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#ugh gets me
certified-bi · 2 months
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Thinking about how when Zuko walks through the earth kingdom pretending to be as a refugee and some people notice his eyes but honestly they're not the first thing you notice given the scar and the fact he doesn't let many people near him. No while some of the towns have people who sneer most look on with pity. People like Song and her mother, Lee and his family see the scar and see how the fire nation attacks and maims children. And the worst part is Zuko has little to combat that with because it's true but he's not ready to hear that.
Other assumptions are of course that he's a bastard of some solider with bad luck. That his mother was forced into having him and may the poor woman rest in peace... and later him realizing how true that was of Ursa. What really sets her apart from any of the earth kingdom common women forced into mockery of relationships or forced to sleep with soldiers to stay alive? Maybe the threats were more veiled but it boils down to the same ultimatum.
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potato-lord-but-not · 20 days
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um. perhaps everyone should go see monkey man. just maybe. consider.
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eddiediaaz · 7 months
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i'm nosey okay
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messrsbyler · 1 year
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you. yes you, person with rejection sensitive dysphoria. this message is for you. your friends DON'T hate you. they aren't mad at you. they aren't talking behind your back or wished to cut their friendship with you. they love you and treasure you and they are good people who wouldn't hurt you like that! ok, that's all. have a nice day.
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crafting-mojo · 2 months
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The Factory!
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sp0o0kylights · 9 months
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Part One / Part Two (You are Here) / Part Three 
A03
Hopper had undersold Harrington's condition. 
Wayne hadn't expected anything pretty, but the face that turned to them as they walked through the door almost had him freezing in place. 
Black eye, bruised chin, split lip. 
More and more bruises, some faded and some very new, trailing down the kids neck. 
 The rest was hidden by his preppy little polo shirt, but Wayne didn't doubt that there were more.
Harrington tried to stand when they entered the room and the way he moved--entirely unbalanced, clearly in a lot of pain--made Wayne think the only thing the kid really needed was a hospital. 
Because Steve Harrington hadn't just been beaten. 
He'd been tortured--and very recently strangled. 
(Abruptly, Wayne realized that Hopper had implied the boy had been in the mall fire--just as much as he implied the mall fire was anything but. 
He also hadn't stated how Harrington had escaped the Suites trying to break into his house.) 
"Sit down." Hopper commanded, and Wayne expected Harrington to do anything but listen. 
Say something cocky, or act the part of a demanding little shit maybe, despite the condition he was in.
Instead the kid just sighed in relief and dropped like a stone, right back into the chair. 
Hopper came around his desk, talking all the while. "Steve, this is Wayne. Wayne, Steve."
"Hello Sir." Steve croaked politely. His voice was wrecked, no doubt from the necklace of finger shaped bruises around his neck.
"You're going to stay with him for a while, and you're gonna pay him for the privilege." Hopper informed him, as he began digging around his desk. "Money, chores, whatever Wayne wants." 
Wayne held his gaze as Steve turned to appraise him. 
Would Harrington pitch a fit? 
Would he look at Wayne's work clothes, streaked with dirt and sweat, with the name of the warehouse embroidered in the corner and crinkle up his nose, just like his daddy did? 
Hopper didn't lie, but a part of Wayne wanted to see just how different this Harrington was. If the respectful demeanor was an act done for Hopper. 
Or perhaps, Hopper had mentioned Steve's father for a reason, instead of his mother. Did he adopt her ice-like approach to life? 
Micro managing and long-held grudges were Stella Harrington’s game, and she excelled at it. 
Steve however, did nothing of the sort, instead settling with the situation in a way that reminded Wayne far too strongly of the men and women who'd come home from war.
"Okay." The kid said simply, after a long moment of consideration. He turned back to Hopper. "But we need to tell the rest of the Par--" 
Here he cut a look back to Wayne, correcting himself. "the kids. I don't want them showing up at my house trying to find me and freaking out." 
"They wouldn't--" Jim paused, fingers freezing from the rummaging they'd been doing. "they absolutely would, goddammit." He muttered darkly.  
"I'll tell the kids. The only thing I want you doing right now is laying low. I need to get a hold of Owens, but it's gonna take time to do that, and more time to fix this, so as of right now, Harrington? You're on vacation." He pointed sternly, as if Steve might argue.
The kid looked too tired and messed up to bother trying. 
"I mean it. You're out of the country, where is anybody's guess. No one's seen you and no one better be seeing you, got it?" His voice held firm, and Wayne had to blink because the tone here wasn't one of a police chief warning a teenager--but of a father talking to his son.
He knew, because his own voice did that now. Took on a worried tone that masqueraded as something more like annoyance and seriousness. 
"Yes, Sir." Harrington said, remaining weirdly compliant. "Consider me gone." 
A hand came up to briefly press above one eye, and Wayne wondered if the kid had been looked over, or if they had just crammed him into Hopper's office without offering so much as a tissue box. 
How many painkillers did they have back at the house? Wayne usually kept a good bottle around, but Steve was going to need more than that…
He found himself once again cataloging Steve's wounds, this time comparing them to the medicine cabinet he had at home. 
"I expect you to be a damn good house guest, you hear me?" Hopper continued, trying to cut a menacing figure. He finally found what he was looking for; pulling out a large, padded envelope. 
He handed it over to Harrington, who took it without looking, shoving it into the duffle bag he'd had sitting at his feet. 
There was a smudge of red on the handle of said bag, that matched perfectly up to a shittily done wrap on Steve's right hand. 
Wayne mentally added 'buy more bandages' to his list. 
Steve nodded at Hopper again. "Yes, Sir."
Jim’s eyes narrowed. "Quite that, you know I hate that." 
The briefest glimmer of mischief crossed Harrington's face. "Sorry, Sir. Won't happen again, Sir."
'Ahh.' Wayne thought. 'So there's a teenager in there after all.'
Jim rolled his eyes. "Get out of my office."
"Thanks Hop." Harrington said, finally dropping that odd obedience, a hint of a smile on his battered face. 
He stood, and Wayne had to stop himself from offering an arm out as Steve reached for his bag and limped towards him. 
He paused right before he left Hopper's office, hand on the doorframe.
 "You'll check up on Robin too, right?"  He asked, and for the first time his tone took on something more alive--and filled with worry. "And Dustin? Erica?" 
"Dustin and his mom are finally taking me up on my suggestion to see their family in Florida for a while, and the Sinclairs are taking a sabbatical from Hawkins. I'm working on the Buckley's." Hopper drummed his fingers on the desk. "So far, no one else besides you and El have been targeted, and we're going to keep it that way."
Steve let out a breath, and while Wayne could tell the worry hadn't left him, he could almost physically see Steve force himself to put it away.
Another act that was far beyond the kid's years. 
A different officer popped up as they walked down the hall towards the exit, waving his hand madly. "Harrington! Chief says you forgot this!" He barked.
(Or tried to anyway. Callahan wasn’t the most aggressive of officers and frankly, never would be.)
A slim sports bag was held in his hands, and Steve nearly tripped over his own feet when he tried to turn and claim it.
"I'll get it." Wayne said, knowing his tone sounded gruff.
No use for it. He could either sound gruff or sound sad, and Wayne knew better than to start off the relationship with yet another hurt young man by acting sad.
Pity wasn't gonna win him any favors here. 
He took the bag, slinging it over his shoulder, uncaring of the wince on Harrington's face until something sharp poked at his shoulder. 
Several somethings, in fact. 
"What the hell do you got in this thing?" He asked once they hit the parking lot, voice low as he escorted Steve to his truck. 
"Just a baseball bat, sir." Steve said, in the exact same tone Eddie used every time he thought he was bein’ slick. 
Considering the thing in the bag could have passed for a baseball bat if not for the sharp pokey bits, it wasn’t a bad attempt. Steve just hadn’t accounted for the fact that Wayne lived with Eddie. 
An unfair advantage, really. 
‘Least there can’t be any baby racoons in the damn bag.’ Wayne thought idly. 
Went on to gently put the bat in the backseat, watching as the kid struggled to lift himself into the truck.
"You can drop that, I take too being called Sir about as well as Hop does." He said, keeping his tone nice and calm, hoping to ease into calling Steve out on his lie. 
Fussed with a few dials on the stereo, giving Steve an excuse to take his time before starting the engine and taking the long way home.
Wayne wanted to talk a little-- without the chance of Ed’s interrupting. 
"Son,” He started off. “I was born in the morning, but not this morning. I'm hoping to make the next few weeks as easy as I can for both of us, and I can't do that if you're starting off with a lie." 
Steve blinked, turning to face him in a matter that was too fast for his injuries. He didn't bother hiding the hurt it caused him, but his voice stayed even as he spoke.
 "What do you mean Si--Wayne." 
"Nice catch.”  Wayne said. “We’ll get you there yet.” 
It was a trick he'd learned with Eddie--little tidbits of praise went a long way when it came to gaining trust.
Especially with kids who hadn't ever been given much. 
Harrington seemed smart to it, or perhaps was just hesitant to speak in general because he remained quiet, not offering up any info. No further lies, but nothing towards the truth, neither. 
Which was fine. Wayne didn’t think a little pushing would hurt.
"That bat of yours was digging into my shoulder like a bee swarm." Wayne continued, when it became clear Steve wasn't talking. "I'm more a fan of football than baseball, but last I checked they hadn't changed the design of a bat." 
"What teams?" Steve asked, perking up a touch. "Of football. Which ones are yours?"
Wayne could ignore it of course, or demand Steve give him an answer to the question he asked. 
He did neither. "I’m liking the Colts since they got moved here. You?" 
"Green Bay Packers, though I like the Colts too--that trade in 84’ was crazy." Steve said. After a second he proved that answering instead of pushing was the right move because he added; "What did Hopper tell you? About…" He trailed off, making a gesture Wayne didn't bother trying to interpret. 
"He said some things. I've guessed a few others." Wayne admitted. Cut a little look out of the corner of his eye as he came to a stop sign. "I know the feds are real interested in you after Starcourt." 
Steve took that in, hands tightening on the handle. 
"It really is a baseball bat." He said, a little fast and with the tiniest hint of that challenge Wayne had been looking for. "It just also has nails hammered into one end." 
Wayne took that in with one nice, slow blink. 
"A bat with nails in it." He said, and it made a hell of a lot of sense compared to the sensation he'd felt carrying the case. "You use it against anyone?" 
"Some of the feds." Steve admitted, and even with his eyes on the road Wayne could tell he was being stared at.
Judged.
Not in the way one expected a rich kid to judge, but in the way Eddie had, those first few months he'd lived here. The times when  he'd push, just a little, to see what Wayne's reaction would be. 
Eddie hadn't done it in a damn long time, but Wayne recognized the behavior nonetheless. 
"Anybody else?" He asked. 
"Nobody human." Steve replied. 
"Alright." Wayne said, and made a mental note to drop all questions related to that. 
He didn't need to know, definitely didn't want to know, and had a feeling if he did know he'd find himself being watched by the same spooks after Steve.
"I've got a few deck boxes that lock on my porch. Think you'd be agreeable to leaving the bat in one?" 
Steve paused, hand clenching tighter around the strap of his duffel bag. "If you gave me a key so I could get it in an emergency,  I'd be happy to." 
He tried to sound calm, even a little charming in that sort of upper-class businessman sort of way, but the fear bled through. 
The kid wasn't happy separating from the bat, and given it sounded like it might have saved his life recently, Wayne understood the hesitation. 
With an internal apology to Eddie, he promptly threw his nephew under the proverbial bus.  "I've got my nephew at home and he'd be far too interested in it, is all. Blades and weapons and such tend to attract him, and I don't need to be rushing anyone to the ER." 
All of which were very true facts (one Wayne learned the time he'd allowed Eddie to bring a sword  home, only for him to nearly cut his own nose off winging the thing around) but he figured it might make Steve more amenable to separating from it. 
Sure enough, some of the tenseness bled out of Steve's shoulders. "Yeah that's fair." 
The truck hit a few potholes as they finally turned into the trailer park, and the kid hissed, a quiet sound. 
Judging by the uncomfortable wince, and hands clenched into his jeans something painwise was giving him trouble. 
"When was the last time you took a pain pill?" Wayne asked, doing his best to weave around the other holes that dotted the gravel roads.
Steve blinked. "Uh…" 
"You take any today son?" 
Steve his head. 
"Didn't have time to grab it." He said, offering a sad look to his pack. 
Course he hadn't. 
"Let's get you inside then and get you some." Wayne said with a sigh. Thankfully Eddie's van wasn't here--Wayne was fairly certain he had band practice today but knowing him it could be a million other things.
Just meant he had to acclimate Steve as fast as he could, to try and get the poor guy settled before Ed’s came in. 
He just hoped life and lady luck would work with him, for once. 
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mardyart · 6 months
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can you believe they invented the quote “to be loved is to be changed”
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ttpdjo · 9 days
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i know i know but look how ethereal he is
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i wanted to make an alternate more canon-compliant butterfly Howdy... similar but Different! the wings were a pain in my ass!
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viria-virtual · 1 month
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Thinking about how, when Scar turns red in Third Life, his first actions are collecting flowers to beg to stay with Grian.
That, when faced with being a red life—the first and only red life—his first actions aren’t bloodthirst and anger but desperation to keep the relationship he’s made.
That, in a game where alliances are kept through deeds, debts, and doubt—he offered flowers. He didn’t sell the idea of staying teammates, he didn’t even try. He offered the flowers and begged to stay by Grians side, but was fully prepared to walk away without another word. Was prepared to forget his scamming nature, to lay down flowers and nothing more.
Also, in the image of the flowers being a bouquet, imagine him being gone for hours after his death.
Grian is waiting and Scar is holed up in the forest somewhere meticulously crafting this arrangement despite having no idea what he’s doing. He could only find two flowers, and the mess he puts together isn’t anything anyone would ever sell, but he made it from scratch. He put in the effort, spent hours on it until he deemed it perfect and only then did he bring it to Grian.
It’s ugly, and there is no twine holding it together nor a sheet, but the flowers aren’t wilted. All of them are the most vibrant, healthy flowers he could find and not one is missing a petal due to his hands.
His hands—used to scam, maim, and betray—made gentle for the effort of making something worthy of someone like Grian.
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my-thyla-my-captain · 7 months
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the fact that they use the figurehead izzy defaced for "not doing its job" to instead give him his purpose and identity back. the fact that figureheads were historically not only fixtures of stature and power but also, to their crews, "the eyes of the ship guiding them safely home". the fact that izzy protected the goth crew from a lot of edward's spiraling ire physically, the fact that when izzy was presumed gone and dead the ship was steered and then moored in a storm. the fact that without his intervention they would have likely died in that storm, but instead afterwards were able to be come across by the other half of their crew and brought "home". you see the vision, don't you?
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thepunkmuppet · 19 days
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HAPPY GERARD DAY HELLSITE!!!!!!!
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YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!! YIPPEE!!!!!!
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comradekatara · 1 month
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Your atla analysis is the best so I wanted to ask your opinion on something I've found the fandom fairly divided on - what did you think of Azula's ending within the show proper? Unnecessarily cruel or a necessary tragedy? Would you say that her mental breakdown was too conveniently brought about in order to 'nerf' her for the final agni kai? Also, do you think it was 'right' for Zuko to have fought with his sister at all or would it have been better for him to seek a more humane way to end the cycle of violence?
okay so im saying this as someone who loves azula to death like she has always been one of my absolute favorite characters ever since i was a kid and i’ve always vastly preferred her to zuko and found her to be extremely compelling and eminently sympathetic. i am saying this now before the azula stans come for me. i believe in their beliefs. but i also think her downfall is perfectly executed, and putting aside all the bullshit with the comics and whatever else, it’s a really powerful conclusion to her arc. obviously that isn’t to say that she wouldn’t continue to grow and develop in a postcanon scenario (i have a whole recovery arc for her mapped out in my head, like i do believe in her Healing Journey) but from a narrative perspective, her telos is in fact very thematically satisfying.
no, she wasn’t nerfed so that they could beat her in a fight. the fact that she falls apart is what makes them feel that they can confidently take her on (although i do think in a fair fight katara could win anyway), but the whole point is that it’s not about winning or losing in combat. the whole point is that zuko and azula being pitted against each other in this gratuitous ritual of violence as the culmination of their arcs is fundamentally tragic. yes it’s a bad decision to fight her, and zuko should have chosen another path, but the whole point is that he’s flawed and can only subscribe to the logic he has spent his whole life internalizing through violence and abuse.
that’s why aang’s fight against ozai, while tragic in its own way, is also a triumph for the way in which his ideals prevail in the face of genocide, while zuko and azula’s fight is very patently tragic. there is no moment of victory or triumph. even as zuko sacrifices himself in a beautiful mirroring of “the crossroads of destiny” and as katara uses the element of her people combined with techniques across other cultures to use azula’s hubris and ideology of domination against her, it’s presented as moments of personal growth occurring within a very tragic yet inevitable situation. it was inevitable because azula had always been positioned as an extension of her father, and thus to disempower ozai also means disempowering azula, his favorite site of projection, his favorite weapon.
yeah, it does rub me the wrong way when zuko asks katara whether she’d like to help him “put azula in her place.” it’s not a kind way to talk about your abused younger sister. but it’s also important to understand that zuko doesn’t really recognize his sister’s pain, despite the fact that they obviously share a father, because he’s always assumed that she was untouchable as their perfect golden child and thus never a victim. and he’s wrong. zuko and katara expect a battle of triumph and glory, noble heroes fighting valiantly so that good may prevail over evil. but as they discover here, even more so than their previous discovery two episodes prior, a battle is not a legendary event filled with bombast and beauty until after it has been historicized. often a war is simply fought between pathetic, desperate people who see no other option but to fight.
aang’s ultimate refusal to fight despite having all the power in the world is what makes him so important as the protagonist. but katara and zuko both share a more simplistic view of morality and what it means to be good. and zuko assumes that by fighting azula, he can only be punching up, because she has always been positioned as his superior, and she (in her own words!) is a “monster.” and then azula loses, and his entire worldview shatters. joking about putting her in her place makes way for the realization that behind all her posturing and lying (to herself more than anyone) and performance and cognitive dissonance, azula has always been broken, perhaps even more than he is.
azula says “im sorry it has to end this way, brother,” to which zuko replies “no you’re not.” but i think azula is truly sorry, because in her ideal world, she wouldn’t be fighting zuko. she doesn’t actually want to kill him, as much as she claims to. she’s already reached the conclusion that zuko will only truly reach once their fight is over. she lacks a support system, and she needs one, desperately. if she could somehow get her family back, do everything differently, less afraid of the consequences, she would. she’s smirking, she sounds almost facetious, but really, she is sorry. as of this moment, she really doesn’t want it to end this way. but zuko cannot accept that, because in his mind, azula is evil. azula has no soul nor feeling. azula always lies.
her breakdown doesn’t come out of nowhere, either. it’s precipitated by everyone she has ever cared about betraying her. first zuko betrays her, then mai, then ty lee, and then ozai — the person she has staked her entire identity to and to whom she has pledged her undying loyalty and obedience, become nothing more than a vessel for his whims — discards her because she had the audacity to care about someone other than him. what i don’t think zuko realizes, and perhaps will never realize, is that azula betrayed ozai by bringing zuko back home. he was not supposed to be brought back with honor and with glory. azula specifically orchestrated the fight in the catacombs to motivate him to join her, and it’s not because she’s some cruel sadistic monster who wanted to separate a poor innocent soft uwu bean from his loving uncle, it’s because she genuinely believes that she’s doing what’s best for him. she believes that their uncle is a traitor and a bad influence, and she believes that bringing zuko home with his honor “restored” is an act of love. to her it is.
yes, she claims that she was actually just manipulating him so that she wouldn’t have to take the fall if the avatar was actually alive, but also, she’s clearly just covering her own ass. she didn’t know about the spirit water, and only started improvising when zuko started showing hesitation. but even if she was only using zuko, then that was an insane risk to take, because either way she was lying directly to ozai’s face. and zuko admits it to ozai while simultaneously committing treason, so of course ozai would blame azula, his perfect golden child who tried to violate his decree by bringing zuko back home a prisoner at best and dead at worst, and instead found a way to restore his princehood with glory.
we only see ozai dismissing and discarding azula in the finale, but it’s clearly a tension that’s been bubbling since the day of black sun. and we know this because we do see azula falling apart before the finale. in “the boiling rock” she is betrayed by her only friends. in “the southern raiders” we see that this has taken a toll on her, that she is already somewhat unhinged. she and zuko tie in a one on one fight for the first time. and she takes down her hair as she uses her hairpin to secure herself against the edge of a cliff. unlike zuko, who is helped by his friends and allies, who has a support system. it’s a very precarious position; she’s literally on a cliff’s edge, alone, her hair down signifying her unraveling mental state. azula having her hair down signals to us an audience that she is in a position of vulnerability. she is able to mask this terrifying moment wherein she nearly plummets to her death with a triumphant smirk, but it should be evident to us all that her security is fragile here.
and the thing is, even though she’s always masked it with a smirk and perfect poise, her security has always been fragile. azula has never been safe. azula’s breakdown is simply the culmination of her realization that no matter how hard she tries, she will never be ozai’s perfect weapon, because she is a human being. she is a child, no less. and there is no one in her entire life who loves her for nothing. zuko has iroh, who affirms to him that he could never be angry with zuko, that all he wants is simply what is best for zuko. but azula doesn’t have unconditional support in her life. she doesn’t even have support.
everyone she ever thought she could trust has betrayed her, and so she yells that trust is for fools. because she feels like a fool. of course fear is the only way; it’s what kept her in line all these years. azula is someone who is ruled by fear, and who is broken by the recognition that fear isn’t enough. her downfall is necessarily tragic because her worldview is wrong. the imperialist logic of terror as a tool for domination is her own undoing, just as ozai’s undoing is losing the weapon he has staked his national identity to. it’s a battle of ideals. aang v ozai: pacifism v imperialism. katara and zuko v azula: love and support v fear and isolation.
zuko is unfair to azula, it’s true. he tries to fight her even as he can clearly recognize that “she’s slipping.” instead of trying to help his little sister, he uses that weakness to his advantage, tries to exploit her pain so that he can finally, for the first time ever, beat her in a fight. it’s cruel, but it’s also how siblings act. especially considering the conditions under which they were raised, and how zuko has always viewed her. and in zuko’s defense, she has tried to kill him multiple times lately, both in “the boiling rock” and in “the southern raiders.” zuko is someone who gets fixated on a goal and blocks out everything else, including recognition of his surroundings or empathy for others. so of course when he’s promised to put azula in her place he’s going to exploit her weaknesses to do so. after all, isn’t exploiting his weaknesses exactly what azula does best? so he allows himself to stoop to her level, and in fact only redeems himself through his sacrifice for katara. but it is when azula is chained to the grate and zuko and katara, leaning on each other, look down and observe the sheer extent on her pain, that zuko realizes that “putting azula in her place” isn’t actually a victory. it feels really, really bad, actually.
they’re in a similar position as they were when they faced yon rha. and now it is zuko’s turn to understand that he is not a storybook hero triumphing over evil, but rather a human being, facing another human being, in a conflict that is larger than themselves. to “put someone in their place” is to imply a logic of domination, of inherent superiority, that someone has stepped out of line and must be reordered neatly into the hierarchy. but aang disputes the notion, ozai’s notion, that humanity can be classified along these lines, that there exists an ontological superiority among some and not others. so operation: putting azula in her place was always going to be flawed, even if she was performing competency the way she always does, because they’re nonetheless subscribing to her logic.
of course they should be helping azula, of course they should be reaching out to abuse victims through support instead of more violence. but first they must recognize her victimhood. first they must come to understand that they didn’t get lucky, and they didn’t dominate her because they are more “powerful,” that they weren’t “putting her in her place.” they must understand that they are not heroes fighting villains in a glorious trial by combat. that the logic of the agni kai is flawed. that they are all victims. that they are all just scared, hurt children who are still grieving their mothers.
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egophiliac · 7 months
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GRIMS COMING!!! You gonna pull for him??👀👀
I'm gonna try, but...
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I have mere hours to decide if I want to make one last attempt at Malleus or save a few to try for Grim...and this is all before the new event reveal on the 16th. truly the most difficult choice of our modern times. the gacha is getting its revenge for all of my Lilias.
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ruporas · 10 months
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wolfwood redraws (ID in alt text)
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p4nishers · 8 months
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(1941)
aziraphale ( w rizz): there must be something i can do for you
crowley, clueless: just forget it will you
(2023)
crowley, waking in cold sweat: he meant it SEXUALLY?????
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