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tonycries · 20 hours

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Hope They Catch Us - G.S.

Synopsis. When you’re on-screen, it’s always a rivalry to see who’s best - you just never thought that it would be the same struggle in bed.

Pairing. Actor! Gojo Satoru x Co-Star! Reader

Content. MDNI, fem! reader, rivals-to-lovers, co-stars to lovers, unprotected, oral (fem receiving) slight exhíbitionism (stuff with cameras), marking, praise, Satoru is actually down BAD, cúmplay, tabloids, lowkey fluffy at the end, pet names, swearing.

Word count. 5.5k

A/N. YA GIRL IS BACKKKK ;D Also happy belated three months to this blog hehehe.

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You hated him. Oh, how you hated him. All because of a red-hot rivalry that had sparked ever since the two of you took the industry by storm. And everyone from Hollywood’s bigshots to your adoring fans knew that no matter where Gojo Satoru goes, you were sure to never be within a ten-mile radius.

Well, usually.

“I…shit- I’m in love with you.”

Because avoiding Gojo like a plague really isn’t saying much when said plague was currently sitting right next to you. Eyes boring into yours, signature smirk plastered on his face while he rattles off a disgustingly sweet confession - all on the set of your latest movie.

Somehow, in a cruel twist of fate, your co-star.

And to add insult to injury, this wasn’t just any movie - it was only set to be the biggest romance film of the summer. So not only did you hate to tolerate Gojo, you had to pretend to be in love with him.

Perfect. Great. Wonderful. If only the check wasn’t as tempting as it was, you think he would’ve successfully driven you to an aneurysm already. Especially considering that the scene tomorrow was-

“CUT!”

That snaps you out of your little reverie, bringing you back to the still very ongoing film shooting. You risk a glance at the disgruntled director, cheeks aching from the sappy fake smile you had to hold for this scene.

“Something wrong?” you bat your lashes deceivingly innocently. You knew exactly what was wrong. And one look at Gojo - dressed to the nines and huffing sulkily at being interrupted in the middle of his monologue - told you that he did as well.

“It just doesn’t feel real.” The director shuffles his script, voice dropping to a sigh at your confused gazes. “The spark, it doesn't feel real.”

“What?” you silently thank your years of acting for keeping your voice steady. You squirm in your seat the longer the silence stretches. This cozy little café they rented out too tight, Gojo’s fingers intertwined with yours too hot. Too soft.

“C’mon. You are in the perfect romantic set-up.” the other man gestures wearily at the café, at the dim-lighting and the proximity of your seats. “So why do you two look like you want to just- strangle each other?”

“Ooo kinky~”

It’s the first time Gojo’s spoken up since the scene was ended early and honestly that was enough to have you fulfilling the director’s suspicions.

“That.” you give him a pointed stare. “That is probably why.”

And that just draws out such an infuriatingly light chuckle from Gojo, as he sprawls all over his chair with the audacity of someone that owned this entire set. “Lighten up. You’ve told us, n’ in the next take I’ll fix it. Easy peasy.”

If only it was that “easy peasy”. The director was anything but satisfied, running a hand through his hair frustratedly. “It’s not just me, even the public is worried whether your ‘feud’ will get in the way of such intimate scenes. You-” he jabs a finger your way. “-better pretend like you want to kiss him senseless and you-” whirling now to Gojo. “-better act like you’ve wanted nothing more for years- Not to mention tomorrow’s sex scene-”

Ah, right. The sex scene.

How could you forget? It might not be a walk in the park to giggle and make heart-eyes at Gojo, but to actually pretend to have sex with him? All on camera? Curse whoever wrote this damn script. You could’ve almost laughed at the universe’s absolutely awful sense of humor if it hadn’t been for your paycheck - and the next words that tumble out of Gojo’s pretty mouth.

“We’ll ace it, you just watch.”

You hurriedly snap your eyes to meet Gojo’s, sending him a look that says “behave”, in a way that very much makes him not want to. Twinkling with such dangerous mischief that makes your stomach flip as he hums, “Or- I’ll ace it.”

God, was it a battle to remain professional. The only thing stopping you from snapping back being the way he squeezes your hand mockingly reassuringly - to which you send him a death grip back, of course.

“Oh? Care to elaborate, Mr. Gojo?” the director asks, eyes flitting between the two of you. And you can’t even laugh at the rest of the staff for almost toppling out of their seats in an attempt to hear his answer - because you are, too. Mind whirling as you lean closer, wondering just what nonsense would come out of Gojo’s mouth.

“Well, you could say…” he trails off suspensefully, like the smug bastard he is. Looking right in your eyes as he flashes an unfairly pretty smile your way. “I’m irresistible like that.”

Exactly the type of nonsense that would come out of Gojo Satoru, of course. And one glance at the director told you he was thinking the same thing. He was going to be the death of you. You can’t help but breathe out shrilly, “You fucking-”

“My apologies, director, but our leads have a scheduled interview soon. Rest assured, we will be early on set for filming tomorrow.”

You were definitely giving Nanami a raise after this.

Because if looks could kill then Gojo would be six feet under and you’d be dancing on his grace already - and you let him know. A little over twenty times, actually, as the both of you are hastily escorted away from the set for an “emergency interview”.

It was a flimsy excuse, you both knew, but Nanami hadn’t exactly felt like cleaning up a crime scene today. Instead, settling for a swift escape, the director calling out after you two to “Look like you’re gonna rip the clothes off each other tomorrow.”

Rip the clothes off each other, huh?

With the way things were going, you couldn’t be surprised if you ripped him a new-

“C’mon, sweetheart~” Gojo gets out through giggles, that familiar cackle echoing in the narrow hallway leading to your trailer. “Y’know I was just having a little fun with that ol’ man.”

He saunters unhurriedly behind your brisk pace, easily blocking the way you swing the door shut in his face. Letting it shut with such infuriatingly smooth nonchalance.

“Fun?” you scoff, jabbing an accusing finger right in the middle of his sculpted chest.“Do you even realize the mess you could’ve made?”

“Easy there, m’not insured for these pecs just yet.” Gojo clasps your hands together. Some strange little part of your skin burning at the touch in- anger? Something else? But you don’t think too hard about it, because he’s plowing on, “Besides, a little teasing never hurt anyone.”

Such a shame he was so pretty with the stupidest mouth.

“A little teasing? You practically declared to everyone in that room that we’re gonna fuck this up.” you move to pull him down by the collar instead, clearly unimpressed.

But oh you shouldn’t have done that - because he’s so close now. Too close. Hot breath fanning your face, looking so smug as he murmurs unrepentantly, “Do you?” Chuckling lightly at your little head tilt, “Do you think we’ll fuck it up?”

You clench your jaw, trying to keep it all together. “...No.”

“Exactly. We’re good then.” he winks.

“No. We’re not fucking ‘good’.” you grit out. Wondering exactly how difficult it might be to bother the director into completely recasting the male lead for the movie. Looking up at that million dollar smile and- yeah, it would be very difficult. “You’re so insufferable. I don’t know why they cast you.”

“My good looks? My charisma? The way I’m the-” he trails off with a sigh at your glare. “Well, you’re not exactly a ray of sunshine, sweetheart.”

“At least I can act and-.”

He whines dramatically, cutting off your rant. “Me too!”

This conversation was so ridiculous - but, hey, the great Gojo Satoru always did bring out the worst parts of you.

“Nuh uh.”

“Yuh uh.”

“Then why are you so stiff when acting like you’re in love with me?”

Somehow, that makes Gojo shut up. Mouth opening and closing like a fish out of water - gasping out a strangled little, “B-because- well-” And if you didn’t know any better you’d say that was a light blush dusting his ears.

Only for a split-second, though, because he’s grabbing you gently by your shoulders, more seriously than you’d ever seen him. “Fine. Listen, we both want the same thing right? To have pretend-sex and ace this film to win like five Oscars?”

And maybe at the heat of his newfound proximity, maybe at the way he was looking at you so goddamn intensely - you feel something hot and prickly pooling in your stomach. Swallowing thickly, you manage to get out, “I’ll be the one winning the Oscars...but yes.”

Gojo’s gaze roams all over you - from the quirk of your eyebrow to the dress hugging you so sinfully tight. “Then we’ll do it. Ace the scene.”

Traitorously, a shiver runs down your spine. And because the universe loves to play jokes on you, Gojo notices - of course, he does. Eyes lighting up with amusement and something you really didn’t want to decipher as you blink up questioningly, “How?”

“Method acting, silly.” he rolls his eyes, as if he wasn’t implying something that wasn’t seen in even the cheesiest of romcoms. “Think of it as running lines.”

If there was ever a moment where your life flashed behind your eyes then this just might be it.

“You-” you gulp, so hot all over. “You better shut the fuck up and pray your face is insured because-”

At this, Gojo throws his head back and laughs - loud and boisterous. And usually you’d have a thing or two to say about keeping his voice down so as not to let anyone outside hear, but shit you were mesmerized. Damn, a weird little part of you kind of understood why directors loved him onscreen.

“Feisty,” he muses. “But how can I shut the fuck up when they’re second-guessing the two best actors in the game?”

“The best? Me, maybe.” you lean in closer, mouth as bitchy as ever - even when you’re so obviously crumbling bit by bit under his gaze. And he knew that. “But not you.”

“Well, only way to find out is with tomorrow’s scene, right, sweetheart?”

He drove you mad - everything from his heady cologne, to the way that overpriced button-up clung to him like second skin. But, don’t pull away - how could you? Not when he inches closer ever-so-slightly. Not when he lets those overpriced glasses slide down his nose, eyes locked so heavily on you.

Fighting to keep your words steady, “There’s nothing special about that scene, just fake moan in front of the camera, right? We don’t need any…‘method acting’.”

Gojo only raises a brow in amusement, lips curling into a grin that really makes you too aware of his little dimple by the corner. “Then why…” His eyes flicker down from his hands, searing on your shoulders, to yours - still grabbing his collar, just grazing the soft skin of his neck. Not pulling away. “...can’t you let go of me, sweetheart?”

And then you’re kissing him - or maybe he’s kissing you, you really don’t give a fuck. The only thing running through your mind being that shit this was Gojo bane-of-your-existence Satoru, and he tasted so…sweet. Like those cheap lollipops he often snuck on-set. Strawberry, you think.

But you don’t get to confirm, because suddenly he’s pulling away mere millimeters. Whispering hotly, absolutely dripping with something dangerous, “Sooo, is that a ‘yes’ to running lines?”

“Ugh, shut up.” your lips ghost his. “And just fucking kiss me.”

And, well, Gojo doesn’t have to be asked twice. Because it only takes a split second for his lips to find yours again.

Yeah, definitely strawberry lollipops.

You hadn’t filmed any of the kissing scenes just yet, but damn you didn’t expect him to be so hot and messy - like he was drunk off of you. Licking at the seam of your candied lips, groaning softly like he wanted more more more-

“Sh-shit, Goj-”

“Call me ‘Satoru’ when we’re fucking.” he cuts you off. “Or, my bad. When we’re ‘running lines’.”

Shameless. Though, you guess you weren’t any better - not as you press yourself closer running your hands all over his sinfully thin shirt, feeling every bump and curve of his abs. “You talk too much, Toru.” you hiss, muffled against his lips.

Oh that cute lil’ nickname had all the blood rushing to Satoru’s cock, you were so unfair.

“You little minx.” Like a little punishment, he’s biting down on your bottom lip, tugging lightly at your surprised squeal. “You’re gonna regret that.”

“Hmm, I doubt it.”

And then your back is hitting the couch before you can react, bouncing lightly at the sheer force. And you’re so swept up in him - the way he hovers over you, arms looping around your waist, his knee wedging between your legs - that it almost hurts for you to pull away.

“Patience.” you huff out a laugh at Satoru’s disappointed whine, eyeing those pretty pink lips mere inches away from you. You just wanted them on yours. So badly. But no, there was something more important you had to do right now. “Jus’ thought we should record our little rehearsal, whaddaya think?”

“Record it?”

“Record it.”

“Record it, hmmm?” he’s whispering, more to himself than you. Fumbling with the zipper of your dress. “So you’re sayin’ we tape it, let the camera see how pretty you look all fallin’ apart f’me.” Kissing down your neck, letting the flimsy fabric fall down, “N’ then we improve for the pretend sex. Shut all those snobby directors up by giving them the best fucking sex scene they’ve ever seen.”

“Y-yes?” you mutter, as he starts tweaking your hardened nipples through your bra, clearly having way too much fun with this. “Unless-”

“Fine by me.”

The fabric hits the floor before you even realize what’s happening. Head spinning too much from the idea of being fucked on camera - by Satoru of all people, it takes you a second to realize that this bastard fucking ripped your dress off.

“You probably broke-”

“I’ll buy you a new one.” muffled, as he kisses down your navel, blindly fumbling with his phone.

“It was expensive.”

With an impatient sigh, Satoru sets the camera up on the coffee table beside the couch. “Five new ones.” Angling it just right to perfectly capture you - in all your disheveled, horny glory, and Satoru, smugly seating himself between your thighs.

“Ready?” he asks, finger hovering over that damn red button.

Well, it’s just for rehearsal, right? Right?

“Do it.” you manage to get out, voice getting stuck in your throat at the faint ding! that rings throughout the heady room. “For my Oscars?”

“For my Oscars. N’the camera’s gonna know.”

And whatever retort on the tip of your tongue dies when he rocks his hip against yours, grinding his cock against your soaked panties. Rock-hard and so damp with precum already - so big that any and all rational thinking flies out the window.

Which is probably why you’re letting out such a pretty gasp, ‘S-Satoru, I want-“

“What?” And Satoru only flashes you a devilish grin, hands spreading your legs as far as they’d go on the couch. “This?”

He licks a long, long stripe up your inner thigh, all the way till he just meets the hem of your drenched panties. Teasing. So hot and depraved in the way he breathes in your scent.

“Oh fuck, sweetheart.” Satoru grunts, looking down in awe at the damp fabric, so flimsy and see-through with your sweet juices. You slick beading through so sloppily, just a hint of the state you were in. “You don’t know how you drive me mad.”

Rip!

He’s so fucking starved that he’s just tearing your poor panties clean off. Throwing them behind him to God-knows-where before spreading your swollen folds with his thumb, showing off just how wet you were for him.

“You’re a tease.”

“And you’re fucking addictive. Look how fuckin’ wet you are. For who, huh?” he slurs, breath hot against your cunt. Circling your entrance just barely with his fingertip, teasing you like he was addicted to those frustrated moans coming out of your pretty lips.

“S’for you-” you whine, “All for you, Satoru.”

“Exactly what I wanted to hear.”

And that’s all that needs to be said before he’s burying himself nose-deep. Drunk off your pussy as he licks long, languid movements. And it wasn’t enough - never might be, actually, because only one taste and Satoru was like a man possessed.

Bullying his tongue between your folds, just dipping into your sloppy hole in a way that had your slick smearing all over his pretty face. Letting out such deep groans that had you clenching around his hot tongue.

Shit, if you knew that this was the way to shut up the great Gojo Satoru then you would’ve done it a lot sooner. Because for one in his life, Satoru’s too entranced with something else to run his mouth, so fucking satisfied between your thighs.

“Fuck- hah- think I like you better w-when hngh- you’re like this, Toru.” you purr, breath hitching as he bullies his tongue between your folds.

Maybe you were an idiot - maybe you were a genius, because that only sets him off more.

And suddenly Satoru’s pulling your body closer onto his hot mouth, like you were weighless. Pushing himself so impossibly closer while he makes out deeper with your wet cunt.

“Ah! Hngh- Satoru-” you keen, tugging at his soft locks. As delirious as Satoru was pussydrunk. Drinking in all your cute lil’ whines of his name, angling your hips to lick all over like he couldn’t decide between fucking your sloppy hole or toying with your poor, ravaged clit.

“Mhm?” he murmurs, the vibrations making you squeal. Eyes rolling to the back of his head as lets your sweet juices slide down his throat. “Ya like this?” Stretching you out on his tongue, thrusting in and out of your sloppy hole. Over and over- “Like when I tonguefuck your pretty pussy?”

“Ngh- love it- s’good. Ah fillin’ me up s’good.” you squeal, bucking your hips desperately into his pretty face, broken little whimpers leaving you at each rough push of Satoru’s tongue.

And oh Satoru thinks he wouldn’t mind being on his knees every day if it meant he got to taste you like this. “Tell the camera too, sweetheart. Practice how you’ll come around my tongue.”

Those words send a jolt up your spine - or maybe it was the way Satoru was sucking harshly on your clit. “F-fuck off.”

“Mhmmm, n’ this is why I’m the better actor..”

Ugh, this fucker. And with that you fight to turn your head - looking right in the camera. Feeling so fucking lewd as you let out such pornographic moans.

“Yeah- feel s’good.” you whimper, “Wanted this for so long, ever since I first saw- ngh- you-”

And shit were you so fucking evil - at least warn a guy! Because that has Satoru’s heart lurching, almost jumping up from between your legs before it hits him with a pang - ah, right, you were just quoting your character’s lines. Of course.

Well, two can play that game.

“Yeah?” he mutters into your folds. Two fingers plunging knuckle-deep in your pussy, massaging your plushy walls. Roaming around for that one spot he knows will have you falling apart so deliciously. “Can’t believe I waited s’fucking long. Y’know how hard it was to hold back? With you wearing all those slutty skirts f’me?”

Your body is jerking violently, both at his - practiced - words, and the way he was devouring you like you were his favorite meal. His favorite taste.

So eager and in-character with the way he was setting such a dizzying pace on your poor cunt. Slick trailing down from his fingers, all the way to his wrist. So sloppy and- Pressing down. Hard. “Found it.”

And you can only sit there and take it, such cute little whines of Satoru’s name leaving you as he leaves no mercy. Jaw grinding deeper and deeper, maddening. Aching as he rolls and swirls his tongue against your clit over and over. And you were so-

“Close?” Satoru’s grunting and smacking his lips against your own. Truthfully, he didn’t even have to ask - if the way you were trembling and squeezing so fucking tightly around him was anything to go by. “Go on darling. scream my name. Show off f’the camera like you do best.”

“Sh-shit. Toru- fuck yes-” you’ve got an iron-tight grip on his hair now, pulling and angling him as you pleased for more. Barely able to let out those strained lil’ moans, definitely not with the way he’s dragging your sloppy pussy all over his face. Fingers cramping up from how rough he was going - but still not stopping.

“Go on. Cum f’me.”

And then you are. Letting out such a teary, strangled moan of Satoru’s name as you cum all over his face.

And it’s not just for the camera either - because this orgasm is probably the best one you’ve had in a while. So hard that you don’t even realize you’re arching and rocking your hips into Satoru, white-hot pleasure behind your eyes, blood roaring in your ears. Using him.

And he doesn’t stop you. Why would he? You were so pretty falling apart all because of him. He wishes he could see this more often…

“S-Satoru.” you mewl, overstimulated. Jolting with each flick of his tongue, trying to close your legs but you can’t - he won’t let you. Greedily lapping up all your sweet juices, everything that you give him.

“Nope.” he drawls, finally pulling away, delicate strings of your slick snapping as he does. Looking so fucking drunk off of you that it makes your cunt quiver exhaustedly. “C’mon now, sweetheart, you were s’pposed to say my character’s name. S’how the scene goes.”

Oh. Shit, you got too caught up. But one look at Satoru - eyes half-lidded, hair disheveled, your juices glistening all over the bottom half of his face so prettily - tells you he was much the same.

“Well…” you huff, voice shot. “According to the script you were supposed to stuff that-” pointedly eyeing the achingly hard cock straining his pants, “-in my mouth first before eating me out. So here we are.”

With a chuckle, he rises slowly. “Touché.” Looking you straight in the eyes - and probably into your very soul - as he pops his fingers into his mouth. One by one. Groaning at the taste of your sweet sweet juices while he sucks them clean. “But I don’t think I’d last one second with those pretty lips wrapped around my cock.”

And it almost makes you want to tease him for it - one of Hollywood’s biggest It Boys but you can’t handle a lil’ blowjob? But all of that gets stuck in your throat as Satoru starts peeling off his shirt ever-so-slowly.

Shit, you think. All mouthwatering curves and dips, all the way from his toned, milky shoulders down, down, down to those neat tufts of white peeking out from the hem of his underwear. Sculpted like he was handcrafted so meticulously - a fucking masterpiece, you had to admit.

One that made you wish you took a longer look at all those shirtless magazine covers instead of throwing them out. One that had your thighs squeezing in such anticipation.

And Satoru seemed to be admiring you just the same, eyes locked on your pussy, the way it glistens and clenches around nothing - so ready for him. Distinctly aware of how pathetically needy you were being in front of the blinking camera, you crane your head to glance at it. Was it really capturing-

“Now now, first rule is to never look at the camera during this scene.” Only for Satoru to squish your cheeks together, forcing you into an embarrassing little pout as he turns you back to face him. “Look at me.”

And oh you can’t not look at him.

Especially when he tugs his pants down, just enough that his throbbing cock springs out, so fucking long and pretty. Smearing glossy precum all over his abs, flushed your favorite shade of pink, rock-hard and so so angry. Shit, he was so hard it looked like it hurt.

“Satoru…” you breathe, legs wrapping around his slutty waist to pull him closer. Only needier despite that little nagging voice wondering how the fuck you’d take his sheer size.

“Sweetheart?”

“I remember he didn’t do a lot of waiting in the script.”

And God were you right - but Satoru doesn’t think he could’ve kept this act of restraint up any longer even if you weren’t. Too impatient, too starved, his sanity dancing away from him with each second his fat cock wasn’t stuffed inside your pretty cunt.

“Mhm.” he purrs, one hand reaching down to drag his fat head up and down your slit. Heavy balls squeezing painfully at the way your lip wobbles in frustration. Up and down up and up and- “You’re right.”

And then it’s like something snaps.

Because it only takes a split-second for Satoru to start splitting you apart on his massive cock. Big fat tears pricking at your eyes at the feeling that he was pushing all the way into your lungs.

“Sh-shit, s’fuckin’ tight-” he lets out a low grunt at the slight resistance, taking everything in him to not just fuck into your snug pussy and use you like his little plaything. “You gotta hah- relax, pretty girl.”

You needed to relax more - to breathe maybe, just something. You weren’t even in the right state to wonder whether that little nickname was in the script - and God was Satoru thankful for that. Because all you can think of is how you never imagined what the bane of your existence would look with his cock stuffed in your dripping cunt - but now that you’ve seen it, you think you’ll imagine it for many lonely nights to come.

“Hey, now. Don’t get camera-shy just yet.” Satoru gives your ass a playful smack. “After all, this is only the best- part-”

Each word is punctuated with shallow, mindless little thrust to fit himself inside your dripping pussy. Such cute lil’ whines leaving your swollen lips that he really can’t help but tease you a bit. Leering down at your fucked-out face with a smirk, “Or- my bad. Forgot such a scene would be hard for a rookie.”

Oh, did he know how to press your buttons just right.

Because immediately, you’re blinking away the delirious haze in your eyes, voice so adorably shaky - but determined - as you grit out, “Bring it on, you B-list wonder.”

That’s all that has to be said before he’s finally bottoming out inside you, mercilessly. Inch by fucking inch. You gasp as his twitching balls smack your ass so lewdly, feeling his veins beat in such a slutty lil’ thump! thump! thump! against your heavenly walls.

“T-Toru- big- ngh- too fuckin’ big. M’gonna break mpf-” his lips claim yours. Partially because it’s been way too long since he’s kissed your pretty lips, and partially because Satoru might just cum right then and there if he let you run your mouth.

So he lets his hips do the talking instead.

Cooing into your mouth at each little ah! ah! ah! every time he stuffed you full of his dick, quick, experimental thrusts to try and find that one spot he knows will have you falling apart so prettily.

“Sounds so beautiful, sweetheart.” rocking his hips faster into yours. So hard you were sure he’d leave marks. “No camera in the world can pick up how fuckin’ perfect ya are. Can’t ngh- pick up those cockdrunk lil’ heart eyes.” Angling your chin just so that your sinful expression is caught on camera, “Shit do ya even know you’re doing those? Might just make me lose it for real tomorrow. Might just make me sneak you off to the dressing rooms n’-” Manicured fingers digging into your hips while he fucks you in jagged, purposeful strokes. Hitting that one spot. Hard. “Fuck you all over again.”

You flinch as he uses you like some object. Dangerously liking it more and more as he smugly hits that magical spot over and over-

And it was so sloppy - so filthy with the way Satoru still had remnants of your slick all over his lips, matching the way you were soaking his cock. Fingers moving down to draw erratic little patterns on your clit, making it even messier.

Close - too close.

So, so desperate and debauched.

“C’mon. Show the camera. Tell the camera how much you love it.”

“Ngh- f-fuck you.”

“Oh? Who’s fucking who now?” he’s laughing at your absolutely wrecked state. You can feel Satoru twitch inside you as you mumble out such delirious little praises to the camera - were they coherent sentences? You’ll never know, because the next words that fall from his lips have your mind reeling.

“God, m’addicted to you, my girl.”

“That’s not- ah- in the script, Toru.” you hiss. Close.

“I know. And neither is that.” he leaves such uncharacteristically gentle kisses down your neck. Miles away from the relentless place on your poor, abused pussy, fucking you deeper and rougher every time despite already bottoming out. “Does it have to be?”

“Th-that doesn’t ngh- make sense.” you gasp into his open mouth.

“Doesn’t have to.”

Maybe it’s the way Satoru’s panting those words against your lips. Or maybe it’s the way he’s looking right in your eyes while he says them - like it would kill him to pull away. Maybe even that fleeting little kiss he leaves against your lips.

Because before you know it, you’re cumming and cumming so hard that you wonder whether you’d make it out alive. The only thing you can do is throw your head back and take it, thighs quivering, Satoru’s names spilling from your lips in such broken little whines while he thrusts so sloppy. Once. Twice.

“Ah- this is gonna have me fallin’, huh?” And then he’s letting out such a low, muffled moan of your name, filling you up with rope after rope of his cum.

What?

It’s so messy - his cum overfilling your poor pussy, spilling out and coating his twitching balls. Shit, you can’t even worry about whether it would stain that overpriced couch below you. Not when Satoru’s whispering out sweet- lines from the script?

“Fuckin’ beautiful underneath me. Always was.” Hips still fucking into you - not even thinking at this point. “Always will be. Such a vision onscreen, sweetheart.” So thick and hot, and dribbling all the way down your legs with every movement.

And then Satoru’s lips are finding yours again, tasting so unfairly sweet while he drinks in all your cute breathless gasps. “Such a vision f’me.”

Those weren’t from the script either.

Something soft. Something scary. Something that has you looping your legs tighter around his waist, letting him collapse onto you. Pulling him closer, in fact, because now that you know the weight of his body on yours, it just felt so right.

It takes a moment of silence for you two to catch your breaths, the still rolling camera being the last thing on your minds. Neither willing to speak first, because shit Satoru might’ve gone to countless red carpets and film sets but this - you are what strips him away from all the glamor and fame. Until he was just, well, embarrassingly Satoru.

The Satoru that was now shifting shyly in your arms, trying to get up. “Uh- Hell of a way to run lines, huh? Better check the camera n’ see where to impro-”

He might be one of the biggest actors in modern Hollywood, but Satoru didn’t fool you - not one bit. So without a word, you’re tugging him back to rest against you. Heart lurching just a little bit as he buries his face in the crook of your neck. Like a little hideaway - from the camera, from the world, hell, maybe even from you.

“Y’know,” he flinches ever-so-slightly at your teasing tone, giving you a playful bite. “I have one area of suggestion and it might just be that you’re too good at ‘running lines’.”

“...Good enough to win those five Oscars?”

“No.”

“Then guess I better prove it to ya, huh? Is the camera still on, sweetheart?”

Just then, some weird little part of you thinks that, hell, maybe you don’t hate Gojo Satoru after all.

Not anymore, at least.

---

The Enemies-To-Lovers Trope of The Century?! Hollywood’s Biggest Rivals Sport Matching Hickeys (And Smiles) On-Set of Upcoming Film.

Oops! Gojo Satoru's Phone Wallpaper Accidentally Exposed: Surprise, Surprise It’s His Leading Lady! More on Page 6.

“No Comment. Though, I Have Moved Trailers. Twice.” Anonymous Manager Speaks on Latest Movie Rumors.

Director Is All Smiles As He Raves About Upcoming Romance Movie. “Hell, If I Didn’t Know Any Better I’d Say They Were Really-”

A/N. Plagiarism not authorized.

#gojo x reader #gojo smut #gojo x you #jjk x reader #jjk smut #jjk x you #gojo satoru x reader #gojo satoru smut #gojo satoru x you #jujutsu kaisen x reader #jujutsu kaisen smut #jujutsu kaisen x you #jjk #jjk fic #jujutsu kaisen #gojo satoru #tonywrites

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caffeinewitchcraft · 2 days

Text

The Hero and Hope

Based off a world where everyone gets a Destiny they must fulfill. Bakers and Demon Kings (x) and Villagers (X). You? You are a Hero.

----------------

You are a Hero.

Nobody at the orphanage knows. The mark sets during the worst winter in three decades, when the windows have to be barred to prevent snow spirits from ripping them to shreds and the Director takes half the reserves and runs in the middle of the night.

Sarah, the only caregiver left in the rickety building, holds as many of the kids as she can while the snow spirits scream outside. You’d love to be in the circle of her arms, but you’re holding the door shut with as much strength as your eight-year-old arms allow.

She doesn’t tell you to get away from the door.

“It’s alright,” she says, voice trembling. Her brown hair, matted from the months indoors, hides her eyes. She croons to the younger kids like a bird, so softly and gently that you have to strain to hear it over the howling demons and roaring winds. “We’ll be okay. Our land’s Lord will send a Hero, you’ll see. We’ll be okay then.”

Your arms burn as intensely as your eyes. A Hero. Your stomach aches from hunger and your fingers sting from the cold. You aren’t sure how much good you’re doing keeping the door closed, but there’s something deep inside of you that tells you you must do something. The blows from the snow spirits outside vibrate up your arms, nearly throwing you back.

Heroes, you think, only matter if they show up.

Hope is traumatic. Eight-years-old and you’ve been returned from potential families twice. Three days ago, you found the beginnings of greenery in the woods behind the orphanage. When you excitedly raced back to tell the others that winter was ending, it was only to find the Director and most of the caregivers gone with a significant portion of the rations.

Then the storm clouds rolled in.

So that long, dangerous night, you don’t hope. You shut your ears to Sarah’s gentle comforts and the snow spirits’ shrieks. You focus on the burning in your arms, the blisters forming on your heels, the cold nipping at your fingers.

Hope is traumatic but trying is something you can do. You put your small body between all of the horrors outside the door and the other kids. You try to stand firm.

You don’t notice when the burning in your arms hides the arrival of a telling mark on your left bicep.

---------------------.

You are fourteen years old, one year shy of coming into your power, when a couple visits the orphanage intending to adopt.

Sarah is now the Director of the orphanage, awarded the position by the land’s Lord after that terrible winter six years ago. She’s different than she was then. You lost three kids to hunger before spring finally came and she held each one in their last moments.

You and Sarah never develop the close relationship she has with the other kids. But she always makes sure you have more meat in your meals than most and, when you hunt in the woods, you always let her decide how the food will be divided between dinner and winter stores.

“We’re Knights,” the potential adopters tell the Director. They’re a couple, a man and a woman with dark hair and muscular bodies. “Retired. We’re settling just north of here for good and are looking for a suitable child who can follow in our footsteps.”

Director Sarah looks at them coldly, leaning back in her chair and folding her hands over her stomach. If she notices you and two of the younger kids peeking through the crack in the door, she doesn’t say anything. “I apologize, Mr. and Mrs. Bahr, but it seems there’s a misunderstanding. We do not pair children with families based on their Destiny.”

“We’re not saying you do,” Mrs. Bahr says. Her gaze is cutting though her shoulders are relaxed. “Our Lord explained before we came. However, there is no rule against asking the children their Destiny, is there?”

Loophole. You pull away from the crack in the door, letting Hera and Josiah take your spot. You lean against the wall with your eyes closed. Orphanages aren’t allowed to disclose Destinies, but that’s where the protection ends. If someone sees a child’s Destiny or learns of it through some other means, that’s alright.

These people aren’t here to adopt because they want a child. They’re here to adopt for a guarantee. A guarantee of what remains to be seen. An heir like they claim? A prodigy for status? Or a weapon for them to control?

You listen for any other clues behind their motives, but the Bahrs don’t push the issue of Destiny again. They accept Director Sarah’s schedule for meeting the kids, even offering to host a picnic day at their estate as a treat. The couple wants to gain trust, you can tell, and by the end of the meeting it’s working.

Director Sarah sees them off to the door herself.

“We’ll wait for the invitation,” she says. She’s older now, her thin brown hair showing the beginning signs of going grey. But her handshake looks strong when she shakes Mrs. Bahr’s in farewell. “I’m sure the children will be thrilled.”

“I hope so,” Mrs. Bahr says. Her husband nods to the Director gravely, but Mrs. Bahr lingers. “I’m sorry if we came off a little…forward when we mentioned Destinies. Please believe me when I say that my husband and I aren’t so shallow. We are looking for a child – one we can call our own.”

“I see,” Director Sarah says. There’s a hint of warmth in her voice. “As I said, we look forward to your invitation.”

Mrs. Bahr nods and joins her husband in their carriage. They set off down the road without once having asked to meet one of the children on the first day of their introduction.

You can tell Sarah likes them.

“What do you think?” Sarah asks. She doesn’t turn from the road, even though the Bahr’s carriage is out of sight. “Isla?”

You don’t ask how she knows it’s you lurking in the shadows of the orphanage. Director Sarah is a Guardian. Her senses are elevated when it comes to those under her charge.

“I don’t think anything,” you say. You step out from around the corner with a sigh. No use hiding now. “They’re influential people if they were recommended here by the Lord himself. We’re fortunate.”

“You’re the right age for a Knight’s apprenticeship,” Sarah says.

“Hera hasn’t shown me her Destiny, but it’s probably something suitable,” you say. Hera is ten, one of the older kids at the orphanage. Last summer she lifted Josiah, only a year younger than her and already a head taller, out of the well before he could drown. “You should talk to her about what being part of a Knight family could mean.”

Sarah looks at you over her shoulder. The setting sun catches in her eyes, turning the warm brown into an unearthly amber. “I hope you can accept the possibility they might choose you.”

They won’t. “Aren’t I needed here?” you ask.

Sarah’s expression softens. “You are, Isla,” she says. She weighs her next words carefully. “But I am the one who’s responsible for all of you. I can take care of everyone. If the Bahr family is a good fit…”

“Sure,” you say flippantly. You shove your hands in your pockets and slink back into the orphanage. You don’t dare hope. “I’m going to help Josiah.” He’s on dinner duty tonight. He always cuts the onions too roughly. “See you later.”

You feel Sarah’s eyes on your back like a physical warmth.

-----------.

Being a Hero doesn’t change anything about you. You expected it to when you first noticed the mark but, even six years later, nothing’s different.

You aren’t kinder. When Josiah asks for your dessert, you steal a bit of his as punishment for even asking. When Hera asks for a bedtime story, you tell her one so scary that she has to sleep with one of the other girls. When Sarah asks you to fix the fence around the chickens, you whine and complain that you’re the only one who does anything around the orphanage.

“The curse of being the oldest,” Sarah says dryly. She hands you a hammer and a bucketful of nails. “Some posts were dropped off at the end of the lane. Make sure you’re back by sunset.”

Maybe you’re a little stronger than others. You can drag three posts at once and could probably drag more if you wanted. But another curse of being a Hero is that you’re very aware.

It’s not until you’re nailing a third rail to the fence that Mr. Bahr makes his presence known. You don’t turn even when he makes his steps purposefully heavy to avoid scaring you.

“You’re very strong,” Mr. Bahr says.

His shadow is long and thin, just like him. You observe it from your peripherals, unable to speak with the two nails you’re holding between your lips. You take your time pounding them into the wood. He’s arms, a sword at his hip, but his hands are loose at his sides.

“Good thing I am,” you say at last. You stand and turn in the same motion. He waited for you to finish without chastising you for not speaking right away. You perch the hammer on your shoulder. “Otherwise, the chickens would take over.”

Mr. Bahr laughs. Unlike when he was meeting Director Sarah, his face is relaxed and open. His blue eyes sparkle. “We couldn’t have that now, could we? I suppose we all owe you our thanks for preventing the coop’s coup.”

You want to laugh. You don’t. “Director Sarah won’t like you being here uninvited.”

“I just came to drop off an invitation,” Mr. Bahr says. He studies you for a moment and then smiles. “I hope you’ll accept, Isla.”

A chill races down your spine. How does he know your name? You wipe the sweat from your brow with a scowl. “Maybe I don’t want to be adopted.”

To your surprise, Mr. Bahr nods. “I can understand that,” he says. He looks up at the sky. The light is sliding from the sky, catching on the clouds and turning them a brilliant orange. When he looks back at you, he almost looks…sad. “Think of our invitation as a party, hm? No strings attached.”

For some reason your tongue feels heavy. It takes two tries before you can say, “I need to fix this part of the fence before dark.”

“Want some help?” Mr. Bahr asks.

“I couldn’t ask—”

“You didn’t ask, I offered,” Mr. Bahr says. He rolls up his sleeves and nimbly plucks the hammer from your grip. “I may be a Knight, but I’ve done my fair share of carpentry. Let me show you a few tricks.”

You listen quietly as Mr. Bahr shows you how to twist the nails to avoid splitting the wood. What would have taken you an hour to finish, he accomplishes in a quarter of one, talking to you the entire time.

It’s…odd to have an adult’s attention on you for such a long time. He’s careful not to get too close, always offering you the hammer to practice by setting it on the grass between you rather than handing it to you directly. When you manage to replicate his technique on your second try, Mr. Bahr is more excited than you are.

“Wonderful,” he compliments. He glances up at the sky. The first stars are twinkling. “I’ll be going now and you should too. Have a good night, Isla.”

Unlike the first time he said your name, it feels pleasant now. You mutter a goodbye and leave before he does, scurrying towards the orphanage with your bucket of nails clutched to your chest.

He’s gone when you think to check the road for his carriage. Did he walk here? Ride a horse?

You close and lock the orphanage’s doors behind you.

----------------.

The picnic isn’t scheduled until the middle of summer and it’s spring now. Still, it’s all anyone can talk about.

“We have plenty of time to get ready,” Director Sarah tells them. “The Bahrs will be dropping in from time to time until then. I expect everyone to be on their best behavior when they’re here.”

Josiah raises his hand. “I hear they live in a castle!”

“A manor,” Sarah corrects. “Given to them by our Lord for their years of service.”

“The Guard in town says they worked for the King once!” Hera says, wiggling in her seat. “Is that true?”

“You can ask them yourself,” Sarah says. She claps her hands together and starts urging the kids up. “It’s time for chores. Your assignment is posted by the kitchen…”

You stay seated at the breakfast table. You haven’t eaten your third egg or your last slice of toast. Your stomach feels queasy. You keep thinking about Mr. Bahr saying wonderful when you worked on the fence together.

You aren’t supposed to want to be adopted. You’ve had your chance and you ruined it both times. It’s not fair of you to imagine what it would be like learning swordsmanship from Mr. Bahr and what it’d be like to hear him praise you when you got the next move right. One of the other kids deserve that chance.

You can only do what you can do.

---------------.

Mrs. Bahr is alone the next visit.

No one recognizes her at first. She’s wearing a gown like a noble and her hair is gently flowing down her back rather than tightly pinned behind her head.

“I’ve received the Director’s permission to hold a lesson on writing,” she tells the children. She gestures to the bag she’s set on the table. “Come get a slate and a piece of chalk. We will work all together.”

The kids have never had slate and chalk before, not the real ones anyway. Sometimes you find a nice, flat rock they can draw on with charcoal, but it’s not as entertaining as what Mrs. Bahr brings. She watches everyone in amusement as they immediately start drawing instead of starting the lesson, flower and trees and swords.

“Look, Isla,” Hera says, tugging at your sleeve. You’re seated on the spare chair by the wall, away from the table. She twists from her spot to show you she’s drawn a shaky stick figure. “It’s you!”

Your eyes flick up to Mrs. Bahr. She’s not irritated by the distractions yet. You point with your bit of chalk at the drawing. “Which part of it is me?”

Hera points at a blob in the stick figure’s hand. “That’s the horned rabbit you brought home yesterday!”

You snort. The horned rabbit you’d killed yesterday wasn’t half the size of your body. “Are you sure that’s a horned rabbit? Looks like a turtle to me.”

Hera points to the stick figure’s face. “You can also tell it’s you ‘cause you’re frowning.”

“Hey!”

Mrs. Bahr claps her hands together. Instantly, she has the room’s attention. “I’m glad you all like my present. However, it’s time to get started.”

“Present?” Josiah asks.

“If you work hard today, you will be allowed to keep the slate and chalk as a present,” Mrs. Bahr says. She takes care to make eye contact with every kid. “Only those who work hard.”

It’s generous. You watch Mrs. Bahr from under your lashes as she talks everyone through writing the alphabet. It’s too generous not to be genuine. Try as you might, you can’t figure out any ulterior motive to spending so much on the kids. To look good? For who? For Director Sarah?

Director Sarah won’t be swayed by gifts like this even if the kids could be.

Mrs. Bahr stops well away from you, observing your slate from afar. “Very good, Isla. Do you know how to write?”

“No, ma’am.”

“Read?”

“Only a little.”

Mrs. Bahr hums. She doesn’t look disgusted by your stupidity or put off by your clipped tone. Your first family returned you when you told them. Mrs. Bahr’s lips curve. “Your letters are wonderfully steady. I can tell you will be a very good student.”

She turns before she can see you flush.

---------.

Over the next few months, there isn’t a week that goes by without at least one of the Bahrs visiting. They become a regularity around the orphanage to the point that even Director Sarah stops worrying about the state of their rooms with every visit.

“Kids will be kids,” Mrs. Bahr says when you ask her to wait while you tidy the toys in the parlor. “It’s alright, Isla.”

Your head spins. Sometimes, when one of them says something particularly bizarre, you feel like you’re outside your body. There was a time when they didn’t have toys to leave out in the visiting area. Thanks to the Bahrs, every child has a doll, a slate, a new set of shoes, and an abacus. You are still waiting for the strings that come with these presents.

There haven’t been any yet.

The kids love the Bahrs. Hera insists on baking fresh strawberry tarts for them after a day of gathering. Josiah carefully sounds out passages from their new books to show them that he’s still practicing his letters. Annie and a group of the younger kids spend all day weaving a flower crown for Mrs. Bahr that you have to confiscate before they can put it on her head.

“Go wash your hands,” you scold. Despite your tone, your hands are gentle as you push Annie to the schoolhouse. “Don’t touch your eyes.”

Annie blinks rapidly, trying to hold back tears. “I didn’t know it was poison, lady, I swear.”

“Oh,” Mrs. Bahr says, hand fluttering over her heart. She steps towards Annie. “Dear one—”

You give full body flinch when Mrs. Bahr stoops to hug Annie, but you don’t get between them. The Bahrs have won your trust in this. They won’t hurt the kids.

You sigh to hide your flinch when Mrs. Bahr stands. “Now Mrs. Bahr needs to wash. Poison ivy is no joke.”

“It is not,” Mrs. Bahr agrees. She ruffles Annie’s hair. “Go on, do as Isla says. Wash up.”

“We can go together,” Annie says with her big, blue eyes. She reaches for Mrs. Bahr’s hand and then thinks better of it. She tucks her hands behind her back and kicks at the ground. “If you want.”

“I’ll be right behind you,” Mrs. Bahr says, smiling.

Annie nods and races to follow her friends.

“I’m sorry,” you say as soon as Annie is out of ear shot. You busy yourself picking up the fallen flower crown and the various trimmings of poison ivy they’d used for foliage throughout it. You feel flustered. “They really didn’t know any better—”

“I know,” Mrs. Bahr says so gently that you have to look up at her. She’s frowning at your hands. “I’m more concerned about you. Should you be holding onto it like that?’

“I’m immune,” you say. You’re not worried that she’ll guess your Destiny from that. Lots of Villagers are immune to poison ivy, particularly the ones in this region who rely on gathering and hunting. “Since I’m in the woods so much.”

“Knights are immune too,” Mrs. Bahr says. She follows you away from the orphanage and to the tree line. “You’re quite the hunter, aren’t you? I remember Hera saying you slayed a horned rabbit.”

Heat comes to your face. You stomp ahead of her to deposit the flower crown in some denser foliage where the kids won’t be able to get it. “I get lucky.”

“I’d consider it unlucky to run across a horned rabbit,” Mrs. Bahr says. She examines the forest with interest. “A demon is a demon. Even adults have difficulty with horned rabbits.”

It hadn’t been difficult. You’d been armed with a sharpened branch and, when the rabbit leapt for you, you knew right when to stab. You clear your throat. “It was difficult.” Then when Mrs. Bahr doesn’t say anything, you add, “It was frightening.”

She believes you. She lays a gentle hand on your shoulder to get you to look her in the face. “The orphanage budget is enough that you don’t need to hunt, Isla,” Mrs. Bahr says. “I know I don’t like the idea of a fourteen-year-old out here alone and unarmed.”

“Almost fifteen,” you say, “and I had a sharp stick.”

“A sharp sti—” Mrs. Bahr cuts herself off with a deep breath. “Regardless of your…aptitude, Isla, it’s dangerous. I’ve spoken to the Director and she agrees with me. You aren’t to go hunting anymore.”

The forest suddenly feels too hot. The leaves overhead rustle, but you can barely hear it over the roaring of your blood. “Excuse me?”

Mrs. Bahr steps closer. “You’re a very strong girl, Isla, but it’s dangerous. If you want to go out with me or Mr. Bahr—”

You shake off her hand. “The Director agreed with you? She said I’m not allowed to go hunting anymore?”

“Out of concern for your safety.” Mrs. Bahr looks like she regrets saying anything. “Once Mr. Bahr and I explained to her what a risk a horned rabbit poses—”

You run away. Mrs. Bahr calls out after you, but you don’t stop. Beyond the sting of Mr. and Mrs. Bahr not thinking you strong enough to hunt, there’s a deeper hurt. The Director agrees. Really? Really?

“Isla? What’s wrong? I thought you were with Mrs. Bahr,” Director Sarah says when you burst into her office. She sets the papers she’d been reading down and frowns. “You look—”

“I’m not supposed to go hunting anymore?” you ask.

Sarah’s face blooms in understanding. “After what Mr. and Mrs. Bahr said about the increase in demons in the area, I agreed—”

“It’s summer,” you interrupt. You stalk up to her desk, your fists balled at your side. “It’s time to hunt.”

“The Bahrs have agreed to accompany you—”

“They only come once a week,” you say. You’re being so incredibly rude to the Director, but you don’t care. “I need to hunt three times that at least. The game has been moving deeper into the forest—”

“Where you are not allowed to go,” Director Sarah says, this time interrupting you. She steeples her hands in front of her. “I should have curtailed this activity long before this point, but I thought you needed it.”

“We need it,” you say. You can’t believe what you are hearing. “We need to store up rations, you know that.”

“Our budget allows us to purchase rations in town.”

“But what if that’s not enough? It’s better to have our own supply—”

“It will be enough.”

“It still doesn’t hurt to have some extra jerky—”

“The store we have will be enough.”

“But what if it’s not?!” You’ve raised your voice without realizing it, fists shaking at your sides. “The other kids are too young to remember o-or too new, but you and I do. That winter, we didn’t have enough. Why are you trying to stop me?” To your horror, your voice cracks. “I thought you understood.”

There’s silence in the room except for your panting breath.

“I’m sorry,” Sarah finally says. The sudden apology is enough to close your mouth against what you might have said. She meets your eyes. “You’ve always been so strong that I…Isla, you were a child. I will always be grateful for what you did that winter and for every winter since. I relied on you, a child, because I didn’t have any other option. We didn’t have another option. But now we do. We’re okay now, Isla. You don’t have to work so hard to protect us.”

“Yes, I do, I’m—” the Hero “—I can do it.” There is something inside of you telling you that that is what you must do. You think that it’s part of being a Hero.

((You’re worried that it’s because you’re scared.))

“My decision is final,” Sarah says. She picks up her documents and straightens them. “You are only to go hunting with an adult from now on. If I find out you went to the woods without one, there will be consequences.”

She’s using the same tone she uses on the other kids when they’re misbehaving. I mean business. You stare at her for a long, breathless moment. You jerkily turn to go.

Mrs. Bahr is hovering in the doorway. She looks guiltily between you and Director Sarah. “I’m sorry, I didn’t mean to eavesdrop…”

You shove past her and run to your room.

-------------.

Somewhat counterintuitively, as an orphan you’re never alone. You throw yourself face down on your bed.

A shocked silence swallows the occupants on the other bed.

“Is she okay?” Josiah asks Hera.

“It’s Isla,” Hera answers. There’s the rustling of bedsheets as Hera climbs out of bed and then the soft sound of socks on hardwood as she comes over. “You okay?”

You are not okay. There’s an intense war of emotions in your chest. Anger that none of the adults seem to think you’re capable. Betrayal that Sarah isn’t on your side. A sick fear at the thought of being unprepared for winter. And, now that you’ve run away so spectacularly, shame. They probably think you’re overreacting, but they’re wrong. They’re the ones who are being naïve. They’re the ones who—

A gentle hand on the back of your head freezes the thought. Hera pets your short, black hairs in an attempt at comfort. “It’s okay, Isla. You can just sleep. Sleep makes everything better.”

That’s what you tell the younger kids. The difference between you and Hera saying it? When Hera falls asleep, you work to fix the problem. If you fall asleep, no one is going to fix the problem for you.

You flip over, dislodging Hera’s hand. You look up at her as if seeing her for the first time. She’s ten, two years older than you were when the winter happened. She was four then. You want to ask her if she remembers, but instead you ask, “Do you think Sarah hates me?”

“What?” Hera’s eyes are wide. “No! What makes you think that?”

“Nothing,” you say. “It’s stupid. Forget I asked.” You turn on your side, your back to them.

“I know she’s worried about you,” Josiah says. He offers the information tentatively. “I overheard her and the Bahrs talking. Did they ban you from the woods?”

You don’t move. “What else did they say?” You’re afraid that he’s going to say they called you weak. Or, worse, a nuisance. “Did they say anything else about me?”

“Not really.”

Nobody hears anything useful around here. You close your eyes. “I just want to be alone for a little while. I—”

There’s a knock on the door. “Isla? It’s me, Marie. Can I come in?”

Marie? Too late you remember that that’s Mrs. Bahr’s name. She’s been trying to get the kids to call her be her first name. So far no one’s taken her up on it and she hasn’t pushed.

Hera opens the door. “Hi, Mrs. Bahr. Isla is being moody.”

You sit up with a squawk. “I am not!”

“If it’s alright, I’d like to talk to Isla for a moment,” Mrs. Bahr says to Josiah and Hera. “Alone.”

“Don’t let her yell at you,” Hera says as she passes Mrs. Bahr. “She never means it.”

You are going to strangle her. “I don’t yell!”

“That’s not an inside voice,” Josiah says. He dodges the pillow you throw at him, pulling the door closed behind him and Hera.

You are suddenly alone in the room with Mrs. Bahr.

You sit up further, pressing your back against the headboard. Mrs. Bahr doesn’t look mad. Her hands are clasped in front of her and she’s looking down at the floor. It almost looks like she’s the nervous one. You hug your pillow to your chest. “You can sit down if you’d like.”

Mrs. Bahr looks up at you. Her lips twitch. “Thank you, Isla.” She sits down on Hera’s bed gingerly as if afraid it wouldn’t be able to take her wait. When she’s settled, she says, “I wanted to apologize to you.”

Your arms tighten around your pillow. “Why?”

“Not for saying you shouldn’t hunt alone,” Mrs. Bahr says. She’s not a mind reader but sometimes it seems like she is. “For not understanding what hunting means to you. I would have approached things differently if I’d known.”

“Known what?”

“About what you’ve been through.”

The winter. That’s the only thing Mrs. Bahr could be talking about. She must have heard more of your conversation (argument) with the Director than you thought. “It was a long time ago,” you say. You really don’t want to talk about this with Mrs. Bahr. Not when you can still feel that winter’s desperation in your molars like a memory. “I’m fine.”

Mrs. Bahr is quiet for a moment. She studies you much like Mr. Bahr did all those weeks ago mending the fence. “I was a knight for 30 years, you know. I supposed it’s not weird that a Knight worked as a knight for so long. As soon as I came into my power at 15, I was compelled to hold a sword. To seek out evils and defeat them. To follow my Lord into battle no matter the cause.” She looks up at the ceiling. “I’ve had a lot of adventures and helped many, many people. But there was a time when I wanted to quit.”

You start. “You did?”

“I wanted to work in a flower shop,” Mrs. Bahr says. She leans back on her hands. “What a life it could have been! Waking up before the sun and hiking to the flower fields…I had my new house all picked out. It’d have a koi pond and a row of red rocks from the Harrow River. That’s where I met Ivan.”

Mr. Bahr. He’s been trying to get you to call him by his first name too. Unlike Mrs. Bahr, he’s much pushier about it. “What made you want to quit?”

“Exhaustion,” Mrs. Bahr says. She closes her eyes. “It seemed that there was a new threat to my Lord every day. An assassination attempt from a branch family. A territorial dispute. A new influx of demon beasts. It got to the point that I hardly left my Lord’s side for fear of returning to find him dead. He was the first Lord I swore my loyalty to. I always felt like I was failing those days. So I wanted to quit.”

You’ve felt like that before. Sometimes it seems like you never catch enough while hunting, that you’re never kind enough, that you’re never strong enough. You’ve never thought about working in a flower shop though. “Why didn’t you?”

“I did.” Mrs. Bahr laughs at your shocked expression. “I was in my twenties. They tell you things calm down after your teen years, but that’s not true. I handed in my resignation and fled for the nearest town.” Her smile softens. “Ivan followed me.”

“He was there?”

Mrs. Bahr nods. “We were sworn to the same Lord. He came galloping up with my resignation clutched in his hand. His face was so red!” She laughs. “’What does this mean, Marie? He was crying! You can’t quit! I haven’t beaten you yet!’”

“And that’s what convinced you to stay a knight?” you ask. That doesn’t help you. You don’t have a significant other to come racing after you.

“No,” Mrs. Bahr said. “Ivan didn’t know why I wanted to quit. I can’t do it, I said. I can’t keep the Lord safe. I’m not enough. You know what he said?”

You shake your head.

“He said, Of course, you’re not enough,” Mrs. Bahr says. She’s lowering her voice in imitation of Ivan’s. “You were never going to be enough.” You’re gaping at his harsh words, but Mrs. Bahr looks amused. “That’s why we have a squadron. The job is too big for one person. All you need to do is your part.”

You stare at her, not understanding.

“The world isn’t carried by one person,” Mrs. Bahr says. “I was so convinced that everything was up to me – the Lord’s safety, the next campaign’s success, or defense from monsters – that I buckled under the pressure. What I didn’t see that it wasn’t all my responsibility. I was part of a team. All I had to do was one part.”

You think of the winter night and holding the door shut. There hadn’t been anyone to help you then. Someone needed to comfort the younger kids. Someone needed to try and protect them. “What if there isn’t anyone else?”

“Then we do our best,” Mrs. Bahr says immediately. She meets your eyes. “But are you by yourself now, Isla?”

Yes. You open your mouth to tell her that, but the word won’t come out. Are you? Director Sarah looked so defeated when you accused her of not understanding. But didn’t she understand better than anyone else. You swallow. “No. There’s Director Sarah.”

“What does she do?”

“She takes care of us,” you say. “She makes sure the money we get goes to the right things.”

Mrs. Bahr smiles warmly. “That’s right. Who else?”

“…Hera,” you say. You remember she pulled Josiah from the well before Annie even had the chance to tell you what had happened. “She watches the younger kids.”

“She’s very good with them,” Mrs. Bahr says. “Who else?”

Your mind blanks. Who else? “Josiah. He helps us study.”

“And?”

And? “T-the Lord. He makes sure we have the funds for what we need.”

“Including winter provisions,” Mrs. Bahr agrees.

You frown. You suddenly see where this is going. “The amount of winter provisions he thinks we need.”

Mrs. Bahr hums. “What happens if he’s wrong?”

“That’s why I hunt,” you say. Maybe now she’ll understand. “So that we’ll be okay if he’s wrong.”

“What if you don’t hunt enough?” Mrs. Bahr asks.

Your chest is tight. You rub at your sternum and try to breathe deeply. “We starve,” you say. You wheeze and then clear your throat. “We’d starve, but that’s not going to happen. Because I always hunt enough.” I have to.

“This year,” Mrs. Bahr says, voice gentle and soothing, “say you don’t hunt anymore. The winter is harsher than expected and the orphanage’s stores are depleted. What do you think will happen?”

You laugh and gasp at the same time. “They’d all starve,” you say again. What doesn’t she get about that? “First the little ones then—”

Mrs. Bahr is shaking her head. “No, Isla, that’s not what would happen.”

Your temper flares. “That’s what always—”

“What would happen,” Mrs. Bahr says in her even tone, “is that Mr. Bahr and I would come deliver extra provisions to you.”

All the air is chased from your lungs. You feel eight again, small and vulnerable and cold. You’re shivering as you stare at her. “You would?”

“We would.” Gently, as if afraid she might scare you, Mrs. Bahr moves from Hera’s bed to yours. She puts a warm hand on your knee. “We’re a fortress. The Lord gives us part of the emergency fund in order to keep our stores and grounds ready for refugees. Mr. Bahr keeps fifteen percent more than the most generous estimate out of an abundance of caution. We would come and make sure nobody starved.”

For some reason, that makes you want to cry. You blink against the sudden heat behind your eyes. “Oh.”

“That’s why we don’t want you to go hunting,” Mrs. Bahr says. Her thumb rubs over your knee. “It was worth the risk before. You worked hard to keep everyone here alive. You are incredible, for that, Isla. I can’t tell you how much I admire your strength and your bravery. But things are different now. You don’t need to do as much as you did before. There are other people on your squad.”

But I’m the Hero, you want to say. Heroes are supposed to save the day, aren’t they?

Knights help save the day too.

You let Mrs. Bahr pat your knee for a long time. She seems content to let you think, her energy a pleasant hum next to you. A knot is untying in your chest. If you don’t hunt, it’s not the end of everyone. There will still be the funds from the Lord. Sarah’s always been excellent at stretching those as far as they need to go. And, if they aren’t enough, there’s something different this year. The Bahrs are here.

“You’d help us even if you’re only going to adopt one of us?” you ask.

Mrs. Bahr’s lips thin. She looks sad, but hides it quickly. “We’re Knights,” she says. “Even if we are retired. We’ll be here the moment you need us.”

You don’t hope. Hope is traumatic. But…

You believe her.

--------

Thanks for reading! There will be a new part of Hope and the Hero every Friday!

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There's also a new story up there, a sequel to my Dandelion villain story (X)

Summary: You are free of mind control for the first time in a year. The only things standing between you and your revenge are the heroes.

#my writing #second person #the hero and hope #long post #this part is 6k words and the entire story is almost 19k

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