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#time stamp: 1:52
vanosslirious · 28 days
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Droidd: I did an IQ test the other day, it's 105 to 120. Mh hmm.
Pezzy: What does that mean?
Grizzy: You have IQ?
SMii7y: What are those, fucking highways? What are you saying?
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discoursecatharsis · 9 months
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I've noticed this pattern with antis in fandom where, in their attempt to distance themselves from anything and everything "problematic" in their fandoms, they refuse to acknowledge when they DO enjoy something problematic. Therefore, they don't recognize the problematic elements of the ship, character, media, etc. They'll also heavily downplay or deny any problematic. aspects of their favorite fandom thing.
I just saw an example of this and it is blowing my mind right now and I need to share this with y'all.
It involves the comments on this video.
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Some context for Princess and the Frog: the blonde girl is Charlotte, also called Lottie. She's the main character Tiana's best friend. Charlotte's goal was always to marry a prince, and she almost marries (who she believes to be) Prince Naveen, but once she sees that Naveen and Tiana are in love, she tries to help them turn back human so they can be together.
At the end of the movie, Tiana and Naveen get married, and this scene plays after. Charlotte dances with Naveen's kid brother, and says "I've waited this long" in response to him saying that he's 6 and a half years old.
Now Charlotte's line here, if you look at the context clues of her story line, implies that she's saying "I've waited this long for a prince to marry, so I can wait longer for Naveen's younger brother to grow up." It's just a joke. Albeit, a joke that many will find to be very uncomfortable and inappropriate, but a joke nonetheless. I highly doubt Charlotte is actually going to "wait for" this child to grow up to marry him. She's making a joke at her expense, about her desperation of her dream to marry a prince.
BUT FOR SOME REASON.... many of the comments are like "she means that she's been waiting to DANCE with a prince."
I'm completely and utterly serious y'all. Here are some of the comments along those lines, with thousands of thumbs up each.
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If you've seen this movie, you'll realize that these comments make absolutely no sense for more than one reason.
1) Charlotte danced with Prince Naveen (or at least with the villain disguised as him) earlier in the movie. She danced with a prince already. Why would that still be her dream if she already accomplished that?
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2) Lottie speaks multiple times (during her childhood and in present day as a young adult) about her dream of "marrying a prince." Not dancing with a prince. Not meeting one. No, she wants to MARRY A PRINCE AND BE A PRINCESS.
This video has some clips of her saying this, at the time stamps 0:20, 2:52, 4:08, and 5:21.
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Charlotte does give up her dream of marrying Naveen specifically for Tiana, because she see that he makes Tiana happy. But with how she jumps in like a wide receiver to catch the bouquet at Naveen and Tiana's wedding, it's clear she still has her dream of marrying *A* prince, just not Naveen.
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But back to the comments on that video.
The comments seem to be downplaying the actual implication of her line. It's almost like they're desperately trying to ignore what she actually meant and make it more wholesome because they don't want to admit that their favorite movie has an uncomfy and inappropriate joke.
It's disturbing that this is yet another example where people in fandom (who are fantis or have been influenced by that fanti mindset) are downplaying a scene (or a ship, trope, etc) that is ACTUALLY problematic because they personally like the movie or the character and they don't want to admit that it has some issues. Instead of just admitting "yeah that scene/line was kinda fucked up and gross," they are jumping through HOOPS to make it seem more innocent than it was. And this is completely blowing my mind and is honestly concerning.
If you want to personally interpret it in a different way, in a way to make it more palatable to you, be my guest. That's what fandom and fanon is all about and I do that a lot too. But to see so many people outright deny the actual implications of this line is... bizarre af. It's one thing to be like "hmm yeah I don't like that, so I'm going to personally interpret this ship/trope/scene differently so it's more comfortable to me." It's another thing entirely to be in complete denial and ignore the actual context of the character and their story.
Also, so many of the other comments on the video aren't even commenting on the actual scene or on what Charlotte said. They're just generic comments on how much they love Charlotte as a character or how they miss this 2D animation. It's like they're trying reallyyyyyy hard to ignore the joke that's being made.
On the grander scheme, this is concerning because these people are refusing to acknowledge something that's inappropriate at best and predatory at worse (an adult "waiting" for a child to grow up) because they don't want to be caught enjoying/supporting something "bad."
All their talk about normalizing and normalization, but they're the ones kinda normalizing bad things by downplaying them or being in denial of it when it's in THEIR favorite media. And that is very concerning and a big issue.
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heeracha · 2 years
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## buy one, take me. — l. heeseung
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synposis: with his best friend asking him for help because said best friend was scared he wasn't "boyfriend material" enough, heeseung looks for flower shops for his best friend's girlfriend. thankfully, jake knows someone from the university who has an aunt that owns a flower shop, you. now, heeseung messages you and shyly, but shamelessly asks if he can get any promos or discounts to which you shamelessly answered him, "buy one, take me". heeseung doesn't pass on this, of course. after all, you are pretty damn cute.
pairing: heeseung x fem!reader
content/genre: college au, slowburn, fluff, angst and crack, smau.
warning(s): swearing, of course. and as always, i'll put it in every chap if there's something you need to look out for.
note: yes, blod-talicized for slowburn because this is already planned out three years ago (but for another idol) anyway !! i'm excited to share this, my ass had been wanting to post this,,,,,, i already have the ending i just really need to do from part eleven up to,,,, that. so here you go. T_T okay, if i suddenly ghost again FLOOD ME MESSAGES/ASKS/IDC WHAT TO FINISH IT. TAGLIST CLOSE.
tags: r.asks: botm, botm updates, botm thoughts
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sample texts. / playlist.
profiles. / profiles two. / profiles three.
ep 1. — the pilot.
ep 2. — the bf problem.
ep 3. — the help from jake.
ep 4. — the promo.
ep 5. — the benefit of jeongin.
ep 6. — the availing of the promo.
ep 7. — the two introverts.
ep 8. — the era of reporter sunoo.
ep 8.2. — the dog cafe.
ep 9. — the look. what look?
ep 10. — the panicking of heeseung.
ep. 11 — the time heeseung decides to trust y/n.
ep 12. — the real heey/n friendship era.
ep 13. — the star stamp.
ep 14. — the late night in the flower shop.
ep 15. — the biggest cliché.
ep 16. — the text-snapping of y/n.
ep 17. — the weekend of heeseung without y/n.
ep 18. — the two am ride.
ep 19. — the stupidity.
ep 20. — the time y/n blocked heeseung.
ep 21. — the whipped y/n.
ep 22. — the painful sight (according to riki).
ep 23. — the library.
ep 24. — the dog café pt 2.
ep 25. — the frustration of jungwon and sunoo.
ep 26. — the flowers and bambi sticker.
ep 27. — the pretty dense boy texting y/n.
ep 28. — the message from jay.
ep 29. — the look heey/n give.
ep 30. — the pet name.
ep 31. — the switch up.
ep 32. — the no more denial.
ep 33. — the time seungmin called y/n 'sweetie'.
ep 34. — the way y/n sensed it again.
ep 35. — the talk.
ep 36. — the halfway there.
ep 37. — the another lame line.
ep 38. — the time heeseung accidentally kissed y/n.
ep 39. — the drive-in.
ep 40. — the flour and eggs.
ep 41. — the favorite view.
ep 42. — the one time they used their main accs.
ep 43. — the origami flower bouquet.
ep 44. — the stressed gf.
ep 45. — the plane plan.
ep 46. — the time y/n isn't teasing with heeseung.
ep 47. — the time when everything is "fine".
ep 48. — the time heeseung forgot.
ep 49. — the fight.
ep 50. — the graduation.
ep 51. — the flower arrangement on the cashier.
ep 52. — the favorite flower of heeseung.
ep 53. — the fact that heeseung is still jealous.
ep 54. — the supposed three year anniversary of heey/n.
ep 55. — the bubble chat turned blue.
ep 56. — the dumb flowers.
ep 57. — the time y/n finally replied.
ep 58. — the rehearsal dinner.
ep 59. — the flowers weren't dumb after all.
ep 60. — the lifetime promo.
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bonus. — the matching icons.
bonus 2. — the pettiness of flower and seungie.
bonus 3. — the one where heeseung thought y/n's leaving.
bonus 4. — the one with heeseung's doe eyes.
alternative ending. — the one when y/n almost stayed.
marriage discount; p. sunghoon [ fem!reader ]. — after endless of weddings that sunghoon attends to, he's been spending non-stop. so, upon hearing about a discount for married people even if it's just in the dry cleaners, sunghoon tells the employee that the girl, who happens to be you, walked in in the shop is his wife. even if he doesn't know you.
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heeracha, 2022.
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Memory Log: Day 52
part 1 here | part 2 here | part 3 here | part 5 here | part 6 here (ao3 link here)
After seeing his ink-smeared biography all over Eddie Munson’s arm, Steve becomes extremely motivated. Obsessed, even.
He assembles a makeshift army. Eddie’s Memory Soldiers, he calls it. Okay - he doesn’t call it that out loud, only to himself (because even Steve is self-aware enough to know how deranged this all sounds).
Steve compiles a ragtag group of Eddie’s friends to nudge his brain along faster. Band mates, theater dweebs, potheads that can carry a tune. All of them bring mixtapes on their visits. After two weekends, there’s already a fuckload of thrashy melodies for Eddie to choose from.
He lets them take the reins on this music-healing plan because there’s no fucking way Steve will be helpful in that department. It means less visits that include his presence, which sort of sucks, but it’s worth it. Worth it to get Eddie back to where he used to be.
Before Steve heads out for one of his morning visits, Robin interrogates him. Asks him the question he’s been ignoring for weeks.
“Steve… not to sound harsh, but why do you care so much?” 
Yeah. Why does he care so much? 
She quickly follows it up with, “I just didn’t know you two were friends now. So I’m just curious, I guess.”
They’re not friends. They’re lukewarm tolerators - tethered together by monster hunting and Dustin Henderson.
They’ve flirted, sure. But who doesn’t? Steve would flirt with half of the leggy cartoon characters that appear on Saturday Mornings if he could. So that’s a weak argument to assume they’re more than just friends. Tolerators. Whatever.
So he lies. To Robin. To himself. Lies so much that it sits in his stomach like motion sickness.
He answers the exact same way he’s been answering since day one:
“I’m just doing this for the kids, Robs.”
He’s pretty sure neither of them are buying that statement. He tries again. Stamps the words onto his confused brain. Considers writing them on his arm just like Eddie might do.
“I’m doing it for them.”
Eddie is always on his Walkman (Steve’s Walkman) now that he has skyscraper of cassettes on his desk. Pretty much every time Steve returns, Eddie is head banging. Won’t stop until the nurses scold him.
Or Steve. He’ll stop if Steve scolds him too.
“You can’t keep jostling up your brain, Munson.” Steve whips the headphones off of Eddie’s ears. “Gonna undo all of our hard work.”
“Our hard work?” Eddie attempts to grab the headphones back. Gives up as soon as their hands make contact. “And who might be included in this our that you speak of?”
“You know…” Me. “The doctors and nurses and your friends.”
“Right.”
This is how things have been going lately. Eddie teases him mercilessly and Steve bats it all away. Doesn’t encourage it for a second.
Which blows so hard because he wants to flirt back. Steve wants to know what Eddie feels like beyond tubes and bandages and hospital gowns. He wants way too much after watching Eddie fall asleep smiling that night. After finding out that Eddie scams his own mind into remembering Steve in technicolor details every day.
But it feels wrong. Deep down, there’s this part of Steve that worries that Eddie only likes the scribbled notes, the good qualities of himself. The non-prickster qualities.
He doesn’t scribble the bad qualities on his arm. Eddie lets himself forget about those every night. 
So it seems wrong. Unfair to let Eddie only remember the good parts of him and take advantage of his weak mind.
Life was a fucking breeze before Steve cared about not taking advantage of people. Shit, he used the world’s biggest advantage-taker before all of this evil wizard nonsense.
“Quiz me, Harrington.” Eddie insists.
So Steve does. Steve goes down the list of questions. Things that Eddie’s memory typically hesitates to recognize. 
Music helps Eddie remember his childhood memories the best.
That’s the biggest discovery they’ve made over the last fourteen days. Tapes that include songs from the early to mid 70’s have the biggest mental impact on his memory skills. Every day, he recalls more moments from his past.
Winter birthday parties. Recess and tire swings. Nineteen chickenpox. A pet hamster named Sterling.
“Can’t believe Wayne trusted you with a living creature.” Steve sneers.
“Never said he did.”
He always gets fuzzy with stuff from the late 70s though. And the early 80s is just a jumbled-up shit show. That’s when Eddie really starts failing his quiz.
“What year did you get the tattoo on your chest?”
“You mean this one?” Eddie pulls down the wrinkly hospital gown, exposing way too much of his collarbone. “Or this one?” He pulls the fabric down even further.
They must’ve finally turned the heat on in this place. Or maybe Steve’s sweater is just extra itchy, scratching his skin all splotchy red. He rubs furiously at the collar, spreads the flush all over by accident. 
His eyes dart up to the fluorescent lights. Away from Eddie’s chest. “Um… the… creepy guy.”
“You’ll sprain your neck looking up like that.”
“Good thing I’m in a hospital then.”
“Okay - seriously, what’s up with you?”
“Nothing.”
“Sure.” Eddie snorts. His heart monitor beeps faster. Steve hates that laughing must be a bit painful for him. “And he’s not some creepy guy. He’s a creepy demon. Please respect the body art and get your facts right.”
“Fine.”
Not flirting back makes Steve feel like he could break out into hives. He has a fucking stockpile of pickup lines. He hoards provocative catchphrases like a horny pack rat. Talking is becoming increasingly difficult when he can’t banter back the way he wants to.
“Don’t remember what year I got it.” Eddie admits. “Sorry.”
Steve pulls his focus away from the ceiling and scribbles that down:
Eddie still can’t remember when he got his tattoos.
“Gee mister,” Eddie imitates a very masculine Shirley Temple voice. “Am I failing the pop quiz already?”
Eddie remembers who Shirley Temple is (weird, but okay).
Eddie does a really shitty impression of Shirley Temple.
Steve just keeps writing. Not even writing words anymore, just moving the pen to stay focused. Stay distracted from flirting.
The energy starts to feel swampy and stiff as he continues to give short responses with lifeless enthusiasm. Steve can tell that Eddie is picking up on the weirdness too. 
He’s so fidgety. Drumming his fingers, twisting the one ring he’s allowed to wear on one of his less busted fingers. Bobbing his knees and kicking off his blankets. 
Eventually, Eddie puts his (Steve’s) headphones back on and closes his eyes. A nonverbal surrender. A borrowed Walkman instead of a white flag. Why does it feel so shitty to see that he is just as defeated as Steve?
Once Eddie is asleep, Steve peaks over at his arms.
The notes are still there. Fading, but there.
It shouldn’t jab him in the heart the way that it does every time he checks, but christ. It’s so fucked up.
Slowly but surely, Eddie is gaining pieces of his past, but never his present. Why the fuck is that? Steve is so selfishly pissed about that because he’s a main role in Eddie’s present life. 
He’s the one that’s here most days. He’s the one that listens to Eddie’s rants and incessant complaints. He’s the one that calls the nurses when Eddie is too prideful to admit when he’s in pain.
Steve should be remembered without smudgey reminders and foggy recollections.
Steve should be un-fucking-forgettable.
After an unhealthy amount of moping, he comes up with an idea. Well, Dustin comes up with an idea, actually. Steve bribed him with nougat and R-rated movie rentals to construct a gameplan.
“And you need Eddie to remember your favorite sweater…why?” Dustin’s mouth is full of chewy candy as he asks.
Steve chucks a raisinette at his dumb hat. “I thought we agreed this was a no questions asked request.”
“You suggested that.” Dustin points at Steve. “I never agreed to it though.”
This is the part Steve despises. If he admits it to others, he has to admit it to himself. And while he’s come a long way since that first day with Eddie, he’s not there yet. His pride can only take so much vulnerability before it fractures completely. “Just… I’m testing a theory I have on his newest memories.”
“Right. And what theory would that be?”
That he thinks about me in kissable ways. “That he remembers more than he gives himself credit for.”
Dustin chugs back his soda and scrunches the can in his grasp. “Okay. Well, the mixtape theory is working decently well with older memories, right?
“Yeah. Definitely.”
“So maybe it can work with newer memories too.”
Steve is lost already. “Meaning?”
“Find songs that relate to you.” Dustin shrugs like duh. He must sense Steve’s hesitation, so he sputters back into his brainy explanation. “Think about it: you’re there all the time -”
“Not all the time, but -”
“Shut the hell up. You’re there all the time, so he must remember the essence of Steve Harrington.”
Steve fake gags. “Don’t say essence, that’s fucking gross.”
“Will you stop interrupting? Jesus christ.” Dustin yells, scrunching the soda can even more with his irritation. “Just make a mixtape with stuff that relates to you. Get his current memories to stick with lyrics and shit.”
Steve twists his mouth to one side. Then the other. “That’s…”
“Genius?”
“I was gonna say worth a shot, but sure.” Steve agrees. “We’ll go with your conceited analysis.”
Dustin finally picks up the raisinette from earlier. Throws it back at Steve. “You should be nicer to me. I possibly just solved your dilemma.”
“I should be nicer to you?” Steve tosses the raisinette into his mouth, despite its questionable duration on the floor. “Dude, you’re never nice to me.”
“Yeah, but it’s affectionate hostility.”
“And that makes it better?”
“Basically, yeah.”
“Fine.” Steve rolls eyes, offers a hand to Dustin. “Thank you for the hostile affection.”
Dustin accepts the handshake. He’s overly smug about it too. “You’re very welcome.”
Memory Log: Day 53
Right away, Steve determines it’s a Kathy Day. Eddie is a verbal nightmare already, whining about the dead batteries in his tv remote.
“I’ll get Sam to grab some batteries when her shift starts.” Steve reassures the bitchy entity possessing Eddie Munson’s body at the moment.
“Why don’t you just get the damn batteries?” Eddie bites back. “You have legs, don’t you?”
“You have eyes, don’t you? Of course, I have fucking legs.” Steve can play it this game. Doesn’t want to but he can be just as obnoxious if Eddie keeps going with his attitude. “Please don’t pull this Kathy shit today.”
That simultaneously shuts them both up for a while. Steve begins flipping through one of the outdated magazines on Eddie’s desk, avoiding the escalated atmosphere. At this rate, there’s no fucking way Steve is going to bring up his mixtape. Kathy/Eddie will probably smash it. Roll over it with the wheels on his imprisoning hospital bed.
Eddie clears his throat, speaking softer than he did at Steve’s arrival. “You know… you were sort of a Kathy yourself yesterday.”
Eddie remembers Steve’s weird mood from the day before (needs to check Eddie’s arm notes to make sure he didn’t write that down).
“Yeah well… I’m allowed to be the pissy one sometimes.” Steve doesn’t look up. He just keeps pretending to read the fossilized magazine in his hand.
“Whatever you say, Harrington.” There’s another pause. Just as awkward as the last one. Their dynamics today are clashing harder than their music styles. Eddie breaks through the awkwardness once again. “So… what’s on the brain agenda today?”
Eddie remembers their pop quizzes.
Right. The quiz. The quiz that Steve has no intention of administering today because he’s supposed to give Eddie this stupid mixtape. 
And look, Steve is pretty good at avoiding shit - homework and phone calls and extended family members. He’s good at dodging shit too, like the relentless one-night stands that can never seem to take a goddamn hint.
But this situation is different because Steve would clearly like to avoid the potential weirdness of giving Eddie Munson a gift. However, he’s innately aware that this particular gift could be helpful. Maybe more to himself than to Eddie, but who knows? If Eddie gets his memory tank back on track and Steve gets someone that reciprocates his affections? 
The payoff might be worth the weirdness.
“I actually wanted to contribute to your…” Steve gestures apathetically at the stack of tapes.
Eddie looks over at them and then back to Steve. “Oh you mean, Munsonopolis?”
“Boooo.” Steve heckles him immediately for that.
“You think of something better then.”
Steve thinks about this way too hard. “The Ed-pire State Building.”
“Boooo.” Eddie imitates Steve’s heckling.
“Better than yours.”
“Says who?”
“Says anyone with a sense of humor.”
“Brave of you to call that a sense of humor.”
“What can I say?” Steve clicks his mouth twice and does the most douchey finger-gun bit, blowing out the nonexistent smoke from each index finger. “I’m something else.”
Eddie bites down over his lip, hard enough that it goes white for a second. Doesn’t take his eyes off of Steve while he bares down.
“You sure are, Steve.”
Oh shit - did they just mindlessly segue onto Flirtation Boulevard without even trying? Is it really that natural with Eddie? Damnit, Steve needs to get his mind on the task at hand.
“Here.” He walks over, lays the tape on Eddie’s lap.
“Is this another one from Gareth?” Eddie flips the tape over, studies the back. “Cause I already assured him that I remember the concert we went to back in ‘84.”
Eddie remembers one of his closest friends.
“No, this one is actually…” Just fucking own up, Steve. “Well, I made it.”
Eddie’s eyes do that sequin thing again. Almost turn into disco balls. “You made me a mixtape?”
Ugh. “Don’t get too flattered, Munson.” 
“Too late.”
Steve was afraid that might be the case. So he does his damndest to channel Dustin Henderson. Provide a scientific explanation to his crush-driven theory. “It’s just an extension of our little music experiment. Some stuff that will help you remember me.”
“And why exactly do you want me to remember you?” Eddie does the same lip biting thing from before. He bites harder, and the color stays white even longer this time.
Steve involuntarily glances down at Eddie’s arm, giving himself away.
“Oh.” Eddie stops biting his lip, swiftly lifts the blankets over his arms. Hiding what Steve already knows is there. “Look… that’s just -”
“You don’t have to explain yourself, really.”
Eddie looks down, nodding in agreement. “Right. But it’s not-”
“Eddie.” Steve places a firm hand on Eddie’s shoulder because he can’t. He can’t listen to whatever Eddie is about to confirm or deny. “It’s okay. I mean it.”
He’s not ready for it, for whatever barricade that’s between them to come crashing down. Steve didn’t bring the proper tools to shield himself from raw emotions or desperate declarations of true feelings. And from the way Eddie goes breathless and tense under Steve’s shoulder-grip, he doesn’t think Eddie has the proper tools for that either.
“So you uh…” Eddie peers down at Steve’s hand. Catches a glimpse then abruptly looks away again. “Do you want me to listen now or…”
God no. Steve releases his grip at that thought. “Wait till I leave.” 
“Got it.”
The rest of the visit goes both fairly smoothly. There are only a few lingering particles of awkward tension left behind. It doesn’t bother Steve, not necessarily. The whole day has been kind of all over the place, just like Eddie’s Literary Behavioral Scale. So this uneasy atmosphere is to be expected.
They talk about movies while Steve packs up his things to leave. Eddie asks about all the new movies that have come out since he’s been in the hospital. Steve tells him to make a list of the ones he’s interested in seeing. Tells him that they’ll have a marathon at his place once they’re released to vhs. Eddie says he knows a guy that sells bootlegs before the vhs release date, but Steve shoots that idea down so fucking fast.
It’s not their usual banter, but that’s okay. At least they're talking. Getting along. Tolerating one another at a lukewarm temperature again.
“Steve?”
“Yeah?” Steve is met with the most anxiety-ridden face. Eddie’s whole forehead is covered in wrinkles, like that one fancy dog breed that his next-door neighbor used to have. There’s no shimmer in Eddie’s eyes, no disco balls. It’s all just dull. Fearful.
“Sorry if the arm thing made you...” Eddie trips over his words. He pinches the skin between his eyes, makes his even more forehead wrinkles. “I don’t know what’s the word I’m looking for.. Uncomfortable, I guess.”
“Don’t worry. It didn’t.” It made Steve a lot of other things: gutted, determined, confused, sulky, smitten. But no. Worried did not make Steve’s grocery list of Feelings.
“Don’t forget to tell Sam about the batteries on your way out.”
Eddie remembers bitching about the batteries.
Yeah, Steve’s memory isn’t the faulty one here. Even so, Steve reassures him:
“I won’t forget, Eds.”
Day 56:
Wayne had a couple days off from work and took over Steve’s Wednesday and Thursday shifts in the hospital. It’s probably for the best - especially since Steve decided to do the most high school shit ever, and gift Eddie a fucking bouquet in the form of radio hits and plastic.
He’s breaking out from the stress, just marinating on what Eddie’s thoughts might be of the mixtape. It can’t be good. None of the songs are his typical riffs of eternal damnation or whatever. But it certainly sounds like Steve Harrington in a Speaker. So it better help him picture Steve dressed in the tackiest, most burnable sweaters imaginable, goddamnit.
But like, why is he breaking out from thinking about Eddie Munson? Absurd. All of it. The feelings and the acne. His weird little crush is making him regress into adolescent woes and it’s pissing him off.
After popping the zit and crossing his fingers that it’s not outrageously noticeable, Steve sucks in a deep breath, and heads into Eddie’s hospital room.
“There’s my favorite Material Girl.” Eddie lowers the headphones, smiles bonus-level wide.
Steve’s gulps. His face feels like a fucking toaster. “I take it you listened to the tape?”
“I didn’t just listen to the tape.” Eddie picks up the Walkman and smacks it against the side of his head. “I practically absorbed that bubblegum bullshit. Think some of it is still stuck in my teeth.”
Steve plays along, hoping that his face will return to its usual complexion. “You should see a dentist about that.”
“With what insurance?”
“That’s fair.” Steve slides his hands into his jean pockets. He’s so rigid. “So?”
“So?”
“Final conclusion?”
“Oh, I hated it.” Eddie says bluntly. “In a very stick-that-syringe-in-my-neck kind of way.”
“Shocker.” Steve actually expected a meaner response than that.
“Why did you put so many songs on there that use Girl in the title?”
“Hey - it’s not my fault that all of the rich poster child songs are about women.” Steve gets defensive about that one. Honestly, it’s true. There needs to be more music about wealthy guys with genetically flawless hair. Somebody needs to get on that shit so Steve can have more songs that apply to him.
“Whatever you say, man.” 
“So did it…” Steve is still standing. Hovering a bit. “Did it help?”
Eddie sticks out both of his arms, flipping to reveal his forearms to Steve.
They’re blank, besides the usual tattoos and contusions. They’re as blank as Eddie’s arms can be at the moment. No more Steve Cheat Sheet to be found.
Steve exhales all of his relief. “And you remember me?”
“Remembering you was never the problem, Steve.”
“It wasn’t?”
Eddie shakes his head. “But if I ever allowed myself to forget, I…” He taps rapidly over the Walkman. Steve’s Walkman. “I just didn’t wanna risk starting over.”
“Oh.”
“With you.”
The metaphorical arrow, the one Steve has alway seen on department store Valentines Day cards, goes straight through his chest. Eddie aims the words with you directly for Steve’s heart. Punctures that wall he built up after Nancy Wheeler.
The monitor connected to Eddie is beeping faster again. It’s not like that day Eddie was writhing in pain. No, it’s a different tempo.
It sounds like his nerves are conducting the pattern. He’s nervous. Steve is making him nervous.
Or Steve’s lack of response is making him nervous.
But how does Steve respond? Is this Eddie giving him permission to flirt back again? To keep driving down the detour of attraction, take the scenic route?
Eddie’s heart monitor is screaming, ‘say something, Steve.’
But Steve’s archive of failed relationships is screaming, back, ‘don’t fuck this up, dickhead.’
Steve tries to meet the two in the middle. Say something inviting yet keep it simple.
“So… do you wanna make fun of the shitty soap operas together?” 
Steve puts a little emphasis on the together part, hoping it’ll tame the monitor. Make the tones evenly paced. He lets his hand tap once against Eddie’s arm. Right over his newly blank wrist. So clean. No more scribbles.
“I don’t know, I’ll have to check my schedule.” Eddie teases with his words, sure. But his hand lifts up. Tapping Steve back. Twice. “I’m a very busy man, you see.”
Steve shoves him away, laughing as he does it. “You’re ridiculous.”
“You’re not wrong.”
His monitor is ballad again.
One of Eddie’s (many) doctors walks into the room during their third hour of mocking the Home Shopping Network. Eddie has developed an elaborate backstory that they’re all cyborgs who are taking civilian money to grow their army of killer robots. Steve is surprisingly on board with this theory after the second hour. Some red headed lady twitches her eyes way too much to be human.
The doctor runs a few tests, looks over Eddie’s chart, the typical procedure. However, at the end of the visit, he decides to put Eddie on a new medication for his headaches. 
Headaches…
Steve flips back to that first day he started visiting Eddie. Finds the note he passive-aggressively took back then:
Eddie has a headache (that’s not a memory thing - he’s just told Steve a thousand times now).
He fans through the other pages as well. At least two-thirds of them mention Eddie complaining about headaches. How did Steve miss this? How could he be so stupid? He was too busy fantasizing about Eddie’s chest tattoos and making shitty mixtapes, that he glossed over something so significant.
Dustin wouldn’t have missed this. Robin wouldn’t have missed this. Nancy definitely wouldn’t have missed this - hell, she would’ve already cracked the Case of the Missing Memories by now. 
Steve is the wrong man for this job. Not enough brainpower to fix a broken brain.
“Uh oh.” Eddie says. “Where you’d go, Harrington?”
Steve glances up to see Eddie pointing his finger at Steve’s head. “Just.. thinking.”
“Share with the class, please.”
Steve struggles to make his voice sound causal about this. “I should’ve known about the headaches. Paid better attention.”
“Are you joking?” Eddie asks. “Because if you are, we need to work on your delivery.”
“Not joking, no.”
Eddie’s tone is mildly annoyed, still gentle though. “Stevie… that guy gets paid a shitload of money to figure out my problems. Truly - the reason there’s no pot of gold at the end of the rainbow is because it’s going straight into that guy’s pocket.”
Steve snorts. It’s even funnier to visualize because the doctor is kind of short.
“What I’m saying is, it’s his job to have a big brain.” Eddie’s eye contact is sharp. Broken bottle to his neck sharp. “And your job is to be my eye candy. Sit there and look cute while I try to not hack up my dinner.”
Steve’s hearing went crackly at all of the compliments. “Eye candy, huh?”
“Pretty much.”
Steve no longer has an excuse not to flirt back. Eddie has his mixtape; his arms are bare. He’s obviously encouraging it, even with the knowledge that Steve is a spoiled brat. He likes Steve, not just the good stuff. Eddie is still willing to pursue this even with Steve’s bad qualities.
So fuck it. Steve is gonna delve into his stockpile of pickup lines. He’s gonna rummage around his hoard of provocative catchprashes. Be the horny pack rat that he was born to be.
“Is the sitting part of my job description mandatory?” Steve leans forward, elbows resting on his knees.
“Oh, I’m very lenient on that detail.” Eddie’s voice drops lower. “The cute part… not so much.”
“So you’re only keeping me around for what? My great hair? My symmetrical bone structure? My biceps, maybe?”
“Definitely not your humility, that’s for damn sure.”
They share a smile as Steve gets up, inches closer to Eddie’s bed. He reaches out and pinches the sleeve of Eddie’s hospital gown between his fingers. He cautiously rubs it over a few times, waiting to see Eddie’s reaction to this droplet of affection.
Eddie catches Steve’s wrist with his other hand. Mirrors the rubbing motion Steve set in place with the material.
“Hey.”
“Hey.”
Steve nudges Eddie lightly. “Is this okay?”
And before he can even get a response back, Eddie’s face starts turning grayish-green. 
This happens. Eddie throws up biweekly, so it’s not a big deal at all. It’s just that Steve is usually not laying on the moves when Eddie is about to blow chunks. Honestly, it knocks Steve’s astronomical ego down a few notches.
He probably deserves it.
Eddie is really sick. He pukes three more times, and he starts running a fever after the second time. He’s all clammy and curled into a pillow, clutching it with shaky fingers.
It’s all side effects from the new medication apparently. Yeah, Eddie’s head is no longer splitting open, but his body is rejecting all of the cardboard hospital food.
Steve keeps an eye on him, not that he can do much about it. He gets a styrofoam cup of ice chips so Eddie can chew on it whenever his temperature spikes. He wipes the sweat off Eddie’s temples because one - it’s a nice gesture, and two - it gives him an excuse to be nearby.
The shivering is driving Steve crazy though. He’s so on edge just watching Eddie like this. Eddie keeps making jokes like ‘at least I’ll remember your stupid worried face in the morning’ or ‘damn, my past better be worth all of this.’ And Steve will chuckle halfheartedly each time.
The heart monitor is all jumpy now. Even, uneven, even, uneven. If Steve focuses on it for too long, it starts to sound like he’s driving by a highway collision. A pileup of beeps and tones.
He gets another cup of cafeteria coffee. Hopes the bitterness and chalky creamer will be enough to muffle his hearing. Steer his mind to an empty exit lane.
“What? No coffee for me?” Eddie is under an extra blanket now.
Steve scoots his chair even closer to Eddie’s bedside. “What’s the point? You’d just puke it all up.” He’s pretty lousy at supportive words, isn’t he?
“Aren’t visiting hours almost over?”
“You trying to get rid of me, Munson?”
“Never. Just figured you needed to catch the bus or whatever.”
Eddie remembers Steve taking the bus.
“Robin finally gave me my car back.” Steve conveniently leaves out how he demanded  for it to be returned to him. “So, I’ll stay until they kick me out… if that’s cool with you.”
He places his non-coffee holding hand over top of Eddie’s open palm. It’s sort of instinctual. Doesn’t give his mind a moment to wonder if this is crossing a line. 
Holding hands in a hospital doesn’t mean romance. It never has. People do it all time, no one bats an eye at them either. It’s just a gesture of helpless support. It’s what people do to signify, ‘I can’t heal you with medicine, but I can warm your under-circulated skin just a little.’
But when Eddie’s fingers curl around his own, Steve’s stomach swells like its romance. It swells with hot air, helium maybe. It swells and stays swollen. Stays thermal and full.
“Looks like I’m gonna have to pay my eye candy overtime.” Eddie’s face rushes all pinkish-red. Almost as if he’s trying to combat his blush with humor, but it’s not working. He’s all the colors now. And with or without them, he’s attractive.
“You don’t pay me at all.”
“You got me there.” Eddie shakes a frizzy curl in front of his cheek. A poor effort to hide his flushed face. “I’m a terrible employer.”
Steve traces the grooves of Eddie’s palm lines. Pretends that they form a railroad track. “The worst.”
Once his fever finally breaks, Eddie falls asleep. His body unfolds, his fingers uncurl. It’s a heavy sleep, one that makes him all languid and soft. Any traces of bones are questionable now.
And even though Steve is about to pass out from exhaustion, he doesn’t move his hand from Eddie’s. He’d rather give up his whole arm than move it.
Sam peaks in just before Steve nods off. She lets in the bright hallway light, not too much though. Not enough to wake Eddie. Honestly, not a lot of things wake Eddie up these days.
“Sorry.” Steve yawns. “I overstayed my welcome.”
She shrugs, checks the fluids in one of Eddie’s IV bags. “You know, you can stay the night, if you’d like.”
“Really?”
“It’s pretty late… you shouldn’t be driving on the highway at this time of night.”
“Won’t I…” Steve reworks the phrase. Tries to be less selfish about it. “Won’t you get in trouble for letting me stay?”
“Oh no.” She winks. “Because I never saw you here.”
Steve smirks. “Got it.”
“But if I did see you here,” She gestures her head to the door on her right. “I would tell you there’s extra pillows in the linen closet over there.”
Sam deserves a fucking raise. Steve would become a goddamn patron of this hospital just to give her more money. Let the godsend of a woman retire early for christ’s sake.
“Thanks, Sam.” Steve whispers.
“Thank you for keeping him company.” She whispers back. “He’s lucky to have someone like you.”
Steve doesn’t know if that’s true, if Eddie is lucky to have him, but he nods anyway. Gives a gentle wave as Sam heads back out of the room.
He sets the pillow next to Eddie’s leg, keeping their hands connected as he dozes off. Steve falls asleep the same way he used to fall asleep in class. All bent over in his chair, one cheek flattened out on the desk. It’s very reminiscent of that.
Only better because he’s with the guy that makes his chest swell, even when he’s being sarcastic or melodramatic. Even when he’s cobwebbed himself into a maze of cords. Even when he’s bitching about batteries and Steve’s vomit-inducing fashion sense.
Steve thinks maybe he likes the undesirable traits of Eddie Munson just as much as the desirable ones.
And once he’s knocked out entirely, the rhythm of his heart matches the beeping monitor hooked up to Eddie’s chest.
Day 57:
It’s been a long time since Steve has had a decent dream. And this dream he’s in right now? It’s fucking luxurious.
He’s at the hair salon, because of course he is - it’s his home away from home. 
His head is reclining back in that giant sink thing. The one that’s like a soup bowl for hair or whatever. The stylist is shampooing his scalp, scrubbing all of those foamy products into his roots. This is Steve’s favorite part of getting his hair done, he always feels blissed out of his mind afterward.
They keep washing it for the whole dream, digging their nails into his head, dunking water over his hair every so often. It’s downright perfection. A dream he could stay stuck in forever. 
The scenery of the dream flickers out, but the sensations linger as he gains consciousness. His squints both of his eyes open, immediately greeted by too much brightness, too much sunlight. Steve shuts them again, soaking up the remnants of his dream. The hair scratching that’s ongoing even though he’s awake.
Awake.
Steve is awake and can still feel all of that salon paradise. His brain finally wakes up enough to realize it isn’t a dream. It’s Eddie’s hands in his hair, combing it thoroughly.
Fuck, it feels so good too. Steve wonders if Eddie is aware of what he’s doing or if he’s also in that suspended place between awake and asleep.
It doesn’t matter, not really. It all feels way too incredible to care about the logistics. Steve nuzzles deeper into the pillow to hide the happy little hums that keep escaping through his mouth. 
Eddie doesn’t stop. He keeps moving his hand around. Twirling strands and releasing them. Ruffling strands and smoothing them. Massaging the pads of his fingers in all the right places. Every bit of it is dreamy. Better than the dream Steve initially believed to be unbeatable.
Being Eddie’s own personal petting zoo is way better. Miles, light years better. Is there any form of measurement longer than lightyears? Because it’s bigger and better than that too.
Eddie tugs a little harder, just once, but once is all it takes to make Steve melt. He open-mouth sighs into the pillow, hoping the fabric mutes the neediness of it. There’s drool on the pillow and it’s unclear if it’s from when he was asleep or if it occurred just from that one hair tug. 
“Steve?” Eddie’s voice still sounds coated in sleep. “Is this weird?”
Steve shakes his head no, still unable to lift his face from the pillow.
“Should I stop?”
Steve shakes his head much faster. Absolutely not. Stopping should be banished from Eddie’s vocabulary. The word ‘stop’ should be homeless as far as Steve is concerned.
Eddie tugs again, more firmly this time. The tug goes straight to Steve’s dick, which yikes. Humiliating. Yeah, it’s morning and this shit happens, but not this kind of boner. Not one brought on by hair salon fantasies and a metalhead with magical fingertips. This can’t be the reality of Steve’s life right now but somehow, it is.
“I think I combed through all of that cake-up hairspray.” Eddie talks as his hand continues to roam around Steve’s scalp. “Feels like cashmere now, so you’re welcome.”
Steve sighs again, pretty sure it’s much more audible this time because Eddie laughs.
“Embarrassing.” Steve mumbles. That’s all he can muster out without becoming a puddle of humiliation.
“The sounds you’re making?”
Steve nods.
“Oh that is not the adjective I would’ve gone with.” Eddie claws his fingers all the way down to Steve’s neck. “Not even close.”
Steve is all hormones now, all slurred speech and thoughtless words. “So good, Eddie.”
“Oh my god.” Eddie whines, sounds breathier than Steve. “You cannot say my name like that when I’m in a tissue-thin gown.”
Steve wants to sneak a peek, see if what Eddie is suggesting holds any truth. He resists, only because he’s trying to sort out his own tent-pitching problems at the moment.
He gradually lifts his head off of the pillow, back cracking as he straightens his spine out after hours of being shaped like fucking tetris piece. It’s the last thing he wants to do because it means Eddie has to take his hand out of Steve’s hair. But as Eddie pulls away, his knuckles brush against Steve’s ear, awakening this newfound urgency to not let this moment fizzle out.
Steve hops up onto the bed, sitting side-saddle next to Eddie. He looks through Eddie’s eyes, the ones that remind him of shimmery dresses and the backseat of his car on prom night. He looks through to find a reason to stop his actions. Stop his need to touch Eddie’s jawline or thumb over his lips. He’s searching for a reason to stop and finding none whatsoever.
“Do you remember me?”
“You’re Steve Harrington.” Eddie kind of stutters as he says it. “Hometown Slut extraordinaire.”
The nerdy bastard is never going to let that one go.
Steve gives a quiet laugh, leaning in to his impulses. He slides his thumb over Eddie’s bottom lip, curving around, mapping invisible outlines. A blueprint for his imagination when they’re apart later. “Am I reading this wrong?”
Eddie’s gaze is glued to Steve’s lips as he shakes his head no.
“Good.”
Steve uses his free hand to lift himself up, get closer. Breathing in the same stale oxygen, sucking up the same early morning courage, existing in the same dizzying climate.
He can feel Eddie exhale softly over his skin when there’s a knock at the door.
Steve has never stood up so fast in his damn life. Gets a head rush that’s so overwhelming that his vision speckles out momentarily. 
It’s Sam. Thank god it’s only Sam. But also, screw god for interrupting what almost happened just now. Not cool, sky man.
“Just a heads up,” she starts, shutting the door behind her. “You have another visitor that just arrived.”
Right. It's the weekend.
Steve and Eddie say it in unison. “Dustin.”
Sam hums in reply. “I can stall him for a couple minutes. Give you time to sneak out the stairs that are tucked in the back hallway.”
“You’re the best.” Steve says. “I’ll be quick.”
She leaves, cracking the door on her way out.
Both of them just look at each other for a moment. There’s no time to even discuss the events that just took place. No time to recover the kiss that is already sneaking out the back hallway stairs.
Steve nervously whistles. “So…”
“I’ll see you Monday?”
“Monday.” 48 hours apart seems insane. “Yeah.”
Steve hurriedly makes his way to the door - refusing his horny impulses the opportunity to kick back in and ruin everything. “See you later, Eds.”
Eddie licks over his bottom lip - the one Steve mapped out with his thumbprint. “Later, sailor.”
Um. What?
Steve’s eyes go large. “What did you just call me?”
“Go.” Eddie flashes the wickedest grin. “We’ll talk all about your ocean of flavor on Monday.”
This can’t be happening. “Ocean of -”
“Get out of here already!”
Steve flings himself out of the room, sprinting down the hall. Does Eddie actually recall Steve working at Starcourt? How can that be possible? Steve doesn’t remember seeing Eddie outside of school ever. 
Plus, they’ve never even talked about his job at Scoops Ahoy. Family Video? Sure, that’s more recent. But Scoops? Steve tries to forget just about everything from his time at that seaside shithole.
Goddamnit, this is confusing. The hair foreplay. The almost-kiss. The nautical nickname. Confusing is an understatement. Steve needs to go back to high school and learn a better word for what this is. Confusing isn’t cutting it anymore.
If Steve can make it till Monday without spiraling into a bucket of nerves, he deserves a fucking trophy.
And a kiss on the lips.
Mostly the second option (although a trophy would be nice too). 
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파묘 - Exhuma (2024) - Whump List - 🇰🇷
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Whumpee: 윤봉길 (Yoon Bong Gil) played by 이도현 (Lee Do Hyun)
Synopsis: A wealthy family living in LA summons a young rising shaman duo Hwa Rim and Bong Gil to save the newborn of the family. Once they arrive, Hwa Rim senses a dark shadow of their ancestor has latched on the family in a so-called 'Grave Calling'. To their dismay, they find the grave at a shady location in a remote village in Korea. Unaware of the consequences, the exhumation is carried out, unleashing a malevolent force buried underneath. (MDL)
Genre/Tags: Supernatural, Thriller, Horror
Watch On: Watchseries.im
Note: I had difficulty watching the whole thing (technical difficulties, yay! 🙃) so the time stamps are at the minute, not the second. However if you’d like it down to the second, feel free to check out the list made by @simply-whump (LINK)
🧡: HUGE thank you to @need-a-beating for letting me know where to find the movie!!!
WARNING: POSSIBLE SPOILERS BELOW
52:00 - restrained (rope), intentional/controlled possession, sweating, puking up blood
53:00 - coughing up blood, heavy breathing, sweating
1:17:00 - (nightmare: restless, stepped on) woke up startled
1:23:00 - protecting someone, grabbed by a monster, head squeezed, concern for him, growing weaker, monster impales him with its fist, concern for him, released, collapsed, out of it, concern for him
1:26:00 - laying on the ground barely conscious, coughing up blood, bleeding out, coughing up blood, concern for him
1:30:00 - doctor tells loved ones his organs and spine were damaged and he’d lost a lot of blood
1:32:00 - unconscious in the hospital, sweaty, looked after, concern for him
1:34:00 - possessed, sweaty
1:43:00 - seizing, concern for him, wound treated, very sweaty
1:53:00 - possessed, bloodshot eyes
1:59:00 - still possessed, in pain, burning
2:02:00 - coughing up blood, writhing
2:04:00 - covered in blood, concern for him, single tear rolling down his cheek
2:06:00 - walking on a crutch
———+———
MORE WHUMP LISTS >>> {x}
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ravinray · 2 months
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youtube
New Tangled music video compilation from the Disney Channel. All the songs from the series are here, in order, with the time stamp for each song:
00:00 Life After Happily Ever After
04:36 Wind In My Hair
06:40 Life After Happily Ever After (Reprise)
08:13 Baby Rapunzel Healing Incantation
08:46 Listen Up Song
11:32 I’ve Got This
14:02 Let Me Make You Proud
16:02 Let Me Make You Proud (Reprise)
16:59 Set Yourself Free
19:10 Ready As I’ll Ever Be
21:27 Next Stop Anywhere
24:51 If I Could Take That Moment Back
26:53 Next Stop Anywhere (Reprise)
27:59 The View from Up Here
30:08 Buddy Song
32:30 Reverse/Decay Incantation
33:48 Waiting in the Wings
36:14 Livin’ the Dream
38:27 With You By My Side
40:38 Everything I Thought I Ever Knew
42:56 Waiting In The Wings (Reprise)
44:06 Crossing The Line
46:43 Stronger Than Ever Before
48:48 You're Bigger Than That
50:52 The Girl Who Has Everything
53:25 The Girl Who Has Everything (Reprise)
54:21 Black-Rock Incantation
55:32 Nothing Left to Lose
58:55 Sun Drop/Hope Incantation
59:28 Through It All
1:01:03 I'd Give Anything
1:02:35 Final Healing Incantation
1:03:14 Life After Happily Ever After
You'll notice a couple of things. First the "Friendship Song" sung at the end of Pascal's Story is not included because it was not sung by any of the characters in-story. Neither is "More of Me" by Natasha Bedingfield as it was sung over the credits. Also, the "Black-Rock Incantation," "Sun Drop/Hope Incantation" (so those are the official names now), and "Final Healing Incantation" weren't sung by Cassandra and Rapunzel, just recited, so they aren't really songs, but they're included anyway. What they did omit was "Hook Foot's Ballad" which comes after "The View From Up Here". I wonder if Disney accidentally missed this and will reload the video with this included.
It's just over an hour long, perfect music for say, the treadmill or during a long drive!
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wen-kexing-apologist · 3 months
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Dead Friend Forever: Squicks and Triggers
Hello friends, I am here to sing my praises for Dead Friend Forever and implore as many people as possible to watch it. I know that it is in the horror/slasher genre and there are some pretty heavy things going on in it, so in case you want to jump aboard the incredible writing, story-boarding, editing train that is DFF but are worried about the content, here are as many of the possible squicks and triggers I could find. Color coded time stamps are where something plot relevant happens. If you are not able to watch that scene you are welcome to reach out to me via DM or ask for a summary of what occurs: 
Episode 1
00:31- A bloody altar with offerings that include intestines
00:43-00:51- creepy masked figure wielding an ax followed by significant blood splatter
01:00-01:19- intro sequence includes creepy masked figure, gun, bloody handprints, knife
1:35-1:55- blood and intestines, mentions of ritual animal sacrifice, close up on intestines crawling with maggots. Reference to mass suicide (These are all only on screen for less than a second at a time, and interspersed among the primary visual of the main characters sitting in the back of a truck)
02:52-03:00- Vomiting      
16:17-16:30- two audio cue semi-jumpscares, no visuals and nothing happens 
18:40-18:41- Jumpscare 
19:16- 19:28- random disembodied hand painted completely black appears from nowhere and slides across a character’s crotch
20:10-20:14-  jump scare of creepy masked figure and under scoring 
20:33-20:48- Blood on ground 
25:12-25:23- sounds of screaming 
25:50 - blood trail on the ground 
26:01- masked figure appears 
26:12- character run straight in to a sharp branch and is impaled 
29:41-29:45- blood
30:16-30:19- blood, including blood pouring out of a mouth 
30:34-30:38- blood, including blood pouring out of a mouth 
36:38-36:40- jumpscare
37:37- Blood, catatonic person impaled by branch visible throughout the scene
39:28-39:29- jumpscare
39:33- 39:35- creepy masked figure
40:10-40:12- jumpscare 
40:12-42:27- scene is interspersed with visual of unconscious, impaled character
Please note 42:27 is the end of the episode, next episode preview occurs after that, there is potentially triggering stuff in the preview. For space saving reasons I am not going to do the previews, just skip them. 
Episode 2
General Content Warning: At many different points in the show you will see a character catatonic and impaled laying on the couch. He will (for the most part) remain this way throughout Episode 2-4. From this point forward I am only going to add squicks and triggers around that character unless some sort of change or special attention is called to the character. 
Episode 2 begins at 00:40
004:47-05:09- intro sequence
05:26-5:45- knocking, lights flickering, objects falling and breaking
06:04-7:00- horror movie shit, door unlocks, smoke appears, creepy masked figure enters with heavy breathing, close up on mask with blood, cut after a swipe with an ax
10:48-10:52- flashback to the creepy shit that happened in the bathroom [6:04-7:00]
1:47-12:49- close up of bloody impalement 
15:14-15:26- a raised and bumpy rash akin to boils 
15:26-15:28- creepy masked figure seen in mirror
23:18-23:25- creepy sound
24:30-24:32- close up of the impalement wound with squelch sound effect 
26:38: jumpscare
26:59-27:02- egregious amounts of blood pouring out of every visible orifice 
27:04-27:12- visual of blood dripping down a character’s face from the eye sockets and the mouth 
27:13-27:55- character being strangled to unconsciousness, appearance of creepy masked figure in background
28:00-28:04- disembodied, agonized screaming 
28:32-28:35- bloody rag and knife 
36:52-36:53- man drives straight through a garotte stretched across the road 
37:06- 37:11- decapitated body spurting blood
38:02-38:04- close up of decapitated head
38:49-38:58- gagging sounds 
39:09-39:11- decapitated head 
39:53- jumpscare of creepy masked figure
43:17-43:20- decapitated head
43:33-43:40- decapitated head, decapitated body, something starts moving underneath the decapitated body’s t-shirt
Episode 3
Recap is 00:00-03:09 and contains potentially triggering content (as listed above) 
03:10-03:16- decapitated body and then decapitated head depicted on screen
06:50-07:17- Show intro- same deal
10:36-10:38- dead body 
12:27-12:47- close up of decapitated head, followed by pooling blood and the sound of flies, squelching and something moving underneath the shirt of the decapitated corpse
12:58-13:00- something moving underneath the shirt of the decapitated corpse with squelching
13:11-13:28- something moving underneath the shirt of the decapitated corpse with squelching, close up of decapitated head, dog sniffing at the decapitated corpse
15:25-15:27- jumpscare, creepy masked figure throws an ax 
22:04- character grabs at the impaled object, squelching sound
25:18-25:21: blood
26:12-26:18-  significant blood smear 
26:49-27:09- bloody tapestries, bloody altar, bloody statues
27:23-27:33- bloody tapestries, bloody altar, blood splatter
28:37-28:46- bloody figurines, intestines and other organs covered in blood and maggots underscored with creepy piano music 
30:22-30:28- bloody altar, bloody statuettes 
30:29-31:40- attempted ax murder by creepy masked figure, it approaches from behind, its mask is covered in blood, there is a grapple but no one is maimed
32:50- 34:12- creepy masked figure on screen pushing over empty coffins to find where people are hiding 
34:43-35:02- characters trapped in coffin 
36:38-37:49- attempted ax murder #2, two characters being strangled, creepy masked figure on screen 
38:43-39:21- seizure on screen 
40:27-40:52- character threatened with gun
40:57-41:06- creepy masked figure
Episode 4
00:10-00:40 - Show Intro
00:40- - Show recap, includes potentially triggering content from Ep 3
01:47-02:26- seizure on screen
03:20-05:30- character held at gunpoint 
05:32-05:40- close up of a bloody impalement injury followed by choking sounds from seizing character
06:05-07:30- close up of a wound which is then sutured (suturing begins at 06:42)
08:15-09:09- characters trapped in coffin, starting to lose oxygen (they do escape)
11:42-11:56- creepy masked figure 
12:23-12:25- jumpscare
13:07-13:09- silhouetted figure lurking in background with creepy whisper sound effects 
13:35-13:49- figure reappears in background with creepy whisper sound effects, character shown covered in blood 
13:57-13:59- close up of blank faced character covered in blood
19:23-19:27- vomiting
20:19-20:24- vomiting
24:38-24:41-FLASHING LIGHTS
24:43-25:00- creepy masked figure, on screen seizure, lots of rapid camera cuts of someone choking interposed over the seizure
25:01-25:06- blood dripping out of an eye, eye opens red and full of blood
26:52-27:33- unconscious body sits up, turns head slowly, and then looms menacingly over someone while creepy music plays underneath 
27:36-27:49- very creepy smile, impaled object is slowly and painfully starting to be pulled out of someone’s body
28:00-30:24- creepy smile, gaping wound seeping blood, close up of wooden stake dripping blood, threatening character at gunpoint, struggling for a gun.
30:29-32:27 character death, distressed sobbing, CPR  
37:56-39:58- characters being threatened at gunpoint
NOTE REGARDING EPISODES 5-8: One of the main threads of episode 5-8 is pretty severe bullying, there are overtones of romantic feelings between an adult and a minor that does eventually lead to a sexual relationship, lots of mental illness related plot, etc. I am going to mark some of the more explicit scenes when it comes to this, but just want to warn in advance that I will not be able to time stamp everything because these are fundamental to the plot
Episode 5
00:10-00:40- show intro 
00:40-01:10- recap, which includes some potential triggers from ep 4
45:32-46:05- severe psychological distress
46:05-46:17 suicide attempt via drug overdose (interrupted before anything happens)
Episode 6
00:00-00:40- show intro 
15:05-17:26 scene contains hints at attraction between teacher and student
23:08-23:12- jump scare of creepy masked figure 
23:19-24:27- creepy masked figure + jumpscare
33:00-33:23- character being beaten
35:57-37:13- police interrogation that includes flashing camera lights
38:50-39:50- character in emotional distress while parents fight about him in his presence 
42:53-44:06- suicide attempt via drug overdose (interrupted with character being forced to spit pills out)
Episode 7
00:00-00:40- show intro
01:04-01:10- character being forced to spit out pills during suicide attempt (in the recap) 
19:00-19:02- use of the “r” word
24:00-24:23- creepy masked figure, character being strangled
26:10-30:00- clear attraction between teacher/student, including the teacher putting his hand on the student’s knee and holding hands
30:00-31:00- flirting and kissing between teacher and student (kissing begins at 30:34)
40:08-43:33- teacher/student with sex scene (sex with minor beginning at 41:34)
44:02-44:50- teacher/student sex scene 
45:00-45:23- revenge porn posted on social media, video of teacher/student sex visible
49:25- 49:54- psychological distress that includes character hitting himself in the head repeatedly
Episode 8
00:00-00:40- show intro
05:23-05:28- implication that character was hit by car
06:00-06:46- parents arguing about how bad their child is while he watches 
07:44- 08:42- emotional distress
09:20-09:22- child slapped by parent
11:07- 12:04-psychological distress
13:19-13:35- person impaled 
13:40-13:47- creepy masked figure
13:52-14:12- lots of blood coming out of orifices, strangulation, creepy masked figure 
14:12-15:17- Severe emotional and psychological distress
24:30-25:37- creepy masked figure + knife attack 
29:38-30:40- police interrogation
43:42-44:02- creepy masked figure and character being strangled 
87 notes · View notes
pizzaqueen · 10 months
Text
Steve Harrington time stamps
For when you just want to watch Steve’s scenes
I had the idea to do this during my current rewatch thanks to @harmonictechnicality (who was very happy for me to post this) and then @al-ghoul sent me his timestamps so a HUGE thank you there!
Oh, and @faequeentitania has a supercut of all of Eddie's scenes (link is in their bio) so I didn’t add Eddie’s time stamps to this post
My original intention was to not post this until it was completely done, but I honestly don't have much energy right now, so there are only time stamps up to S04E05. But I do intend to finish it one day! (If anyone wants to help out with the remaining ones, that would be great.) You can also see where the formatting changes and that's where I stopped typing up my notes and just used what @al-ghoul sent me, but I do want to reformat it so it's uniform, and add in songs used for his scenes, but I just wanted to get this out there
And I want to say sorry if someone has already done something like this in the meantime! I tried searching but Tumblr search isn't great
SEASON ONE
Chapter One: The Vanishing of Will Byers
14:54 - 16:07 Steve’s first appearance in his rendezvous with Nancy in the bathroom
37:59 - 38:42 Mike sees Steve trying to climb through Nancy’s window
41:04 - 43:12 helping Nancy study
Chapter Two: The Weirdo on Maple Street
12:26 - 14:04 asking Nancy to the party at his house (mention of his parents); the scene cuts to Nancy and Jonathan at 13:20 but you can still see Steve in the background until 14:04
38:17 - 38:37 opening the door for Nancy and Barb (song: Raise a Little Hell by Trooper*)
43:06 - 45:39 pool scene with the drinking, etc., with Tommy H, Carol, Nancy and Barb (song: I Melt With You by Modern English)
49:18 - 49:40 drying off and going upstairs
50:22 - 51:18 we see Steve and Nancy through the window from Jonathan’s POV then it cuts to inside Steve’s room
52:36 - 52:50 getting hot and heavy with Nancy (song: tiniest snippet of the opening strains of Hazy Shade of Winter by The Bangles)
*seems to be playing inside Steve’s house because it’s muffled and gets louder when he opens the doors
Chapter Three: Holly, Jolly
00:40 - 1:50 sleeping with Nancy, intercut with Barb being killed (song: Waiting for a Girl Like You by Foreigner)
3:03 - 3:50 Nancy tries to wake Steve, then leaves
10:16 - 11:11 at Nancy’s locker
20:48 - 21:56 cafeteria with Tommy H, Carol and Nancy
30:07 - 32:16 confronting Jonathan about photos
36:01 - 36:43 waiting for the game in the hallway with Tommy H, Carol and Nancy; Nancy leaves
Chapter Four: The Body
13:16 - 14:30 meeting Nancy between buildings; asks her not to tell the cops about the beer (mention of parents)
Chapter Five: The Flea and the Acrobat
25:47 - 27:51 Steve shows up at Nancy’s to say sorry and invite her to the movies (mention of parents; song: Steve singing a bit of Old Time Rock and Roll)
Chapter Six: The Monster
3:29 - 4:45 driving to Nancy’s with Tommy H and Carol; sees Jonathan and Nancy on bed through window (song: Sunglasses at Night by Corey Hart*)
30:46 - 33:18 alley fight with Jonathan
* playing on the car stereo
Chapter Seven: The Bathtub
14:21 - 16:00 Tommy brings Steve a can of Coke and painkillers; Steve has fight with Tommy and Carol then drives off
18:40 - 19:21 offers to help scrub graffiti off cinema marquee
Chapter Eight: The Upside Down
14:42 - 17:03 comes to Jonathan’s to say sorry; gets introduced to the upside down shenanigans
18:53 - 22:00 Nancy gives Steve an out; he runs, then he comes back (it cuts to Hopper and Joyce at 21:18 for a couple of seconds)
22:27 - 23:50 following the lights with Nancy and Jonathan that Joyce and Hopper are lighting up as they go through the UD version (intercut with scenes of Joyce and Hopper)
48:01 - 48:24 epilogue snuggling on couch with Nancy in Christmas sweater
SEASON TWO
Chapter One: Madmax
12:13 - 14:02 Nancy looking over Steve’s essay in the car outside the school (song: Talking in Your Sleep by The Romantics)
20:09 - 20:38 waiting by the corner in the hallway to pick Nancy up and twirl her around by the lockers
31:38 - 33:50 dinner with Nancy at Barb’s parents
Chapter Two: Trick or Treat, Freak
15:58 - 19:22 studying in the library with Nancy/Steve is worried about the government if they talk too much about what happened and suggests going to party and pretend everything is normal (between 17:15 to 17:36 it cuts to Nancy thinking she sees Barb)
31:23 - 32:17 Tommy H and Billy come over while Steve is with Nancy at the party; Tommy H: “We’ve got a new keg king, Harrington.” (Song: Shout at the Devil by Mötley Crüe)
42:03 - 44:14 dancing with Nancy (song Girls on Film by Duran Duran)/spills drink on her/bathroom ‘bullshit’ scene
Chapter Three: The Pollywog
19:11 - 21:14 playing basketball against Billy (Song: Go! By Tones on Tail) and talking with Nancy between the buildings
Chapter Four: Will the Wise
16:23 - 17:53 basketball again (Song: Scarface (Push it to the Limit) from Scarface) and the shower scene with Tommy H and Billy
Chapter Five: Dig Dug
35:17 - 35:52 shows up to Nancy’s with flowers and is waylaid by Dustin
Chapter Six: The Spy
00:51 - 3:43 In car with Dustin (song: Hammer to Fall by Queen*) going to kill Dart with bat
12:39 - 13:06 bringing meat with Dustin
24:51 - 27:34 laying trap for Dart with Dustin (meat on the railroad tracks) and talking about girls
31:48 - 32:37 at the junkyard with Dustin
33:10 - 33:21 at the junkyard with Dustin, Lucas and Max
35:27 - 35:38 fortifying the bus/setting stuff up at the junkyard
35:49 - 36:02 pouring gasoline
36:48 - 37:01 going into the bus
37:44 - 38:24 inside the bus; flicking the lighter
40:46 - 45:06 demodogs appear; Steve goes out as bait/to fight them
* playing on the car stereo
Chapter Seven: The Lost Sister
Doesn’t appear in this episode
Chapter Eight: The Mind Flayer
08:35 - 10:33 walking from the junk yard with kids at night, looking for Dart on the train tracks
13:27 - 13:56 in front of Hawkins lab; meet up with Nancy and Jonathan
15:15 - 15:45 in front of the lab
16:15 - 16:21 gate opens
21:58 - 22:22 waiting at gate; Hopper picks them up
23:06 - 23:42 at the Byers’
24:43 - 29:03 in Byers’ kitchen; Steve is in and out of the frame/sometimes in the background
29:23 - 29:55 duct-taping the shed with Nancy
31:51 - 32:07 finishing the shed with everyone
33:05 - 33:10 practicing with a bat at Byers'
34:32 - 34:35 blinking lights at Byers’
38:52 - 39:16 morse code
40:31 - 40:56 “close gate”
41:31 - 41:37 hearing demodogs
42:15 - 44:34 preparing to fight/El arrives
S02E09:
00:07:23 Steve (at Byers with everyone) (00:08:03)
00:09:08 Steve (at Byers backyard with Nancy) (00:10:02)
00:10:50 Steve (on the Byers porch with kids) (00:11:06)
00:15:22 Steve (putting demodog in the fridge) (00:15:57)
00:16:17 Steve (at the Byers with the kids / Billy arrives) (00:19:09)
00:19:47 Steve (fighting Billy) (00:21:02)
00:24:41 Steve (waking up in the car with Max) (00:25:54)
00:26:43 Steve (arriving to the tunnels) (00:28:17)
00:30:00 Steve (at the tunnels) (00:31:42)
00:33:40 Steve (torching the tunnels while Will burns) (00:34:43)
00:36:52 Steve (running through the tunnels) (00:36:59)
00:38:00 Steve (freeing Mike / meeting Dart) (00:39:38)
00:40:16 Steve (running out of the tunnels) (00:41:19)
00:43:40 Steve (gate closed) (00:43:44)
00:45:19 Steve (at the Barb's funeral) (00:45:27)
00:48:51 Steve (driving Dustin to the Snow Ball) (songs: Love is a Battlefield by Pat Benatar and Twist of Fate by Olivia Newton-John*) (00:50:10)
*both are playing inside the Snow Ball Edit: actually the Pat Benatar song seems to be coming from his car on re-watching 😅 it definitely sounded like from inside the building to me before but now it doesn’t
--------------------------------------------------------
S03E01:
00:09:15 Steve (letting the kids through Scoops Ahoy back door) (00:09:40)
00:10:46 Steve (lights go out) (00:11:01)
00:12:12 Steve (lights go back) (00:12:18)
00:24:42 Steve (Scoops Ahoy with Robin, hitting on ladies) (00:26:46)
S03E02:
00:10:15 Steve (Scoops Ahoy with Dustin) (00:12:34)
00:17:52 Steve (translating Russian with Dustin) (00:19:24)
00:35:27 Steve (Robin translated first Russian) (00:35:54)
00:41:26 Steve (mall after hours with Robin and Dustin) (00:43:37)
S03E03:
00:17:23 Steve (spying for spies in the mall with Dustin) (00:19:19)
00:27:12 Steve (found a sport fitness "spy" with Dustin) song: Wake Me Up Before you Go-Go by Wham!* (00:28:32)
00:29:20 Steve (with Dustin returning to Scoop Ahoy) (00:29:26)
00:30:03 Steve (Robin cracked the code) (00:30:12)
00:39:20 Steve (in the rain looking at delivery) (00:40:30)
*playing in the jazzercise class
S03E04:
00:09:04 Steve (Scoops Ahoy, devising a plan) 00:10:08
00:21:14 Steve (Robin brings Starcourt blueprints) (00:22:58)
00:24:32 Steve (bringing Erica into the plan) (00:25:11)
00:34:51 Steve (Erica goes into the vent) (00:35:05)
00:36:22 Steve (Erica got to the room) (00:37:00)
00:40:28 Steve (opening the boxes with the team Scoops) (00:42:08)
S03E05:
00:00:07 Steve (the elevator room falling) (00:01:58)
00:16:25 Steve (stuck in / getting out of the elevator room) (00:19:46)
00:25:19 Steve (walking the tunnel) (00:27:16)
00:34:40 Steve (finding the russian base / fighting the guard) (00:37:01)
00:37:21 Steve (Robin found The Machine) (00:38:21)
S03E06:
00:00:14 Steve (being apprehended by russians) (00:01:48)
00:17:12 Steve (being beaten up / questioned by the russians) (00:20:21)
00:31:06 Steve (tied to a chair with Robin) (00:35:58)
00:45:25 Steve (truth serum kicks in / Dustin saves them) (00:48:50)
S03E07:
00:06:31 Steve (Dustin is driving away through the tunnel / elevator) (00:08:45)
00:13:13 Steve (running from the mall guards into the cinema) (00:14:04)
00:14:30-32 / 00:14:41-44 (tweedldee and tweedledum in the cinema)
00:23:19 Steve (drunk with Robin in the cinema hallway) (00:25:08)
00:28:27 Steve (confesses Robin in the cinema restroom) (00:35:02)
00:39:07 Steve (sneaking out of the restroom) (00:40:03)
00:48:50 Steve (hiding from mall guards under the counter) (00:49:16)
00:49:41 Steve (El defeated the guards) (00:50:51)
00:51:09-14 Steve (El collapses)
S03E08:
00:00:36 Steve (Eleven's fucked up leg) 00:01:25
00:02:50 Steve (El pulls the Flayer out of the leg) (00:03:16)
00:04:28 Steve (everyone is catching up on things) (00:05:11)
00:06:34 Steve (hanging around while everyone prepares) (00:06:43)
00:07:40 Steve (driving away from the mall) (00:08:10)
00:13:32 Steve (driving kids to the radio hill) (00:14:42)
00:17:50 Steve (on the radio hill) (00:18:19)
00:24:19 Steve (on the radio hill, Flayer attacks Starcourt) (00:25:12)
00:26:03 Steve (on the radio hill running back to the car) (00:26:14)
00:32:54 Steve (hitting Billy's car at Starcourt, Nancy's driving away) 00:33:35
00:34:39 Steve (Flayer pursues the car, Suzie appears) (00:34:50)
00:35:49-53 Steve (in the car while Dustin sings over the radio)
00:36:28-31 Steve (in the car while Dustin and Suzie both singing)
00:38:04 Steve (in the car while Flayer goes back to Starcourt)
00:42:29-34 Steve (throwing fireworks at the Flayer in the mall)
00:43:03-04 Steve (keeps throwing)
00:44:16-22 Steve (on the radio with Dustin)
00:50:33 Steve (Flayer disassembles) (00:50:43)
00:54:58-01 Steve (at the ER car in the background)
00:56:44 Steve (arriving with Robin at the Family Video for a job) (00:58:04)
00:58:55 Steve (bumping into the cardboard figure) (00:59:12)
--------------------------------------------------------
S04E01:
00:15:24 Steve (in car with Robin) (00:16:58)
00:54:43 Steve (with Brenda at basketball game) (00:56:24)
S04E02:
00:07:56 Steve (at Family Video with Robin) (00:09:49)
00:28:13 Steve (at Family Video with Max & Dustin) (00:29:06)
00:44:58 Steve (at Family Video flirting / searching for Rick) (00:47:43)
01:01:45 Steve/Eddie (at Reefer Rick's) (01:06:14)
01:07:22 Eddie, Steve (talks about Chrissy / Vecna revealed) (01:12:30)
S04E03:
00:12:28 Eddie, Steve (receiving supplies at Rick's) (00:14:23)
00:15:14 Steve (at Fred's crime scene) (00:15:29)
00:25:29 Steve (with kids and Nancy discussing Vecna) (00:28:12)
00:38:21 Steve (outside shrink's house in the car) (00:39:28)
00:41:22 Steve (driving away from the shrink) (00:41:33)
00:42:00 Steve (driving the car while Lucas radioes) (00:42:43)
00:50:53 Steve (breaking into school shrink's office at night) (00:51:38)
00:55:54 Steve (at the shrink's office) (00:56:53)
S04E04:
00:02:09 Steve (school after Max's episode, Nancy and Robin arrive) (00:04:50)
00:07:29 Steve (the Wheeler's house - Max writes letters, Nancy and Robin arrive) (00:10:44)
00:17:35 Steve (Max finished the letters, wants to go) (00:20:04)
00:31:33 Steve (driving Max to the trailer park) (00:31:53)
00:34:35-49 Steve (Max returns to the car)
00:48:17 Steve (driving Max to the cemetery) (00:49:00)
01:02:32 Steve (going for Max at the cemetery) (01:03:04)
01:03:17 Steve (trying to wake Max up) (01:03:35)
01:04:58-07 Steve (with Dustin and Lucas trying to wake Max up)
01:09:01-12 Steve (Dustin brings music to Max)
01:10:45 Steve (everyone searching for the tape) (01:11:06)
01:11:50-00 Steve (Max flies)
01:13:43 Steve (Max is out) (01:14:14)
S04E05:
00:14:32 Steve (sleeping in Wheeler's basement) (00:14:38)
00:36:19 Steve (arriving at Creel's house with everyone) (00:40:06)
00:49:55 Steve (checking Creel's house with DNR) (00:52:36)
164 notes · View notes
holespoles · 5 days
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Tumblr media
Today, 12 May, is International Nurses' Day, in honour of Nightingale's birthday. The International Nurses' Convention, which is held every four years, was held in Japan for the first time in Asia in 1977 (1977), and a commemorative stamp was issued.
今日5月12日はナイチンゲールの誕生日にちなんで、「国際看護師の日」だそうです。 4年に1度開催される国際看護婦大会が1977年(昭和52年)にアジアで初めて日本で開催され、記念切手が発行されました。当時の看護婦の呼称は、現在では看護師に改称されています。
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svtskneecaps · 6 months
Text
a list of timestamps, for no reason :)
thesis statement : No, what blue did tonight and what red did the last two nights are not the same.
disclaimer: this is not a judgement of right / wrong, this is a glorified compare and contrast paper.
a TL;DR is available at the top, immediately following the keep reading link (which i hope, for your sake, is still there).
for each vod i have compiled the time stamps first, and then under the heading "notably" have compiled and compared them.
this is the most toxic i will allow myself to be.
TL;DR:
Blue team on Day 4 took 2 seconds from first task claimed to last. Red team on Day 2 took 5 minutes 14 seconds from first task claimed to last, and on Day 3 took 42 seconds.
Blue team on Day 4 was vulnerable in the area for 2 seconds before claiming their last task. Red team on Day 2 was vulnerable in the area for 8 minutes 31 seconds, and on Day 3 was vulnerable for 12 minutes 10 seconds.
The time blue team spent getting situated before logging out in global is not counted in this as being vulnerable because it is not a viable strategy for an entertainer to waste 4 hours of their limited time camping global to ensure no one is logging out.
Red team claimed their first global task on Day 3 with 13 minutes until the server closed. On Day 4, Etoiles and Roier arrived to stop blue team from applying the same strategy with 15 minutes until the server closed.
Blue team's actions on Day 4 did not leave them open to any reasonable retaliation efforts once Tubbo logged out. The moment he logged back in, the tasks were as good as complete. Unless another content creator metagamed, they would not be able to stop him.
Red team's actions on Day 2 and Day 3 did leave them open to retaliation. They were not fast, they often did not have the items they needed crafted in advance and spent time in sight of the global task dome crafting the items. If a team had been waiting for them to try this at the global task dome as Etoiles and Roier did for Blue team, that team could entirely have succeeded in killing them or ruining their plans.
The global tasks on Day 4 were already functionally blue's 4 hours before they were claimed. Even if the disaster hadn't affected global, the way it was supposed to, the only thing left would have been revenge. There was no preventing it once Tubbo logged out.
The global tasks on Day 2 were open to reclamation for an hour after red team claimed them. By Day 3 blue team was aware of red's strategy and had a full 12 minutes (at a predictable time! see below) in which they could have attacked red and stopped them.
What blue and red team did was not the same.
Below are the time stamps I used to get this data and draw these conclusions. I've included links to vods for verification purposes. These links are not future proofed.
November 7th, 2023: Day 4 of Purgatory
TubboLIVE's VOD:
1:47:20 : Tubbo logs out of the server, behind the blue "contracts" NPC. He has 15 minutes 32 seconds of server time remaining.
5:50:23 : It is 3:48:52 am in Tubbo's time zone. Tubbo shows the clock on his screen. There are 11 minutes and 8 seconds until the server closes.
5:50:49 : Tubbo loads in, behind the blue "contracts" NPC. It is 3:49:41 am. This is the first moment the game is visible on his screen. He has 15 minutes 03 seconds of server time remaining.
5:50:50 : Tubbo claims the first of the global tasks.
5:50:51 : Tubbo claims the last of the global tasks. It is 3:49:43 am.
Notably:
Functionally, tubbo was standing behind the blue NPC, invincible, for 4 hours 3 minutes and 3 seconds
There is a 29 second period of server time that I can't account for.
The total time it took for tubbo to claim every global task after loading in is 2 seconds.
The cooldown for every global task before it can be reclaimed is 10 minutes. In this case these ten minutes started at 3:49:42 and 3:49:43 am. The first moment any of these claimed global tasks can be reclaimed is 3:59:42 am, with 18 seconds until the server closes.
Etoiles's VOD:
4:56:08 : With some leniency, this is the first clear view of the blue "contracts" NPC and the spot Tubbo is "standing" shown on Etoiles's stream.
*(the blue NPC comes into view at 4:56:06 but whether Etoiles would have seen Tubbo there is dubious enough that I have opted for a later time stamp)
4:56:12 : Etoiles and Roier enter the global task dome. They are standing directly to the left of the red NPC; on the opposite side as the blue NPC. The spot Tubbo is "standing" is clearly visible on Etoiles's stream. Etoiles has 10 minutes 40 seconds of server time remaining. There are roughly 15 minutes and 30 seconds until the server closes*.
*(Time calculated roughly using Tubbo's log in message; this is not exact)
4:56:17 : Roier is standing in front of the blue "contracts" NPC.
4:58:03 : Without leaving global spawn, Etoiles disconnects to get a buffer on his time limit. Remembering that there is a disaster coming, he immediately re-logs to avoid the combat logging penalty. Roier does not disconnect during this time.
4:58:18 : The first frame of the game is visible after Etoiles relogs. Etoiles has 8 minutes 53 seconds of server time remaining.
4:58:45 : The quicksand disaster starts, affecting global spawn despite admins having informed Etoiles previously that disasters did not affect global spawn.
5:00:08 : The disaster ends.
5:01:17 : Tubbo logs in. There are roughly 10 minutes 11 seconds until the server closes.
Notably:
Roier is standing three blocks away from Tubbo's log-in point (effectively, three blocks away from Tubbo) at 5 minutes before Tubbo logs in.
Were Tubbo logged in, waiting physically at spawn, Etoiles and Roier would have been able to initiate combat 5 minutes and 5 seconds earlier. Both had plenty of time on their server counters to participate in this combat, albeit Etoiles would have been kicked before server close. Roier would not be (source: Slime's vod, 2:45:05 and on. There is no disconnect message for Roier before the server is closed at roughly 2:45:08).
Were Tubbo logged in, waiting physically at spawn when Etoiles and Roier arrived (at roughly 3:44:37 am in Tubbo's time zone, 15 minutes and 23 seconds before the server closed), and had claimed all global missions at that time rather than risk dying in combat, the missions would have been able to be reclaimed at roughly 3:54:37 am, with about 5 minutes and 23 seconds before the server closed. This is 5 minutes and 5 seconds more than the actual time.
November 5th, 2023 : Day 2 of Purgatory
This is the first day red has used this strategy.
Cellbit's VOD:
6:52:27 : Cellbit arrives at the plaza outside the global task dome (Carre is already here; he wasn't streaming so I don't know when he arrived).
6:52:49 : Cellbit enters the global task dome. He backtracks to the right of the global task dome, and sets up a crafting area to craft items for the tasks somewhat out of sight of the dome. He is 96 meters away from the dome.
6:55:34 : Cellbit re-enters the global task dome.
6:55:44 : Cellbit claims the first global task for red team (electrolytes). The cooldown is 10 minutes 41 seconds.
6:55:49 : Cellbit claims one global task for red team (radiation medicine).
6:55:55 : Cellbit claims one global task for red team (campfires).
6:56:04 : Cellbit leaves the global task dome and sets up a second crafting area to the right of the dome after losing the first. This area is in full view of the dome, and is roughly 61 meters away.
6:57:40 : Cellbit dumps every item in his inventory except for iron and minecarts and a shield into a chest (he is functionally defenseless).
6:58:18 : Cellbit re-enters the global task dome.
6:58:23 : Cellbit claims one global task for red team (minecarts).
6:59:12 : Cellbit claims one global task for red team (diamonds).
6:59:49 : Cellbit gets his sword out of the chest (he is no longer defenseless).
7:00:58 : Jaiden claims the last global task for red team (rails). The bananas task remains unclaimed.
7:01:01 : ElQuackity is visible outside the dome on Cellbit's stream for the first time. Cellbit chases him.
7:04:34 : Cellbit kills ElQuackity, putting red team in the lead.
7:48:07 : The server closes.
Notably:
Red team is physically present, visible, and murderable / stoppable at the global tasks area for 8 minutes 31 seconds.
Red team takes 5 minutes 14 seconds to claim their global tasks.
The cooldown on these global tasks leaves at minimum 36 minutes 28 seconds to reclaim, maximum 41 minutes 42 seconds to reclaim before server close.
If a team were to have come up to the dome during the 8 minute 31 second period, they would have seen the team and could have attacked or stopped them.
There is a 2 minute 9 second period where Cellbit literally does not have a weapon in his inventory.
If a team were to have come up to the dome while the red team was still crafting the global quest items, they could have attacked and prevented the team from crafting the items and forced them to retreat without claiming those goals.
November 6th, 2023 : Day 3 of Purgatory
This is the second day red has used this strategy.
Cellbit's VOD:
3:39:11 : Cellbit sees Bagi on the bridge to global. There are 24 minutes and 2 seconds until the server closes.
3:39:49 : Cellbit enters the global dome, standing just to the right of where the red NPC is on November 7th.
3:40:24 : Cellbit exits the global dome to craft the water bottles needed for the global task.
3:42:58 : Cellbit crafts the final water bottle needed for the global task.
3:43:28 : Cellbit, Foolish, and Carre re-enter the global dome.
3:44:15 : Cellbit and Carre exit the global dome to inspect Bagi's body. Foolish exits the global dome to use the crafting table.
3:45:36 : Cellbit and Carre re-enter the global dome.
(There's a few more entrances and exits from the dome during the following period, though they stay within the area marked with Bagi's body, the global NPCs, and the crafting table as corners : Never much more than 61 meters away and never out of sight of the dome)
3:49:45 : Cellbit sends the message "hey guys we are about to deliver global tasks you should come!" There are 14 minutes and 18 seconds until the server closes.
3:50:39 : Cellbit claims the first global task for red team (tea leaves). There are 13 minutes and 26 seconds until the server closes.
3:50:59 : Carre claims one global task for red team (gas masks).
3:51:01 : Cellbit claims one global task for red team (hot cocoa).
3:51:09 : Cellbit claims one global task for red team (water bottles).
3:51:12 : Cellbit claims one global task for red team (backpacks).
3:51:21 : Carre claims the last global task for red team (tea). There are 11 minutes and 52 seconds until the server closes.
4:03:13 : The server closes.
notably:
Red team is physically present, visible, and murderable / stoppable at the global tasks area for 11 minutes and 28 seconds before they turn in any global tasks.
Red team takes 42 seconds to turn in all of their global tasks.
The cooldown on the global tasks leaves at maximum 3 minutes 26 seconds of time to reclaim, and at minimum 1 minute and 52 seconds to reclaim.
If a team were to have come up to the dome during the 11 minute and 28 second period, they would have seen and could have attacked red team.
If a team were to have come up to the dome in the 3 minutes 47 seconds between red team arriving at the global dome and red team crafting all the water bottles for the global task, they would have seen and could have attacked red team.
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thatyoutubereviewer · 30 days
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Watch "The Guy Who Didn't Like Musicals" on YouTube
youtube
The Guy Who Didn't Like Musicals
Genre: sci-fi horror comedy musical proshot
Date posted: Dec 24, 2018
Closed captioning: very good 👍👍
Runtime: 1:52:36
Youtube description: summary of the show with full credits of cast crew and direction, as well as time stamps for both scenes and songs
Trigger warnings: fake blood and guts, blue shit, smoking, drinking, vulgar language, guns, gunshots, the US government, gaslighting
My rating: ⭐️⭐️⭐️⭐️⭐️🌟
Full spoilers free review below vv
What a better video to review than the one that *really* got me sucked into YouTube. Of course, I'd been watching YouTube for years before that, even the same channel. But this musical? Fucking transcendent!
The Guy Who Didn't Like Musicals (tgwdlm) pushes the boundaries in every way. From the adult comedy that can't *quite* make it on Broadway, to the suspenseful sci-fi apocalyptic plot you can't find anywhere else, this show is perfect for theater lovers and those wishing to dip their toes into the musical world. A story that takes place over two days, after a meteor hits and people start singing, what will the guy who doesn't like musicals do?
The characters are brilliantly written and all stand apart from each other. Even when an actor is playing another character on stage, you can always tell who they are supposed to be. It's a cast of eight performers onstage, which is wildly impressive to me that it seems like a whole town with only eight people. There is... decent representation, while most of the characters are straight white men, there is one black man with a lesbian daughter. Trust me that Starkid vastly improves their representation if that is something of importance to you.
Jeff Blim's musical writing paired with the cast's talent made a wonderful soundtrack with genres ranging from 80s rock ballad to coffee showtune it'll leave you in whiplash in the best way. All of the songs make sense for the scenes and flow well with the plot. Let's just say I've jammed to this album a few,, several times.
The pacing starts slow, then picks up and doesn't stop. There's so much to chew on, but the show gives you enough time to swallow it. Nick and Matt Lang's writing has always been really good, but a lot of people consider tgwdlm their magnum opus. Tgwdlm is one of three musicals set in the small town Hatchetfield, and if you like this, you'll definitely like those.
Tgwdlm has an active fandom on tumblr and twitter, though I highly recommend you watch all three hatchetfield musicals before you interact for fear of spoilers.
I rated tgwdlm at a 6 out of 5 stars because this show gave me joy and community when I didn't have a lot. It's hard not to fall in love with these characters, songs, and plot. Also, when it first came out, I watched it several times over just because it was so good. I highly recommend to anyone willing to spend their time on something cooky, fun, and a little spooky.
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vanosslirious · 2 years
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SMii7y: John has been holding onto that all game.
Kryoz: I just got it, fuck off!
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slayerkitty · 9 months
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There has been ongoing discussion of Only Friends amongst a few of us about central themes of the show and ideas Jojo seems to be exploring. We ended up in a discussion on ephemerality that led to a broader discussion on what the show is trying to say about permanency, mostly through the use of things like Boston's photography, surveillance videos, and other audio/visual means.
We also touched on the idea of voyeurism being a running theme (potentially tying back to the very public nature of queer culture in the 80's and 90's) based on the different medias being presented and the frameworks that each episode has used so far. I posited at the time that the different frameworks of each episode could be a type of voyeurism (and because we've brought up control), a type of controlled voyeurism; the voice overs, talking heads and even the Twitter posts are great for giving the audience insight into character insights, feelings and emotions but only what they want us to see.
There was also discussion in the tag about how this show feels like a throwback to sort of a late 90's aesthetic over all (I can't find this post - specifically I'm thinking of a post that mentioned OF had a very Dawson's Creek aesthetic, which hit me like a truck when I read it because YES). Given that Jojo was born in 1984, so I think this post about OF being the voice of 80's babies is right.
So, you must be asking, duh, we've already talked about this. What's your point?
All of this extremely prolific long-windedness is because I noticed something while watching the Let's Try MV from the OST as well as the BTS videos that have been released so far and I don't think anyone has mentioned it.
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In the MV, shots from the show (both what appear to be canon and a smidge of BTS material) are shown like they were filmed on a mid-90's camcorder. This also happens in the in the BTS videos as well (episode 1, episode 2.)
Also, both the MV and the BTS videos have visual effects. Transitions like lens flares, static, and whatever that blippy line distortion was on VHS tapes that we fixed with the tracking buttons (if you know, you know) repeatedly show up in both.
(Please prepare yourself for some absolutely horrible screenshots; I have no skills in this area, lmao, but I wanted a couple of visuals)
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(What? No, I didn't choose these three screenshots because of the colors, absolutely not. I also absolutely am not tagging @respectthepetty because of it either, nope. Don't know what you're talking about.)
But Slayerkitty, you ask, what does it mean?
It definitely shows that we're on the right track regarding this, I think, because using it in the MV and BTS materials is a very deliberate choice given the amount of photo, video, and audio focus the show has done to this point. Interestingly, you could also say the BTS videos are a type of controlled voyeurism as well, since it's a specific peek at how things were made (the view they want us to have lol).
(Also interesting but I'm not sure if it means anything or if they just thought it looked cool, but in the MV from about 2:29-2:40 and 2:52-3:10 the scenes are all "camcorder" video and the second time stamp is pretty much all BTS footage.)
(P.S. I also don't think anyone mentioned it before now, but that fluffy jacket/cardigan thing we're all obsessed with that Ray wore in episode two is what Khaotung is wearing the MV. It looks like they probably shot the episode two car scene and the MV the same day/night.)
Tagging the ephemerality squad and anyone who's posts I linked to, in case you guys have any thoughts: @waitmyturtles, @wen-kexing-apologist, @ranchthoughts, @chickenstrangers, @lurkingshan, @twig-tea, @clara-maybe-ontheroad, @distant-screaming, @shouldiusemyname
I know I forgot someone, I'm sure! Apologies if I did. I'm gonna have to make a list, lol.
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i very heavily recommend
there for you (a duet)
over til it's over (a group song but he has a small solo, a duet part, and he leads the male group parts)
it's my time (a group song but he has a duet part, and you can hear him on the first chanty part)
from the lodge to any dbd fans (who haven't seen it already) who want to hear jayden's singing/rapping voice
time stamps under the cut for the last two if you need them
(these are from the soundtrack version btw but the scenes line up i'm pretty sure)
over til it's over: 0:19 - 0:23 (solo part), 0:40 - 0: 53 (group part 1), 1:05 - 1:09 (group part 2), 1:14 - 1:17 (duet part), 1:28 - 1:40 (group part 3), 1:52 - 1:55 (group part 4), 2:10 - 2:21 (group part 5), 2:33 - 2:36 (group part 6), 2:48 - 2:53 (group part 7)
it's my time: 0:01 - 0:14 (chant part), 1:39 - 1:55 (duet part)
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blackwatervial · 10 months
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The Pete Show.
For my rewatch of The Pete Show (sometimes and more uncommonly known as KinnPorsche The Series La Forte), I will be noting down time stamps in which the main character Pete (from the Pete Show) makes an appearance. I will also, as a little bonus, add appearances of his romantic interest “Vegas”. Today:
Episode 4
This episode is off to a great start because there, right after the opening, at minute 1:50, we get a wonderful shot of our boy. Lying in bed with another boy. About to lose his innocence. Just as they're about to kiss, he manages to get away (kissing is for people we like only, after all!) And then he makes a face. A face I identify with on a deep level whenever my boss comes into my office 2 minutes before I'm off work:
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Yeah, Pete. Same.
Speaking of people we like. At minute 14:15, Pete has his first real interaction with his love interest. He stands there and Vegas puts a slightly threatening hand on his shoulder. As an expert on Pete, I can tell you with 99% certainty that his expression says "Well, mark me down as scared and horny."
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He looks into those eyes and thinks to himself "this man needs therapy. I cannot give it to him, but I can let him fuck me, that'll work just as well."
Minute 25 is iconic. For several reasons. Pete's exaggerated flirty blinking. His "Kissing is for people we like only" line that will literally and figuratively bite him in the ass. And this:
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I just think he's neat.
But you know what's neater? FUCKING TURTLENECK PETE LIKE OH MY GOD I CAN'T BELIEVE WE ONLY GOT HIM THIS ONE MOMENT AT 35:40 I AM NEVER GETTING OVER TURTLENECK PETE GRRR BARKBARKBARK
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Okay I'm normal again. As normal as I can be over Pete. Only 4 Petes in this episode, but Turtleneck Pete easily stole the entire episode.
Love-Interest solo appreance counter
Minute 4: Vegas does the one thing he's good at (flick open a lighter when someone seeks to light their cigarette) Minute 42:30: Vegas looks slutty and smug in his gay little outfit what else is new Minute 52:40: Vegas looks slutty and smug completely butt-naked what else is new
Previous Pete Show Posts
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First, I apologize to all renters, but mostly those in New York City. This is the story of a beautiful Bavarian fairytale town, the world’s oldest housing complex, where the rent is still less than a $1 yr.  Almost everything is the same as it was when it opened 500 years ago, including the annual rent. Welcome to “the Fuggerei.”
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Located in the city of Augsburg, Germany, residents of the Fuggerei pay next to nothing for a lovely home. So, what’s the catch?  In exchange for an annual rent of 88 cents, you must be an Augsburg resident for at least 2 years, be struggling to make ends meet, yet be debt-free, and prove your Catholic faith.
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Residents are also required to pray 3 times a day and do some part-time volunteer work in the community, such as gardening, to keep the place nice.
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The gates to this walled enclave close at 10pm every night, so if you want to step out after a hard day’s praying, no problem- just give the nightguard a small tip, and a swig of whatever you’re drinking.  
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The rules may seem old fashioned, but that’s because they’re so old.
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Compared to the paperwork, credit checks and hoops you have to jump through to get a landlord to accept your earnings in return for a dingy little apt. in some cities, this is a breeze.
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So what’s the story behind this 16th century subsidized housing community that lives on its own terms? For some context into it, let’s meet the Fuggers.
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Jakob Fugger, aka Jakob the Rich, a banker, opened his purse, to those in need.
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The Fugger family was a dynasty of German bankers, nobility and merchants, who controlled much of the European economy in the 16th century and owned   land in and around Augsburg.
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Devout Catholic Jakob the Rich had a social conscience. He founded and donated the Fuggerei to the city in 1521, on the condition that he would make the rules, and it would stay that way forever. By 1523, 52 houses had been built with a church, squares, fountains and more streets on the way.
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The Fugger empire crumbled over the next 150 years, but luckily for Augsburg’s needy, the legacy lives on.
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Even after WWII bombings heavily damaged Augsburg and the Fuggerei, it was rebuilt to its original style and even expanded to 67 houses with 147 apartments.
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The Fuggerei was a stress-free safe haven for many war widows and struggling tradespeople to set up home and even shop on the grounds.
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Today, all houses and apartments are occupied except one, that serves as a museum, reminding visitors of the importance of dignified and affordable social housing.
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All profit from the museum goes back into maintaining the community.
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The entrance fee is 6.50 €, which is over 7 times the yearly rent, and visitors have their own entry gate, for minimal disruption.
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Of course, it has a long waiting list, with enquiries from folks far and wide who want to get in on the free weekly communal breakfasts. You could end up waiting up to 7 years to make it through the gates of this German fairytale town. (Actually, you wait longer here, for some apts.)
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Except for a portrait of Jakob Fugger which hangs in all 147 apartments, the homes come unfurnished so residents can put their own stamp on the place.
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Each identical apartment has an elaborate doorbell, uniquely shaped so residents could feel their way and identify their door in the dark, before the installation of streetlights. I guess social housing doesn’t have to be a broken system. 
https://www.messynessychic.com/2021/02/23/rent-is-still-1-a-year-at-the-worlds-oldest-and-most-beautiful-social-housing-project/
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