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#yeah lemme do that
the-6th-harbringer · 5 months
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PLEASE READ
Hey. So. It's been a. while.
trigger warning: referenced suicide
So, if you haven't noticed, I literally evaporated for two weeks straight without any clarification on why or sign of actually being alive, unlike my last two week disappearance. Unfortunately, this unexpected evaporation does not come with a big "ooh more trauma more lore and angst for scara" thing.
This just happens to be my goodbye post.
I know, it's weird and kind of rude for me to dip for two weeks and then reappear like "hey fuckers im QUITTING hAHaA". Buuuut not only was my dad being annoying and hogging my laptop, I also barely have had time to myself for the past weeks. New family members have been introduced into my life, so now I have double the amount of little siblings to look after. (from 3 to 6. dont ask "how" thats a personal thing). juggling that with school, social stuff, fucking exams which are coming up in 3 months of my gOD, and other even more personal demons that I've been battling, its been. a lot.
SO, to make sure I do not pull the same move as Scaramouche did on the last day of his sakurarealm torture(iykyk), I'm taking a leave from tumblr. Don't know how long I'll be gone, don't know if I'll ever be back, but I didn't just wanna quit without at least telling you guys so you don't think I've been murdered or something.
On a more serious note, thank you all for all of the support and love you've given Scara and all my other blogs. While some of you are a handful, the majority of you are actually the sweetest and silliest community of people I've ever known. I hope you all have excellent lives.
Now, as for what happens to Scara, we're shoving him in another coma. which is entirely at the mercy of Wanderer's mod, because they're my friend outside of tumblr too and i trust that they'll use this as a major angst moment. Put an F for Cyrille and Scara guys
NOW: a few honorable mentions and thank yous:
@wandering-hat-guy : im not writing a goodbye type thing for you because i will literally talk to you tomorrow, but thank you for being an awesome brother-sibling figure. you are the wanderer to my scara :]
@an-active-rabbit : Thank you for being an extremely fun person to rp with. The puppets and the heart is a rp that wont leave my mind for a while yet. Many hugs for you! And I wont be forgetting Mikaven anytime soon >:3
@cyrille-leclair-de-fontaine : AUGH budddyyy im sorry to do this to you. But thank you for creating Cyrille in the first place. Cyscara my beloveds, they will always hold a place in my heart. Maybe one day they'll actually get somewhere. Im also willing to be your friend outside of tumblr if you wish because you're cool >:D
@dishonxsty : For also being a goofy little goober. My favorite rp with you was definitely the ouppy's and scara, and also kudos to you for making like 17 bajillion blogs and being able to manage them all at once somehow like???? go king go
Annnd @monsieur-neuvillette , who seems random because I havent rped with them in literally a century, but thank you for being the one to indirectly help me get over my fears of starting a rp blog AND being the inspo for me to start rping on tumblr in the first place. hugs for you too
Well, alls said that's been said, so I think I'll just end it off here, because it's been like 10 minutes since I started typing this and I am eepy.
Goodbye everyone except wandermod, and thank you for sticking with me through Scara's really out of pocket journey.
(PS: Rest in peace @the-tainted-blossom . I miss you everyday.)
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kaladinkholins · 3 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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kinnporsche · 2 years
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MILE PHAKPHUM & APO NATTAWIN as Kinn and Porsche in KinnPorsche: The Series (2022)
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zero-braincells-left · 2 months
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guys do you see my vision. am i onto something or no /j
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hiiii @fixing-bad-posts i did the thing thank you for the permission. my shenanigans will likely continue
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rileyclaw · 2 years
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pumpkin duty
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ricky-mortis · 3 months
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So- Spytown?
I’m in love with this au so much
Inspired by @dxppercxdxver ‘s Spies Are Forever/Hadestown AU. Also by @szollibisz incredible, just out of this world art, and @smytherines many, many text posts about it from the past few days.
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mementoasts · 4 months
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me: i wanna draw alice, sam, and gwen my brain: do it as an eizouken op parody, who gives a shit
(posting them individually under the cut ^^)
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aroaceleovaldez · 1 year
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non-exhaustive list of canon powers Nico di Angelo either has shown or is heavily implied to have:
Shadow-travel
Manipulation of shadows/darkness (also possibly use of shadows as a pocket-dimension a la Magicians using the Duat in The Kane Chronicles)
Becoming intangible/shadows
Complete control over skeletons/bones (dead or alive, including summoning, reanimation, and/or changing shape of them) and being able to sense their presence
Summoning, reanimating, commanding, and dispelling the dead/undead (Skeletons, zombies, ghosts, etc & varieties) and being able to sense their presence
Ability to understand/communicate with the dead/undead and potentially other beings of the Underworld
Inherent complete comprehension of Latin
Ability to perceive the usually unperceivable/possibly look upon a deity’s true form without repercussion (at least moreso than the average demigod, though possibly is restricted to chthonic beings) (ex: Tartarus, potentially also interacting with his parents, etc)
Interacting tangibly with ghosts (implied to be a Ghost King thing rather than a Hades/Pluto thing)
Partial or complete immunity to different effects of the Underworld/things within (can consume food/drink of or in the Underworld without repercussions, effects from the Lethe wear off over time instead of being permanent like usual for mortals, etc)
Astral projection/”Walking in dreams”
Dream manipulation and projection (Sending dreams to others, etc.) (presumably includes sharing/projecting dreams with others) alongside inflicting sleep upon others even from a distance.
Illusions
Manipulation of emotions/aura that inflicts specific emotions on others (ex.: radiating fear/death onto enemies)
Projection of emotions and memories onto others (can be so forceful it causes physical damage like a shockwave)
Geokinesis (all forms but also specifically generating black marble) (presumably also specialized control over precious gemstones & non-paper currency)
Temperature manipulation (seemingly only lowering temperature)/creating frost)
Control/manipulation of souls, including living beings (ex: ripping out Bryce Lawrence’s soul)
Perceiving/reading/judging of souls (most likely also a Ghost King thing over Hades/Pluto thing, but possibly both)
Converting living into dead/undead, aka instakill (ex: disintegrating monsters to bone with one touch)
Lowering or manipulation of own vitals (breathing, heart rate, etc)
Death Trance/pseudo-hibernation (possibly also general control over states of consciousness at least for self, in combo with control over vitals & dreams)
Sensing death (impending or when it occurs, sometimes receiving dreams/visions of it occurring)
Able to sense other children of Hades/Pluto (potentially also other chthonic beings in general/able to identify based on sense alone) and also just living beings in general, such as mortals (possibly via souls).
Improved navigation underground/in the Underworld and ability to traverse restricted or normally unnavigable parts of the Underworld
Enhanced strength/abilities when in the Underworld
Inherently unnaturally quiet (possibly able to silence sound on a designated target)
Hiding/shielding self from being perceived (seemingly related to shadows/silence)
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solargeist · 1 month
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something abt the watchers raising grian and telling him "I'll kill anyone for you" and grian growing up to say the exact same thing to people he cares abt
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tequiilasunriise · 4 months
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“In another life, I loved you right.”
“In another life, you loved me at all.”
Tag your ship(s).
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reluctanttrabbit · 1 day
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fnaf movie 2 save me.......toy animatronics save me..... jeremiah save me....... gregory save me......
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skitskatdacat63 · 1 year
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Oscar Piastri feeding Logan Sargeant [x]
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defectzim · 10 months
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A GO GO!
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trashcantasch · 4 months
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new icon go :]
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compacflt · 9 months
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does adult mav canonically have pre braces TC teeth or did sometime during the early 00s maverick mitchell wear adult braces
some thoughts
1. my knee-jerk reaction was characters are not their actors so who cares let mav’s teeth be whatever you want
2. But engaging w/ this honestly i see a couple possibilities
3. possibility A is that yes mav has fucked crazy bigass teeth (see my post on ice calling him “Peter rabbit” for more on this)
4. possibility B is that part of trying to reinvent himself during their brief divorce era (post pulling rooster’s papers ca. 2002-2005) was getting adult braces and the like 4 times ice saw him during that period he was just so bewildered he didn’t think to comment on it at all
5. (can navy fighter pilots have braces?? i feel like it would immediately obviate any call sign you had and everyone regardless of rank would immediately start calling you “brace face” and that’s what they’d stencil on the side of your f-18 or w/e… Pete “brace face” Mitchell! honor is everything im not sure mav would tolerate that! you lose a LOT of social capital when you have braces as an adult unless you’re actually tom cruise! which mav is not!)
6. Possibility C mav got invisalign circa 2015 when it really started getting popular and had his retainers in during the TGM mission cause why not. that’s funny. you cannot lose a SINGLE day with Invisalign or it sets you back so much. even if you have a suicidal navy mission to drop bombs on a sovereign country ... still gotta wear your Invisalign dumbass
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Thinking about poor, doomed Young Griff and how it’s not even important if he is or isn’t Rhaegar’s real son. Because what makes him a fake goes beyond blood - it’s really down to intent and experience. He’s a poor rich man’s Aegon V, but like without the organic hero’s journey.
He’s a lab experiment pretty much. However well intentioned he is, there isn’t much indication that his journey has been authentic. Varys and Illyrio are trying to recreate Aegon V with a fake...literally down to the “let’s hide his hair” scheme. They even gave the boy Aegon’s freaking name (it’s a king’s name after all so I can’t blame them). But they missed like the biggest, most important lesson of all. Aegon V CHOSE to go out. HE made himself, no one else did. His journey was organic as it was derived out of his own autonomous decisions, not manufactured down to the smallest detail (does YG really know what it means to starve and be homeless and hunted?). And there was no promise of a reward (I.e., kingship). Egg didn’t know that he’d be king and even after his dad rose to the throne, there were a ton of people ahead of him. FFS he’s called Aegon the Unlikely. Bro just woke up one day and was like “ay wouldn’t it be nice to actually experience this realm from the perspective of a disenfranchised person?”
Meanwhile, our poor Young Griff is being made to go through all this with the expectation that it’s all going to pay off when he becomes king. BUT (big but!), who’s to say that he actually gets it? Like does he really get why he needs to see how this horrible feudalistic society preys on the smallfolk and makes corpses out of them? Wait, does he even know or recognize that the system needs changing? Like did Varys and Illyrio just tell him “people poor” and leave it at that? Why are they poor Young Griff? How did they get there?! Do Varys and Illyrio even get it? Do they understand that Aegon V was a radical change maker?
How hollow is it that it’s not Young Griff making the conscious decision to actually try and see how his subjects live. He’s not making the conscious decision to be a change maker, no matter what Varys and Illyrio say. People in this fandom will talk about how Young Griff will be the perfect king but…perfect for whom? In what way? In a series that critiques this entire system, what about YG screams that he’s going to actually tackle some of the systemic issues that need tackling - the systemic issues that Aegon V tried to tackle after organically going through his own journey?
WELLLLL….isn’t it cool that Jon and Dany are the true heirs to Aegon V’s legacy not because of blood, but because they actually get to the heart of Aegon V’s journey? Say what you want about them but they are radical as it gets (Jon at the Wall and Dany all over Slaver’s Bay). No one manufactured them. No one told them they had to care about people. No one told them they had to do this lab experiment to become king/queen. They actually did their own thing, while themselves being disenfranchised (GRRM identifies both as outsiders). And without the expectation of a reward (like Jon is literally told that his entire life will basically amount to nothing).
And it’s even better that they were unlikely. Young Griff is meant to happen - well someone is pulling the strings to make sure he works. He’s taking the role of someone who was always meant to be king - for Rhaegar’s son was meant to be king. But Jon and Dany are actually following the Aegon V blueprint because they weren’t meant to happen. Jon is a second son who is presumably a bastard with a contentious claim, and Dany is a daughter who was never meant to survive being sold off to slavery let alone rise to queenship. Neither one of them was meant to be on the throne. No one told them to do the things they did. No one took them and placed them in the positions they’re in. They rose to the occasion by themselves and made changes by their own volition - just as it was with Aegon V. And what makes it even better is that just as Aegon V was chosen to be king, so were Jon and Dany (Jon was literally elected into office and basically won over the wildlings while Dany was dubbed “mhysa” because of her actions in Slaver’s Bay).
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