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#you can send that stuff too
burningspy · 2 years
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I have officially completed my first real "adult" task since turning another year older yesterday.
I just called (yes, a real phone call - even though I hate them) to schedule an appointment to have a couple new tires installed on my car this Saturday morning. I could have had them replaced either today or tomorrow, but I want a specific brand and model of tire and none of the shops near me has at least two of those in stock right now.
One of my tires recently developed a slow leak, losing a up to few PSI each day and I can't find the cause. Though, it's currently not a huge deal to just top off the pressure before I leave every other morning. Also, since I'm already scheduled to be off work until Thursday, I will only need to briefly drive on it for a couple days before I can get the new tires put on.
Luckily it's one of the two older tires with the issue and I was planning to have them replaced by the end of the year anyway. The front two were replaced around the end of last year because they were getting worn out and have been driving on a "mismatched" set since then. Come Saturday, all four of my tires should all be the exact same type and finally help appease the tiny bit of OCD in me that prefers things to match!
Now that the call is done, I can return to being completely lazy for the next day and a half, until I must return to one of the most annoying of adult responsibilities: going to work!
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vynnyal · 4 months
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OK, fair warning to the few people I actually managed to convince to try the game??
Rain world does NOT play like hollow knight, and you'll get your butt kicked if you approach it like that.
It's really hard. Like, really hard. Instead of the game literally giving you abilities in the form of power-ups and damage buffs, the only abilities you gain is from what you learn and your own ingenuity. You're a rat from beginning to end. If you just beef your way through it, it's gonna suck and you're gonna be confused and frustrated all the time. But if you pay attention, take it slow, and learn how the ai works and how everything interacts with each other, you can consistently get through and dominate situations you thought were impossible to do so when you first began. Now get out there, kill some lizards, and bully some old computers!
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journey-to-the-attic · 8 months
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for the anon and @aomiaocao who requested it, and anyone else who might want them - transparent gifs of the gang rolling!
procreate's done something weird with some of the dust clouds but idk how to fix it so... hopefully it's not too much of an issue ^^;
original animation here
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sashasylva · 3 months
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Making a poll for the first time ever this is important
Reblog for sample size etc etc I'm loosing my mind.
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nibbelraz · 8 months
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Hey I'm doing MXTX Requests/Prompts!
They'll probably be sketchy and take some time, but I'm open!
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The Adaptation That Shall Not Be Named aside, I had an idea for an interesting way you could represent ART in a visual medium: it's cameras.
We know that, in any visual medium, what The Camera (be that literal in film or figurative in animation) chooses to show and focus on is important. Its the primary way the piece of media communicates to its audience, and the framing of a scene tells us a lot about how we're supposed to interpret it. What is on screen and how it's on screen convey authorial intent.
Take all that, and turn "authorial intent" into character expression (in this case, for ART). A conversation between Murderbot and ART that would traditionally be shot-reverse-shot becomes shot-ARTPOVshot, so both shots would be of Murderbot, but one would be from The Camera and one would be from ART. Even though the subject is the same, the difference between them could show us something about ART in the same way a reverse shot shows us something about any other character.
To me its like those shots from a monster's POV in horror movies, where one second you're with your protagonists, the next you're watching them from a far off angle between some blades of grass, shaky cam, ragged breathing. It's a classic, even a cliche, but it does the job of conveying the sense of unsafety, of Something Out There Watching Them, of monstrosity, of something feral and dangerous. All without needing to see the monster. What if that type of shot was all we ever got of a character?
(Also, in all honesty, some of my favourite meta about this series is how it's in conversation with the horror genre. ART and SecUnits being the type of characters that would be The Monster in another story, or from another perspective, is compelling to me, so i'm drawing on that a bit here. The idea of characterising but not visualising ART by taking pages out of horror monster cinematography? I just think it's neat.)
Anyway, you could also do all the sci-fi Augmented Vision stuff with it too. ART POV shots where we watch it pull up a feed tab over the camera feed and replay a section of audio, or check Murderbot's diagnostics, or look at Some Code Or Perhaps A Graph. ART POV shots that are broken into multiple feeds showing different things. ART POV shots that give you the sense of it being textually present without it being physically present.
You could use some of this for Murderbot itself, if you leant into how its drones are an extension of its awareness. You could even use it in a similar way to how Murderbot uses its narration, narrating less when it's upset as well as leaving out major details. What if, when Murderbot is tired of people looking at it or in a more vulnerable headspace, we get more drone POV shots without Murderbot in frame. It's still there, but present in a different way, behind The Camera rather than in front of it.
I think there's potential in using POV shots from ART's cameras to characterise it without visualising it in a traditional way. I think there's potential in using horror movie monster language on ART and Murderbot. I think there's potential in having the cinematography focus on what they're seeing in a way that emphasises the amount of Surveillance both of them are constantly doing.
I think there's potential in a show using The Camera as cleverly as the books use Narration.
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buglaur · 1 year
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my vault boys
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amoneki-ramblings · 5 months
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In the Amon stays in CCG AU Shironeki will get jealous with Haise because Haise gets to talk/work/eat with Amon and he doesn't??? 😭😭 Guy be sitting in a chair chanting "it should have been me"
WAIT THIS IS SO FUNNY?? I also spent way too much time on this um?? Enjoy
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shrimparts-blog1890 · 4 months
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Me: Yayy a dappling user :D
My head:
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(P.s nice art style💕)
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(Also thank youuu 😭💖)
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You said in your Dr. Scraptrap AU that his first living creation was Plushtrap- are Plushtrap and Dr. Scraptrap still in animatronic suits? Or are they instead more-so organic?
Also, what is Dr. Scraptrap's backstory? Is it the same as William's, or is he a completely different person than the original?
Apologies if these things were already established and I missed them!
Okay, so, they are just animatronic suits. They aren’t regular rabbits or anything—and that goes for most other animatronics that appear, such as Spring Bonnie.
They’re animatronics... but are at least a little different? Imagine Spring Bonnie. They’d actually be pretty fluffy/soft, and would happen to have actual rabbit tendencies—but is still an animatronic, etc.
The same goes for Dr. Scraptrap and, again, most of the others. Minus Scrap Baby (who is something that he’s making), when it comes to the more human animatronics—Ballora, for example, they’d actually be human.
Plushtrap is mostly like an actual living animatronic that Dr. Scraptrap actually happened to make—following the same rules. Though, there are parts of them that are just more of actual... plush and similar things.
I was rambling a bit with that one—I’ll move on. Point is: Not real animal that they’re based on, still animatronics—except for the more human ones.
The next bit—Dr. Scraptrap’s whole thing is just sort of similar to regular William’s, but there’s still several differences here and then, considering the AU.
He still worked with Henry—who is still just a human here in the AU. Except, while in canon, the two of them did the whole pizzeria thing, here, they worked together on something completely different.
By the time he actually met Henry, Dr. Scraptrap had already been doing a bunch of stuff for about 30 years at that point.
He and Henry worked together for about five years—during the fourth year, he still did kill Charlie, as well as Cassidy (though the others are still alive). Henry only discovered that it was Scraptrap who did it in the fifth year.
Dr. Scraptrap has always been an animatronic here. He was never a human, so there’s no remains in him—he was never really William here. He’s just Scraptrap.
Though, he still uses the name Afton for a couple of purposes every now and then.
And, before the present time of the AU, there’s still three more major events that I want to mention—even if I’ve done it before.
Ten Years Prior: Spring Bonnie becomes his assistant—although reluctantly. Spring Bonnie happened to be a very good scientist, and that was why he wanted them.
Three Years Prior: Finally created his very first living creation—Plushtrap.
Four Months Prior: Went and adopted Elizabeth (she’s still human).
Another bit that I mentioned, but he does care for Plushtrap and Elizabeth. He loves his kids :)
I think that’s all I have to say for the questions for now—this was really long, sorry. But there was a lot that I wanted to say. Hope this helps!
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abirddogmoment · 11 months
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Mav is gone. I have a thousand things I want to say but I don't have the bandwidth to write a proper post right now.
Send me asks so I can tell Mav's stories. I want to talk about him and remember all the funny and good stuff.
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mattodore · 2 months
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uh oh two of your sims (whatever ones you pick) wake up to their closets switched!! what would the different styles than their use to look like on ur two sims???
couple style swap 🥰
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iactivatepotofgreed · 8 months
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I miss your proshipping (edo x ryo) art so effing much ;_;
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HAH!!! You activated my trap card! When you mention ryo and edo my brain malfunctions and I'm forced to draw them. Looking pretty foolish now huh..? Hehehe.........
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shima-draws · 4 months
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Props my head up in my hands I really really want to draw a lot more this year so. What kind of content do you all want to see from me. What do you desire. What do you CRAVE. What characters or ships or AUs that I’ve made do you miss and would die to see. I will jot down every idea sent my way and hold it close to my heart over the next year so that I may put pen to tablet and draw them
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084392 · 11 months
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pmd-ifying mainline pokemon characters isnt enough i need to try doing that shit with characters from different franchises entirely.
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genspiel · 5 months
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auughhh so if you translate thelxie's morse code and caesar cipher it, he legitimately speaks french
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