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cenorii · 2 days

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Wesker: personality

This is my psychological analysis of the character, which includes important details of the story, an analysis of the decisions they made and the concept of the phenomenon of «Guiding Fear». Contains spoilers!

Even if you know lore 100%, you will be able to learn something new from my thoughts

I did this to practice analyzing personalities and reliably prescribe my own characters.

[These are all my personal reflections that I have been accumulating and analyzing for six months. You can see the same analysis with Chris here. In Wesker's case, I dispel the myths that he is evil-evil and crazy, it's not that trivial here... Thanks to everyone who reads this, I really appreciate it and it's nice to know that my thoughts are of interest to someone!]

The most difficult subject of all. An attempt to embrace the immensity. He is infantile and the desire to prove this quality forced me to write such a huge article.

Wesker embodies the fear of losing himself, the anxiety of being someone he is not. He knows nothing about himself from the beginning, neither his Spencer-prescribed destiny nor his real name. As he tries to resist and exercise his individuality, he is eventually confronted with the truth that his every move has been pre-planned, never answering the questions: where are his own decisions? Where is he himself? What is really his?

I chose this fear for Wesker for a reason. The fear of losing himself can cause a person to purposely distance himself from others and not allow anyone to get close to him. He strives to shield himself from everyone, and we can observe this in his desire to be alone. Outwardly, such a person may appear indifferent and cold, even indifferent, so as not to give away to others (and to himself) his true feelings and needs. Wesker believes that it is right not to show anyone that something matters to him, otherwise he will develop weaknesses. After all, what people hold dear can be manipulated. And he doesn't want anyone to have control over him. He hates being controlled, so his surroundings know the bare minimum of information about him.

Who's Spencer? One of the founders of Umbrella, to put it succinctly. A man who is obsessed with identical mansions and mysteries and immortality and creating «perfect humanity». Rich and powerful.

But let's get to Wesker's story. A lot of things happened to him in his 48 years of life.

First of all, I want to point out that at an early age he was taken from a family that Spencer believed had a unique combination of intelligence and genes. But he wasn't the only one who was treated this way as part of «project W» (the experiment to create the perfect human). There were hundreds of children who were later given the surname Wesker. Until their adulthood, they received the best education, living in a boarding school (presumably), and were selected to be the best.

The children, being a blank slate, absorbed Spencer's teaching, being brought up according to his ideals. Their lives were pre-scripted, every step of the way. Those who were unremarkable were weeded out. Competition, anxiety. The lack of a normal childhood could breed a fear of losing oneself in every Wesker, for life was controlled. Personal boundaries and choices were absent, Spencer's worldview was pounded into everyone's head. Children were also distorted with notions of right and wrong, forced to be emotionally detached from a non-ideal world. This upbringing has produced people who have no empathy for others, empty machines with no personality of their own, ready to perform perfectly in any job in which they find themselves successful. They see the world through Spencer's eyes, but not their own.

In the end the best were 13 people, where number 12 was Alex Wesker and number 13 was Albert, the one in question. Someone who really always wanted to see the world with his own eyes, wanted to transcend.

The 13 candidates, following Spencer's plan, had to mature before moving on to the final stage of project W - injecting themselves with a special prototype virus. The power that this virus can bestow is so great that an immature individual, according to Spencer, has no right to possess it. In theory, this virus should improve a person, make him perfect, but in fact it turned out to be very selective and killed 11 candidates out of 13. Only Alex and Albert survived. Alex didn't gain any strength, because at the time of the injection she was sick, and the virus cannot improve a weak organism. But her half-brother was lucky, and the virus endowed him with all possible positive properties, changing his body and turning him into an almost immortal creature, looking completely like a human. That is, outwardly, except for the color of his eyes, nothing had changed in him. At the time of the injection, they were both 38.

I don't believe in theory that he lost his «humanity» due to mutation. On the contrary, he was never «human» in the classical sense of the word. He, like the others, was raised not to show empathy for others and was indoctrinated to believe that he was superior. Wesker had not changed, but because of his newfound freedom, he was no longer constrained by the limits Spencer's upbringing had placed on him.

When Wesker was 18, he was sent to the «Umbrella Executive Training School» with his future friend William Birkin, who was 16. They were research associates. As one could guess, the stress didn't end with his childhood, it coexisted with it. Following the text from his report, Wesker continued to feel like a mere toy in the hands of Umbrella, and further in the hands of Spencer, he literally raved in every paragraph about the old man. And to get out of this state was impossible from his words.

He and Birkin were led to Lisa Trevor, a subject who had been physically and psychologically abused in this School for many years. The horrible picture that opened before them, gave Wesker confidence that he could be in her place if he did his job badly. But he had no idea that he'd always been there, that every stage of his life was Spencer's experiment, just not as ugly.

Wesker wrote in his report: «We had two choices: succeed in our research... or lie here and rot like her. Thus we had only one option. This woman tied to a pipe touched something in our minds»

These thoughts are literally a revelation of his subconscious fear that has haunted him since childhood. A manifestation of humanity.

When Wesker entered this School, he felt freedom and saw the horrors of science for the first time. Perhaps a turning point in his life, for in order not to lose that little freedom, and his life, he had to do as he was told. Had to adjust and ignore the rationalism screaming inside. Working there greatly affected Birkin and Wesker, but Wesker had to transfer elsewhere to get more information about Spencer and also because of the realization that he had reached his research limit. When Birkin started studying the G-virus, Wesker realized that it was beyond his knowledge. Although he was good at science, he didn't want to do it all the time, he wasn't looking to improve his skills and knowledge, reaching for something else, as if trying everywhere, trying to find his place.

Close to the age of 38, Wesker gets a job in a special police unit as Captain of the S.T.A.R.S. Squad and a double agent. But he was already then pursuing a personal goal and found himself a triple agent. His goal was not simply to test bioweapons on members of his squad, as the assignment stated, but to escape with the results to another organization. The only way to break free from the influence of Umbrella, which is why he gave up his best people so easily.

It's unclear why he planted supplies on Chris in a difficult moment and helped him in every way he could if the trial was supposed to go «natural». Perhaps he wanted Chris to 100% make it to the final trial, but Chris was doing fine without it. Maintained the image of the captain? Game rules? Anything is possible. I'll use the code word «WX» to note this behavior, because I'll come back to this topic a few more times. «WX» stands for Wesker's penchant for actions that do not conform to his basic behavior, including helping others that does not bring him any personal benefit or benefit. In other words, good without any reason.

At the mansion, Chris and Jill get rid of the bioweapons in their path and make their way to the lab, where they catch Wesker off guard. There are 12 endings in the game, but only the one where Wesker is stabbed in the stomach by the Tyrant is canonical, as that is the ending depicted in Umbrella Chronicles, where the story is told on his behalf.

He survives by regenerating from a pre-injected prototype virus, but it's unclear if his death was part of the plan. His first report states that Wesker planned his temporary death from the Tyrant, but in subsequent retellings of this moment, I began to question how relevant this report was. His reaction and facial emotion shown in the re1 remake described surprise. But he couldn't be faking it at that moment, because he already had his back turned to Jill and Chris. Considering the way Wesker in Umbrella Chronicles describes his death, it seems like he really didn't expect this. Something didn't go according to plan. He didn't plan for this kind of trauma to activate the virus within him.

The point about the prototype virus is also worth mentioning. Birkin, on Spencer's orders, misled Wesker by telling him that this substance was developed specifically for him. That is, Wesker did not know the truth and details about having a huge probability of simply dying from the injection. Judging by the information in the notes, if Wesker had not injected it into himself, the virus would have entered his body in some other way, it was inevitable. The remaining 12 Weskers were injected with the virus, some by force, some at the request of a friend, and some under the guise of vaccination.

Let's take it a little further. Wesker was declared dead and moved on to another organization. Now his plan was to get rid of the sinking ship that is Umbrella. But why was he so intent on destroying it? It could have been a personal vendetta, after all, it was Umbrella that had manipulated his life and taken away his freedom. It was also a way to prove to his new organization that he was worth something.

By executing his plan, he inadvertently helped Chris and Jill, who were seeking the same thing. I'd call it «WX», but since he was pursuing a personal goal for his own benefit, it's 50\50.

Then in re4 he gives Ada the task finds the amber with the parasite Plaga. Considering that Wesker moves quietly around the island in the remake, it's odd that he didn't get that amber himself. With the power and speed from the virus, he took it all on the shoulders of one Ada, who was also infected during the mission, which only wasted his time. Didn't want to get his hands dirty? Maybe. But if he had gotten them dirty, the mission would have been completed faster, and isn't that a tactical advantage?

In the remake, he manifests «WX» (DLC Separate Ways) when he shows up at just the right moment for Ada and saves her from the ganados. After likely killing them with a gun, he takes a passed out Ada to Mendez's bedside, where he gives her a temporary recovery shot (or draws her blood?) But you know what's even weirder? He purposely chose a comfortable place for Ada, rather than laying her down on the ground somewhere. He was also there with her the entire time she was lying unconscious. I'd put an exclamation point on that weirdness, because... why? First of all, why did he save her when he could have continued the mission in her place? Recall Code Veronica, there Wesker arrived on the island with his HCF squad, but then we find his soldiers infected. He showed no concern for them and actually continued the mission on his own. Second, why did he keep sitting there? To scold and pathos leave?

He envisioned the option of Ada's possible betrayal and later stole Krauser's body, from which he had already extracted the Plaga sample, but he saved her anyway. Why? All of Ada's subsequent tasks on the island he could also have accomplished on his own and much faster. It's not like he was very busy if he allowed himself to sit with a sleeping Ada. The next meeting with Ada takes place on the elevation. Wesker brings her a case, pointing a gun at her. What is this gesture for? I don't think he sees her as a threat. Maybe it's a way to lend weight to his words, but doesn't he consider his authority absolute? He's a much bigger threat than the gun in his hand, so it's an odd action that makes him seem insecure.

After Ada's betrayal, one of Wesker's allies informs him that her helicopter can be attacked, but he refuses, calling it her "little act of defiance". Thus, he gives someone the Plaga sample she stole, and also spares Ada herself. It's «WX», though he could have gotten rid of two problems at once - the traitor and the competition.

We are now transported to the future, in the DLC for Re5 – «Lost in Nightmares». Here's where the fun begins.

DLC reveals to us that something has been bothering Wesker all his life, and that something is a subconscious manipulation that has been psychologically programmed into every Wesker. The so-called «Spencer's presence». It was a defense mechanism that constantly caused a sense of anxiety and a desire to seek out Spencer, to obey him. But this defense stopped working as soon as the old man met his prodigal son and told him everything. Wesker learned from him the whole truth about himself and about «project W», that his whole life had been manufactured. Then the defenses in his head were destroyed and he quietly killed Spencer, appropriating his dream for himself. He failed to deal with the realization of the truth, taking his dream of becoming God and creating a perfect humanity. An infantile fantasy of an unjust world that needed to be changed to fit his ideals.

In that moment, he faced his fear head-on. There she was - the cause of his fears, the person who had gotten into the depths of his mind, into his innermost being. Spencer. And now this old man was lying bloody on the floor. Perhaps Wesker should have been relieved and finally started living the life he wanted, not this old man. But he had taken Spencer's dream for himself, thus, once again acting against his will. In doing so, he didn't walk away from the problem, but exacerbated it without even realizing it. Wesker must have guessed that he had some problems, but his inflated ego that prevented him from thinking about it, screaming that he couldn't have any flaws. The problem became a hole that he tries to fill with things like this.

Whereas other characters conquer their fears by facing them, Wesker drowned in them, unwilling to change anything. His entire personality was built on the horror of losing himself, and when he found out that he basically had no self all his life, he lost his mind. He decided, since this world was unfair to him, then he needed to completely rewrite it and turn it into his own utopia, in which he would be whoever he wanted, untouchable, whom no one would point out and control.

However, thanks to the re4r (DLC Separate Ways), we now know that similar thoughts haunted Wesker even before he met Spencer. His desire to change people and start a new era he expresses after the credits. With this, the writers patched a few plot holes that appeared after re5. Now Wesker sounds like he didn't assign Spencer's goals to himself, but even before meeting him, he decided on a vision based on his upbringing.

Unfortunately, there is a long known scripting problem re5, because Wesker was not planned as a character who will survive the events of this game, so his motivation sounds stereotypical and stupid, because his plan and should not have been realized. Must be in the remake they will fix this flaw, because the beginning has already been made. His moment of frustration after killing Spencer is interrupted by Chris and Jill coming up. Consumed by rage, Wesker is seriously trying to kill Chris this time, or he was playing with him again, knowing that he would not oppose him. After saving her partner from death, Jill pushes Wesker out the window, falling down onto the rocks with him. After falling off a cliff, Wesker obviously survives, but also saves Jill. Why not just leave her to die? Why treat her and then plan to make her a test subject? Aren't there other healthy people out there? Stupid and empty revenge is not in his character. This is just another manifestation of «WX» and his obsessive desire to cling to the past.

I don't have much to say about re5, because Wesker died there, or we were made to think so. The only thing I will mention is his unhealthy attitude towards Chris. He displays it at every chance he gets. The notes about Wesker in Umbrella Chronicles state «As a spy he held the concurrent post of S.T.A.R.S. Captain and has been impressed by Chris' combat abilities since then», and during the events of Umbrella Chronicles, Wesker said the phrase «Chris, it appears our fates are forever intertwined». In the re1 remake and Code Veronica, he openly stated that Chris was «his best man» in a sort of unobtrusive admiration. It's no longer possible to perceive Redfield as separate from Wesker.

Each time he points a gun at him, Wesker never takes a shot on target. In the battle on the airplane, he points the gun at Chris without even putting his finger on the trigger. Such a good opportunity to kill him, to get rid of the enemy for good, and he just stands there holding a gun he's not even going to use. Just take the shot and it's over, but no, he's standing there babbling on as if it's actually that much more important to him. It's like Wesker was looking for an opportunity to vent to the very person from his past. It's reminiscent of the moment he pointed the gun at Ada. It's like he was trying to add weight to his words, to show the importance of what he was doing.

In Code Veronica, he decided to play with Chris instead of killing him. So many opportunities were missed, as if he couldn't physically hurt «his best man». Chris is Wesker's only drop of common sense. If he was sure of what he was doing, and also sure of himself, he wouldn't have left Chris any chance of survival. He would have killed Redfield at the first opportunity, but he stands there every time and doubts what he's doing. Chris is a kind of controlling element to him that constantly makes him hesitate.

And this strange hatred for Chris also raises questions. Maybe he hates him because he was jealous of what he owned? Something that cannot be obtained with money. Support, understanding, the love of a sister and close people, trust. Wesker compulsively convinced himself that he was not made for such things, for even having a sister, they did not possess affection. From the beginning he had no friends and his only companion was Birkin, though their relationship could hardly be called a normal friendship. He had no family or loved ones, and the only support he received came from «patrons» who were actually agents of Spencer and Umbrella. Seeing the Redfields supporting each other in difficult moments, being heroic, Wesker truly realized that he would never do the same. He has no people he holds dear, nor does he have those who hold him dear. There are no irreplaceable people in his worldview, but this connection between Redfields is probably beyond his comprehension. It's a simple human problem, which is why he's so fixated on himself, because if he loses the only thing he has, he'll have nothing left. He's miserable and drowning in his own despair.

While interacting with Chris on the volcano, Wesker first reveals his idealistic, infantile nature, naively dreaming of a better world without war and disease. Losing control of his powers and realizing that he will not defeat Chris in such a state, he decides to overdose himself with Ouroboros, which in the end does not make him stronger at all, but only slows him down, making him drown not only in weakness, but also in his own uncontrollable anger and frustration. Events are moving too quickly and so it can be assumed that his words here are not addressed to Chris, but to himself. After all, in the last battle he claimed to be «saving the world» and now he wonders «is it worth saving?» He dies without knowing the answer.

«However, there is no point in power if it consumes itself» his phrase, well suited to the situation at hand.

Btw, in the original idea, the moment before he died, his eye color would become natural, showing despair and horror. An interesting idea that was discarded.

I would also like to parse his phrases: «Only those with superior DNA will be chosen by Uroboros. Only those fit for survival will be allowed to carry their genes into a new age!» Also, «I don't need anyone else. I have Uroboros!»

Wesker is more aware of how the world works than anyone else. Corruption, betrayal, human vice and filth. He had to participate in it to achieve his goal, had to go through a lot of disgusting people for the sake of getting benefits, himself to sink to their level. Seeing this, he has become disillusioned with people, so he wishes they would disappear, giving way to someone more «worthy» of life. He also renounces everyone, entrusting his fate to his creation, desperate to gain understanding.

His life was cut short at the age of 48 (2009) in a volcano, but that's according to official reports. In theory Wesker and his possible clone are alive now, which we could learn from Umbrella Corps. But I'm not going to tell you about it here.

I failed to mention that at 32, Wesker had a relationship with a woman named Muller. Strangely, she was still alive afterward and had a good opinion of him. Although it would seem that with such a personality it should be the other way around.

She ended up pregnant, and now, as of 2021 in the re8 storyline, their son is 29 years old. I can understand why she might not have informed Wesker about the son, because first of all he might not have approved and made her get rid of him, and secondly she might have lost the ability to contact him, since he was working in secret. But the fact that she kept the baby speaks volumes. That the man she broke up with is genuinely pleasant to her. I mean, if he'd been the way he was at the time of his death, it's unlikely she would have kept the baby. Often victims of violence/abuse get rid of their children, no one wants a child from a tyrant. That's the side of this character that we don't know anything about.

It's hard to imagine how a person who has a fear of losing himself and who distances himself from others has managed to find a short-term relationship at all.

What about his personality? There's a double bottom here.

It's ambiguous. At first you see a stereotypical villain and then a psycho who wants to «save the world» by destroying it, a standard hackneyed scheme, nothing interesting.

But if you look closely, we see a simple man on the verge of despair. With his past behind him, he cannot give up everything and live the way he likes, because he is superfluous in this world. Because of his own fears, he has developed a belief that he has to strive for something in order not to lose himself. All Weskers have been raised to believe that they have a great destiny, which builds an unhealthy and extremely vulnerable self-esteem.

With his fear of losing his identity, Wesker isolates himself from others, creating psychological walls that even he is afraid to penetrate. This may be the reason he broke up with Ms. Muller. She risked getting into places where even his foot had not set foot, so it became necessary to distance himself from her in order to avoid unpredictable consequences.

His dream, adopted from Spencer, actually echoes his deeply buried problem. «Infect people with a virus that will only improve and not kill a select few like him» That is, Wesker dreamed of making people like himself. Isn't it loneliness and desperation that makes people do such things? It didn't seem that he was hungry for «power» specifically, because he already had it in the traditional sense. All the more, based on his words, he did not wish for evil with this gesture, he wished to «save» humanity, knowing that millions would die. For the sake of finding a company «worthy of him», he was willing to risk killing everyone and being alone. Desperate and lost, he began to make bad decisions.

You know, it's been unusually hard for me to see beyond the obvious. I feel like I did the wrong thing by taking it upon myself to judge him without knowing almost anything about him. I originally had a biased and negative opinion of the character. But now I've gone neutral.

What do I see in front of me now? A character disconnected from his own lore. We read about one thing and see something else entirely. And also an unhappy man. Wesker is famous for his reports. They were always interesting to read because of their informative and judicious tone, so it was much more interesting to watch him when he acted in accordance with his reasoning.

Judging from the story, he is able to evoke compassion and empathy in the viewer, but does he evoke it in action? In action, he evokes nothing. He is not even annoying, although a well-written character should evoke an emotional response, but he evokes it only with his story.

Creating something unambiguously negative is not a bad thing. But such a thing should be presented wisely, and it should have a certain kind of backstory, which will only deepen our belief that this object is evil.

But in Wesker's case, things went wrong from the start. Having created a story that resonates in you with an atmosphere of hopelessness, lack of choice, and fear of losing yourself, we see a character that doesn't match that. It's the events of the personal story that create the character, but if the character feels pulled from it, something went wrong in the writing.

If you are creating a character who is supposed to be compassion, the story should help with that, make you feel his problem. The same is true if you're writing someone who is negative and should be disgusting. Murder isn't enough to make a character a villain, the story is the main key. And our victim's story isn't about becoming evil at all, it's about fighting fear, where fear wins in the end, which doesn't fit with the concept of evil evil at all. That's why the player/reader/viewer can't always decide who he is: antagonist? Anti-villain? Who the hell is he?

[The beginning of an optional fragment]

By the way, there aren't enough facts in this analysis, so now we're going to break down the prototype virus that was injected into 13 Weskers. If you're not interested in that, skip to the next section. I haven't previously mentioned the Progenitor, from which many viruses in this universe originated, so the prototype is an unstable strain of the Progenitor, weakened dozens of times so as not to be too toxic. This virus either gives a person immense strength or kills them altogether. Alex stayed somewhere in the middle, because nothing happened to her, but her brother changed a lot.

Wesker has special genes, as well as immunity, that made the prototype fused with him. But activation, according to Birkin's report, requires a stressful situation. That means the hormones released as a result of stress dramatically amplify the influence of the virus, helping the body to initiate the fusion. It's all about hormones, we'll come back to that.

When Wesker received an injury incompatible with life from Tyrant, the hormones produced at that moment triggered the V-ACT process. He went into anabiosis, transforming all the cellular tissue in his body as well as repairing the damage he had sustained.

But having gained strength through a complete reorganization of his body, he was not yet aware of the instability of the virus inside. He didn't know that the prototype doesn't «fix» in his body. Therefore, the strength provided by the virus is not eternal, weakening with time.

So Wesker has to take PG67A/W regularly to re-secure the virus inside and stay strong. An insufficient dose of PG67A/W can cause malaise, and a large dose becomes poison. Which is what happened in re5 when Chris and Sheva injected him with the substance an extra two times. He experienced pain, and then presumably his powers escalated to the point where he no longer had control over them and they lost usefulness.

His son, Jake, also inherited genes and special immunity, which is why most viruses are harmless to him, but also do not give any advantages.

The fact that the forces of an overdose are not lost, proves the moment when Wesker easily damages the rocket with his bare hand.

Now back to the subject of hormones. Not only do they provoke viral activation, but they are a completely controlling element. Wesker, when provoking his emotions, can change the density of his own body, which also causes bioluminescence in his eyes. I noticed this when rewatching the re5 cutscenes. Always when he is about to strike, his eyes start to glow. Glow is emotion, and emotion is hormones.

This is why Excella can free pierce his skin with a needle and inject the drug, because at this point Wesker is calm and his body density is close to that of a human. In battle, his body is like a stone, it hurts Chris to hit him and this can be seen in his animations.

[The end of an optional fragment]

The injections are another painful element that robs Wesker of his sense of self-worth and freedom. Therefore, coupled with the fear of losing himself, he has an inferiority complex. This complex manifests itself outwardly in a superiority complex - in arrogance, an inflated ego, which we see in his behavior. This is the answer to the question of many people, why he behaves this way. Not considering himself a full member of society, not considering himself suitable for ordinary life, Wesker begins to believe that he is above «all that» and calls himself God, in other words self-deception.

An inflated ego is the result of psychological defense, a sign of hidden fears (loss of self). It also indicates the presence of insecurity, which he tries to hide by creating a strong image for the outside world. However, like many people with large egos, Wesker has a fragile self-esteem, which is why he hates so much the rude Chris who initially discerned his weak side. His self-esteem is closely tied to his ego, so with the image he has created, Wesker protects a side of himself that he never shows to others. He hides it even from himself, as I mentioned earlier.

I thought Jake's AI words would be perfect here:

This is the only fragment where I decided to have fun with AI, but it gave me something that really makes sense.

I would like to summarize, because the analysis turned out to be long, and something towards the end may have already slipped the reader's mind. So... What do we know?

Because of his nonstandard childhood and obsessive upbringing, Wesker has an unhealthy and extremely vulnerable self-esteem. By deceiving himself, he began to consider himself superior to everything ordinary, and to believe that he is simply not made for this cruel and unfair world with wars and diseases, so he dreams of creating «his own world», where there will be «equal» people, so that he will no longer feel superfluous.

Also, because of his childhood, he is withdrawn to the point where he hides his true feelings and needs even from himself. He feels safe as long as no one knows what he cares about. If you don't know what a person cares about, you can't manipulate him. And if he doesn't care about anything, he is invulnerable. He is afraid to be himself and express it. He himself doesn't know what «he» is really like. Judging by his phrases in the game, Wesker would like acceptance, but would never admit it openly.

It is also an echo of an effect he has been under the influence of all his life - the «fear of losing himself». This fear has become a convenient pattern of behavior in his life: pretending not to care about anything and believing it. People with this fear need to appear indifferent, not letting anyone know that anything matters to them.

But what is «fear of losing yourself»? It is the phobia that someone more powerful can manipulate you and take away your sense of security, of reliability, whereupon you no longer consider yourself strong and confident. Wesker felt for years that he was under Spencer's strong influence, his puppet, which cemented the «fear of losing himself» even deeper. Every step in his life was not his personal choice but Spencer's, Wesker was only made to think that he was acting on his own free will.

Loneliness and lack of empathy were also his eternal companions. Never having friends, never having family and support, and never having anyone that Wesker could cherish. And no one who would have treasured him. That's why he's so fixated on himself, because if he loses the only thing he has, he'll have nothing left at all. That's why he prioritizes pragmatism over emotion, easily betraying anyone and replacing one with another. But he also tends to cling to the past, sometimes betraying his pragmatism.

-------------------

Due to a misunderstanding, I would like to supplement my text. This analysis is only my personal interpretation and my personal view of the character and his story. I do not claim that it is 100% canon, because canon is so vague and disjointed that it is impossible to fully assemble it objectively. Everyone is entitled to have an interpretation different from mine. Best wishes to all!

#resident evil #rebhfun #resident evil 5 #resident evil 4 #albert wesker #chris redfield #umbrella chronicles #resident evil 6

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takemehomefromnarnia · 2 days

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10 years of Rainbow Direction!

Exactly 10 years ago a girl named Danny printed out this rainbow poster and took it to the first concert of One Direction's Where We Are tour:

Anniversaries are always a bit arbitrary, and Rainbow Direction's was always a hard one to pin down.

This blog is just a day or two short of celebrating 11 years and without it Rainbow Direction would have never existed, because the people who were at the start of it would never have met, but its purpose and setup were entirely different and RD was still far from being developed.

The suggestions that eventually took form in "Project Rainbow Direction" were first submitted to the blog in late 2013. The first brainstorm between Kat, Li and Ellis about it, and further strategy talks with Ed and Molly took place in the early months of 2014. The project was announced in February. Haven and Red submitted their winning poster designs in March. Amy developed a logo and opened a merch store for us in early April.

While we've often referred to that midnight brainstorm on a cold January day as the origin of rainbow direction, that was only its conception. We don't even have a record of which date it was. We could also have chosen any of the more pin-downable dates: announcing the project, announcing the poster contest winners, opening the store. But really, all that Rainbow Direction was at those moments, was an idea, a plan, the hope that we had that it was within our, the fandom's power, to change something for the better for the LGBTQIA+ fans in it.

For months all of us, and especially Li, had worked tirelessly to encourage people to sign up and commit to bringing a rainbow poster to a show.

And then the big moment was there. First day of tour. The moment of truth. Would the people we'd encouraged actually have the courage to take a rainbow to a show, and stick it up in the air? Would it matter to people? Would it actually change something?

10 years on, we know that it did. So much more than we could ever have imagined.

But that was was anything but self-evident at the time. We had no idea. We nervously monitored the wwa tag and the blogs of those who had signed up, and then, after a few days, finally this report appeared. Danny from Bogota shared the first Rainbow Direction fan report.

I think if you'd ask any of us who were here at the time, they'd remember fondly how knowing that someone had actually done it, something happened in the real world, and if one person had done it, more would, how that sparked a fire in our hearts. A ball of warm feelings, not quite the same feeling as before. Before, there had been buzz and excitement and drive, but this, this felt different. Hope. A sense of the personal strength, and collective power, that could come from this if we could make it grow. It took a lot of hard work from a lot of people who committed themselves tirelessly to the campaign, but grow it did.

Thanks to Danny. Thanks to all of you who at some point or other, crafted something rainbow at home, took a rainbow to a show, put a rainbow on your blog, showed that you believed in your own power to change something, and showed the LGBTQI+ people in the fandom that they mattered, and that you cared.

It has been quite the roller coaster ride. As the coordinating group, we've had many ups and downs, and by now, for most of us, our attention has been drawn away from the fandom by our real lives and new pursuits. But regularly, when one of us checks in and sees the rainbows at one of the boys' shows, we share, revel, and sit amazed at how this thing, that once took so much effort on our part to get one, two, three people per show signed up, has grown into a regular staple, with people spontaneously taking it upon themselves to organize for entire venues to light up in a coordinated rainbow pattern, to design new posters and rainbow outfits, or to hand out hundreds of mini rainbow flags in the audience. This community has taken it up as its collective responsibility - let's get those rainbows out. How beautiful is that?! You are all so so amazing.

Thank you, you beautiful people, for becoming a part of this, for making it your own, for making it better, for carrying it forward, into the future.

So long!

#rainbow direction #one direction #rainbow project #harry styles #louis tomlinson #niall horan #liam payne #zayn malik

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blow-me-a-kis · 1 year

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Once your hatred of a fictional character you believe is racist has you spitting vitriol to real PoC, you need to back up and re-evaluate your busted praxis, because you have lost the plot entirely. The character is Not Real, dude. WE are. Its not some hard math problem

A lot of folks need to focus on treating others with basic respect despite difference of opinion, because it is ALWAYS marginalized people who get the shaft when you treat social justice like its a competition to figure out who its okay to treat as subhuman

#said this on twt #sayin it here too #some of yall are just mean #and instead of identifying why you are so fucking angry #you project those feelings out into the world #and social justice just becomes an excuse for you to be as nasty as you feel inside #social justice just becomes the avenue for you to try and make others feel as shitty as you do #yes this is about Izzy Hands #because you allow this fictional white man to activate all the ugliness you have inside you #thats embarrassing #he is an ant #get it together

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neverendingford · 2 months

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Therapists have two genders:

Professional Asshole and

Well-meaning Incompetent

#color says shit #text post #replying to my therapist is the most frustrating thing in the world. ma'am you think you're building rapport with me?#I hate to tell you but you've been wildly unsuccessful if that's what you think you've been doing here.#stop trying to educate me about my bullshit diagnoses that I already know about from my years on the internet.#like. babygirl I'm over here trying to build up to feeling comfortable enough to talk about the six-layer trauma cake I've got going on #and you're over here showing me a diagram consisting of two concentric circles meant to convey the idea of self versus other #you're very nice and trying to be helpful but I don't want to fucking talk about the girlfriend I want to talk about the issues that matter #girlfriend is an experiment. the other shit is stuff that lives in our fucking soul. shit that made me into the weird person fragment I am #and I had to fight for an hour. therapist kept on scheduling us for half an hour. HALF A FUCKING HOUR HALF AN HOUR ISN'T ENOUGH TIME TO TALK #I had to fight for it and even when she finally scheduled us for an hour she still tried to cut it short #I had to pull up the appointment confirmation to prove I had an hour allotted. like seriously what the fuck.#one of those people who had their own mental struggles and then is like “I want to become a therapist and help other people uwu”#and then is fucking useless and projects their own issues onto someone else and shoves their personal solutions onto you #like someone in r/aita projecting their own shitty relationship onto someone else. some of us are different Daryl #ugh I'm so fucking pissed and I'm not giving up the controller until I get this shit sorted out for now.#r wanted to hop back on this morning in the shower and we had a shouting match but our deal was she takes a week break so I'm keeping it #because too much shit has built up and she's been not doing so hot so I'm gonna get this mess cleaned up before I let her back on.#I bought groceries. I did laundry. I got the car repairs done. I got our bike fixed up. I showered. I did dishes. I'm going to #and I'm going to get even more done tomorrow. maybe then I'll go back to watching over her shoulder and backseat gaming but not for a while.#it feels nice though. like I get to finally stretch my arms and yawn real good.#and btw to answer the question she's always fucking asking. she's not ace in the slightest lmao. I am and the bleed over confuses her.#there. question answered so maybe she can stop asking about it.#I feel like in her push to find herself she kinda pushed me back into the corner. which... ngl that hurts a little.#oh well. you don't need to hear about our lovers' quarrel. I'm going to bed in these cozy fresh bed sheets I just put on the bed.

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loving-jack-kelly · 1 year

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i have 5 final projects due in the next two weeks and three of them are due on the same day lmao. lmao. lmao.

#writing out that it's only 5 does actually make it feel better lol it felt a lot worse when it was nebulous #ohhhh i have so many projects-no. you have 5. you can handle it.#of course. thesis which is the biggest and most important. is due first.#which is great on one hand bc it means I won't be stressed abt it when the three are due three days later #but uh. i haven't touched those three things. literally.#one of them i have half a paragraph and a half assed outline #the other two i Literally havent started. anyway #being a graduating senior is stressfull <3 I'm also applying to jobs. i auditioned for one acts which is so fun I love my one act I'm havin #having fun. but also it adds stress to my schedule bc I have rehearsals and tech and performances next week also. when four of my five #final projects are due #and then i graduate. and im in the real world. and nobody has responded to my job applications yet. screams.#anyway if u read this far i love you <3 peace and love on planet earth I'm truly doing fine and I will be better once I finish #the scene im in rn for my thesis #every other project is soooo easy it's almost silly it's just thesis making me feel like I'm dying when I let myself dwell #so dwell i shan't goodbye i am off to rehearsal and then I shall finish my thesis

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mcmansionhell · 3 months

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we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

Not into recurring payments? Try the tip jar! Student loans just started back up!

#architecture #design #mcmansion #mcmansions #ugly houses #interior design #bad architecture

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onereallygoodlambonastick · 2 months

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That one guy who commented on a no note post just to say there's more than america in the world while also saying everybody around the world funds ao3. Yo. U just said urself innit. Why are people around the world funding a beta site with bad, irresponsive, and ineffective moderation infrastructure, despite the blastoise amount of money they raise annually. Hm? You wanna talk about crowdfunding and material impact? First, grow the fuck up. I'm talking about systemic violence, not your fucking fandom and iconic white on white dude love! kiss! fuck! coffee shop! campaign.

#grow up lmfao there's no other way for me to say it. Has ao3 been putting your $5 to use? Dubious. Walk away. now.#the other thing is ao3 finds most of its readerships and traffic in the US. I don't know how to explain this to you but the people 'around #the world' conspicuously leave out most global south populations. You fucking idiot. You're a fucking US american aren't ya?#If you were venezuelan or chilean you wouldn't have the audacity to even imply ao3 can be universally enjoyed.#Do you feel the need to comment on this post to instill correction? Walk away. Now. U sure? U wanna keep going? It's a failed project #You wanna keep highballing it for archiveofourown the holy grail of protectorate of creative fan transformative work? You sure? Really?#You wanna die a die-hard ao3 fan like those jjk post 236 diehards? Or god forbid the jjk post shibuya diehards? You wanna do this?#Really?#ao3

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transgaysex · 5 months

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i was super gonna say something when i opened this app but i lost it. wuh

#wind howls #i am sleepy and im sleeping soon i promise. but there eas something i was gonna say and i forgot #umm.. oh in the end my dash and everything still loads on my phone. no idea why it misbehaved earlier #all good now. hmmm #what else. end of semester is starting to hit and it is Not Very Pleasant if i can be so real with you all #like i enjoy what i do. it definitely is fun and im enjoying my classes for thr very most part #but gweh... im onto the final projects for like. modelling. editing. space/architecture. animation.#and we missed a few classes in photography bc of the strike and other stuffs. and the teacher has covid.#so im not sure what the hells up with that class. were not even onto the final project/exam i dont think.#and the teachers are likely striking again from december 8th to 14th which like. weh #classes end on the 11th so its not the end of the world but we still have quite a few projects due #and strikes mean the school is out of use. so we cant like. use the school computers to do our assignments at all #and some of those assignments i cant do at home bc i dont have the programs for it because adobe doesnt deserve a single penny from me.#all in all were really in it deep and a bit rough. it couldve been easier but i understand the need for the strike #sigh...#big assignment due on friday that i havent started yet. i hope to do it all tomorrow after i finish my classes since i end at like. 3 pm.#and i dont have any after school plans other than going to the bank so ill be able to work on that for a lil bit at the very least.#hopefully i could even finish them. so that i can spend thursday worry free. maybe even relax.#i feel like ive been running all week ! i need a breather and 17 hours straight of sleep !!!#goodnight !

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yanderenightmare · 2 months

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TW: yandere, classism, degradation, possessiveness, obsessiveness, blackmail

gn reader - feminine clothing (jewelry: earrings, necklace)

Thinking about your rich boyfriend…

Rich boyfriend – who buys you clothes and jewelry every time you have a date, even when you tell him you feel bad receiving them all – that you have nowhere to wear such nice things – that a simple date is really more than enough.

Rich boyfriend – who ignores you with a smile and shake of his head, asking you how you expect him to stop when you’re just the absolute cutest? Looking at him with those moon-big eyes, humble crinkle between your brows, and your lip tucked nervously between your teeth to keep from gawking.

Rich boyfriend – who orders for you at all the restaurants he takes you to because he knows you’ve never been anywhere like it. Looking so adorably lost in your seat, flushed when staring at the menu written in a language you can’t read – knowing even if you could, you still wouldn't know what any of it meant. You’re so, so, so precious – eyes peeled like you’re a pet who’s just been allowed at the table for the first time.

Rich boyfriend – who plays four instruments, speaks five languages, went to an Ivy League institution, and will inherit his entire family’s business being the spoiled only child that he is.

Rich boyfriend – who just loves the messy household you grew up in – loves how you and your siblings interact with each other, looking like a bundle of pups all crammed in the same cage at a pet store – how your childhood bedroom is the size of his closet – filled with all sorts of trinkets you’ve kept growing up – stuff that would usually wind up in the trash at his house – polaroids of you as a teenager, past boyfriends in kissing booths, prom pictures, concert tickets, and old rusty friendship lockets.

It’s all so… He scoffs. The word for it escapes him.

Suppose he doesn’t quite recognize the pricelessness of sentimental value as opposed to something actually sellable – but he finds it cute that you do.

Though, it bothers him to some degree as well… that you would value an old pair of earrings gifted you by your grandmother instead of the actual antique diamond pair he’d procured for you. After all, one was a real historic piece worth a fortune a Russian duchess had snuck into England during the war, and the other was old junk made by a noname jeweler.

Rich boyfriend – who chokes on his spit when you sit him down and tell him you want to break up – who thinks he’s misheard – that you’re joking, playing some uncultured game he’s never been exposed to, some ill-taste past-time only poor people do to escape their bitter reality.

But you’re not joking…

You’re breaking up with him…You.. You… broke trash of worker-class scum… you’re breaking up with him?

You give him back all his gifts in a cardboard box – telling him you’re grateful but that you truly don’t have any use for such things – that you think your worlds are too different to coincide.

Of course, you refrain from telling him you think he’s a classist snob. You have a feeling it would have gone completely over his head if you’d tried anyway, so there really was no point to it.

Rich ex-boyfriend – who’s never been told no in his entire life…

Rich ex-boyfriend – who buys your street and plans on scrapping it to make brand new mansions in a project he dubs “cleaning up the slums” – evicting and putting you and your entire family out of the home you’d spent your entire life growing up in.

Rich ex-boyfriend – who thinks you’re crawling back to him when you schedule an appointment at his office – who thinks you’re going to come in with bleary wet eyes and grovel like the lowly peasant you are – let him save you from poverty and homelessness, make you his charity case – his pretty diamond in the rough who’s never quite able to wash all the coal off.

Rich ex-boyfriend – who trashes that same office when you leave after having given him the address to the pawnshop you sold the one pearl necklace you’d kept as a token of your relationship – telling him he should feel free to go down there and get it back – that you’re using the money to buy a better house and you just wanted to come and thank him for that.

Of course, you wanted to slap him too – spit on his tie or maybe just take a piss on his desk – but you left it at that.

Rich ex-boyfriend – whose next move is to buy your family business, who hires a private eye to dig up dirt on you and all your family, burying you in fines from age-old petty crimes, gets you kicked from your scholarship.

Rich ex-boyfriend – who goes to that pawnshop and reports the pearl necklace as a stolen item and has the police arrest you. Spinning a story about how he thought you were this humble sweet thing, only for you to rob him behind his back.

Rich ex-boyfriend – who comes to visit you in the custody suite where you sit cooped up with all the other wretched mutts on the cold concrete floors – scolding you for making him come down to a dirty police precinct, for having him breathe the same air as all the lowlives held up there.

Rich ex-boyfriend – who tells you he’ll make it all go away.

He’ll drop the charges, let your family keep their house – or buy them an even better one, whichever you prefer – he’ll even promote your family business and pay for all your siblings' education – he’ll give you everything.

Anything you want, it’s yours.

But he owns you.

BNHA – Bakugou, Shoto, Dabi, Hawks, Overhaul

JJK – Sukuna, Gojo, Naoya

HQ – Oikawa, Sakusa, Miya twins

BLLK – Reo, Rin

HxH – Illumi

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djljpanda · 3 months

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Lucifer Morningstar X Fallen Exorcist Reader

Ever since his split from Lilith Lucifer has been a reck feeling like no one can love him, need him, or understand him again

You have been an exorcist for a couple of thousand years now being one of the best exorcists Heaven could ever ask for

But deep down you always felt bad for those you had killed feeling like yes Hell is for those who have done wrong but what about those who did the wrong things for the right reasons

So on the next extermination day you tried to run away from it all but when Adam found out he took it upon himself to kill you

You were able to get away before Adam could finish you off but nothing could prepare you for meeting Lucifer himself

For some reason Lucifer took you in and helped you out and yes you did come out to him about you being a “fallen angel” and your ideals on heaven, earth, and hell

Lucifer just sat there and listened and for the first time since Lilith someone understood him

Now at first you two became roommates in a way, mostly helping him out with his work, giving him duck ideas, being his bodyguard and secretary, and you did try to push him into talking to Charlie more but you understood on why he couldn’t do it himself

You did face palm as when he called her all he did was tell her to have that meeting with Adam, at least it’s a start

Charlie dose know of you but saw you more as her fathers secretary or his best friend, like an aunt, she is happy how you think there is a way to get sinners in to heaven and how you told her if she ever needs help or to talk to someone you are just quick call

Lilith dose know of you and you may have never seen her face to face she is happy someone is keeping her ex happy

Now if you ever get together it would be the best for the both of you cause I’m sure you would want to confess first but with the thoughts of you killing his people and Lilith, it just made you hesitant but with a simple duck jester (making a duck quack an “I love you”) Lucifer confessed his feelings to you

Charlie I think would be happy for her dad to have found someone and yes at first she did see you as her aunt but she is happy to call you her step parent sand she isn’t afraid of telling everyone that either

That’s one of the major reason on why Lucifer likes you, his daughter loves you like a parental figure

This Lucifer is just a sad boy so if you just sit there and cuddle him he would love you forever and if add words of praise he is just melting

Definitely will vent to you cause he is that comfortable around you and he is happy that you feel the same way when you vent

You always support his duck creations and yes late nights would consist of you two role playing with the ducks, when you two started dating he made three duck versions of you, him, and Charlie all matching clothes sitting next to each other, this man had a whole collection of duck versions of you and he was embarrassed when you found out but you called it cute

When extermination day hits he could see how tense you get and when you told him on what happened before he found you he couldn’t help but hate Adam more and so every Extermination day Lucifer would hold your hand and comfort you may even play a little music and it just grew more loving when you two started dating

You do help out with Lu Lu World as it’s one of Lucifer’s passion projects and no one could believe how upset you were when Mammon created Loo Loo land, you almost put your exterminator skills to use but Lucifer stopped you and let Mammon have his way cause he didn’t want to argue with Mammon so you just had to let it go

You both do play music together as when you were both angels all you did was play music, duets and you can’t tell me you, Lucifer, and Charlie didn’t sing together once

You remember seeing Lucifer’s wings for the first time and how amazed you were as you kept complementing him and that just made his face all red and what made you stop was when he commented o how your wings could have been more pretty then his, you just smile at him

Now here you two have more of a bodyguard/ secretary and famous person kind of relationship even though he may not need it he likes keeping you around and that just help made his feelings grow for you

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insertdisc5 · 4 months

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📚 A List Of Useful Websites When Making An RPG 📚

My timeloop RPG In Stars and Time is done! Which means I can clear all my ISAT gamedev related bookmarks. But I figured I would show them here, in case they can be useful to someone. These range from "useful to write a story/characters/world" to "these are SUPER rpgmaker focused and will help with the terrible math that comes with making a game".

This is what I used to make my RPG game, but it could be useful for writers, game devs of all genres, DMs, artists, what have you. YIPPEE

Writing (Names)

Behind The Name - Why don't you have this bookmarked already. Search for names and their meanings from all over the world!

Medieval Names Archive - Medieval names. Useful. For ME

City and Town Name Generator - Create "fake" names for cities, generated from datasets from any country you desire! I used those for the couple city names in ISAT. I say "fake" in quotes because some of them do end up being actual city names, especially for french generated ones. Don't forget to double check you're not 1. just taking a real city name or 2. using a word that's like, Very Bad, especially if you don't know the country you're taking inspiration from! Don't want to end up with Poopaville, USA

Writing (Words)

Onym - A website full of websites that are full of words. And by that I mean dictionaries, thesauruses, translators, glossaries, ways to mix up words, and way more. HIGHLY recommend checking this website out!!!

Moby Thesaurus - My thesaurus of choice!

Rhyme Zone - Find words that rhyme with others. Perfect for poets, lyricists, punmasters.

In Different Languages - Search for a word, have it translated in MANY different languages in one page.

ASSETS

In general, I will say: just look up what you want on itch.io. There are SO MANY assets for you to buy on itch.io. You want a font? You want a background? You want a sound effect? You want a plugin? A pixel base? An attack animation? A cool UI?!?!?! JUST GO ON ITCH.IO!!!!!!

Visual Assets (General)

Creative Market - Shop for all kinds of assets, from fonts to mockups to templates to brushes to WHATEVER YOU WANT

Velvetyne - Cool and weird fonts

Chevy Ray's Pixel Fonts - They're good fonts.

Contrast Checker - Stop making your text white when your background is lime green no one can read that shit babe!!!!!!

Visual Assets (Game Focused)

Interface In Game - Screenshots of UI (User Interfaces) from SO MANY GAMES. Shows you everything and you can just look at what every single menu in a game looks like. You can also sort them by game genre! GREAT reference!

Game UI Database - Same as above!

Sound Assets

Zapsplat, Freesound - There are many sound effect websites out there but those are the ones I saved. Royalty free!

Shapeforms - Paid packs for music and sounds and stuff.

Other

CloudConvert - Convert files into other files. MAKE THAT .AVI A .MOV

EZGifs - Make those gifs bigger. Smaller. Optimize them. Take a video and make it a gif. The Sky Is The Limit

Marketing

Press Kitty - Did not end up needing this- this will help with creating a press kit! Useful for ANY indie dev. Yes, even if you're making a tiny game, you should have a press kit. You never know!!!

presskit() - Same as above, but a different one.

Itch.io Page Image Guide and Templates - Make your project pages on itch.io look nice.

MOOMANiBE's IGF post - If you're making indie games, you might wanna try and submit your game to the Independent Game Festival at some point. Here are some tips on how, and why you should.

Game Design (General)

An insightful thread where game developers discuss hidden mechanics designed to make games feel more interesting - Title says it all. Check those comments too.

Game Design (RPGs)

Yanfly "Let's Make a Game" Comics - INCREDIBLY useful tips on how to make RPGs, going from dungeons to towns to enemy stats!!!!

Attack Patterns - A nice post on enemy attack patterns, and what attacks you should give your enemies to make them challenging (but not TOO challenging!) A very good starting point.

How To Balance An RPG - Twitter thread on how to balance player stats VS enemy stats.

Nobody Cares About It But It’s The Only Thing That Matters: Pacing And Level Design In JRPGs - a Good Post.

Game Design (Visual Novels)

Feniks Renpy Tutorials - They're good tutorials.

I played over 100 visual novels in one month and here’s my advice to devs. - General VN advice. Also highly recommend this whole blog for help on marketing your games.

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye

#reference #tutorial #writing #rpgmaker #renpy #video games #game design #i had this in my drafts for a while so you get it now. sorry its so long #long post

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specialagentartemis · 11 months

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I get variations on this comment on my post about history misinformation all the time: "why does it matter?" Why does it matter that people believe falsehoods about history? Why does it matter if people spread history misinformation? Why does it matter if people on tumblr believe that those bronze dodecahedra were used for knitting, or that Persephone had a daughter named Mespyrian? It's not the kind of misinformation that actually hurts people, like anti-vaxx propaganda or climate change denial. It doesn't hurt anyone to believe something false about the past.

Which, one, thanks for letting me know on my post that you think my job doesn't matter and what I do is pointless, if it doesn't really matter if we know the truth or make up lies about history because lies don't hurt anyone. But two, there are lots of reasons that it matters.

It encourages us to distrust historians when they talk about other aspects of history. You might think it's harmless to believe that Pharaoh Hatshepsut was trans. It's less harmless when you're espousing that the Holocaust wasn't really about Jews because the Nazis "came for trans people first." You might think it's harmless to believe that the French royalty of Versailles pooped and urinated on the floor of the palace all the time, because they were asshole rich people anyway, who cares, we hate the rich here; it's rather less harmless when you decide that the USSR was the communist ideal and Good, Actually, and that reports of its genocidal oppression are actually lies.

It encourages anti-intellectualism in other areas of scholarship. Deciding based on your own gut that the experts don't know what they're talking about and are either too stupid to realize the truth, or maliciously hiding the truth, is how you get to anti-vaxxers and climate change denial. It is also how you come to discount housing-first solutions for homelessness or the idea that long-term sustained weight loss is both biologically unlikely and health-wise unnecessary for the majority of fat people - because they conflict with what you feel should be true. Believing what you want to be true about history, because you want to believe it, and discounting fact-based corrections because you don't want them to be true, can then bleed over into how you approach other sociological and scientific topics.

How we think about history informs how we think about the present. A lot of people want certain things to be true - this famous person from history was gay or trans, this sexist story was actually feminist in its origin - because we want proof that gay people, trans people, and women deserve to be respected, and this gives evidence to prove we once were and deserve to be. But let me tell you a different story: on Thanksgiving of 2016, I was at a family friend's house and listening to their drunk conservative relative rant, and he told me, confidently, that the Roman Empire fell because they instituted universal healthcare, which was proof that Obama was destroying America. Of course that's nonsense. But projecting what we think is true about the world back onto history, and then using that as recursive proof that that is how the world is... is shoddy scholarship, and gets used for topics you don't agree with just as much as the ones you do. We should not be encouraging this, because our politics should be informed by the truth and material reality, not how we wish the past proved us right.

It frequently reinforces "Good vs. Bad" dichotomies that are at best unhelpful and at worst victim-blaming. A very common thread of historical misinformation on tumblr is about the innocence or benevolence of oppressed groups, slandered by oppressors who were far worse. This very frequently has truth to it - but makes the lies hard to separate out. It often simplifies the narrative, and implies that the reason that colonialism and oppression were bad was because the victims were Good and didn't deserve it... not because colonialism and oppression are bad. You see this sometimes with radical feminist mother goddess Neolithic feminist utopia stuff, but you also see it a lot regarding Native American and African history. I have seen people earnestly argue that Aztecs did not practice human sacrifice, that that was a lie made up by the Spanish to slander them. That is not true. Human sacrifice was part of Aztec, Maya, and many Central American war/religious practices. They are significantly more complex than often presented, and came from a captive-based system of warfare that significantly reduced the number of people who got killed in war compared to European styles of war that primarily killed people on the battlefield rather than taking them captive for sacrifice... but the human sacrifice was real and did happen. This can often come off with the implications of a 'noble savage' or an 'innocent victim' that implies that the bad things the Spanish conquistadors did were bad because the victims were innocent or good. This is a very easy trap to fall into; if the victims were good, they didn't deserve it. Right? This logic is dangerous when you are presented with a person or group who did something bad... you're caught in a bind. Did they deserve their injustice or oppression because they did something bad? This kind of logic drives a lot of transphobia, homophobia, racism, and defenses of Kyle Rittenhouse today. The answer to a colonialist logic of "The Aztecs deserved to be conquered because they did human sacrifice and that's bad" is not "The Aztecs didn't do human sacrifice actually, that's just Spanish propaganda" (which is a lie) it should be "We Americans do human sacrifice all the god damn time with our forever wars in the Middle East, we just don't call it that. We use bullets and bombs rather than obsidian knives but we kill way, way more people in the name of our country. What does that make us? Maybe genocide is not okay regardless of if you think the people are weird and scary." It becomes hard to square your ethics of the Innocent Victim and Lying Perpetrator when you see real, complicated, individual-level and group-level interactions, where no group is made up of members who are all completely pure and good, and they don't deserve to be oppressed anyway.

It makes you an unwitting tool of the oppressor. The favorite, favorite allegation transphobes level at trans people, and conservatives at queer people, is that we're lying to push the Gay Agenda. We're liars or deluded fools. If you say something about queer or trans history that's easy to debunk as false, you have permanently hurt your credibility - and the cause of queer history. It makes you easy to write off as a liar or a deluded fool who needs misinformation to make your case. If you say Louisa May Alcott was trans, that's easy to counter with "there is literally no evidence of that, and lots of evidence that she was fine being a woman," and instantly tanks your credibility going forward, so when you then say James Barry was trans and push back against a novel or biopic that treats James Barry as a woman, you get "you don't know what you're talking about, didn't you say Louisa May Alcott was trans too?" TERFs love to call trans people liars - do not hand them ammunition, not even a single bullet. Make sure you can back up what you say with facts and evidence. This is true of homophobes, of racists, of sexists. Be confident of your facts, and have facts to give to the hopeful and questioning learners who you are relating this story to, or the bigots who you are telling off, because misinformation can only hurt you and your cause.

It makes the queer, female, POC, or other marginalized listeners hurt, sad, and betrayed when something they thought was a reflection of their own experiences turns out not to be real. This is a good response to a performance art piece purporting to tell a real story of gay WWI soldiers, until the author revealed it as fiction. Why would you want to set yourself up for disappointment like that? Why would you want to risk inflicting that disappointment and betrayal on anyone else?

It makes it harder to learn the actual truth.

Historical misinformation has consequences, and those consequences are best avoided - by checking your facts, citing your sources, and taking the time and effort to make sure you are actually telling the truth.

#history #history and the world #misinformation

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rafesmuse · 6 months

Text

after dark — r.c.

pairing: ghostface!rafe cameron x fem!reader

warnings: smut 18+, unprotected sex, dubcon, violence, blood, murder, knife play, mask kink, hair pulling, spanking, cursing, toxic, controlling, manipulative and possessive behaviour, oral sex (m. receiving), fingering, creampie, degradation, face slapping, dacryphilia, breeding kink

word count: 4.5k

summary: the bloodlust killer that has been terrorising the town could be closer to you than you might think.

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“Rafe?” you called out to your boyfriend who was attentively watching the TV from beside you on the couch, a deep sense of unease and concern in your voice. “Yeah, baby?” he replied, his eyes still glued to the screen as his warm hand moved to your thigh, giving it a squeeze to let you know that he was listening. “I’m… I’m scared” you murmured with your brows knitted, referring to the news report about a killer being on the loose, terrorising the entire town for weeks now. They played footage taken from a Ring doorbell camera that showed him wearing a black and white mask, identical to the one from the Scream movies to hide his identity, along with a full black outfit.

So far, there has been an estimated five victims, all of them male. Men between the ages of nineteen and twenty-six who are university students were the killer's primary target, it seemed. You were familiar with all of them— you had worked on group projects with a number of these people and even tutored two of them, helping them with subjects that you excelled at to earn some extra cash. To sum up, you saw all of the murdered male students regularly. Fear prickled over your skin as the reporter revealed more shocking details about the murders.

Rafe turned to face you, an empathetic smile swept across his handsome face as he moved closer to you, the palm of his warm hand resting on your cheek as he looked at you with his sparkling blue eyes. “Don’t be scared baby. You know I’ll take care of you, alright? I won’t ever let anything happen to my sweet girl” You fidgeted with your hands and looked down, letting his words sink in. Rafe always took care of you, ensuring that you were happy and healthy— he’d do anything for you. For the first time ever, though, you were unsure if Rafe could truly protect you from a bloodlust killer who has murdered men even bigger, stronger and more athletic than Rafe.

He looked off into the distance, thinking deeply as he released a hesitating breath, “Look, why don’t you stay with me here? Hmm? It’s too dangerous out there for a pretty girl like you. You’ll be safe here, I promise” you met his eyes again and nodded, feeling relieved that you can be with him every minute of the day.

Every minute of the day, that is, unless you were in class, because school life didn’t pause. Why it didn’t was a mystery to you, but the police stated that they had everything under control, which you found hard to believe. It made you feel anxious to be distanced from Rafe during those times. You not only feared for yourself, but for him as well. It became impossible to concentrate in class. Knowing that anyone could become the next victim sent your mind into overdrive. No one was safe.

You took your phone out of your pocket and opened iMessage, scrolling through your conversations before tapping your and Rafe’s. You occasionally glanced up quickly to make sure the teacher wasn't watching you before typing a message.

You: I miss you so much :( Are you okay?

Rafe 💞: Miss you more, my pretty girl. I’m alright, just hanging out with Top.

His words still made you blush, your cheeks heating up as a tiny smile formed on your face before you quickly looked up, checking if anyone saw you texting. The teacher is lost in her own world, going over theories while you see several other students on their phones as well, evidently bored by the contents of the class. You returned your focus to your phone and started typing a new message.

You: Be careful, okay? I’m scared…

Rafe 💞: Baby, I won’t let anything happen to you, got it? You know I have your location on my phone. I will keep an eye on you. Buy yourself some pretty lingerie and I will help you relax when you get home ;)

Rafe Cameron transferred $500 to your bank account.

Your eyes grew wide before you let out a chuckle at how easily he gives you money when you don’t even need it. You hastily typed a ‘thank you’ message and slipped your phone back into your pocket with a giddy smile on your face before the teacher could notice you.

When class finally ended for the day, you felt a wave of relief, especially since John B, one of your friends, offered to walk you home—well, to Rafe's house. You and John B used to be closer, hanging out multiple times a week, but Rafe’s possessive and jealous nature doesn’t allow you to anymore. Even though you don’t hang out with him now, he still checks in on you from time to time, showing you that he still cares about you, which you appreciate a lot. When you first started dating, John B openly expressed his dislike for Rafe. Despite your numerous attempts to convince him that Rafe genuinely does take great care of you, John B couldn’t be convinced. Their animosity towards one another runs too deep.

The two of you were walking side to side as you approached Rafe's street, wandering by large villas with breathtaking front gardens. John B didn't appear in the least bit afraid or worried and you couldn’t understand why. Everyone, including yourself, was terrified, not daring to go outside unless needed. You eyed him with confusion as you were thinking it over, which he seemed to catch on right away. “What? Do I have something on my face?” he asked, a smile appearing on his face as he continued walking. “Are you not scared, John B?” You asked with curiosity. A small chuckle left his mouth before he shook his head, “Scared? Have you seen him? He wears a silly costume from some dumb movie.” It went silent for a while as you were at a loss for words, wondering how someone could not be afraid of a murderer.

John B soon ended the silence before you could go further into the topic, “Hey, remember when we rehearsed for that play? And we had to dance together and you-“ he laughs while holding his stomach, pausing for a moment to collect himself before continuing, “and you fell and ripped your clothes?” You felt your face heat up and an embarrassed smile crossed your lips before you hit him in the arm. Those were the memories you did not want to relive, embarrassing yourself in front of numerous students and staff members. “Oh stop it! First of all, it wasn’t even that funny and secondly, completely your fault, by the way” You responded, defending yourself but unable to hide your laughter.

“It went like this” John B said before he lifted you up and spun you around, causing you to scream and laugh hysterically. “Stop! I-“ you tried to yell at him but you were laughing too hard, your abdominal muscles hurting. You two giggled as he gently set you back down on the ground before you turned your gaze towards Rafe’s house and your face dropped instantly. Rafe was waiting for you, leaning against the doorframe and standing with his arms crossed, a stern expression on his face as he looked at you both.

You swallowed and gathered yourself quickly before putting on a forced smile and turning to face John B. But John B was staring back at Rafe with an equally as intimidating look on his face, so much so that he stopped noticing you. “Thank you for taking me home. I appreciate it” you said, attempting to defuse the tension before moving slowly in Rafe's direction— but both their eyes didn’t leave each other for a second. Every muscle in your body tightened and the tension in the air was apparent.

You walked up to Rafe, ascending the stairs to his enormous home's front door. “H-hi baby, missed you” you spoke as you drew nearer to him, a whiff of his signature cologne filling your nose. You looked back at John B and saw him heading to his own home, thankfully. Rafe rolled his eyes before he turned around and made his way inside the house. As you nervously followed him and silently shut the door behind you, your brows pinched in concern.

“Baby?” you whispered, trailing after Rafe into the house as you watched his back, his muscles prominent through the tight shirt he was wearing. “Are you angry at me?” You asked in a low voice, worried about the answer. He turned around and came up to you, his large hands cupping your face as he stared directly into your eyes. “I could never be angry at you, sweet girl. You’re my everything. Don’t ever forget that, alright?” he said before you nodded, a wave of relief instantly washing over you. He kissed you on the forehead and you closed your eyes to take in the moment, feeling lucky to have such a caring and sweet boyfriend, you thought. But then the night fell.

“Fuck! No, no, no!” A terrible nightmare about the killer had you breathing heavily when you woke up in the middle of the night. You immediately sat up straight, your chest heaving up and down as you rubbed the sleep from your eyes. “Rafe?” You called out, desperate for his comfort and affection.

After a short while, there was still no response. Still feeling a little disoriented, your brows knitted as you attempted to sort through your thoughts. But something felt off. You extended your arm around the bed but there was nothing but pillows next to you. This is when you started to feel a little panicked and horrible thoughts pierced your mind like needles jabbing at your skin. “Rafe?!” you called out again in fear, a little louder this time with still no response. You hastily turned on the light, a perplexed frown appearing on your face. The bed was empty. Rafe was usually a very deep sleeper so waking up in the middle of the night wasn’t anything like him. You pushed the blanket off of yourself and stood up, turning off the light again before carefully leaving the room to investigate the situation.

The only sound you could hear as you wandered around his house was the clock ticking as you made your way to the stairs, slowly walking down. His enormous house was terrifying at night, your trembling, sweaty hand gripping the railing tightly. You gasped at hearing heavy footsteps coming from the kitchen downstairs. Tears started forming in your eyes, afraid that anything had happened to Rafe. Scenarios played in your head of the killer entering the house and taking Rafe, torturing him or even worse, murdering him.

When you got to the bottom of the stairs, you took your time making your way to the kitchen while holding your breath. The footsteps became louder now as you approached the person. You were so scared and worried about what you might find behind the wall that tears were streaming down your face. You approached the kitchen cautiously and peeked inside. It took you a few blinks to get used to the darkness, but you exhaled deeply in relief when you saw Rafe in the kitchen, unharmed. Thank god. You reasoned that he must have gotten hungry or wanted to grab a glass of water. You hurried into the kitchen to hug him tight and take him back into bed immediately.

“Rafe? Baby? I saw you weren’t in bed so I-“ you began, feeling relieved to see your boyfriend standing in front of you before your jaw fell as you stood there, unblinking, trying to process what you were seeing. “Rafe…” You gulped and stared in horror, taking in the black and white mask he was holding in addition to the fresh blood on his body. You blinked a few times, thinking you must be still in a dream, but that wasn’t the case— Rafe was still standing in front of you, equally as shocked before he slowly approached you.

“I can explain” He whispered softly, wary of what to say. His expression showed panic as he hurriedly placed the mask down on the table. “Okay, okay, it’s all good. We got this” he mumbled to himself as he rubbed his temples, letting out a frustrating moan. Fear coursed through your body as you stood there motionless and terrified. “Baby, listen, alright? Sometimes-“ he began, pacing around the kitchen at this point, “Sometimes things just gotta happen. We don’t always have a choice, got that? And- and, I just gotta protect you- gotta protect you from all those bad men who wanna take you away.” Your legs felt weak and all kinds of emotions shot through your body. You couldn’t move, you couldn’t do anything. Your breathing quickened as Rafe continued his ramblings. “I just- I just can’t let that happen, alright? You’re my sweet and innocent girl. I can’t let anyone take you from me, never.”

Your trembling hand moved to your mouth and your eyes grew wide when it finally clicked whose blood it was on Rafe. “Rafe? Is that…” you gulped, secretly hoping you were wrong. “Is that John B’s blood?” he turned around quickly and locked eyes with you. “Baby, you know I didn’t have a choice, okay? I had to do it. I need to protect you, protect you from all the evil in this world” He said, trying his best to convince you. You blinked a few times, tears streaming down your face as you tried to comprehend what had just happened. Everything was difficult for you, your head hurting. But you loved Rafe. He was everything to you. He took care of you. He looked after you. In the end, he was the one who was always there for you no matter what. You needed him. You wiped the tears from your face using your shirt's sleeve and glanced back at him, nodding. He closed his eyes for a brief moment, and you could see the relief immediately wash over him.

“But…“ Your heart was pounding out of your chest and your mind was racing with a gazillion thoughts. “But what if anyone saw you?” Taking the mask off the table, Rafe covered his head with it. “That’s what this is for” he said, his voice muffled by the mask. You looked him up and down, examining every inch of him, from the ghostface mask to his blood-covered body, the muscles emphasised by his tight outfit. Fuck. You felt something happening inside of you. It wasn't worry or fear— it was something else. Rafe’s masked head tilted as he stared at you, trying to read your expression.

“Wait a minute…” he began, moving closer, “I know that look” Rafe chuckled and he approached you slowly as you took a step back with each step he took forward before your lower back hit the kitchen counter. His face came closer to yours as your breath hitched. He reached over to the kitchen counter beside you, grabbing the knife from next to you and putting it under your chin to lift your head up. “You dirty fucking slut. I see what’s happening here” His face drew nearer, whispering into your ear, “you’re turned on by this.”

“W-What?” you said, trying to sound confused but you couldn’t deny it, you knew he was right. The pointy end of the knife slightly dug into your skin. Instead of feeling scared, you could feel your core aching for him. “Don’t act stupid. God, you’re even more fucked up in that little head of yours than I thought” Rafe chuckled before he took the knife from under your chin and slipped both hands under your ass, hauling you up quickly and tossing you over his shoulder with ease while holding the knife in his hand. You let out a small squeal before he walked you both towards the bedroom.

“Tonight, I’m gonna have to show you who the fuck you belong to.” Rafe stated in a low voice through his mask, causing you to feel yourself getting wetter and wetter. You felt ashamed, as well as a horrible person. Your skin was stained with blood at this point— John B’s blood. But as much as he was your friend, Rafe was your boyfriend, your caregiver, your everything. And you started to think that maybe… maybe he was right. Maybe you need someone to protect you, to keep the bad men away. Maybe Rafe saw something in John B that you didn’t— in the end, you knew Rafe only ever wanted the best for you. You both loved each other forever and always, and apparently, that went as far as killing for you.

Rafe threw you onto the bed after pushing open the door to his bedroom and shutting it behind him. You slightly bounced on the bed before you turned around, resting on your elbows as you looked at him with big, innocent eyes. He stood in front of you, his arms folded and the moonlight seeping through the cracks of the blinds, illuminating your boyfriend’s menacing demeanour— the blood-stained black and white mask, a knife gripped in his right hand, and the slightly torn black outfit, indicating that John B tried to fight for his life. The only features of your boyfriend’s face visible were his blue eyes, gazing directly at you.

“You’re gonna be a good girl and listen to me, alright?” he said, with a harsh and intimidating tone. You nodded as you swallowed, anticipation raging through your body. He slightly tilted his masked head, thinking about what he was going do with you till an idea struck. He approached you slowly, footsteps heavy due to his boots. His right hand played with the knife, showing that he had plans with it. He leaned over you when he was close enough, then slid the knife under your shirt. Gazing at him with wide eyes, you gasped as he quickly tore apart your clothes, leaving you only in your bra and underwear.

“Prettiest fucking girl I have ever seen. Fuck, I am so lucky.” He now placed the knife under the straps of your bra and sliced it open, then he did the same to your underwear and tossed it aside. You let out a small whine, and he turned to face you immediately. “That… that was my favourite set” You sulked as you gazed at the shredded lingerie set lying on the floor. Rafe simply chuckled before he gripped your face forcefully, turning you to look at him. “Don’t be fucking dumb, you know I can buy you every single lingerie set that you want in the whole fucking world.”

Before you could say anything else, he grabbed your body and turned you around, placing you on your hands and knees with your ass facing him. You were soaking at this point, your wetness dripping onto the mattress. You suddenly felt the cold knife against your core, gathering the wetness as you shivered and tried to remain motionless. “Jesus fucking Christ, you’re dripping. You could’ve just told me you had some fucked up kink for killers, you know. Would’ve made it a lot easier for me” Rafe taunted, and you just knew he was smirking under that mask.

“Grip the sheets baby, maybe even bite them if you need to. Dunno how high your pain tolerance is.” he said, causing you to worry for a moment as your hands clutched the sheets under you. “But I guess we’re about to find out.” He slapped your ass swiftly before you felt the sharp knife against the skin of your ass, digging into the flesh. Your eyes closed and your teeth clenched together as you hissed at the sensation.

“R… A…” he began, as he carved his name into your skin. “It- it hurts” you cried out as you gripped the sheets. “Nuh-uh, not done yet. F…” he continued, unaffected by your whines and pleads. “E…” When he was done, he stood back to admire his work of art. “All done. Looks pretty good if I say so myself.” he said with a satisfied tone. Your eyes began to well up with tears as a result of the stinging in your skin. “All fucking mine.” He said before throwing the knife on the ground.

“On your knees in front of me. Now” he ordered, and you didn’t waste a second before you were sitting on your knees on the ground, gazing up at him through your eyelashes. His gloved hand brushed over your face before gripping your chin, “You are nothing but my dirty whore. Got that? My property. And I will kill anyone that gets in the way.” You nodded, feeling desperate for him. He undressed himself, leaving him completely naked except for the mask on his face. You observed him— the muscles on his toned body, the blood splatters, his hard cock leaking precum. You needed him.

“Make yourself useful for once” he growled, before slapping your cheek and causing you to hiss. “Suck.” was all he said as he grabbed a handful of your hair and pulled you towards him. You started by swirling your tongue over the tip and around the length of his shaft, causing him to throw his head back and grunt. He became impatient quickly, as he pushed your head further down, his cock hitting the back of your throat. “Juuust like that, princess, doing so good for me.”You were momentarily taken aback by his sweet words, but you weren’t unfamiliar with his mood swings. You knew what to do to get him to praise you— being a good girl and doing what he says, at all times. You never wanted to disagree with Rafe or reject him. You'd go to any lengths for him.

“Holy fuck” he growled as you continued bobbing your head, saliva running down your face. He had a strong grip on your hair as he fucked your face while you held on to his thighs. He let out a grunt before shoving you off him right before he could cum, sending you stumbling backwards a little. He gestured with his head for you to get back on the bed as he grabbed the knife from the ground. You hurriedly returned to the bed and waited for him on your hands and knees before he positioned himself behind you. He then slapped your ass, making you cry out as the cuts from earlier made it sting even more.

“Aww, does that hurt, princess?” he asked, running a hand over the spot he had just slapped as you nodded, trying to hold back the tears that were starting to well up in your eyes. “But my girl can handle that, right?” he said as he teased your core with his fingers. “My girl can handle anything, as long as she got me.” he unexpectedly slipped a finger into you, causing you to moan out at the feeling. He moved in and out before adding another one, pushing his fingers knuckles deep into you. You arched your back as he curled his fingers and moved them against your g-sport skilfully. Rafe was amazing at fingering, making you squirt and cum countless times. But he quickly pulled out before you could even feel your release nearing, causing you to whine. “I know baby, I know. But I need you to cum around my cock, alright?”

He grabbed your hips and positioned himself at your entrance before he pushed into you in one quick thrust without any warning. You gasped as he buried himself into you balls deep. “Always so fucking tight. Fuuuck” Rafe groaned as he watched his cock disappear into your body. He wasted no time by thrusting in and out of you right away as he stretched you out completely. You felt a hint of pain but it was soon overpowered by pleasure. He set a steady and rough rhythm, massaging your walls perfectly.

“You’re gonna be mine forever, got that? No one will ever get to touch you.” he said as he gripped a handful of your hair and yanked your head towards him. He took the knife from beside him, but you were too cock-drunk to even notice it while your eyes rolled to the back of your head. You unexpectedly felt the icy blade against your throat, causing you to gasp. “Don’t. Fucking. Move.” he whispered into your ear, his voice muffled because of the mask as he continued his brutal thrusts along with the sharp knife against your throat. You felt your release building as your wetness trickled down the sides of your thigh. His cock felt so deep inside of you, hitting your g-spot repeatedly.

“Gonna cum so fucking deep inside of you, sweet girl, you’re gonna be leaking my cum for days.” he growled with one hand firmly gripping your hip and the other holding the knife. “Even better if a baby starts growing in that pretty body of yours, so I can fully claim you as mine.” His words made you even more aroused and you could feel yourself getting closer and closer to your release. “I’m c-close” was all you could manage to say as you heard him groan from under the mask.

“Cum for me. Cum all over my cock like the dirty slut you are” his words were enough to push you over the edge as your orgasm washed over you, causing you to see stars and your body to shake. You cried out with your mouth agape as you clenched around his cock. “Good fucking girl”

You could feel his hips stagger and lose rhythm, knowing he was close as well. One last powerful thrust and you could feel his warm cum painting your walls, milking every last drop of his seed inside of you. The grip on your hips tightened, nails digging into your skin as he rode out his high. “Fuck, fuck, fuck” he cursed while panting. You collapsed onto the bed, chest heaving as you tried to catch your breath. You attempted to get up but rafe quickly stopped you, gazing at you through the mask.

“Oh, we’re not done yet.” he chuckled, before flipping you onto your back and caging you between his arms, “Round two, princess.”

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