Your extreme laziness is one of the hottest things about you. Like yes, you're pretty fucking fat, but you're not actually such a hamplanet that you should be relying on obesity aids to help deal with the physical constraints of your weight. Yet here you are, already settling your fat ass into mobility scooters because you're too slothful to be bothered to walk. And now you're even giving up on standing up for a few minutes in the shower - embracing yet another embarrassing fat-hack more commonly used by the hyper-obese. That you're already this physically helpless whilst still so young and still so far away from the huge weight you will one day reach is pretty shocking. Immobility is a common fantasy never-never in this fetish, but with you I can genuinely see it is an inevitability - you're going to surrender your mobility and pathetic remnants of fitness without so much as a second thought, aren't you?
absolutely! the sooner i'm not able to get off the couch, the sooner i'll never have to again 🥵🥵🥵🥵
I have a question for people who fervently argue that Arya has no potential for politics but think that Sansa will be one of the main political characters, and I'm asking this seriously.
If Arya learning multiple languages, how to tell + detect lies, how to rule her face so she doesn't reveal her emotions, being able to blend into different situations, thinking quick on her feet, knowing the importance of gathering information, being someone who makes friends wherever she goes, convincing a FM to help free Northern prisoners and participating in a coup, etc. don't make Arya capable of participating in politics...what exactly is it that you think Sansa will be doing as a political figure?
Keep thinking of Rosie allowing everyone else to experience the trauma of war around him in any way they need to. Whether it be after listening to his crew member choke through the Munster story, reaching a hand out to comfort him, making sure the replacements are all settled and feel comfortable with him - establishing that he's someone who can be trusted with any issues - and listening to Crosby tell him he's scared he's becoming a monster and reassuring him, and yet refuses to give himself the same grace.
Thinking about how he doesn't tell Crosby about what he saw after he was shot down, what he witnessed in that camp. He's never really the one telling any stories in the series. He listens and watches, lets others say whatever they need to, all the while keeping his cards close to his chest.
Thinking about Rosie smiling while watching his crew and the other airmen enjoying themselves at the flak house, and yet not allowing himself the same enjoyment. Thinking about how the doctor at the flak house got Rosie to look after himself only when he framed it that looking after himself is looking after his crew.
Thinking about Rosie re-upping, choking slightly on his words as he explains he can't bare the thought of sending some rookie in his place to only get himself and his crew killed.
He won't give himself the grace or patience he deserves, but by god he'll take care of everyone around him.
Traci Brimall, Vive, Vive // Mitski, Goodbye My Danish Sweetheart // Unknown // Katie Maria, God is made of hunger and I am made of dreams // Ally Beardsley, Fantasy High: Sophomore Year // Caravaggio, Judith Beheading Holofernes // @inkskinned, When I’m sad, I write goodbye letters to the people I care about. Once I’ve said goodbye to everyone, I can go. // Ally Beardsley, Fantasy High: Junior Year // Florence & The Machine, Girls Against God // Hozier & Allison Russell, Wildflower and Barley
Something that still doesn't sit right with me while being a part of the HOTD fandom is how Laena was done so dirty, from being placed as a "second" option for Daemon and having him keep her from returning home, from having her daughters see Driftmark, from seeing her own brother and parents before she died! That added on to the fact of how Daemon just sucked at loving her the way she deserved makes my blood boil. And to make matters worse, to drive the knife further, is during her funeral (added on to him laughing during it, which wasn't appropriate at all no matter the context or what anyone says) where she and her unborn son were only just recently placed at the bottom of the sea, Daemon and Rhaenyra sleep together and then marry each other all within the span of the same episode (don't even get me started on how they went heavy into the romantics of the moment but couldn't even bother to show Daemon be affection with Laena like he was in the books I believe).
And some in the fandom reaction to all this can be such a turn off. Because you can have people, mainly black fans, rightfully call out problems with this plot change, with Rhaenyra and Daemon sleeping together only right after Laena's funeral and will be met with so many heinous responses (a lot in which tie in with centering Rhaenyra and going "oh so you hate her" type beat) and it's so frustrating. That, and how we barely see Daemon interact with his daughters, let alone be affectionate as well as protective over them---that scene where the girls are bruised from a fight and clear in distress and yet Daemon doesn't even move to check on them nor go into a rage at the fact that his daughters were harmed, let alone the fact that his now dead wife's dragon was claimed by another on the day of her funeral. None of that. But will stand protectively by Rhaenyra and her sons' side without second thought. Make it make sense.
Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.
I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.
I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.
It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.
As someone who personally disliked the fandom characterization of Mangey as a child who is basically a wild animal
Which of course meant that (even though this standard was not applied to other equally feral boscage maze characters) if you even dared to have ships involving Mangey it was considered "beastiality"
Season 3 was so vindicating for me. Like as someone who always characterized him as selectively mute/largely nonverbal and with less palatable autism, it was so great to see the proof in the pudding that he is just as capable of being more than just the group dog thought like any other mobian and the hilarity of him being surprisingly adept with technology. Like god those few Sails/Mangey interactions were so so good
i cant explain it but daigo being subtitled to just be like 'you're making me look like i have no balls' feels so illegal and wrong. hilarious but something's off
i don't like j0pper either but when people say joyce should've stayed with bob they always lose me because i have a hard time believing she even liked the man
hate going for christian weddings sometimes because i always see the prettiest women with the ugliest men, the sermon is always some shit about wives being slaves (but not like bad slavery, mutual slavery except the husband is a benevolent master which makes it okay) and making babies for their husband, the music is always lame, the mc is always weird and obnoxious, and older women keep fucking asking me when it's gonna be my turn and never take no for an answer.
I tried watching some of the Ian/Mickey scenes from season 11 and it made me ill. These are IMPOSTERS. That is not Ian and Mickey!! Especially Mickey!!! Look at how they massacred my boy. But one of the most frustrating parts is that if you watch the deleted scenes it shows that someone in that writers’ room DID know how to write Ian and Mickey but the producers or whoever makes that decision were like “nah, no meaningful conversations that show how much they love and respect each other and are working on their relationship. These fans who’ve been watching the characters struggle for a decade want them to continuously argue and beat the shit out of each other and act like they hate each other!”