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#won awards and all
tastywaffles · 5 months
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+write how u became a fan!! im so curious
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hairmetal666 · 3 months
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They start kissing on stage as a joke.
The night before the first time, they're at an afterparty, pounding shots, and Eddie is reading aloud a piece that just came out in Rolling Stone. "'One of the most noteworthy parts of Munson and Harrington's unlikely pairing is their chemistry on stage. It's like these two men--one on his way to being the latest metal god, the other an indie rock wunderkind--are two parts of one musical whole. Their singing, their playing, even their bodies twine and flow with assuredness; where one goes, the other follows without question. They share a single brain-cell and that cell is music'."
Steve giggles, pours some more Grey Goose into the glass. "If they say that now, could you imagine what would happen if we, like, kissed on stage or something."
"What the fuck, Harrington?" Eddie splutters, having just thrown a drink back.
"I don't know, other bands do it!"
Eddie snorts. "I'm cutting you off." He reaches for the bottle and the suggestion is forgotten for wrestling over the liquor.
Steve barely remembers it in the morning. Doesn't think about it at all as he gets ready to go out on stage.
They're playing one of the instrumental breakdowns when it happens. They're leaning into each other, Eddie smiling over his shoulder at him, their eyes locked, bodies moving together. "You wanna?" Eddie mouths at him.
Steve nods before the question actually registers and by then Eddie's warm, soft mouth is against his and he just-- completely forgets what he's doing. His hands still on the guitar strings, and he melts a little, going completely boneless when Eddie grips the back of his head, pulls him deeper into the kiss. t's over almost as quickly as it started, Eddie pulling away and swirling to the mic to start the next verse.
The kiss sinks into Steve's bones, and that's before it becomes a regular feature of their performances. After that night, they're never at the same time during the show, all initiated by Eddie, all over before he can catch his breath; each one chaste and surrounded by people but somehow more intimate than any make out.
He and Eddie, they're friends, bandmates, collaborators. They've known each other since they first started out, forging an immediate connection with they stumbled upon each other hiding out in the garden at some industry bigwig's party. And as much as he loved his friend, never once in that time had Steve considered wanting Eddie.
But now, now he falls asleep with the ghost of Eddie on his lips, goes into each show with a thrum of anticipation, catches himself thinking how beautiful his friend is when he's all rumpled and disheveled from a night in the tour bus bunks.
They've always been easy with physical affection, but once the kissing starts they're constantly in each other's space, idly playing with hair, laying across laps, heads on shoulders, twisting together on the tour bus couch. Steve is ruined with every touch, every moment; he can't get enough.
The first time Eddie uses tongue destroys every last piece of Steve's composure. They've added a new song to the setlist, a remixed version of Eddie's hit "Prince Charming". It's hard, heavy, sexy, one of Steve's favorites. And in the middle of it, right in the middle, Eddie shoves him against a low platform, kisses him like he's trying to own him, tongues twining eager and wet and full of sinful promise. It's like that every show after, Eddie kissing him deep and thorough, like he's trying to lick up every drop of Steve.
He is, unquestionably, fucked. Unquestionably falling. Can't properly fathom how he'd gotten himself here, desperate for Eddie's kiss, as performative as it may be.
They're packing up equipment after a show. Eddie's hair is piled in a messy bun and Steve is trying not to blatantly stare at the curve of his neck, the stray curls against his pale skin. Eddie's gesturing at something, says, "Can you grab those cords, swee--Steve?" He hands them over without thought, notices that Eddie's face is shining red. He's called away to deal with packing the guitars, forgets all about it, but at their next show, Eddie doesn't kiss him.
They don't talk about it.
Eddie doesn't try to kiss him again.
A week after Eddie stops the kiss, they have a night off between shows. He needs to get out of his head, goes out with Robin. He gets back fairly early, but all the lights are off in the bus. It makes him panic in a way it shouldn't; they've always done their own things. Still, he rushes on board, flips on the lights, his absurd heart beating too hard.
Eddie is curled up on the couch, face pressed to the pillows and covered with his hands. The panic kicks up a notch.
"Eddie?" He steps closer, slowly reaching out to grip Eddie's shoulder.
He jerks upright, earbuds slipping free, phone sliding down his hip. "Steve?"
His face is wet, tears actively slipping free from his eyes as Steve watches.
"What happened? Are you hurt?" His hands flutter around Eddie's arms and face, searching for bruises or wounds.
"I'm fine, Harrington," he chokes out. "Though you were out with Robin?"
"Yeah, I was, but Chrissy called. You know how useless she gets. But that doesn't--you--you're crying. What's wrong?"
Eddie's smile is a wobbly little thing, refusing to stick on his face. "Oh, you know, the usual. Fell for the wrong guy."
Steve forces down the gut churning hurt at hearing that Eddie's in love with someone, intent on comforting his friend. He tries to slip his arm around Eddie's shoulders, but Eddie shrugs him off. It jostles Eddie's phone again, slipping it toward Steve and activating the screen. He has a split second where he's looking at the cover of his own first album, before Eddie's snatching it out of reach, scrambling up from the couch.
"I'm fine." He swipes his sleeve over his face. "It's nothing."
And Steve is putting it all together, the being in love and listening to Steve's music, the kissing and how it ended.--
"Eddie." He sounds all wrong, choked and garbled.
Eddie doesn't turn around, is stuffing his feet into his boots. "I'm--I gotta go clear my head."
He walks towards the door and Steve just--"I've been obsessed with you since the first kiss," he says. Eddie stops, hand curled against the door. "We've been friends all this time and I didn't--I never realized. And then we kissed and--it's all I've been able to think about."
Eddie turns then, facing him, expression unreadable."Steve, what are you--"
"I love you. I'm in love with you." It comes out fast, all jumbled, but he can't stand Eddie leaving, not now.
"You--?" Eddie blinks, bites his lip. "That's not possible."
Steve smiles, can't help it. "It is, though. Turns out, I can't get enough."
Their eyes lock; neither speaks. Steve's heart pounds so hard it might spring free of his chest. Eddie moves first, crosses the small distance between them to pull Steve into his arms.
It's not a kiss, but Steve buries his face against Eddie's neck, breathing him in, feeling the echo to the pound of his own heart. "How long?" Steve asks.
Eddie's soft laugh vibrates through him. "Since I saw you walking in that garden and thought, 'jesus christ, Prince Charming is real'."
Steve pulls away to stare at Eddie in disbelief. "But that's--your--the song?"
"They're kinda all about you, Stevie. But that one most of all." Eddie whispers. His eyes glisten.
"Fuck, Eddie." He doesn't mean to whine, but he's not in control of his voice anymore. "I'm sorry I didn't--" He shakes his head. "I'm all yours, Ed. Whatever you want."
Eddie's thumb catches against Steve's bottom lips, eyes transfixed on his mouth. "Everything, sweetheart. I want it all."
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softiedingo · 2 months
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neck + chest appreciation post ✨️
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🎬 Lights, camera, SHRIMP!
Pass the popcorn, we’re sea-ing stars! 🤩 The shrimp have taken over the sea-nema and become shellebrities in these re-imagined movie posters… Which one do you think would be a hit film?
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chodzacaparodia · 4 months
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When the truck hit Kisaki I burst out laughing and you can't blame me
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It was just like the bus scene from "Mean Girls"
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qbadboy · 1 month
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they used a lot of awards just to say BADBOYHALO SWEEP‼️‼️‼️‼️‼️
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fategoflatass · 3 months
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SAY IT QUEEN
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YELL IT KING
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brianskangs · 4 months
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YOUNG K "Ballad Award" 33rd Seoul Music Awards
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andhumanslovedstories · 7 months
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Also today I got a nursing award! This is how we’ve decided to display it.
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royalarchivist · 9 months
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Maxo: "GG Day 2"? Is it going to be all week? Do I really deserve this?
Maximus is a severely under-appreciated member of the QSMP, so recently some fans on Twitter created #GordinhoGostosinhoWeek to show him more love. Maximus is looking at the fanart right now on his stream, and the way he gets so excited about each one really warms my heart. :')
Quackity says it best:
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madamairlock · 3 months
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Thank you to @caitylove for sharing this video with me so I could make this for us all to stare at this beautiful woman.
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the-woman-upstairs · 2 months
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ANYWAY, please watch Certain Women (streaming on Tubi) and be on the lookout for both Under the Bridge (Hulu miniseries airing on April 17) and Fancy Dance (coming to theaters and AppleTV later this year) if you’re interested in more of Lily Gladstone’s incredible work.
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getting emotional about the last issue of sandman again (cw for major comic spoilers, discussion of suicidal thoughts)
because like. so we learn pretty early on what dream's deal with shakespeare was, allowing him better access to his creative potential in return for two plays, and we know this because we get midsummer night's dream, which was commissioned by dream for the actual titania as a parting gift before the faeries left earth forever
but we don't learn the second play until right at the end, after dream is dead, after the funeral, after sunday mourning and exiles, both of which make really beautiful endings to the story in their own right
the second play is the tempest. and there's a lot of the play that neil gaiman quotes in this issue, but i'll focus on the specific two that shakespeare reads aloud
the first is our obvious one - prospero's address at his daughter's wedding.
Be cheerful, sir. Our revels now are ended. These our actors, as I foretold you, were all spirits and are melted into air, into thin air. And like the baseless fabric of this vision, the cloud-capped towers, the gorgeous palaces, the solemn temples, the great globe itself, ye all which it inherit, shall dissolve, and like this insubstantial pageant faded, leave not a rack behind. We are such stuff as dreams are made on, and our little life is rounded with a sleep.
it's a beautiful passage, and exactly what to put at the end of this story - prospero is reminding everyone that stories are just stories, they aren't real and can't hurt anyone, but also they are the one thing that lives forever. humans are shaped and formed by our dreams, by our stories, we come from them, and in the end, we return to them.
now, prospero is the character we focus on in this issue. because there's a three-way parallel here between dream and prospero and shakespeare himself.
dream and shakespeare have both lost their sons, were both irreparably changed by that. both regret decisions they've made in their lives, and wish to leave the path they've found for themselves, but don't feel they can - their responsibilities are too great, they have no choice but to be what they were born to be. both wonder what might have happened in a world where things were different, but they know that could never have been
and prospero is the balm to that. prospero has made mistakes in his life, he's in several ways the antagonist of this story, but at the end, he gets to put it all aside. his daughter lives, and is happy. he gives up his magic - the source of his power, but also his suffering - and abandons his role, leaves the island he'd been ruling for decades. and this is his happy ending.
when shakespeare asks dream why this play, why he wanted that ending, instead of some great tragedy or drama, something more fit for a king, dream responds "because i will never leave my island."
and we see throughout the issue that that was personal to shakespeare too, it was a wish fullfilment for both of them.
but then we get to the epilogue, the second quote i'm focusing on. because shakespeare doesn't know how to end the play, until he has that conversation with dream.
this is the tempest's epilogue, in full:
Now my charms are all o'erthrown/And what strength I have’s mine own/Which is most faint. Now, ’tis true/I must be here confined by you/Or sent to Naples. Let me not/Since I have my dukedom got/And pardoned the deceiver, dwell/In this bare island by your spell/But release me from my bands/With the help of your good hands.
Gentle breath of yours my sails/Must fill, or else my project fails/Which was to please. Now I want/Spirits to enforce, art to enchant/And my ending is despair/Unless I be relieved by prayer/Which pierces so that it assaults/Mercy itself and frees all faults.
As you from crimes would pardoned be/Let your indulgence set me free.
like most shakespeare epilogues, it's a direct address to the audience, talking about the play. prospero is asking forgiveness from the audience for all he did wrong, but then reminding them that he's only human, don't we all want to be forgiven? and after all, all of this was just a story. he only wanted to create something for you. so applaud the ending, tell him it was worth it, and only with your permission can he finish the story, and finally leave.
and that's the thing, about dream's particular brand of suicidal thoughts. being dream of the endless has been weighing on him for centuries, if not millenia, he longs for an escape, but he knows he can't. when they see it's breaking him his siblings try and convince him to leave, like destruction did, but it's not in him to abandon the dreaming like that.
and that amount of responsibility, of staying alive because you owe it to other people - it's a relief, then, when a battle comes along that's too great for you to face, but there's also a lot of guilt in it. because he gave up. and he knows he did. letting the kindly ones win was the most selfish decision he's ever made
and you might say, well, he's dead, he doesn't have to face it, but that's not wholly true. because all three of the last issues deal with some version of dream after death.
there's the dream of him hob has in sunday mourning, which isn't the true dream, he's dead, except of course it is dream, because he was only ever made of dreams anyway, so does it really matter whether it's real or not?
in exiles the protagonist talks to both morpheus and daniel in the desert, and for dream this was two very different time periods, but to the man crossing the desert, they happened simultaneously, so if time can be warped like that in dreams, who's to say that the ripples of morpheus won't continue long into the future?
and then we have the tempest. dream has appeared after death as a dream, as a mirage, and finally, in perhaps his truest form, as a story.
when dream said he will never leave his island, shakespeare reminds him that all men can change. and this is the fatal flaw of dream - he doesn't see himself as a man, as a person, as anything but the entity which must fulfill his function. he tells shakespeare that men have stories, men change - he does not
and when we end this entire 75 issue run with the epilogue from the tempest, dream is prospero. even after death he's still reckoning with the guilt of making that decision. even now, he won't allow himself that freedom.
and that's the reminder, that all of this was just a story - dream's story. the reader is a character in sandman, all of this was created for us. did he manage to create something beautiful enough, despite the pain? can he be forgiven for the decisions he made along the way? if eventually he gave up, does that make all the time he fought so hard for meaningless?
and he can't be free of the story until we answer that all important question - was it worth it?
to which the answer can only be of course it was.
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respectthepetty · 23 days
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I feel like it's been awhile since we've had a good example of a purple pair... would you say this is being overshadowed by pink = love as a narrative color choice?
Also, what are some of your favorite purple pair / pink = love moments?
Anon, I'm tickled pink due to your amazing questions, so let me give you some answers!
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Would you say [purple pairs] are being overshadowed by pink = love as a narrative color choice?
No.
Purple Pairs normally come from couples being color coded red and blue. When those two colors are combined, they make purple. For example, Oh! My Assistant showed the gay man as red, the "straight" man as blue
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And the bisexual man as purple since he is "between" straight and gay.
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But if the people aren't color coded red and blue, it doesn't make a lot of sense to use purple to show them coming together, and in 2023, a majority of the shows I watched had a black x white color-coded pair, not a red x blue, so purple wouldn't be the obvious choice for love.
Also, sometimes it's difficult to distinguish colors.
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Are we looking at pink, purple, or blue?
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Or is it bisexual lighting?
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In the first photo from Kiseki: Dear to Me, to me, it's pink with purple in the background, but in the second photo from KinnPorsche, I'd argue it's purple since I can see the red and blue lighting components, but . . . colors are a spectrum. They bleed into one another so where one stops and another begins is blurry, and sometimes hard to decipher.
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Which naturally flows well into your second ask:
Top Ten - Favorite Purple Pair/Pink=Love Moments
given in no particular order
Run for Love - My School President
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Tinn was a Blue Boy. Gun was a Red Rascal. And yet when they went on their run, their colors morphed into pink and purple. They were learning more about each other with each passing episodes, but the colors clearly showed that the love was going to get them through no matter what obstacles they ran into.
Love is Intense - The Sign
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Both couples got this treatment in the show. When they kissed at the beginning, it was a soft pink, but once their love escalated to sex either fictional or real, the pink intensified. It is such an amazing narrative using lighting that it earned FOUR nominations for my upcoming 2024 Colors Awards.
Love is Soft - Never Let Me Go
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Palm and Nueng flipped the dynamic we saw in The Sign, but Cinematographer Rath, who is behind Moonlight Chicken, Only Friends, Last Twilight and many more beloved BLs was the one in charge here, so it's not surprising. The boys started off with a vibrant purple that slowly transitioned into a soft pink throughout the series to show their differences melting until there was nothing left but each other and the loved they shared.
Love Games - Dead Friend Forever
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Even though this show filled my Macau x Porchay shipper heart after manifesting for two years that Barcode and Ta from KinnPorsche kiss, it also broke me in less than two seconds with this scene. The lovers kissed in an arcade under the pink neon light, but did the red creeping in over Phee signal they would be tied together forever like their bracelets made of red thread suggested or that danger was awaiting both of them? I never feel sure, but I do know this moment is evidence that they did love each other, once, and it was real for both of them.
Love Blooms - Be My Favorite
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This actually won the 2023 Colors Award for Best Pink, and it's all thanks to that pink wisteria. Going through this list, most of the love is shown through lighting or clothing, but this show made it clear through a plant that symbolizes friendship, love, and longevity which perfectly aligned with the themes of the show and this couple's relationship. It earned that award!
Signs of Love - Semantic Error
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This is visual rhetoric at its finest, and it was THE moment. We got the pink and purple neon sign that read, "Lovely pink. Love Me. Kiss Me" boxing in a boy who was running away from love as his pursuer attempted to make it clear that he loved him after they kissed. Sang Woo didn't stand a chance, and all signs pointed out that he was already in love with Jae Young too. Amazing, right?
Love, Meta - Middleman's Love & Last Twilight
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These aren't "love" moments per se, but they were amazing nonetheless because they were a little nod to what pink represents. Middleman's Love saw our lead's love life color his world and everything in it pink, and when he asked his boyfriend why, the simple response was because they were in love. Then, Last Twilight gave a small ode to pink milk which was once a staple in BL series and put the "love" in Boys Love.
Anti Love - Love is Better the Second Time Around
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After an ex-love told Hiro he was still very much in love with Hiro, Hiro immediately ran off to propose to his girlfriend during the cheesiest proposal dinner possible. Thankfully, she rejected him, but this scene was meta without saying it was meta unlike Middleman's Love and Last Twilight. It leaned all the way into what the pink represented then bashed it like it was a piñata at a six-year old's birthday party. It was glorious.
Between Love and Like - Deep Night
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These two have liked each other since the first episode, but this moment visually presented what it feels like to realize it actually might be something more. They themselves aren't pink, but they are caught in the pink with the blinding light of realization (or love?) right behind them. Do they just like each other? Are they just caught up in the moment? Or might they actually love each other?
Open Your Heart to Love - Dangerous Romance
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Ending where we began, this list finishes with a Blue Boy and Red Rascal but instead of purple and pink windbreakers, we got matching pink shirts and purple water. After failing to impress a girl, Kanghan had to change his clothes and was forced to wear a pink "Open House. Open Heart" shirt. Unlike Kanghan, who looked miserable in his new outfit, Sailom was more than excited to get a free shirt out of their adventure. It's not Semantic Error, but the visual rhetoric is clear - Kanghan had already opened his house to Sailom, so why not his heart as well? And once Kanghan was finally ready to make his love clear, the bath he shared with Sailom was magically a blend of their colors, and we finally got purple.
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Regardless of how people felt about the show, it understood the color assignment, and I loved it.
Bonus - Purple is the New Pink - Wandee Goodday
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Hopefully, you noticed throughout this list how often pink and purple reside in the same scene, and how we see purple more often when the pairs are color coded red and blue. But Wandee Goodday is giving us an actual purple color-coded character in the form of the main character Wandee, so instead of seeing the normal pink for love in this behind-the-scene image, we see Yak being engulfed in Wandee's purple, which means he is probably realizing in this exact moment not just that he loves Wandee, but just how intense that love really is.
But it should be obvious how much Yak loves Wandee if he is willing to be the little bunny wunny for his big cat.
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So, all in all, thanks for the ask and for coming with me on this pink (and purple) adventure.
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mizgnomer · 1 year
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David Tennant and the cast of Good (and Fictionhouse co-founder Kate Horton) at the 2023 Olivier Awards ceremony
Good received the following Olivier nominations:
David Tennant for Best Actor
Sharon Small for Best Actress in a Supporting Role
Elliot Levey for Best Actor in a Supporting Role
Best Revival
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cuddlebugmonster · 5 months
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YO SIB I FOUND OUR BABY PICTURES
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AWWWWWW WE SO SMALL AND CHONKY LITTLE FLOOFS !!!!! 💓💖💕💖💜💖💞💞💖🩷💞💙💙💜
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