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#thought I'd posted all of these
crimeronan · 11 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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hydnes · 4 months
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People using the McDonalds Zionism thing to be fatphobic as fuck is crazy because why would you be like "Why do you need to shovel your fucking face with grease anyways" if you weren't already thinking that prior & just wanted an excuse to brazenly say it. Insane
I still stand by what I said I'm just turning off reblogs because I'm just being exposed to paragraphs of stuff that's almost completely missing the point and I'd rather people didn't boost this over actual posts about what's going on.
Please keep talking about Palestine and not spending money on corporations who fund genocide, and most importantly please remember the people you're doing this for as that's the point I was trying to make with this post.
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poorly-drawn-mdzs · 2 months
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I started reading Dungeon Meshi last week, became instantly charmed and captivated, and blitzed through the entire manga in 4 days (and changed my profile picture about it). With that in mind, I would just like to say...
I love your dungeon meshi art so so much
CHILCHUCK!!!!!!!!
Thank you kindly! I love Dungeon Meshi a lot, so I'm happy to see so many people get into it for the first time.
CHILCHUCK!!!
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hedgehog-moss · 1 year
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The story of my 3-year-long quest to identify a very rare bird
So I've been trying almost since I moved here to figure out what bird made this strange call that I sometimes heard near my house:
I tried to google "european bird that sounds like a laughing hyena?" and also to imitate the noise over the phone for a friend who once took an online bird course, but she had no idea. (Well, she said "that's a hyena." I said, "but I hear it all the time! Near my house!! Wait I'll do it better." She said, please stop making a hyena noise :(( and I stopped because the cats thought I was losing my mind)
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Eventually I managed to record the actual bird call on my phone, and used a Shazam app for birds—but once again, no luck. The first app I tried just assumed it was being trolled and was like "it's you, isn't it? That's not a bird that's your stupid human laugh, you're making fun of me. I'm not an idiot"
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The second birdsong app was more insecure and apologised a lot for failing to identify my bird. I thought it must be a rare bird! (The only uncommon bird I know of in this region is the vulture but it sounds less like a hyena and more like if elephants were birds.) Every time I heard the call (usually during the day) I opened the window trying to a) get a better recording so my app would finally have an epiphany, and b) see something flying off a tree.
At one point I was cutting brooms in the pasture and heard the call very loudly, as if the bird was just a few metres away, and it wasn't coming from the sky. I googled every possible version of "flightless (?) bird that nests in thorny bushes?" and found nothing, and started wondering if it was actually a mammal. But I couldn't think of any plausible local mammal that would make this sound—definitely not a fox or badger, who say WAOOHHH, and nothing like the polite whistle of marmots. We've got pine martens in the woods and I found a video called "mating pine marten scream bark" and thought oh!! that must be it! ... but then I listened to it and it sounded like yiiiaaaaaeeeeee, like if you stepped on a baby banshee's toe, nothing at all like the heheeheuruurhh of a hyena who just heard a good joke.
Anyway, this morning I was in the pasture and I once again heard the hyena laugh! I was standing by the moose butler tying up the hay net, away from any trees or shrubs and the call came from just behind me. I turned around thinking there was absolutely no way for the mystery bird to hide, it had landed on the ground behind me and this time I was going to see it!
And
it was HER:
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Absolutely no doubt. I saw Pampy's throat vibrating along with the last echoes of the hyena laugh. All these years I've been saying that llamas are very quiet animals who just make cute little "hum-hum" sounds (I rarely hear adult llamas humming to one another, it's mostly for mother llamas to communicate with their baby and with me) and I had no idea that the shrieking hyena-bird I occasionally heard outside my house was Pampelune! I googled "llama alarm cry" and immediately found youtube videos featuring llamas making this exact sound. There was a stray dog nearby this morning that Pandolf eventually chased away, so maybe Pampy was the first to hear him and sounded the alarm. Maybe she uses this cry to tell Pan to go do his guard dog job, because he left the pasture and ran into the woods when she made the sound (while I was turning round like "aha! you can't run, hyena-bird!")
I wanted to share this discovery! I've had llamas for nearly 4 years and I'm only now finding out that they can laugh like hyenas when the situation calls for it. I feel bad for the poor birdsong app that I've repeatedly gaslighted feeding it a llama call and insisting that it identify this bird for me while it hung its head in shame like "I swear I don't have your bird in my database. I'm so sorry. I'm a bad app."
Llamas are fascinating creatures. Please experience their majestic alarm call again, and be alarmed:
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pinkcadavart · 4 months
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I'm still learning the characters rn so this might not be accurate but please tell me its at least funny
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thorne1435 · 1 year
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Listen, time for wisdom:
There will never be a trans-inclusive "All-Girl" space.
Fundamentally, to define a space as "All-Female" or even "All-Women" is to define the term female or woman. Both of those things are nebulous at best, and that means they will, usually, resort to the usual take: "Woman means adult human female." And "Female means a fertile, vagina-having, motherly, She/Her cisfem." TERF shit.
The only people who would make a rule with such a premise are TERFs themselves or traumatized cis women who really do believe that the mere presence of a man is a threat to their safety. Neither of which--as you're probably already aware--are going to be very trans-inclusive.
We can talk about why people think this way another time. For now the important part is, if you want to feel safer or more socially integrated, seek out all-queer or all-trans spaces, not all-woman spaces. Queer people will understand you more than cis people ever could.
(And yes theoretically this applies to trans men as well if you replace every feminine thing with a masculine one. Gender restrictions are antithetical to trans people as a whole.)
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ornithological · 28 days
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a feral pigeon (columba livia domestica) perched on my arm, ireland
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liesmyth · 1 month
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Is it better if John erased their memories, or if they came back that way and he just decided not to fix them?
It's immensely better if he intentionally mindwiped them. TO ME.
I'm a John fan. I think he's a tremendous tragic antagonist, and that everything he does in the HtN backstory is relatable if not painful familiar. He was under immense pressure, trying to mitigate the literal end of the world, having his mind and his whole self changed in ways he had no frame of reference to understand. He went from being desperate and trying to do his best to being carried away by circumstances to going absolutely fucking insane. There are many ways to rationalise John's actions all the way to the end, which is what makes it such an effective corruption arc. If you want to engage in some blorbo apologism, there are plenty of excuses to be found.
There's absolutely no fucking way to excuse mind-wiping his friends. THAT is why it's so important to me that he did it deliberately, in cold blood, justifying it to himself as a way to take their burdens upon himself so they wouldn't have to feel guilty. He removed their agency. He didn't want any peers in the world he'd created. He could have acknowledged what had happened, for better or worse, and tried to make amends - but instead, he chose to remove their knowledge that something had even happened in the first place. It's the turning point! I need him to go into that with his eyes fully open. He's doing it on purpose! He weighed the pros and cons and prioritised his comfort over his friends' identities.
EYE believe that his story arc is infinitely more powerful if there's a point we can look at and say "here is when John's story went from things happening TO HIM to John doing terrible things". Especially in a backstory that's ultimately about divine corruption and losing touch with your humanity, I think that turning point needs to be something that has a personal value to him, something that can't be chalked up to "he was high on death" or "humanity was doomed" or even "he touched the soul of the earth and went insane."
I think it's important, thematically, that one of his first actions after acquiring godlike powers was to make sure that no one would be able to remember his human self and challenge him on equal footing, even if he's still internally lamenting his own loneliness and wishing things were different.
Obviously, this is all coming from a known John Girlie™ and Eldritch Alecto Enjoyer — I interpret John's ascension to quasi-divinity as something that was mostly imposed ON him and he couldn't control, which is why I need him to cross the moral event horizon outright with the mind violation of his inner circle. Someone who views John as more directly culpable in the end of the earth might feel less strongly about the importance of the mindwipe in his story arc than I do, but TO ME it's the culmination of the tragedy. You've become the inhuman horror, baby.
/post that inspired the question
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petergabrielyuri · 9 months
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i remember when people would say that stede would be really mad at ed for leaving his crew to die on a tiny island but i guess that is not going to be the case at all because he's saying "i don't care what any of you say, he's actually a good guy" right to the faces of the people he stranded lmao
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kakyogay · 8 months
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seven suns and their kids
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and sunstone ig
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zomxbonnie · 18 days
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As someone who comes from a family who all struggled with my mental health, Kipperlilly's such a real character to me. I was very different than Kipperlilly growing up, but I had a slew of mental health issues, including anger issues, that were never quite extreme enough to be taken seriously until I got older, and they took over my life.
One of the major things I can remember telling myself growing up is, "I wish something terrible would happen so people would pay attention to me." That's not a good thing to say, and I can't say that what she said was good either; I think the point is that it's extremely bad, and no healthy person would claim that they wished their parents were evil or dead and they're jealous that someone else's parents are.
Kipperlilly is extremely flawed; she's self-destructive and exhibits a lot of toxic behaviors, as do the rest of the rat grinders, but I have so much empathy for the fact that they are also struggling kids who are in wayy over their heads. They're smart and certainly culpable for their actions, but also still teenagers looking for validation from their peers and the adults in their life, which was utilized to the advantage of Porter and maybe Jace as well depending on what direction they take his character. Honestly, great antagonists, 10/10.
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expectiations · 21 days
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I still find it funny that people call eleven a "deadbeat husband" and their marriage "toxic" but twelve is the "perfect husband" and their marriage "wedded bliss" all because of the few moments we'd seen between 11 and River were them being "toxic". yes of course! let's ignore how the minisodes show how that description isn't true and even how little moments in the episodes themselves – "what? that's it?" (why haven't you kissed me goodbye? are you being sly on purpose so I'd kiss you first?) and "they wouldn't bury my wife out here" and the music room is the heart of the home and it's not a ghost story, it's a love story – show 11 cared and put in the work and yes, they're going to have disagreements like the ones in TATM because duh who doesn't but it does not mean it is the entirety of their relationship but people have taken it and made it the entirety of their relationship.
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buglaur · 9 months
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the-eldritch-it-gay · 1 month
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Salamatullah's Mods: Darker Skinned Wyll & Dark Skinned Shadowheart
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3 Separate files you can download, Darker Wyll, Dark Shadowheart, and a new head for Shadowheart.
Darker Wyll:
[Download HERE] Install by using BG3 Mod Manager
Darkens Wyll's skin tone
Darkens Wyll's hair
Dark Skinned Shadowheart:
[Download HERE] Install by using BG3 Mod Manager Can be used independently of the head
Darkens Shadowheart's skin tone
Changes Shadowheart's eyes to dark brown
Dark Skinned Shadowheart Head (created by Anon):
[Download HERE] Install by dropping the Generated folder into Baldurs Gate 3\Data Can be used independently of the Dark Skinned Shadowheart file
Gives Shadowheart a new face
Comparisons
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fyeahvarchie · 3 months
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CAMILA MENDES as ANA SANTOS UPGRADED (2024) dir. Carlson Young
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urostakako · 3 months
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Utahime dancing Dabke !! id in alt - as always, from the river to the sea, palestine will be free
Embedded within the heart and soul of the Palestinian people, the dabke – an ancient folkloric dance native to the Levant – transcends mere artistic expression, serving as a resolute act of defiance against the Zionist state's occupation. With each rhythmic stomp and synchronised movement, Palestinians reclaim their cultural identity, defiantly asserting their existence and resilience in the face of systemic oppression, while igniting a flame of resistance that resonates with generations past and present, affirming their connection with the land. - Fadila Khalid, Dance & Defiance: Dabke as an Emblem of Resilience in Palestine
below are resources for information on palestine and donations !! and reference photo is below that
donation masterpost by @/nabulsi:
info:
An Indicative Archive: Salvaging Nakba Documents | Institute for Palestine Studies (palestine-studies.org)
A Threshold Crossed: Israeli Authorities and the Crimes of Apartheid and Persecution | HRW
Institute for Palestine Studies | (palestine-studies.org)
Free Ebooks for a Free Palestine! | HaymarketBooks.org
Palestinian Culture - Anera
reference:
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