Dee he’s hurting the dreamers, and that being his main concern while he himself was writhing on the floor in agony, to “humanity I love you”, to a million other things. He cares so deeply, there is such a deep concern for sentient beings in their entirety that it’s quite literally impossible to call it anything other than love. And it’s also what plays a large part in his demise.
Pragma
Oh, here we go. I honestly believe he likes the idea of committed and long-lasting. And he’s trying. So very hard. Calliope is the best example. Alianora was another one, because it’s not like they broke up swiftly (hard to tell how long they lasted, but since she had stayed in the Dreaming too long to go anywhere else, it wouldn’t surprise me if we’re actually talking a very, very long time. He called it “a goodly while”, and considering how old he is, I doubt that equals only months, or even just a few years, especially since he is fully aware how short his relationship to Thessaly was). And he wanted to stay true to his promise. But he is who/what he is: the unreal. And as the personification of that, love both feels real for him but will also forever stay intangible. It’s heartbreaking really. Again, it has written the contradiction between romantic love (the ideal) and pragmatic love (the thing that is grounded in reality) written all over it.
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Philautia
And that’s the most heartbreaking one. He is incapable of self-love and full of self-loathing instead. The Ancient Greeks used to say that you can’t give what you don’t have. And it’s hard to feel compassion for the flaws we perceive in others if we don’t have that self-compassion for the exact same flaw in ourselves. And that one hurts in so many ways, from his not being able to forgive himself (which is mirrored in his relationship to Nada, who also couldn’t forgive herself—she didn’t need his forgiveness, she needed her own) to Orpheus being so much like him apart from one major difference: he’s mortal in spirit, and even immortality doesn’t change that. And Dream struggles with the part of his child that is so like him for a million reasons that would burst this meta at the seams, but again: it’s hard to love in others what we detest in ourselves, knowingly or unknowingly.
So in short: The particular flavours of love Dream feels (Eros, Agape, Philia growing slowly over time) and the ones he doesn’t (Ludus, Pragma, Philautia) are also at the very root of how the story goes.
And when he finally truly understands what Storge/unconditional love is--both in the way he reassesses his relationship to Nada but especially in how he finally submits to his love for Orpheus (with all that entails)--and when he allows it to become real, it’s what tightens the noose around his neck. But that noose has been around his neck loosely all along…
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classicstober · 7 months
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Welcome to ClassicsTober 2023!
✏️🏺🖊️
In 2021 my friend Dr Cora Beth Fraser and I (@greekmythcomix ) accidentally started ‘Classics-tober’ – a list of Ancient Mediterranean Myth and History prompts for each day in October, so that we had an excuse to draw Classics stuff for a month. We did it again last year and even more people joined in, so we’ll be running it again this year – we’re just putting the final touches to the prompt list for this year. And now that there are a LOT of new Social Media platforms, we’re going to be attempting to run it on as many of them as possible!
The idea is to create something - anything - for the prompt. Like other October prompt lists, it can be an illustration, but it can also be text, reference, historical artefact, video, story, translation... pretty much anything you're interested in from the Ancient Med World that fits with the prompt. There's no pressure to do every single one, just the ones you like.
This year we’ve chosen Ancient Greek Myth Characters, some well-known and others less so.
If you'd like to join in, tag this account and use #ClassicsTober and #ClassicsTober23 on your social media posts when you share them (and if on Tumblr tag this account)
NOTE: please make sure if you share the graphic you add the ALT text (below for you to copy and paste)
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ALT:
Classics*-Tober3
Ancient Greek Myth Characters
* meaning Ancient Greece and Rome because no one's come up with a better term yet, but if you want to add additional Ancient Med cultures then yes please - especially if you can link them to versions of these myths/ characters!
1 Cassandra
2 Medusa
3 Asterion
4 Lycaon
5 Chiron
6 Medea
7 Persephone
8 Icarus
9 Achilles
10 Asklepius
11 Pandora
12 Theseus
13 Arachne
14 Helen
15 Prometheus
16 Circe
17 Atalanta
18 Phaedra
19 Sisyphus
20 Odysseus
21 Psyche
22 Midas
23 Orpheus
24 Hephaestus
25 Talos
26 Thetis
27 Pygmalion
28 Nyx
29 Nemesis
30 Tiresias
31 Hecate
#ClassicsTober #ClassicsTober23
Share or create any style of media inspired by the prompt for the day - illustration story, poetry, artefacts, video, translation, anything! Do as many as you like. Share with the hashtags above.
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egg04 · 11 months
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⋆ ✩₊˚ Making Rise Leo (and Donnie but it's not going so well henceforth why I am not showing him yet) fit my style better ৻(•̀ ᗜ •́ ৻)⊹。₊*⊹.˚ ㅤ/ᐠ - ˕ -マ All my blorbos must go through the process of Tuko-fication.
edit: I referenced raindropsyndrome's drawings of Leo for the top righthand corner!
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antiracist-tolkien · 9 months
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Harad Through Fandom Eyes
Plenty of people acknowledge that LOTR's Haradrim, Easterlings and Variags are racist. However, I've seen less discussion about how fandom adds even more racism into the mix. This seems to be mostly because many people have very little knowledge about West Asia and North Africa, aka WANA [Why say WANA/SWANA instead of Middle East?] and what anti-WANA racism looks like.
I'm going to focus on Harad because this is the region that we know the most about. If you need a brief refresher:
Harad, or Haradwaith, is the region south of Gondor. There's a long history of violence between Harad and Gondor which dates back beyond Gondor even existed, to when Numenorians colonised Harad and repressed the people. Since then there were multiple wars and for long periods of time Gondor occupied parts of Harad. The Haradrim fight for Sauron in LoTR, partially due to their hatred of Gondor.
Harad is divided into two. Near Harad is strongly North Africa coded, and Far Harad is sub-Saharan Africa coded.
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(Image description in alt text.)
Tolkien uses multiple different names to refer to the people of Harad (Haradrim, Southrons, Swertings, etc.) However, these seem to be the people of Near Harad, who he differentiates from the people of Far Harad. (There's some serious anti-blackness in this next quote, so skip over it if you need to. I only put it here as evidence that the use of Haradrim/Southrons in LOTR refers to Near Haradrim.)
[...] Easterlings with axes, and Variags of Khand, Southrons in scarlet, and out of Far Harad black men like half-trolls with white eyes and red tongues. - Return of the King
There is more to say on this than I would be able to fit into this post. There's a discussion to be had about Tolkien's textual and real life relationship with Black people. There's also a discussion that needs to be had about how Tolkien's racism is often excused with the idea that he was a 'benevolent' or well-meaning racist, a product of his time. It's an excuse that ignores the violence of quotations like this and the way that he wielded his whiteness against Black people in academia and writing.
I don't have time or space for those discussions in this post, but I want to acknowledge them.
What I want to discuss here is fandom portrayals of Haradrim. I'm not going to talk too much about the in-text racism, because that has been extensively covered elsewhere. But in summary:
The idea of the good white guys conquering the lesser brown 'Men of Darkness' is inherently racist
Tolkien's description of the Haradrim, such as repeatedly describing them as a cruel and warlike people, is also racist
The one paragraph where Samwise feels empathy for a dead Haradrim soldier does not lessen the racism.
With that out of the way, let's talk about fandom.
There's a gaping void in the information we're given about the Haradrim, so of course fandom attempts to fill the gaps. Fans often take inspiration from WANA. But many fans don't actually know that much about WANA and don't realise how much of their perception of it is based on racist and imperialist propaganda.
In fannish depictions, Harad all too frequently becomes an exotified fantasy that pulls from Western perceptions of WANA. Orientalist ideals of a mystical, magical, and yet dangerous place predominate the fannish idea of Harad.
The first thing that you should know about WANA is that it's an extremely culturally, religiously and geographically diverse place. If your depiction of Harad is entirely desert, or made of a culturally homogenous people with a narrow range of skin tones and features, you need to expand that. Equally, depictions of Harad as more 'socially backward' than other areas of Middle Earth stem directly from racist propaganda.
Too many stories write Harad as misogynistic and homophobic, often in direct contrast to other areas of Middle Earth. As many WANA people have pointed out, these kinds of sweeping generalisations are often specifically targeted at WANA because of racism.
Mysterious cursed objects from the 'far away lands of Harad', decadent sultans, the fetishization of cultural practices like belly dancing; these are all forms of Orientalism. Female characters may be sexualised, shown as seductresses or members of harems. (By the way, Westerners tend to have a very incorrect understanding of what harems actually are/were. They were the part of a Muslim household reserved for women and pre-pubescent boys. It was outsiders who perceived them as fundamentally sexual spaces and created the modern tropes of sexual harems.)
Male characters may be violent, cunning, greedy, dangerous and strange. There may be public executions and enslaved peoples, regardless of the complete absence of a textual basis. All of these things stem directly from racist ideas of WANA as 'barbaric' and 'uncivilised'.
In fact, Haradrim were once enslaved by Numenorians. They were victims of violent colonisation that continued into the days of Gondor. They have every reason to hate the 'Men of the West' and fight against them.
On a final note, the most major and dangerous WANA stereotype is the portrayal of WANA people as terrorists. This isn't a trope seen in Tolkien's works because it's primarily a post-911 phenomenon. But it's something that you must be conscious of if you're writing about Harad or other WANA-coded regions.
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creature-wizard · 2 years
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The deal with New Age, in a nutshell
New Age, neopaganism, and witchcraft are neither synonymous nor mutually inclusive. Anyone who says they are either hasn’t done their research, or is lying to you.
New Age comes from Theosophy, a movement started by Helena Blavatsky, a white woman whose mission was ostensibly to seek out the perennial philosophy in the world’s religions. However, plenty of evidence points to Blavatsky being less than honest.
Helena Blavatsky was racist as fuck. She presumed to know what the traditions of non-white people were about better than they did themselves. She also wasn’t shy about referring to POC as s*v*ges. Some of her fans claim that she wasn’t actually racist because she had positive things to say about some POC, but she was basically painting them as pure and uncorrupted by civilization, so... still racist.
She was also into that gender essentialism that TERFs love oh so much - for example, she claimed that the goats of Thor’s chariot represented male power, while the reins that held them in place represented the female principle. Because, you know, women are passive yet restrain men from running absolutely wild.
Seriously if you have any doubt that this woman’s mind was full of rancid garbage, just flip through Isis Unveiled and The Secret Doctrine for yourself; they’re literally free online.
The term “New Age” refers to what Helena Blavatsky called the Fifth Round (supposedly, we’re currently in the Fourth Round). Basically she believed that humanity is on a path of spiritual evolution, and that we’re about to enter a new phase in our evolution. This right here is the core tenet of New Age belief.
Entering the Fifth Round basically entails most of humanity dying off, leaving behind those enlightened (particularly by Blavatsky’s teachings) enough to become the fifth root race; IE, the progenitors of the next wave of humanity.
This is literally spiritual eugenics.
Helena Blavatsky didn’t invent Nazism but boy howdy did Nazis love her ideas, which should tell you a lot about what she peddled.
Like any other religious movement, New Age has evolved over time and not all members believe the exact same things. However, they pretty much all believe that getting on the spiritual evolution train means following their practices and subscribing to their beliefs.
Modern New Agers still perpetuate colonialism by presuming to understand what other people’s religious traditions are about better than they do.
Modern New Agers are huge fans of the ancient aliens hypothesis, which has always been racist bullshit.
So yeah, it’s still spiritual eugenics, and it’s still racist as hell.
They are constantly spiritualizing health conditions. Like being tired and sad all the time is supposedly an “ascension symptom.” Tinnitus is supposedly the universe trying to communicate with you. Symptoms of autism and ADHD supposedly mean you’re a starseed, indigo child, crystal child, or whatever else.
Starseeds, supposedly, are alien beings who have incarnated into human bodies in order to help Earth ascend by spreading New Age teachings. Basically, they’re missionaries from space.
New Agers claim starseeds were attested in many ancient traditions (especially Egyptian and Mesoamerican), but not a single one of them can produce a single scrap of evidence to substantiate this. (Literally the oldest text I’ve ever been able to locate that contains anything resembling a starseed is The Martian, an 1898 fiction novel.)
See how the racism just keeps compounding?
New Age is deeply tied into right wing conspiracy theories. The New Age to alt right pipeline is well-documented phenomena.
New Agers push spiritual bypassing and toxic positivity like whoa nelly. Some of them are worse about it than others, but it’s an extremely common thing.
A lot of them believe in what’s in The Emerald Tablets of Thoth the Atlantean (not to be confused with The Emerald Tablet), a text that popped up in the early 20th century and claims a guy from Atlantis took over Egypt and taught them Atlantean spirituality. (This is very much in contradiction to what Plato said about Atlantis and Egypt, btw.)
New Agers are deeply into the Law of Attraction, which derives from New Thought, which is basically what happens when a bunch of rich fucks who don’t understand economics decide to spiritualize wealth.
And of course, there are the SCAMS. New Age is absolutely rife with scams, from people selling chunks of glass as powerful crystals for hundreds of dollars (the so-called “Andara crystals”), to people claiming to have “ancient wisdom” or “Native wisdom” they just made up, to all kinds of medical scams.
So yeah, no, there’s no good reason to respect New Age beliefs, because they are rancid.
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mydetheturk · 5 months
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your requested reminder to post knives going nuclear on zazie when you can :)
ok so im going to be reblogging this to the body horrors week later cause. uh. well. knives. quite literally goes nuclear?
all of these screenshots are from the overhaul project cause i haven't managed to catch the dark horse digital editions on sale yet, though i'll provide the dark horse translations where i can because i have physical copies, and the dark horse translations are imo clearer here.
there are ids in all the alt texts for the photos, it's why this took several days longer than i'd originally planned -finger guns- alt texts might look a little weird in the first set btw - tumblr started eating the photoset and i had to spend an extra half an hour fixing it -finger guns-
the pages are volume 11, pages 90-92, and 114-17, because a lot of the pages in between are leadup pages and also have the zazie control worm. thing.
pages 90-2 are the distant explosion (you can click on the first image and see it in the photo viewer, if for some reason it will not view in dashboard mode. But it does exist!)
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(on page 90, dark horse is a lot more specific, with "the northeast sky is glowing" instead of "the whole sky is glowing". the other two boxes with text read "what is--?!" and "oh my..!" respectfully as if they were cut off mid sentence.)
so uh.
knives went uh.
literal "nuclear bomb exploded just above a town"
because he kind of did. Unlike a true nuclear bomb, he did not form a mushroom cloud, but the metaphor is still there. that is a nuclear metaphor
per pages 114-117 (pages are from left to right, read the pages right to left. sorry)
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(legato's speech bubbles on page 114 in the dark horse edition read: Survival of the fittest is the law of nature. What is about to happen now is a just a logical extension of that. Be very afraid. You are in his presence. Did you not notice, Leader of the Sand Worms?
It reads very differently, imo, more like Zazie was caught up in their own plots and schemes to realize the control worm didn't work. Legato is also telling Zazie that Zazie should be afraid of Knives. Okay? Not asking if Zazie is afraid. Telling Zazie to be afraid. Like some sort of reverse "Be Not Afraid" from the bible.
Zazie's thought bubbles on page 115 are translated as "the dark hole is swallowing the poison" which reads more like knives made a black hole. given the visuals? that sounds more likely. Black holes, as a real life thing that we know about and have tried to study, are often referred to as swallowing things that pass too close. knives made a mini black hole to eat the poison from the sand worm venom. knives has consumed the dependent plants.)
the fact is, as a metatextual read, plants are nuclear reactors. independent plants are walking nuclear bombs. Nightow did this on purpose. We're meant to read them as something nuclear.
This is, as i was saying to @needle-noggins the other night when i was working on it in an attempt to get more of the alt texts written, a casual display of power. Knives is throwing a hissy fit! Knives is throwing a multi-megaton display of power because Zazie tried to take him over with the control worm. Page 91 had needle-noggins and i speechless because on the low end that tower of debris from the explosion is (if we did the very, very rough math right) THIRTY MILES TALL. Twice as tall as the tallest mountain in the solar system, Olympus Mons! or roughly five and a half times as tall as Mount Everest. On the outside, because we figured its anywhere from 25-30 times taller than the cloud cover, it could be up to thirty seven miles
Over halfway to space on earth.
like.
I know we love the independent plants and all. But Holy Shit. just.
holy shit
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theimaginatrix27 · 7 months
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To anyone in the position to edit future non-fandom wikis, from a blind fan
I have run up against this issue on the Star Trek Fandom wiki (I know Fandom is bad, if there's an alternative wiki for the Star Trek franchise please please point me to it), but I hope anyone else who edits/will edit any wikis for (particularly live-action) fandoms will hear my plea.
On behalf of all blind fans, I implore you:
When creating/editing a character's page, provide a physical description of them.
Yes, even if there are pictures. Blind people can't see those. Alt text for those pictures would also be nice because screen-readers can read alt text, and it's not always visible to a sighted person who just wants to check a thing real quick.
Yes, even if they basically look like the actor playing them. We also cannot see what actors look like, funnily enough.
Yes, even if you think some things are obvious. You never know what someone might have missed when watching the show/movie or playing the game/watching a let's play. Especially if they're blind/low-vision viewers.
Yes, even if you personally find it annoying. Wikis are an excellent reference if done well, and can be very helpful for reminding people of stuff, and for helping blind fans like myself know what something looks like, so long as the description is there. We find it annoying when there isn't all the information on a wiki page there could be.
Sincerely, a blind Treky who has looked up the pages for several characters on the Star Trek wiki this past week to try and find out for suresies what those characters looked like, only to find there was no physical description section. The races get them, which is great and mostly helpful (but why do they talk about Cardassians having grey skin most of the time instead of scales? I got tripped up by that—though not in anything I've posted yet thankfully!). But that only gets you so far for specific characters! I can't keep relying on fanfics and the kindness of sighted friends with lives who can't always be reached when I need the information to find out for certain what colour Miles O'Brien's eyes are, or Kira Nerys's hair, and sometimes fanfics aren't accurate about descriptions, and I could be basing my entire perception of a character on something I read in a fic once! And I won't know if I can't look it up!
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Alt text: Please note repeated tags and numbered tweets indicating thread progression have been omitted. 
Twitter thread by user G’raha Tia @/graha_tia on Jan 1, 2022
RADZ-AT-HAN SCENE ANALYSIS: G'RAHA TAKES CHARGE (and makes the fans collapse into a collective sobbing heap) 
G'raha's flight, fight, or freeze response is 'Assume Full Command and Take Charge of the Situation' and I think it's the most amazing thing.
The guy is surrounded by people who are literally exploding into horrifying, rampaging monsters & the leader of those people was just devoured alive in front of him, and he kicks into high gear & gains control of everybody in under twenty seconds.
It shows his leadership experience as the Exarch, and how many crises and horrors he must have endured throughout his time during the 8th Umbral Calamity and the Flood of Light on the First. Everything about the scene is so perfectly done, too.
G'raha doesn't just pull out his weapon and start screaming orders - he positions himself in the middle of the space so everyone can have a clear line of sight to him, and he to them. This not only makes it easier for everyone visually, but places him at a vulnerable yet defendable point of reference - everyone (including the Blasphemies) can get to him with relative ease and he, as both a healer and combatant, can get to them quickly if needed. He straightens his posture, pulls back his shoulders, tucks his chin a little, and starts speaking slowly from his chest and diaphragm-which drops his pitch half an octave, adding bass & power, and makes his voice carry without much effort and with absolute clarity over the shrieks of the Blasphemies and the sounds of fighting. 
His commands are simple & concise, which is vastly different from his normal talkative demeanor & shows his familiarity with similar situations - after all, it's hard for people in crisis mode to listen & process anything complicated. He's able to break things down to short, digestable phrases: "defend this point", "run here for safety", "REMAIN CALM," and makes it very easy for people both panicking & fighting for their lives to understand & follow.
He has such a strong presence that everyone around just instinctively listens - not a single person questions his authority or decisions, despite most of them having no clue who he is. He establishes himself immediately as a steady rock in the middle of the (almost literal) storm, and even the people who don't know him can feel his reliability & gravitate towards it. The entire scene is just absolutely perfect to me, from the animation & cinematography, to the superb voice acting, to the music and sound design (the cries of the Blasphemies [were] positively bone chilling)... Phenomenal, and one of my favorites from the expansion, not only because it's G'raha. 
A visceral, horrifying experience that compounded & solidified the dire nature of the situation into players' minds, and started a long chain of even more terrifying scenes of tragedy (because objectively the Palaka's Stand arc was one of the most distressing). 
But despite the fear & dread the story always reminded us that even the darkest moments had light. 
Whether it was G'raha standing tall in Radz-At-Han, the WoL & twins fighting their way to Palaka's Stand, or even dear Matsya & the teachings of his faith--it was a constant, well-executed reminder to keep the hope. 
Anyways thanks for coming to my TED talk! 
I'm so happy to have experienced such a phenomenal, thought-provoking, heartfelt story and honestly have much more to say about everything, but perhaps that'll be for another time. <3
Attached at the end of the thread is a meme image of a man sitting at a table on a campus. The sign on the table reads “ENDWALKER IS THE BEST YOU CAN’T CHANGE MY MIND”
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This thread perfectly encapsulates why this moment was so powerful! It also is so COMPLICATED, character wise, because just before he takes charge, he sighs and it sounds distorted to me, like the voices of those who are beginning to succumb.
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