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starrystevie · 1 year

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"i need a favor."

it's simple enough for steve to hear even over the loud music in the club, and it definitely grabs his attention away from where he was staring blankly into the dancing crowd. he pulls his eyes to the person standing in front of him, gaze trailing over their form before settling on their face. he's cute, steve thinks, with his curly dark hair and big brown eyes that he could see himself getting lost in. he's cute enough for steve to listen to whatever favor he could possibly need.

"umm, hello to you too?" steve says it like a question, his eyebrows quirked up and a smile pulling at one side of his mouth. "what kind of favor might that be?"

the stranger smiles and sits in the seat next to steve, setting his beer on the table beside steve's nearly finished jack and coke. he's closer than he was before and steve can appreciate his face even better this way.

"it's my ex. you see," the stranger slings an arm around the back of steve's chair, pulls himself close so that he isn't having to scream as loudly over the booming club beats. "he's here and i knew it would be stupid to think i wouldn't run into him in the only queer club around, yet here he is. and here i am."

"is there supposed to be a favor in there somewhere?"

the stranger grins and steve suddenly gets the feeling he's a bird who's been cornered by a cat.

"well, i was hoping you might be able to help me. he knows i have a... weakness for pretty boys and you just happen to be the prettiest one here."

steve's heart thumps in his chest, strong and impatient as he watches the neon lights flash off this guy's teeth. he always thought he was the smooth one with all his charm and charisma, but this stranger was sitting next to steve like it was any other day and not like he had the possibility to turn his world upside down.

"help you how?"

the stranger's grin grew wider and his eyes not so subtly flicked down to watch steve's lips. "kissing would be a good start, then letting me drag you to the dance floor so he could see us. and maybe if you're feeling a little crazy, we leave together, make it seem like you're coming home with me. he's watching us right now, you know?"

steve gives him a blank stare as he tries to not let it show just how much fun he thinks it all could be. he's there alone, anyway, trying to drown his loneliness in his friend jack daniels, so what's stopping him from playing a little bit of pretend?

"and what's in it for me?" is what steve finally gets out, his breath stuttering minutely in his chest when he feels a palm cover his leg.

"what do you want?" the fingers squeeze around his knee.

it makes steve stop and think for a moment. he thinks long and hard about material things like at least 3 drinks bought for him or dinner after they escape together or paying his cover so they can get in to the bar down the road that plays shitty music but has a good atmosphere. but there's one thing steve could really use, something he doesn't get the chance for, something that this random guy's money wouldn't have to cover.

"an adventure."

there's no way to tell who moves first, whether it was steve fisting his hand into the guy's hair to close the distance between them or if it was the firm pull on his leg that turns him towards the stranger. it's messy, right off the bat, with a tongue pressing insistently against steve's lips that he's happy to meet with his own. the hand on his leg is a grounding touch that keeps steve from floating away, warm and strong and there.

the man's other hand wraps awkwardly around to rest on steve's waist as to bring him in closer and the force of it has steve stumbling out of chair and settling instead on the guy's lap. two hands wrap around his waist now and his own go back into the guy's hair, threading through the stands and holding on firmly.

"okay yeah, you were definitely the right choice for this, holy shit," the guy breaks away to catch his breath and grin at steve who sends him a grin in return. "you are so..."

he doesn't finish, lets his lips say the words he couldn't as he connects them with steve's once more. it's hot, both in temperature and otherwise. steve can feel a bead of sweat start to roll down his back as they kiss and roll against each other for lord knows how long. one of the stranger's hands comes to rest just above steve's ass and it has him pushing back into the touch before he can tell himself to stop.

"dance. we uhh," steve says breathlessly as he pulls away from the man. his eyes are hooded and his lips are slick and kissed red, the flush on his face visible even under the dark club lights. steve thinks he might already be a little bit in love. "you said we have to dance."

the hand that was trailing down to his ass makes its way to it's destination and presses firmly, so steve follows, lets himself be manhandled until they're sitting chest pressed to heaving chest.

"sorry sweetheart, you aren't moving anywhere just quite yet."

lips connect to his jaw and it feels like it's exactly where he's supposed to be. steve pushes into the man's space, gets them as close as possible to savor the moment. he doesn't get to have fun, not much anymore at least, with his job keeping him so busy he hardly even gets to see his friends. it's nice to push every real life responsibility to the side and be in the moment with a random man from a club.

"so what does he look like, your ex?" steve mummers against his ear, low and sultry. "is he looking at us now?"

he feels the man chuckle against him before kissing his way up his neck. "he's pretty standard looking, don't think i could describe him to you if i tried."

"okay but," he's cut off by lips pressing quickly onto his own before steve pulls away once more. "i need to know who i'm putting a show on for."

the man sighs, rests his forehead against steve's collarbone for a beat before biting at it playfully. "let's just say you're putting on a great show regardless of who it's for."

steve pulls back even further, watching the man roll his eyes as he tries to follow him with his mouth. "and i thank you for that, but really, where is he?"

the man pauses and every bit of confidence that was on his face melts away until he looks younger, looks almost nervous. he sighs again and drops his hands from where they were kneading into steve's sides before running them through his hair with a sad sounding chuckle.

"he's nowhere."

now it's steve's turn to pause. his thighs that were clenched so tightly around the man's legs release and he slumps down with a frown pulling at his mouth and arms crossing over his chest.

"explain."

"i just," the man winces, face crinkling up before settling back into something more neutral. "you're like insanely hot, which i'm sure you know, and i needed something so i could talk to you so-"

"so you lied? there's no ex?"

"... there's no ex."

steve's done more thinking in the last 30 minutes than he expected to in the entire evening. he didn't come out to a gay bar to think about anything and yet here is, contemplating a fucking pros and cons list about where to go from there. does he yell, punch him for lying, storm out and end up back home all alone in a empty apartment? it would serve the guy right, letting him stew in his guilt for lying so he could make out with someone.

"i'm steve," he says after making up his mind, hand extended out in front of him.

the stranger grabs it shyly, shaking his hand up and down slowly while he stares at steve. "i'm eddie?"

"is that a question?"

"no, i'm just-" he cuts himself off and shakes his head as if to clear it, pinning steve with a confused glare. "you're not mad?"

"mad, no. at least i don't think so. confused as to why you think you couldn't just talk to me, yeah."

the man, eddie, runs a hand down his face and pulls it away with a cheeky grin that makes steve smile at him back. "i'm sure you've looked in a mirror! you know why i couldn't just talk to you!"

it has steve laughing, full belly ache inducing laughing, in eddie's lap in a gay bar on a night that he planned to waste by being drowned in self-pity. he doesn't think he's ever had a weirder night and it's funny. he lifts his leg and stands up, watching the smile disappear from eddie's face to be replaced with a frown. he reaches down and grabs eddie's hand, pulling him to his feet and watching a beautiful smile spread back across the other man's face.

they're the same height, he realizes, as he presses his mouth to eddie's ear.

"i think you owe me a dance. and," he pauses, looks eddie in the eye and lets his hand travel to eddie's ass to pull them as close as possible. "-an adventure."

#steddie #steddie headcanon #yes i did just waste too much time at work writing this don't tell my boss #steve harrington #eddie munson #my writing #steddie drabble #steddie fic #this is i think my first kind of delve into modern steddie so may have to do it again #mayhaps this will have a spicy sequel who knows #steddie ficlet #1k #2k #3k #4k

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starstruckodysseys · 3 months

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can you imagine being thirteen and having the world at your fingertips. everyone loves you - why shouldn’t they? you’re the epitome of a good girl, the ideal, the popular cheerleader type who gets The Guy. you giggle and you flirt with the football players and you have sleepovers with your friends (who don’t really feel like your friends but you’re all popular so you have to like each other, right?). you do your makeup and you bat your eyelashes and everything is perfect.

and then you start growing horns. you start looking like the devil - and you might as well be, the way everyone turns on you, starts looking at you as if you’re a freak, a monster. and, well, if everyone’s going to treat you as such, you might as well play the part, right?

so you rebel against your parents (if they’re not lying about that, too). you go out and you buy a bass guitar and you pluck at the strings until your fingers bleed. it’s better than listening to the arguments downstairs. you transform into people you’re not to pretend you could really be someone instead of the shell you are now. you flirt with guys twice your age to pretend you still have it in you, even if it feels hollow. you grin and you bear it but it’s hollow, in the end.

if you can’t be perfection anymore, why bother being anything?

(and then you meet the most wonderful people in your life. and they accept you as you are and don’t ask you to change. but you find yourself changing anyway, because they make you feel like you can be something. like maybe it’s worth it again. and you finally get The Girl. and maybe life isn’t perfection anymore, but maybe perfection is overrated, anyway.)

#hiiii i’m insane about fig All The Time actually #no it’s not bc i relate to her way too much why would you say that #no im not projecting here wdym. i would never #(yes it is and yes i am btw. but like. lowkey)#also it’s 1am when i’m writing this so if it’s incomprehensible that’s why !!#dimension 20 #fantasy high #fig faeth #figueroth faeth #wrote this almost two months ago b4 junior year came out so if there’s any inaccuracies that’s why <3

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bahoreal · 11 months

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Question for fic writers!

#fic writers #poll #ao3 #no idea what to tag this with and yes i want this to get big as much as i'll hate it bc i'm so curious #according to my statistics i have over 2k comment threads (not comments - comment threads aka comments people have left individually)#so i do not reply to all the comments on my fics unless i am currently writing it/it's a recent fic/the comment is really good

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delphis-oracle · 6 months

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It's so hard to articulate but why would I want economic liberalism and a million foreign companies selling me stuff when I already have the love from my community and parks and clubs and meriendas with my friends? why do I need a Sephora when I can go with my friends to el Centro and buy my make-up there? why do I need Dunkin donuts when I already have a panadería with tables with the best cheesecake I ever tasted, three streets over? The free spectacles that are organized by the municipalidad, its courses, all of it.

Our culture is all over the streets in its shop in the kioscos, it's warmth, my friends, my family, my university. It's mine, it's ours.

#delphiss tag #i love my country so much #:)#yes i see the irony of me writing this in English

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comfortless · 4 months

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Deep Water

nix! König x fem! reader

content/warnings: 18+. minors do not interact. no.. intentional harm done to reader but there are sporadic mentions of murder (drowning), König is kind of a creep here do you guys forgive me (say yes), implied sex; dubcon everything. König is wearing a fishing net rather than the usual hood because. it made sense to me sorry.

notes: yet again, i have found that i can not manage to write anything except for silly fantasy nonsense… bear with me this will pass (it will not). if you’re uncertain of what a nix is, i recommend skimming over this (or tl;dr— a shapeshifting water spirit).

You’ve always been told to beware of the river, especially on nights like this. When the singing starts up you were to run, as far and as fast as your feet could carry you. It would be the most beautiful sound you had ever heard, as well as the last. Whatever beast lies in wait along the silt of the riverbed luring people in with its haunting song isn’t kind. The drowned bodies resurfacing bloated and paled are enough for the townsfolk to assume that assuredly, a monster lies in wait someplace within the glassy water.

For all of the fear, town myths were just that— myths.

As always, there’s no singing when you seat yourself on smooth, mossy stones by the river’s bank. The moon hangs low, casting its brilliant reflection on calm, dark water. The air is alive with the buzzing of cicadas clinging to the trees at your back and night birds calling out to the wind. Nothing is amiss; it’s only peaceful, and that’s why despite the warnings, you often find yourself here when the temperature is favorable.

There are nights when the river isn’t calm, and currents are the most reliable reasoning for the deaths from past summers. The water is full of large rocks with sharp corners, teeming with plants that could so easily snare an ankle, and when the water is frothing and cruel it’s no surprise that one could be thrashed to unconsciousness if they weren’t careful.

You didn’t come here to take your chances on swimming, anyhow.

If anything, it’s a mere reprieve from the bustle of the town. No one wanders here any more since the myths gained traction, passed from mouth to listening ears time and time again, leaving this place entirely untouched. Occasionally the obnoxious teenager would cross your path on the walk here, declaring loudly to their friends about how they supposedly saw some slimy beast, eyes like moonbeams and scales like razors lying on the bank.

During your little adventures here, you often carry a snack with you, but not for yourself. Tonight, it’s just a small package of vanilla flavored cookies. In truth, they were awful— dry and near flavorless, but you suspect your friend here wouldn’t mind too terribly much, and if it got them out of your pantry without wasting it was a win for the both of you.

When the large dorsal fin crests over the water mere meters from the bank, you gratuitously crush the treats in a closed fist and toss the crumbs into the water. Time and time again, you’ve fed the large animal, watching as it thrashes about just below the surface before disappearing back into its depths. You’ve never gotten a good look at it, either, but you imagine it must stretch out past your height or further; some sort of gar or sturgeon.

Just as many times before, it glides further in, fin entirely out of sight now. The only evidence of it ever appearing at all were the small waves rippling in its wake. All is quieted once more as you embrace the placid bliss, readying your small flashlight and losing yourself into the book perched in your lap.

The next night, you’re greeted by a large snake basking over the rock you typically sat upon. It lies still, coiled into itself as it regards you, forked tongue flicking out for several moments before it simply slithers off, hiding itself away beneath the moss and stone.

“Best to leave you alone, huh?,” you ask to it’s retreating tail, feeling a bit silly for speaking to the reptile at all. It doesn’t respond, of course, nor does it bother to come out of hiding either.

You opt to seat yourself on the hill overlooking the water instead.

You find that after a day occupied by tedious tasks, there truly was no greater place to abandon your woes than here. Everything was peaceful; wild yet simplistic. Even with all of the death that seemed to haunt this place, you never feared the thought of ghosts. You’ve even entertained your imagination a time or two, that if you ever did meet one, you would only ask it not to disturb the wildlife you have grown so fond.

There’s a freedom and a mystery to places like this, places without the foot traffic of other people. It brings with it a sense of whimsy, especially when you glance towards the water and see the surface reflecting every twinkling star above.

The fish doesn’t appear, even as you listen to the water in wait, your head tilted as you lie back on soft grass to watch for ripples, for the swell of a large fin moving beneath. Nothing. You read your book as the night progresses, nearly completing it entirely before you make your way back home.

Weeks pass by like this— work, river, home and repeat. Occasionally it’s the same large snake that greets you when you wander there, more often it’s the large fish circling about waiting for crumbs of whatever treat you choose to bring. The bank and the small hill overlooking it have become a separate home to you, one where you can be away with the fairies, talking to your animal friends that never seem to stick around for long.

When the weather grows warmer, you even dare to take a swim.

You’re stood on the slick stones of the bank, wearing nothing but a t-shirt and a pair of underwear. It’s not proper swimming attire, but you reason that you’re not at the beach, not a soul is around, and it doesn’t really matter at all that you might look a bit silly. The prospect of swimming along that behemoth below is a tad terrifying, but you wouldn’t dare to wander too far in. Maybe the fish would even be intelligent enough to not attempt to eat you after you’ve been so kind to it.

It’s hot, and with a sticky layer of sweat glossing your skin, your worries seem minuscule in light of an easy way of cooling off. You toe at the calm water for a moment, testing its temperature before willing yourself to take a step forward, then another before you seat yourself in the vibrant expanse of darkened blue. Here, you realize, is the best place to stargaze, too; they shimmer all around you, within reach as you tap at the surface of water, watching it undulate beneath the pressure of your fingertips.

You could reach the moon, too, if you swam further out. A few meters from the bank and you would be directly beneath its reflection, bathed in that ethereal glow.

You watch for your friend for a time, trying to prioritize your wariness over your whimsy. When the fish doesn’t tread by you, the water remaining calm, you rise to your feet and take slow, metered steps as the water parts and flows against your shins.

Though the river is disturbed no matter how gently you stride forward, nothing slides out from its depths in pursuit of you. Nothing happens at all when you reach out to splay your hand out against the reflection, the water now gently lapping against your stomach rather than your legs.

You hadn’t expected any sort of shift in your reality, that would be ridiculous, but perhaps some sort of clarity; a further calm for a weary mind. It doesn’t come, and with a disheartened splash you wade your way back towards the shore.

This has been your sanctuary for some time. Excusing the snake, there’s not been any sort of threat to you, not here. A safe water world all your own. Though, that peace is shattered the moment that you make it to the bank and hear the water shift some small distance behind you. Turning your head, you’re met with the sight of a man, the bulky muscular silhouette towering in the patch of moonlight you had just stood in. Bright blue eyes catch the light, reflecting like an animal’s as you scramble back to where you’ve left your shorts.

He stands there, silent and unmoving like an obelisk even as you hastily dress yourself with a thundering heart and breaths that sound more or less like gasps, senses heightened by your panic as you turn tail to run.

No one had been there. You were sure of it when you sunk into the water. There was no sound when this person had swam over to take your place. He was just there, as if he had been the entire time and you somehow failed to notice.

You make your way into the woods framing this place, hurried steps and untied shoelaces. You don’t even bother with your flashlight.

Finding your way back home with aches in every muscle, the desperate rampage you had taken to get away finally coming to a close when the door slams shut behind you, you quickly shower and mull over what’s just happened. A ghost, perhaps. It had to of been. Any other person would have made noise in their approach, especially being that big. The mind could play its tricks; what you had seen was likely not even there at all— a terrifying figment of your imagination. That sets you at ease, somewhat, but not enough.

You don’t sleep well that night, tucked beneath your blanket and staring at the filtered moonlight through your curtains. Work isn’t on your mind at all come morning until your phone chimes with a notification from your manager, questioning your tardiness. A languid crawl out of bed follows, another shower, an unsatisfying breakfast, all before you opt to send a text back to let him know you won’t be in today.

It could be excused, you’re reliable and decent enough at the job; not one to boast, but far more eager to please than the rest of your coworkers. You would be entirely useless if you went in on no sleep, you reason.

You don’t want to go back there, not under the veil of night, but you find yourself horribly curious the longer that you bide your time indoors. You had to know if the thing that you saw was really there, had to calm your nerves. What if he had always been watching each time, and you simply hadn’t noticed? The forest bordering the river is terribly dark at night, anyone could crouch behind the shield of a tree and remain undetected until they willed the courage to drag you in, cup a palm over your mouth to silence your cries.

Maybe it was the monster the people in town rumored about.

The thought of some strange, silent thing living beneath the water waiting for an opportune moment to take you by the neck and drag you down to the silty floor to watch you drown horrified you. Yet, that’s the one conclusion that sticks. Those eyes… so lurid and haunting, no human being had eyes like that.

You inhale sharply, steeling your nerves as reach for a pocket knife for defense, toss it into the bag slung over your shoulder, and storm out the door.

The trek there is nothing short of dull.

No matter where you look, what shadows rise up beneath the dim glow of a falling sun, there’s nothing out in the woods. The river is equally tame. The water babbles over rock, cicadas buzz off in the distance, and not a thing seems amiss. Your search for footprints that don’t belong to the soles of your shoes turns up empty. The only thing that suggests just maybe it wasn’t all in your head is the book you had neglected to retrieve in your fear the night before.

The cover, every page within, now warped as though it had been pulled into the water and spit out to dry. You pick it up, peeling through damp pages, running your fingertips over the smeared ink. It’s possible that a particularly aggressive splash could have sullied it, but something tells you that that isn’t the case. Either way, it’s unreadable now. You sulk a bit as you slip the ruined thing into your bag and step towards the smooth stones to watch the water instead.

Night creeps in slowly with you there, and you’re on high alert for a time before you begin to relax as usual. Even giggle to yourself at how silly it was you believed you saw a ghost at all as you entertain yourself by skipping small stones across the water.

No large snake, no massive fish, no titan of a man appears before you, only a calming crescent moon and a few wandering wood ducks, gliding down from the bank to splash about. A thought comes to mind as the calm emboldens you: what would happen if you got in just one more time?

There’s nothing to suggest that you’re playing with fire as you leave your shoes neatly in the dry sand. If the ducks could swim unbothered by fish or men, then surely you could, too. You watch the little creatures a distance away as they dip their heads beneath the surface and chitter away amongst themselves while you take your first step in.

You don’t dare to go as far this time, stopping when the water brushes over your knees. You wait there while time seems to slow to a crawl, expecting the absolute worst, glancing further down the river, dipping your hand below the glassy surface until your fingertips brush the sand beneath.

It’s horribly hot and you’re still exhausted from the sleepless night before. The water feels nice, and you feel as though you have some sort of claim to it as you’ve been here more often than anyone else would dare to. Ghosts and monsters be damned, you seat yourself and let the water lap over your shoulders, tilting your head back to watch the stars.

When the singing begins it takes a moment to register just what it is that you’re hearing. It’s not beautiful, not like the myths have said. It’s hissed, a low whisper, a mockery of what a human song would sound like. The voice is rasped, lilted yet cold. The realization that it sings words from your book of poetry is what terrifies you the most, the warped pages all making sense now.

Your eyes dart to either side of you, forward, before realizing the voice is coming from behind you. Cold spreads through your veins as you try to force yourself to stand, but in your fear you find yourself petrified, rooted in water that would surely become your grave.

You can’t bring yourself to turn around, to inevitably find your eyes locked onto the shadowy frame of a man far too large, his eyes glistening and pale like the moon hanging above.

The voice pauses when it finds you unmoving, and you can hear the rustle of the creature shifting its weight where it’s stood on the rocks lining the bank. You’ve no clue how deep the river gets, where the opposite side leads, but your only chance of escape seems to be swimming through in the hopes that this thing doesn’t choose to chase after you. A part of you knows that he would, that that is exactly what he expects you to do, goading you to flee deeper with his eerie song so that he can drown you just as he did the others.

You do the opposite as you squeeze your eyes shut and crawl back towards the bank, making sure to keep some distance despite your willful blindness. You wouldn’t look at it, wouldn’t talk to it, you would just go home and never come back.

“Best to leave you alone, hm?”

You still as your fingers brush against wet moss, the voice no longer a whisper but loud, loud as it echoes your words from days past just above you. Beating back your own curiosity proves futile, because you look up at the damned thing then, expecting to see an impossible terror before you, sharp fangs wet with blood and appendages too spindly reaching out for you. Instead, you see only a man.

He’s crouched, only a meter or so away, and you immediately recognize his broad figure. The same as the night before. From this distance you can make out the finer details, the length of net covering his face and neck, the webbing between each finger. Still a scary sight, but only in the way it’s unfamiliar and imposing rather than instilling any sort of primordial fear.

“Excuse me?” You pull yourself fully out of the water, rising to your feet and taking a tentative step back. You’re prepared to run, a coil pulled too tight on the verge of snapping.

The man, creature, whatever he may be just tilts his head, lets the silence hang in the air for a moment before he has the audacity to laugh whether to himself or at the strange, bewildered expression on your face.

His stare is assessing as he sucks in a breath, follows suit in rising to his full height. From the size of him alone, you know you’re not getting away. A mere stride for him would be two or more for you, a deliberate tug of your wrist from him could snap it in an instant.

Yet, he doesn’t reach for you, only gestures toward your bag lying on the ground with a subtle flick of a finger. You give him a quizzical glance in turn, not bothering to retrieve it. You could come back during the day with a friend, gather it and never return. Only, your knife sits somewhere inside, the only protection that you’ve got. The realization spurs you to bend over and toss the strap over your shoulder.

“I’ll… I’ll be going now.”

The stare remains fixed upon you as you take another step back, blinking slowly every now and then as you both remain in some strange stasis.

It takes you a moment to put the pieces together. The reciting of words from the book, the mimicking of the words spoken to the snake, the hint at your bag… he’s expecting something and it’s not to steal away your life, only to be fed and have your company. It’s not charming, it’s awfully strange and eerie, but you find yourself giggling at the prospect of taming some murderous, shapeshifting monster with subpar treats and poetry.

You pull open the bag, searching for anything you may have brought along that he could eat, eventually prying out a small package and offering it out to him.

“Is this what you want?,” you ask, voice hushed and trembling.

He shakes his head, rustling the net cloaking him in the process. So, he understands, he’s just been willfully ignoring every other thing you’ve said prior. You store the package away with a perturbed expression crossing over your face.

“Then what?”

Any relief you had felt seems to dwindle when the giant takes a half-step closer. His skin is cool and wet as the river as he brushes his hand over your forearm, curling a set of fingers around it. The touch is gentle, but there’s a promise of violence lurking somewhere in the depths of his eyes.

“Come with me,” he urges in that harsh whisper from before, delicately squeezing as he pulls you towards him, leading you back to the river with a tight grip and a step back over the stones. Though his touch is passive, there’s a frightening strength lurking someplace beneath his flesh, tacked to bone, and as your gaze trails lower to rest to rest at your feet, the space between you two, the evidence of a life prone to violence and strength is laid bare before you.

You don’t fight the hold as he leads you to water so deep it caresses the base of your neck, right below the milky glow of a waning moon. Deeper still, as you’re pulled below, pressed down to the very bottom with his body lain over you. You can only hold your breath so long before an involuntary gasp leaves you, and a wave is funneled straight into your lungs.

Panic is fleeting, but the adrenaline stays ever-present. You claw, push, kick, to no avail. Pinned down by a hand weighing like an anchor you feel your vision flooding and hazy as his head knocks against your jaw, mouth sealing tightly over yours. It’s not a gentle kiss, the net fashioned into a hood digs into your skin, teeth scrape over your lip until you feel the sting of blood drawn.

All at once, your vision darkens and it’s over.

You find yourself lying back on the shore as the morning sun warms your face, causes your dampened shirt to cling to your skin. Disoriented, but alive, brushing your thumb over your lower lip as you sit up to stare at the subtle waves lapping over moss and rock.

Just a dream, you tell yourself, knowing full well you hadn’t fallen asleep.

Just a dream, even though you avoid the river entirely now. Your route home from work changes too, avoiding even a glimpse of the path that leads down to that place. You don’t even replace the book, you toss what remains of it after fishing through your bag, murmuring something about it surely being cursed and entertain yourself with film at night instead.

Sleep remains tentative, you wake with every sound, and your dreaming is filled with visions of a figure pushing you down into deep water, his weight bearing down upon you so heavily that you can not move until you wake with a start, eyes searching your bedroom.

Several weeks, and the fear does eventually fade.

The morning that the rain begins to fall, you realize you haven’t even thought about the river in days. There’s no monster prowling your nightmares anymore. You lived through what may or may not have occurred, and that was the end of it, simple as it may have been.

A late shift at work has you wandering out into the rain, umbrella in hand. You’re grateful that you live close, that you’re not entirely soaked to the bone when you step inside of the mundane building. Your coworkers notice your change in demeanor immediately, chirping about how glad they are that you’re finally feeling better, looking more yourself as the hours pass you by. It brings a smile to your face, a real one that you haven’t had in place since that last night.

Even in the summer, there’s a chill to the air in the late afternoon as you hurry home from work and make your way inside, stripping out of your wet clothes and setting your umbrella aside. It’s darker outside than it should be, even more so indoors. Reaching for the switch to turn on the lights proves useless— the power’s out.

You light your way with your phone, ignoring the way your pulse quickens and your heart flutters with the fear that something just doesn’t feel right. Your skin prickles with the thought of some unseen pair of eyes watching you, blue and cold. You only relax when you slam your bedroom door shut, locking it and pressing your forehead to the wood as you sigh. The puff of breath that escapes your lips is not the only in the room, you find out when the light of your phone illuminated your bed. Crouched beside it, a towering figure with a face veiled by fishing net. Words don’t come when you open your mouth to speak, and your heart stutters in your chest as you stand shaking but otherwise petrified.

“You didn’t come back.”

Of course you hadn’t.

Most people wouldn’t have.

“No. I’ve been… busy,” you choke out the excuse, hoping to pacify whatever emotion you imagine lurked beneath his tone, undetectable through the hiss of his voice. “I’ll visit soon, promise,” you lie, back pressed against the door as your fingers curl over the knob.

Your fear seems almost unwarranted. He doesn’t move toward you, only stands to wander back to the window where he must have broken in.

“Tonight?,” he asks in a voice so soft, the voice he must use as a lure because tugs at your heartstrings immediately, makes you want to follow despite the threat this thing poses merely by existing, despite everything.

“It’s cold— I’ll get sick,” you murmur. “How did you even find me..?”

“I will keep you warm.” The question goes unanswered.

You find yourself stifled again as he lumbers towards you, brushing cold fingers across the side of your face. It’s not a mockery of a kiss you receive next but a firm bite where your neck meets shoulder, not yet hard enough to draw blood, but enough to make you shiver, to grip at the wall of muscle that makes up his chest.

There’s a desperation to his movements as he herds you towards the window, pushes you toward the path leading back to the river. You’re soaked to the bone in seconds, hardly able to keep your eyes open past the weight of dampened eyelashes. The rain is so heavy it feels as though every step is like the first you took into cursed water, your feet sinking into the mud along the path with each tentative stride. The realization that you’re there doesn’t even hit you until you’re chest-deep in the chill, violent waves pushing against you, each carrying the threat of toppling you over entirely.

The palm splayed out against your bare back keeps you upright, leading you to a smooth rock jutting out in the midst of what seems a sea of frothing white and blue. The sea above is just as dark, angry clouds roaring as you’re pressed down onto your back, shivering terribly.

He keeps his promise though, a tight grip on each thigh as he pries your legs apart, sinks in between them and blankets you from the rain. Even with the cold pressed to your back, you feel the warmth of a summer sun above you, scorching from inside, just as blazing as the look in his wild eyes. The last of any resolve slips when you’re pulled beneath the violent waves, a tangle of limbs and desperate kisses coaxing oxygen into your lungs. Each roll and pull no less tumultuous than the waves overhead. A placid end when the rain comes to an impromptu halt, just as he stills over you. Hands rush to cup your face with one final, desperate and biting kiss.

When the morning sun pulls you from sleep, cool moss against your back and the weight of his head resting over your middle, the shallow water lapping lazily at your figure, you find that you no longer fear drowning.

#könig x reader #konig x reader #könig x you #konig x you #könig #konig #cod fanfiction #cod fanfic #konig fanfiction #i have been mulling over this for an eternity sorry it needed to be extracted from my brain #he is absolutely more lycanthrope coded to me but whoosh whatever nix König be upon ye #also apologies to everyone for not writing much lately and the fact this is hardly a real fic #cursed by the sleepy i just need a 10yr long nap #<- in my ‘in denial about burnout’ era

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vaspider · 4 months

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Feisty Lady Anger and other things about me you hate

My mother prizes her anger, for all that she doesn't express it openly. I tell stories about her spiteful, steel-spined responses to people who told her, "You can't do that," and I point to them as Why I Am How I Am. Her father told her he wouldn't pay for her college because "women only go to earn the MRS degree," and she could "get married and have babies" without college. In response, Mom got her bachelor's in Mathematics in 1970 on her own dime, back in the days when in-state students didn't pay tuition at state schools (just another thing Reagan ruined). She worked and paid for her books and housing, got her degree, paid for her own wedding because he wouldn't do that either. Taught school, got her Master's, had three kids, started her Ph.D. with 3 under 6 and became a professor when the youngest was 5.

Tell me I can't, my mom told the world, and I'll show you that I can. I won't just do it, I'll become a department head and a Distinguished Professor and retire after 30 years of teaching other math teachers with a list of achievements as long as my arm.

There is an anger that runs deep in the women in my family. Tell me I can't, and I'll show you I can. Show me injustice and I'll tear at it with my teeth and hands, staring you down while I do. Backwards and in heels.

I can't tell you the moment I crossed out of Feisty Lady Anger in the eyes of the people close to me, but I can tell you the moment I noticed. Maybe it was when my voice started dropping or the growing muscles on my shoulders pulled my stance more square and upright. Maybe it was when I moved from they/them to he/they, and somehow I stepped from Diet Woman to Too Close To Man in their eyes.

It's a funny thing when all of a sudden your anger becomes real enough to be startling to people. Your anger is no longer feisty, charming, and attractive. This thing that people liked about you, that people who say they love you said they loved about you, suddenly becomes frightening, upsetting, and terrible. The way you didn't let people mow over you and fought back used to be a thing that people admired. It was actively attractive. It was one of your best qualities.

Now? It's ugly. It's disgusting. It's scary. The thing you were is gone, and now your anger is real to them.

It's in that moment that the blade cuts back towards you. You realize the reason your squared shoulders and set jaw drew people in couldn't be squared with the stubble on that jaw or the newfound strength in your arms. Feisty Lady Anger isn't real, not in the way a man's anger is real. Feisty Lady Anger is admirable, sure, but it is admirable because of its essential ineffectual nature. At most, Feisty Lady Anger fixes minor problems for the kids at school, gets the principal to back down from scolding your child when she politely asks the kid calling her a faggot on the bus if he knows what that really means, pushes a woman to achieve for her family, in appropriately neutered ways.

When you stop pretending to be a woman and become who you really are, when your anger becomes real, you realize both that the thing about you that people loved is gone and that this thing was attractive in the first place because of its ineffectiveness. Your anger wasn't scary because it wasn't real enough to be threatening.

Now you have Man Anger, and, you're told, you should apologize for that. It doesn't matter if it's the same anger you've always had, or that you're angry about the same things. It comes now in baritone, with belly hair and bellowing, and now it's both real and disgusting.

The worst part is watching it come from people you thought should know better, the people who should understand. You spent nearly 40 years being told to sit down and shut up because the men in your professional career were speaking, assured that if you just waited your turn, you'd be given a place to speak eventually, and now here you are being told within a community that claims to love and understand you, by people that claim to be in community with you and love who you are, that you actually don't have any real problems to speak about, also your Man Anger and Man Privilege (when do I get that, please?) are Scary and mean you should sit down and wait, and you'll be given a place to speak eventually.

It is the Transmasculine Catch-22: if you become Man Enough to no longer fit into Almost Lady, your anger becomes Real, which makes you realize that your anger wasn't Real before, but because it's Real now, you're not allowed to have it. And by the way, you're not allowed to be neither Man or Lady - now you're Man Enough, and that makes it all the more clear how you were simply Kirkland Signature Lady right up until the point you weren't.

There will be a few people who Fucking Get It, who don't see you as either a Failed Lady or a Broken Man, and you'll love those people all the more for their rarity. It won't take the sting out of realizing that the things people you love loved about you before now disgust and repel them, but it'll make it enough to keep going.

You couldn't stop, anyway. You've never felt more yourself, and the people who don't love you, the actual you, the real you... the loss of that hurts, but not nearly as much as the idea of pretending to be something else did.

#transmasc #transmascs #transmasculine #transmasc issues #transandrophobia #personal #before someone says it #yes i recognize that this experience is very much a white experience with anger #this is a deeply personal essay #and if you come at me for it not fitting your personal experience as well #we will not talk #i will just block you #it not being fully universal doesn't mean it's not real or not deeply painful #this has taken me years to write #terfs fuck off #radical feminism has done more to neuter the ability of women to be meaningfully angry than any other 'feminist' movement #so just don't

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eyrieofsynapses · 5 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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barbiediamondcastleofficial · 7 months

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Actually I lied I don’t like sex put your clothes back on today we’re going to talk about CHARACTER ARCHETYPES, TROPE SUBVERSION, and MARTIN K. BLACKWOOD

#tw incredibly dead meme format #tma #martin blackwood #god I just fucking love him #Like ah yes classic kind likeable guy character except he’s also manipulative and bitchy #and has to do absolute mental contortion to justify his own strict but fucked up moral code #AND he writes the world’s most mediocre poetry. And I love him so much #He thinks he’s not important enough to DIE #the magnus archives

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inaconstantstateofchange · 25 days

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binggeyuan modern!AU based on this prompt where shen yuan and luo binghe live in the same apartment building, but have never met each other. SY is more-or-less his regular shut-in self, and keeps very odd hours, which means that he happens to be wide awake the first time LBH gets back to the apartment building at 3 a.m. after some manner of illicit activity and realizes he doesn't have his fucking entrance key. LBH hits one apartment number after another into the intercom, fully prepared to dazzle his way into getting one of them to open the door for him, but the intercom is old, and people come and go from this building often enough that most people don't bother getting it set up, and he's having no luck.

finally, just as he's about to give up and bully his way onto mobei-jun or sha hualing's couch for the night, someone picks up. he doesn't even remember which specific apartment number it was, he was just entering them mechanically. immediately, LBH pulls on his smoothest affect (sure the intercom has no video, only shitty, garbled audio, but that's no reason to let the universe catch you slipping) and prepares to give the sob story performance of his life. before he can even get a single word out, however, there's a crackly, almost indiscernible "Open!" and he hears the click of the entrance door unlocking before the intercom call is ended. he stares at the intercom for a minute, somewhat wrong-footed, but then shakes himself out of it in time to catch the door before it locks again.

SY, for his part, was broken out of a binge-reading spiral by the intercom call, and fully did not realize how late it had gotten. he assumed he had ordered something that was arriving earlier than expected, and kept an ear out for a knock on his front door from the delivery person for a few minutes, but then got sucked back into the target of his current literary criticism.

the next time LBH gets locked out, he starts in the general number range he remembers striking on the last time, and pays closer attention to the numbers this time. he's curious if his little philanthropist will be so accommodating again. SY orders a lot of packages, okay! the one time he didn't pick up the intercom he had to wait an extra three days for his ultra-rare, limited edition merch, which he will not be going through again. this time, though, when the intercom picks up, LBH is prepared. he starts talking immediately, playing up his stress at being locked out, how sorry he is to be a bother, and how much he really, really appreciates it. SY fully blue screens at this unanticipated display of emotions, blurts something out about how it's not problem and of course he's happy to help out a neighbor in need, then hangs up (after unlocking the entrance, of course). it is perhaps fortunate that the intercom has no video, and thus he can not see the look on LBH's face.

LBH gets more and more consistent pushy with his calls, curious how far this little philanthropist will go for him. he knows his apartment number, of course, he could just knock and introduce himself, but he'd rather let him come to him. LBH starts interjecting little questions here and there, trying to glean any information about his mysterious benefactor. SY, meanwhile, is lighting a daily candle for this poor little bun somewhere in his building, who has truly the worst luck in the entire world! who ever heard of a gang of pickpockets stealing someone's keys not once, but twice in the same week!

LBH gets comfortable with the state of things — as ever, too comfortable. nothing good can last forever. one night, after a long and utterly shitty day, for the first time in ages, he loses his key for real. he's tried to avoid reaching out to SY at any time when he's not 100% in control of himself, but there's nothing for it. he punches in the numbers for the unit he knows by heart at this point, and when it picks up, he sighs tiredly, and waits for SY to speak first. after a moment of silence, the call drops, and the door remains locked. LBH is almost shaken entirely out of his malaise. not even a word? he puts SY's apartment number in again, but this time it doesn't even pick up. he stares at the intercom in unpleasant shock for a few minutes, then punches the wall next to it and leaves. he spends the night on mobei-jun's uncomfortably small couch, staring unseeing at the ceiling above him. at least the other man doesn't ask him any questions.

their easy rapport broken, SY starts to worry when he hasn't heard from his unfortunate little neighbor — maybe he's moved out? hopefully to a place with a more accommodating security system... after a full week, his worry ramps up even higher. he wants to believe his neighbor just found a system to keep track of his keys that works for him, but statistically, it seems unlikely. feeling like the most awkward, overstepping idiot on the planet, he scribbles off a few short notes, and sticks one by the the intercom, one by the mailboxes, and one in the laundry room. his neighbor will have to go at least one of those places, certainly?

to my keyless neighbor - hope you're well! i was worried- if you ever need me, you know where to reach me. you weren't a bother- - XX4

the next time LBH stops by the apartment (he's been avoiding it by couch-hopping as much as possible, to the great aggravation of his friends) he carefully avoids looking at the intercom. as such, it's actually sha hualing who spots the note first. (she bullied her way into an invite to make LBH actually go home.) she crows out a harsh laugh, snatching the note off the wall and holding it up dramatically, cackling about "rom-com shit". LBH isn't really paying attention, until he catches a glimpse of the apartment number at the bottom. eyes flashing, he snatches the note out of her hand, and reads it over once, and then again. after a moment, he turns to sha hualing, and tells her to go home, that he's got plans, actually. she gapes at him for a moment, then scoffs and turns on her heel, flipping him off as she goes. whatever! she didn't want to babysit his mopey ass any longer anyway!

LBH spends a few frozen moments running over his options, torn between calling right now just to see if his philanthropist will pick up this time, and giving himself a chance to freshen up, and maybe make a good enough showing for himself that whatever it was that caused him to be ignored before will never happen again. ultimately, he decides on the latter, but rushes through all his preparations as much as he can while maintaining sufficient attention to detail. he wishes he had the materials to make something truly spectacular, but his apartment is showing his absence over the past week. he settles on a meal that just barely feels sufficient, and finds himself more anxious than he can remember being in years at this point, staring at his philanthropist's apartment door, two levels below his.

he raises his fist to knock, tentatively at first, too quiet to hear, and then once more, louder. a muffled voice comes through the door, and a few moments later, it cracks open to reveal a man just a bit shorter than him, with a rumpled shirt that looks like it has just been haphazardly thrown on and hair that might not have been brushed in days. he's... really cute.

LBH and SY just kind of stare at each other, frozen, for a bit, until LBH proffers the food he's brought, and SY's archaic etiquette subroutines kick in, and he invites LBH in before he can even think about. his immediate wince makes it clear he had not meant to do that, but LBH is not above making a situation work to his advantage, and graciously accepts, stepping into the somewhat cluttered apartment before SY can recover from his slip-up. they still have not exchanged names.

ultimately, they get themselves figured out. LBH introduces himself, and SY follows suit. there's a beat of silence as they both realize that this does not actually clear up anything about how they know each other. LBH finds the words to explain his own part in this are slow to come, so he finally just hands the note, neatly folded, to SY. SY's face colors, but he overcomes it to fussily poke at LBH about how worried he was, when the other just disappeared! LBH stops for a second, hearing that, then slowly responds that it was SY who cut him off first. SY gapes at him, then demands to know when he did a thing like that! he set his intercom call sound to caramelldansen and max volume so he'd be sure not to miss it!

LBH gives him the date, and SY flushes again, then looks away, muttering something unflattering about a "qingge". LBH feels a wash of jealousy, that he's misread the situation and SY is already spoken for, but SY goes on to explain that he had been stuck overnight at the hospital - for nothing major! pretty routine actually! - and the friend that was staying with him must have picked up, then hung up when he couldn't figure out who was calling.

LBH sits back, somewhat at a loss. so it... wasn't because SY was tired of him? SY sputters, waving his hands about. absolutely not! he might be slightly forgetful, but binghe is clearly a wonderful young man and it's not like SY has much else going on in his life!

LBH determines to himself then and there that the only way to ensure such a thing does not happen again is to make sure that he is the one staying with SY the next time he's in the hospital.

#gods this got SO MUCH LONGER THAN I ANTICIPATED #anyway i like this prompt a lot it has a lot of flexibility #and yes lbh starts very bingge but then gets passively bingmei-ified #svsss #bingyuan #binggeyuan #shen yuan #luo binghe #luo bingge #svsss au #svsss fic #my writing #writing prompt

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