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#// god this was so much fun!!!
maxgicalgirl · 3 months
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Being a “Fun Fact !” kind of autistic is all fun and games until you get halfway through sharing an interesting tidbit and realize that it probably wasn’t appropriate to share in polite company and now you have to deal with the consequences :(
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machinerot · 5 months
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fifizero · 13 days
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pajamas !
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kizzer55555 · 2 months
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DP x DC: The Most Dangerous Card Game
Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter. 
Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.
The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge. 
And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).
And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game. 
Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.
(The most intense card game of the Justice league’s life).
After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely). 
Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.
#DPxDC#dcxdp#Danny makes a card game to save the world.#Technically he worded the ritual so that they had to ‘beat’ him as those are the most powerful barriers and most reliable.#keys can just get lost or stolen (like the one to Pariah’s Coffin)#A riddle would be useless once someone figured out the answer. Like how no one takes the sphynx seriously anymore.#(Sorry Tuck. But it’s true).#And there is NO WAY Danny is just leaving a hole open for anyone to pass through. No thank you!#So…beating him. But it’s not like Danny wanted to fight so…he edited the ritual a TINY bit. Card games are good. Much less painful too.#Danny Tucker and Sam made the most complicated card game they could imagine.#It’s based on their strategies for fighting ghosts. Capturing them in thermoses. And MUCH based on a on field battle strategy.#It often requires spontaneous thinking on the spot. So Danny? In his ELEMNT. It doubles as practice for his actual ghost battles too.#They had SO much fun making this.#Sam added an entire series of plant cards that act as traps and healing ointments and duds that just take up the field.#Tucker added legitimate hyroglyphics combined with Latin as well as English and ghost speak.#Yes. You actually have to speak that language to play. With proper pronunciation. (Amity Parker’s think the three are talking gibberish.)#I headcanon Sam and Tucker are fluent in Ghost.#Constantine WILL figure this game out SO HELP HIM!#Some of the cards also have combinations related to constellations either in name or placement on the board.#By the way the board is based on a Hexagonal summoning circle with Rhunes along the edges#And the placement of the cards on the board and on what rhune MATTERS.#Also the cards move disintegrate and have certain abilities. Think of Harry Potter Wizard Chess.#But they are normal when Danny plays at school. This is just for ✨effect✨ Against invaders.#Danny faces multiple opponents. He also halts alien invasions.#While Danny COULD stop crime on earth he’s not sure how to fight a normal human and hold back so he sticks to ghosts.#The Justice league are going crazy trying to figure out who this entity is and after deep research are convinced this is some sort of#Ancient being who has protected earth for millenia. They have paintings on ruins and everything.#Danny is not aware they think this.#Raven starts praying to Danny as if he is a god and wrangles the other Teen Titans into doing so as well. Danny is still unaware of this.#Danny is not a King or an ancient. Just a very VERY strong ghost.
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salamispots · 15 days
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a rug hook commission for @stickynotebirds! :O (who also drew the original sketch/design and I tweaked it a little bit)
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cowboyweevil · 28 days
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"No air-traffic this morning, honey. But it's still fun to break out the equipment now and then!”
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suntails · 1 month
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toot toot!
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neon-ufo · 1 month
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shy horse 🦋
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tubbytarchia · 4 months
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The bloodied moon cried for you, but you only heard the stars The weeping moon then bled for you, but you only saw her scars
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socvinc · 2 months
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Dungeon Meshi sketches... chilchuck and senshi my beloved
(close-ups)
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cuddlytogas · 3 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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lazycranberrydoodles · 7 months
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english translation book 5 baby we are in the ‘people assuming kid form hua cheng is xie lian’s son’ era 🔥🔥🔥 / follow for more hualian silliness
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isjasz · 3 months
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Siren Grian and Pirate Scar? Also I love your art.
And do you agree that Grian needs to admit that his season 10 self is a fish.
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[Day 231]
Maybe he reincarnated as a siren with no memories and found Scar again out of chance or fate or smth, then proceeds to attempt murder
(also yes I absolutely agree, he's been cod truthed by so many players he's gotta admit it himself at some point /SILLY)(and tysm :D)
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mumblesplash · 1 year
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ok @ artists i want to know if i’m in the minority here
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ayo-edebiri · 1 year
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That's the best idea ever
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mediumgayitalian · 2 months
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“Oh, fuck.”
The clatter of her practice sword on the ground is almost louder than the crunch that rings out from his wrist. He inhales sharply, biting back a shout — no matter how many times it’s happened, he will never get used to breaking a bone. That shit hurts.
“Fuck, fuck fuck. Fuck, Seaweed Brain, is it broken?”
“Think so,” Percy grits out. He tries for a smile, and Annabeth matches it, small and worried. He leans into the hand she cups over his cheek. “Not too bad, though. If I just dump my water bottle on it —”
“Absolutely not. Water healing leaves you achey when it rains, you know that.” Shifting to wrap her arm around his waist, she helps him stand, shouldering some of his weight like it’s his ankle that’s broken. He lets her, reaching down to squeeze the hand resting on his hip — I’m fine. We’re good. She turns her hand to wrap clasp their hands together — Okay. If you’re sure.
They walk together to the infirmary, taking their time. Aside from the pain pulsing from his arm, it’s not too bad — camp is as balmy as usual, and the spring break energy is practically visible, it’s so potent. The Demeter cabin has plants growing everywhere, flowers and fruit trees blooming as bright as a box of new crayons, and the air is filled with shouts of laughter and teasing. Annabeth’s steps fall in time with his, and she’s a comfortable warmth at his side, pressed from shoulder to hip.
“You still okay?”
“Yep.” He catches her eye, smiling crookedly at her. “Doesn’t even make my top fifty.”
She rolls her eyes, hipchecking him. “Don’t I know it, ya klutz.”
“Not sure I would call being flung from the St. Louis Arch being a klutz. Or exploded in a volcano. Or crushed under the sky. Or slashed by giants. Or chased by —”
“You’re talking, but all I’m hearing is Annabeth, please, please pinch me, as hard as you can —”
“Hey! Get those claws off me, gods you’re worse than an empousai —”
“— and when you’re done pinching me please put me in the tightest headlock you can manage —”
“I am injured! You are beating up an injured person right now!”
“— and then please just bite a chunk out of my shoulder —”
“Cut it out or I’m telling Mom!”
“Wimp,” she taunts, finally releasing him. “I don’t go running to Sally every time I lose a fight.”
“Wha — you do so!”
She ducks through the infirmary door, smirking like she can’t hear him.
“You literally — you snitched on me last week! I got grounded for two days!”
“And you deserved it,” she says primly.
He gapes. “I did not!”
“Anytime you two are done,” Kayla drawls, shoving a clipboard at them. They accept it with matching sheepish grins, cowed at her perfectly arched eyebrow and slowly tapping foot. “I got patients to deal with and older brothers to harass. Let’s get this moving.”
She is shockingly good at humbling people for a thirteen year old. The two of them turn to their clipboard, chagrined, letting her stomp away with an exasperated He’ll be with you soon! Don’t set off the sprinklers again!
“That was one time,” Percy mumbles, ears reddening.
Annabeth pats him on the back. “There, there,” she says mockingly. “The fact that it was one time definitely negates the fact that you flooded the entire Big House because you got jumpscared by a child.”
“Harley can be sneaky, okay. Let me live.”
“Literally no.”
Annabeth does most of the paperwork for him, ‘cause she’s a nerd because his wrist is far too swollen for him to write properly, so it takes maybe half the time it normally would. The infirmary is crowded as Hell, though (he knows, he’s been), so they settle in for the wait, amusing themselves by tearing little pieces off of a blank form, balling them up, and tossing them in increasingly harder places. Percy is winning 7-4, although Annabeth might just pull through if she manages to toss her paper ball into Travis’ wide-open snoring mouth.
“Hey, guys. Sorry for the wait.”
Aw. She missed. Percy was looking forward to that.
“Hey, Will.”
He drags his attention away from the son of Hermes to greet his friend, but frowns before he can open his mouth.
“Woah, dude, you good? You look exhausted.”
Will snorts. “Welcome to spring break, man.” He holds his hand out for the clipboard, scanning it briefly. “Sparring injury? Oh, thank the gods. I could use a break. Here, face me.”
He climbs up onto the minimal left over space on the cot, tucking his legs under his thighs. Percy turns to mirror him, hesitantly sticking out his arm — A break? he mouths to Annabeth, meeting her eyes over Will’s head.
She shrugs.
“Just spent four hours putting Jake’s nose back on his face,” Will mumbles, placing a careful hand on his fingertips and his forearm. Percy flinches — his skin is blisteringly hot. Like someone just dropped a hot stone onto him. “I never want to sing a skin cell hymn again in my life.” He prods at Percy’s wrist for a moment, gentle enough not to hurt. “Okay, hold still, I’m gonna fix ya right up.”
Healing hymns are familiar, by now, but Percy will never get tired of them.
The cool thing about ambrosia and nectar is that as pleasure food for the gods, it’s pleasant. It’s whatever taste you want, whatever you need to have most, you get it. But healing hymns are intentional the way nectar and ambrosia aren’t. Ambrosia and nectar happen to be healing for demigods — healing hymns were constructed to knit you back together, like you mother smoothing a bandaid over a skinned knee. They’re warm and sweet and deeply, endlessly comforting in a way most things simply cannot claim to be. They don’t feel like a medical procedure or a hasty patch job, they feel like someone gripping you tightly and promising you’ll be okay. They feel like getting carried to bed when you fall asleep on the couch. They feel like sitting down after hours of standing, like a drink of water when your throat is drier than sand. Healing hymns draw the pain and sick and ache from your body, and they feel like relief.
But this time, Percy can’t focus on it.
With every word, Will seems to get a little duller. Nothing like the horrible ash-grey he went in the war, dragging the poison from Annabeth’s body, but like his usual sunny disposition was dialed down a few notches. Enough that Annabeth frowns in concern, drumming her hands on her thighs, watching him closely.
“There,” Will says, pulling away. Percy turns his now-healed wrist, noticing the slight pant to Will’s breath, the strain to his smile. The shake of his blistered fingertips.
“You look overworked,” Annabeth says quietly.
Will holds his hands up in a what can you do gesture. “Spring break.”
“You said.”
“It’s just busy, is all.”
“Yeah, but —”
“Guys,” he interrupts, smiling tiredly, “there are two hundred ADHD demigods at this camp right now who have been trapped in a classroom for six months. There are three of us. I’m going to be a little drained; we’re all a little drained. But I’m fine, okay?” He gives them a second to scrutinize his expression, eyebrows raised in amusement. “I have been running my infirmary for years. I know how to pace myself, and I certainly know how to make sure my siblings are pacing themselves. If something goes really wrong, Chiron is a whistle away. I can go longer than you guys without sleep, anyway. Apollo kid health.”
“If you say so,” Percy says reluctantly. “I just — I can wear a wrist brace, man. Not every injury needs to be handled when it happens. You can tell people no.”
“I appreciate that, Percy, and I’ll keep it in mind. Anyways, I’ve got more patients. Stay off that wrist for the rest of the day, okay? It might be tender for a bit.”
Percy turns to Annabeth as Will leaves, frowning. He’s has never noticed the so-called spring break stress before (his camp spring breaks are usually a blast, but now that he’s thinking about it, he can’t think of a single spring break where he spent any time at all with Will, which is odd), but it can’t be good for him. There’s gotta be something they can do to ease some of the bruising under their friend’s eyes.
“I could set off the fire alarms again,” Percy suggests. “That’ll certainly get this place cleared out.”
Annabeth snorts. “I think that’ll cause more harm than good, Seaweed Brain. It’ll just fall in him to clean it all up, after.”
“Shoot.”
Percy counts nine of the forty cots currently unused. Will, Kayla, and Austin are rushing from cot to cot, handing out nectar, wrapping bandages, rattling off hymns at light speed. All three of them look exhausted, squeezing shoulders when they pass each other, knocking hips, exchanging tired smiles. This is so clearly something they’re used to.
Annabeth’s head rests on his shoulder.
“It wasn’t always like this,” she whispers. “When it was fully staffed…”
Percy exhales heavily. Yeah. He remembers. There was a lot less complication, once upon a time. The most chaotic the infirmary would get was when Lee would challenge his siblings to Hymn Karaoke — trying to heal with pop songs. There was a lot more laughter, at one point. A lot more people.
Percy sighs, squeezing his eyes shut. It never does well to dwell, but he — gods, he wish they all had more time. To sit with it, to acknowledge…everything. Siblings. Friends. A camp that’s smaller than it’s supposed to be.
Annabeth squeezes his hand again, and he squeezes back, resting his head on top of hers.
“Hey,” she murmurs after a moment, pursing her lips at the front door. “Look.”
Slinking through the entrance like a criminal is Nico, in all his dork ass black camp shirt glory. He looks around shiftily, like he’s trying to make sure no one sees him, and when his gaze lands on Percy and Annabeth his eyes widen. Annabeth smiles at him, but it does nothing to ease the spooked look to his face, back arched like a startled cat. He turns to leave, but before he can slip back out the door —
“Nico!”
The son of Hades whips back around so quickly he brains himself on the doorframe. Percy ducks his head and bites his lip, hard, because he can feel Nico’s glare at the side of his head like the press of hot coal, and if he laughs as badly as he wants to then the infirmary is about to look like a Spirit Halloween.
Will turns back to his patient, squeezing his eyes shut and rattling a hymn off so quickly it makes a burst of light pop from his whole body, and rushes over to where Nico’s standing. He only trips over two things, which is remarkable for him. Percy would be proud if he wasn’t a little embarrassed on his behalf.
“Nico! Hi!”
“He-ey, Will,” Nico says, voice cracking badly on every vowel. Annabeth shoves her face into Percy’s shoulder, body shaking.
“I didn’t know you were coming! I thought you were in the arena all day.”
Nico shrugs, shoes scuffing the floor. “I am. I just — uh, I got hurt? So. Came to see you.”
Will’s beam is so bright it hurts to look at, a little. Percy squints and realises that’s not just the excitement, actually — he really is glowing, faintly. His hands flap slightly at his sides.
“Well, you’re in the right place, then.”
“Yeah.”
Neither of them say anything for a minute, rocking back on their heels. Will watches Nico closely, biting his lip. Nico looks resolutely at the floor.
“We weren’t this bad,” Annabeth whispers, “were we?”
Percy shakes his head. “Nah, there’s no way.”
“Gods. It’s so — I don’t know whether to smile or take a dip in the Lethe. It’s embarrassing and endearing at the same time.”
“Painful to watch, but I can’t stop looking,” Percy agrees.
“What’d you hurt?” Will asks, finally. “Did you pull your shoulder again?”
A look of panic flits briefly across Nico’s face until he smooths it to something neutral, aloof.
“Yep. Totally. During — sword fighting, I swung — I did this really big thrust, actually. Just — hugely powerful, training dummy exploded on impact.” He clears his throat. “Some might say too powerful. If you can imagine.”
Percy cradles his head in his hands. “Oh my gods — ”
“Don’t laugh don’t laugh don’t laugh,” Annabeth chants, “oh my gods, don’t laugh —”
A light flush dusts Will’s cheeks. He brushes a strand of hair behind his ear, fiddling with his earrings. “Woah, really? I’ve never heard of that before.”
Nico smirks, standing up a little straighter. “Well, it’s not the first time. I tend to go pretty hard.” Remembering his supposedly hurt shoulder, he exaggerates a wince. “Too hard sometimes, I guess. Could you do the — the energy thing?”
“Oh — gods, yeah, sorry. Hold on.” He stares at Nico’s shoulder, hesitating. “It, um, works better with skin-to-skin contact.”
“I have seen crystal vases less transparent,” Annabeth says, aghast. “In two years he’s going to remember this and try to drown himself.”
“I will be counting down the days,” Percy says gleefully.
On rare, rare occasions, the gods answer his prayers. Clearly, both Nemesis and Aphrodite are looking at him kindly today. Percy makes a note to scrape some of the good stuff off his plate for them both today. Hell, maybe he’ll skip the portioning and toss them an entire roast chicken each. Or something. They deserve it.
Will places both hands — interesting, Percy notes, his wrist was snapped cleanly in two and he only needed one hand, wonder why that was — on Nico’s shoulder and closes his eyes, screwing up his face in concentration.
“Huh. I’m not feeling much damage. You said it was your right shoulder?”
“I heal quick,” Nico says loudly. “I mean, some of the damage might have — um.” He clears his throat. His face glows a faint crimson. He clears his throat again. “Y’know?”
Will’s face is a similar shade.
“Right, right. Yeah. Um, brace yourself.”
Instead of starting to sing, Will closes his eyes, holding completely still. After a moment, the tips of his fingers begin to glow; soft, ambery yellow, flickering like lit candles. He opens his eyes again and focuses intently on Nico’s bare skin, tracing patterns around every defined muscle, leaving a trail of light behind. He lingers, for a moment, when he connects the last string of light, waiting until it has faded entirely from Nico’s skin to remove his hands and shove them in the pockets of his coat.
“That better?” he asks softly.
Nico swallows. “Yeah.”
“Good. I’m glad, Nico. It means a lot that you — came to me. When you needed it.”
“I trust you, I guess.” Nico looks away. “You know what you’re doing.”
“I think I just threw up in my mouth a little,” Percy says thoughtfully.
Annabeth laughs, shoving his shoulder. “Don’t be mean.” She pauses. “Me too.”
With a sigh that can only be described as besotted, Will steps reluctantly away.
“I have patients,” he says, in the same tone of voice Percy usually says I have midterms. “So I gotta…”
“Yeah, no, go. Do your —” Nico gestures vaguely. “Doctor thing.”
“Right. Yeah. I’m gonna — go.” He turns, walking back towards a group of Hephaestus kids who appear to be tightly entangled in some kind of net. After a few steps, though, he pauses, biting his lip, then darts back over to Nico, pressing a lightning-fast kiss to his cheek — “Um, bye. Thank you for visiting. Bye,” — and then runs back over to his siblings, shy smile on his face.
Nico’s jaw is brushing the floor of his father’s palace. He stands, still as a statue, for four entire minutes.
“I think he just died,” Annabeth observes, eyebrows climbing higher and higher up her forehead with every passing second “Damn. Survived so much only to literally die because a cute boy kissed his cheek. A true hero’s end.”
Percy, because he is a kind, concerned friend, clears his throat loudly.
“Yo, di Angelo, you alive?”
Nico startles so violently he falls right over. Percy shoves his fist in his mouth to keep from cackling.
“Shut the fuck up,” Nico hisses venomously, scrambling upright. “Both of you, shut the — not a word —”
Percy and Annabeth make the mistake of looking at each other and simply erupt. Percy can’t feel his stomach. His lungs have abandoned ship. He’s glad as hell he’s in the infirmary because he is heaving for breath, tears streaming down his face, entire body convulsing. Nico stands in front of them literally shaking with rage, entire body redder than one of Apollo’s sacred cows, trying and failing to string together a threat that will ease any and all of his suffering. Annabeth screeches, almost falling off the bed as she cackles. Percy cannot even find the strength to catch her, his muscles are so weak.
“I fucking — I hate you! Both of you! You’re dead to me!”
“Your face!” Percy shrieks.
“Percy Jackson, I am going to turn you to fucking dark matter! I despise your very essence! I —” He stomps his foot. “I’m leaving, and I’m going to leave a rotting corpse in your cabin! Screw you!”
“Oh my gods,” Annabeth wheezes, digging her nails into his arm. “Oh my gods, that was —”
Percy wipes a tear from his eye. “I love being alive. I love being alive so much.”
“It really is great.” Composing herself, and biting back the leftover giggles that keep bubbling out, Annabeth looks back towards Will. He stands much straighter, now, smile back to full brightness. His siblings, too, look rejuvenated, snickering to each other and making kissy faces behind Will’s back. “So many beautiful things to witness. I’ve never seen his face go that red.”
Percy sighs. “This is genuinely going to carry me through the semester. I think his soul died a little. And Will just — gods, that kid is bold.”
“Oh says you, Mr. Do I Get A Good Luck Kiss.”
“Hey, I earned that.”
Annabeth grins, punching him in the shoulder. He grabs her wrist and tugs her towards him, chasing the curve of her smile. She laughs into his mouth and it taste like strawberries and freedom, and he presses a kiss to her cheek, to her jaw, and the side of her neck, resting there, breathing against her skin. After a moment her hands come up and slide in his hair, gently untangling the knotted mess.
“He is one thousand percent going to put a zombie in your bed, you know,” she says after a moment.
Percy snorts. “Yeah, I know.” He smiles. “Worth it.”
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