#what i’m getting at is that i’ve seen A LOT of spoilers for stuff and i’ve never felt like i didn’t want to see that thing anymore

[sashisuse]

okay so what we’re not going to do is villainize shoko.

jjk 261 spoilers, thoughts, and a brief analysis of shoko. (and touching on some sashisu stuff. more specifically the sash part.)

i see a lot of people bashing her for not having a reaction to the body swapping plan and that satoru was like ‘i’m mostly surprised shoko didn’t object’ SO. here’s what i’ve got to say.

shoko didn’t object because she was fully under the belief that satoru was going to win. that it wasn’t going to happen. it was literally the worst worst worst WORST case scenario. she had SO MUCH faith in satoru.

let’s rewind back to the shibuya arc. what we knew about shoko at that time regarding her use of cigarettes was that she had quit five years (iirc) prior to those events. her smoking habits literally revolve around satoru’s wellbeing.

mind you this was after she and yaga learned satoru had been sealed. she heard the news and immediately began smoking. why? because shoko is a person who masks her emotions and she does it well. she’s not the type of woman to break down in tears. she’s going to hide it and instead light up a cigarette.

we saw this with her interaction with suguru. she acted very nonchalant about his defection and the massacre he committed on the village and his parents. but when we fast forward ten years and go to jjk0, it’s made abundantly clear that she still cares about him. during the meeting where yaga declares they’re going to kill suguru — i’m pretty sure his words were ‘exorcise the curse that is geto suguru’ or something along those lines — shoko leaves. she flat out walks out. and during the night parade of 100 demons, we have a moment where see the most emotion out of shoko that we have for the majority of the series. she’s angry. she’s hurt. she has these thoughts of something along the lines of like ‘you sure made a mess for us’ regarding suguru. and it’s especially prominent because it’s the first time we’ve ever seen her like this and only time. the closest we get to seeing that again is during the sukuna fight.

she literally cares so much but she’s just emotionally constipated and doesn’t know how to show it 😭 it’s an issue both she and satoru have. they deflect. they mask. they move on and yet the carry it with them somewhere deep inside them.

so we go back forward to satoru and sukuna’s fight. where we do see emotion from shoko but what’s most important to note is the panels she’s in. when they focus on her, she’s either smoking a cigarette, lighting a cigarette up, or we see her surrounded by cigarette butts.

we see her genuinely fearful at this point. she had full confidence that satoru was going to win. that’s why she said ‘do what you want’ and didn’t object. because in her mind, it wouldn’t happen.

it’s very important to remember that sashisu, whether you see it in a romantic or platonic way, was a group that cared so fucking deeply for one another. their bonds were deep. their love for their found family was deep. it’s part of the reason why suguru defected in the end. which i can get it into but not at this time. but at the end of the day, sashisu had ass communication skills and failed to properly understand one another.

and that seems to continue on with the satoshoko side of that, which was left after suguru left. and after he died.

also, it’s really important to remember that shoko is not like satoru and suguru. she’s a healer. that’s it. that’s all she does. she doesn’t get to fight or be on the front lines like they do. she’s the one who gets to wait behind and wait until the damage is done to do her job. she’s been doing this since she was (probably) 15, maybe even younger since we don’t know her backstory. she’s going to be emotionally detached. also, keep in mind this page:

specifically her first piece of dialogue. ‘it’s more like we have to do it.’

and that’s the bottom line.

whew. this was rough. shoko ieiri you will always be loved by me.

#jujutsu kaisen #shoko ieiri #gojo satoru #geto suguru #sashisu #satoshoko #satosho #sugushoko #if you guys don’t understand shoko #you can just say that #but don’t villainize her #there’s inevitably going to be an aftermath #and we’ll see what happens then. #jjk 261 #jjk spoilers #jujutsu kaisen spoilers #sabé is gnawing at the bars of their enclosure

[bellejolras]

i don’t mean to go on a rant but I’ve been reading reviews of Poor Things bc i hate being happy and ohhhh my goddddd

spoilers under the cut but I have complaints about people’s (lack of) media literacy

Oh my god okay so first of all, if you haven’t seen a movie how are you going to comment on it. Reading summaries and other people’s reviews only is not sufficient to make an original point. you do not know what you’re talking about. just stop.

Second, the movie is. satirical. Which I thought was obvious from the absurd premise and surreal visuals? This is not supposed to be the real world. Nor is it advocating for all the stuff it shows. In fact, it’s even actively indicting some of what it shows. For example: fucked up power dynamics in sexual relationships exist in the movie, but the movie is not saying they are good, it’s criticizing them. Is this not getting through to people?

Third, and related, it’s not ! just ! about ! a sexy baby !! Partly because again, satire. But also partly because she rapidly goes through childhood & adolescent maturity. And it’s not meant to be, like, linear… the regular laws of empirical data and science do not apply to this world… so she is not in fact, like 6 when she’s having sex but more like 16. Which you could argue is still a minor, and im not disputing that, because again the movie is critical of this part and duncan is a total loser. But there’s a massive difference between the mental development of those two ages. ALSO there’s literally nothing inherently wrong with baby bella autonomously discovering masturbation. That’s extremely normal for little kids, often just as a way of self-soothing because it feels nice and not with any awareness of sexuality. And it’s fine if you thought that was a weird scene! but it’s hardly pedophilia to include in the film when the “baby” in question is in fact played by fully grown adult emma stone and I cannot believe that I’m seeing people accuse this movie of that

Fourth, if you claim your takeaway from this movie is “it wants me to believe that women’s power only exists through their sexuality” then I don’t believe you’ve seen the entire movie (see point 1). Narratively it’s only a means to an end for Bella, and when she gets tired of it, she stops! She gets bored of duncan and reads philosophy! She leaves her sex work career and becomes a medical professional! And, even in the sex scenes, while there are many, they center her and her experience, her pleasure. Yes, her tits are out a lot but the sex scenes are weird, intentionally grotesque without being violent. The montage with duncan is shot through a fisheye lens and literally pans away from the bed to focus on a bird landing in the room. Duncan can proclaim himself the best lover in the world, but he’s really not important to the scene ¯\_(ツ)_/¯

In conclusion, I know the people I’m complaining about aren’t going to read this, but just in case, I urge you to learn media literacy. And anyone else who read all of this, thanks lol!! accepting good faith discourse in the notes/replies

#this is literally just me complaining about people lacking media literacy so look away if that sounds boring #also there be spoilers #poor things #poor things 2023

[artist-issues]

I Saw Wish

And it was the worst animated Disney movie I’ve ever seen. I have to watch it again before I can get into the nitty gritty details. But I don’t need details to sum it up, because my dad actually said it perfectly as we left the theater:

“It was like someone who didn’t really understand Disney movies tried to make a Disney movie.”

Both the form (the technical arts of filmmaking) and the content (the morals, values, and themes of the movie) were totally horrible.

I don’t know who’s fault it was. Jeremy Spears was in the storyboard room and Mark Henn and Eric Goldberg did some 2D animation. But they must have gotten outvoted, or they must not care anymore.

Because holy cow. Here’s some stuff that’s just off the top of my head.

SPOILERS. Not that it matters, because nothing interesting happens in this movie.

The writing? Terrible. Ninety percent of it feels like the characters are filling time with quirky one-liners that are trying too hard to be appealing, then failing, then taking you out of the movie. The jokes aren’t funny. The characters just respond to each other in conversation to check a one-liner box. The other twenty percent is whole conversations repeating tell-don’t-show exposition that has already been covered, usually twice, in previous scenes. Like if in Tangled, every scene had included some variation of Rapunzel saying to friends and enemies alike, “I have to see the floating lights so I’m sneaking to the castle with this thief who wants a mysterious tiara I hid from him. Don’t tell my mother, she’s a bit overprotective!” Over. And over. And over.

The character motivations are way too broad. Asha? Her dream is just “that everybody around me gets to be happy.” That’s it, in a nutshell. No deeper exploration of that. Nobody asks, “why do you care so much?” Nobody tries to convince her she should look out for herself, and then she proves she was right all along. The King? We are told (not shown) that he doesn’t want anyone else’s dreams to be “destroyed.” But he in no believable way expresses that that motivation is still what’s driving him during the movie—what’s driving him is just a plain old lust for power, no nuance.

By the way, the whole premise of the movie? Undercooked. Half-baked concepts strung together with no definitive meaning. Therefore, it’s not believable. Example: The characters act like the wishes are beautiful—well, actually, no, this movie doesn’t know how to show, so there’s not a lot of meaningful acting—the characters just tell us that wishes are “the most beautiful part of someone,” and that’s why it’s worth going through this adventure to give their wishes back to them. But there’s no proof of that in the movie. In fact, it directly kicks it’s own legs out from under that idea, because it has every character who gives up their wish forget that part of themselves. Asha’s grandfather has forgotten his wish, but that doesn’t make him any less “beautiful.” She, and everyone, still treats him like he’s this wonderful old man who deserves the world, who everyone loves…but why is he so appealing? If he “gave up the most beautiful part of him?” The only character who is changed by their lack-of-wish is the Sleepy-analogue character…who is just sleepy, which is described as “boring.” But nobody else who’s given up their wish in the whole kingdom acts like that. It’s just him. Also, the King acts like it’s so important to protect the wishes from destruction. But what does destroying a wish look like? That actually happens to Asha’s mom. Her wish-bubble is broken, literally, and she just says she feels grief. But like. Why? She never remembered it in the first place; it had been missing from her life for years. Also, what the heck is a wish?! It seems to range from broad concepts like “inspire people” to “fly.” Just “fly,” like a bird. The desire to levitate off the ground is the most important, beautiful essence of one background character. Like, what?! But no character ever has the why behind their wish to make us care.

I could go on and on about that point. Like, think about Disney movies that wrote the book on how to make movies about characters with wishes. If Ariel were in Wish, her bubble would look like “dancing and learning and exploring on the Surface with someone who understands her.” But we believe that that is her real, genuine wish, and that it matters to her, because we are shown why being understood is so important to her. Because it’s missing from her life. There’s a scene where she explores a boat alone, and even her best friend doesn’t get excited about it with her. Her dad won’t listen to her point of view. Her siblings don’t ask her about her life even when they think she’s in love. She wants what she wants because of pieces of her life that we are shown.

We are never shown why Asha’s grandfather is obsessed with inspiring people, so we have no reason to believe it, or care whether he gets it or not. We can’t feel disappointed when his wish is said to “never come true,” like we did when Quasimodo was abused by the people he wished to join. We can’t feel elated when he finally “gets” his wish, like we did when Simba smiles on Pride Rock remembering the same way he used to as a cub and claims the crown with a roar. We don’t have anything to hang on to, nothing to relate to, nothing to grasp and feel with the characters. So we don’t feel, because they didn’t put the work in to help us feel. They just say, “the mom’s feeling grief. Feel grief.” And expect us to do the work ourselves. I have to stop harping on this point and move on.

But The main point of the movie is very broad because of that lazy premise, and it’s barely reinforced by any kind of appealing storytelling. If I had to guess, the point would be “Keep wishing for more even when it’s hard.” But the story they told to communicate that meaning was so unimpactful. Asha doesn’t have a dream of her own that’s such hard work to accomplish! (Neither does her grandfather; his wish is “to inspire people.” And at the end, we’re supposed to see him strumming a guitar and believe it’s inspiring? We were never shown how he worked hard to learn how to play the instrument. Or that he carved it with his own hands, or anything like that. So there’s no meaningful demonstration of working hard for it or achieving your wish even if it’s far out of reach.) And nobody except the king is trying to take wishes away from anyone, and he just does it literally, after they voluntarily give them to him, so there’s not even any impactful demonstration of “don’t let anyone tell you your wishes are dumb or unachievable, or stop you from reaching them.” Even when he takes them away, it’s just because they…could, someday, be used to threaten his kingdom in a vague, really unlikely way. There are so many things you could do with “keep wishing for more even when it’s hard.” For instance; you could say the main character has always been afraid to dream (wish for more), because maybe when she was a kid something wonderful almost happened but ended in tragedy, so she keeps her head down and doesn’t want much because if you don’t dream you’ll never be disappointed. She takes no risks, and has to learn that sometimes trying and failing is worth more than slogging through life all self-protective. I mean, the pieces were right there. She has this line about her dad, and how she wished he would get better but then he died. She has lines about how nobody should have to live with grief?? Then that’s never addressed again! It’s just a throwaway emotion-moment with no buildup or follow-through to tie it to and support that main theme.

The compositions of too many shots were so terrible. Characters got cut off in weird places. One shot has Asha dead center, with her grandfather on the left side of the table and her mother on the right, having a family dinner with a super exposition-heavy conversation that is meant to be emotionally charged. But despite everything else being perfectly centered, half of her mother’s body is chopped off. The movie’s shot like someone’s mom who doesn’t understand technology tried to take a video with her phone.

The charm of the art “style” wears off basically immediately. I know what they were going for. I see the sketch lines and watercolor textures. This is maybe the first time Disney ever failed to accomplish a visual “look” that turned out good. Everything looks dull. Muted. De-saturated. Slightly out of focus, but not in a cool Spider-Verse way. The sets or backgrounds are lazy; at no point does the scenery look complete; big, empty, boring spaces that do not create any kind of “stage” for impactful moments. The rendering looks unfinished. When Asha’s hair moves during her belting of the “I Make This Wish” song, it’s bad. It’s unnatural. It flops in a way that doesn’t make sense for the weight of her hair. The most impactful visual moments come from the villain, and they’re moments when he looks way too unhinged for the kind of line he’s saying.

There is no interesting character development. Asha goes from believing everyone is basically good and their wishes deserve the chance to come true , to….that, again. That would be fine, she could be a static character, if she proved contrast-characters wrong, in a believable way. But she never does. Because no other characters argue with her except the King. And it goes no deeper than “everyone’s wishes are basically good and they deserve the chance to make them true” vs. “nuh-uh, because I get to decide what makes them deserving.” The King doesn’t have any kind of interesting development, either. They don’t expand on his tragic backstory—it consists of one drawing of him near a broken boat, and a few images of the corner burned off of his family taoestry. They never say “King Magnifico wished for _____ and it was taken away!” They literally never tell you what his wish or dreams were, or what motivated him to create the whole kingdom that the movie’s premise sits on. So there’s no convincing sense of progression, how he got this way, why he’ll keep going “so far.”

The pacing is weird. It undercuts every moment that could have any kind of emotion behind it. One minute Valentino is suavely bouncing around, then he’s given a two-second beat to blubber with badly-animated tears that he’ll miss Star—then he instantly gets to have another funny one-liner so we forget he might’ve been sad a second ago. We’re clearly supposed to believe that the King and his wife are devoted to each other, and his turning evil was such a big betrayal, but there’s no time and no impactful evidence for us to believe either of those things. And even if we did, the moment he’s defeated and trapped in a mirror, and begs to be let free, the Queen kind of shrugs it off, makes a forgettable one-liner, and tells them to throw him in the dungeon. And he doesn’t look remorseful. And we don’t even get to assume he’s embarrassed or emotionally devastated that he’s come to this—because the last thing he says is “nooo, the dungeon is so smellyyy!” Like this is a half-baked LEGO short that can’t get emotionally deeper than what an actual 3 year-old’s parents might be okay with.

And that’s the worst offense: The movie is not genuine. It works hard for nothing, and it has no vulnerability. It just uses old Disney standbys to pretend to be vulnerable. Have the music swell and the characters gasp and the songs drip emotion when characters are meant to be saying or doing something emotional.

But truthfully, think of all the Disney movies you’ve ever seen with the hardest emotional moments. The sheer joy of Genie when he realizes he’s free. The anguish when Elsa thinks Anna’s been frozen forever, or when Anna thinks she’s dead. The trauma when Simba loses Mufasa. The longing and dreaming of Ariel when she reaches up out of her grotto. The sense of foreboding when Mother Gothel says “fine, now I’m the bad guy” or the heartbreak in Rapunzel’s eyes when she thinks Flynn has abandoned her, or the shame on Aladdin’s face when Jafar reveals he’s a street-rat, or the horror of cruelty when the stepsisters rip up Cinderella’s dress, or Kala’s tears when Tarzan leaves her in the treehouse, or Sarabi’s tears when Simba comes back, or Mulan’s father tossing aside the sword and token of the Emperor to embrace Mulan, or heck, even just Lilo pushing Stitch in the woods and telling him “get out of here.” This movie has no moments like that. It has moments you can tell that the filmmakers wanted to hit like that—but they don’t.

Because no work is put into building them up. You know how much Simba loves Mufasa, because you’ve been watching their chemistry more than any other character all the way up till he dies. You know how much Mulan wants to please her family because she spends all of Act I desperately attempting to do that. You know Quasimodo believes the world below is beautiful and wants them to accept him because he has interesting things like—talking to gargoyles, convincing us that he’s lonely; building a scale model of the townspeople, convincing us that he sees them in a beautiful way and wishes he were beautiful in more ways than one like them, too.

Right down to the facial expressions, none of them are as anguished, happy, sad, excited, silly, in any convincing way like all of Disney’s other movies. Asha’s “low moment” when she’s afraid her “wish” hurt everyone else (still vague on what that wish ever was) lasts two seconds, she’s not crying, she’s barely sitting with slumped shoulders, and her family barely spend two seconds comforting her. They basically just say, “aw, no, it’s not y fault, it’s the king’s.” And she’s like, “yeah okay” and that’s that. It’s like the animators we’re afraid to animate really intimate emotions on the characters’ faces. The voice actors, too.

And the whole movie is peppered with Easter eggs to past Disney movies. But all that does, if you really know Disney beyond the visuals, is make you think of how hollow this movie is in comparison. How much you wish you were watching Cinderella or The Little Mermaid or something with depth and vulnerability instead of Wish.

#I’ll talk more in an organized fashion later #wish #disney’s wish #wish Disney #wish 2023 #critique #spoilers

[achillesangst]

MASSIVE OFMD SPOILERS, BE WARNED

I’ve been seeing a lot of takes today about Izzy’s death which I disagreed with, but there’s one specific take that I want to actually address because I think it’s a really insidious way of blaming the audience for being upset.

I’ve seen a couple of posts and comments that are like “well everyone dies, (no kidding) and queer people die, and you can tell queer stories where queer people die and that’s ok, so you shouldn’t be mad at Izzy dying.”

And yeah. Of COURSE that’s true, we all know it is. I love a fair bit of queer media that ends DEVASTATINGLY, and that’s fine.

But the thing I take issue with here is that that is not what we were promised. That’s not what the show sold itself as. OFMD is a comedy, and more specifically it’s been sold to us repeatedly as a queer comedy for queer people. In fact, it adheres to its comedy status so stubbornly that sometimes I think it undercut the show’s emotional core. It’s a historical show where the silly little gay people get to be happy, and stuff like being stabbed in the liver is non fatal, and wounds only get infected if plot relevant and generally heal instantly, and people can be brained with a canonball and then walk away through the power of Mermaid Love. It was sold and discussed as a piece of queer media where it’s audience could relax, because we were safe. And then, when we’d all relaxed and stopped jumping at the stab wounds, we found out that we shouldn’t have lowered our defences at all.

I’m not angry that OFMD is a queer show that kills its characters. I’m angry that it’s a queer show that specifically and repeatedly said that this wasn’t going to be one of those shows, that this wasn’t going to conform to real history, and then killed off one of its most central, compelling old queers in the last 5 minutes.

#OFMD #ofmd spoilers #ofmd season two #izzy hands #izzy

[neoflect]

sharing some of my disorganized jojo musical thoughts now that ive had a week to sit on it and ive rewatched it several times over. i intended to wait to publish something like this until a subtitled version was available, but im not seeing any indication that thats happening any time soon so for now youll have to deal with my loose interpretations from my extremely rudimentary and rusty japanese… so take what i have to say about the finer points of characterization with a grain of salt. gratuitous spoilers below obviously, both for the original source material and the changes made in the stage production

my feelings are OVERWHELMINGLY positive. of course there are things i can criticize or that i would have personally done differently but oh man… i have literally not thought about anything besides this fucking show for a week. im 100% confident in saying this is a better adaptation of the source material than the tv anime. sorry to the davidpro staff, i respect their hard work and their love for jojo and their dedication to what is by any metric a pretty difficult property to adapt off of the page, but i dont know if i can ever forgive them for leaving half of the first episode’s storyboard on the cutting room floor in order to fit a standard half-hour tv slot, especially considering that what they cut is some of the really crucial character-building stuff. happily those scenes are not only reproduced in the stage version, some of them are expanded upon!

with the quick disclaimer that i’ve only managed to get my hands on the final 4/14 performance with shotaro arisawa and yoshihisa higashiyama, from what i’ve seen the casting is perfect. i’m sure there’s a rip of the 4/13 performance somewhere (i’ve seen clips) but i haven’t been able to find one… every single performer knocks it out of the fucking park, the cast chemistry is incredible and even the minor characters are loaded with charisma. and mamoru miyano… my god… mamoru miyano i owe you an apology. i was not familiar with your game. of course hes been killing it for decades at this point but i had soured on him a little bit recently because i felt like he was overcast in everything and i just didnt connect with his dnt reinhard at all, so when the casting was initially announced back in august i was underwhelmed, and of course my standards for the dio role in particular were astronomically high… i’ll go more into detail later in the post because i have so so many things to say about dio’s characterization here but mamoru miyano’s performance is like, life-changing. i had impossible expectations and he exceeded them.

sorry if im gushing. i am a hater by nature. its unusual for me to be so thoroughly pleased with something. im not even a musical theater guy. these are strange new feelings for me.

just to balance things out i’ll talk about a couple of the things that didn’t really work for me: first of all, the music is just ok. my initial draft of this post called the music “bad” but three additional viewings later i have warmed up to some of the songs. i don’t know if this is a shortcoming by dove attia as the composer or if it’s just me, as i said i’m not a musical guy and a lot of the genre conventions of musical theatre are not really the things i look for in music that i enjoy, but like… even at their worst they are serviceable. nothing here is sonically unpleasant to me. high points are “resolve of the ripple” (zeppeli’s hamon training song, a jazzy swing number - it’s simply catchy and fun to listen to) and the closer “phantom blood” (a sweeping ballad that reprises the earlier “light and darkness”/”golden spirit” leitmotifs into an epic duet between jonathan and dio as they join hands and walk off into the darkness together… made me cry! i wont lie! on every single one of my numerous viewings this one got me misty eyed!)

wait i forgot this is supposed to be the part where i’m being critical. ok my most loathed song in the musical is “dio’s world”. sorry dio nation. it doesn’t really work for me. i think this might be a case of my standards/expectations being too impossibly high because it’s not even really the worst song in the whole thing. and of course miyano eats it up so it’s not really his fault. i just find it kind of underwhelming… i find the melody a little grating, it’s kind of just a generic rock number, it’s just missing a particular je ne sais quoi…. the essence of dio isn’t there… lyrically though i am obsessed with the premise of dio recruiting his minions by selling himself as a kind of social revolutionary who is upending and inverting the brutal hierarchy of post-industrial victorian society with zombie blood magic. you win some you lose some.

the second sticking point for me is the costumes. they’re perfectly serviceable… adequate… but i mean when it comes to jojo “serviceable” and “adequate” costume design obviously falls well below what’s expected, right? a lot of the outfits have kind of a boxy, almost flat-looking kind of unflattering fit on the actors, which if i wanted to be generous i could attribute to the challenge of bridging the gap between these frail slender musical theater twinks and the two-meter-tall 250lb roided-out beefcakes theyre meant to be embodying. (bearing this discrepancy in mind a lot of the insane martial arts stuff in the second act doesn’t really land with the oomph that it should, but i also understand logistically why this kind of casting is not practical, and all things considered i think shotaro arisawa does a really incredible job of embodying jonathan joestar even though he kind of looks like i could snap him in half over my knee like a twig. he’s very cute. so i’m not mad about it.) of course, again, logistically, i understand that in a stage musical production, where actors only have minutes to complete costume changes, some sacrifices have to be made to the creative vision in the name of practicality. nevertheless this is jojos bizarre adventure!! i want to see some fucking baubles!!!!!!

which is all to say that… after carefully considering it for some weeks… i still have extremely mixed feelings about dio’s grink ass feather bathrobe look. it’s not that i dont think its something he could wear (the concept of dio lounging around in his gothic vampire palace doing re-animator style body horror experiments on the local wildlife in this “officer i have no idea what happened to my husband”-ass nightgown is nothing short of hysterical to me) but then he wears it into combat and i felt a little disappointed… it has the same unflattering fit issue as the other outfits in the show, and it is just such an un-araki-like design… where are the gaudy color combinations? the bizarre geometric patterns? the tease of an exposed boob/thigh/midriff? erina gets a stage-original dress design that i have fewer issues with because the excessive pleats and ruffles have more of an araki-esque sensibility, but every time i look at dio’s robe it feels like there’s something missing.  i’m going to choose to be nice about it because it’s not at all a deal breaker and, again, mamoru miyano devours the look. it’s fine. it’s always fun to have a new dio outfit. if anything, the fact that the blu-rays are being marketed as “2024 cast version” gives me hope for the possibility of a future production with a new vision for the costume design. (although the fact that this was such a difficult production - with stunts and pyrotechnics and moving setpieces - that its entire first week was cancelled indicates to me that the prospects for a future production from a different company are impossibly slim. i guess there’s always hope?)

in terms of the writing and the changes that were made from the original narrative, honestly i don’t really have an issue with anything that was cut. sorry if there are any diehard stans of Poco’s Unnamed Sister out there who are steamed that their favorite minor late phantom blood character got the axe, i kind of understand how you feel because i’ve been malding over david pro cutting the Danny Lore for eleven years, but i think it was the right choice and the story flows so much better. the real juicy meat at the core of phantom blood as a narrative and the thing that brings it head and shoulders above so much of the rest of jjba is the character-driven drama - that deliciously pulpy victorian gothic family tragedy - and the relationship between jonathan and dio. the musical beefs up the character drama and slims down the action-driven second half by trimming out the extraneous battles. the only real downside i see to this is that the absence of tompetty and his prophecy makes zeppeli’s arc and death feel INSANELY abrupt, but tbf that’s not a deal breaker for me. sorry zeppeli. you were born to die.

okay. okay. i think 1500 words into the post is enough fucking around so let’s talk about the real reason why you and i both know we’re here

musical dio is SO fucking sad. he’s positively wretched, you guys. he was born in a wet cardboard box all alone and forced to eat cement when he was six. he cries even more than he does in the source material and even when he’s not crying he frequently delivers his lines as though he is moments away from bursting into tears. back when the musical first opened i was snooping on the reactions on jpn twitter and one commenter said they could see miyano’s tears and snot from the nosebleeds even without opera glasses, a remark i initially assumed was hyperbole but that i now think probably was not. araki’s dio is certainly tortured and a deeply pathetic crybaby beneath all the cruelty and posturing, but changes in the musical and miyano’s embodiment of the character bring this pathos to the fore. he is literally haunted: dario’s ghost lingers, a manifestation of all of dio’s traumas and insecurities that emerges from the recesses of his memory to taunt him with the reminder that he will always be his father’s son, all the way up until the very minute that jonathan breaks down the door to his vampire lair. i am OBSESSED with this - not only for the obvious reason that i delight in dio’s suffering personally but also because kong kuwata is a delight and he fucking kills it every time. also lends itself to a category 10 leitmotif moment at the top of the second act when dio emerges from the charred ruins of the joestar estate singing dario’s theme and calling out to jonathan - if i had to pinpoint this is probably the moment when this musical stuck for me as the Real Deal. they Get It.

the first solo number in the show is dio’s disney princess I Want song (amazingly, simply titled “dio”) where he weeps for his late mother and his wretched lot in life, and then - in a creative decision that made me clap my hands and hoot and holler at my screen in real life - there is a reprise of this number (delivered, naturally, through tears) when dio is almost arrested for murder and decides to become a vampire instead. so there’s this amazing hopeful uplifting inspirational orchestral music accompanying the onstage action of dio ruthlessly slaying jonathan’s dad and then getting pumped full of lead by a bunch of cops. it is brilliant. 10/10 no notes. it’s moments like this that i think really sell the “softening” of dio in the stage version for me, even though i am historically Not A Fan of fanworks that take a similar angle - like, yes, he is sad, but specifically he is narcissistically obsessed with the spectacle of his own suffering, he is boiling over with bitterness and rage for everyone around him who (by his own estimation) could never hope to have suffered as much as he has. this sensitivity and self-pity he wallows in are not expressions of a guilty conscience or a desire to change - they’re entirely the opposite - every cruel and monstrous deed dio commits is always justified to himself because he is simply the saddest little boy who has ever existed. he has been done wrong by the world and so there is no limit to the depravity he may reasonably respond with. i’ve seen several commenters describe this as a drastically different interpretation of the character from araki’s dio (and someone told me on twitter that mamoru miyano himself has also said this, but i cba to go digging for an actual source so take it with a grain of salt?), but i… dont think thats the case! dio’s obsession with his own weakness and his self-perception as the eternal underdog (as compared to jonathan) are certainly more exaggerated in miyano’s performance, but i don’t think this is an angle to the character that’s been manufactured out of whole cloth. the genre conventions of the stage musical force the melodrama up to eleven and dio’s incredibly repressed angst is the most rich vein to mine for that. hair-trigger sadist dio is still here, it’s the same guy, he’s still killing people mercilessly, you’re just getting to see him sing a big ballad about his feelings instead of confining those to an internal monologue.

if anything, the exaggeration of dio’s pathetic/cowardly/crybaby traits combined with his megalomaniacal aspirations and bottomless well of cruelty is just right. it’s perfect. fucking around, finding out, and then trying to weasel his way out of the consequences with crocodile tears just so you don’t see him drawing his knife to cut you clean open… yeah. thats the stuff. thats my one true blorbo. sad to say i will love him for ten thousand years.

i think that might be all i have to say… or at least all i feel like saying here… most likely ill come back and edit this post later. i certainly have some additional thoughts and some more esoteric/controversial takes but they’re not suited for a public blog. real ones will understand. im keeping my eyes peeled for somebody to translate this thing but to be frank i am kind of enjoying this little corner of fandom as it is right now: just the asians and the true hardcore phantom blood phreaks. i have not had this much fun in jojo fandom in almost a fucking decade. as soon as somebody publishes an english version my timelines going to get flooded with all the most deeply annoying “kono dio da” “speedwagon waifu” reddit guys and 15 year olds and my suffering will proceed. unfortunately this is my lot in life and i am doomed to be here forever because dio put a worm in my brain

#⚰️ #jjba tag for blacklisting purposes but i dont want this in the main tag

[thewertsearch]

@manorinthewoods submitted: ~LOSS (8/11/23) So, long scenario inbound. What if you tossed all the Sburb players we've seen so far (with their powers, but somehow reworked to fit with the Locked Tomb's necromancy stuff) into Canaan House? (My pairings for this would be, in the form of necromancer"mage"/cavalier, Aradia and Sollux, Karkat and Terezi, Rose and Kanaya, John and Dave, Vriska and Tavros, Feferi and Eridan, Equius and Nepeta, and by elimination Jade and Gamzee. Make your own if you want, or throw out the whole system.) What would happen? Who would die? Would anybody achieve Lyctordom?

Oh, I like this one.

[Locked Tomb spoilers abound below. You have been warned.]

I’m mostly keeping your pairings, because I like them. A lot of Homestuck’s powers would break the setting of The Locked Tomb, so let’s just assume the necromancers have the typical abilities of their House, and that the cavaliers don’t have powers. Let’s also assume that the Seventh House is still being impersonated by a Lyctor.

Second House: Captain Karkat Vantas & Lieutenant Terezi Pyrope

A very well-balanced duo. I suspect Karkat would be a half-decent necromancer if if wasn’t for his self-doubt, and Cohort training would replace doubt with cold duty. His magic is particularly destructive, and causes enormous collateral. Bucking tradition, his cav is effectively the leader, as she’s the superior strategist by far.

Endgame: They get pretty far – but when push comes to shove, Karkat would rather die than kill his closest friend, even though she thinks it would be funny. They refuse Lyctorhood, and are murdered by the Seventh.

Third House: Crown Princess Vriska Serket & Prince Tavros Nitram

Vriska embodies the best and worst of both Tridentarii. She’s ruthless, she’s quick-witted, she demands your attention, and she’s not above taking shortcuts. Her cavalier is a lot nicer than the canon one, but just as unlucky.

Endgame: You already know Tavros is ending this story the same way Naberius did. Full Lyctorhood, and the birth of the most dangerous necrosaint the Houses have ever seen.

Fourth House: Baron John Egbert & Sir Dave Strider

These goobers are too nice for the story they’re in. John is enthusiastic, and Dave is dutiful, but they lack the aptitudes required to obtain any keys. If it came to it, Dave is probably the most likely cavalier to pull a Gideon, especially given the Fourth’s tradition of self-sacrifice. John doesn’t have Harrow’s resourcefulness, though, and wouldn’t be able to preserve Dave’s soul.

Endgame: Murdered by the Seventh.

Fifth House: Lady Aradia Megido & Sir Sollux Captor

They’d honestly crush it. Aradia is a born Fifth House spirit talker, and the only Homestuck character to actually be a necromancer. Sollux isn’t a physical fighter, but he declares a laser pistol as his offhand, and no one wants to argue with the creepy scion of the Fifth, so a laser pistol it stays. Since Aradia isn’t a historian, they’re not targeted by the Seventh House Lyctor, and manage to complete most of the theorem rooms before shit hits the fan.

Endgame: Partial Lyctorhood. Aradia eats half of Sollux’s soul, he keeps the other half.

Sixth House: Master Warden Rose Lalonde & Kanaya Maryam

Now we’re talking! A Rose trained on the Sixth would give Palamedes a run for his money, and her partnership with Kanaya would be second to none. Let’s say she still has a romantic history with the Seventh House scion (Feferi, in this case) but is no longer in love with her, having got over her when she and Kanaya became a couple. Palamedes delayed his confrontation with ‘Dulcinea’ due to his feelings, and Rose would confront Feferi much earlier.

Endgame: Can a learned witch of the Sixth defeat an ancient saint of the Seventh? Maybe, if she plays it smart, and makes the right alliances. Write it yourself – I’ve got a liveblog to finish!

Seventh House: Duchess Feferi Pexies & Eridan Ampora

D------EAD before the trials began, Feferi is being impersonated by a sea-dweller Lyctor whose motivations I can’t dig into too much, or I’ll actually start to write this fanfic. Let’s just say she has similar goals to Cytherea, and leave it at that.

Eighth House: Master Templar Equius Zahhak and Nepeta Lejion

Come on, Equius, Your god commands you. Commit the cardinal sin. Become a saint. You’re not going to disobey the emperor, are you?

Endgame: I have just enough respect for Equius that I don’t think he’d kill Nepeta, even if ordered to. They probably go out fighting, before the final confrontation.

Ninth House: Reverend Daughter Jade Harley & Gamzee Makara

Gamzee’s useless, but at least he pulls off the facepaint. Jade’s not going to get much use out of him, unless she’s willing to siphon – as a highblood, he’s probably got a pretty strong constitution. Anyway, Jade’s wolf skeleton constructs are impressive, but she’ll be more or less attempting the trials alone, and that’s a tall order.

Endgame: Not nearly as important as in canon, the Ninth House might survive for a while by not really being a threat to anyone. Jade’s likely to befriend the Second and the Fourth, and go out in a blaze of glory avenging their deaths.

#asks #full liveblog #homestuck liveblog #act 5.2

[pellaaearien]

Hey so here’s a really mean Sandman thought I had...

I just finished reading The Kindly Ones for the first time. (Yeah.) And I must say, it was a very interesting experience from the perspective of someone who both watched the show first and has also been hanging around deeply into fandom enough that I’ve absorbed spoilers/meta/whatever else surrounding the end of the comics before reading them to draw my own conclusions.

Now I have. And I think I’ve come to some interesting ones.

First off, naturally, Neil Gaiman has written the ultimate tragedy. Everything comes full circle, every decision made with the best possible intentions has the worst possible outcome, and it was always going to be this way. It’s a masterstroke, and as I read I was less sad than admiring at the completeness of it, the way everything slots into place so neatly.

Ever since I spoiled myself for the ending (which I’m glad I did,) I’ve read quite a bit of Kindly Ones meta. Many words have been spilled around the subject of “if someone had just SEEN what was wrong...” but MANY people did! Fiddler’s Green. Matthew. Nuala. And, of course, Hob, who Dream walks out on - again - because he’s being too perceptive. Again.

I was also reading the book with the foreknowledge that this is all an elaborate suicide plot on the part of Dream. After all, as Death says at the end, “the only reason you got yourself into this mess is because this is where you wanted to be.” And, later, when Dream says he has made all the preparations necessary, “You’ve been making them for ages. You just didn’t let yourself know that was what you were doing.” To which Dream replies, “if you say so.”

So we have lots of people saying lots of things about Dream, but what do Dream’s actions say for themselves? Because I must admit, reading the book knowing how it was going to end threw a lot of those assumptions into a new light.

Let’s go back to the conversation with Death. Dream says: “I did not plan this, my sister. I had imagined that I would be able to keep events here in check. I intended to play a waiting game, in which, ultimately, no harm was done.”

This I believe. One of the things that never sat right with me was Dream sitting back and letting his creations suffer, if his intention all along was to destroy himself. I don’t believe that’s in character for Dream in any incarnation.

What was Dream’s motivation? Dream is tired. He says so himself. He’s been tired for a long time, probably even before his imprisonment and having to basically remake the Dreaming and since then he hasn’t had a moment’s peace, what with Season of Mists and Orpheus and everything else. I think meeting Daniel planted the seed in his mind, that there was an out. As Death says, “...the stuff you do. Where you do it, and you won’t even admit to yourself it’s what you’re doing.” 

Meeting Daniel was that moment for Dream. Someone who could take over his responsibilities in the Dreaming. He can’t just walk away, like Destruction and Lucifer. That’s not who he is. I think Dream’s plan was to wait for Daniel to grow up some, and then... something. ??? profit. Maybe he would’ve gone to the Fates himself and taken their punishment for Orpheus. (Because he does, as Nuala astutely points out, want to be punished for Orpheus).

BUT, Daniel gets stolen while he’s still a baby. So Dream sends Matthew and the newly-remade Corinthian after him. Lyta, meanwhile, instigates the Furies, so now they’re on a ticking clock.

(I don’t, personally, think that Dream freed Loki with the intention of setting all this in motion, but that’s up to reader interpretation.)

Dream makes preparations. It certainly seems like he’s making peace with the fact of his death. He visits Nada (a small boy in Hong Kong), does a census of the Dreaming, acknowledges his servants, feeds pigeons, examines his properties in the waking world, and reviews various treaties and agreements to which the Dreaming is subject. He is responsible. He’s getting his affairs in order in case things don’t fall the way he expects them to.

When his Griffin is killed, Dream tells Furies: “I can create another, who would not even know that it had ever died.” Cold, perhaps, but very in keeping with the type of backwards kindness we’ve seen from Dream throughout the series. He also says: “This is my world, ladies. I control it, I am responsible for it. You with neither destroy it nor will you destroy me.”

The last part, as we know, is simply true. The Dreaming can be restored endlessly, and even if the facet known as Morpheus is destroyed, Dream will continue. But it’s the first part that’s significant. I control it, I am responsible for it. That part says to me that he would not allow his creations to suffer. He is responsible for them. And yes, he could restore them with a thought, but why bother? If he’s trying to get himself killed, why doesn’t the story just end here and now? With the Furies and Dream alone in his throne room?

Clearly, he’s waiting for Daniel. He can’t allow himself to be removed without a successor in place. Once the Furies leave, he immediately calls Matthew for an update. Matthew comments on how cold Dream sounds - he’s feeling the pressure.

Fiddler’s Green is killed. Does Dream say “I can create another?” No. He immediately goes in search of Lyta, to hopefully negate the wrath of the Furies. A stopgap, as the Furies would find another avatar in time, but Dream is taking action. He is not passively letting his doom collapse around his ears.

He’s foiled by Thessaly (all my homies hate Thessaly). While they are estranged exes, Thessaly admits that protecting Lyta from Dream was “not entirely” to hurt him: she struck a deal with the Three for a bit more life. Hurting Dream was an added bonus. She knows Dream well enough that he won’t break the rules in order to kill Lyta.

Dream is visibly upset by this. He won’t break the rules, but Thessaly’s actions (and his own, by extension) mean that more destruction will be wrought in the Dreaming. Lucien takes him to task for it:

Lucien asks why he isn’t restoring the things the Furies destroyed, but it makes sense to halt the source of the destruction first, rather than needing to fix things over and over again. Dream is at a loss. His plan was foiled and now he has no way to hold off the Furies. And Daniel is still missing. He could summon his sister right now (as he says, “by his own hand or another’s”) but that would leave the Dreaming in disarray, and he won’t do that.

Now to add Nuala’s summons into the mix. While Death will later point out that yes, Dream could have rejected the summons, I think it’s important to remember that he does actually try, at first:

“I must most earnestly beseech you...” That is begging. That is literal begging from Dream of the Endless, and it doesn’t stop there.  “You do me a disservice, Nuala,” Dream says, after Nuala quotes his promise back to him. He tries to get out of it! But Nuala won’t let him, throws his words in his face, and thereby seals his fate. Because Dream of the Endless, if nothing else, keeps his word, follows the rules. As he says later: “If we did otherwise, we would not be ourselves.” 

He can’t just leave his realm like Destruction. He can’t ignore the rules and kill Lyta anyway. He can’t go back on his word and reject Nuala’s summons. If he did that, he would no longer be Dream.

So, he sets Daniel up in his new role as best as he can with the time he has left, and then he takes his sister’s hand to prevent any further damage to the Dreaming. Death accuses him of planning the whole thing, and perhaps that’s true. Perhaps he saw where the pieces were laid on the board and manipulated them to his advantage. I certainly don’t deny that ever since Orpheus he had intended to take himself out of the picture, one way or another. But I truly don’t think he meant for it to happen like this. I don’t see him as a cold-hearted chessmaster, forcing himself into a corner until he has no way out, with his creations’ existences hanging in the balance. I think he had a plan, and tried to stick to the plan as best he could, as the true tragedy spun into place around him: it was always going to happen like this.

Are y’all ready for the mean thought?

Because thinking about it this way, if truly all he wanted was a way out, he could have expedited the process at any point. As I hope I have shown here, to the contrary, his behaviour reads to me as someone who held out until the absolute bitter end, until he literally had no other choice. What are we to make of this? On the one hand, we have Death’s accusation about  “...the stuff you do. Where you do it, and you won’t even admit to yourself it’s what you’re doing.” Maybe that’s true. Death knows Dream, and knows what she’s talking about.

On the other hand, we have a scene, way back at the beginning, with Hob. (Hob who, incidentally, doesn’t seem all that surprised to see Dream outside the confines of their century meetings, given that he thought their toast during Season of Mists was a dream, but I digress.) (Dream also goes to see Hob the instant there’s any inkling of trouble, again, as he does in Season of Mists, but I digress a second time.) And Hob is, as in 1889, too perceptive by half. As Dream is walking away, Hob says:

“You take care of yourself.”

What if Dream went to Hob, knowing his friend, being perceptive, would guess that something was up?

What if he just wanted to be reminded that someone cared whether or not something happened to him?

He gave Hob a promise that he would take care of himself. And so he did, in the face of overwhelming odds. (Odds that he may or may not have set in motion himself, true, but that just makes it more extraordinary.) Until he couldn’t any more. Until taking care of the Dreaming took precedence over taking care of the aspect, Morpheus.

Because Dream of the Endless always keeps his word.

#the sandman meta #the kindly ones #dreamling

[torturedblue]

It’s the middle of the week, have some dancing turtles

Spoilers below as I gush about my Mutant Mayhem Monday experience 🤗 please feel free to gush with me I wanna hear other people’s thoughts too!

First off… When Seth wanted to put the teenager in TMNT he meant it. Like, all the versions act like teenagers, but like Nickelodeon PG stereotypical teens. MM turtles were the realest PG-13 outta pocket 21st century teenagers I’ve ever seen and I love that shit because it’s the first time I actually felt like I was around the kids in middle school and high school again with the way they talk. Kinda appreciate Superfly cussing too? Like idk it’s Ice Cube and this villain goes hard tryna kill some teenage turtles he formally saw as his lil cousins, let the grown mutant cuss

Also uh, was not expecting to be sad so early in the movie? Like I could tell from the trailers it was gon be an emotional rollercoaster but shit like ten minutes in and these turtles are fuckin depressed. And to see it really hit me because in every other version (except for Bayverse) the turtles literally never let not being part of the human world get to them. In the shows especially they’re so well adjusted and never bothered by sticking to the shadows. Then there’s Rise where they pretty much go out whenever they want and indulge in most of the human world stuff they want to. For these guys to be so stunted and desperate to have more freedom was so heart wrenching. Especially when Splinter grounds them for a whole month and the reality sinks in of how much they know the life they want isn’t an option for them

Wasn’t expecting any kind of ship or romance but that crush Leo has on April hit me like truck because…… holy crap the Leo-April pair has never been a thing? On top of that this is only the second on screen black April we’ve seen and I’ve been a Leo kinnie across the board since day one so to see this combo of my favorite character liking a black girl is making me lose my mind 🥲 and like it got me thinking of several of my favorite shows and the single characters I kin in those and if they’ve ever had black love interests and it’s just still not a common normalized thing honestly.

I’m sure a lot of people aren’t excited for the prospect of ships coming back (especially after 2012 scarred us) but as a Leo lover and black girl it got me so excited to see something like this. I’m just hopeful and optimistic they won’t mess it up like a lot of shows do. The “this is just as friends line” already makes me a little worried bc that trope never has a good history but I have faith they’ll handle things tastefully and not make it toxic or messy

MURDER THE SHREKS!

“I assume you’d wanna be on camera. ‘Cause you have, like a very camera ready look…” OKAY SMOOOOOTH LEONARDOOOOOO 👏🏽

Could not stop laughing while he was shooting his shot my face was literally donnie’s restraining myself from bursting out laughing

Just a couple of my favorite questions that April wrote down for them:

“Do you carry salmonella?” Look I still don’t know wtf salmonella is but it’s the second time a TMNT iteration has joked about it so I’m starting to think it has something specifically to do with turtles 👀

“Have you caught covid?” Oml covid exists in this world

“Are you the source of covid?” OUT OF LINE 💀

“How many people has the red bandana turtle stabbed? Does he need therapy?” Yes.

“Does sunlight cause you to burst into flames?” They’re- they’re not vampires? 😂

Leon Ardo deserves the world and whatever he wants in it give him everything 😭

I will never understand what made Donnie laugh so hard at the name Nardo other than it being because it’s his sibling and that it bothers Leo lmao

All imma say about the puke scene is that I’m glad I heard an “out of context” spoiler about it bc I knew exactly when to look away and I’m glad I did bc the scene lasted for so long??? 😀❓But hey at least I had Unwritten to listen too while I was sparing my eyes 😂

The sequence of them going around and shaking down those gangs and Superfly’s connections. BAD. ASS. And each of them got their own moments to shine? Loved it. Like they each even got to take point and have their moments where they got to kick in the door lol. And the fight scenes were just, muah. Chef’s kiss, they all looked amazing taking grown ass adults down together

Okay Splinter definitely gets the best dad award for putting together that little surprise party, with all the celebrity Chris’s and pretending to wait on them 🥺 so pure. It did make me sad the guys immediately left and you can just see such a sad dejected look on Splinter’s face, knowing he can’t provide what his kids really want or make them happy enough without it 🥲 At the very least they say thanks and that they appreciate but I would’ve at least stayed for a lil bit and gone along with it, Splinter just looked so excited about it and it was so sweet 😭

And he doesn’t even get upset though he knows they’re hiding something, he just says he’ll help them if they’ve gotten into trouble, which is something I’m sure almost every kid has wanted instead of having the kind of relationship where they’re more scared of telling their parents they messed up instead of handling it on their own

I love how musical Superfly’s family is 😂 Ray Filet just starts sing-introducing his name and Mondo and the other couple mutants when they drive with in the car trying to find music they could all sing to together 🥹 not to mention the musical references Superfly makes later that I’ll get to. “Kinda don’t wanna murder everyone on Earth, I just kinda wanna sing” Me too bruh.

Raph immediately going “goochi goochi goo” and playing peekaboo with Genghis frog is so underrated that boy has such a soft side he’s not even that afraid of showing at times, and maybe it’s continuing the trope of Raph having a soft spot for pets/animals? Who knows 😌

Yo I was kinda shook when that government guy knocked Leo out and he just fell unconscious on the ground 😶 Like we’re used to seeing the authorities be brutal especially in movies like this but that’s a whole teenager? You just assaulted a minor? 🙂 Crazy

Also I know it’s sad they got captured and drained painfully but Mikey in that scene was hilarious 😂 like even the way he was dramatically crying and Leo was just started to cry with him like “iM sO sOrRy mIkEeEeEy! 😭” gold. When one of his children is hurting Leo hurts too. One of my favorite moments 🤣

They literally started singing BTS while being tortured they’re so unserious but like in a serious way to them and I love it. Also the fact that they did it just to make Donnie feel better? So pure. Like Raph of all turtles offered to sing while being drained of blood (bc I refuse to use the m word 💀)

The way Splinter snuck in and soloed literal government soldiers single handedly? Badass. Never loved seeing a Splinter save his sons so much 🥹

“But it’s the only way we’ll be accepted.”

“No! We accept you!”

“You can come live with us! We accept you!”

“WE VIBE!”

Oml they’re so puuuuure 😭 I really thought this was gonna be a moment where the guys invite them all to come live with them and Splinter was gonna be like ‘aha 😬 whoa slow down there’ but damn nah he was just as enthusiastic as them inviting all those mutants to come live in their home forever “The more the merrier!” Like ugh he just loves finding family like Baxter Stockman and we see where the guys got their loving nature from 🥹

The amount of his soul Mikey put into that BROSEEEPH was so real like I’ve never heard the name broseph be said in any other way, I’m so glad they put that moment in there

“New York, New York!” “I’m the king of New York!”

Oml superfly’s a Broadway baby 🤗 he’s a big bad villain marching through time square and talking about King Kong but he’s fill gonna nerd out and make his musical theatre references 😂

“For once in your life you didn’t sound lame. You actually started to sound like a leader”

“That was really heartfelt Raph”

I love the Leo Raph dynamic in this movie. Like they don’t always agree or understand each other but they will show love towards one another and show mutual appreciation

Something about any of the turtles shells cracking always gets to me for some reason like those are some serious permanent injuries so I want to see if they do anything special with that in the sequel or show maybe 🤔 And I couldn’t tell if all of theirs cracked or just one, and if so which turtle it was. I think Leo or Raph. I feel like it was Leo but Raph’s are also starting to have a trend of getting cracks in their shells so 🤷🏽‍♀️

Also I do not want to judge what other people like to wear but why are Raph and Donnie the only normal dressed ones 😭 like Mikey looks like he’s going on vacation and Leo looks like he’s going to clock in at Best Buy 😂 tell me it’s because they have limited resources for clothes lmao. HE’S LITERALLY WEARING A LANYARD

Them taking off the masks was crazy honestly… like them deciding not to wear them made my brain pause until I realize they’re kids going to school now and not being ninjas all the time… they don’t need them anymore. I’m just so pleased with the fact that this movie was willing to do what all other iterations weren’t. I see why they’re getting a sequel and show already, these guys and the plot development deserve so much more exploration

Maybe I missed something in the beginning but I’m wondering where Stockman went. Like is he still in custody? Did he die? Because not seeing him again that’s what I assumed but we only saw him get arrested or whatever, so if anything I don’t get why Superfly and the others wouldn’t try to break him out 🤔 I was surprised they didn’t make him a villain though, but I’m pretty happy about him getting to be a more optimistic kind character tho

SHREDDER HAD ME SHOOK LIKE THE ARMOR ALREADY LOOKED SO COOL AND I WAS NOT EXPECTING THEM TO GET THE BIG BAD INVOLVED AHHHH I’M SO READY TO SEE THEM REACT TO THIS ANGRY GIANT TIN CAN

Although I do wonder if Shredder’s gonna have some personal gripe with them since they have a different backstory he doesn’t seem to be a part of. And shit now that they’re public and in school it’s gonna be so much easier for him to go after them 😅 pluses and minuses…

The soundtrack: golden. Cultured. Nothing but range. Goes from a 90’s rap song to Natasha Bedingfield’s soulful 2000’s song. Most movies only ever have all pop mainstream songs or only rap songs because they think they can’t mix but MM does it effortlessly. The turtles are so versatile not just with music genres but they make old and new references ‘cause they’re well rounded kings 💪🏽 Between rizz, Adele, broski, Hey Arnold, K-Pop, Ferris Bueller, etc… I mean Donnie’s literally doing the sprinkler and the funky chicken in that gif up top 😂 they’re born in 2008 I doubt any kids today know about those dances anymore

Clearly I have all the thoughts and feelings about these boys and the movie, but I think this is probably my favorite TMNT movie? I’ve loved all of them but I think this one definitely brings me the most comfort fr

#mutant mayhem spoilers #tmnt #mutant mayhem #tmnt 2023 #tmnt mutant mayhem #tmnt mm #tmntmm #mutant mayhem tmnt #tmntmm donnie #tmntmm leo #tmntmm mikey #tmntmm raph #tmnt mm splinter #superfly #tmnt superfly

[squib-2006]

So I’ve finally got some of my thoughts on the new season in order and letting my self sit on it for a while

Dragons rising season 2 spoilers!!!!!

So first off holy shit this season has managed to completely wipe out any fears I had for season two. I’m a generally anxious person and am pretty naturally pessimistic about most things and was pretty anxious about season 2 because from the stuff shown in trailers and promotional vids it looked like a “Lloyd chosen one” plot line and I have a history of hating that kinda thing because it’s been beaten to death in ninjago at this point. While a bit of that was there I found it was done quite tastefully and didn’t overwhelm everything else story wise.

I felt that the pacing of the first 6-7ish episodes was a bit all over the place. Having the training arc and the Cole-Zane plot lines happen in the same episode with the pov switching back in forth felt a little bit off to me.

Sora and arins character arcs are shaping up to be pretty good. Soras more confident in her self than season one and she’s trying to help Arin but I feel like the whole using her elemental power to help Arin will backfire into her face. Arin’s insecurity and the whole how can I be useful if I don’t have an element I fell is being handled way better than the dumb kai arc in season 11(dw I will get to that when I get to kai) and it’s about on par with the Lloyd powerless plot from hunted. I am really excited to see what they do next and if Arin will be really mad at sora or not cuz like he’s super nice and stuff and I fell like he would be sad instead of mad.

Nya didn’t really have a lot going on personally except the stuff with Jay which I’m iffy on because so much of Nyas character in older seasons revolved around Jay and I just hope they don’t go back to that and let her character breath a bit.

In the topic of Jay I really really REALLY hope he isn’t evil. That the idea because it’s really out of character and they are already pushing my buttons with the lost memory crap because that’s something that I’ve rarely seen done well at all and it makes me very nervous and I just don’t like it. I do like that Jay just seems to be a guy who hates his job tho that’s fun.

I think the writers are just having fun with Zane and I think that’s cool. I do wanna punch the administration guy who said Zane isn’t a person because he is and he’s a bean and I will not allow this nobody to slander him.

It was nice to see more of Cole this season. I swear him and geo are so cute. The hand holding and the fact that they basically adopted two kids together is amazing and I am fully on board for this ship.

The villans were really interesting. I hope they keep up the quality with them because the mystery of ras’ master and wtf happened with jordana is really exciting. Cinder was intresting and as someone who has no interest in men what so ever I am kinda baffled at why so many people want this man but hey you do you. I do wonder what happened to ash tho. The member of the forbidden five looks interesting too and part of me is hoping that the leaked “evil jay” minifig is actually this guy just powered up cuz the color palette is similar enough and I just don’t want an evil jay.

Wyldfyre is amazing her whole leg being broken then sneaking on the ship to the exasperation of kai (like he would totally have pulled something like this a few seasons ago the hypocrite <3) and the others was so good. I am curious about her talk with egalt she mentioned one of her family members getting the wasting sickness but it can’t be heat wave cuz he seems fine so maybe she had more than one dragon guardian??? I do hope that Kai’s portal abduction does affected going into part 2 and that she bonds with nya and the others over it.

Egalt and rontu were very interesting to me and I’m glad they didn’t go the route of them being the actual creators of spinjitzu and kept the lore consistent I was slightly worried about that. Hope they come back in part 2 too.

Bonzle was a big surprise for me. I likes her personality in season 1 but I didn’t expect her to be so important. She’s really sweet and the scene with wu was great too.

And finally last but definitely not least, the best character in this entire show and my favorite comfort character to beat the shit out of

KAI

IT WAS SO FREAKING GOOD. I LITERALLY HAVE NOT BEEN THIS HAPPY WITH AN EPISODE SINCE SEASON 4 EPISODE 7 THE FORGOTTEN ELEMENT (iykyk) I was literately kicking my feet like a little girl and crying and screaming my head off to the point I woke up other family members. Him unlocking the rising dragon technique by having his sister help and being in harmony with his family is so fucking sweet and I cried like a little bitch it was so good. I am also so happy that they used his old hair and didn’t just slap a smaller version of his current hair onto him (tho I kinda wish they had used the fucked up custom hair that was in the older episodes but I doubt that model is even in their hands so whatever(side side note I love the fucked up hair so much it’s so stupid I love it and will forever miss it)) him being such a dad to wyld fire was so sweet and then using the rising dragon technique after he saw his family in danger was just perfect. I do kinda wish there was more of a dramatic reaction to him getting yeeted by ras into the portal (kinda like any of the other ninja “deaths/major injuries”) but im fine with what we got. Except I kinda hate that only nya has an outward reaction in the aftermath. No lloyd reaction no Cole reaction and nothing from Zane and it makes me mad because every other time a ninja had their moment there was a whole team reaction. But I’m feeling like that’s to nitpicky and there’s still ten more episodes to fix that so fingers crossed. But kai also encouraging bonzle to close the portal even if he’s trapped inside is such a kai thing and hit me like a truck. Also him calling bonzle kid dispite her being much much older than him is funny and sweet cuz Kai’s big brother/father figure side is coming through and it’s so sweet. And the ninja never quit line is so great I was sobbing even more after that. (Tho I don’t know why he said he got it from Lloyd when it would have made more sense to have it be from master wu cuz that’s where he learned it but eh whatever).

While im really happy about kai finally getting some well deserved angst im also very anxious about it too. This could be the perfect opportunity for the writers to just conveniently forget about him for a while and idk if i could sit through that. Kai is a huge part of why I watch ninjago and he’s always been handed the shortest stick character development wise and technically he never got his own focus season either (and no i dont count the pilots because that focused mainly on all the ninja and was only two episodes, i also don’t count season four because it was more a group season, and season 11 doesn’t count because he got a half baked b plot that sucked) I’m very worried that I will loose enjoyment in the show because I dropped the show out of disappointment after season 11 because A LOT of premonitional material made it seem like a kai season and I got my hopes up and was let down so much. I’m very cautious when getting excited about things involving kai in particular because of that and I’m just hoping the writers don’t fuck it up.

Ok that’s enough negativity for once. I’m so excited for more and am foaming at the mouth for more!

#ninjago #lego ninjago #kai jiang #kai smith #kai <3 #ninjago dragons rising #kai ninjago #ninjago cole #ninjago nya #ninjago zane #ninjago jay #ninjago sora #ninjago arin #nya smith #nya jiang #zane julien #cole brookstone #lloyd garmadon #lloyd montgomery garmadon #ninjago lloyd #ninjago dr spoilers #ninjago spoilers #ninjago dragons rising spoilers #ninjago dragons rising season 2 #sorry for any spelling mistakes I just wrote this a quickly as possible #I’m excited but also cautious per usual #us kai fans are eating good tho

[katshelluvacritic]

Not sure if you've seen the finale of the show yet because I'd love to hear your thoughts on how absolutely useless Charlie was once again

I’ve pretty much all the eps for season 1 so you don’t have worry about the spoilers.

As for the ep, I’mma just immediately rip the bandaid off and say that I had to watch it again to remember what happened, yet my brain is still kinda processing it again so I’mma type this to the best of my ability and if I do miss some parts I do apologize.

To start off with one of the things I didn’t like that included Charlie (mostly a personal nitpick) was her “battle fit” (if you could even call it that)

I feel like it should be self explanatory but I’ll explain anyway; for one, the fact that Charlie wearing what I like to call “the evil star butterfly cosplay” just doesn’t make sense to me. Like even though I don’t like Vicky’s fit either, at least she’s wearing something that could cover her skin to lessen the risk of cuts and injuries.

Charlie however is not only wearing a dress but also HIGH HEELS, which realistically would prob have her dead from the spot because for one, you can’t run in heels and two, like I said before she’s at higher risk to be injured compared to Vicky.

Like I’m honestly shocked that she only got a few rips from her clothing and a few bruises, like I get she’s the princess of hell but damage is still damage.

Not only that since Charlie is a princess then, wouldn’t she have access to wear royal armor??? Assuming she did (because there’s gotta be a reason to where she got that shield from), why didn’t she just wear that???? I feel like it would’ve been the most logical thing to wear since after all, YOUR GOING TO WAR AGAINST DEMONS.

Also speaking of the shield, why does she only have a shield and nothing else? You would think that since she’s the princess of hell she’d have some sort of weaponry but no.

She just guards herself a shield while occasionally throwing up magical fireworks like if that’s gonna do anything. Like, I get all niffty did most of the time was stab already dead angels before she killed adam, but at least she actually tried to do some damage compared to Charlie.

And then Razzle and Dazzle.

Listen, I can understand her not being able to save sir pentious because she was trying to protect Vicky and a lot of stuff was going on but why did she summon them? Isn’t she the daughter of lucifer? Wouldn’t she have transforming powers or something to get up there

I mean we’re shown in this gif that he can transform into different animals as he so pleases and can EVEN GROW WINGS.

Wouldn’t Charlie technically have those abilities? And even if she doesn’t have those abilities, these fuckers have guns and cannons with them that could shoot/blast Adam down.

Also gotta love the fact Charlie just stays on the roof of the hotel and watches the Lucifer and Adam fight happen UNTIL ADAM RAY BEAMS THE HOTEL IN HALF, ONLY FOR HER TO BE SAVED BY LUCIFER was so dumb. Women do SOMETHING WHY WERE YOU JUST STANDING THERE????

then like the ending. Omg the ending…

“Omg guys I lost sir p and the hotel guys, I failed” PENDEJA. YOU DID JUST DICK ALL DURING THAT WAR OTHER THAN WAVE SOME SHIELD AROUND WITH SOME FIREWORKS. CRY HARDER. BOO HOO I GUESS.

And I just gotta say, I doesn’t entirely include Charlie but like these parts of the lyrics

What???? Tf you mean redemption may take a while???? We’re still going with that??? After the war against heaven you guys just had??? Did Charlie forget what happened in episode 6, where like there was some shit about heaven being a lie and this evil place???? Why are you guys still trying to redeem sinners when YOU Charlie, realized heaven is evil???

But don’t worry, they rebuild the hotel guys! They can live happy ever after right?

Even though like… let me check my notes…. Oh right! Angel is still stuck with valentino, husk’s soul is still taken away by alastor! Oh yeah, I guess viv forgot about that part I guess.

I know I’ve already said this to friends of mine but ngl this episode especially just reminded of this one page from sonichu where Chris and his chars execute a guy in an electric chair but make it viv’s characters and Adam/heaven.

But uh, yeah. I don’t like Charlie, I don’t like this episode, I don’t like this series. I don’t know anymore.

#hazbin hotel critique #hazbin critical #hazbin hotel criticism #hazbin hotel charlie #Kat’s ask’s #like seriously who thought this was a good episode besides viv??? #this is so bad

[wolfqueen66793]

‼️Sonic Prime Spoilers‼️

Warning: LONG!

Putting my thoughts together on this new season, overall I found it very enjoyable! Definitely my favorite season.

Loved the Sonadow! Lots of great moments from the two hedgehogs, it’s so very important to me that we got to see a softer more concerned side of Shadow, even if you don’t ship Sonadow you have to admit him not being a asshole was great!

However I do wish we got to see more of him, I’m definitely fine with the amount we got, not only for the season but the show overall! But I hate the trend Sega has made where they put Shadow in a show and he quickly gets put to the side lines.

I think a great thing they could have done with Shadow is when he’s separated from Sonic still have episodes with him! We could have seen him recover from the fall into the ravine and fight his way out as a episode, or it could have been a prisoner situation! (Or both) Nine could have some how contained Shadow after being weakened by the Grim Bots, that would let the writers keep a power house like Shadow out of the fight but not out of the plot. Anytime we cut back to Nine we would also be cutting back to Shadow.

There was also the 3-4 Episode fighting, now honestly I didn’t care but I did notice it. Did the fights get a repetitive? Yeah, It was a lot of repeating the same stuff but I forgive it because during this long fight was all the lovely character interactions and growth, which is what I think we should focus on. Dread choosing his crew over Treasure, The Roses, The great moment between New Yoke Knuckles and Sonic vs Nine (though that probably should have been given to Shadow honestly, he was in the fight but we saw him the least it feels) and I loved the relationship between Mangey and Sails.

But I do have a small problem with how they handled Mangey and Sails in the fight, the writers gave them a “Death” scene. Now that I was really down for, but looking back on it It just makes me think “why?” Now logistically it was probably the writers wanting to take some characters out to write less, which honestly fair enough! They had a lot of characters to juggle.

But I wish there “Death” meant something more than just to get them out of the fight until the end where they come back with the Grim Big Bot, now I’m a BIG sucker for Sonic and Tails moments! And I love everything for them, I love there happy moments and I love there sad moments. Sonic and Tails’s relationship is my absolute favorite thing about the Sonic series! And because of that I wished there “death” was something more important, we got to see Sonic be actually hurt about there deaths and I love that! But I wish it just had a little bit more time, have it be the moment where he really starts to see Nine as someone dangerous, someone who can do some real damage, I know sonic is a guy who believes in second chances, and I’m not at all asking sonic to go into a blind rage and attack Nine, that just wouldn’t make sense. But I’d like a moment where Sonic would just yell up to Nine with anger but also sadness, he just had to watch other variants of his little brother die from another one of his brother, because he was too slow. (Or maybe I’m just a big sucker for angst and just like watching Sonic suffer)

And lastly there is the ending, now honestly all the other things I’ve mentioned before this point are things that I actually don’t mind but I’d probably just change a bit. And this also applies to the ending, just a tad less. I found the ending to be very unsatisfying and confusing, we were told we were supposed to understand why prime was so strange for the Sonic canon but we got 0 answers, and the ending is very open (which is a thing I don’t like for show finales, almost entirely) but, we we’re supposed to get 8eps this season but the season only had 7, that’s what Netflix ordered, so where is the last episode? What I’d like and what seems to be what others would like or at least have speculated is that Sonic Prime will get a extra long episode or Movie later down the line, to properly wrap everything up.

I’d definitely be down for something like that, it reminds me what Rise of the teenage mutant ninja turtles did with their show, after there show was put on a indefinite pause they were given the opportunity to make a Netflix movie to wrap up the story. And it’s one of my all time favorite movies! There is most definitely more that they can do with this show, and I really wish this turns out to be the case, because if this is where Netflix actually leaves the show off it will kinda suck ngl, a bad ending kinda can put a whole show off for me (not that this show will end up like that for me but still) and it would also mean Sega pretty much lied to us about understanding the timeline.

So I hope the strange cliffhanger we got with shadow taking the prism shards, the shatter spaces still being a thing and that random (most likely) prism energy blast with what looked to be a shadow of a large ship (probably the eggmen) appearing in the sky we will get that last episode Netflix ordered as a longer special that will help us understand things and give us a more satisfying ending!

But there we go! My thoughts and critiques on prime season 3. I definitely loved the season and I’ll be thinking about the Sonadow scenes we got pretty much every day just like the metal virus arc!

Here are some Sonadow pics for making it this far!

#sonic the hedgehog #sonic #sonic fandom #sonic prime #sonadow prime #sonadow #miles tails prower #shadow the hedgehog #sonic prime season 3 #tails nine

[olderthannetfic]

A lot apathetic feelings on HP here.

What do people think of the Warrior Cat series?

I read both series when I was about 11. I remember next to nothing about Harry Potter; the only things I do remember are stuff I’ve read in crossover fanfics. And I can’t see myself ever trying to read it again.

Warriors, on the other hand, I loved. Even if the target audience is elementary students, I still plan on rereading it one day. And I remember so much about the cats, more than the wizards anyway.

What I remember from Warriors (spoiler warning, I guess): Bluestar getting into a deep depression after the betrayal, Tigerstar getting poisoned by his mother after being told it was medicine, Firestar’s atheist nephew, the whole Skyclan thing, and so much more.

What I remember from Harry Potter: Ron had a pet rat that was a murderer, and Harry’s foster family getting a million letters sent from the wizard world.

I don’t think I ever seen Warriors get any pop culture references in mainstream media, and that makes me sad. Is it just not as popular as I think it is? It deserves just as much love as Harry Potter, if not more! (Personal opinion, I’m not a professional critic.)

--

Heh. I'm familiar with this existing at all only because it is all over Wattpad and I do fandom research sometimes.

It came out when I was already out of college. In my experience, nobody my age has even heard the name.

I honestly thought it was pretty popular based on the Wattpad fandom, but sales figures look to be below 100k for most of the books based on a cursory google.

Still, for cultural references, I'd guess the biggest factor is just that the original audience is hitting like 30 now. HP had a lot of older readers a number of years before in addition to selling a zillion times better.

[lilyginnyblackv2]

Kazuki Adapting to Miri - SPOILERS!

Towards the end of Episode 4, after they go to the cheap store aimed at goods for kids and parents, we see Miri come up to Kazuki with a light green sweater with two pink strips in the center. She then asks, ”Papa, can I wear this tomorrow?” 

She never did this with all the fancy clothes that he bought previously. She was dazzled by them, for sure, but we never saw her actually gravitate towards one of the clothing items he bought from all those brand name stores. 

And this makes sense, because the outfit we saw Miri wearing at the end of the episode:

Is similar in style to the outfit they found her in (the one we see her wearing in the first image, her staple orange sweater, beige shorts, and black leggings outfit). That’s what she likes best.

I’ve seen some people being a bit critical of the message of this episode in regards to Miri and her clothes. And I do get those criticisms that the episode shouldn’t be forcing conformity, but rather acceptance of differences, but I think the thing here is that Miss Anna, and maybe even some of the parents (or even some of the children, if they are bit older than Miri) could pick up on the fact that Miri wasn’t being authentic in those clothes.

Of course, her desire to play with the other kids were 100% authentic, but the image she was portraying wasn’t authentic to her in the slightest. It was Kazuki forcing an image on her (and Rei). This episode was just as much about Miri’s struggle to adjust to daycare, as it was about Kazuki learning to adjust to the world of children and parenthood.

It’s like the whole thing with the hamburg steak. He tries to impress Miri with a hamburg steak that has a more adult tastebuds, but Miri likes one that fits her child tastebuds better. We even see this with the lunch he made for her (like look at that thing, it is MASSIVE, lmao).

In Japan, mothers trying to one-up each other with lunch box art, cooking skills, and etc. often times occurs, which is why something like a general kyuushoku (or school lunch) may be put into place. Since it would eliminate that competitive nature and have actual nutritionists create meals that would be balanced, healthy, and fitting to a child’s taste buds. Kazuki here was just trying to impress and show-off. Like, Miri does like his cooking well enough, but she seems to prefer his baking and sweets more. I bet, if Miri had actually eaten that lunch box of Kazuki’s, most of it would have been stuff she wouldn’t like or maybe not even touch.

(I have 100% seen this happen, since the daycare I worked had students bring bento - lots of times there would be things that really weren’t fitting to a child’s taste buds or stuff like salmon with the BONES left in - for like a four year old - I shit you not, one time a parent did that! I about died when I realized that). 

Kazuki’s lunch box would have likely caused a similar situation or issue.  💀

Anyway, can a child have more adult-like tastebuds and a more adult-based sense of style? Sure! And if Miri was that type of child, then she should have been allowed to express that, but she wasn’t. She isn’t. 

This episode was highlighting the idea of a parent learning to center the child, rather than themself (Kazuki assuming that Miss Anna was also asking him about his name and age in the interview is another example of this) and to adapt to the child, rather than have the child adapt to them - the adult. It was also about Kazuki and Rei learning about practicality and affordability - where to find those things and how to utilize them - to make their parenting experience easier to navigate.

Also, I’m fairly certain that the store they are imitating here is Nishimatsuya:

#Buddy Daddies #Kazuki Kurusu #Miri Unasaka #Anna Hanyu #BD spoilers #Buddy Daddies spoilers #meta post #image heavy post #long post #thought post

[griffmstr]

I haven’t really been on here much lately and certainly haven’t been talking about stuff but I have a lot to say and I don’t really know where to say it other than just dumping it into discord.

Unsurprisingly Tears of the Kingdom is really great. Everyone is raving about it from what I’ve seen but I’m staying away from most of it so I can experience it for myself you know? I’m not very far into the game so I wont bother talking about spoilers as I haven’t really seen anything myself to be honest and I wouldn’t be surprised if everything I’ve seen so far has already been shown in trailers.

There’s a couple things I really like about the game and how it builds upon what Breath of the Wild started or brought to the table. I’m one of those people that didn’t actually mind the destructible weapons. I know that was a huge issue for some but for the vast majority of the game it didn’t bother me. It did become a little annoying later when you had really good weapons and fighting shit mobs would eat your super weapons and they would drop sticks and clubs. So you ended up avoiding most combat when you could or just using other means to kill people.

That issue seems to have been solved or at least heavily addressed in TotK. All enemies drop an item that can always be fused into something to make a weapon. The more powerful the enemy the more powerful the fusion. Likely later you will have more of these items than you know what to do with so you can always make a powerful weapon from mobs even if you just use the weapons they wield as a base. This entire system is such a clever way to address the issue. Not only are you guaranteed materials to craft a weapon but you also are rewarded with your creativity on what weapons you choose to make. Some fusion materials make stronger weapons of different types like the hinox horns make good 2h clubs for example. 

I also really like the crafting system even though it is surprisingly more limited than it originally seemed however the artifacts you get continue to be more powerful or complex which allows you to make more powerful and complex machines which is really fun. Even if it’s limited when you make something using your imagination and it works how you planned it’s an amazing feeling.

Anyway mostly just rambling about my thoughts but so far I’m fucking loving this game. I complained about how long it took to come out considering they confirmed it used the same assets and engine as BotW but now that I’ve had a chance to play it I can fully understand why it took so long. 

Miyamoto was right all those years ago “A delayed game is eventually good, but a rushed game is forever bad.”

#Legend of Zelda #Tears of the Kingdom #LoZ #Zelda #TotK #Griffmstr Gabs

[ddarker-dreams]

Hi Lock~ I wanted to ask you abt how you got into literature, and how you’d maybe recommend someone else to start? I want to expand on my reading (and also you’ve hyped up Dostoevsky sooo much I’m hooked but I KNOW I’m not at that lvl yet haha) but there’s so many different sources and stuff idrk where to start. I have seen your list of recommendations and other people’s lists as well but Im never sure if they’re a good place if someone is just starting into literature; I’ve been really interested in Picture of Dorian Gray, Jane Eyre and Frankenstein right now, do you think they’d be okay? Did you look at books you knew you’d be into? Or did you try out smth new entirely? Also did you look at any sources online that you could recommend? I know I’ve asked a lot so you of course don’t have to answer them, but please let me know what you think!!

I also wanted to ask, as someone who’s read many classics in literature, in your opinion, how would you define literature? And what do you think makes a book a classic?

From a very clueless anon, hope you and bun bun have a great day and stay hydrated!!!!

hello anon!!! there are so many interesting questions here, i'll try answering them to the best of my abilities!!!!

(how i got into literature)

i'd been neglecting published works for most of my life because i just preferred fanfic way more. it wasn't until a bit into 2021 that i saw this Discourse Causing Post that 'you can't grow as an author if you don't read published works,' or something among those lines. i thought this was really interesting because i'd never given it much thought. around that point, even though writing was a hobby, i felt really motivated to improve. i normally spent no more than a day or two on a story before moving onto the next. which is fine, because fanfic writing is a hobby, but i felt i'd be capable of more if i put in the extra time and effort.

so basically i got into it because i wanted to write my silly little yandere fics better jdfklgjsdg

(recommendations for getting into literature)

i focused on the genre i thought i'd be the most interested in: horror. then i branched out from there. i looked up what people considered must-reads for the genre because i figured that'd be a good place to start. if you know what sort of genres you like, doing some research into its most prevalent/foundational works isn't a bad idea. that's the approach i took. authors throughout the centuries influence and inspire one another, i wanted to be able to map those connections out. this also helps give some context to older books with references that'd be loss on a modern audience.

(how i went about looking into books to see if i wanted to read them)

i research everything like my life's on the line, so i do look into books before i read them. i go for a synopsis that doesn't include spoilers and consider if that's a story i'd get invested in. if not, i'll read some reviews for fresh perspectives. if i'm still kinda meh by then, the book gets passed on.

(defining literature/classics)

UHHHHHHHHHHHHHHHHHH literary theory is not my field of expertise ... i'd personally define literature as any written work such as fiction and nonfiction. it can encompass so many things that defining it feels tricky. as for how i'd define a classic, all art is subjective or whatever, but there are stories that just have the It factor. whether that is their cultural impact, or works that are pillars to the genre(s) they were written in. you can see the ripples that it made after its publication.

finally, as for the books you listed (jane eyre, the picture of dorian gray, and frankenstein), i'd highly recommend them!!! all of them are apart of the gothic genre, which is one of my favorites. they've all stood the test of time for good reason.

#lock lore #answered #Anonymous

[jasmine-tea-latte]

JTL's long but not as long as it could've been review of Netflix's ATLA

So.

I’ve finished watching the Netflix adaptation of Avatar: The Last Airbender and I have a lot of thoughts. Because despite some of the more questionable changes, I overall enjoyed this as an adaptation.

I wish I could say that I was surprised by the criticisms I'm seen so far, but unfortunately, I’m not. As much as I adore the OG series for being one of the greatest animated shows (or television shows, period), it’s been placed on a pedestal over the years and any adaptation of it will always be held to an impossibly high standard. And for better or for worse, a lot of fans have their nostalgia glasses on when it comes to the show, so any deviation from the source material is going to receive some form of backlash. I say this as someone who clearly still loves the show 19 years later, otherwise I wouldn't be here writing about it, ya know?

Anyways, if I had to give it a grade compared to the OG series, I’d give it a B- or a C+. If I’m grading it as its own thing, I’d bump that up to a B+ or A-. There are some elements (pun not intended) that definitely should have been kept in, and some changes that I thought were done well.

TL;DR – I had fun watching it even during the parts that made me cry, and the parts that made me say “… well that was a decision.” I’d love to see the last two books be adapted as well, if for no other reason than to meet Toph Mothereffing Bei Fong and see all of Team Avatar together.

(Also because I’d LOVE to see The Ember Island Players, especially if they managed to work in a few fun cameos. Can't you picture Dwayne "The Rock" Johnson as Play!Toph and thee Dante Basco as Play!Zuko, hamming it up for all it’s worth? Shut up and take my money!)

(And of course, the Last Agni Kai for obvious reasons)

So I’d recommend at least checking it out if you’re interested. I’d also like to recommend that if you do, watch it from a pragmatic standpoint that it’s a condensed adaptation, not a shot-for-shot remake.

Some things that I liked, and some that I didn’t are below the cut:  

(SPOILERS, obvs)

Aang – I really liked this version of him, and though his actor’s still young, I thought he embodied the upbeat, playful side well. I also liked that they removed his one-sided crush on Katara, and – don’t shoot me for this – if they went with Kat@ang later based on how they did their characters in this first season, I wouldn’t be entirely opposed if it’s built on actual friendship and not an unrequited crush. (Still Team Zutara for life, but I don’t think that I’d *hate* it if the show went in this direction.)

Katara – I thought her actress did great when it came to portraying the nurturing, sensitive side. What I didn’t like was them removing nearly all of her feminine rage. Let her be angry! Let her lose her temper and be hot-headed! This post sums it up nicely. That being said, I do think she did well enough with the direction she was given. Here’s hoping we’ll see our girl eff some stuff up if we get Seasons 2 and 3.

Sokka – Fantastic and sarcastic. I really liked his actor’s interpretation of him, and it definitely felt more in line with the character we all fell in love with during the OG show.

Zuko – out of the main cast, I think his performance was the best. He had to step into a major role, taking over from a beloved performance that is still hailed as one of the greatest redemption arcs in modern media with a lot of expectations riding on his shoulders, and I think that his actor knocked it out of the park. It’s different from Dante Basco’s interpretation, obviously. But as I watched each episode, I kept thinking, “there’s our grumpy fire boy.” The scene where he’s throwing the temper tantrum over losing his journal, while Iroh’s standing back and watching? I thought to myself, “this boy is the worst, he’s perfect.” Plus the flashbacks to his life before scarring were done well, and even though I knew what was coming re: the Agni Kai against his father and subsequent banishment, I still got emotional.

Also, regarding the Agni Kai – on one hand, I feel like his absolute refusal to fight back was such an integral part of that scene and understanding who he is as a character. That being said, I didn’t *hate* that in this version he was pushed into defending himself, albeit by holding back. That one shot where he hesitates to attack Ozai, only for his father to use that same move against him moments later… oof.

My ONLY complaint with this version of Zuko is that he didn't say "honor" once.

Other thoughts I had:

🟣 I really liked that we got to see more of the Air Nomads and life at the Southern Air Temple prior to Sozin’s attack. I also liked the explanation the show gave of having all the Air Nomads gathered together for a festival celebrating the comet, which makes more sense if they’re all (allegedly) under one roof.

Additionally, witnessing the genocide itself… I was crying. Especially during the final showdown between Gyatso and Sozin, and the realization that we were witnessing Roku’s (former) best friend slaughter one of his other closest friends.

But why wouldn't they send the children out on the flying bison to escape instead of having them all cornered?!

🟣 I really enjoyed getting to see interactions between Ozai and Iroh, which was one of the biggest missed opportunities in the OG show.

🟣 MY GIRL JUNE. That is all.

The part where she flirts with Iroh was also a nice flip on what happened in the OG show, with his covert pervert crush and all. Plus Zuko’s face when she calls his “dad” cute? Peak Zuzu. Also, poor Iroh hahaha.

🟣 Suki! I really liked the Kyoshi Island episode, plus her awkward flirting with Sokka by kicking his ass.

🟣 I really wish the whole subplot of Kya’s necklace hadn’t been cut, tbh. The flashbacks involving her were good, and as devastating as it was actually seeing her death, it does hammer home the point what a horrifying experience that was (side-eyeing you, everyone making the jokes about Katara always bringing up her dead mother.)

🟣 THE SCARF SCENE. Nice try, Netflix, but I know better than to get my hopes up again from 5 seconds of slow-mo. Did I still screech when it happened, though? Ofc I did!

🟣 The twist with the 41st Division was bittersweet and I may have (okay, definitely) cried.

🟣 Combining Jet’s subplots with the Mechanist’s and putting them in Omashu wasn’t too bad. I do wish the message of “not everyone in the FN is evil” from Jet’s episode had made it into this version, tbh.

🟣 Overall, I liked Jet + the Freedom Fighters. Also, props to his actor for capturing the pretty boy / f*ckboi attitude well.

🟣 Loved Chong and the hippies, of course (SECRET, SECRET, SECRET TUNNEL, YEAH!) and I don’t mind that they were included this early.

🟣 I loved the change to the Cave of Two Lovers and having Oma and Shu be lesbians.

🟣 I feel like if the show’s renewed for a second season and we come back to Omashu, there’s a chance they could revisit the COTL with Katara and Aang this time around.

🟣 The random lady smacking Zuzu with a broom – “how dare you hit that child?!” – was hilarious, and Dallas Liu’s facial expressions of “wtf” and “fml” were a thing of beauty (starts at 1:40 in the video below)

🟣 CABBAGE MAN! I just love that they got the original voice actor, hamming it up and screaming at the sky.

🟣 I LOVED the Blue Spirit episode, and all of the flashbacks, plus the voiceover about masks and seeing past!Zuko contrasted to present!Zuko, as presented in this gifset? RIP my heart.

🟣 The flashback to Lu Ten’s funeral and showing Zuko being the only person to join his uncle, sharing a sweet memory of his cousin while Leaves from the Vine plays? Beautiful. Ditto to the flashbacks of Iroh standing up for his nephew prior to the Agni Kai and the scenes of them getting ready to set sail to search for the Avatar. “I don’t need a babysitter.” “How about a friend?” how about excuse you I did not ask for these emotions how dare you.

🟣 I actually liked the inclusion of Ozai and Azula + Mai and Ty Lee. I also loved the opening of Ep. 3, showing how she was able to infiltrate the team of rebels. RIP to Kevin Tran (in advanced placement), though.

🟣 I loved that Katara rallied the women waterbenders and they were able to help during the Siege of the North. I also liked her reaction when she's talking with Yugoda in the healing huts and realizes why she's been sent there. It gave us a glimpse of the fiestier / headstrong Katara we all know and love, and if the show gets renewed I hope we'll get to see more.

🟣 I really enjoyed them giving Aang and Zuko a few minutes to talk / form a connection after he was unmasked as the Blue Spirit. That was nicely done.

and finally...

Nothing else to add, just chef's kiss.

(gif source)

Anyways! I might make a more extensive list of my personal pros and cons, but for now, I’d still recommend giving it a shot.

#long post #avatar the last airbender #netflix atla