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#your beliefs - you can change! but you need an actual belief system to hold political movements and organizations against.
badolmen · 7 months
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I think one of the hardest things for privileged leftists have to learn is that they can’t just automatically agree with the majority. They can’t just automatically agree with the opinion of the POC, the queer, the Jewish person they’re interacting with in the moment because ‘they’re the experts in their own life.’ Which is true! But there is no monolith. POC and queers and religious minorities are not some mystical pure hivemind that always agree on everything and have correct opinions all the time. People are people. What one person finds offensive another might not care about.
I feel like it’s very evident these days where you have some people of a minority saying x is bad and some people saying x is good. Which is correct? Well, you have to educate yourself and make a critical assessment of the arguments before coming to your own conclusion. But now you have leftists who are desperate to be the most agreeable person in the room with the ‘right’ opinions who waffle and fail to organize in any meaningful way because they refuse to let the subject at hand have meaning for them, personally. They’re so busy ‘listening’ to minorities they’re not actually thinking about what they’re hearing, they’re not processing the biases underprivileged people can still carry, they’re not critical of reactionary politics or propaganda so long as it’s what the people immediately around them agree on.
Grow a spine, pick a side, and actually have a framework for your political and social involvement other than ‘let’s be real niceys with everyone :)’
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recent discussions of zionism have been making me think a lot about the way your worldview is influenced by the information youre given. like, obvious. but i think it would be fair to say that most people who hold heinous views do because they think it's a moral necessity. like, the average white racist is participating in a hundreds-of-years self-sustaining dialogue of heavily doctored or completely falsified knowledge out of which beliefs about a lack of humanity or a fundamental danger of other races is a rational and morally important belief. the average sexual conservative does believe gender deviancy and sexual freedom pose a danger to their children. theyre told this and given believable examples. i think the majority genuinely do believe this and aren't just using it as an excuse when challenged. likewise the average liberal zionist isn't just mindlessly bloodthirsty, there's a narrative of both facts and doctored information that informs their understanding of events, and within that narrative they're behaving completely rationally. the problem with trying to bridge the gap between less-true narratives and more-true narratives is that a major challenge to a person's fundamental worldview is invariably going to be rejected especially concerning one's own safety or the safety of the vulnerable. if you were trying to argue with someone and said, like, "joe biden literally was never president of the united states." "the sky was red last week." it would be completely reasonable for them to be like, wow you're a nut who is so divorced from reality theres no point in ever talking to you. or i guess a more equivalent statement would be, like, "actually people love to be raped." like, that's the exact same level of real & rational.
& as far as i can see the cure to this is materialism, right? for anyone whose beliefs are based in any kind of internal logic the bridge is naturally to prove the value of whether things have been proven to be true, by who, how reliably. i think most people have an approximate instinct to this effect, tempered by an understanding of systemic bias, and thats why people will categorically believe something said on fox news but not by a dancing young adult on tiktok, or vice versa. people need to understand the relationship between provable facts and things that happen, and how to keep confidence scores on different narratives and what biases might inform different narratives. all of those were things i "was taught" in school, but being told to trust the facts from conservative or liberal authorities who are evidently also selective in their narratives comes across more as gaslighting than the natural pursuit of truth; i feel confident saying this is probably true for anyone with any kind of view whatsoever,0 which is the main reason i don't feel at all confident in the idea of like "reeducation camp" type politic. i think in terms of highly selective narratives trying to split the difference between trusted authorities (trusted to fundamentally understand the same truths as you) and someone who is able & interested in introducing a radically new narrative would be really fucking difficult and necessarily really individualized, so barring that i don't really think it's a possible pursuit using institutional power. i think organic & large scale interest in a nuanced & true narrative, an interest in & education on how to convince other people to come to nuanced conclusions, and a system in which the rational thing is to be kind, is the only realistic way to make people in aggregate want to stop holding shitty views. like, you can make it more costly to be shitty, and that way it doesnt matter what they actually want, and historically that has worked. but also like, past a pretty modest threshold, just makes people even more resistant to changing their minds.
anyway i feel like any discussion about, like, "what to do with all the racists and misogynists and rapists after the revolution" or "whether someone being racist is bad or fine if its only when theyre in psychosis" or whatever that comes to any conclusion other than this either just sucks or is kicking the can down the road
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indyscot1 · 2 years
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>>> COMMON SENSE VALUES <<<
I'm a socialist, I believe in the common good, in a belief that there's plenty to go around and that inequality is what holds society back and creates many of the societal ills that we see.
Everyone knows the simple argument that proclaims, "You are poor because they are rich". We can't solve these problems by communism, the fact that we have a wide range of incomes throughout society will, certainly for my lifetime, continue to be the case. However, if we can bring everyone up a few rungs then those that stand at the bottom of society's ladder wouldn't suffer so much.
So. what's the problem? The problem is greed. We have a section of society that simply think of themselves and don't give a toss about anyone else. They don't make the connection between low living standards and poor health, crime statistics, drug and alcohol abuse and a whole range of factors that actually have a profound effect on their lives. That's because no one has ever bothered to explain it to them.
The message that cuts through is the old "I'm alright Jack" mantra that seems to give people who are doing okay the excuse to accept the poverty, starvation and deaths that are going to happen as "just one of those things".
As a society we need to grow up and value those at the bottom of the ladder. Even the person who sweeps the street does an extremely valuable job for each of us.
I have no problem with someone who owns or runs a company having a decent income but for some considerable time now we've been seeing people in that position who couldn't spend what they've got in several lifetimes.
I ask how a CEO can take hundreds of thousands from a company when over a third of their staff is on minimum wage. What's wrong with taking a little less and paying those staff that their company relies on a boost of a few hundred pounds which will make a massive difference in their lives whilst leaving the CEO still able to enjoy the lifestyle they already have?
When we run through the problems of our society, greed is normally at the core.
Brexit is about greed, the cost of living crisis is about greed, the huge increase in the fuel we use for our cars, vans and lorries is about greed. Hence the cost of everything goes upward and eventually only those who have been the greediest survive.
We have a tax system that is presently run by the tories who always cornered the market in greed so there's little chance that they would bring in a progressive tax system that helped balance the whole of society. It's just not in their DNA to do such a thing.
Without a proper solution to this, we're heading into a storm which will rip our society apart. If we in Scotland remain as part of the UK then we will suffer the same fate as other parts of the UK.
If we disconnect the economic and political links to Westminster then we'll be free to create a society based on equality by having a truly progressive tax system. You can't control greed, that's impossible, but you can at least remove the fruits of greed and redirect that fruit to those who need it.
I can just hear the cries of those who would say, "I've worked hard for my money and object to that money being given to those who do nothing". The truth is that many of the people who say that haven't put in a decent hard days work in years. They don't know what real hard work is and should have to spend a month whilst at school sweeping the streets or emptying the bins to teach them what a real days hard work is all about.
If we continue on the road we're on then the problems that we're witnessing are just going to get much worse. Independence on the other hand would force a much needed hard reset and a change in the attitudes that have caused the problems.
Always yours for Scotland,
David Milligan
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astrowitch-k · 2 years
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Death (13)
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Element- Water (Cancer, Scorpio, Pisces)
Death as people- Funeral directors, hearse drivers, hospice staff, grievance counselors, debt collectors, bailiffs, bounty hunters, assassins, political extremists, despots, dictators.
Yes/No- No
Upright meanings:
Endings, mortality, profound change, letting go, severing ties, it’s over, the end of an era or cycle, failure, loss. For some: transformation, renewal, rebirth, the breaking of old habits, spiritual transformation, new beginnings, change, transition.
-General interpretation: Although it is the Tarot card that many people fear, Death generally does not mean physical death. As a rule you should never predict deaths (or the outcomes of illnesses or pregnancies for that matter) as a Tarot reader. It is unethical and irresponsible. Aside from the ethics, The Death Tarot Card usually signifies spiritual transformation and a time of change and new beginnings, not actual death! The transformation or change that Death can bring can be difficult, unexpected, sudden or even traumatic but it will bring with it a new lease of life. Its best to try not to resist the change the Death Tarot card brings as resisting it will only make the transition difficult and painful. Instead try to embrace the change as a fresh start. This Major Arcana card can also signify the need to let go of old issues or beliefs when it appears in a Tarot spread. It may be telling you that you need to draw a line under the past in order to move forward in a positive direction. A Death card transformation can be a bit of a shock to the system but ultimately it’s a positive one.
Reversed Meanings:
Inability to move forward, fear of beginnings, repeating negative patterns, resisting change, dependency, delayed endings, holding onto to what is decayed, resistance to letting go, a long terminal illness, depression, living unaware, going through the motions, resisting change, repeating mistakes.
-General interpretation: In a general context, Death reversed indicates that you are resisting a change that is necessary for you to move forward. Nothing new can begin while you are holding on to this old negative energy. Death indicates that while you are finding it difficult to let go, once you do, new energy will come into your life to give you a new brighter beginning. The change the Death Tarot card reversed brings is not something you can resist forever, if you keep holding onto the things you should be letting go of, the universe will find a way to push you on to your life path in its own way. The universe’s way of getting you to where you’re supposed to be, if you resist it, can be shocking and distressing. It’s much better to make you way to your correct path rather than getting a jolt that forces you onto it. At least if you make a decision to let go of old situations, old issues or relationships you will feel empowered that you made a decision to end what wasn’t working for you. When you think of the change you are resisting, ask yourself realistically is it going to make you feel worse than staying in your current situation indefinitely or could it possibly lead you to something amazing?
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freddie-weaselbee · 3 years
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Grade A Business//F.W.
Pairing: Fred Weasley x Fem!Reader
Warnings: Brief semi-nudity, slight language, two suggestive comments, y/n drools on fred but like in a cute way
Summary: As one businessman makes a trip across the ocean to talk to new investors, he meets his new partner, someone a lot more familiar than he was expecting. 
Prompts: Only One Bed with dialogue prompts “if we get caught, I’m blaming you” and “I don't want to be alone”
Word Count: 4.5k
A/N: Day 2 of @theweasleyslut‘s 2k writing challenge
  Fred had never gotten used to traveling on Muggle airplanes. He never had a need to before, not with everything being a train ride, floo network, or apparition away. But as he and George progressed into adulthood, and the businessman life no less, they found themselves constantly on the move and needing a fast and easy way to travel without drawing suspicion. Except for the one time that Fred’s magical briefcase set off every airport security system imaginable, but he’d learned from that mistake. 
He was relieved to be exiting the JFK airport in New York City, clutching his luggage and thanking Merlin that his feet could now touch solid ground. Being in one of those huge steel contraptions was nothing like flying in a broom. He had no control over anything and it drove him absolutely insane. Luckily, he was safe now, and one step closer to being done with this awful business trip. 
At the beginning of their business endeavors, Fred and George would travel together, trying to pick up business at other locations for Weasleys’ Wizards Wheezes. But as the shop grew and the locations became more and more foreign (so far having shops in Paris, Cairo, and Madrid) the brothers realized that the operations would have to be solo missions to allow for the other to run the shop for longer periods of time. Usually Fred didn’t mind taking the trips by himself. In fact, he rather enjoyed the alone time and flexibility in schedule. But this meeting was supposed to be a big one, and he was feeling quite nervous about having to tackle it himself. 
Big investors located in the states were meeting with him to discuss opening a joint operation in New York City, combining his shop with another renowned wizard business that they deemed would be most profitable. Fred groaned internally just thinking about it. He didn’t want to have to share this new shop with anyone, no matter what the new investors thought. What if the other co-owner was a horrible person? Or worse, what if they had no sense of humor? They’d ruin the Weasley reputation and make it some boring book store. Or puzzle shop? Honestly Fred didn’t know much about the other business, just that he already didn’t like it. 
Hailing a cab, a trick his sister-in-law Hermione had shown him years ago, Fred lugged all of his prototypes--skillfully hidden from Muggle eyes and detection systems by layers of spells--into the trunk before hopping in, giving the address of the hotel the investors had booked for him. He was about to shut the door when a panting scream startled him enough to make him stop. 
“Wait! Hold the cab!”
Doing as he was told, Fred kept the door open and allowed the stranger to climb in, suitcase and all. 
“Thanks,” you said, Fred noting your distinct British accent and strikingly familiar features. “I really need to get to my hotel, I appreciate it--”
“Y/N?”
Shocked, you finally looked at your ride partner’s face for the first time. Soft brown eyes. Freckled face. Bright ginger hair. 
“Fred?! Fred Weasley?” You knew for a fact you weren’t mistaken, this was definitely the Fred you remembered. Or maybe it could have been George? It had been so long since you had seen either of them. Since Hogwarts, in fact. 
Luckily, Fred nodded, confirming your belief that this was the older Weasley twin and saving yourself from heaps of embarrassment. “Y/N L/N, what are you doing here?”
Fred and you both wore matching grins, stretching from ear to ear. What an insane coincidence. What were the chances that you two would be in the same cab, in the same city, in the same foreign country?
“I’m actually here for business,” you said. “After Hogwarts I opened my own shop--”
“Excuse me,” the cab driver interrupted, wasting no time with politeness nor formalities. “But I have cars lined up behind me and I don’t know where you wanna go little lady. So let’s get on with it, if you will.”
“Oh, yeah of course. It’s, umm, oh shit which hotel was it? It’s on 53rd and 10th, I know that…” You trailed off, trying to remember what your hotel was called. You dug around in your purse, hoping to find a piece of paper with the name on it. “I think it was called--”
“Lotus Hotel.”
It was Fred who had interrupted you, once again, and once again you were just as bewildered as before.
“That’s right,” you said after a few seconds of confused silence. “Yes, yes the Lotus Hotel please,” you told the driver with confidence. Turning back to Fred you tried in earnest to understand what was happening. 
“So same location?” the driver asked, to which Fred confirmed before you were speeding off down the crowded streets of the city. 
“Oh, I get it,” you said in understanding. “Same hotel as me?”
“That is correct, love. What are the odds?” He wiggled his eyebrows in a half suggestive half just plain goofy manner, awkwardly shuffling so that his long legs had room amongst your many bags. 
“That is quite a coincidence,” you agreed. “Funny thing is, I didn’t even choose the location. I have a business meeting in the morning with possible investors and they set everything up for the stay.”
Fred’s mouth practically dropped open at what you had said. “You’re kidding. These investors don’t happen to be Robbie Goldstein and Rachel McMillan, do they?”
“Ok, you need to stop doing that,” you said, officially freaked. “That’s the third time you’ve predicted something and it’s starting to creep me out. You never were very good at legilimency.”
He hushed you quickly, hoping the cab driver hadn’t caught onto the magical term you just used. Thankfully, he was too focused on the roads to notice. 
“Ok, Y/N, one last question.”
“And then you’ll explain how you know all this?”
Fred ignored your question and continued with his own. “You said you opened a business. Are you perhaps meeting with another business owner to discuss a collaboration on a new store opening in the city?”
“Yes!” you said, eager to know how Fred could have known that. Was this another one of his pranks? Did he have hidden cameras in the cab somewhere? “How do you know all this?”
He only laughed, a joyous and very relieved grin overtaking his face. Sticking out his right hand, he grabbed yours and shook it eagerly. “Well, Miss L/N, it’s a pleasure to be reacquainted. I’m Frederick Weasley, your new potential partner.”
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“You know, you haven’t changed a bit.”
“Oh thank Godric, I was worried you’d think I was grown up and mature now.”
You laughed heartily as you dragged your bags out of the cab, thanking the driver before he grunted annoyedly and drove off. Your drive from the airport had gone faster than expected, mostly due to the fact that you and Fred had so much to catch up on. 
After he and George had left Hogwarts in their grand exit, they’d created the shop they’d always dreamed of, parking it right in the middle of Diagon Alley. You, on the other hand, went about creating your success in a much more conventional way. After finishing your last year of school, you started working full time at Zonko’s at Hogsmeade, trying to save up enough money to start your own business. 
Many long hours and tiring days later, you opened up your little place, a toy store and puzzle shop. It was a similar setup to what the Weasleys did, but as you described it, “my toys don’t blow up in the user's face.”
You were now very excited for tomorrow’s meeting, the one you had been dreading beforehand. Your business was much smaller than Weasleys’ Wizard Wheezes and this would be your first international location. You were afraid that the owner you would be forced to work with would be some stuck up rich big whig who wouldn’t allow you to keep any of your small business charm in the new location. But learning that you would be working with Fred, well that was a relief for many reasons. 
Fred rang the hotel desk bell, chatting happily about ideas for the shared shop and new products that fit with what both of you wanted to do. 
“Hello there,” said the hotel receptionist, coming around the corner. “What can I do for you today?”
“Two night stay for Frederick Weasley,” said Fred. “Should’ve been booked by Robbie Goldstein.”
The young man typed quickly into his computer before offering Fred a hotel key card. “Here you are Mr. Weasley, room 504. We serve complimentary breakfast from 6 to 9 every morning down in our west hall. If you need anything don’t be afraid to call down and we’ll assist you in any way we can.”
Fred nodded at the man. “Thank you, I appreciate it.” He turned to leave before you grabbed his shirt sleeve and pulled him back. 
“Wait for me,” you said. “I’m not finished talking to you yet.”
Fred smiled and waited behind you as you took your turn at the desk. 
“Y/N L/N, also booked by Robbie Goldstein.” 
He clicked away again but paused for a few seconds, seemingly confused. “You said Y/N L/N?”
Starting to get nervous, you nodded. “Yes, that’s me. Is the reservation not there?” You didn’t want to think about having to find somewhere else to stay, especially because it was getting so late. 
“Oh no,” the man replied. “It’s here all right.” Ignoring the confused looks you and Fred were giving each other, the receptionist handed you a hotel key card and gestured to the elevator. “Thank you for choosing to stay with us. You’ll be staying for two nights in room 504. Don’t forget to enjoy our complimentary breakfast from 6--”
“I’m sorry,” Fred interrupted. “But that’s my room. You did say 504, right?”
“Yes sir,” he replied, not bothering to try to understand the predicament. “Mr. Goldstein booked one room for the both of you.”
Your eyes widened and you looked at Fred, silently asking him to help you figure this out. But instead, Fred just broke out laughing, having to brace himself on the front desk. 
“I guess that’s what you expect when you let two investors who specialize in pranking shops make the room accommodations.”
“This isn’t funny Fred,” you said, although you had to give Robbie and Rachel credit for this joke. Turning to the receptionist, you sighed and ran your hands through your hair. “There’s at least two separate beds, right?”
He glanced down at his computer screen before looking back up at you with a guilty smile. “Well, about that…”
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“Alright, I’ll take the couch, I’m sure it’s a pullout, it has to be.”
Fred stood in the doorway watching you mumble mostly to yourself. As tired as he was and as much as he wanted to just lie down and sleep, somehow watching you freak out about the sleeping arrangements was a much better use of his time. 
He watched as you threw the pillows and cushions off of the couch and felt around for a lever, something, anything that would allow you a place to rest. Your face lit up as you felt a small impression and yanked with all your might, only causing you to thump backwards onto your butt on the hotel room floor. 
Kicking off his shoes, Fred jumped onto the bed, sighing as he let his body relax. “Come on in darling, there’s plenty of room for the both of us.”
He opened one eye slightly, just enough to see your reaction. You were trying again to make the couch open, although you both knew that it wasn’t a pullout. Nevertheless, you kept pulling at every spot you thought could make a difference. 
It reminded Fred of the good old days, back at Hogwarts when you two were so close. You were always so stubborn, and he didn’t realize just how much he had missed having you in his life. He always wondered what happened to you after he and George left, but with the shop opening up and the war around the corner, he never had the thought to write you or track you down. He hoped this time after you two parted ways you would still remain in touch. 
You groaned loudly, slapping the couch with one of the pillows you had thrown earlier. Nothing was going as planned and you couldn’t be more annoyed. 
“Fine,” you huffed. “I’ll just sleep on the couch, no need for a pullout.” You stomped over to the bed and angrily pulled the blanket from off of him. 
“Hey!” he shouted, trying to grab it back but you were too quick. “That’s not fair, it’s cold!”
“If you get the bed,” you said, wrapping yourself up, “then I get to stay warm. Now go to sleep, I’ll see you in the morning.”
He couldn’t help but giggle at the small bundle of you wrapped up in the hotel quilt, looking like an angry little burrito. Standing, he unbuttoned his shirt and threw it in the corner, followed next by his undershirt before he unbuckled his belt. He turned to face you slowly, feeling your eyes on him as they peeked out of your wrapping. 
You quickly turned your gaze and glared at the floor. “What are you doing?” you said, hoping Fred didn’t see the blush rising to your cheeks. He did. 
He continued to undress, leaving him only in a pair of red boxers that left little to the imagination. “Going to bed, as you said,” he replied nonchalantly. He grabbed a toothbrush from his suitcase and made his way to the bathroom, making sure to walk extra slowly and give you a longer show. 
“This is so unprofessional!” you yelled after him. 
“We’re not business partners until tomorrow, love,” Fred said with a mouthful of toothpaste. “As far as I see it we can do anything we want tonight.”
Rolling your eyes, you shed the large blanket and grabbed an oversized t-shirt from your bag, hoping you’d be able to change before Fred finished in the bathroom. As he emerged, he saw the tail end of you throwing the shirt on, flashing your thighs and part of your panties for half a second. He averted his eyes out of respect, but that didn’t stop his imagination from running away with what he just saw. 
You shuffled past him, taking your turn in the bathroom. How in the world had this happened? How had a nice catch-up with a friend turned into an awkward back and forth the night before the most important business meeting of your life?
All you wanted to do was fall asleep, go through with whatever tomorrow brought you, and pretend like this never happened. But as you came out of the bathroom, you saw that Fred had taken the blanket back, leaving you with nothing except your t-shirt and an uncomfortable couch. 
“Fred, let me have it,” you said, trying to yank it from his grip. 
“No,” he mumbled, voice muffled by one of the many pillows he was cuddled with. 
“Frederick Gideon Weasley, give me the blanket now or so help me…”
Instead of responding, he just reached out and patted you on the top of your head before rolling over and pretending to snore. He was infuriating. 
You sulked back to the couch, accepting your defeat. You pulled out all of the clothes in your bag, hoping they could form as some sort of makeshift blanket. But after a few minutes of shivering and curling into the smallest ball possible, you realized that you’d never manage to sleep like this. Fred was staring at you, partially amused and partially concerned. You looked away. 
“You can always share with me, you know,” he said, patting the bed next to him. 
You scoffed and turned away. “Like I said, Fred, we’re soon-to-be business partners. Imagine how that would look! I’m fine right here, thank you.”
After a few seconds of silence you snuck another look at him. He hadn’t moved an inch, and was instead looking more concerned than before. “You’re going to freeze to death over there.”
“Well maybe that’s because someone stole my blanket.”
“The blanket comes with the bed, and the bed comes with me. Take it or leave it.”
It took everything in you not to scream. You wanted that warm, soft, comfortable bed more than anything at the moment. You needed it. Oh but it would send such a bad message if anyone ever found out…
“If we get caught I’m blaming you,” you relented, trudging over to the bed and crawling underneath the covers, ripping the blanket from a very amused Fred. 
“Who’s gonna catch us, Robbie and Rachel? They’re the ones that set this up! Trust me, nothing’s going to happen.” 
“It better not,” you said. “And make sure you stay on your side of the bed, I mean it! No touching.”
“Oh come on, Y/N,” Fred said, rolling slightly closer to you. “You act as if we’ve never done this before. We’ve slept with each other dozens of times.”
Your face went red at his words, wishing he would have phrased it a different way. 
“You know what I mean,” he said quickly, hearing how his words came across. “But the amount of times we’ve cuddled up in the Gryffindor common room or up stargazing in the astronomy tower. It’s just me, there’s nothing to be scared of.”
“We were also 17 and a lot closer back then,” you retorted, remembering the fond memories you had from your high school days. 
Fred huffed and returned to his side. “I’m not saying we weren’t. I just wish you weren’t acting so different now. It’s like we’re barely friends anymore…” His voice drifted off, wishing that he could go back and change the past. It had been 8 years since he last saw you. 8 whole years. Maybe things would’ve been different if he had tried to stay in touch. You’d never even visited his shop in those 8 years, never seen everything he was so proud of. He was stupid to think that one reunion was going to bring back a friendship that was practically already dead. He was even more stupid to think that maybe, just maybe, fate was giving him one last chance to shoot his shot, close to a decade later. What a right idiot he was. 
On the other side of the bed, less than a meter away, similar thoughts raced through your mind. 8 years. Why hadn’t you, in 8 years, made one trip to visit their shop. Sure, there was a war going on and you were busy starting your own shop, but things had been fairly calm the last few years. Why had you never reached out? Almost subconsciously, you reached out physically for Fred. Your hand brushed up against his back before you tensed and drew back. You both stilled for a few moments, before Fred rolled over, facing you. 
The two of you just stared at each other, both playing mental images of what your lives could have looked like the last 8 years if just one of you had done something. 
“You’re not seeing anyone, are you?” Fred asked, breaking the silence. You shook your head. He moved closer. 
“Are you?” you asked. He shook his head. You moved closer. 
Your faces were now about a foot apart. You moved your hand to rest it between your face and the pillow. Fred copied your actions. You laughed softly, the movement causing a strand of hair to fall into your face. 
Fred reached his hand out to move it before hesitating. “Can I?” His voice was so soft, so full of care. His hand hesitated in the air for a second before you nodded. He brushed the strands behind your ear, fingertips so gentle that you got chills up and down your spine. He let his hand linger before it moved to cup your face. “I’ve missed you.”
You smiled and leaned into his touch. “I’ve missed you too, Freddie.”
His hand left your face and moved down to your waist, eyes not leaving yours in case you ever grew uncomfortable. He wrapped his arm around you, pulling you closer to him just like you used to do all those years ago. You buried your face in the crook of his neck and hummed contently, before both of you slowly drifted off to sleep. 
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“Freddie, Y/N! How are ya!”
Robbie Goldstein, a plump man with fading hair ran up to greet you and Fred in the lobby of his and his partner’s office, shaking both of your hands fervently. 
“Hey Robbie,” said Fred, slapping the man on the back. “I’m glad to be here.”
“Same with me,” you said, glad you could finally meet the man with whom you’d been discussing business through letters in person. 
Robbie looked between the two of you, sly grin on his face. “Ah, so I see you’ve already met them. Wouldn’t happen to be because of a little mishap at the hotel last night, would it?”
You groaned internally, hating that someone else knew about the previous night, but Fred only laughed and wrapped an arm around your shoulders. 
“A great prank, I must admit, but Y/N and I actually go way back. I’ve known her since I was 11 years old, so nice try. I couldn’t imagine how that would’ve gone if we were complete strangers.”
Robbie’s face fell a little before he shrugged and nodded his head in defeat. “Well, what are the odds of that?”
“Astronomical,” you said, giving Fred a subtle tap with your foot. 
Robbie gestured for the two of you to follow him into the conference room where discussions about the new business would commence. “Well, I’m glad that you two seem to get along then, this is going to make things a lot easier. Oh, and don’t worry about arrangements tonight, I’ve decided not to let my joke stretch on and I booked another room for one of you for your last night in town.”
You breathed a sigh of relief, one that didn’t go unnoticed by Fred, and stepped into the conference room. “Thanks Robbie, that makes things a lot easier.”
“Yeah,” said Fred hesitantly, “thanks for that.”
He shut the door behind you and straightened up. There was no place for personal feelings in this business negotiation. He needed to do what was best for his company and yours, no distractions. No thoughts of crushed hope that suddenly plagued his mind. 
------------------------------
Fred hated the bed he was sleeping on. Granted, it was the same bed as the night before, but this time it felt different. It felt like it was mocking him. You had been the one to offer to change rooms and it seemed like you couldn’t wait to get out of there and to your own bedroom, free of any Weasleys. It made Fred sick to think about. 
He had just gotten used to the idea of something happening between the two of you. Last night, it all seemed perfect. You had cuddled the same way you had before, talked like nothing had changed. Hell, he even woke up with you lying sprawled out on top of him, a little trickle of drool falling onto his chest. He didn’t mind. 
But now, everything that happened the night before seemed like a dream. 
Fred knew he’d at least get to see you sporadically from now on. Your business negotiations with Robbie and Rachel went great, and the two of you, three counting George, were going to be combining forces and opening a joke and toy shop in the city sometime within the next year. It went exactly how Fred had wanted it to go, and yet so horribly wrong at the same time. 
He didn’t want to only interact with you as a business partner and casual friend. He wanted so much more than you were willing to give him, and having to see you and write you and work with you was going to be torture for him. He buried his face in the pillows, gripping the large blanket to his chest, wishing it was you instead. Stupid Robbie and his stupid pranks and stupid business and--
His thoughts were interrupted by a knock on the door. Fred lifted his head to check the clock. It was 2 in the morning. Who in the world would be knocking this late at night? Fred slowly got out of bed, too tired to bother putting anything more decent on. He looked through the peephole of the door but his eyes were too blurry to make anything out. Groaning, he unlocked the door and pulled it open. 
Standing in front of him, clothed in the oversized t-shirt from last night and a pair of booty shorts, was you, looking nervous and embarrassed. Fred hadn’t noticed the previous day, but the shirt you had been wearing was one of his old Quidditch practice jerseys, all beat up and way too huge on you. He remembered the day he gave that to you, or rather when you stole it from him because you complained about it being too cold. Fred had to hold back a laugh at the irony. 
“I, umm,” you started, not knowing what to say to him. How were you supposed to explain that you missed him so much that spending one night away from him was too much for you to bear? How last night had been the best sleep you had in years because of how content and at peace he made you feel. How could you convey all of your feelings to him at this very moment?
“I don’t want to be alone.”
Fred wasted no time in picking you up, laughing as you screamed and kicked your legs around. “Fred Weasley, you put me down!”
He did as he was told and threw you onto the bed before jumping, arms and legs spread out, and landing straight on top of you. “I’m so glad you're here,” he said, peppering your cheeks with kisses. He pushed himself up, scanning your face to make sure what he did was ok, but you grabbed his face in your cheeks and pulled him down into a long kiss. Fred smiled through the kiss, almost laughing at how everything was working out. Maybe fate did have something to do with it after all. 
Fred pulled away from the kiss, resting his forehead against yours. “So,” he said, mischief glinting in his eyes, “how about we put this bed to good use?”
Tag List: @famdomhideout​ @amourtentiaa​
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samwisethewitch · 4 years
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Witchcraft and Activism
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The word “witch” is a politically charged label. If we look at how the word was used historically, it referred to someone who existed outside of the normal social order. The people accused of witchcraft in the European and American witch trials were mostly — experts say between 75% and 80% — women. They were also overwhelmingly poor, single, or members of a minority ethnicity and/or religion. In other words, they were people who did not follow their society’s accepted model of womanhood (or, in the case of accused men, manhood).
If you choose to identify with the witch label, you are choosing to identify with subversion of gender norms, resistance to the dominant social order, and “outsider” status. If that makes you uncomfortable or uneasy, then you may want to use another label for your magical practice. Witchcraft always has been and always will be inherently political.
In her book Witches, Sluts, Feminists, Kristen J. Sollee argues that the “slut” label is in many ways a modern equivalent to the “witch” label. In both cases, the label is used to devalue people, most often women, and to enforce a patriarchal and misogynist social order.
Superstitions around witchcraft are connected to the modern stigma around abortion (and, to a lesser extent, contraception). Midwifery and abortion were directly linked to witchcraft in the European witch hunts. Today, women who seek abortions are condemned as sluts, whores, and murderers. The fight for reproductive freedom remains inextricably linked with the witch label.
During the women’s liberation movement of the 1960s, the socialist feminist group Women’s International Terrorist Conspiracy from Hell (W.I.T.C.H.) used the image of the witch to campaign for women’s rights and other social issues. They were some of the first advocates for intersectional feminism (feminist activism that addresses other social issues that overlap with gendered issues). They performed acts such as hexing Wall Street capitalists and wearing black veils to protest bridal fairs. The W.I.T.C.H. Manifesto calls witches the “original guerrillas and resistance fighters against oppression.”
In her book Revolutionary Witchcraft, Sarah Lyons points out that both witchcraft and politics are about raising and directing power in the world. In a postmodern society, most of our reality is socially constructed — it works because we collectively believe it does. Money only has value because we believe it does. Politicians only have power because we believe they do. Our laws are only just because we believe they are. Like in magic, everything in society is a product of belief and a whole lot of willpower — and that makes witches the ideal social activists.
Lyons argues that witchcraft is inseparable from politics, because witches have always opposed dominant political power. She makes a connection between the witch trials and the rise of capitalism and classism. She connects the basic concepts of magic to historic activist groups like the AIDS Coalition to Unleash Power (ACT UP), who used ritual as an act of protest.
Not every witch is a hardcore activist, but every witch should have a basic awareness of political and social issues and be willing to do what they can to make a difference.
Ways to Combine Witchcraft and Activism
Perform a ritual to feel connected to the earth and her people. Activism should come from a place of love, not a place of hate. Make sure you’re fighting for the right reasons by frequently taking time to reconnect with the planet and the people who live here. This can be as simple as laying down on the ground outside and meditating on all the ways you are connected to other people, as well as to the ecosystem, animals, and the earth herself. If getting up close and personal with the grass and dirt isn’t your thing, try to find a beautiful place in nature where you can sit and journal about the interconnected nature of all things.
Unlearn your social programming. This is the most difficult and most important part of any activism. Before you can change the world outside yourself, you have to change your own psyche. Think about how you have been socialized to contribute to (or at least turn a blind eye to) the issues you want to fight against. For example, if you want to fight for racial justice, you need to understand how you have contributed to a racist system. You can do this in a variety of ways: through meditation, journaling, or divination, to name a few. Note that whatever method you choose, this will probably take weeks or months of repeated work. Rewriting your thought and behavior patterns is hard, and it can’t be done in a single day. Also note that if you are a victim of systemic oppression or prejudice, this work may bring up a lot of emotional baggage — you may want to involve a professional therapist or counselor.
Go to protests. Sending energy and doing healing rituals is great, but someone has to get out there and visibly fight for change. If you are able to do so, start going to protests and rallies for causes you care about. Don’t just show up, but be an active participant — make signs, yell and chant, and stand your ground if cops show up. Be safe and responsible, but be loud and assertive, too. If you want to go all out, you can don the black robes, pointed hats, and veils of W.I.T.C.H.es past, which has the added bonus of concealing your identity.
Turn your donations into a spell for change. When you donate to a cause you care about, charge your donation with a spell for positive change. You can do this by holding your cash, check, or debit card in both hands and focusing on your desire for change. Feel this desire flowing into the money, filling it with your determination. From here, make your donation, knowing that you’ll be sending an energy boost along with it.
Organize an activist coven. Do you have a handful of friends who are interested in witchcraft, passionate about activism, or both? Start a coven! Go to protests together, hold monthly rituals to raise energy for change, and collect money for donations. Being part of a group also means having a support system, which can help prevent burnout. Make a plan to check on each other regularly. You may even choose to do monthly group rituals for self care, which may be actual magic rituals or might be as simple as ordering takeout and watching a movie. Activism can be intensely draining work, so it’s important to take breaks when you need them!
Hold public rituals with an activist slant. Nothing gets people’s attention like a bunch of folks standing in a circle and chanting. Holding public rituals is one of the best ways to raise awareness for a cause. You might hold a vigil for victims of police brutality, a healing circle for the environment, or some other ritual that is relevant to the issue at hand. These rituals serve a double purpose, as they both bring people’s attention to the issue and give them an opportunity to work for change on a spiritual level. Use prayers, chants, and symbolism that is appropriate to the theme, and ask participants to make a small donation to a charity related to your cause.
Begin your public rituals with a territory acknowledgement. If you live in the United States, chances are you live on land that was taken from the native people by force. If you seek to have a relationship with the land, you need to first acknowledge the original inhabitants and the suffering they endured so you can be there. Use a website like native-land.ca to find out what your land was originally called and what indigenous groups originally lived there. Publicly acknowledge this legacy at your ritual, and publicly state your intention to support indigenous peoples. (Revolutionary Witchcraft has an excellent territory acknowledgement that you can customize for your area.)
Make an altar to your activist ancestors. If activism or membership in a marginalized group is a big part of your life, you may want to create a space for it in your home. Like an ancestor altar, this is a space to remember influential members of the community who have died. Choose a flat surface like a tabletop or shelf and decorate it with photos of your “ancestors,” as well as other appropriate items like flags, pins, stickers, etc. As a queer person, my altar to my LGBTQ+ ancestors might include images of figures like Sappho, Marsha P. Johnson, and Freddie Mercury, as well as items like a pink triangle patch, a small rainbow pride flag, and dried violets and green carnations. You may also choose to include a candle, an incense burner, and/or a small dish for offerings. Just remember to never place images of living people on an altar honoring the dead!
Do your research. Staying educated is an important part of activism — not only do your actions need to be informed, but you need to be able to speak intelligently about your issues. Read the news (on actual news websites, not just social media). Read lots of books; some I personally recommend are Just Mercy by Bryan Stevenson, Love and Rage by Lama Rod Owens, and (as previously mentioned) Revolutionary Witchcraft by Sarah Lyons. If you can get access to them, read scholarly articles about theories that are influential among activists, like the Gaia Hypothesis or Deep Ecology. Read everything you can get your hands on.
VOTE! And I don’t just mean voting for the presidential candidate you like (or, as is often the case, voting against the one you don’t like). Vote for your representatives. Vote for city council. Vote for the county sheriff. Voting gives you a chance to make sure the people in office will be susceptible to your activism. Yes, your side might lose or your electoral college representative might choose to go against the popular vote. Even so, voting is a way to clearly communicate the will of the people, and it puts a lot of pressure on the people in charge. It’s important — don’t let anyone convince you otherwise.
In my experience, combining activism with my witchcraft is a deeply fulfilling spiritual experience. It strengthens my connection to the world around me, with helps grow both empathy and magical power. I truly can’t imagine my practice without the activist element.
Resources:
Witches, Sluts, Feminists by Kristen J. Sollee
Revolutionary Witchcraft by Sarah Lyons
The Study of Witchcraft by Deborah Lipp
The Way of Fire and Ice by Ryan Smith
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teruthecreator · 3 years
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okay. thoughts on the grad finale
gonna slap it under a readmore bc i’m Sure i’m gonna ramble. 
uh spoiler warning for the finale of taz graduation, as well as spoilers for the season in general.
also, these are my own thoughts of how the season went, what the themes were, etc! if you don’t agree with me, that’s fine! but i don’t wanna have a convo w you in the replies about it i’ll be honest. if you want to share your opinion so badly, make your own post, alright? that good? we cool?
aight. so. finale thoughts.
to make it short: i think the finale was a satisfying end of a very good arc. 
to expand upon that, let me share what i think the themes of graduation were and why the finale satisfies those themes. 
i made a post about this a while back (here it is if you want) but my honest belief was that the theme of graduation was self-reliance: the concept that you don’t allow yourself to be governed by forces that go against your own beliefs. this concept was coined by essayist ralph waldo emerson to talk about how the american people shouldn’t allow the government to create laws that go against the will of the people. now, understandably, this feels very anti-capitalist which is what i think a lot of fans believed was reflected through the season. 
but, in reality, self-reliance has more to do with being active in your government and making sure you’re being represented the way you want to be by your representatives. that’s sort of the vibe emerson was going for in his essay, and i think. in a sense? that translates to graduation. but i took self-reliance in the more metaphorical about breaking away from those things that are controlling you. which, in graduation, was A Lot Of Things. 
the way i saw it, there were two major groups that inflicted order upon the world and the thundermen--conveniently separated as order and chaos (not the deities though, just the concepts). 
the order half of control existed mostly through the school and the HOG. the HOG created the economic reliance on the heroes and villains system, which removed all literal meaning from those terms and turned them into bureaucratic titles. society existed under these very strict checks and balances; heroes and villains supplied money to the kingdom in terms of entertainment, which then boosted that kingdom’s creditability and allowed them to contribute more to nua’s economy, which then led heroes and villains to have a higher demand, thus perpetuating the cycle. it’s important to note that this term does not represent the sort of morality we expect for heroes and villains--hell, even the term “evil” turned into an arbitrary term used to show those heroes and villains who failed the system. this is the more prominent representation of control that the thundermen break away from in achieving their own self-reliance. they don’t see the value in a system that holds no real moral code (fitzroy Especially, but i’ll get into that in a bit), and can’t help the public when there’s actually a serious situation. as we saw with althea in the beginning, the HOG had no way to help the thundermen when they were dealing with the whole Demon Prince situation (as he had already placed some of his own people in there, proving these kind of systems are easily corruptible). so this wasn’t a system meant to Actually create heroes and villains--it was just a way of boosting the economy. 
the chaos half of control existed primarily through grey and Chaos. grey represented how chaos could be controlled, through various means. he planted that tree for the centaurs to fight over because he knew it would constantly create conflict, which he enjoyed. he kept the school under a watchful eye to prevent anyone from stepping out of line with his grand ideas, and used several manipulation tactics to try and get his way (most notably, his own admittance of grooming fitzroy into joining his side, which didn’t work). grey was the perfect example of how chaos does not automatically mean a lack of control. he was very controlling in how he did things because he had an endgoal: find hieronymous and have a war. but he didn’t even realize he was contributing to a greater idea, that being Chaos’s insistence on causing general disarray. as we realize now, Chaos’s plan was both for them and Order, but i’m leaving Order out for a second because they only really rear their head in towards the end. for the most part, audiences were led to assume that Chaos was the Big Bad(TM); they were the one pulling the strings, allowing things to happen to cause general chaos and disarray. them supplying random mortals with their endless power was a way to plant chaos into the world of nua; but it was a chaos they controlled. fitzroy resisting them was not simply a refusal to bend to Chaos, but it was resisting the control put on him through his magic. 
these systems were constricting the thundermen on both sides. when they thought they’d find help in one side, they were disappointed to find that there was nothing anyone could do. the only people who could fix their problems were...them. so they forged a new path, set new ideas, and became self-reliant. that’s what i think is the most important aspect of graduation; not the anti-capitalist implications of turning over the economic and political systems in place, but the idea that if nothing that is supposed to help you is actually helping that you can just...do your own thing! 
and i think that’s what the finale really shows, at the end of the day. that these forms of control were not doing anything helpful, and were in fact ruining the fabric of space-time! that’s where i think Order comes in because Order is really...the ultimate culmination of control. they are aware that Everything being done will benefit their cause. the HOG? well, they make sure everybody’s so incompetent that they can do their work. grey? well, he’ll contribute to the plan without even realizing it. they even manipulated Chaos and enacted their own form of control over Chaos to make sure that they had no reason to believe that this plan couldn’t go wrong. but Order knew. Order always knew there was a chance for error, and that chance was very great. but they didn’t care! so long as they had control of things, they could try a hundred times to get it right. they had no care for mortals, unlike Chaos. 
the thundermen showing Chaos the truth is the final jenga piece that collapses this tower of control. which is why the finale is so great. 
travis does a phenomenal job of incorporating chaos (general chaos) into the battle mechanics. it may be stupid and slightly arbitrary, but having them change forms randomly and having to adapt to those new circumstances really does exemplify the season!!! the thundermen were constantly forced into new situations (being sidekicks/henches, fitzroy becoming a villain, being let in on the heiro dog situation, the unbroken chain trial, joining forces w grey, etc.), and in all of them they simply found a way to adapt and keep working their way. which made the finale generally interesting and also thematically interesting! 
i think my favorite part of the entire fight scene is right at the end, when argo chucks the shark’s tooth necklace at Order. and time stops. and they’re given a choice. 
the fact that they leave it to a coin toss?? oh my god...how fucking FITTING!! like, that’s disorderly. that’s going your own way. it’s new, it’s terrifying, it has DIRE UNKNOWNS ON EITHER SIDE, but it’s what they do! and...it ends up working out! i think it would’ve worked out either way, but the fact that they left it up to chance really shows how they aren’t allowing anything to control their actions. 
AND THEN WE GET TO THE EPILOGUE. MY GOD I LOVE THE EPILOGUE I’M GONNA GO OFF SO MUCH. 
first off, i loved hearing how Nua adapts to losing this very significant form of government/economic contributor and turns to more people-based work. citizens uniting together, fixing things, making amends, THAT’S SELF-RELIANCE BABEY!!! THAT’S THE WHOLE EMERSON SHIT! HAVING A SYSTEM OF GOVERNMENT THAT ACTUALLY HAS THE INTERESTS OF THE PEOPLE AT LARGE!!! YEAHHHHHHHHH THAT’S THE WHOLE SELF-RELIANCE THING!
now, i’ll break it down by characters: 
fitzroy
GOD. LOVE IT. FIRST OFF, absolutely ADORED how his character arc involved him stripping himself of these self-assigned titles because he actually has an identity that is all his own and he doesn’t NEED arbitrary titles to prove his worth because HE HAS IT IN HIMSELF. not to self-plug or anything, but that’s ssoss!fitzroy’s WHOLE SHIT. I’VE ALREADY BEEN ON THIS TRAIN, BITCH, AND TO KNOW I GOT IT SO RIGHT...GOD. FEELS GOOD. 
but also, i just really enjoy how his ending went in general. the fact that he doesn’t really know what he wants to do, so he just...does stuff he likes to do? that’s so good! because, if you remember, fitzroy had a Very set schedule of life events when the campaign started. he was going to get his wiggenstaffs degree, go back knight school, get his knight school degree, and then go to goodcastle. but all of that was based on a very limited understanding of himself. 
fitzroy’s character arc has primarily focused finding himself, specifically in terms of identity. for someone who was bullied for his past, the present formation of himself was Extremely important to fitzroy. he thought that shutting out his past and taking on this grandiose title of knighthood would make him something more than himself. he would no longer be fitzroy; the poor, country kid trying to make it in a big world. he’d be Sir Fitzroy Maplecourt; respected, honored, revered, with a title to prove it. 
he explains to fauxronymous (pre-reveal grey) that the reason he wanted to be a knight was because he wanted to assist in doing good. morally good. fitzroy has Always had a very clear sense of his morality; this comes through when he refuses Chaos on the basis of many people having to die if he agreed. but being a knight also had the added of bonus of a very respectable title that no one would want to look beyond, which fitzroy felt he needed because...i don’t think he Saw anything beyond that. in himself. he wasn’t himself for a very long time, and i don’t know if he ever thought he would be again. he’d wear this new identity, start a new life, and be happier....he hoped. 
then, things changed! and he started to realize that arbitrary titles don’t do shit because plenty of people with Big Important Titles ended up being Awful People! so he started to value himself For Himself; his wit, his humor, his strength, his magical prowess. and, i think, he started to wonder what knighthood was Really about. was it about upholding a moral good? or was it just another bureaucracy filled with people who won’t do shit when things get bad. 
i think this is why him becoming a lawyer is fitting. especially because of the reasoning he gives sylvia nite. now for A LOT OF PEOPLE, i’m sure they hear lawyer and assume some corporate hotshot who doesn’t give a shit about people. but fitzroy is Not applying to be a corporate laywer. he SPECIFICALLY telsl sylvia that he wants to help people who cannot help themselves, and he wants to do good in that way. THAT kind of lawyer is more of the pro-bono, district lawyer. the ones that don’t make crazy amounts of cash, but help those who cannot afford lawyers and represent them when the government is fucking them over. those lawyers don’t rely on title, they rely on principle. 
that’s the perfect representation of fitzroy’s growth. holding his identity within himself, while still trying to do good by those who need it. 
firbolg (aka gary) 
i think the firbolg’s ending is so unique but so...right for him. his character arc has really been focused around finding his family. he had one, in the beginning, in his clan. but that didn’t end up, y’know...working out that much. so he had to go out into the world alone--something that firbolg’s are rarely--and try and navigate these foreign spaces all by himself. 
we see very early on how he latches onto the idea of groups. he likes being considered a part of the thundermen; he very much hoists himself upon the CFO title and wears it proudly. i think, where fitzroy needed to find identity within himself, the firbolg needed to find it within other people. which is completely okay! he’s still an individual, but you can tell he finds comfort in numbers because that’s what he is used to. 
him going back to his clan was, i believe, his finally severance with his identity as “firbolg”. he would never be welcomed back to his clan, and one of the few people in his life who supported him was now dead. but his father was proud of him; his father was happy he seemed to find his own clan, even if it wasn’t with other firbolgs. from that moment on, i think the firbolg begins to try finding himself within the thundermen. within his friends.
so his epilogue is neat! it definitely captures the loneliness he feels on his own, and how he feels lost with himself without others. i think it might seem silly to some that he would become a gary, but i think it’s fitting. the garys were always present in his time at school, and they were always helpful. they didn’t mind how long it took him to talk because the gary’s are stone gargoyles--what the fuck do they care about time? it was a group that the firbolg saw as familiar to him--always willing to help, slow, stony, and attuned to a larger group. 
and i think the way gary takes this idea of unity and family and puts it into financial assistance just...it just ties everything together! we saw how attached he got to the concept of finances, thanks to his very confusing accounting class. so he had all of this new knowledge--this knowledge that represented a separation from firbolgs--and this new clan. and he used it to help other clans and families!! i think the fact that the Garys financial advice works specifically with groups is what makes this so fitting. because gary wants families to feel stable within themselves; he understands how finances can create struggle and divides, and he wants to provide relief. 
giving financial advice to communities so they rely on themselves and not the government (aka inviting them to be controlled once more) is a VERY self-reliant concept. not that i think gary’s goal is to have no social networks to exist, but he wants to give communities the ability to rely on one another and foster that feeling of togetherness. so groups aren’t fighting over things, but are trusting and loving and relying. 
just like gary’s always wanted. and just like what he has with the thundermen.
argo 
argo’s ending is probably the funniest, but also the sweetest. i think that argo’s character arc revolved around finding his place. we see how argo’s early personality and motivations revolved around his past. he very much had a revenge story since the start; he wanted to enact revenge on the commodore for murdering his mother, no matter what it took. which made him very limited!! in terms of the self. he saw himself less for what he was now, and what he was then. and what he couldn’t do then. 
we see how much he finds comfort in being a part of the thundermen, but also how he feels...out of place. i think this is because a part of him is still attached to his past and doesn’t think he can do anything beyond his set plan. the unbroken chain certainly contributes to this, by not only separating him from the trio but also reinforcing his connection to his past through his mother’s involvement in the unbroken chain. 
the commodore also being a part of the unbroken chain is, i think, what causes the shift from past to present within argo. his life’s goal is standing right in front of him--attached to the group his mother once was a part of--with his friends at his side. letting the thundermen in on his history is the start of bridging these two halves of argo. and the fact that the thundermen are so willing to helps makes argo feel more a part of the team and more a part of this reality. 
when he kills the commodore, it isn’t intense. it isn’t overly dramatic (minus the fight prior, which was BADASS), it isn’t crazily staged. it is argo, staring down the commodore who lies prone on the ground. 
he kills himself unceremoniously and completes his life-long mission. 
what becomes of him in the epilogue is the culimination of both past and present. he takes what he knows and loves (the sea, the mariah, sailing) and blends it with what he’s come to love now (his friends, this adventure, and making people happy). there are SO many instances where argo uses performance to his advantage. this man is piloted by clint mcelroy, of COURSE he’s going to have a flair for the dramatic. 
so for him to open up a themed cruiseline, based on the stories of him and his friends? SO FITTING. and it isn’t forcing himself to leave his past behind or to completely ignore his present circumstances. because he’s found a place in the now, in the merging of these two sides. and by merging them, he paints a bright future for himself. a future that is partially known, partially not. partially old, partially new.
but it’s all his. 
after that, i think their final scene is just...sweet. a nice, jovial, joking send-off to a nice season. it proves these people have grown and will continue to grow, even when we no longer see their story. it does exactly what graduation does--shows you a struggle, a triumph, and a glimpse into the future. 
i’ll miss it so much, but there’s nothing more i could’ve asked of this ending. it was exactly what it needed to be; nothing more, nothing less. 
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lynkhart · 3 years
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MAJOR spoilers for the C2 finale of Critical Role so read at your own risk of you haven’t caught up!
I have so many feelings regarding Caleb and Essek’s intertwining character arcs I needed to explore, so strap in folks, you’re in for a bit of a ride! (But seriously though, this is like 4000 words long, I basically wrote an essay 😂)
At the start of the campaign, Caleb Widogast was dripping in guilt and self loathing and refused to believe he could ever absolve himself of his sins. Essek Thelyss was a cold, aloof individual who betrayed his people for selfish goals, and their differing yet mirrored narratives have been an absolute delight to watch unfold.
In the beginning Caleb truly hated himself. He shot down any attempt at a compliment, described himself as a ‘disgusting person’, outright rejected the idea that he was worthy of love, and never let the blame shift from him for what he’d done. When Beauregard and Veth/Nott pointed out that he was coerced and manipulated into killing his parents, he reacts in an incredibly visceral way, and I’ve seen several comments likening it to a victim of child abuse who was groomed into believing they were as responsible as their abuser, and I think that’s exactly how it was meant to be read. He doesn’t see himself as a victim, only a murderer, and punishes himself for it every day. We see this in the way he presents himself, dirty and unkempt because in his mind he doesn’t deserve to feel good about himself in any way. Other than Nott/Veth and Beau to a certain degree, he purposefully isolates himself from the rest of the group and it’s a long time until he feels relaxed enough in their company to drop his defences a little.
(Speaking from a purely meta point of view, Liam did an absolutely phenomenal job of showing this through body language and I’d love to see someone do a compilation video of it. He starts off very hunched and guarded, leaning his body away from the closest person to him and avoiding eye contact and physical touch; but by the end stands tall and sure of himself.)
Early on there were a few moments where he had the option to do some pretty dark shit, and I’m sure there’s a possible timeline where he gave into his desire for revenge and really lost his way, but I’m glad he stuck it out and worked through his trauma in the way he did. His PTSD and disassociation when casting with fire was tragic, but over time he was able to work through it thanks to the constant love and support of his friends who kept him from going off at the deep end.
Molly’s death was the catalyst for change in a lot of the party, and Caleb is no exception. On the verge of leaving the group prior to his death, the grief they shared, combined with their frantic attempt to rescue the other half of their party put things in perspective and gradually he learned how to be a person again, to care.
Altering time to save his family had been Caleb’s only goal in life, and so when Essek and by extension, dunamancy was introduced, you could see his eyes light up at the possibilities.
A huge turning point for him is aligned so closely with Essek’s redemption arc which feels quite apt I think. When Essek confesses to his crimes, Caleb delivers a beautifully iconic piece of dialogue where he acknowledges their similarities and how much he himself has changed as a person since meeting the Mighty Nein. (Source - CR wiki)
‘You listen to me. I know what you are talking about. I know. And the difference between you and I is thinner than a razor. I know what it means to have other people complicate your desires and wishes. And I was like you. Was. I know what a fool I have been for years. You didn't account for us. Good. That is life. Shit hits you sideways in life and no one is prepared. No one is ready. These people changed me. These people can change you. You were not born with venom in your veins. You learned it. You learned it. You have a rare opportunity here, Thelyss. One chance to save yourself, and we are offering it.’
This is not the same Caleb we met back in the Nestled Nook inn way back in the first episode. While not yet fulfilled or entirely convinced of his own worth, he knows he’s on the right path. That alone is progress enough, but that he uses his own experiences to help another escape those same chains of guilt says such a lot for his development. When he tells Essek that his ‘venom’ was learned, he’s also talking about himself and his own history of being manipulated and gaslit, with the implication being that it can be un-learned just as efficiently.
Caleb Widogast is selfish no more, or at the very least, doesn’t let his goals undermine anyone else’s anymore. Contrary to what he himself might still think, he is in no way a bad person. He loves fiercely and cannot abide seeing those he cares about in pain.
Early game Essek is what Caleb could have been if he’d rejected his friends and focused solely on his own selfish goal to undo his mistakes. Both are impassive at first and see the Mighty Nein as means to an end...until they get to know them and then their fate is sealed. The Power of Friendship wins once again!
At the beginning Caleb said he wanted to ‘bend reality to my will’ (sic) and in the end he does just that, though not in the way he originally intended. Destroying the T-Dock, and by extension the one thing he’d been building towards from the start, the chance to go back and change time, for me personally was the absolute peak of his journey. I rewatched the scene where Caleb revealed the truth about his parents death today, and it was really jarring to see just how far he’d come since then. It made me oddly proud actually.
I always felt like his plan to save his parents was the one thing holding him back from truly accepting their deaths, which is why the final scene of him in the cemetery with the letters for them hit so hard. He never truly gave up hope that they’d be reunited, but ultimately he realised he was merely postponing the inevitable and never allowing himself to live his own life. While time travel shenanigans would have been incredibly interesting to explore in game, choosing to let the past lie and not go back for them finally allows him to grieve and move on, and perhaps most importantly of all, to forgive himself at last.
I know some people were annoyed by Caleb’s decision in the finale to spend the rest of his life teaching rather than continuing to adventure, but I see it as the natural conclusion to his whole arc and his own personal victory.
He looked Trent Ikithon in the eyes, a man who he’d spent years wanting to kill and run from in equal measure, stripped him of his power and his voice (and ultimately his ability to harm anyone else) and finally spared his life so he had to live with the indignity of his defeat for the rest of his miserable existence. You couldn’t have asked for a more damning rejection of everything he’d been brainwashed into believing as a child. His dismissal of Trent’s position in the Assembly played into that as well. He never really wanted power for the sake of it; he had no desire for politics, he just wanted his family back, and while he didn’t get the one he started with, he made a new one for himself in the end.
As Caduceus once very wisely said:
‘Pain doesn’t make people; it's love that makes people. The pain is inconsequential; it's love that saves them.’
Caleb gets to break the cycle of abuse and teach a new generation of mages the way he should have been, with kindness and respect, and I’m pretty sure he’d have introduced a handsome drow as a guest lecturer from time to time. 😉
Speaking of...
Essek described himself as selfish and as a coward, forever putting his own wants and desires first, yet over the course of his journey with the Nein we see his priorities change drastically.
Having friends gives him people to care about, something he’s never had before, and it changes his outlook on life completely. For me, the first time we really see this is when he joins them for dinner in the Xorhaus and stops levitating. It’s a subtle thing, but meaningful. He explains that it had become an expectation of him, a quirk he’s known for, and so to feel comfortable enough around the Nein to drop that pretence is quite bold I think.
Much later, when he chooses to destroy the mini beacon they discover in Aeor in order to give everyone a long rest before the final confrontation with Lucian, he’s essentially giving up everything he betrayed his people for, just to keep his friends safe. The existence and context of that single artefact could have had an earthshattering impact on the Dynasty’s entire culture, forcing them to reevaluate their entire belief system and attitude to the Luxon, something he’d wanted from the start, something he helped start a war for, but he offered it up as a sacrifice without a second thought.
I’d say that’s a pretty big morality shift, and I’m super interested to see if Matt reveals if his alignment changed in the post campaign Q&A. I have a feeling he set him up as a potential BBEG but the party was like ‘no, you can’t have him, he’s ours now’ and that was the end of that. 😂
I think it says so much about the other characters too, that they befriended this person they barely knew, and when he was revealed to have done such terrible things, their first reaction was to give him comfort and an opportunity to atone. Jester held his hand while he confessed, and afterwards, while they didn’t immediately forgive him, they saw the good in him and wanted him to be better, which ultimately feels like what the entire campaign was about, leaving places (and people) better than they found them. It’s obvious that he’s never really had many friends before and has therefore never had the opportunity to be emotionally open with anyone, so seeing him gradually warm up to the Nein and allow himself to soften around them was really lovely to watch.
(Obviously, from a realistic moral perspective, he still fucked up big time. He’s still a godsdamned war criminal and really should have been put on trial for what he did, but I think from a narrative and personal point of view, his redemption arc was far more satisfying, so I’m glad it happened the way it did. (And not to derail but the rest of the gang have done some pretty horrific stuff as well, though perhaps not quite on the same scale)
He has a few moments towards the end that I absolutely love because they show that beneath the guilt and anguish, there’s an incredibly sweet and sensitive soul in there, just wanting acceptance. His dry jokes which often don’t quite hit, (the ‘I will punish the bakery’ line is such an under-appreciated one 😂) his simple joy at learning to garden in the Blooming Grove, and realising that he’d never been asked what his favourite food was before was actually kind of heartbreaking, because it highlighted how lonely his life must have been until that time. There was a moment pretty early on I think when he cast disguise on the party and Jester asked if he could cast it again to change the look of her outfit a bit and while he seemed to find it amusing, he refused, not wanting to waste a spell on such a frivolous request. Cut to their time in Aeor where he burns a fly spell just so he and Caleb can flirtatiously swoop around each other for a couple of minutes, all the while trying to beat Lucian to the city.
His breakdown when Molly’s resurrection failed really cemented to me how much he’d grown as a character. He never met Molly, his only knowledge of him was secondhand, through the eyes of his friends, but seeing it fail just broke him because he knew how much it hurt them to go through it all over again.
His comment to Caleb about not admitting defeat and wishing he could do more did get me wondering at the time if he was going to try and do something crazy, perhaps sacrificing himself via the Temporal Dock to make amends or somehow forcing another reroll, but I’m glad he didn’t. The conversation following that with Fjord was one of my favourites- he shows him acceptance and belief in his potential for the future, something he’s lacked for a long time, and when Caleb bluntly affirms afterwards that he is indeed an official member of the Mighty Nein, it’s the start of the rest of his life, and something he’s exceptionally grateful for.
It all leads to that final moment in Aeor with Caleb, when, presented with the opportunity to alter time and undo everything, he chooses to accept his decisions and carry the weight of his sins for the rest of his long life. That’s...huge.
He’s essentially choosing to live the rest of his existence as a fugitive, forever on the run, with no guaranteed peace or safety. He chooses to spend his life making up for his deeds, rather than looking for an easy way out.
I think that may have had a big impact on why Caleb ultimately made the same decision, as if Essek had been up for altering his timeline I think he’d have struggled to resist it himself. The conversation they had earlier in Aeor about their priorities and resisting temptation really comes to mind as well.
Now, to the relationship.
It was subtle, and not as ‘in your face’ obvious as the other characters, but I’ve been watching and hoping for a long time and I must say, it feels good to be vindicated.
(And if you have any doubt, both Matt and Liam confirmed on Twitter that their post finale relationship was 100% romantic)
I’d been hoping that Shadowgast would be a canon endgame relationship for a while, so the finale, and the aforementioned T-Dock scene in particular had me quite literally shaking with emotion as I watched live. Here you have two men, both damaged and guilt-stricken in their own ways, who find in each other a kindred spirit and a path to redemption.
They’re both very guarded and closed off people, but Essek in particular has a definite shift in the last arc of the campaign especially when it came to his interactions with Caleb. At the start he was quite aloof and stoic, though charming, and they had an instant connection through their shared love of the arcane, (anyone who couldn’t see them making heart eyes at each other when Essek was describing the different types of magic he could teach Caleb was clearly blind) but by the end he was incredibly open to showing his vulnerabilities and that takes a lot, especially for someone whose primary focus was to stay in control of every aspect of his life. The ‘Caleb, I’m scared’ moment during the Trent fight in particular made my heart ache.
No, we didn’t get a dramatic declaration of love or a cinematic mid-battle kiss, but I’d argue that their relationship was just as, if not more intimate than any of the other main characters were. They understood each other in a way the others didn’t, their shared guilt, feelings of inadequacy and their obsession with magic forged a deep connection from the get-go. Neither of them are big fans of PDA I think, though Caleb is tactile as hell (forehead touches and kisses, oh man, I’m so weak for those 😩👌) and some of their most iconic moments have them putting themselves in harm’s way to protect the other. Essek shaking off his forced guilt trip immediately after the now infamous forehead touch in ep140 was beautifully poetic, as was using his fortune’s favour to pull Caleb out of the rubble moments before. Caleb trying to include him in his Sphere of Invulnerability in the finale and Essek staying close to him the whole fight despite being obviously terrified of Trent was the icing on the cake. It’s clear that they care for each other a great deal; whether by the finale they’d consider it love is up for debate, but we know that’s eventually where it ended up and honestly, I love that. I deeply appreciated the fact Matt and Liam both emphasised that they took their time with their relationship, letting each other heal in their own way before they took the next step. All too often in media, and real life too sadly, a romantic relationship is seen as some kind of quick fix, and that a lover will somehow complete you or make all your problems vanish. They knew this wasn’t the case here, and that made it all the better.
While I would have *loved* to have seen them together as a couple right to the very end, the change in their relationship felt right, if bittersweet. I doubt they ever stopped loving each other, and if anything, choosing to shift to a deep and lifelong friendship over a romance that would cause them both so much pain is one of the kindest things you could do for someone you love. After all, friendship isn’t a downgrade, just another way of experiencing that same love, and it wasn’t as though they broke up and never saw each other again, it was pretty strongly implied that they remained a major feature in each other’s lives, they just changed their label slightly. Caleb would hate to have forced Essek to watch him wither away, and although his eventual passing would hurt Essek regardless, incompatible lifespans being what they are, having a period of time to adjust to it, to give them a buffer between the inevitable heartbreak was actually really sweet.
Their romance was no accident, they knew going in that it had a time limit, that it wasn’t going to be forever for one of them, and the fact they did it anyway says so much. They began their adventure wholeheartedly believing that they were both, in their own way incapable of love, only to later find it with each other. Whether their relationship lasted for a couple of years or multiple decades is irrelevant, what matters is that while it did they had a happy and fulfilled life together.
I know some folk wanted Caleb to use the transmogrification spell on himself so he could live on with Essek as another elf, or make him human instead, but that would have been way out of character for both I think. If they could have backwards engineered one of the rejuvenation stations in Aeor and used it to extend Caleb’s life by a hundred years or so, so he’d have a similar lifespan to Veth, now, I could have seen him possibly doing that, so he could spend more time with his best friend too, but nothing further I think. He longed to be reunited with his parents too much to postpone death unnaturally like that.
That both Caleb and Essek ultimately chose to live with their mistakes and make peace with themselves was incredibly cathartic, and I couldn’t imagine it playing out any better.
The fact Matt has explicitly stated Essek is Demi too means so much to me personally because the latter is a label I’ve been identifying with a lot recently, and it’s so rare for aspec relationships to get any representation! It has honestly given me a lot to think about over the last few days, and I really appreciate it.
To conclude, here’s a bit of shameless self promotion. I wrote this after watching the finale and honestly feel like it sums up my feelings on the nature of their relationship pretty well.
‘A casual hand on a shoulder, a waist, a wrist; a gentle kiss placed on a forehead is common between them now, an intimacy born of trust and mutual affection. Over time it grows, like a fire born of seasoned timber; gradual and steady, no spluttering kindling that flares and sparks, but a slow burn, one which lasts.
Their love is embroidered into every aspect of their lives together. Acts of service, of comfort, of understanding.
Sometimes a kiss leads to more than a kiss, sometimes it doesn’t. Either way they are content.‘
So yeah, I love these two wizard boys so very much and I couldn’t be happier with the conclusion of their stories. ❤️
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anarcho-smarmyism · 3 years
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How would prison abolition deal with murderers, serial killers, paedophiles, torturers,kkk members,neo-Nazis and terrorists? Some people are a legit danger and cannot be allowed to roam society.
So I didn’t answer this at the time, because the anon who sent it is almost definitely the racist troll sending me shit I’m not going to publish (so like uhhh bear that in mind lmao), but I’ve blocked them now and it’s been a few days, so hopefully they’ve fucked off by now. Plus, I’ve been thinking about this question a LOT since before I received it. It’s a question that I think most people have about the concept of prison abolition and reparative justice, and not everyone with these concerns is asking in bad faith. Besides which, with the recent attempted coup and the way it looks like people who participated are actually going to face legal consequences for it (which alone was somewhat surprising to me tbh), I’ve been seeing a lot of leftists discoursing over whether it’s morally okay and intellectually consistent to be happy about cops beating up, killing, and arresting KKK members and Neo-Nazis, so it is now actually topical! Under the cut due to long response~
So the first thing I want to point out, is that literally every single one of the groups of “legit dangers who cannot be allowed to roam society”, are already out there right now. In our current “justice” system, it’s common knowledge that monsters often get off on a technicality, or because they just have the money to throw lawyer after lawyer at the charges, or because they outright bribe someone, or countless other ways to get around the law. You can look on my own literal tumblr blog and watch me argue with grown ass adults who will bold faced admit to consuming child porn with half-assed excuses, and you’ll find more open pedophiles on sites like twitter, reddit, or 4chan, or porn sites where “teen” is usually one of the most popular categories. Besides which, have you ever looked at the average sentences for convicted rapists, wife beaters, or pedophiles, as compared with the sentences for getting caught selling drugs? In middle school I had to walk a mile or two to get to school through a neighborhood we’d been warned had a convicted pedophile in it, who had just been released after less than 15 years. In that same city, I heard a story about a woman shooting and killing her rapist, and prosecutors were discussing giving her the death penalty for it (she was bragging and laughing about it on video, it was definitely premeditated, but still). Have you ever looked at the statistics of how many rapists and abusers aren’t reported, or if they are reported aren’t prosecuted, or if they are are prosecuted with a slap on the wrist (remember Brock Turner????) Also I notice how you didn’t even mention domestic abusers or rapists in your list of people who need to be locked up lolololol shows where your priorities vis a vis “public safety are I’m sorry, but the system just does not work the way you think it does, the we are taught it does.
People who make this argument always act like the systems we have now are efficient and nigh on flawless when it comes to “not letting dangerous people roam society”, but it isn’t and it can’t be and it never will be. That very fact ought to be enough to shake your faith in the idea that society will become a nonstop Purge of indiscriminate violence if everyone who’s committed a sufficiently despicable act of violence isn’t locked up for the rest of their lives -but you might say, “okay, but those are flukes, the system still works because most of the people who are “a danger to society” are usually locked up.” I’m not completely sold that that’s even true (have you ever heard of the opportunities cops had to bring in serial killers and murderers, who just didn’t care enough to try? Jeffrey Dahmer is a good example of this), but I’ll assume it is to move on to my next point.
Even if we assumed that the system as we have it, worked flawlessly as designed, that doesn’t change the fact that a lot of the categories mentioned here are people that are actively running the very systems that this rhetoric is defending. It’s well-documented that American white supremacists of various stripes have infiltrated law enforcement and the military for the express purpose of not just “roaming free”, but getting to exert the power of the State over people of color. Cops and soldiers kill people all the time, and not only are they not penalized, they’re celebrated for it. Agents of the State fucking torture people all the time, and I don’t just mean Guantanamo Bay or war crimes by soldiers; cops have been caught on camera spraying protesters with pepper spray and beating them once they’ve already been handcuffed or while they’re chained to trees or whatever -not because they think they “need” to, because they want to, and they know they’ll get away with it. Cops also systematically torture people in prison with solitary confinement. Heads of state drop bombs on civilians for “politically motivated reasons”, they do all kinds of shit that would be called “terrorism” if anybody but a State did it; and people might disapprove, but they don’t (generally) claim that the politicians and generals who made that call are “a danger to society” that need to get life in prison. If you genuinely believe that whether these acts of violence are “legal” or not changes whether they’re okay, or that a person who engages in illegal violence is “dangerous” but people who engage in legal violence aren’t... I’m honestly not even going to try to refute that here lol, prison abolition is level 5 shit and you’re at level -1, study how authoritarianism in general works before trying to understand prison abolition (not trying to be a dick here, it’s what i would tell my younger self when I believed the same thing). 
It simply does not hold up to rational scrutiny to believe that society will collapse into an orgy of violence and mayhem if we abolish prison (or that we’ll have to resort to medieval punishments instead??? lol funny take i remember from some racist troll or other over the years), when those dangers are already present (and in some cases widely celebrated as “heroes” and given the power to indiscriminately brutalize “acceptable targets” with the State’s monopoly on violence) under the current system.
The next thing people need to understand is that contrary to popular belief and despite how counterintuitive it sounds, even the brutality of our current prison system is not an effective deterrent to crime (linked a Guardian article that looks like it has some good info on this, but I recommend a book called Unfair: The New Science of Criminal Injustice by Adam Benforado for more information). Let me say that again: the threat of prison has been empirically shown to be INEFFECTIVE as a deterrent to crime. Do you really think that a serial killer or someone who wants to blow up a building full of people is going to be more likely to follow the law for fear of prison, than regular people doing regular people crimes like selling drugs or getting into drunk fights that go too far? 
I don’t think anyone is actually willing to argue that prison “rehabilitates” anyone, or does anything besides make regular criminals into angrier, more antisocial, more desperate criminals with more criminal connections and less options for any kind of a legitimate living, so I’m just going to point out that having such a large prison population arguably creates more people who have shitty lives of poverty and are surrounded by people who are in and out of prison. It’s not like that “makes” anybody into a serial killer, but I feel like you’d have to willfully ignorant to act like it’s not a factor in increasing violent crime in affected community.
So, I’ve so far argued that prison is an ineffective solution to the problems it claims to exist in order to solve, and that in many cases, it actually makes the problems that lead to these sorts of dangerous people (”regular” murderers and the radicalization of Neo-Nazis and KKK members in particular, I think) becoming dangerous, or at least more dangerous, in the first place. What I haven’t done, is talk about what I believe is the real core of the issue when it comes to prison abolition: nobody wants to fucking peacefully rehabilitate these people. I am arguing for a system that would handle these people basically as gently as possible, with the goal of releasing them back into society eventually, and I still believe these things mostly intellectually, not emotionally. I don’t want the men who sexually assaulted me and/or my loved ones to get off scot free (they did, of course, but that’s beside the point), much less serial killers or Nazis, and I’m not about to get on my high horse about wanting revenge on people who’ve committed these kinds of atrocities. The reason I’m a prison abolitionist in spite of these feelings is that I do not believe the desire for revenge, for punishment for punishment’s own sake, is an impulse we should indulge when creating social and political infrastructures that have ultimate power over millions of lives. In the words of someone talking about abolishing the death penalty, the question isn’t “do they deserve to die”, the question is “do we deserve to kill”; and here, the question is not “does anyone deserve to be imprisoned in this system”, the question is “do we deserve to brutalize people in this way for virtually zero practical benefits to our society”. What any person “deserves” is a subjective moral and philosophical question, one that no conceivable human justice system could ever actually answer. We as a society need to build alternatives to prison (and police!) that can actually address these problems, actually prevent the conditions that create and enable monsters, and actually rehabilitate (to whatever extent that is possible) criminals -even the ones we, personally, despise. Any long-term incarceration that may end up being 100% required should be designed to reduce the suffering of the person in it, no matter how despicable of a person they are. Trying to solve “the problem of evil” instead of trying to create a more functional and just society is a fool’s errand that can only lead to more evil existing, in the end.
At the end of the day, the “irredeemable” people you listed off as justifications for the continuing existence of prison, are only a tiny fraction of the people in prison, even the ones with life sentences. A full understanding of the horror and oppression the prison industrial complex enacts on the people in it and their communities (and how the system is designed to make a profit off of human suffering and death) is something you’ll have to read some actual books about in order to acquire. However, I don’t think it’s controversial to say that any horror we as a society deem “acceptable” to do to the worst of the worst, will also be done to regular criminals, as well as to innocent people who are wrongly imprisoned. Any brutality you design with a serial killer in mind WILL eventually be a punishment for a petty thief or drug dealer or sex worker, or a person who didn’t commit the crime they were incarcerated for. Is it really worth it? Is it really, really worth all the misery and oppression prison causes, to satiate our sense of justice? I don’t believe that it is. I believe that we have a responsibility both to the incarcerated and to their communities to base our policies and institutions on actually solving these societal problems however we can, and leaving our “eye for an eye” mentality in the dark ages where it belongs.
If you are interested in prison abolition as a concept, I can recommend some good books on it. You also need to understand that concept of “reparative justice”, which I’ve alluded to here but not really explained because OH MY GOD THIS POST IS TOO LONG ALREADY. Short explanation of it is that it aims to repair the harm done by the crime and rehabilitate the criminal through through therapy and trying to get them to actually understand what they’ve done and empathize with who they’ve hurt, while also providing therapy and resources to the victim of the crime (when it’s something violent and the reparation can’t just be “give them their money back plus extra for damages” or something). The point is not to satiate anybody’s sense of justice or revenge, but to proactively try to solve the problem the crime has caused and prevent the offender from doing it again. It would need to work in conjunction with the abolition of police (and replacement with better infrastructure for the few things cops do that we actually need done) and various other social programs and measures to prevent the circumstances that lead to crime. This sounds like a long shot because it is, but just because it hasn’t been done on a wide scale before doesn’t mean it can’t be, and just because it will be difficult doesn’t mean it’s not worth doing.
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helluvajedi · 4 years
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Something About You / Draco Malfoy x Reader
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Pairing: Draco Malfoy x Reader Description: After a rough week, you have one two many butterbeers and get help from the last person you’d expect. Warnings: being tipsy?? Word Count: 1437 A/N: idk what this is but i wanted to write something fluffy/nice since the last one was angst central.
Weekends meant Hogsmeade trips which were always your favourite part of the week. There was nothing like getting out of the school grounds for a bit. As much as you loved Hogwarts, it was nice to get away sometimes even if it was only for a few hours. It was even nicer after a stressful week and to say this week had been stressful was an understatement. Right from the get go everything had seemed to be going wrong. You’d managed to forget your potions homework which had resulted in detention then because of that you’d missed your date with Seamus. It hadn’t been that big of a deal — it wasn’t like your relationship was serious but you had liked him. It wasn’t enough for you to be upset when he asked if you two could just stay friends instead but it did put you in a foul mood. It seemed that every time you had something good planned the world tried it’s best to disrupt it. So, the trip to Hogsmeade was needed.
Usually, you tagged along with the golden trio but you decided to go solo today telling them that you’d meet them for a drink later on before you all headed back to the castle. As you walked through the main road, you spotted Draco Malfoy and his goons harassing some third year. You and Draco hadn’t really interacted much other than the casual ‘hello’ here and there but he’d always been rather polite around you so why couldn’t he be like that with everyone else? You knew your friends had an issue with him and couldn’t blame them but you had nothing against him. So far he’d done nothing to you but it did annoy you to see him bullying a poor, defenceless boy just trying to enjoy a day out.
“Hey, come on. Leave him alone,” you said walking up to where the incident was happening. Goyle was the first to hear you, turning to face you with the ugliest sneer on his face.
“Back off, (Y/N). This is none of your business,” he said gruffly.
“What exactly has he done to deserve you bothering him? Just leave him alone. You’re a sixth year and he’s a third. Pick on someone your own size.”
“I said back off.”
“Goyle! That’s no way to talk to a lady.” Draco had finally spoken up, glaring at his friend. “Since you asked so kindly (Y/N) we’ll let little Roger here be on his way.”
“Thank you,” you gave Draco the tiniest of smiles as little Roger ran past putting a ‘thanks’ to you.
With that all sorted out, you went on your way not noticing the youngest Malfoy watching you as you did. He’d always found you intriguing. Honestly, he’d always wanted to strike up a conversation with you but since you were in two completely different houses and he had a reputation to maintain, he opted for mostly ignoring you and trying to be civil. Part of him really hated the fact that he couldn’t just do the things he wanted to but he couldn’t take any chances of his father hearing about him doing such things. Befriending someone outside of Slytherin house was frowned upon so keeping his distance was his only option but little did he know that was about to change.
*****
“Barkeep, another!” You yelled out earning funny looks from Harry, Ron and Hermione. You’d been sat with them for half an hour now and had already thrown back about four butterbeers. They didn’t even know how many you’d had before they’d arrived but it was safe to say that with the amount you’d had, you were pretty darn tipsy.
“Maybe you should make this your last one,” Hermione suggested, reaching out to place her hand on yours in a comforting manner. “I know you’ve had a tough week but if you want to talk then I’m here.”
All you did was shoot her a big, toothy grin in thanks as your new drink was placed in front of you. “It’s not like I’m sad or anything. I just… need to blow off some steam, you know? When have you known me to get tipsy off butter beer anyway? It’s just one time. It’s fine.”
After another half an hour, Harry declared that he wanted to go back to the castle with Hermione and Ron agreeing. They tried to get you to go with them but you refused telling them you’d make your own way back. Harry had tried to pull you up and drag you with them knowing you weren’t exactly sober but you were too stubborn to budge. Ron had somehow convinced them you were smart enough to know what you were doing and with that they left.
It was one drink later when you’d finally decided you’d had enough, getting up out of your seat. But, you’d stood up too fast and with the butterbeer in your system it didn’t help one bit, the whole room spinning. You gripped the chair with one hand to steady yourself.
“You doing okay?” A familiar voice asked you. Your eyes glanced up to meet none other than Draco’s.
“I’ll be honest, blondie, I might have drank a little too much,” you said and couldn’t help but grin at him.
“I can tell.” He pondered for a moment almost having an internal battle with himself before he decided he had to be a decent human being and help you out. “Here,” he said, grabbing your jacket it and helping you put it on. He held his arm out for you. You didn’t even argue lacing your arm through it so he could help you back up to the castle.
The first few moments were silent until you spoke up curious as to why Draco Malfoy of all people was helping you out. “Got a feeling you don’t really do this much especially when I caught you bullying a poor innocent boy earlier.”
“You’d be right but contrary to popular belief, I’m actually a decent guy. I have manners and know when to not leave a lady alone in your state,” he mumbled.
“I’m not that drunk, you know. Just tipsy.”
“Tipsy enough for me to be concerned and it takes a lot to concern me. Why’d you even drink that much anyway? It takes a lot of butter beers to get anyone drunk. Rough day?”
“Try rough week.”
“Is this about that imbecile Seamus? You can do much better,” Draco pulled a disgusted face at the mere sound of his name coming out of his mouth. At your confused look, he went on to explain. “I was walking past when you two were having a chat. Complete idiot he is if you ask me.”
A little laugh passed by your lips. “Don’t hide how you really feel. But, yeah and no. He and I weren’t even really together. It was just an culmination of things coming together all week. I’m fine, though.”
He looked at you to examine your face for any signs that you were lying but he couldn’t find any. You really did seem okay which was a relief to him. The last thing he wanted was to have some deep hearted conversation. It was a shock to him and you that he was even talking to you as much as he was.
Silence took over again as you reached the castle. Although, you didn’t want to admit it being in his company felt nice. Natural, even. You felt comfortable even when it was silent. There wasn’t any awkwardness. If you didn’t know any better you’d think you actually liked being in Draco’s company. He liked being in yours too but he was nowhere near comfortable enough to admit that.
“Thanks for walking me back. You’re alright, Malfoy,” you gave him a playful nudge with your shoulder causing a slight grin to form on his face. Funny, you’d never really seen him smile before. It looked good on him.
“You too, (Y/N). I meant it, by the way. You can do much better than most of the boys in this retched school.”
“Are you about to make some overly dramatic speech and ask me out?”
This time a large, hearty chuckle came from him and you couldn’t help but feel a little hint of butterflies start up that you’d been the one to get that out of him. Draco shook his head. “You wish but who knows what the future holds, eh? See you around, (Y/N).”
With a wink, he headed on into the castle. Well, now you couldn’t wait to bump into your new favourite Slytherin more often.
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baejax-the-great · 3 years
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Listen op... What about rivalmances á lá Dragon Age 2... But it's Mass Effect instead? How'd you think it'd go?
Ohh, this is an interesting question.
So definitely some of the romantic interests favor a renegade or paragon path, right? Like, Garrus, Ash, and Miranda are arguably renegade choices, Kaidan generally argues in favor of paragon choices. But there's no approval system (beyond some ME1 stuff). Everyone is always willing to bone down if you ask.
The truth is, I didn’t love rivalmances in DA2. It’s an interesting concept, being in a toxic relationship with someone who doesn’t share any of your beliefs and possibly doesn’t believe in your humanity, but I don’t know man. Like Merrill deserves better actually. I’ve never actually seen the Isabela rivalmance but just those words together put a bad taste in my mouth.
While I find it odd sometimes that your decisions in ME don’t affect how your companions respond to you (you can say some seriously anti-alien shit in ME1 for example, with your alien companions standing behind you just shrugging), I think the context for the major decisions is pretty different.
Most of the paragon/renegade decisions early on don’t directly affect your companions. They are frequently ethical, but not political. Killing the rachni queen doesn't invalidate biotics as people or even speak of Shep’s beliefs regarding other species. Everyone agrees the rachni are a dangerous unknown who almost wiped out the other races. Kaidan might disagree with killing her, but if you go against his advice, you aren't indicating you think he should be imprisoned for his abilities (as a templar-aligned Hawke might when making their decisions).
The decisions that I think the companions would have the most emotional response to (the genophage? Rannoch?) occur in ME3, when everyone is at all-out war with the Reapers. And you can, uh, utterly destroy relationships with the people directly involved in those quests. For everyone else, Shepard is making decisions on the fly about how to defeat the Reapers, and frankly any fallout from those decisions would probably happen after the dust had settled.
And honestly, I think some of that would be great to explore. Can Shepard live with themself with the consequences of the destroy ending? With the consequences of their genophage cure? If they side with the geth on Rannoch and then choose destroy? Like... the war was won, but as Kaidan says, you have to live with how it went down. I would not be shocked to find out Shepard and their LI break up in peace time.
At some point in Mass Effect, everyone is just maxed-out emotionwise, and they aren’t in a place to judge wtf Shepard is doing. Companions and other NPCs routinely admit to Shepard they have no idea what they would do in their position. And again, I think the fact that Shepard is a (very successful) leader in a war against a specific enemy vs just some very sexy hick from Lothering fucking up Kirkwall for the hell of it changes how the companions are going to see their decisions. Doing something because it’s strategically the right call in the fate of the galaxy even if it’s fucked up is not the same as dicking around Lowtown trying to scrounge up cash.
For my own personal preference, I’m glad there isn’t a rivalmance, though I think I wouldn’t be opposed to some sort of approval system (some of these thirsty companions come on a LITTLE strong in ME1 like wow cool your jets). The ME romances are built on respect (mostly). In DA2? It's like, okay, your very actions go against my core beliefs as a person and threaten my safety/autonomy, but you're so sexy aha.
But hey that’s just me.
Okay nonnie I wrote this whole thing and then thought about your  actual question-- how would it go?
So now I’m trying to imagine Liara who like, despises Shep but still wants to embrace eternity and like... how does that go? “You’re so stupid, please let me see into your mind. Goddess, it’s so empty, I have never felt such peace.”
It’s harder with Garrus because he is SO amenable to being swayed by paragon Shep. He’s practically begging to be realigned, and we know he likes it when women are a little bit mean to him. I don’t know that it’s possible to rivalmance this cricket.
Kaidan frankly seems like the one most possible to rivalmance. Like, fuck, you go against every moral value I hold, but you are so stupidly sexy and somehow everything always works out anyway and I’m angry about it. Eat this steak you absolute monster.
I have no idea how you would rivalmance Sam without just being mean to her. Hard pass.
I also think rivalmancing Tali would... be ugly. I don’t like the idea. Like getting her to face the very warped history her people taught her, sure, but siding with the Geth every time, or witholding the things she needs to succeed, or breaking her trust on her loyalty mission... idk man. That just seems toxic. And I am pretty sure if you fail Thane’s loyalty mission, you can’t romance him, so I’m guessing that’s true of Tali, too.
The ME2 companions don’t... totally give a shit what you are up to? Like Jack, Jacob and Thane come to mind as not having a very strong stance on most of what you are doing. You’d have to completely retool their characters to suddenly have very strong opinions on a lot of random shit. (and like, why *would* Jack care if you rewrite or destroy the geth hub? Also don’t rivalmance Jack????)
So... I dunno, there is potential there for sure, but I think having so many romanceable characters and a game that doesn’t revolve around a single moral issue makes it harder.
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coffeeshoptalkks · 2 years
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who rules the world mbti (plus some enneagram) analysis
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through episode 18, tried to minimize spoilers
in love with this drama, couldn’t nOt do an analysis that absolutely nobody asked for
bai fengxi / feng lanxi | intj 5w6
walking ni poster boy
cLassic intj x exfp match
exfp: runs around lighting things on fire
intj: carrying around a fire extinguisher grumbling about cleaning up their mess while having stars in their eyes
very obvious te as opposed to fe
sets up systems to function well without regard to specifics, you can see this when he sends fountain abode to gather information
yes, it’s the way it’s framed but also he just wants results, doesn’t pay that much attention to the process
fundamentally, his opposition to a relationship with hei is the fact that he can’t be distracted, only later is it shown that he doesn’t believe that he should “trap” her in a world of politics
but even then, the motivation comes from him not wanting to be responsible for her displeasure instead of just wanting her to be happy
hei fengxi / feng xiyun | esfp 7w8
esfps come claim your girl!!
love an esfp that is healthy and doesn’t add to the giant pile of esfp hate
eXfp pretty self explanatory
ni inferior is actually what convinced me
scene in (episode 6/7?) when dealing with the ma family and figuring out who was being targeted
ik it’s for the cinematic parallel but they figure out the exact same thing through correct ni usage
she also just doesn’t display inferior si
also doesn’t really think like an ne dom would
when traversing with han pu she doesn’t think in advance about how her nomadic/chaotic lifestyle would impact the life of a small child which does point to lack of ni and fe
she’s too straightforward with her ideas and actions, points towards se
stereotype warning ⚠️ but the food eating? her constantly saying that (insert body part) should be used in a this way at any given time, very se oriented
spoiler: but in episode 13 (?) when she notices the faded seal on the exam questions, something bai fengxi didn’t notice is a very se thing to do
feng qiwu (leader of feng clan) | intj 3w4 
100% a te user, not a perceiver (as in the cognitive functions of a enfp or esfp don’t make sense in any context here)
that alone puts her into xxtj territory
i’m thinking INTJ just from the way that she spoke about fengxi before she knew he practiced martial arts, and how surprised she was when finding out, going as far to ask one of her advisors, what if someone had managed to fool me and everyone for over a decade
she’s steadfast in her beliefs that come from an inner system (ni/fi) and having te aux
an entj (imo) has much less access to fi with te suppressing most of the time. and i think an entj’s problem with langxi would come more from his (perceived) lack of ability as a prince as opposed to his mellowness and analytical thinking
i would guess that if you were to give her a tritype it would be 361 or 368
i would lean towards 361 just because she doesn’t hold the same level of aggression/needing control as someone with an 8 fix would have and she has the sort of calm morality that come with having a 1 fix (ime)
her innate dislike of weakness and “calmness?” that fengxi exhibits as the 2nd prince, going as far to say “the worst kind of man”she’s pretty steadfast in her beliefs 
6 over 5 because i don’t see the thirst for knowledge for the sake of knowledge in her
she’s more than willing to subordinate herself to fengxi when he proves to be a capable leader
this has now turned into an enneagram analysis, whoops
final decision: intj
feng chang (first prince) | estp 6w7
decently high fe usage actually
we’re gonna ignore the occasional violence cause ~plot~
actually that’s just the enneagram 6 reaction oops
i’m writing this at 3:03 am okay this is mEssy
was debating estp/entp but really, in a similar way to hei fengxi, speaks in too straightforward a manner.
you could make an argument for esfp, but his actions continually show an emphasis on the wellbeing of others rather than himself.
despite the fact that he and fengxi should be enemies and everyone is going around trying to pry them apart, even when put in a super sticky situation that ends up hurting fengxi, his actions come from a place of wanting to protect him rather than his own desires
he seeks external validation from his mother despite her mistreatment of him for 15 years
doesn’t really have his own motivations tbh
loyal to fengxi for the most part, gets stuck in court politics he doesn’t want to be in
feng ju (third prince) | enfj 3w2
sorry to my enfjs
in your (?) defense he’s super unhealthy and the entire story arc is literally designed to make him look bad? if that’s any consolation
extremely people and achievements based
idk how to explain this one lol
he’s just an enfj
the dominant fe, the (rather poor usage of) ni
yep, that’s all i’ve got lol
yu wuyan (one of the four gentlemen) | infj 4w5
hello ni post boy no. 2
plop him next to fengxi and you���ve got two pretty faced ni users meddling with things in the background
it’s fantastic
disintegrates to 1, imposes his own moral code and desires onto the entirety of the continent
king of reminds me of loki tbh
very easily reads motivations of others, not te oriented like fengxi
spoiler! ⚠️ just a really unhealthy / villainous infj
bonus:
second lady baili: entj 3w4 - this one’s pretty self explanatory..
emperor: esfj (?) - dominant fe, cares deeply about others and his entire schtick is protecting the people of his nation through balancing the court
cheers!
cstks
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rachelbethhines · 4 years
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Tangled Salt Marathon - The Alchemist Returns
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Strap in folks, cause this is going to be a long one. In truth, there are very few flaws in this episode, but in order to explain them I have to really get into some character analysis first. 
Summary:  Varian comes to Rapunzel for help in finding the remnants of the mystical golden flower, which may hold the key to stopping the Black Rocks. Working together, they venture through the old tunnels beneath Corona. Meanwhile Cass and Eugene work together to figure out who drugged the castle’s populace with a truth serum. 
Behold! The One and Only Time Frederic is Called Out on His BS; and Nothing Comes of It. 
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Rapunzel finally, finally stands up to her dad and points out both his abusiveness and his poor leadership. It doesn’t affect the narrative in anyway. Neither character learns anything from this nor changes their points of view. This conversation might as well not have happened given how the characters behave in later episodes/seasons. 
The only reason this scene exists is to give Rapunzel motivation for stealing the flower within the episode. A goal that she changes her mind about towards the end. Thereby walking back on such motivation and putting us back at square one with her development. 
Rapunzel Isn’t Being Truthful With Herself Nor the Audience 
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So people aren't always one hundred percent truthful about what they want and their goals. Especially if it involves admitting something about yourself or a loved one that you don’t want to acknowledge. Fictional characters are meant to give the illusion of being real so they can sometimes mimic this behavior.  
Throughout the episode Rapunzel keeps on assisting that she’s doing this ‘for Corona’, but we’re given context clues along side that to tell us that her real reasons are about her relationship with her father. 
Unfortunately, the show has a bad habit of not communicating information clearly and also has a history of expecting the audience to take what the characters say at face value. Ergo, it’s easy to miss Rapunzel’s true motivations and thereby fail to fully understand her actions and decisions throughout. 
Once Again, These Prophetic Dreams Go Nowhere 
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Dream Varian mentions Rapunzel has a ‘destiny’ but the show never spells out what that destiny actually is nor why she needs to fulfill it. Sure there’s a big quest for the moonstone in season two, but the rocks stop being a threat by then so really, she doesn’t actually need to go on that quest. In fact, she would save a lot of people at lot of trouble if she did nothing at all. That’s poor storytelling. You need something driving the action; a reason to motivate the hero.  
Secondly, we never get an explanation for why she randomly has these dreams in the first season but for none of the others. Nor why Varian is at the center of the them when it’s other villains she needs to actually be warned about, like say Zhan Tiri. 
No, the real reason why this dream sequence exists is just to reiterate Rapunzel’s internal conflict. She wants a relationship with her Dad, but he’s a male Gothel, and she’s now caught in the middle of his and Varian’s conflict because she failed to take responsibility when she needed to. And is still failing because she doesn’t want to shatter her illusions about Frederic. 
Shoving the main protagonist’s driving conflit into a subtextual dream sequence is lazy. Especially since we get no official resolution to said conflict. Rapunzel never acknowledges the problem here, never follows up on any type of action, and she never faces any true consequences for ignoring the issue. 
She carries on believing in her fantasy version of Frederic, even as he continues to do harmful things, and the narrative just rewards both her and him for it. 
There Should Have Been an Episode Showing the Audience Varian’s Side of the Story 
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What happened to Varian in between Queen for a Day and this episode is told only through context clues. Nothing is stated outright, meaning the audience has to rely too heavily on inference and are left to piece together what happened on their own like a puzzle. That’s poor writing. 
Even something as simple as ‘how much time has past’ (its three months btw, S1 is six months long and QfaD is the meant to be the midpoint) is left up to the viewer to keep up with rather then being clearly stated. This is made even harder to do by the marketing team showing most of the episodes out of order. 
You need to clearly relay information to your audience. That means repeating said information in a variety of ways over the course of the story. Have those context clues, but also have more overt hints, and direct reveals interspersed along with that. Especially when dealing with the motivations and goals of the character driving the main plot. 
Even if you attribute the lack of a Varain episode to the ‘twist’ in this one, (a twist that was revealed in QfaD anyways) there’s still no excuse for why we didn’t get a flashback episode afterwards to fill this hole in narrative out.  
Don’t Pretend Ignorance Rapunzel 
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Nigel literally repeated the rumor to her face last episode. She knows her father is lying about the rocks and attacked her for the scroll. She knows from the letter that those same guards were chasing down Varian for said scroll. She knows about Corona’s laws and what would happen to Varian if the guards caught him. 
There is zero reason for her to be acting like this is new information. Let alone have any right to feign concern after three months of ignoring his plea for help.
That’s what I mean about the series not communicating clearly and wanting the audience to take things at face value. The show deliberately has the characters say things that contradict established events to try and get the audience on their side. 
The episode is trying to telling us, ‘See! Rapunzel is innocent in all this cause she didn’t know, but she’s trying to make up for it now’. Yet, if you’ve been watching and paying attention to the details, you know that’s not the truth here. 
Good writing is about communicating ideas to your audience. But this show can’t decide on which idea to communicate. Is Rapunzel at fault or no? You can’t have it both ways. Either she screwed up and thereby caused the conflict in question now or she didn’t. If she didn’t, then events shouldn’t progress like they do. If she did, then it needs to be acknowledged and she needs to held accountable by the narrative.  
More Hints into Rapunzel's True Motivation 
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I can’t stress this enough. Rapunzel’s reasons for stealing the flower has nothing to do with Corona. That is an excuse. It’s about trying to find out what her Dad is hiding from her and why he’s lying to her. This comment right here is what compels Raps to go along with his plan.  
Also...
Varian Isn’t Lying Here
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I also want to make it perfectly clear that Varian is being upfront with Raps. He tells her his plan is to steal the flower and why. She’s the one that makes the assumption that this entails them only taking one petal and the assumption that ‘all our problems’ only means saving Corona. Even though saving Corona and saving Quirin are the same problem. (more on this later) 
It’s important to understand Rapunzel’s thought process and her true motivations in order to make sense of her actions later in the story. 
Rapunzel’s internal conflict is her need for autonomy versus her fear of rejection. The ‘for Corona’ and ‘one petal’ excuses are used because she thinks they’ll play well with her Dad. In order words, they’re reassurances to her that should she get caught and have to face her father’s disapproval then she could counteract his arguments with his own belief system about ‘putting the kingdom’s needs first’ and ‘following your own inner voice.’ 
And yes, both Rapunzel and Frederic are big fat hypocrites for this, but Rapunzel hasn’t acknowledged that fact to herself and is trying to convince herself throughout the episode to believe in her own excuses. 
Why Do You Care About Treason Rapunzel? 
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For context, treason is the highest crime in any country. It’s punishable by death, even in the real world. Now each country has its own legal definition of what constitutes as treason. Here in a America, in Article III, Section 3 of the United States Constitution, treason is specifically limited to levying war against the US, or adhering to their enemies, giving them aid and comfort. And only during a time of war. Legally, a time of war has to be approved by the US congress. Technically, congress hasn’t declared war since World War II. This is why certain people haven’t been convicted of treason like acts both in, and out of, later US conflicts because the definition is arguably too narrow and specific. But it’s intentionally that way to help prevent false accusations and to keep people in power from murdering their political opposition. 
Before the US, treason just meant opposing the ruler of the land in any way. The founding fathers committed treason just by signing the Declaration of Independence. They all would have been executed had the US lost the revolution. Here in Corona, that old definition still stands. Simple theft of royal property, a non violent act, is considered treason and we already know it’s punishment. Eugene stole royal property and was almost hanged for it in the movie. 
Now Rapunzel though, she is royalty. This stuff she’s stealing is technically her own property. She’ll inherit all of these things once Queen. Moreover, we all know that Frederic wouldn’t harm Rapunzel let alone kill her. She’s not in any real danger here. So why does she care? 
Remember that Rapunzel’s internal conflict is personal autonomy versus her fear of rejection. She only hesitates in her pursuit of answers when reminded of Frederic’s possible disapproval. That’s why she stops under his frowning picture to say this. “Treason” only means possible rejection or disapproval from her father. The worst thing she faces is another argument with him.   
Meanwhile, Varian’s life is very much at stake here. He is risking everything, quite literally, to save his father. But his life was arguably forfeit as soon as Frederic decided he wanted the scroll. What’s to prevent the king from claiming that as his own property even when it’s really not? If he’s already sent guards after Varian and the scroll then that’s precisely what he’s already done. 
The series is acting like Rapunzel is the reasonable one here because she questions stealing, but the reality is she’s being selfish and willfully obtuse. Multiple lives are at stake here, including the one of the person she is talking to right now. Breaking the law, defying her father, in order to save those lives shouldn’t even be in question at all. 
Corona and Quirin Aren’t Conflicting Interests. 
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Quirin and Corona are both facing the same problem. Solving one will inevitably mean solving the other. Any distinction between the two is solely created within Rapunzel’s own mind. 
She does this to to hide her true motivations and conflict from herself. The show does this to try and villainize Varian over Frederic. 
There’s a clear bias in who the series wants you to root for and so it skews the perception of what’s actually at stake by creating a non-existent competition between Quirin’s life and the country’s safety. Even though Quirin, Varian, and Old Corona are all apart of the kingdom. They’re all Rapunzel’s and Federic’s responsibly too. Saving Quirin’s life should be more than reason enough to steal the flower on it’s own. 
But this is ‘Rapunzel’s show’ and according to the creators, that means that her personal feelings are more important than actual human lives. Not really, but that’s their mindset and approach to conflicts in the show.
Rapunzel’s True Motivation is Revealed
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So we’ve followed the hints, but here it is stated outright. This was never about Corona, the rocks,Varian’s safety, nor Quirin’s life. This is about her need for autonomy. Her own personal quest for assertiveness. She’s been bullied and abused by two steprate parental figures now and she’s growing tired of it. Which is understandable and valid, but it shouldn’t be made more important than everyone else’s problems. Everytime Rapunzel says ‘for Corona’, she really means ‘for herself.’ 
Rapunzel Shouldn’t be the Only Person Solving the Obstacles Here
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Varian is just as smart as Rapunzel, if not smarter. This has been established throughout the show both before and after this episode. Meanwhile, Rapunzel is more physically adept than Varian. This whole sequence in the tunnels should have been both Rapunzel and Varian teaming up and complementing the other’s skill sets. They need to be on equal footing in order to sell their conflict later on. But the show deliberately down plays Varian’s competence in this episode in an effort to make Rapunzel look good.  
‘Girl power’ shouldn’t mean making the character perfect. It especially shouldn’t mean making other characters weaker in comparison. Women want equality. That means we want to see female characters treated as people. That means we want female characters to be flawed while still contributing to the plot same as the male characters. That doesn’t mean we want to be paraded around as the only competent person in the room. We want to be on the same level as the boys not above them.    
Over idealization and glorification of ‘strong’ female characters is just as problematic as damsels in distresses.
Writers like Chris Sonnenburg grew up during the heyday of Third-wave Feminism. Right on the cusp between second-wave and third-wave points of view as women really started to challenge Hollywood’s portrayal of themselves as homemakers and love interests. They wanted to be the heroes for once. Starting in the 60s and reaching pick popularity in the 70s and early 80s, film makers responded by making female characters who could physically fight but either failed to give them any sort of depth and/or made them the only archetype available.   
Chris, and several other male writers who lived during this era, have internalized this approach by default without actually examining how it came into existence nor why women would no longer be satisfied by this portrayal of them, if they ever were. All we’ve done is trade one stereotype for another, as male creators fetishize what was once meant to be an attempt to empower ourselves.       
Had Chis actually brought more female writers onto the show and listened to the criticisms from his female crew, he could have better avoided problems like the one above. But instead he dug in his heels and insisted that he already knew what we wanted. He doesn’t. 
Why Would You Assume This Eugene?
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Varian hasn’t actually done anything wrong yet. His worst crimes are drugging people with a magic potion, which is what Xavier did without consequence only two episodes ago, and attempting to steal a magical healing flower that the king has been hoarding from his subjects anyways. A king who has been persecuting Varian unfairly and they know this because of Quest for Varian. 
Eugene of all people should be sympathetic towards Varian’s plight. He’s been there himself. He should also know that the rumors about Varian attacking Rapunzel are untrue because Raps told him about the events of Queen for a Day herself. 
Meanwhile Cassandra was actually there. She knows Varian’s problems and is supposedly his ‘friend.’ She has even less reason to be hostile towards him. 
But once again, the series has the characters respond to things that contradict established events in order to create a bias in the audience. “See, Eugene and Cass doesn’t trust Varian and neither should Rapunzel. See, how evil he really is?” It tries to tell us. In order to convince us to excuse Frederic’s behavior so that when the series does just that through Rapunzel choosing his side we’ll be on board with it. You know, unless you have been paying attention, already have a developed moral code, and the reasoning facilities of an adult. 
Rapunzel Lacks Empathy     
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Keep in mind, ‘for Corona’ really means ‘for herself’. The only competition between Quirin and the kingdom is one that she’s fabricated in her own mind. Varian not caring about the island punctures holes into her excuses. Even though Varian is a fourteen/fifteen year old who holds no responsibility for the safety of a whole country. Especially one that’s mistreated him. Of course his father’s life is going to be more important to him. 
What Rapunzel is really asking here is, “Why don't you care about what I care about?” “Why aren’t you concerned about my feelings over your own?” 
Which makes sense for her character. She’s a woman who has been trapped in a tower her whole life. She lacks the experience needed to be an empathetic person. She’s never had to grieve before. The only permanent death she’s known is that of her abuser. Her trauma over nearly losing Eugene and Pascal was the fear of loss, not the actual process of living without someone. Rapunzel has no framework of reference in order to truly understand what Varian is going through. 
Sympathy is feeling sorry for someone. Empathy is understanding how a person feels. Rapunzel may be a sympathetic person but she’s not an empathetic one and there’s a difference between being ‘nice’ and being kind. The show presents to us a woman who needs to learn that difference. The problem is that she never does. 
This is actually a brilliant conflict and point of characterization. It’s taking what we already know about a character and expanding upon it to give us believable flaws that impact the story. I actually like this conflict. I like this portrayal. I initially preferred the series over the movie because of this. 
I want Rapunzel to be flawed. I want her flaws to to inform the plot. I want to like her as a character. But I can’t. Because the show never acknowledges these flaws, never has her grow as a person. She remains unempathetic and selfish till the end even as she gains more experience, and the show acts like she is justified in hurting others.  
This exchange is the quillivant of  a rich person who donates money to environmentalist causes trying to shame a poor child for daring to ‘waste water’ in order to take a bath, even while ignoring their own factories spewing pollutants into the local river. The show tries to claim that classism is okay so long as it’s perpetuated by the creator’s favs. 
Varian is in the Right   
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First off he never claimed that he was only going to take one petal. Rapunzel just assumed that. Also, he’s right there is no difference. Once again Rapunzel has fabricated a distinction in her mind in order to have an excuse to sell her  dad. She only hesitates now because taking the whole thing means there’s more risk of getting caught and less possibility of weaseling out of punishment through deniability. 
Never mind that Frederic doesn’t own the flower anyways. He stole it from Gothel first, outside of his land’s borders. Never mind that him taking the flower actually causes harm to others while stealing it back does not. Never mind that breaking a law to save a human life is not only justifiable but preferable. Never mind that the king is essentially hoarding medicine from the populace, thereby breaking the social contract of a leader towards his people and becoming a despot instead.       
No, Varian hurt Rapunzel’s feelings so he’s evil don’t you see? He placed his needs above the main character’s wants and desires, ergo the series treats him as a villain. 
Look, I’m not saying that Varian is without fault nor that everything he does is justifiable. But the show (and certain fans) goes out of its way to demonize the character even when he’s doing what’s actually morally right. This isn’t the point when Varian falls to the darkside, that’s yet to come, but it is the point where the series starts to play favorites with its characters at the expense of teaching coherent lessons. 
Inconsistent Messages 
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Yes, how dare he do the exact same thing as Pascal and Max did two episodes later. Don’t you know, he’s the villain; even though he actually has more reason to use the truth serum than they did the mood potion. 
The problem of centering so much of the conflict on Rapunzel’s personal feelings means that Rapunzel and the show has double standards for how characters are treated. Friends of Rapunzel gets free passes. Lack of friendship means you’re now the enemy and can’t be excused. Even though in real life that is what we call nepotism and an abuse of power.   
Authoritarianism Vs Consequentialism   
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When you mention the word authoritarianism to someone they automatically picture in their head armed men in uniforms marching in the streets attacking innocent people on behalf of a dictator’s orders. Yet, that’s not what authoritarianism is. That’s fascism, which can spring forth from authoritarians gaining political power but it’s not the only manifestation of this philosophy.  
Authoritarianism is the belief system that the ‘authority’ is always right, even when wrong. An authoritarian will find any excuse to follow and believe in their chosen authority even when that authority has failed them or others.
The opposing philosophy here is consequentialism. That’s the belief that right and wrong are directly linked to consequence. To their minds something is morally wrong if the action has a bad outcome for others. 
To illustrate the difference let's look at a near universal rule. 
“Murder is wrong.” 
Now both the authoritarian and the consequentialist will normally agree with this. But the ‘why’ to them couldn’t be any more different. 
To an authoritarian ‘murder is wrong’ because the authority has deemed it so. That authority can be anything that the anthoritian has personally chosen; God, the government, their parents ect. It’s completely arbitrary and subject to change on a whim. The authoritarian lacks consistency and conviction and will often have multiple chosen authorities that will contradict one another. If one of those authorities came out in favor of murder then there’s a strong chance that the authoritarian will change their position or belief as oppose to denouncing their chosen leader.     
Meanwhile, ‘murder is wrong’ to the consequentialist because there are clear irreversibly bad consequences for doing it. It removes a life from the world. All possibilities for that person are now forever snuffed out. It hurts those left behind. ect. The consequentialist is consistent in their beliefs so long as the consequence remains the same. They can’t be swayed by mere orders. That’s not to say that consequentialism is incorruptible. A consequentialist can easily become a knight templar if they are forced to weigh consequences against each other. Then it becomes ‘murder is still wrong unless it achieves this arbitrary goal’.  
In truth, morality is a sliding scale for most people and you normally hold more than one ethical belief system. However history has proven that authoritarianism is the more often dangerous and corruptible philosophy as it relies heavily on peer pressure, groupthink, and yes, abuse. Most authortians don't come from healthy loving homes. Either they were abused or are abusers themselves. When conducting studies on authoritarianism psychologists and sociologists use questions about parenting in order to pinpoint who is and isn’t an authoritarian as most people aren’t going to just come right out and claim we should go back to feudalism and the divine right of kings. 
An out of control authoritarian is a bully with power. An out of control consequentialist is just a vigilante. 
Frederic and Varian are the representatives of the two sides of these opposing belief systems and the representatives of what happens when people with those belief systems become corrupt. By having the main character choose between the two of them and siding with the her father, the authoritarian, the show is now validating this philosophy. 
Breaking an unjust law shouldn’t be presented as a bad thing here. Blindly accepting Frederic’s rule shouldn’t be the end result of all this. Excusing his abusive behavior shouldn’t be the finale outcome of the story. There’s not a single thing that Frederic, and by extension Rapunzel, does that hasn’t been done by corrupt governments in the real world. Their reasons for doing so be damned. 
Given the current political landscape and the increasing push to give real life anthortirans more power, this was absolutely the wrong message to put into a children’s show. It’s not that children will grow up to become authoritarians themselves by just watching the show, but it can condition them to go along with authoritarian abuse if they are now familiar the excuses abusers use to validate their actions. Especially, if they are already trapped in an abusive environment and are being fed these excuses by their current abusers. 
I've already seen this toxic thought process played out by younger members of the fandom who are only just now forming their moral codes. “Accept what’ve you’ve been given.” “It’s okay, your parent (the authority) loves you and knows what’s best” “Hurting people is alright because they’ve been hurt you need to ofter up understanding” 
NO!
Theses aren’t good lessons. These are the lies fed to you by abusive people. And the show repeatedly validates, justifies, and excuses both abuse and political corruption. Whether the creators believe this philosophy or not, they just  approved of it anyways through their own incompetence.  
Varian has Every Reason to Not Trust Rapunzel
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This the third time in three months that Rapunzel has backed out of helping him. All for increasingly flimsy reasons. She’s making a lot of promises here but not offering up any concrete solutions. Remember she’s not ready to confront her father yet, and neither of them know that she’s the sundrop herself. So what is her plan here? How is she suppose to recuse Quirin and prevent Varian from being unjustly punished if she can’t stand up to the one person who is responsible for causing these problems in the first place. 
Can you really blame Varian for going through with what he does here given how she has treated him thus far and would most likely continue to treat him? Yet that’s precisely what the show wants you to do because ‘stealing is wrong’ even though in this case it actually isn’t. 
This is Out of Character
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Once again, both Cass and Eugene have no reason within the current narrative to be so hostile towards Varian, yet. They’re only doing so now to create bias in the viewer. For Eugene this is especially out of character. I mean we’ve already seen Cass place her ambitions of above others people’s needs both before and after this, but Eugene is constantly written as the heart of the show. He’s suppose to be the most empathetic and caring person in the group, and yet here he is trying to arrest an orphan who’s only stealing to survive. Sound familiar? He of all people should be the first to defend Varian not attack him.
Excuse You, Raps!
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You know very well what he is. He’s a child. A lost, lonely, grieving, and desperate child who’s been let down by everyone who is responsible for him including yourself. But far be it for the show to actually point this out by stating it plainly and show you for the self centered ass you really are. 
Scenes Like This are Why Varian Should Have Been the Deuteragonist
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His story maybe connected to Rapunzel’s but it doesn’t revolve around her. He has his own stakes and conflicts that happen to intersect or oppose with Raps given whatever point in the narrative we’re at. As such we gets scenes like this one in his lab where he is the sole focus and is pushing the story forward. No other character actually gets this. 
Eugene’s arc has little to no bearing on the overall plot and Cassandra’s solo scenes in season three do nothing to further push the story nor give new insights into her character, as her given goal and motivation is too dependent upon Rapunzel herself to be shown separately.  
Out of all the main characters, Varian’s conflict is the only one that holds enough tension to maintain a separate story line. He needs this focus in order to make sense of what's going on with the larger picture and to resolve his conflict in a satisfying manner. Had the the creators been smart enough to follow through with Varian’s story till the end instead of dumping it at the last minute in season two and hastily rewriting a half-arsed resolution it in season three, then we’ve could have gotten the Disney equivalent of a Zuko vs. Aang, Loki vs Thor, or even Duck vs Rue/Fakir arc. As is, we’re only left with the table scraps of several loosely connected stories none of which are very satisfying to watch. 
Conclusion
I still like this episode and Varian’s arc overall but I can't in good conscience call it well written knowing now where it all leads to. Nor can I in could good conscience recommend the show knowing the awful morals it touts. And that makes me angry. Angry that I was fooled into thinking that this show had depth and maturity. Angry that I ever once held this show up as being good. Angry that I invested myself into believing that this show would finally give me a decent Disney anti-villain that I could like. Angry that trusted the creators not to be raging arseholes who made poor creative decisions based off of ego and questionable ethics...
I started this marathon so that I could vent my feelings and gain some closure, while also opening up a frank discussion about how bad creative decisions can lead to bad lessons in children's media. This show has many of the same problems as a lot of current tv series do but all condensed down into one place and there are things to be learn from that.However after this series of reviews are over I doubt I’ll ever watch the show again. It’s honestly not worth the time. 
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whitehotharlots · 4 years
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Privilege Theory is popular because it is conservative
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Privilege theory, as a formal academic thing, has been around at least since 1989, when Peggy McIntosh published the now-seminal essay “White Privilege: Unpacking the Invisible Knapsack.” Even within academic cultural studies, however, privilege theory was pretty niche until about a decade ago--it’s not what you’d call intellectually sound (McIntosh’s essay contains zero citations), and its limitations as an analytical frame are pretty obvious. I went through a cultural studies-heavy PhD program in the early twenty teens and I only heard it mentioned a handful of times. If you didn’t get a humanities degree, odds are it didn’t enter your purview until 2015 or thereabouts.
This poses an obvious question: how could an obscure and not particularly groundbreaking academic concept become so ubiquitous so quickly? How did such a niche (and, frankly, weird and alienating) understanding of racial relations become so de rigeur that companies that still utilize slave labor and still produce skin whitening cream are now all but mandated to release statements denouncing it? 
Simply put, the rapid ascent of privilege theory is due to the fact that privilege theory is fundamentally conservative. Not in cultural sense, no. But if we understand conservatism as an approach to politics that seeks first and foremost to maintain existing power structures, then privilege theory is the cultural studies equivalent of phrenology or Austrian economics. 
This realization poses a second, much darker question: how did a concept as regressive and unhelpful as privilege become the foundational worldview among people who style themselves as progressives, people whose basic self-understanding is grounded in a belief that they are working to address injustice? Let’s dig into this:
First, let’s go down a well-worn path and establish the worthlessness of privilege as an analytical lens. We’ll start with two basic observations: 1) on the whole, white people have an easier time existing within these United States than non-white people, and 2) systemic racism exists, at least to the extent that non-white people face hurdles that make it harder for them to achieve safety and material success.
I think a large majority of Americans would agree with both of these statements--somewhere in the ballpark of 80%, including many people you and I would agree are straight-up racists. They are obvious and undeniable, the equivalent to saying “politicians are corrupt” or “good things are good and bad things are bad.” Nothing about them is difficult or groundbreaking.
As simplistic as these statements may be, privilege theory attempts to make them the primary foreground of all understandings of social systems and human interaction. Hence the focus on an acknowledgement of privilege as the ends and means of social justice. We must keep admitting to privilege, keep announcing our awareness, again and again and again, vigilance is everything, there is nothing beyond awareness.
Of course, acknowledging the existence of inequities does nothing to actually address those inequities. Awareness can serve as an important (though not necessarily indispensable) precondition for change, but does not lead to change in and of itself. 
I’ve been saying this for years but the point still stands: those who advocate for privilege theory almost never articulate how awareness by itself will bring about change. Even in the most generous hypothetical situation, where all human interaction is prefaced by a formal enunciation of the raced-based power dynamics presently at play, this acknowledgement doesn’t actually change anything. There is never a Step Two. 
Now, some people have suggested Step Twos. But suggestions are usually ignored, and on the rare occasions they are addressed they are dismissed without fail, often on grounds that are incredibly specious and dishonest. To hit upon another well-worn point, let’s look at the presidential campaign of Bernie Sanders. The majority of Sanders’ liberal critics admit that the senator’s record on racial justice is impeccable, and that his platform would have done substantially more to materially address racial inequities than that being proffered by any of his opponents. That’s all agreed upon, yet we are told that none of that actually matters. 
Sanders dropped out of the race nearly 3 months ago, yet just this past week The New York Times published yet another hit piece explaining that while his policies would have benefitted black people, the fact that he strayed from arbitrarily invoked rhetorical standards meant he was just too problematic to support.  
The piece was written by Sidney Ember, a Wall Street hack who cites anonymous finance and health insurance lobbyists to argue that financial regulation is racist. Ember, like most other neoliberals, has been struggling to reconcile her vague support for recent protests with the fact that she is paid to lie about people who have tried to fix things. Now that people are forcefully demanding change, the Times have re-deployed her to explain why change is actually bad even though it’s good.  
How does one pivot from celebrating the fact that black people will not be receiving universal healthcare to mourning racially disproportionate COVID death rates? They equivocate. They lean even harder on rhetorical purity, dismissing a focus on policy as a priori blind to race. Bernie never said “white privilege.” Well, okay, he did, but he didn’t say it in the right tone or often enough, and that’s what the problem was. Citing Ember:
Yet amid a national movement for racial justice that took hold after high-profile killings of black men and women, there is also an acknowledgment among some progressives that their discussion of racism, including from their standard-bearer, did not seem to meet or anticipate the forcefulness of these protests.
Kimberlé Crenshaw, the legal scholar who pioneered the concept of intersectionality to describe how various forms of discrimination can overlap, said that Mr. Sanders struggled with the reality that talking forcefully about racial injustice has traditionally alienated white voters — especially the working-class white voters he was aiming to win over. But that is where thinking of class as a “colorblind experience” limits white progressives. “Class cannot help you see the specific contours of race disparity,” she said.
Many other institutions, she noted, have now gone further faster than the party that is the political base of most African-American voters. “You basically have a moment where every corporation worth its salt is saying something about structural racism and anti-blackness, and that stuff is even outdistancing what candidates in the Democratic Party were actually saying,” she said.
Crenshaw’s point here is that the empty, utterly immaterial statements of support coming from multinational corporations are more substantial and important than policy proposals that would have actually addressed racial inequities. This is astounding. A full throated embrace of entropy as praxis. 
Crenshaw started out the primary as a Warren supporter but threw her endorsement to Bernie once the race had narrowed to two viable candidates. This fact is not mentioned, nor does Ember feel the need to touch upon any of Biden’s dozens of rhetorical missteps regarding race (you might remember that he kicked off his presidential run with a rambling story about the time he toughed it out with a black ne'er do well named Corn Pop, or his more recent assertion that if you don’t vote for him, “you ain’t black.”). The statement here--not the implication: the direct and undeniable statement--is that tone and posturing are more important than material proposals, and that concerns regarding tone and posturing should only be raised in order to delegitimize those who have dared to proffer proposals that might actually change things for the better. 
The ascendence of privilege theory marks the triumph of selective indignation, the ruling class and their media lackeys having been granted the power to dismiss any and all proposals for material change according to standards that are too nonsensical to be enforced in any fair or consistent manner. The concept has immense utility for those who wish to perpetuate the status quo. And that, more than anything, is why it’s gotten so successful so quickly. But still… why have people fallen for something so obviously craven and regressive? Why are so few decent people able to summon even the smallest critique against it? 
We can answer this by taking a clear look at what privilege actually entails. And this is where things get really, really grim:
What are the material effects of privilege, at least as they are imagined by those who believe the concept to be something that must be sussed out and eradicated? A privileged person gets to live their life with the expectation that they will face no undue hurdles to success and fulfillment because of their identity markers, that they will not be subject to constant surveillance and/or made to suffer grave consequences for minor or arbitrary offenses, and that police will not be able to murder them at will. The effects of “privilege” are what we might have once called “freedom” or “dignity.” Until very recently, progressives regarded these effects not as problematic, but as a humane baseline, a standard that all decent people should fight to provide to all of our fellow citizens. 
Here we find the utility in the use of the specific term “privilege.” Similar to how austerity-minded politicians refer to social security as an “entitlement,” conflating dignity and privilege gives it the sense of something undeserved and unearned--things that no one, let alone members of racially advantaged groups, could expect for themselves unless they were blinded by selfishness and coddled by an insufficiently cruel social structure. The problem isn’t therefore that humans are being selectively brutalized. Brutality is the baseline, the natural order, the unavoidable constant that has not been engineered into our society but simply is what society is and will always be. The problem, instead, is that some people are being exempted from some forms of brutalization. The problem is that pain does not stretch far enough.
We are a nation that worships cruelty and authority. All Americans, regardless of gender or race, are united in being litigious tattletales who take joy in hurting one another, who will never run out of ways to rationalize their own cruelty even as they decry the cruelty of others. We are taught from birth that human life has no value, that material success is morally self-validating, and that those who suffer deserve to suffer. This is our real cultural brokenness: a deep, foundational hatred of one another and of ourselves. It transcends all identity markers. It stains us all. And it’s why we’ve all run headlong into a regressive and idiotic understanding of race at a time when we desperately need to unite and help one another. 
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“Under the Knife” - Part 10 (Finale)
“Under the Knife” - Part 10 (Finale)
My Masterlist - Here
Story Masterlist - Here
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Hannibal Lecter x Reader, Will Graham x Sister!Reader
Word Count: 3,800-ish
Key: Chunks of text in italics are (Y/N)’s thoughts. Y/N = Your Name, H/C = Your Hair Color, E/C = Your Eye Color
Warnings: Cursing, talk of violence, talk of death
Summary: You are Will Graham’s sister who works with him at the FBI. When you get offered a job promotion, life starts to change. Some changes for the better; Some for the worst.
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Author’s Note: Well, we are finally at the final chapter. This has been such an incredibly challenging story to work on, but I have learned so much from this process that will no doubt help shape my future stories.
Thank you to all of the readers who have liked, reblogged, commented, messaged, and reached out to me. This has been the best response I’ve gotten on a story and it has filled me with a level of appreciation that I wasn’t expecting. <3 
With the sappy stuff out of the way, please enjoy the final chapter of “Under the Knife.”
This is beta-read by @theeactress​, but please let me know if there is something that we missed or that we should look at again! 
<3
- DreaSaurusREX
Tag List: @fruitloopzzz @theeactress @melconnor2007 @ashenfallsof @geeksareunique @all-by-myself98 @sj-thefan​ @fuck-your-bad-vibes-dude​ @ntlmundy​ @a-person-unlabled​ @germansarechill​ @rentheanonymous​ @liadamerondjarin
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“Taking into account that Henry Urik was left-handed, I was able to throw my head back, causing him to falter, and then lean to my right in order to escape his grasp and not have my throat sliced open. This gave me enough time to get back to the table and get my hands on the gun.” 
“Unfortunately, the gun was empty. It’s common for killers to use unloaded or fake guns as intimidation techniques with their victims. My mistake gave Henry enough time to stabilize himself and grab hold of me again, resulting in a mild concussion and being knocked unconscious until a few hours later. Luckily Dr.Lecter was able to fight, thus saving me until Special Agent Crawford and his team could come.” You looked around and saw a few people taking notes while others just nodded their heads. Checking your watch, you saw that you had a few more minutes left to fill up. “And with that, I have time for one or two questions before we leave.”
The lights faded up a little bit, nothing too harsh for you. You quickly scanned over the larger than the normal crowd in your lecture hall. 
The fact that you, a survivor of the Virginia Scalpel, were giving a lecture on the case had attracted the minds of not only your normal trainees but the higher-ups as well. 
It was a slightly dizzying feeling to see the faces of management in your lecture hall, but that could also be the still healing minor concussion from a serial killer slamming you into a table a little less than a week ago. Either way, you took this time to sit on your desk and drink some water as you pointed to one of the trainees in the first row.
“I don’t want to bring up anything too triggering, ma’am, but I--”
“Kid, if I wasn’t okay enough to jump back into the shitstorm named Henry Urik, I wouldn’t have agreed to be here today.” A scattering of chuckles echoed through the hall. You were glad to hear that your lighthearted comment helped ease the tension in the room. “Please, continue. I’ll be okay, I promise.” The agent nodded and took a breath, whatever they were going to ask must have been weighing on their mind enough to scare them. You could tell that they were trying to hide it, but your ability to read people's subtleties was strong.
“Thank you, ma’am. I wanted to ask for your advice. What should we be aware of if we’re ever in a similar situation with an unstable or unpredictable suspect? What do we do?” 
You nodded and thought for a moment before you responded. You had a feeling that this type of question would come up now or through an email later on. Fiddling with your ring, you spoke.
“To be honest, you have to be able to assess everything at the moment. I may have seemed to have a handle on the situation externally, but internally? I was a quivering, frantic, and terrified mess. With Henry’s focus being solely on me, I knew I couldn’t just sit there. I knew that if I froze, it could have cost not only my life but also Hannibal’s.” You took a deep inhale through your nose before continuing. The thought of losing Hannibal hurt your heart. “My advice: really focus on the suspect. What are they saying? How are they saying it? What are they doing? Are there any mannerisms o-or phrases that hint at any sort of soft spot?” 
You held up a finger and turned to your computer, scrolling back through your presentation until you found the slide you were looking for. It was a diagram showing how all of the victims tied to Henry as well as Henry’s symptoms. You turned back towards your class.
“While I knew a majority of this information before my encounter with Dr.Urik, I only knew the facts at face value. When he and I talked about his experiences with all of these doctors, Henry let his anger and annoyance towards these men out. His voice changed from the seemingly calm and confident man that had just had a gun pointed at me, to a frustrated patient who just wanted answers that he believed in.”
“Now if we want to talk about more physical tells, that is the premise for another lecture entirely. You can tell a lot about a person without either of you having to utter a word.”
You looked at the trainee, they were watching you, truly listening to everything you had to say. From the almost unnoticeably tensed jaw to the stiff posture, this future agent was using all of their power not to tremble in fear at the thought of being in a scenario like this. You saw the fear in their eyes.
“As long as you breathe, remember your training, and let yourself fully assess the situation at hand, you’ll do the best you can do. Trust me, there were two very distinct moments that night where I thought and accepted the possibility that I was going to die. That’s a risk we all take with this job. But I focused on what I could do next and kept going. And that’s what you’ll learn throughout your time in training and in the field. You cannot stop, you have to keep going.”
You ended with a smile directly to the trainee to try to calm their nerves even a little bit. They visibly took a deep breath and nodded, giving you a quiet “thank you” before writing something in their notebook. Your saw movement out of the corner of your eye. Will and Hannibal were now standing off to the side, letting you know that you were almost done. Will was more rigid than usual. You assumed he heard the part about accepting death and he did not like that thought. 
Hannibal caught your eye as he tapped his watch. Nodding, you looked back to the class, prepared to dismiss them. That was until you saw a hand near the back. Before you could say or do anything, the man with the raised hand spoke. 
“How were you able to confirm the Scalpel’s motive? What stood out with him that made him suspect number 1?” You took a slightly larger breath as you realized it was one of the assistant directors speaking. Blinking a few times and gathering your thoughts you tried to sound as professional as you could. 
“Well, we originally were looking for an active doctor. Someone who could have access to the equipment and drugs needed for these killings. But then we realized that it could be a former doctor who was now a patient of these doctors.” You gestured to the slide projected behind you. “As for motive, we could only theorize until we talked to Henry himself. And while talking to him face-to-face last week revealed a lot, we cannot actually confirm anything when it comes to his psyche.”
“But you said it yourself, he was frustrated at the answers that these doctors had given him. So wouldn’t the Virginia Scalpel murders be crimes of passion, making his motive emotional overload?” The man spoke. You were thrown off just a bit, but found your way back to correct wording.
“They actually weren’t crimes of passion. Those are usually impulsive and emotionally driven. The Virginia Scalpel crime scenes, especially that of Dr.Pencalt and his wife, showed us that Henry was methodical and purposeful.” 
“Yes, there could have been an emotionally charged aspect to it. He was upset with these men. I theorized with Dr.Lecter and Special Agent Crawford that these killings could have been some sort of pain relief for his headaches. The act of slaying these men took all of his focus, alleviating the pounding in his head.” 
“At one point, he said that killing was a form of mercy and life could be considered torture. So he could very well have just wanted to spare them from this mortal coil. Or maybe Henry saw these murders as a way of honoring them. Maybe there was even a thrill-seeking aspect that he got a kick from.” You stood up from your spot on your desk, feeling yourself getting a bit weary after so much talking over the last hour or so, and tried to politely wrap this all up.
“Where I’m going with this is the fact that we can theorize all we want-- Hell, we can even settle on what we believe his motive was. But that’s all it’ll be: A belief. We will never truly know because Dr. Urik was found dead in the woods behind his former office building, stabbed a handful of times, and had enough of his own paralytic drug in his system to take down an ostrich.”
They were out of your sightline, but Hannibal and Will both smirked at how well you had handled the situation. It wasn’t often that managerial positions were proven wrong in front of a classroom full of people. However, both of their smiles slowly fell as the assistant director continued.
“I guess his death is a breath of fresh air, right? You can sleep at night knowing that the Virginia Scalpel is no longer out there. No more target on your back.” The assistant director tried to say that as a lighthearted joke. Something to lighten the mood. But you forced a pained smile and spoke your mind.
“Yes. I am thankful that I don’t have to worry about a scalpel cutting into my cheek again, or almost slicing my throat, or finding Dr. Lecter chopped into pieces in his bed or maybe even Henry breaking his pattern and going after the last bit of family that I have left. I guess sleeping should be easier, shouldn’t it?” 
You looked directly at the man as you spoke, the gravity of your situation and the insensitivity of his statements hitting him. You shifted your gaze to the trainees that were in the first few rows and continued, straightfaced. 
“But I am curious as to what he would have to say and how that perspective could have helped us catch others like him. I hope that you all can find that same curiosity as I do. If we can catch them and talk to them, we could learn what makes them tick and get information that could help us catch the next one before it's too late.” You let a beat of silence pass, letting your words sink into the minds of the young ones. “Thank you all for your time. For questions regarding the Virginia Scalpel case, please contact Special Agent Crawford and he will see if you are authorized to view the file notes. If you need to reach me for any reason other than the Virginia Scalpel case, you all have my email. Stay safe out there.” 
You turned away from the class and shut down your computer, trying to gather your things as the room applauded. You raised a hand as a way of saying “thank you but please stop” and they all filed out of the room. 
“I think that went well despite Assistant Director Ass-Hat’s commentary at the end there” Will made his way to you, grabbing your jacket from the chair behind you and holding it in his hands, gripping it tighter than normal as if doing so would solidify in his brain that you were here and safe.
“Thanks. For someone with a shaken brain, I think I did pretty good today.” You joked back at your brother. Looking over your shoulder, you saw the beginnings of his brain spiraling with worry. 
If he was being honest, Will still hasn’t fully gotten over the events of last week. It was his exact fear almost coming true. And while he was forever thankful that you were alive today, he was worried that this near-death experience wouldn’t be enough to stop you from continuing to work active cases. The fact that you wanted to give this presentation so soon after you were released from the hospital validated his worry more and more.
“I still think it’s too soon for you to be back here.” 
“If you had your way, I would never step foot near this building again, Will.” You joke over your shoulder as you slide your laptop into your bag. “But I also think that that is just your way of trying to get me to be a 24/7 dog sitter.” Will huffed out a breath that sounded like a dry chuckle.
“I’m not saying that, but if you ask Winston or the others, I’m sure they would be all for that idea.” 
You finally turn fully to Will and lightly smack his arm. His face fades from a small smile to an unmasked face of worry as he looks down at the jacket in his hands that he is still fiddling with.
“I know this isn’t going to change your decision on whether or not you stay with Jack’s team, but I really don’t like that idea.” 
“You said the same thing the first time we had this conversation.”
“Yes, but that was before you got seriously injured while working a case.”
“I wasn’t seriously injured.” Will was going to interject, but you kept talking. “But I understand. What we do is dangerous. But I’m going to say the same thing I said last time: I have the chance to save lives, and that is a good enough reason for me to stay.” 
Before either of you could continue, Hannibal finally made his way over. His hand landed comfortably on your lower back for a long moment to alert you of his presence. 
You and Hannibal had talked about your mutual feelings for one another and agreed to start exploring a romantic relationship. That being said, you haven't told Will yet. Luckily, the gesture from Hannibal was easily passed as friendly to your unknowing brother.
“The assistant director wanted me to pass along his apology, (Y/N). He didn’t mean to insult you with his statements.” You waved your hand dismissively.
“I know he didn’t mean to. But it was a nice excuse to hand a ‘powerful male’ his ass in front of a whole room. I’m sure his ego will bounce back in no time.” You let a devilish smirk grace your features, earning a smile from Hannibal and a chuckle from Will. 
Hannibal looked to Will and saw how he was holding your jacket. Hannibal just offered his hand.
“I can take that, Will. You should go. You don’t want to be late for your own lecture. I will make sure your sister is safe.” 
The hospital discharged you, but you were still healing. The cut on your cheek was almost healed, but you kept a bandage on it to be safe. A scar would surely form, permanently reminding you of your first case. Most people would associate it with the fear of impending doom by the hands of a serial killer. But you were actually okay with it. You saw it as a reminder of what you were able to survive.
The most inconvenient thing was that you weren’t allowed to drive yourself. Between the healing concussion and the medications you were on, driving was not the safest thing. So Hannibal and Will took it upon themselves to compare schedules and be your drivers. 
When Hannibal had afternoon patients or had to work late on something, you would stay with Will. On days where Will was needed at work, you would stay with Hannibal. Sometimes you would stay in their homes, and sometimes they would crash on your couch. Well, Will would crash on your couch. Hannibal would share the bed with you, protecting you from anything that would try to get you physically or mentally. 
Even when you decided to stay at Hannibal’s home, you felt safe. The dining room was a bit haunting. But you knew that no matter what, if something felt off or if you were in any sort of danger, Hannibal would step up and help the best he could. 
Your boys (and the dogs) made sure you were safe no matter where you were.
 If there was anyone Will trusted to watch over you, it was Hannibal. He was the reason you weren’t the Scalpel’s ninth victim.
Will just nodded and struggled to hand over the jacket. Your heart ached because you knew how easily concerned he got when it came to you. But you could also see that he was trying to let go of some of that worry, letting himself see that Hannibal was a safe man to have in your life. You closed the gap between you and Will and wrapped your arms around him, feeling how tense and distraught he was. 
“I will text you as soon as I get home, alright?” Will nodded his head as he squeezed you just a bit tighter. You squeezed back, knowing he needed the reassurance. He pulled away and you patted his shoulder. “Don’t give your kids too much shit today.” 
You both snorted, knowing there was some truth behind the joke. Will said goodbye to Hannibal and left the room, leaving you and Hannibal alone. 
As much as you wanted to hurry up and get out of here, you had to lean against the desk as you zipped up your bag, really feeling your lack of energy now.
“Are you alright?” Nodding, you took a sip from your water bottle before speaking.
“Yes? Did a lot of talking and thinking today. I think I’m starting to get tired.” You let a chuckle-esque exhale come through your nostrils. “Gotta build my energy back up.”
Hannibal stood in front of you, gently placed your jacket down on the desk, and took one on your hands in his. To any normal person, it just looked like he was holding your hand to comfort you. But you knew him. He was gathering data: Pulse, temperature, if your hands were clammy, and whatever else he could find out. But he was also holding your hand to comfort you a little.
After determining your vitals to be manageable, he lifts his hand to brush a few strands of hair from your face, letting his thumb stroke your cheek for a moment.
“I think it's time to go home and rest, don’t you?” Hannibal proposed. You nodded and grabbed your jacket from next to you.
“My place or yours?”
“Your choice, my love.” You couldn’t help but smile at the new and special sobriquet that Hannibal had started using more frequently. Hannibal kissed the back of your hand before helping you stand up, putting your hand on his arm to guide you out.
“I think my place tonight. And maybe we can stop at the store on the way and you can finally show me how to cook something worthy of the esteemed food artist, Hannibal Lecter?” Hannibal smirked at your dramatics.
“Do you think you’ll have the energy for that?” 
“No. But I’d still like to try.” You leaned towards Hannibal and felt a pleading smile make its way across your face, knowing Hannibal was already going to agree to your idea. He still pretended to think it over before nodding. 
“That sounds like a lovely evening.” You felt yourself wiggle just a bit out of happiness, Hannibal smiled at the cuteness of the motion.
Hannibal reached out and touched the doorknob, but before he could open the door, you were distracted by your phone buzzing in your pocket. When you looked at the caller ID, your feet stopped moving and your heart dropped. You couldn’t tell if it was out of fear or excitement. Maybe a weird mix of both.
Hannibal turned to you, watching your face carefully as you answered.
“(Y/N) speaking.” 
“How you feelin’, (Y/N)?” You hadn’t heard Jack’s happy voice in a while. You weren’t sure if this one was real or fake. So you proceeded with caution.
“I’ve been better, but I’m also doing a lot better compared to a few days ago.” 
“Good. Good...” Crawford trailed off, his mind obviously on something else. 
There was an awkward silence. You knew Jack was trying to figure out how to phrase something without stressing you out after the last couple of weeks. You knew what that something was and you appreciated the effort to try and not overwhelm you, but you didn’t like this small talk part. So you took a deep breath before kick-starting the conversation that you knew Jack was trying to ease into.
“I get the feeling that this isn’t a social call, is it, Jack?”
“No. It is not, (Y/N). We have another odd case that we could use your help with.” 
You felt your thumb subconsciously go to wiggle your ring. You knew this conversation was going to happen eventually, but even knowing that didn’t lessen the anxiety you felt. Hannibal stepped closer and took your hand in his, lightly running his thumb across your knuckles. You knew he was trying to ease your mind with the small gesture. You mouthed “Thank you” to him and smiled. 
Jack continued before you could say anything. “You don’t have to give me an answer right now. But the sooner the better.”
“How about I get back to you tomorrow afternoon?” You stated more than asked. Jack agreed to that and hung up. Hannibal could see that you weren’t stressed but you also weren’t excited. 
“I take it Agent Crawford wants to borrow your mind again?” You nod your head, going back and forth in your mind about whether or not to take him up on his offer again or let yourself rest for a bit longer. “What’s stopping you from saying yes?”
“Not much to be honest.” You look at Hannibal and see him watching you, ready to react to anything you say or do. “Can I ask you something?”
“Of course.” 
“Could you be my partner, Hannibal?” You ask and almost fear his response. You didn’t want to be a burden. But very quickly you are met with that lovely rare smile of his. 
“It would be an honor to be your partner, in life and on a case.” You smile as you lean towards him and he meets you halfway, pecking your lips softly, his hand smoothing its way to your back. The two of you pull away and he ushers you out of the room. “After all, someone has to protect that beautiful and reckless mind of yours.” 
You shot Hannibal a look as the two of you walked to his car, ready for one more relaxing night before jumping right back into the chaos.
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the-horae · 3 years
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tbh i want to know the answers to all of the warden questions but if you don’t feel like doing that then 1 & 2 for each companion? pretty please
Bless!! I’m so excited to do this!! I think I’ll stick to the companion questions just for brevity’s sake :) 
Zevran
1. How did your Warden react to Zevran’s failed attempt on their life? Were they amused? Angry?
Having grown up in the circle, Rowan wasn't accustomed to the concept of mortality, simply because she was raised in such a sheltered manner. I think that she failed to see the seriousness of the situation, and thought it was hilarious that she- an elf from the circle- was considered important enough to assassinate. 
2. Did your warden match Zevran’s lighthearted attitude or were they more serious? What sort of relationship did they have?
Rowan isn’t serious by any stretch of the word, and meeting Zevran helped to save her from being around the doom and gloom of Alistair and Morrigan (she loves them too, but Zevran brought a levity that she needed). They became fast friends, and grew a close bond. Though Zevran did flirt with her on occasion, their relationship always stayed one of deep friendship grounded on mutual respect and admiration. 
Alistair
1. What sort of attachment did your warden form with Alistair, if any at all? Were they close due to their shared experiences as Grey Wardens?
Rowan loves Alistair desperately, in a way that encompasses both romantic love and deep friendship. Since meeting him at Ostagar, she formed a habit of standing really close to him, almost hiding behind him. Even though she served as a leader for their group, she clung to him for comfort and support, which he gladly supplied. They are easily the closest of their rag-tag band, and never seem to leave the other’s side. 
2. Did Alistair’s parentage surprise your warden? How did your warden’s feelings on the nobility affect their relationship with Alistair?
Rowan wasn’t really surprised to hear of Alistair’s royal lineage. She told him once, just after Ostagar, that he bared a great resemblance to King Cailan. Of course, he said they both just had big noses and that was where the resemblance ended, but Rowan never let that thought go. When he finally told her, she simply smiled at him and playfully shoved his shoulder. “Ok, prince-y. Let’s go kill some corpses.” She had said, and Alistair just gaped at her as she skipped off. Rowan never made Alistair king, and favored Anora for the throne so his parentage didn’t affect them much in the end, much to Arl Eamon’s displeasure. 
Wynne
1. What did your Warden think of Wynne’s views of the circle? Did they have different experiences regarding the circle?
Rowan had known Wynne since she was a little child, and had many fond memories of her. Seeing her at Ostagar actually made her cry with relief at a familiar face, and every soul there was subjected to the sight of a tiny elven mage nearly tackling an old woman in what looked to be a bone-crushing hug. As for Wynne’s views, Rowan always thought that the circle was too restrictive, and they seem to agree on that front. Although, after awakening, Rowan became more and more angry with the circle, and the events of Dragon age 2 completely turned her against it. However, during the events of Origins, Rowan and Wynne agreed for the most part. 
2. How did your warden respond to Wynne’s comments if your warden romanced someone? Did they tell her it was love or that the relationship was purely physical?
Wynne was the closest thing Rowan had ever had to a mother, and so she hung on to every word she said with deep conviction. When Wynne voiced her skepticism about Rowan’s relationship with Alistair, Rowan was crushed. She was angry at first, asking why Wynne would doubt her like she was, but she soon understood that Wynne was just looking out for her. Once Rowan confirmed that what her and Alistair had was real love, Wynne softened to them and eventually gave them her blessing. 
Leliana
1. What was your Warden’s view on the chantry? Were they wary of Leliana due to her religious beliefs or lack thereof?
Rowan doesn’t dislike many things, but she is certain that she dislikes the chantry. Years of learning the chant in the circle failed to make her devout, and succeeded in fueling her skepticism. She studied the chant thoroughly, and the more she studied, the more she disliked it. Rowan was also a history buff, and the contradictions in the chantry throughout history only made her more distrustful. The Chantry was the reason that the elves suffered so greatly, after all. As for Leliana, Rowan was infatuated with her the second she saw her. She was too distracted by her lovely red hair and mirthful eyes to notice that she was wearing the garb of a chantry sister, and so she accepted her into her party without a second thought. As they got to know each other however, it became clear that they believed different things. Even so, the fact that Leliana actively criticized the chantry helped to earn Rowan’s trust, and they eventually became dear friends.
2. Was your warden curious about bards? If they had the opportunity, would they choose to become one?
As a mage, Rowan couldn’t become a bard, and she wouldn’t want to. After hearing all of Leliana’s stories, she knew that she didn’t have what it took to become one. Despite this, she never said no to a good bard story when Leliana offered.
Sten
1.Had your warden ever met a Qunari before sten? What did they expect?
Rowan, being the history buff that she is, had known about the ongoing war between the Qunari and Tevinter, and so she had done a good amount of research on Qunari before meeting Sten. Meeting Sten was one of Rowan’s favorite moments, mostly because she thought he was utterly fascinating, but also because she manipulated a Revered Mother to set him free. She knew that Qunari were exceptionally tall, but she was not prepared for the quality of Sten’s skin. She knew that Qunari skin contained different properties which made it hard like leather, but she was still fascinated by it. Once she and Sten grew close, he would let her research him through posing for anatomical sketches. He acted like it was an annoyance, but he secretly found her enthusiasm for learning endearing.
2. What did your warden think of Sten’s beliefs that people’s roles were determined at birth? Did they agree?
Rowan didn’t necessarily agree with his beliefs, but she certainly respected them. She would ask him the occasional question about his culture, always making sure to be respectful, and Sten would provide an answer. Even though Rowan didn’t share his beliefs, she often wondered what it would be like to have such certainty in your role in life. 
Oghren
1. What did your warden think of Orzammar? Were they impressed or did they become disillusioned with the city, like Oghren did?
At first, Rowan was fascinated by Orzammar. She thought it was beautiful, and the history attached to it was amazing to her. However, once she became more acquainted with the politics there, she realized how deeply flawed the city was. She ultimately sided with Bhelen, only because he would dissolve the caste systems, which she held a lot of disdain for. 
2. What were your wardens feelings of berserkers? Were they frightened by them? 
Like anything unconventional, Rowan loved the idea of a berserker. She would often grill Oghren about the practice, eyes sparkling with intense interest. She wasn’t afraid of them, most likely because she never truly grasped the concept of mortality, but she did hold a deep respect for them. 
Morrigan
1. What was your warden’s first impression of Morrigan? Did they trust her or were they cautious of her? 
Rowan liked Morrigan the second she laid eyes on her in the Korcari wilds. The idea of a mage living outside of the circle their entire lives fascinated her, and you can guarantee that she bombarded Morrigan with questions every chance she got. She instantly trusted her, maybe despite her better interest, but she held too much respect for the witch of the wilds to not trust her. 
2. Did your warden agree to help Morrigan kill Flemeth? Why or why not?
Rowan absolutely helped to kill Flemeth. It was a win-win situation, she could help her friend AND fight a dragon. Also, the joy in Morrigan’s face when she was presented with Flemeth’s grimoire made any dragon-related injuries worth it. 
Loghain (Rowan did not allow a war criminal to enter her party, and simply asked him to kindly die by her blade)
Shale
1. Was your Warden interested in golems upon meeting Shale? Did they think of golems as weapons or sentient beings?
Rowan was enchanted by Shale upon meeting them, and was constantly writing notes about Shale’s experiences. She believed wholeheartedly that Shale was a sentient being, and loved chatting with them whenever she could. She would also go out of her way to find new crystals for Shale to wear. Shale also allowed Rowan to sketch them, but only when they had their nice crystals on.
2. Did the realization that Shale was once a living dwarf surprise your warden? How did that change their views on golems?
Rowan was definitely shocked to find out that Shale used to be a dwarf, and after going to Orzammar, Rowan made it her duty (after the blight had been ended) to seek out any living family members of those who gave their lives to the Anvil of the Void. Her views on golems changed from fascination to feeling conflicted about them. In Shale’s case, they gave up their soul willingly, so Rowan did not pity them, and instead loved them as they were- a big, stony colossus. 
Dog
1. Who’s a good boy?
Chunk is the goodest boy to have ever lived.
Wow this was long but so fun!!! Thanks so much for asking about Rowan and her companions :))))
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