#we have a very violent history

[lewis-winters]

I was just curious but do you have any recs for period dramas about the philippines? I want to expand my period drama watching and im not quite sure where to start

Oh, the monster you've unleashed. YES I do have so many period dramas from and about the Philippines. Unfortunately, not all of them might be accessible to you if you're outside of the Philippines. Some of them are found on Amazon Prime, Netflix, and MUBI though. I'll make sure to put a lil note next to each film if they are. Also! these vary in genre (meaning: not all of them are war films, and some of these are horror films-- because this is me we're talking to, heh). I also have copies of some of these and will make a lil note next to each film if it's available for sharing, though I'll only give the link via DM. Please note, however, that they are all either in Tagalog, Bisaya, and/or other local Philippine Languages and not all of them have subtitles!

I also have very nuanced relationships with all these films, since Philippine History was my undergrad of choice. But to keep this post as brief as possible, I'm not going to talk about them at length. Though I will be including trigger warnings. Also note... some of these movies kinda suck HAAHAHAHA but I had way too much fun watching them so like. Please don't tell me they suck, please. I love them too much.

Also tagging @emmylynnaa because I promised her a similar list.

This is sorted by eras in Philippine History. Enjoy! (under the cut because it got long):

Spanish Occupation Era (1565 to 1898)

GomBurZa (2023) – A film following the GomBurZa, the three native Filipino Roman Catholic priests Gomez, Burgos, and Zamora executed during the latter years of the Spanish colonial era. TW: period typical violence. Furthermore, this is a Jesuit produced film so like. Once again. Take it with a grain of salt.

Jose Rizal (1998) - Jose Rizal's life and works are recounted through a series of non-linear flashbacks which reflect on various aspects of his life - as writer, propagandist, lover, friend, brother, doctor, and the man that inspired a revolution. Available on MUBI. TW: depiction of sexual assault by a priest. I also have a love-hate relationship with this film because on one hand, literally shaped my love of history. On the other hand, it is the MOST idealistic depiction of Jose Rizal ever + very historically inaccurate in many places, please watch this with a grain of salt.

Maria Clara at Ibarra (2022 – 2023) – A series about a girl from the 21st century who is magically transported into Jose Rizal’s famous novels Noli me Tangere and El Filibusterismo (you know, the novels that helped spark the Filipino Revolution against the Spanish). The synopsis sounds cheesy but trust me, it’s very good. Available to watch on the GMA official webpage. I just don’t know if you can access it outside of the country. TW: rape, abuses of the Catholic church, period typical violence, abuses of Spanish colonialists. A personal favorite—the costumes? Divine. And the character arcs are also really lovely. Helps you understand Philippine contemporary culture, too.

Katipunan: TV Mini Series (2013) – A mini-series depicting the creation of the Kataastaasan Kagalang-galang na Katipunan ng mga Anak ng Bayan (or the KKK—no, not the white supremacist group; that’s unfair, by the way, we did it first), the revolutionary organization founded in 1892 by Filipino Nationalists against Spanish Colonialization. Available to watch on the GMA official webpage. I just don’t know if you can access it outside of the country. TW: depictions of rape aftermath by Spanish soldiers, period typical violence, torture, graphic depictions of a corpse. This is a personal favorite of mine.

Hele sa Hiwagang Hapis/A Lullaby to the Sorrowful Mystery (2016) - Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history. Available on Mubi. TW: it is literally eight hours long. But that’s Lav Diaz for you. I love him, but oh my god is he an acquired taste.

Ang Kababaihan ng Malolos (2014) - The saga of the 20 Filipino women who petitioned for the opening of a school in a time when women weren’t given the chance to do so.

Ganito Kami Noon... Paano Kayo Ngayon? (1976) – Set during the end of Spanish colonization and the start of American colonization. After his mother's death, the simple-minded and naïve Kulas (Christopher De Leon) begins his much-awaited trip to Manila. On his way to Manila, he mindlessly takes on the mission of retrieving a friar's son and bringing him to the friar's residence.

Mallari (2023) - A horror film chronicling the deeds of the first recorded serial killer in the Philippines. This film spans decades, all the way up to present day. It's kinda stupid. Like. Really stupid. That's ok. We watch it because we want to see Piolo Pascual and JC Santos covered in blood. TW: oh my god so many bodies and so much gore.

Filipino-American War and America Occupation (1899 – 1940s) (this era has the best films, actually, if you want a place to start and start strong? start here)

Amigo (2010) - A local leader of a small Filipino barangay must decide whether to keep the peace with the American troops occupying his village or join the insurgency with his brother and son. TW: racism, sexual harassment, graphic depictions of corpses, gore, period typical violence.

Heneral Luna (2015) - Set during the Philippine-American war, Heneral Luna follows the life of one of Philippine History's most brilliant soldier, General Antonio Luna, as he tries to lead his countrymen against colonial masters new and old, and to rise above their own raging disputes to fulfill the promise of the Philippine Revolution. Available on Netflix. TW: short scene depicting the aftermath of sexual assault, period typical violence, and graphic depictions of a corpse. Again, one of my favorites. I have so many happy memories of this film + the fandom it birthed! I miss it sometimes.

Angelito (2018) – The short film that bridges both Heneral Luna and Goyo: Ang Batang Heneral, depicting the brothers Manuel and Jose Bernal – Antonio Luna’s aides-de-camp – and their youngest brother Angel, two days before the General’s assassination. This film you can find on Youtube!

Goyo: Ang Batang Heneral (2019) – The sequel of Heneral Luna, this film follows the story of Gregorio 'Goyo' del Pilar, one of the youngest Generals during the Philippine-American War who fought in the historic Battle of Tirad Pass. Available on Netflix. TW: short scenes of torture, period typical violence, and graphic depictions of a corpse. Again, a personal favorite for the same reasons stated above. Though it’s not as strong as Heneral Luna, I gotta say.

Ang Larawan (2017) - In a musical tale about standing together against materialism, two impoverished sisters anguish over whether or not to sell a painting, the final masterpiece by their recluse father. A bitter struggle for survival against betrayal set in pre-World War II Manila. A personal favorite, oh my god. This film. Oh my god, this film.

World War 2 and its aftermath (1940 – 1950)

Quezon’s Game (2018) - In 1938, Philippine President Manuel L. Quezon, military adviser Dwight D. Eisenhower, along with other notable figures, set out to rescue Jewish refugees fleeing Nazi Germany. Quezon simultaneously deals with a relapse of tuberculosis. Available on Amazon Prime. TW: talk of genocide and short scenes depicting the murder of Jewish people by the Nazis.

Tatlong Taong Walang Dios (1976) - A woman falls in love with a Japanese soldier during the Japanese Occupation in the Philippines; the whole town turns against her. TW: rape. Think Malena.

Oro, Plata, Mata (1982) - Set in the Philippine island of Negros during World War II, it tells the story of how two hacendero families cope with the changes brought about by the war. TW: rape

Kusina (2016) – Her kitchen. The silent witness to the life and love of Juanita. It is her sanctuary, the place where she creates dishes for her family, friends, even enemies and strangers. Through cooking, she gets to know the people around her. TW: violent child birth, death of mother in child birth, sexual harassment by Japanese soldiers. This spans multiple decades, all the way up to Martial Law.

In My Mother’s Skin (2023) - Stranded in the Philippines during World War II, a young girl finds that her duty to protect her dying mother is complicated by her misplaced trust in a beguiling, flesh-eating fairy. Available on Amazon Prime. TW: body horror, gore, explicit depictions of a corpse, period typical violence.

Markova: Comfort Gay (2000) – A coming of age drama film loosely based on the life of Walter Dempster Jr., the last surviving Filipino “comfort gay” (male sex slaves for the Imperial Japanese Army) from World War II. TW: CSA, wartime systemic rape, rape.

Comfort Women: A Cry for Justice (1994) – The story of how two sisters and the rest of the women of Sta. Monica are forced into sex slavery by Japanese soldiers during World War 2. TW: wartime systemic rape, rape, and period typical violence.

Seklusyon (2016) - In 1947, a group of deacons (aspiring priests) on their last week of training are sent to a remote monastery to live in seclusion for seven days to protect them from the devil, who on the last few days of training attempts to break the will of deacons to make them reconsider their choice of becoming priests. During their seclusion, a little girl named Anghela, believed by locals to be a living saint because of her healing abilities, appears at the monastery seeking refuge. Available on Amazon. TW: pedophilia, gore, body horror, Catholicism, religious horror.

Corazon: Ang Unang Aswang (2012) - A psychological thriller film detailing the psychological breakdown of a woman struggling with infertility in post-war Philippines. If you want to see women go feral, this is fun.

Martial Law (1970 – 1980) (actually, you know what? I lied. This era is the era with the best films. God, these are CLASSICS and are the ones that’ll help you understand contemporary Philippine culture the most; definitely start here)

Manila, sa mga Kuko ng Liwanag (1975) - Júlio Madiaga, a 'provinciano', arrives in Manila to search for his beloved, Ligaya. TW: coerced sex work, sexual abuse. Once again, a Filipino cinema classic.

Insiang (1976) - After a teenager is raped by her mother's boyfriend, she sets out to exact revenge on anyone who has hurt her. TW: I mean. It says it right there. Though it’s not actually shown on screen, it is very heavily implied. She doesn’t die in the end, if you’re wondering.

Dekada ’70 (2002) - A middle-class Filipino family struggles to survive in the era of dictatorship. This is a fucking classic in Filipino cinema. Available on MUBI. TW: sexual harrassment, discussion of torture, depictions of wounds and beatings, period typical violence. Martial Law was rough.

Aparisyon (2012) – A psychological drama film set in early 1970s, where the story about the nuns in the period immediately preceding the declaration of martial law by Ferdinand Marcos. The film’s director, Isabel Sandoval, is a transgender woman and an absolute visionary. Her other films Senorita (2011) and Lingua Franca (2019) are also very good, please check it out. All films are available for streaming through the Criterion Channel. TW: rape, religious trauma, period typical violence, Catholicism.

Lihis (2013) - Set in the 70’s during the darkest hours of Philippine History, we follow the story of two young NPA warriors who find themselves entangled in a web of frustration, despair and victory as they fight not only for democracy but also their love for each other. Available on MUBI. TW: Infidelity.

Barber’s Tales (2014) - In a rural town in the Philippines during the Marcos dictatorship, the newly widowed Marilou inherits the town's only barbershop from her husband- a business that has been passed down by generations of men in her husband's family. With no other means of support, she musters the courage to run the barbershop.

Dahling Nick (2015) - Dahling Nick is a docu-drama exploring the life and works of National Artist for Literature Nick Joaquin, who only accepted the National Artist Award on the condition that the Marcos administration release a well-known writer who was being unjustly detained during Martial Law. I love Nick Joaquin. He’s shaped my understanding of the Magical Realist genre far more than any of his contemporaries have. This film is notoriously difficult to get your hands on, so I suggest going to read his anthology by Penguin Classics called the Tropical Gothic instead!

Respeto (2017) - Hendrix is a poor aspiring rapper who wants to make a name for himself in the underground rap battle scene and gain respect in the community. After attempting to rob a second-hand bookstore in the neighborhood, he is discovered by the owner, Doc, an old poet with a haunted past as a dissident. Not necessarily period, but definitely has its roots in Martial Law.

Liway (2018) – A film about the kip, a young boy growing up in a prison as the son of anti-Marcos dissident Cecilia Flores-Oebanda, better known as Commander Liway, during the waning days of the Marcos dictatorship. It is currently streaming on Youtube!

The Kingmaker (2019) - is a 2019 documentary film written and directed by Lauren Greenfield, featuring the political career of Imelda Marcos with a focus on the Marcos family's efforts to rehabilitate the family's image and to return to political power, including her plans to see her son, Bongbong, become President of the Philippines, and the alliance that Bongbong and Imee Marcos established with Rodrigo Duterte in his bid to win the 2016 Philippine presidential election. Available on Youtube! if outside of the Philippines, use VPN.

1980s – 2000s Philippines

Misteryo sa Tuwa (1984) - The fortunes of three impoverished friends and their families abruptly change after an airplane crashes in a nearby mountain.

Alpha Kappa Omega Batch ’81 (1982) – A psychological drama film depicting the titular fraternity's harsh initiation of new batch members as seen through the eyes of pre-med student Sid Lucero. TW: hazing, torture, psychological torture. It’s fucked up, actually.

Himala (1982) – During a total eclipse Elsa, a young girl from rural Philippines, allegedly witnesses an apparition of the Virgin Mary on top of the hill where, as an infant, she was found and adopted by Saling. Said visions change her life and cause a sensation hysteria in a poor, isolated northern village in the midst of drought. TW: rape, religious fanaticism, religious trauma.

Adela (2008) - The story of Adela, which takes place in the span of one day, is a heartbreaking story of a woman who longs for the company of her loved ones. This isn’t actually period. This film just breaks my heart. And of course, it has acting legend Anita Linda in it. How could I not recommend it?

Now Showing (2008) - Rita is named after a famous American movie star whom her late, former actress grandmother once adored. She lives in one of Manila’s oldest districts with her mother and aunt. Years later, she is still the same girl enamoured with television, now tending to her aunt’s stall selling pirated DVDs.

Elegy to the Visitor from the Revolution (2011) - A woman from the end of the 19th century visits modern day Philippines and observes three interwoven stories: that of a prostitute, a group of criminals and a musician. This is another Lav Diaz one. It’s long.

K’na The Dreamweaver (2014) - K’na is a young woman coming into her own in the mountains of South Cotabato, where the T’boli live, overlooking the majestic and mystical Lake Sebu. She is part of the royal family of the South bank of the lake, part of the clan that was banished from the North Bank centuries ago after what the elders call The Great Betrayal. At a young age, K’na, is trained in the art of weaving the T’bolit’nalak. The design of the t’nalak fabric comes from the visions granted by Fu Dalu, the goddess of abaca, only to deserving women who become dreamweavers. K’na’s grandmother, Be Lamfey, is the village’s last master dreamweaver. When Be Lamfey dies, the gift of dreamweaving is passed to K’na and her father, LobongDitan, decides to put an end to the warring clans of Lake Sebu once and for all by arranging a marriage between K’na and Kagis, the heir to the throne of North bank. Meanwhile, K’na has fallen in love with Silaw, a childhood friend whose family supplies the finest abaca fibers to the dreamweavers. Silaw leaves love messages for her by tying bits of abaca thread to a tree outside K’na’s window. As the marriage grows near, a revolution brews among those who do not believe in the union of the two royal clans.

Smaller and Smaller Circles (2017) - Two Jesuit priests, Gus Saenz and Jerome Lucero perform forensic work to solve the mystery revolving around the murders of young boys in Payatas, one of Metro Manila's biggest slum areas. While dealing with the systematic corruption of the government, church, and the elite, the two priests delve into criminal profiling, crime scene investigation, and forensic analysis to solve the killings, and eventually, find the murderer. Available on Netflix. TW: child death, talk of child sexual abuse at the hands of the Catholic Church and at the hands of teachers, graphic depictions of a corpse, film also triggering to folks who suffer from claustrophobia.

Billie and Emma (2018) – An LGBT coming of age story set in the mid-1990s featuring two teenaged girls Billie and Emma as they grapple with topics such as sexuality, family, religion, unplanned pregnancy, and the uncertainty of the future.

#philippine cinema #filipino cinema #film recommendations #film rec #filipino period dramas #period dramas #philippine history #filipino history #please heed the tags there's a lot of violence in there #we have a very violent history

[specialmouse]

lgbt people need to stop thinking in terms of black and white and by that i mean stop thinking our oppression as directly analogous to the oppression of black people by white people it's not the same !

#fuck dave chapelle hope he dies broke and alone . that being said. i think this line of thinking is the reason why black and other nonwhite #people associate transness specifically with whiteness #part of the reason why anyway. because when we're trying to make direct parallels between something that is not institutional and something #that has been for hundreds of years and is ingrained into basically every facet of culture (transphobia vs antiblackness tbc) #then youre going to have cis(het) black and nonwhite people be like oh these people have no idea what theyre talking about #it's real oppression but talk about it on its own terms... #this isn't to say the two can't intersect OFC THEY DO they do very hard and very violently #i think that we pull from black liberation politics and language in the west particularly in the usa because when we say civil rights that' #the struggle we think of . The Struggle. so we try to pull from that history and current battle. and while parallels absolutely can be #formed esp because so much of lgbt history and liberation in the west is propelled by the work of black and brown trans women.. #as white lgbts we need to be able to talk about our struggle in context with that without pulling unnecessary and unapplicable takeaways #from a distinct intersectional struggle that we don't face. does that make sense. #to be clear again the reason dave chapelle thinks transness is a white construct also has to do with just plain ole transmisogyny. i'm not #placing the blame entirely or even mostly on us here that would be ridiculous

[thedreadvampy]

ugh idk what's going on with me lately but I was having a perfectly reasonable dream about going to a party and getting high with Snoop Dogg and it turned by a fairly logical progression into an extremely on the nose trauma dream.

I think my beef is usually when I have these kinds of dreams my brain invents a guy. and in this one my brain DID invent a guy and then did a bait and switch and instead made the Bad Thing happen with a real person in my life who I love. So THANKS FOR THAT BRAIN. FUCKER.

#red said #in the dream i left the party to go and find a place to break up with my (invented for this dream) boyfriend #who was upset that we weren't having sex. which is for me a situation with a lot of Ungood History #but like while i was figuring out my approach a Real Person from my Real Life came in and started having the same complaint #and things got very violent which in real life they would NEVER DO and i knew that in the dream too so it was even more of a betrayal #anyway I'm mad about it. wish i didn't have a brain.

[andthebeanstalk]

I HAVE BEEN LEARNING ABOUT MISTER AUGUSTUS OCTAVIAN/OCTAVIUS GAIUS CAESAR SINCE 8TH GRADE. HOW AM I STILL LEARNING MORE THINGS ABOUT HIM THAT MAKE ME GO "octavius babe holy shit what the fuck what the FUCK dude"

#roman history #overly sarcastic productions #Augustus Caesar #octavian caesar #octavius caesar #original #like is he as crazy as nero? no. but the thing about emperors like nero and caligula is that while a lot of us know their names because #they were so unhinged - they were too violent and volatile to actually have very effective reigns as rulers. #their effect on history is limited in some ways because a mad king will go down in history for madness but little else #but Augustus Caesar was the most ruthless ambitious terrifying motherfucker to ever meddle in the Mediterranean #he makes Julius Caesar look chill. he was so GOOD at political ruthlessness during a time of upheaval that he made himself into a GOD #we still have months named after him and his adoptive father and i live in North America just about 2000 years after he died! #he re shaped a huge part of the world and i have been studying greco roman culture for so much of my life and HOW is it i JUST #found out that this bitch SACRIFICED OTHER ROMANS TO THE GODS. WHICH WAS NOT. A. THING. PEOPLE. DID. EVER. IN. ROME. #and then AFTER THAT he becomes a GOD EMPEROR. how???? #did the sacrifices... WORK?! #like i cannot emphasize enough that I have learned specifically about Roman culture for years #and this is the first I have ever heard of an instance of human sacrifice. it wasn't a thing! it was wicked not a part of their religion!! #and he just did it as a political move. because he was fucking crazy. #and I'm just going to go ahead and use that language because I am a person with severe mental illness and you can bite me. #octavius caesar was fucking crazy. not in the mental illness sense tho - in the HOLY SHIT THAT SHIT IS FUCKING CRAZY sense #although All Things Considered he probably did at least have some kind of trauma regarding all the murder and war and stuff #I once saw a gender swapped production of Julius Caesar and it was really good #and I remember being terrified of my friend lucette playing Octavius. it was great #HUMAN SACRIFICES. IN FUCKING ROME. WHAT. FUCKING WHAT. I AM LOSING MY MIND #how the FUCK did this man manage to remain politically successful after this????? I guess it helped that there was no internet #it's not that I'm surprised about brutality in Rome it was their whole brand it's that this particular form of violence is extremelY #not something that romans DID. like it just wasn't part of the culture this wasn't a thing

[firelordhotman]

something that i think a lot of people forget these days and that i think a lot of stupid discourse could be easily resolved by remembering is that gay marriage literally has not even been legal in the us for even 10 years yet

#like theres so much great progress thats happened over these years but #there are people who dont only know the word Faggot as a cool punk reclaimed identity #there are people who still get literal ptsd flashbacks to being violently beaten while having slurs like that thrown at them #and i know policing how people identify and describe themselves is absolutely NOT cool like trust me i mainly identify my gender as a fag 2 #but we gotta stop pretending like Slurs arent Slurs due to their very recent violent history #just like . idk keep that in mind #and telling other lgbt people who havent overcome their trauma yet that theyre regressive and homophobic because of it is … regressive and h #omophobic #But i guess the blame for that ones on me for assuming this site has any sense of Nuance #‘and why is this post so americacentric’ because im american and im talking about my experiences amonf other american queers and lgbt ppl

[genderqueerdykes]

i have been trying for like. months to explain how the relationship between butch lesbians and trans men is not something akin to polar opposites and this is all i got. like it's not like this:

it's a venn diagram with a massive overlap in the middle. i'm not saying EVERY butch is a trans guy and EVERY trans guy is a butch dyke , i'm just saying it looks more like this:

these are not "mutually exclusive" terms- they do not mean the same thing, but we can be the same people, an very often are. there is a long history of butches who identify as FTM, trans men, drag kings, genderqueer, genderfluid, transmasculine, male, polygender, and two-spirit lesbians, and so much more. the relationship between lesbianism and queer masculinity is inseparable and the only people telling you that butches and trans men need to violently separate from one another and be at each other's throats are terfs. even if we do not share identities, we share our struggle together as heavily misunderstood and unseen masculine queers.

we stand up for each other when our identities get confused by strangers, and we get misgendered. we stand up for each other when terfs and terfpilled people tell us that transmasculine people and men can't be lesbians, when people say "butches just want to be men", when people say "butches aren't real women", when people call each of us bull dykes and trannies, when people mock the way FTMs walk and talk and look, and when people tell trans men they're "just butch dykes in denial". we stand up for each other and understand each others struggles.

whenever a butch lesbian asserts they're a woman no matter how masc they are, whenever a trans man asserts that they are a man and not a butch, whenever a butch struggles to be seen as both a man and a lesbian, and whenever a trans man returns to the lesbian community while embracing their manhood, we are part of the same community, we share the same struggles, and we owe it to each other to stay strong.

we are not enemies. we are bedfellows, lovers, family, spouses, partners, husbands, wives, brothers, sisters, siblings, friends, each others support networks, even if we don't share identities perfectly. whether you are butch and a woman, butch and a man, butch and something else entirely, a male, ftm, genderfluid, polygender, genderqueer, transmasculine, nonbinary, two-spirit or whatever else you may be lesbian, you are part of our family and your experience is worth being heard.

#butch #butch lesbian #lesbian #dyke #ftm #trans man #trans men #transsexual lesbian #trans butch #butch dyke #trans #transgender #lgbt #lgbtq #queer #transsexual #nonbinary lesbian #genderqueer lesbian #genderfluid lesbian #transmasc #transmasculine #transmasc lesbian #ftm lesbian #male lesbian #bigender lesbian #our writing

[slyandthefamilybook]

look dawg, the destruction of Magnus Hirschfeld's Institute was an important moment in the Holocaust, but I feel like ever since goyische tumblr learned about it it's literally all they talk about. People have just instantly latched onto it because it's something that makes them feel connected. "Those famous pictures of Nazi book burnings are them burning gay and trans research" comes off as less of recontextualizing history and more of "omg that's me! I'm famous!". The fact that it's brought up in every conversation about the Holocaust now, even when the discussion is about the specific persecution of other groups, is highly suspect. When Jews talk about the Holocaust, we don't view the victims as people like us. They are us. They're our parents and grandparents, our great- uncles and aunts. In every generation we must see ourselves as if we left Egypt

JKR is engaging in Holocaust denial, but it's a soft sort of denial. Someone told her the Nazis hated trans people, and she responded "nuh-uh" because she didn't want to believe trans people have been around for that long. It's bad, sure, but we already knew she was a shitty person. I think it's a better opportunity to discuss the process of radicalization and closed-loop ideological thinking than to shit on the internet's favorite punching bag with your new favorite factoid. Jews right now are experiencing violent antisemitism. Bomb threats, death threats, rape threats have become the norm for a lot of us, but I have yet to see that discussed with the same fervor as JKR being shitty for the gajillionth time. If you truly want to make yourself a part of the living history of the Holocaust, you have to understand how to fight for what's important. You have to learn how to protect what you love, not just destroy what you hate. It's very important not to lose the plot here

It's crucial that we remember that the book burnings were primarily about Jews. Joseph Goebbels proclaimed in Berlin "The era of extreme Jewish intellectualism is now at an end. The breakthrough of the German revolution has again cleared the way on the German path...The future German man will not just be a man of books, but a man of character." The German Student Union described book burnings as a "response to a worldwide Jewish smear campaign against Germany and an affirmation of traditional German values." Science, study, reason, progress were all seen as Jewish plots to destroy society (wonder where else we've seen that). Magnus Hirschfeld was persecuted because he was gay and his Institute was full of gay and trans people, yes. But it was also because he was a Jew, and a man of science who was pushing the boundaries of medical care for LGBT people. Just. something to think about

#atlas entry

[sunnami]

❝i am half-agony, half-hope. . . i have loved none but you.❞

summary: how the marauders loved you in their time. featuring harry potter the time-traveller and sixth-wheel.

pairing/s: poly!marauders x reader. (james potter x reader, lily evans x reader, remus lupin x reader, and sirius black x reader.)

tags: reader is referred to as she/her and a mother throughout the whole fic[!], reader is a violent gremlin who craves blood but the marauders love you for that, implied child abuse[!], mentions of blood and violence[!], disgustingly sappy poetic fluff, no angst, happy ending, not proofread we die like finnick odair, edited: very minor detail.

note: there is little plot, it’s just the marauders and their adoration for you. thank you all so much for your kind responses to my first marauders fic :(( ilysm! i hope you enjoy this one as well! because there are parts when i was writing that i ended up kicking my feet in the air and smiling to myself.

“MY NAME IS HARRY POTTER. I come from twenty-years in the future, you’re my mum — one of my ‘em, actually. It’s complicated. And you’re married to James Potter, Remus Lupin, and Sirius Black.” 

You blink. 

“Get the fuck out of my room!” 

Harry James Potter has dodged many things in his life. Killing curses, jinxes, girls, Draco Malfoy, and Dudley’s sloppy punches, but he’s never had to dodge his sixteen-year-old mother’s fuzzy slipper before. (Godric, that sounds weird, even in his head.) He doesn’t know precisely how he arrived here. In the Slytherin common room, to be exact, in your dorm. Harry remembers duelling with Death Eaters, Hermione calling his name, and a flash of light hitting him square in the chest, then he remembers waking up in the cold tiles of the snake dungeon. He nearly throws himself off the window when he meets your eyes, bleary from interrupted sleep — it’s not often he gets to meet [read: one of] his dead parents, after all, three had been brutally murdered by Voldemort, and one killed by his own loony cousin. He misses Sirius, though. A lot. And right about now, he could do with some of Hermione’s nagging and brilliant plan-making. 

At present — or past, Harry guesses — he watches you scramble out from your duvet, hand clumsily reaching for your wand as you snarl at him. He wonders if his mother knows that he’s encountered other creatures far more threatening than her. Oh shit, he realizes with all the forces of an angry Hermione Granger, isn’t this the last thing he’s supposed to do? But, well, Harry has given, and given, so much of himself all for the greater good — just this once, he’d like to see his parents alive and well. Even if they were currently trying to blast him into the walls. 

“If you’d just let me explain, mum—!” Harry pleads, nearly dropping his glasses after dodging one of your stinging hexes. Godric, you’re crazy. “Please!” 

“Stop calling me that!” You screech, eyes set ablaze.  Harry finds that you’re quite dynamic with your attacks. A hairbrush, followed by a stinging jinx, then a thick History of Magic textbook — which rudely hits him in the face, but he doesn’t dare complain because you’re his mother, and he’s respectful like that — and after you’ve exhausted your breath, running him into a corner, and your nostrils flare with the stubbornness of a lion, you point the tip of your wand at him. “If this is another one of the Prewett’s shitty pranks, I want you to leave! You are in the girls’ dormitory beyond midnight, and so help me, if you aren’t walking out that door in the next five seconds, I will kill you and string you up by your bottoms for everyone in school to see! Maybe all your stupid rumours of me being a Death-Eater might come true after all!” 

“You’re a Death-Eater?” Harry asks dumbly. 

You growl furiously, and Harry figures that was not the right thing to say. “I wonder what McGonagall would say if I delivered your head to her on a silver platter.” 

“Professor,” Harry corrects with a toothy grin. “Professor McGonagall.” 

You slam his head against the wall.

Definitely the wrong thing to say. 

Harry groans, little Dobby heads floating around his vision. Why was this so much harder than actually facing Voldemort? Quick, he needed to think of something, otherwise he’d end up eviscerated to ashes on your cold, stone floors. Harry is pretty sure you’d use his remains as decoration to send off a message to your enemies. 

“You hate your father,” Harry slurs through the pain, remembering Remus’s stories of how you were the gentlest magical being he’s ever had the privilege to love — now that Harry thinks about it, Remus was being extremely biased, nothing about you is gentle at all. “He’s forcing you to marry someone old enough to be your grandfather. You love to read Muggle literature but had to stop when your father burnt your whole collection of books. Your favorite novel is Persuasion by Jane Austen. It’s the one book you carry with you everywhere, you could never get tired of it.”  

Your grip on his shoulders falters, but the fury in your eyes crackles. “This isn’t funny.” 

“It’s not meant to be funny, mum,” Harry croaks, voice cracking pathetically — strange how this is the most he’s ever uttered the word, mum; it’s a peculiar string of letters, foreign on his tongue. “You have tremors in your left leg from when your father cast the Cruciatus curse on you. One of your dearest friends is a Hogwarts house-elf named Pipley. You cheated on your Transfiguration essay once, and—” 

“That’s enough!” You bark, eyes narrowed in dangerous slits. “I don’t know where you heard those from, you creepy, little stalker, but if you want to keep breathing, then I suggest you shut up.” 

Harry scoffs — you don’t understand. Everything he’s learned about you is from Sirius and Remus. They talk about you with whispered devotion, your name like a prayer on their lips, their eyes glazed with wistfulness as though they could see you reaching out for them — but you were dead in Harry’s time. Yet, you might as well have been alive with their tales of you. 

(“She’s a different kind of beautiful,” Sirius had said, a year after breaking out from Azkaban, sitting by the fire in Grimmauld Place, taking a swig of decade-old firewhiskey, “The kind of beautiful you don’t want to take your eyes off from because you’re afraid she’ll disappear from your eyes. But you won’t forget her, oh no, you’ll memorize the freckles and moles on her skin, the scars from her years, the light in her eyes, and the way she holds her head up high. You should have seen her, James, she. . . she was — is glorious.”) 

“I told you,” says Harry firmly — although he loves his mother very much, she’s beginning to wear him out, “My name is Harry James Potter, I come from twenty-years in the future. You are one of my parents.” A lightbulb flashes in his head. He squirms in your hold, reaching for his robe pocket until he finds the thing he’s looking for. Harry dangles the ring in front of you, grinning in success when your eyes flash in recognition. “It’s—” 

“A family heirloom,” You say breathlessly. The alexandrite winks under the light, a familiar gold band with the Latin inscription of your House words. “Where did you steal this from?” 

Harry rolls his eyes. “You left it for me in my Gringotts vault. It’s my heirloom now. You have to believe me, there’s no way you can deny this.” 

You take a step backwards, nibbling on your lower lip, as you stagger to your bed — Harry nearly stumbling to catch you in case you fell; adjusting to the living proof of time travel was quite difficult, he, of all people, should know. He exhales, dragging a hand down his face. “Magic, amirite?” 

You throw a pillow at him, which he catches gracefully thanks to his Seeker reflexes, as you plop down in the comforts of your quilts. “Sleep. The other girls won’t be back until the end of the holiday. We can deal with whatever this is in the morning. It’s way too early for me to process the idea of a future Potter spawn following me around.” 

Harry smiles. “Yes, mum.” 

ONE THING THAT his fathers failed to tell him about you, and that Harry had to learn himself, was that you took ages to get ready. You sat on the chair in front of your vanity mirror, the birch wood legs whittled with snakes, and it was as though you had a Sticking Charm on the cushion. Harry didn’t know there could be so many creams, oils, and serums, and powders one put on their face. He blanches when you turn to offer him a cream for his under eyes. (“Suit yourself.” You shrug, turning to brush your cheek with dusts of pink. “Just saying, those dark circles aren’t doing you any favors.”)

“What am I like in the future?” You ask, a kind lilt to your voice, much like a warm hug, much like home. 

Harry stiffens, shoving his hands in pockets of the robes that were twice his size — you had given him the garments of Lucius Malfoy to change in, which you apparently had stolen from his room. It’s come full circle, really, the Sorting Hat had once told him he would be great in Slytherin, and now here he was, looking fabulous in green — because he was about to hurl at the feel of the velvet on his skin, knowing slimy Lucius Malfoy had worn it. (“No son—” You pause with a tight purse in your lips, as if you still can’t accept the fact. Harry doesn’t blame you. “—no son of mine will be parading around in red of all colors, future or not.” And Harry finds that he really doesn’t care, so long as you call him your son.)  

“Loved,” replies Harry gruffly, avoiding your eyes in the reflection of your mirror — they were piercing. One look and Harry wanted to spill all of his deepest, darkest secrets. He remembers the photographs in his album, the one he’s stared at so many times as a child. It’s a moving photograph of the five of you, fresh out of Hogwarts, each wearing a smile that stretched from ear-to-ear. Before Sirius and Remus, it was the only semblance of proof that Harry had — that you had once been alive. Remus is holding you by the waist in the picture, twirling you around as autumn leaves fell. You were — are — loved, and Harry thinks there’s no better description than that. 

(“I bloody hated her cat,” says Remus with a roguish quirk to his lips, regalling Harry with more talks of his parents. “Sirius, too. We just never got along with the little creature. But your mother loved it, and we would have done anything to make her happy. She deserved it, you see. She deserved more than what I had to offer her, but still she chose me anyway. And I am a selfish man, Harry, I crave glimpses of her and the whispers of her voice. She has made me a mad man whose only reprieve is her touch.”) 

You hum knowingly. “Stupid question, I guess. Since you aren’t allowed to reveal anything more about the future.” You sigh, gracefully threading your arms in the sleeves of your shirt, a green tie in the center of your collar. “Except, of course, when you gave me a heart attack in the middle of the night by telling me the last thing I want to become — no offense, I just don’t see how a relationship with those rowdy bunch would work. They get on my nerves far too much for me to ever feel anything other than disgust.” 

Harry doesn’t need a mirror to see that his expression has contorted in confusion; brows knitted and upper lip crinkled. By their memories of you, you all were madly in love in Hogwarts. Damn. This just made his trip to the past a lot harder. No maze seems to be ever just a maze. 

Luckily, you don’t notice him brewing a grand master plan to bring his parents together. Instead, you say, “But you don’t seem to be phased by any of this. If I had been thrown twenty years into the past, I would have puked my guts out twice at some point.” 

“Thanks for the image,” says Harry with a scowl. Truthfully, it had either been a present with a noseless Dark Lord to face, trauma to unpack but really never have the chance to, or a past where all of his parents were alive, and a chance to talk with them for however long he has. He knows where he’ll be staying, thank you very much. 

“Anytime,” You reply with an impish smile. 

Your heels pad across the floor as you walk over to him, mouth clicking as you pat the top of his head, full of wild, untameable Potter hair. “You need a trim soon,” You mutter, frowning, as you brush the thick strands away from his eyes, then you gasp — and Harry knows exactly what’s coming next. “Oh, you’ve got Evans’s eyes. That’s freaky.” 

“I know.” Harry grins. 

“Here’s the plan,” You say as you lead him out of your room, making sure no one saw him walking out of your door and getting the wrong impression — because that would be so wrong on many levels, but also, explaining to someone else that the person beside you was a time-traveller was just complicated in general. The Slytherin dungeon is unfamiliarly familiar, eerily quiet, as the two of you made your way out. “Just say you’re Potter’s distant relative, twice or thrice removed, and you’ve always been here. If you lie to their faces enough, they’ll believe it eventually.” 

“Will that work?” Harry doesn’t really mind — he needs a connection to James, his father, if he’s going to work out a connection between you and the others, because at the moment, it doesn’t seem like you’re too fond of them. There’s a tick on your jaw every time you mumble the word, Potter. Nevertheless, Harry decides he’s going to spend the duration of the holiday break trying to set you up with them — on the list of most insane things he’s ever done, living out the Parent Trap was high up the tally. 

You shrug. “They’ve fallen for less.” 

(“She’s got this adorable habit when she lies,” Sirius tells Harry, whipping up a stack of pancakes for their breakfast — Remus browsing through the morning paper. It’s the closest he’s ever been to a normal family. “It’s not obvious to her, of course, but I know her more than I know my own name. So we play along with it.” For a moment, he stops drizzling the maple syrup on the well-cooked batter, gazing at Remus fondly. “D’you remember that, Moony? She led us straight to one of her pranks, and we ended up covered in slug slime. She was so obvious — with her adorable fucking giggles. I need help with Charms, she said, and we knew right away it was a set-up. But it didn’t matter. I’d happily let her lead me to my ruin.”)  

The Great Hall is the same as Harry remembers. Now that most have returned home for the holidays, those who stay back mingle with students from other Houses, sharing meals under the bewitched ceiling, their low murmurs and hushed Christmas greetings bouncing off the walls. Harry scours the four tables to find a hint of blazing red hair, or the scent of impending trouble. Fortunately, he doesn’t have to search very far. As fate would have it, James Potter finds you — and where he is, Sirius Black is sure to follow. 

You’re barely seated when James comes bounding over to your table — more precisely, he struts, and Harry is horrified to ever be proven wrong by Snape, of all people. He ignores the roll of your eyes as he drags a leg over the bench, sitting to face you as Sirius occupies the space to your left before Harry can even sit down. He can’t even fathom how weird it is to see his parents as rambunctious teenagers. Lovesick, rambunctious teenagers. 

“Morning, dove.” James preens under your glare, stealing a grape from your bowl with a boyish smirk. His hair looks as though he’s ran his hand through it many times. “You look ravishing today.” 

“As always,” Sirius pipes in. “But that eyeshadow really isn’t complementing your skin tone, my darling.” 

You smile at him, right before your lips twist into a cutthroat sneer. “Piss off, Black.”

James stifles a laugh as he shovels a mass of potatoes on your plate, then pumpkin pasties, and slides a steaming cup of Dragon Well tea in front of you. 

“What the hell are you doing, Potter?” You reach over to smack his arm when he sprinkles apple slices and bacon on your breakfast. 

“What does it look like?” James smiles lopsidedly. “You need to eat more, honey.”

(In the future, Sirius will tell Harry, “It started off as a joke, a way to get on her nerves — but then, it just became this thing about taking care of her, making sure she got enough sleep before her tests, wondering if she had breakfast or dinner, staying with her in the library, walking her to the Slytherin common room, and sending her stupid notes just to make her laugh. You don’t get it, Harry. I’d give my every breath to ensure her life. We all would.” Harry doesn’t see Sirius any more during that evening, but he hears a bottle crashing against a wall, cracking into a million pieces, and the masked sound of Sirius sobbing, and Harry decides to leave him alone for the night.) 

Then, you tear your eyes away from James — he huffs, pushing your plate to you, mildly annoyed that you’ve deprived him of your eyes; they were his favorite part of you, you see, so expressive and full of life; James thinks you put the stars to shame — and thankfully, you remember that Harry still exists. You lightly smack Sirius’s leg until he gives Harry some room to sit. “Potter, meet other Potter. It’s the holidays, shouldn’t it be the perfect time to let go of House prejudices and spend time with family?” 

James looks at Harry up and down. “You must be from dad’s side of the family with all that hair.” 

Harry lets out a breath of relief. That was easy — way too easy. When he takes the vacant space in between you and Sirius, you dump all the available food on his plate, just as James had done for you. 

“Eat,” You say with a tone of finality. “You look like the wind could snap you in half.” 

“Yes, m—” Harry stops himself before he could finish his sentence, avoiding Sirius’s curious gaze. 

“Wow.” Sirius pokes Harry in the shoulder and in the cheek. “You really look like a mini-James, you’ve even got his terrible eyesight.” 

“Oi!” 

Your fork clatters against the silverware as you turn to Sirius with a shrill. “Not that I do enjoy your company — because, trust me, I do not want you here at all and would very much prefer if you got out of my sight — but why are you here? The Gryffindor table is over there. Unless your housemates finally got sick of you, Potter, which I can definitely see happening.” 

James chuckles, tossing another grape in his mouth without taking his eyes off you. “It’s as you said, isn’t it? It’s the time for putting aside House prejudices. And I think it’s a lovely day to enjoy a meal with my favorite snake.” 

“Drop dead,” You retort, digging into your chicken with a little more force than necessary. 

“Oh, dove.” James shakes his head, a teasing grin pulling at his lips. “It’s cute that you think death will keep me from you.” 

(Harry’s been told before, probably by Sirius, that this line had been wedged into his wedding vows for you. “A dramatic one, James was,” Sirius chuckles to himself one morning, Harry and Hermione listening intently, “He always said he’d rather die than ever hurt her. There was this time in seventh year, they had a fight — it was ugly — and she had ignored him for a week. James cried in Remus’s arms begging him to cut his heart out, saying that he didn’t deserve to keep on breathing, not after making you cry.”) 

“That is so creepy,” You say in disgust, scrunching your nose. Sirius chortles at your side. “I still wonder why Evans agreed to go out with you.” 

“It’s all part of the charm, dove.” James winks. “It’s all part of the charm.” 

Harry wants to barf, actually.

After breakfast, James then decides to introduce Harry to Lily, Remus, and Peter. (He’s gonna need the patience of a saint to not Avada Kedavra that rat on the spot.) Harry had spent the whole morning watching Sirius peel oranges and give them to you with a smitten look in his eyes — naturally, you gave whatever Sirius offered you to Harry, and each time Padfoot would visibly wilt. If he were in his Animagus form, Harry thinks he would be whining by now, tongue out and all. James and Sirius follow after you like lost puppies when you extricate yourself from the table.

“Where are you going?” James calls, hot on your heels as you leave the Great Hall.

“Away from you, Potter!” 

And James actually sighs when you turn the corner and disappear from their peripheral vision. Seconds later, he turns to Harry with a blinding smile, “She’s definitely charmed.”

Harry chortles.

“Well, come on then!” James guffaws as he wraps an arm around Harry’s neck — this is so, so strange. They begin walking in the opposite direction of where you went. “I still can’t believe we’ve got another Potter here and in Slytherin. I think I would have remembered Minnie calling your name during the Sorting Ceremony. What year are you in?” 

He’s supposed to start his sixth-year in a few weeks. “Fifth.” Technically. 

“We should ask Lily,” says Sirius, hands in his pockets and ebony ringlets tickling his nape. “She’s got the best memory out of all of us.”

It’s odd, Harry thinks, meeting the person who’s got his eyes — or the other way around, as people have told him. It’s like someone carved out the emeralds of Lily Evans’s eyes and bestowed it upon Harry for safekeeping. She sits beside Remus Lupin, head resting on his shoulder, hands clasped together, as they enjoy the shade. Nex to them, oblivious to their intimate conversation, is Peter Pettigrew — with his rosy, cherub cheeks and innocent blue eyes; not at all the image of a pathological, cowardly liar. Their heads snap in attention as James boisterously cries for their name. 

“Marauders — and Lily-pad — meet ickle Potter.” James lightheartedly whacks Harry on the back, to which Harry feels his lungs spill out from his mouth, he’s sure there’s an imprint of his father’s hand on his back now. 

“There’s two Potters in Hogwarts?” Sea-green eyes look at him in scrutiny as Lily knits her brows. “How even is the castle still standing?” 

James cackles like it’s the best joke he’s ever heard in his entire life, slapping his knee for dramatic effect. Oh, well, at least they’re buying Harry’s half-baked lie. At this point, it’s not even baked, it’s just wet, soggy, and poorly done. “Good one, Lily-pad!”

Sirius ruffles Remus’s shaggy blonde hair, canines bared in a wide grin. “This one here’s Moony, uptight prefect in the morning and absolute beast in the evening.” 

Harry blanches. Surely he was talking about his furry problem, right? Right? 

Remus doesn’t even flinch, just peels off Sirius’s hand from him and extends his hand out to Harry. “Please do not mind him. Remus Lupin, nice to meet you. Although, I can’t believe this is the first time we’ve met. We would have definitely remembered if we had another Potter in our midst.” 

“It’s true, we Potters are just hard to forget,” says James, smiling cheekily. 

Harry pokes the inside of his cheek with his tongue. “Mum didn’t take the Potter name. I’m part Dursley. Muggle.” 

Lily hums, toying at the ends of her bright hair. “Dursley, huh? What a familiar name.” 

“It’s a common one,” Harry assures her — not at all the names of the people who would take him in after they died. And make his life miserable. 

“I suppose you’re right,” says Lily, unconvinced. 

“And this is Peter.” James introduces the boy eagerly, pride in his voice — as though this isn’t the person who literally allies himself with Voldemort. As if Peter won’t betray his friends all because of fear. 

“N–Nice to meet you,” Peter stammers with a nervous fidget, “Any family of James is a friend of ours.” 

Harry’s eye twitches. 

IT IS ALMOST COMICAL — the way their eyes land on your figure, bursting through the courtyard from the corridors, winter cloak swishing with every step, tendrils of hair swaying in the crisp wind, and head held up high, thick books under your arms. You pause in front of the Marauders, face blank, then you turn to Peter, greeting him with a: “Hello, only Gryffindor I can tolerate.” 

Peter’s cheeks burn a saccharine hue of pink. Oh, no, no, no — absolutely not — Harry will not stand for a little crush Peter Pettigrew has on his mother. He needs James to act now. “Hi,” Peter replies shyly. 

Lily quirks her lips. “Hello, princess, see your score for the Astronomy test yet?”

You scowl. “Zip it, Evans.” 

The sound of Lily’s laughter fills the atmosphere — it’s the sort of melody that makes flowers bloom in deserts. “Had a bit of difficulty with the star charts?” 

Sirius pinches your cheek — Harry thinks you’re going to murder him on the spot. “Difficulty? I think this one just slept through the whole thing.” 

James snickers. “Must have been one hell of a nap, princess. You were drooling on my jumper.” 

“I most certainly do not drool!” You gasp, appalled, eyes wide as you step away from Sirius.

Sirius rolls his eyes. “What? Is drooling too barbaric for the pretty, little pure-blooded princess now? Newsflash, pet, you’re just as human as we are.” 

“Oh, you horrible, loathsome, infuriating—” You whip around to beat his chest with the course book in your grasp — it’s the kind of book Hermione would consider for light reading. 

“Irresistibly attractive—?” Sirius supplies for you, grin widening with as he captures your wrist with his hands. 

“In your dreams!” You shrill. 

You exhale slowly, eyes closing, chest rising when you take a sharp inhale. You open your eyes and stare straight at Harry — for a moment he fears that you’ll bite his head off. “Harry, dear, will you accompany me to the library? I think I’ve found something important regarding your situation.” 

Harry nods. “Is it time already?” 

“Yes,” You say firmly. “And time is of the essence. Come on.” 

“Wait!” Lily calls out to you as you turn to head back to the castle, Harry in tow — he tries to avoid the way James is glaring at your linked arms. “Hogsmeade next week?” 

Your jaw falls to the ground — this must have been unrehearsed, if the others’ reactions were anything to go by; Remus had dropped his book in shock, Sirius looked like he couldn’t decide between applauding Lily’s bravery or shaking her, and James was somehow frozen in time. “Excuse me?” 

“You’re excused, princess,” says Lily, dimples poking out of her cheek as she takes another step towards you. “You, me, Hogsmeade. A date. I’m sure you’ve gone on one of those before.” 

Harry elbows your stomach as you stare at Lily in shock. It takes a few moments to break you out of your stupor. “A–And what makes you think I’ll just go with you?” 

Lily shrugs. “I’m fit. Aren’t I, Remus?” 

“The fittest,” says Remus without missing a beat. 

You laugh incredulously. “Do you just expect me to go along with this? You’re mad, Evans.” 

Harry glares at you. You need to go along with this. 

“Are you scared, princess?” Lily’s face is inches away from yours, noses almost touching — Harry doesn’t know if he should keep watching this painful way of flirting — as she grins at you, happiness barely contained within her eyes. 

To your credit, you don’t back down. (Harry has to say this for the masses: he saw your gaze flitter down to Lily’s lips for a split second.) “Stop calling me that, Evans.” 

“One date, then.” 

You growl in exasperation, eyes flickering to the boys behind her back — pretending not to hear their conversation. “I suppose I’ll have to deal with them as well?” 

Lily beams and Harry swears sunflowers could grow in her direction. “We’re a package deal.” 

“Unfortunately,” You utter — but Harry notices it, the lack of venom in your voice. You straighten your posture, nose lifted haughtily, “I choose where we’re going.” 

“Done.” The sun peeks out from the cloud just as Lily smiles at you. 

“And I want to—” 

“Done,” Remus interjects raspily, peering up at you from underneath his lashes. “Anything you want, it’s yours.” 

You fight a growing smile, but continue, “If we’re going out in public, you’re going to have to wear—” 

“Done,” says James giddily, he looks as though he could kiss you in front of everyone without a care in the world.  

“You can’t just agree to anything I say!” You flap your arms in frustration. 

“Yes, dear,” Sirius teases. 

“Do you know how much you piss me off, Black?” You squawk. “Because you are this close to—”

“You are so fucking beautiful,” Sirius confesses, every pretense shed raw from his skin, sincerity pouring from his words. 

“I—” You falter, heat rushing to your cheeks. “You’ve gone mad.” 

“It’s your fault, dove,” says James, eyes twinkling like crescent moons as he smiles. “You best take accountability for this.” 

“You’re incorrigible — all of you,” You say as you avoid their gazes.

(But they were yours. Past, present, and future. They loved you so much that their soul was no longer their own — it was yours; yours to keep, yours to break, and yours to love. It would be unjust to ask them why they loved you. Do we ask why the sun rises each day without rest? Do we ask a daisy to stop blooming, or a tree to stop growing after it has endured storms and floods? After all, we do not ask why humans follow the light in a tunnel shrouded in darkness.) 

“Come on, Harry, let’s go.” You reach for his hand, he notices immediately that the tips of your ears are pink, and your palms are warm with sweat. He barely sees Peter wave goodbye before you tug him in the direction of the castle entrance. 

“Wait up!” Remus catches up to you two in quick strides, offering to carry your books for you — not that you agree, stubborn Slytherin that you are. “I’ll walk you to the library.” 

“There’s no need for that, Lupin, thank you.” You dodge his eyes, lips tightly pressed together, nails slightly digging into Harry’s arm. 

“Remus,” He says with a twinkle. “Call me Remus.” 

“Alright.” You pause. “Remus.” 

(In that moment, Remus wonders if you remember decking Lucius Malfoy in the face to defend him in your fourth year. He didn’t think he deserved to even breathe in the same air as you — the pure-blooded princess, dressed in clothing worth more than his life, adorned in jewelry he could only dream to afford, raised to believe she was better than everyone else. Then, you beat up Evan Rosier the next month in the courtyard, eyes ablaze, extravagant silk marred with grass stains and mud, and knuckles split open. You spit blood on the ground, looking at Lily then back at Rosier. “Red,” You say, kicking him one last time in the stomach, unafraid of McGonagall’s wrath growing louder and louder. “Just like everyone else. Like those Muggleborns you fear. We’ve all got dirty blood, Rosier. Suck it up.” 

“I’ll tell your father about this!” Rosier bellows through bloody teeth. 

“Tell him!” You grab his neck and slam your forehead against his. “Tell him that I decide my own future now!”

Remus doesn’t even have to think about it. 

He falls in love.) 

FUNNILY ENOUGH, IT’S LILY who gives you her heart first, before anyone else does. It’s the last month of her first year at Hogwarts — it still hasn’t quite sunk in yet that she was a witch. Her, not Petunia, but her — Lily Evans, the witch. Apparently, some people can’t believe it either. A girl from Ravenclaw calls her this foul word, she’s heard it a few times now but it always hurts the same. James and Sirius get into a fight for her honor, now faced with detention later this evening. But she can’t help but wonder, what if they were right? What if she really didn’t belong in this world? It was too good to be true, anyway. Perhaps she’ll just run a flower boutique with Petunia.

“Oi.” 

The sound of your voice startles her, and she nearly topples over in the Great Lake. Lily catches sight of your Slytherin colors and resigns herself to another round of name-calling. “What do you want?” 

“They’re wrong, you know,” You tell her, ignoring Lily’s question. You look down on her with your nose raised arrogantly — she wishes she could be like you. Born to be magic. “You’ve got a terrifying brain locked up in your head there, Evans. And they know it, too. They’re scared.” 

Lily scoffs. “I’m just a Mudblood to them. There’s nothing to be intimidated by.” 

You sneer. “Don’t say that word. You’re more than that. More than them. They’ve got long ways to go to prove they have a place in this world. But you — you’ve defied the odds and you were destined to become magic. You don’t have to prove anything. You have the right to be in the wizarding world and no one can take that away from you.” 

Then, you pivot on your heels, not bothering to hear her reply. “You’re my rival now, Evans. Do keep up. We’ve got an Astronomy test tomorrow. I look forward to seeing how you do then.” 

Lily just gapes. She’s certain there’s butterflies in her stomach. Her heart thumps wildly against her ribcage. Lily raises her hands to feel her blushing cheeks. There’s a light unfamiliar sensation in her stomach — like the urge to kick her legs and scream into a pillow, or more precisely, chase after you and hold your hand.

She stiffens.

Oh.

part two

#hp angst #hp fluff #hp imagine #hp x reader #james potter x reader #lily evans x reader #marauders angst #marauders fluff #marauders imagine #marauders x reader #sirius black x reader #poly!marauders x reader #poly!marauders fluff #remus lupin x reader

[rinissse]

The racism you experienced does not have to be violent to be valid.

#asians have faced violent racism #but why must we bring up the most violent tragic events for anyone to believe us #it's just re-traumatizing us to explain it #im not sorry if me speaking up about it makes you uncomfortable #if you block me for speaking up about anti-asian racism #it tells me you're racist #aapi history month 2023 #people have been very dismissive even when asians been through genocide so...

[boxingcleverrr]

Popular Hades & Persephone "retellings" are, rightly, getting dunked on all over the socials right now and, as a Pagan who has an altar to the Queen, I could not be happier. But also, I feel like a lot of people miss WHY they're bad - aside from just plain bad writing and lazy tropes. Which are, yeah, also REALLY bad.

Pretty much all retellings try to wave away, or excuse, or twist the whole kidnapping bit. And I actually do have sympathy and understanding for why, when speaking from a modern perspective.

But honestly...you gotta get over it. There are other stories to play fix-it with, not this one.

The Abduction is The Thing.

Were I a little more sober I could bring up chapter and verse of the Hymn to Demeter but frankly, if you know even the middle school mythology curriculum version of the story, you SHOULD know the themes. The story of Persephone was one mothers and daughters in the ancient world held dear, because it was a reality: you will, one day, be swept away from your home to go cleave to a man you most likely know nothing about. You will miss your mother, but chances are very good that he will be a good husband, once you get to know him, certainly better than Zeus or Ares, and he will make you a queen of his home.

Leaving home to marry was often scary, and violent (look up the history of the tradition of Bridesmaids, if you don't already know it - they were originally decoys on the marriage road). Centuries later we'd have tales like Beauty & The Beast serving the same function: comfort, hope, you are leaving your safe loving home to figure life out with a (often older, powerful) stranger. Your trauma over this sudden ending of your childhood made manifest in a Beast, or a God of The Underworld.

It's wonderful that we don't NEED stories like this anymore to comfort us (here, at least, in this culture). But if you try to force them into modern vernacular it just will not work, not really, because you're gutting out the whole point just to have a more tidy romantic male hero.

I have read MANY very good ...novelizations? fanfic(? however you would frame them, but they're certainly not "retellings"), etc. that simply take advantage of the blank spaces in the myth, and there are many!

It's not explicit that sexual assault happens - "The Rape of Persephone" as a title was coined in much earlier eras, when the word was just as often used to simply refer to abduction.

"She was starving!" the gods didn't need to eat. So it's easy to read her eating the Pom seeds as a deliberate choice on her part. Like, shit, people, scholars have written whole papers on the symbolism of this moment, between marriage rites and even yeah, Seph choosing both worlds with her husband's knowing consent.

And that, I think, is the real heart of the thing. People want an utterly mundane, spelled-out story here, as opposed to what it really is, has always been, just like any other myth or religious parable: IT'S A METAPHOOOOOOR.

They don't need to be destined, or meet at a goddamned BALL and then CONSPIRE to fake her kidnapping, or shit, I once saw one where Hades got MIND CONTROLLED by Zeus?! Jesus.

Persephone was yoinked into the Underworld against her will.

That's how it went.

I don't mean this in a "stay out of my belief system!" way, shit I'm a white American chick with delusions of witchery. I mean this in a "stop stressing yourself out trying to make things palatable" way:

This is a very real, very precious myth to many people, BECAUSE for at least that one event, Persephone had no autonomy, BECAUSE for thousands of years most women had no autonomy. Erasing that, sanitizing the fact that a girl is ripped out of the spring, from her mother's arms, is erasing the thing that gave comfort to women for centuries. And people can and should still find power and healing in it now!

Fill in the blanks the story leaves in whatever manner seems fit to you, there's plenty of room, but. Come the fuck on.

#blathering #truly had a ramble bubbling for weeks #just pagan things

[accessible-art]

Hey, would you consider taking down this post: https://www.tumblr.com/accessible-art/733352422469156864

The phrase "from the river to the sea" is an antisemitic phrase. That phrase is about the forceful expulsion of Jews from every land and into the sea to die off. It is very unfortunate that it's being used unwittingly by well meaning people to rally support for Palestine and their suffering (which we should do! Please don't misunderstand). That phrase is too loaded.

hello there anon, i am going to word this as gently as i can. i myself am jewish, and i will not be taking down the post as i fundamentally disagree that "from the river to the sea" is antisemitic. the saying is not to do with expelling jews from anywhere, much less killing us all. it is referring to the fact that israel is a settler colonial state on land that palestinians (of all religions - including jews) have inhabited for thousands of years. from the river to the sea is a reaffirmation of this land-history and a call to action against the ethnic cleansing, genocide, and erasure that palestinians have faced under israeli apartheid/governance. saying that the restoration of palestinian land to the palestinian people would result in jewish genocide is a baseless projection. do not get me wrong, there are absolutely people using the pro-palestine movement as a mask for their antisemitism, but this phrase did not originate with them. the reason this phrase is so divisive is the same reason "landback" is so divisive. settler-colonialism is so pervasive in the west that the idea of indigenous people seeking sovereignty over their land without violently dispossessing all others who live on the land is unfathomable, no matter how many times indigenous people have made it clear that they have no desire to do so. to put it bluntly, that phrase is only "too loaded" if you do not recognize palestinians as indigenous to their land, at which point whatever support you're "rallying" would be rendered useless.

you are welcome to unfollow us if this explanation does not satisfy you, but we will not be taking down our pro-palestine content.

~ mod elya

#ask #not art #mod elya

[troutish]

only black woman author of the entire course and coincidentally also the only time we end an hour early, after 2 hrs of micro aggressions and bias ladened readings of what was actually an extremely insightful and impactful text. this stupid fucking man couldn't analyze a literary text if i handed him babies first copy of the hungry hungry caterpillar.

#'''​ohhh shes saying we need to move past the history of slavery and start anew without racial history''' you dumb fucking idiot NO #'''ohhhh shes being very aggressive and rude to call out the reader and make them feel guilty''' shes being passive-aggressive-ISH at BEST #we have read 4 other books all of which included violent scenes of men beating and r**ing women and THIS mild sarcasm is 'aggressive'??? #i hate this sorry excuse of a professor and i hate having to sot through his thoughtless and shallow lectures even more #ask to tag #lj.txt

[halemerry]

Alright, not to be too predictable, but I wanna talk about space and color as it's used in the intro to episode 1 for a minute. And you know, show some gorgeous space shots.

So we open in the dark. There's distant lights and the occasional flare from them moving through space but for the most part we get the angel that would eventually become Crowley alone in enough darkness that he himself isn't even giving off particularly significant amounts of light.

But then, enter Aziraphale. He arrives in a big ball of blue light shining above him that really emphasizes Crowley's red hair. They get tied to the colors we most often see them attached to, especially in promotional materials.

From here the entire scene gets slightly brighter, even once Aziraphale's light dims down. They're both lit up once they're together, even it the middle of literal nothingness.

They start the universe next, using Crowley's hand crank, which gives off a magic that's a combination of their two colors - purple.

A very similar color to this shows up in heaven as a signal flare for their accidentally too powerful half a miracle. It's a color tied to a miracle so big it could've revived someone 25 times and also a miracle that got the engine of the universe running.

And then. Creation starts. Our first image is a very Heavenly aesthetic. It's a blueish light cutting through the clouds much like Az just cut through the dark.

And what explodes from that is the thing that set me down this little rabbit hole in the first place: it's purple scattered through with red and blue lights.

As the initial burst fades, the blue and the red separate, the color fading except for this tiny blue dot and this growing red zone on the right.

The blue then fades, leaving us with an extremely Crowley coded palette here and a very orangeish red. There's shades of gray, a little bit of light, but not nearly as much color. As the sequence moves the darkness grows but does start slowly filling with small points of light.

We then end up with shades of gray both light and dark. There's balance here, even if it's not particularly colorful.

And then all at once a pinkish red bursts forth with these intense clawing tendrils. At the core of it, from the heart of it, is a bright blue ball of light.

It fades into a blue heart surrounded by darkness with whisps of white resembling a certain someone's hair. Or, as some friends pointed out two people embracing.

As the nebula settles a few other colors set in but the primary scheme is still red and blue. An almost violent plume of red emerges on the left side of the image.

And from this moment on most shots of the two of them back them with their respective color schemes.

They chat and Aziraphale gets anxious. He looks for a distraction and is immediately drawn to the space where the colors mix.

And as we fade out the other colors in the picture fade. We get the most balanced blue and red get. And on the far corners fairly clear dark and light.

So what does this mean? The purple speaks to them being very powerful together. And, the rest is arguably just representative of the plot. We have Aziraphale as a beacon in the dark - a signal flare we know Crowley has throughout history been aware of and drawn to. We have them brightening each other. We have Az's color breaking out of heaven to mix with Crowley's to create something new and wonderful and powerful. Aziraphale's color fades, leaving Crowley alone. We then get a burst of a red closer to Crowley's current hair, with Aziraphale's blue in the core of it that eventually becomes a blue heart surrounded by darkness. That too fades, replaced by the pillars becoming their familiar hand shape and slightly more colors seeping in. As they talk together and move closer together their own colors settle back in and come to balance.

#good omens #good omens spoilers #good omens season 2 #gos2 spoilers #Aziraphale #Crowley #space #good omens meta

[ao3commentoftheday]

What do AO3's Archive Warnings mean?

Archive Warnings can be confusing to new users, both readers and writers alike, so let's take a moment and break them down. We'll start at the top of the list - which is ordered alphabetically.

Creator Chose Not to Use Archive Warnings - when AO3 was being designed (by fans, for fans) there was a debate about requiring warnings. At the time, they were not a standard expectation, so some people didn't want warnings to be mandatory on every individual fic on the Archive. Other people did.

This warning - stating that the author was making a choice not to provide a warning - was a compromise. A creator could choose not to apply a warning to their fic and readers would then know to be wary because it would be possible that any of the warnings might be needed, or multiple of them, or none of them.

This warning (which I'll abbreviate to CCNTW from here on out) is also a good catch-all for other things that a creator might want to warn for that don't have a specific Archive Warning. Authors can also provide warnings of different kinds in the Additional Tags on a work, so it's a good idea to read those carefully as well.

You can read up on more of the history of this warning on Fanlore.

Graphic Depictions of Violence - This applies to stories where the descriptions of violence are very detailed and probably gory. The violent scenes will likely be brutal and easily imagined. This warning is generally accompanied by a rating of either M or E - meaning that the content in the work is aimed at adults only.

Some authors find it difficult to decide whether the violence in their fic is graphic enough to warrant using this warning, so they use CCNTW instead. For some fandoms, the source material is already full of graphic violence and so they might also use an Additional Tag to give more information such as, "canon typical violence"

Major Character Death - This can be interpreted in different ways. It might mean:

a character dies, and that character is a major character in canon (even if they might be a minor character in the fic).

a character dies, and that character is a major character in the fic (even if they might be a minor character in canon).

the character death in the story is a major component of the story or a particularly intense part of the story.

It is possible that the character who dies does not stay dead in the fic, in which case the author may decide to use an Additional Tag like "temporary character death" to provide more information.

It is also possible that an author will decide to use CCNTW instead because they want to avoid giving spoilers for the story.

No Archive Warnings Apply - This means that none of the other warnings in this list apply to this fic. The fic may still be given a rating that indicates it is for an adult audience.

Rape / Non-Con - This refers to different scenarios in which a character does not consent to sexual activity.

Non-Con is short for non-consent, which is a term from role-playing communities in which not giving consent is part of the sexual game. Non-con can also refer to the fact that in a fictional story, we might see a character verbally state that they don't want to have sex and then read their inner monologue in which they express that they do.

The various interactions and interpretations involved in consent can get very complex and nuanced, and some creators might use CCNTW because they aren't sure if what they're writing rises to the level of this warning.

Underage - This warning refers to stories that describe sexual activity (more than just kissing) involving characters who are under 18 years old. This one is also up for interpretation when it comes to creatures, monsters, mythological beings, aliens that live for thousands of years, etc.

---

All of the above warnings will be used a little differently by different creators and by different fandoms, and as you read more on the site you will likely notice these differences.

However, if you see a work on the Archive that should have one of these warnings but doesn't, you can report that work to the Policy Questions & Abuse team by scrolling to the bottom of the page and clicking the link to their reporting form.

To help the volunteers who manage these reports, you can give them some additional information. If it's a multi-chaptered work, let them know which chapter to look in or give them a keyword or phrase they can search for to find the relevant scene(s). If the volunteer decides a warning is required, they'll contact the creator and ask them to add it. If they decide that it doesn't, they'll let you know.

If the work has Creator Chose Not To Use Archive Warnings on it, that includes all other warnings and that fic shouldn't be reported for missing one.

#welcome wattpad #pulled this out of my searching post #and turned it into its own thing #long post

[autismserenity]

Someone on Reddit made the mistake of saying, "Teach me how this conflict came about" where I could see it.

Let me teach you too.

The common perception is that Jews came out of nowhere, stole Palestinian homes and kicked Palestinians out of them, and then bombed them for 75 years, until they finally rebelled in the form of Hamas invading Israel and massacring 22 towns in one day.

The historical reality is that Jews have lived there continuously for at least 3500 years.

There are areas, like Meggido iirc, with archeological evidence of continuous habitation for 7,000 years, but Jewish culture as we recognize it today didn't develop until probably halfway through that.

Ethnic Jews are the indigenous people of this area.

Indigeneity means a group was originally there, before any colonization happened, and that it has retained a cultural connection to the land. History plus culture.

That's what Jews have: even when the diaspora became larger than the number of Jews in Israel, the yearning to return to that homeland was a daily part of Jewish prayer and ritual.

The Jewish community in Israel was crushed pretty violently by the Roman Empire in 135 CE, but it was still substantial, sometimes even the majority population there, for almost a thousand years.

The 600s CE brought the advent of Islam and the Arab Empire, expanding out from Saudi Arabia into Israel and beyond. It was largely a region where Jews were second-class citizens. But it was still WAY better than the way Christian Europe treated Jews.

From the 700s-900s, the area saw repeated civil wars, plagues, and earthquakes.

Then the Crusades came, with waves of Christians making "pilgrimages to the Holy Land" and trying to conquer it from Muslims and Jews, who they slaughtered and enslaved.

Israel became pretty well depopulated after all that. It was a very rough time to live there. (And for the curious, I'm calling it Israel because that's what it had been for centuries, until the Romans erased the name and the country.)

By the 1800s, the TOTAL population of what's now Israel and Palestine had varied from 150,000 - 275,000 for centuries. It was very rural, very sparsely populated, on top of being mostly desert.

In the 1880s, Jews started buying land and moving back to their indigenous homeland. As tends to happen, immigration brought new projects and opportunities, which led to more immigration - not only from Jews, but from the Arab world as well.

Unfortunately, there was an antisemitic minority spearheaded by Amin al-Husseini. Who was very well-connected, rich, and from a politically powerful family.

Al-Husseini had enthusiastically participated in the Armenian Genocide under the Ottoman Empire. Then the Empire fell in World War One, and the League of Nations had to figure out what to do with its land.

Mostly, if an area was essentially operating as a country (e.g. Turkey), the League of Nations let it be one. In areas that weren't ready for self-rule, it appointed France or Britain to help them get there.

In recognition of the increased Jewish population in their traditional, indigenous homeland, it declared that that homeland would again become Israel.

As in, the region was casually called Palestine because that was the lay term for "the Holy Land." It had not been a country since Israel was stamped out; only a region of a series of different empires. And the Mandate For Palestine said it was establishing "a national home of the Jewish people" there, in recognition of "the historical connection of the Jewish people with Palestine and to the grounds for reconstituting their national home in that country."

Britain was appointed to help the Arab and Jewish communities there develop systems of self-government, and then to work together to govern the region overall.

At least, that was the plan.

Al-Husseini, who was deeply antisemitic, did not like this plan.

And, extra-unfortunately, the British response to al-Husseini inciting violent anti-Jewish riots was to put him in a leadership role over Arab Palestine.

They thought it would calm him down and perhaps satisfy him.

They were very wrong.

He went on to become a huge Hitler fanboy, and then a Nazi war criminal. He co-created the Muslim Brotherhood - which Hamas is part of - with fellow fascist fanboy Hassan al-Banna.

He got Nazi Party funding for armed Muslim Brotherhood militias to attack Jews and the Brits in the late 30s, convincing Britain to agree to limit Jewish immigration at the time when it was most desperately needed.

He started using the militias again in 1947, when the United Nations voted to divide the mandated land into a Jewish homeland and a Palestinian one.

Al-Husseini wouldn't stand for a two-state solution. He was determined to tolerate no more than the subdued, small Jewish minority of second-class citizens that he remembered from his childhood.

As armed militias increasingly ran riot, the Arab middle and upper classes increasingly left. About 100,000 left the country before May 1948, when Britain was to pull out, leaving Israel and Palestine to declare their independence.

The surrounding nations didn't want war. They largely accepted the two-state solution.

But al-Husseini lobbied HARD. And by mobilizing the Muslim Brotherhood to provide "destabilizing mass demonstrations and a murderous campaign of intimidation," he got the Arab League nations to agree to invade, en masse, as soon as Britain left.

About 600,000 Arabs fled to those countries during the ensuing war.

Jews couldn't seek refuge there; in fact, most of those countries either exiled their Jews directly, confiscating their property first, or else made Jewish life unlivable and exploited them for underpaid or slave labor for years first.

By the time the smoke cleared and a peace treaty was signed, most of the Arab Palestinian community had fled; there was no Arab Palestinian leadership; many of the refugees' homes and businesses had left had been destroyed in the war; and Israel had been flooded with nearly a million refugees from the Arab League countries and the Holocaust - even more people than had fled the war.

That was the Nakba. The one that gets portrayed as "750,000 Palestinians fled or were expelled!" in the hope that you'll assume they were expelled en masse, their beautiful intact homes all stolen.

Egypt had taken what's now the Gaza Strip in that war, and Jordan took what's now the West Bank - expelling or killing all the Jews in it first.

(Ironically, Jordan was originally supposed to be part of Israel. Britain, inexplicably, cut off what would have been 75% of its land to create Jordan.

Even more inexplicably, nobody ever talks about it. I've never seen anyone complain that Jordan was stolen from Palestinians. Possibly because Jordan is also the only country that gave Palestinian refugees full citizenship, and it's about half Palestinian now.

Israel is nearly 25% Arab Palestinians with full citizenship and equal rights, so it's not all that different -- but the fundamental difference of living in a country where the majority is Jewish, not Muslim, probably runs pretty deep.)

Anyway: that's why Palestine is Gaza and the West Bank, rather than being some contiguous chunk of land. Or being the land set aside by the U.N. in 1947.

Because Arab countries took that land in 1948, and treated them as essentially separate for 20 years.

Israel got them back, along with the Golan Heights and the Sinai Peninsula, in the next war: 1967, when Egypt committed an act of war by taking control of the waterways and barring Israel from them. It gave the Sinai back to Egypt as part of the 1979 peace accords between Egypt and Israel.

Israel tried to give back the Gaza Strip at the same time. Egypt refused.

Palestine finally declared independence in 1988.

But Hamas formed at about the same time. Probably in response, in fact. Hamas is fundamentally opposed to peace negotiations with Israel.

Again: Hamas is part of a group founded by Nazis.

Hamas has its own charter. It explains that Jews are "the enemy," because they control the drug trade, have been behind every major war, control the media, control the United Nations, etc. Basic Nazi rhetoric.

It has gotten adept at masking that rhetoric for the West. But to friendlier audiences, its leaders have consistently said things like, "People of Jerusalem, we want you to cut off the heads of the Jews with knives. With your hand, cut their artery from here. A knife costs five shekels.  Buy a knife, sharpen it, put it there, and just cut off [their heads]. It costs just five shekels."

(Palestinians were outraged by this speech. Palestinians, by and large, absolutely loathe Hamas.

It's just that it's not the same to say that to locals, as it is to say it where major global powers who oppose this crap can hear you.)

Hamas has stated from the beginning that its mission is to violently destroy Israel and take over the land.

It has received $100M in military funding annually, from Iran, for several years. Because Iran has been building a network of fascist, antisemitic groups across the Middle East, in a blatant attempt to control more and more of it: Hezbollah in Lebanon. The Houthis in Yemen.

Iran has been run by a very far-right, deeply antisemitic dictatorship for decades now, which pretty openly wants to take down both Israel and the U.S.

Last year, Iran increased Hamas's funding to $350M.

The "proof of concept" invasion of Israel that Hamas pulled off on October 7th more than justifies a much bigger investment.

Hamas has publicly stated its intention to attack "again and again and again," until Israel has been violently destroyed.

That is how this conflict came about.

A Nazi group seized power in Gaza in 2007 by violently kicking the Palestinian government out, and began running it as a dictatorship, using it to build money and power in preparations for exactly this.

And people find it shockingly easy to believe its own hype about being "the Palestinian resistance."

As well as its propaganda that Israel is not actually targeting Hamas: it's just using a literal Nazi invasion and massacre as an excuse to randomly commit genocide of the fraction of Palestine it physically left 20 years ago.

Despite the fact that Palestinians in Gaza have been protesting HAMAS throughout the war.

#free palestine #free gaza from hamas #free everyone from hamas it's awful #we want to live movement #free gazans group #center the people directly affected #Ironically it's almost exclusively zionists who know about and support the actual activists in Palestine #because Zionism is a real Jewish term for self-determination not something you can redefine to demonize us #and the pro-hamas movement is inherently both antisemitic and anti-Palestinian #wall of words #jumblr #jewish history #palestinian history

[heritageposts]

how do i start to read marxist leninist/leftist stuff ? i searched on the internet but it’s super confusing lol

the most important value for me as an ML is anti-imperialism, so i guess i'll always recommend that people start with works centred on that

some suggestions below (all books should be available either on marxist.org or as pdf/epub files on libgen)

American Holocaust by David E. Stannard

about the colonization of america. not explicitly marxist, but it's probably done more to radicalize me than any other piece of writing. this is the pile of corpses capitalism is built on:

Within no more than a handful of generations following their first en counters with Europeans, the vast majority of the Western Hemisphere's native peoples had been exterminated. The pace and magnitude of their obliteration varied from place to place and from time to time, but for years now historical demographers have been uncovering, in region upon region, post-Columbian depopulation rates of between 90 and 98 percent with such regularity that an overall decline of 95 percent has become a working rule of thumb. What this means is that, on average, for every twenty natives alive at the moment of European contact-when the lands of the Americas teemed with numerous tens of millions of people-only one stood in their place when the bloodbath was over. To put this in a contemporary context, the ratio of native survivorship in the Americas following European contact was less than half of what the human survivorship ratio would be in the United States today if every single white person and every single black person died. The destruction of the Indians of the Americas was, far and away, the most massive act of genocide in the history of the world. That is why, as one historian aptly has said, far from the heroic and romantic heraldry that customarily is used to symbolize the European settlement of the Americas, the emblem most congruent with reality would be a pyramid of skulls. - David E. Stannard

2. Imperialism: The Highest Stage of Capitalism by Vladimir Lenin

Imperialism is capitalism at that stage of development at which the dominance of monopolies and finance capital is established; in which the export of capital has acquired pronounced importance; in which the division of the world among the international trusts has begun, in which the division of all territories of the globe among the biggest capitalist powers has been completed. - Vladimir Lenin

3. The Wretched of The Earth by Franz Fanon

Let us look at ourselves, if we can bear to, and see what is becoming of us. First, we must face that unexpected revelation, the strip-tease of our humanism. There you can see it, quite naked, and it’s not a pretty sight. It was nothing but an ideology of lies, a perfect justification for pillage; its honeyed words, its affectation of sensibility were only alibis for our aggressions. A fine sight they are too, the believers in non-violence, saying that they are neither executioners nor victims. Very well then; if you’re not victims when the government which you’ve voted for, when the army in which your younger brothers are serving without hesitation or remorse have undertaken race murder, you are, without a shadow of doubt, executioners. And if you chose to be victims and to risk being put in prison for a day or two, you are simply choosing to pull your irons out of the fire. But you will not be able to pull them out; they’ll have to stay there till the end. Try to understand this at any rate: if violence began this very evening and if exploitation and oppression had never existed on the earth, perhaps the slogans of non-violence might end the quarrel. But if the whole regime, even your non-violent ideas, are conditioned by a thousand-year-old oppression, your passivity serves only to place you in the ranks of the oppressors. - prefrace by Jean-Paul Sartre

4. Discourse on Colonialism by Aimé Césaire

Yes, it would be worthwhile to study clinically, in detail, the steps taken by Hitler and Hitlerism and to reveal to the very distinguished, very humanistic, very Christian bourgeois of the twentieth century that without his being aware of it, he has a Hitler inside him, that Hitler inhabits him, that Hitler is his demon, that if he rails against him, he is being inconsistent and that, at bottom, what he cannot forgive Hitler for is not crime in itself, the crime against man, it is not the humiliation of man as such, it is the crime against the white man, the humiliation of the white man, and the fact that he applied to Europe colonialist procedures which until then had been reserved exclusively for the Arabs of Algeria, the coolies of India, and the blacks of Africa I have talked a good deal about Hitler. Because he deserves it: he makes it possible to see things on a large scale and to grasp the fact that capitalist society, at its present stage, is incapable of establishing a concept of the rights of all men, just as it has proved incapable of establishing a system of individual ethics. Whether one likes it or not, at the end of the blind alley that is Europe, I mean the Europe of Adenauer, Schuman, Bidault, and a few others, there is Hitler. At the end of capitalism, which is eager to outlive its day, there is Hitler. At the end of formal humanism and philosophicrenunciation, there is Hitler - Aimé Césaire

5. Blackshirts and Reds: Rational Fascism and the Overthrow of Communism by Michael Parenti

probably the most accessible introduction to communism that doesn't demonize countries that have undergone—or attempted to undergo—a transitation into socalism (like the ussr, cuba, etc.)

The very concept of "revolutionary violence" is somewhat falsely cast, since most of the violence comes from those who attempt to prevent reform, not from those struggling for reform. By focusing on the violent rebellions of the downtrodden, we overlook the much greater repressive force and violence utilized by the ruling oligarchs to maintain the status quo, including armed attacks against peaceful demonstrations, mass arrests, torture, destruction of opposition organizations, suppression of dissident publications, death squad assassinations, the extermination of whole villages, and the like. - Michael Parenti

#i'm too lazy to write an introduction for all of them #but i've included some quotes #get reading sickos #this is now on the tumblr university curriculum