#this movie might not come out for decades

[reiding-writing]

HI LOVE UR WORK ESPECIALLY COLD READER IVE BEEN BINGING THEM AND I NEED MOREE

Soo speaking of i think prompt 15 could be a really cute cold reader prompt for something and I WOULD LOVE IT

HOMETOWN [CLIMACTERIC]

/ˌhəʊmˈtaʊn/

15. “I can’t believe you remembered.”

WARNINGS: fem!reader, mentions of spencer’s bullying, made up childhood bully (sorry spence <3), swearing as per, typical cold!reader antics

spencer reid x cold!reader || fluff?? || 3.0k || event masterlist!!

main masterlist!! ⋆｡°✩ cold!reader masterlist!!

a/n: great minds think alike huh? the fact that both these requests specified for it to be cold!reader as well is insane to me 😭😭

There’s that saying that the worst people in school always end up going into jobs that provide for others; The idea that petty school bullies take up careers in hospitality or community service despite all of their obvious social flaws.

Honestly, Spencer always found the idea ridiculous. They had just as much of a chance as going into a hospitality job as they did a 9-5 office job.

Their attitude didn’t have any causational impact on their future career whatsoever, people just focused on the people that did end up in those fields and then generalised it to the larger population with no reasonable backing.

But he’d be lying if that wasn’t the first thing that ran through his head when he walked into station 14 of the LVMPD and ran right into somebody from his middle school.

Somebody who fit that god awful false idea to a T.

“We’ll get you set up asap, Robinson, DeGaris, show the agents to 22B will you?”

Spencer knew the second he turned around. Some people’s faces never really mature through puberty. The bone structure doesn’t change and they just end up looking like a taller version of their child self.

“Would you look at that? Looks like we’ve made it to the big leagues,” Officer DeGaris nudges his partner with a raise of his eyebrows, and Robinson shakes his head with a short laugh in response.

“More like we’re doing such a bad job they had to call in the big leagues,” Robinson pushes DeGaris’ head away with the palm of his hand before clasping his fists together at his waist. “Welcome to Las Vegas, land of casinos, neon signs, and… serial killers apparently— Uh I’m Caleb, this is Will, chances are you’ll see a lot of us over the next however long you’re here,”

“Pleasure,” Hotch holds out his hand to shake the two officers’, who promptly move to shake hands with the rest of the team afterwards.

By the time the two reach you and Spencer stood at the back of the group he feels like he might throw up his heart from how fast it was beating, and he swerves the shakes with all the awkwardness of his usual evasions as he excuses himself to walk ahead of the team.

It was stupid really. It had been almost two decades since what had happened, yet even just being in his proximity was making Spencer sweat like he was a final girl in a horror movie.

“Excuse us,” Your words hold no social grace as you slide past the two officers to follow after Spencer. He wasn’t the best with meeting new people, but he never left the conversation before it could even start. “Reid-”

Although mildly confused, the two officers don’t seem all that disheartened as the two of you disappear into the meeting room, their attention turning back to the rest of your team.

“Well,” Caleb claps his hands together with a politely awkward smile. “We’ll let you guys get settled in, if you need anything at all come and find one of us and we’ll do our best to get it for you,” He gestures between himself and Will stood next to him, gazing half-blankly into the open shutters of the window into the room with furrowed eyebrows at yourself and Spencer like he’s trying to put puzzle pieces together in his mind.

“Thank you officer, we will,” Hotch gives the two a small nod before gesturing the team into the room and leaving the two policemen outside.

—

At least the station had a coffee machine. Spencer’s one saving grace in the fact that he was not only working on a case in his own home city but also in the same town he grew up in, a town with some very familiar faces.

The scent of the caffeinated beverage was enough to bring him back to his right mind a little as it hit the ceramic mug with a burst of steam, and Spencer watched the liquid flow aimlessly as he waited for his drink to be made.

Coffee solved all his problems.

“Hey,”

Most of the time.

With a slow breath and his eyes shut to compose himself, Spencer turned around slowly to greet the voice, hit lips pressed into a straight line as his eyes opened once more, greeted with an all too familiar sight.

“I thought I recognised you Spencer, or sorry, it’s Agent Reid now right?” Will raised an eyebrow slightly, his hands stuffed in his pockets.

There was no real malice behind his tone, no sarcasm or taunting, no twitch in his facial expression that could make Spencer think he was trying to get under his skin. But he did. And it made Spencer feel like a 9 year old all over again.

“It’s uh, Doctor Reid actually,”

Will gives a short laugh and a nod, like Spencer’s title was something he’d expected. “Right, right, of course, so you’re not an FBI Agent then?”

“I am,” Spencer answers shortly, hands wringing together behind his back as he leans against the kitchenette counter. “But the title of Doctor outranks the title of Agent,”

He could see that familiar glint in Will’s eye as he explained the reasoning behind his official title, like he was looking at some puny know-it-all rather than a person of his own age.

“Very impressive,” Will gives him a slow, almost animated nod, and Spencer has never been more grateful for the shrill beeping of an automated coffee machine as he tears his eyes from Will to pick up his mug, cradling it between his to hands.

“Well, it was uh, good— to see you again Billy I’m glad you got where you wanted to go in life—“

“I don’t go by that name anymore,” Will crossed his arms over his chest with a shake of his head, his expression cordial despite the way his fists clenched like the mae had caused physical discomfort to him. “I go by Will now.”

“Right, Will, I should get back to my team now,”

“I’m sure they can wait a few minutes, we should catch up, for old time’s sake,”

—

“Where is Reid?” You exhale exasperatedly, biting your tongue to keep yourself in check as you turn towards Morgan and Emily with a show of your hands.

“Maybe the coffee machine was broken,” Emily shrugs nonchalantly as she sorts through the scene photos, occasionally passing one over the table towards you to hang up on the board.

“As if I needed any more reasons to hate those pieces of shit,” You groan exaggeratedly, dragging your hand down your face.

“Calm down lover, being away from the pretty boy for an extra few minutes won’t kill you,” Morgan rolls his eyes at your attitude with a short laugh, tapping his fingers against the table.

“Oh shut your mouth,” You scoff as you walk down the length of the table, pushing the heel of your hand against Morgan’s temple as you pass him as an extra form of chastisation which he promptly laughs at you for as you leave the room in search of Spencer.

“Oh to be young and in love,” Morgan laughs to himself as he clasps his hands together, leaning his head backwards over the chair to look at Emily with a knowing look.

“$50 on less than a year,” Emily doesn’t even look up at her proposition, and Morgan laughs with a shake of his head.

“Oh no no, they’re playing the long game, it’ll be at least another two,”

“Deal,” Emily holds her right hand out in Morgan’s direction, and he grasps it in his own with a firm shake.

“Deal.”

—

Spencer is still standing by the coffee machine, a steaming mug in his hands. It does not take eight minutes to make a single cup of coffee.

Well it wouldn’t if he wasn’t stood talking to one of the local police officers.

More like the officer was talking at him.

And if the way he was fiddling with the cuff of his sleeve was any indication, he was not enjoying the conversation.

If it weren’t for the harsh fluorescent lighting, the furrow of his eyebrows would be imperceptible from where you were standing, but the way he rolls his ankles and shifts his weight onto the balls of his feet would be noticeable from a mile away even in pitch black darkness.

Time to go and save Spencer Reid from his own social ineptitude. Again.

He doesn’t acknowledge you as you approach despite you clearly being in his eye line, his sole focus on the man in front of him even as you near close enough to be able to hear their conversation.

“…were quite the character weren’t you Pick?”

Spencer purses his lips together uncomfortably at the nickname, and you take the break in the conversation as an invitation to get between the two.

You clear your throat with crossed arms, eyes flickering between the two of them as they turn their attention away from each other and towards you instead.

“You’re needed back in the meeting room,”

Spencer nods at you a little too eagerly, clearly ready to rid himself of his new companion. “Right, good bye Bil- Will, sorry,” He doesn’t make eye contact with the officer as he all but power walks past you to head towards the meeting room, and your eyebrows furrow ever so slightly as your glance wanders from Spencer to the almost smug expression on the officer’s face.

“Is something funny?” Your question is enough to bring Will’s eyes away from watching Spencer scurry off with his tail between his legs and towards you with horribly feigned innocence.

The look in your eyes is less than savoury, and it’s enough that small glimpse of condescension simmers in his irises to break through his pleasant facade.

You don’t stick around to have to speak to him any further, and with a final look over you leave him by the coffee machine to rejoin the team in the meeting room.

—

“You can’t avoid him forever you know,”

Your voice stirs Spencer out of his focus, and he straightens himself up in his chair as he looks at you, an eyebrow raised in confusion.

You hadn’t really said anything since you re-entered the meeting room, not even bothering to defend yourself against Morgan’s musings about how much you were complaining about Spencer not being present to help you with the profiles, yet less than a minute after Morgan and Emily left, your conversational battery had suddenly returned.

“I— What do you mean?”

“Officer DeGaris,”

Spencer looks at you like you’ve read his diary without his permission.

He forgets just how observant you are sometimes, how easy it seems to be for you to distinguish between Spencer’s general dislike for small talk and meeting new people and when his discomfort is specifically aimed.

You look through the meeting room’s glass window with roaming eyes, Spencer presumes it’s to find the Officer in question. “He acts like a glorified man-child so I can’t blame you for resenting him,”

“Did he say something to you?” He sounds almost afraid at the idea that Will might’ve said something distasteful to you, his face scrunching up in concern, but you dispel the thought with a quick shake of your head.

“No, he didn’t say anything to me,” Spencer can physically see the moment that your eyes catch on Will across the station in the way that your micro expressions change, the way your arms cross tighter over your chest and your nostrils flare. “He was more than distasteful to you though,”

You sigh in mild frustration. “You’d think that people would mature once they reach adulthood, but there’s always a few that cling to their childhood relevancy like their life depends on it. Pathetic really,”

he doesn’t know whether he should even be entitled to being surprised that you knew Will was character from his childhood. It doesn’t stop him. “I never said I knew him when I was a child,”

“He called you Pick, and you called him Billy,” You deadpan like it’s obvious. “You’re not exactly hiding it,”

“I can’t believe you remembered that,” You can see the genuine befuddlement in Spencer’s expression as you relay the cluing details into his past, like he seemingly can’t comprehend that you were actually paying attention and storing Spencer’s divulgence into his childhood in your memories.

“Believe it or not Reid, I do actually listen,” You sound almost offended at how surprised Spencer seems, and he back tracks immediately with a surrendering wave of his hands.

“That’s not— I didn’t mean to insinuate that, I just meant—” Spencer sighs exasperatedly at his failure to string together a coherent sentence. “I only mentioned it offhandedly is all, it’s not something people usually dwell on,”

“It’s not difficult to listen when someone confides in you Reid, it’s basic human compassion,” You move away from the window with a start, stopping just shy of the door right as it opens.

“Can we help you?” The small amount of empathy in your tone vanishes immediately as you meet Will’s eyes, your head cocked in obvious impatience despite the fact that he hasn’t even spoken a word to you yet.

And although mildly deterred by your expression, he follows through nonetheless. “I need to speak to— Agent Reid, it’s something about the case.”

You’d wager it’s definitely not about the case.

“Doctor Reid is busy, if you have something important go and find SSA Hotchner,”

Spencer can’t see your expression as you stand with your back to him, but if he had to make a guess based off of the way that Will’s face falters he’d say you were probably glaring at him. That signature glare that you never hesitated to utilise when deemed a necessary reaction.

He’s half glad he can’t see your face, because it means that you can’t see his, and the way his cheeks redden against his will at not only your intervention between him having to have another conversation with one of the nightmares of his childhood, but also how casual you were in correcting his use of Spencer’s official title.

“I can’t find SSA Hotchner,” He responds like he’s got you beat, but you barely so much as acknowledge it at all.

“Email him then, your chief supervisor has the details.” You take a small step forward to motivate him to step backwards out of the doorway, and you uncross your arms only to grasp the edge of the door. “Now if you’d please excuse us, we do our best work without distractions.”

You don’t give him time to reply before you close on him, but there’s just enough time for Spencer to see the astonishment dawn on Will’s face at your dismissal before he’s shut out completely.

Your frustration is still present on your face as you turn to walk back over to the whiteboard, and Spencer presses his lips together in an awkwardly endearing fashion before muttering out a soft “thank you,” in your direction.

“I don’t tolerate bullies Reid, it’s nothing to be thankful for,” You shake your head to dismiss him, a much lighter—much friendlier— dismissal than you’d awarded Will.

”You didn’t have to do that though,” Spencer sighs softly, playing with the sleeves of his sweater. “Let me buy you a coffee at least? There’s a cafe a few minutes away from here that I used to go to when I was younger, and I think I need the break,”

You can’t really blame his sudden want for fresh air, and you’d rather not slave away on the profile without him to filter your thoughts through, so you don’t really have much option but to join him.

“It’s not one of those ridiculously expensive coffee places is it?” You raise your eyebrow at him warningly and Spencer shakes his head with a soft laugh, one your happy to hear as a sign that Will hadn’t knocked him off his game too much.

“No no, last time I was here it was $3.49 a cup, perfectly normal,” He brushes a strand of hair from his eye with a small smile. “So you’ll join me?”

You let out a small exhale and a shrug of your shoulders, and Spencer knows that you’re feigning more begrudgement than you’re feeling. “I guess I could do with a break,”

Spencer’s smile seems to get just that little bit brighter at your response.

“But I’m buying my own coffee.”

“Okay—” Spencer gives you a small nod, joined by a laugh, and you wait until he’s got his back to you before letting a small smile invade your mouth at the sight.

#spencer reid x reader #spencer reid #criminal minds #criminal minds x reader #spencer reid fluff #criminal minds fluff #mgg #climacteric 🪶

[shihoerusu]

Batman II

#the gala scene I’m still dreaming of #selina kyle #bruce wayne #batman #catwoman #the batman 2022 #bruce wayne x selina kyle #batman x catwoman #battinson #bruce x selina #zoelina #batcat #but here is a little something for my brain #this movie might not come out for decades #just pay your damn writers/actors goddammit #dc fanart #dc #batcat

[wanderingandfound]

How many Steve/Bucky fics do you think have been titled with some variation of "Leave all your love and your longing behind. You can't carry it with you if you want to survive."?

#personal #I hope you all voted for that song in the Best Overplayed Songs poll. #Also in other news apparently there's a new version of the song out but I can't really hear a difference. It might be a bit less upbeat? #Also it was used in GotG 3 I guess. #And I just got in a shouty conversation with my brother about me having not watched EG or IW and yet still judging it. #And when I went into my usual spiel about how my break-up with the MCU was a long time coming and they shouldn't have even done a CW movie #in the first place because the MCU wasn't full enough yet‚ he tried to pull a ''you haven't even read the comics'' on me! #Like I know it's been a decade but I have too read the comics! #I even read some Civil War comics! Albeit it was The Runaways and Young Avengets and not Cap/IM/Spidey but still! #liveblogging stories #Kinda sorta not really

[whencartoonsruletheworld]

so like. fnaf movie. after night five, all outside observers know is "this 30yo guy with severe anger issues + his 10yo mentally ill sister just walked out of his collapsing workplace with an unconscious, stabbed police officer, saying that someone inside the building tried to kill them but we can't get into the building to check. we went to their house and the aunt who was fighting for custody of the child is dead on the floor. the guy's career counselor is missing, as is his babysitter and her family and apparently they're all dead in the building we can't get into." and like. that all looks suspicious as FUCK however we know that in the few-weeks timeskip both mike and abby seem happy and fine so it's not like mike was arrested or anything. he seems to be more adjusted and is happily talking with her teacher so i doubt he's under stress of interrogation or anything

there's a lot of implications there that mike mighta pulled something but it's all circumstantial evidence at best. i'm sure in jane's autopsy and crime scene evidence they couldn't find any evidence of mike being the one to attack her, esp since it was probably just golden freddy bopping her in the head so they dont even have the weapon, and if she was strangled they'd be able to tell it wasn't by bare hands and they couldnt get prints or anyth. especially if golden freddy is a FULL ghost and thus left no trail.

mike would be smart enough to only tell the cops what they need to know without mentioning ghosts to sound crazy. abby might be more honest with the cops just bc of #autism but they'd be more likely to consider her talking about ghosts and imaginary friends as a child's way of coping, and they cant get anything out of her that would incriminate mike. ADD TO THAT that mike has wounds that are clearly defensive and is SUPER banged up and his wounds would likely match his story way better than evidence of him attacking anyone, AND that there's likely footage and witnesses of him being in the pharmacy and then driving to work (and thus not in the area to attack jane), AND if/when nessie wakes up she'll probably vouch for mike as well, and the cops dont have anything on him

though i DO wonder if they would have records of vanessa patching him up in the police outpost. if they do, that would also back up mike's story as it's 1) far away from the aunt jane crime scene, 2) confirms that he and vanessa were working together, so either she's complicit in Crime™ or his story is accurate and she was helping him save his sister. him going to defend her instead of calling backup is also consistent with his personality of getting triggered and jumping into action around child abduction, esp w/ his sibling in danger

considering what abby would probably say, AND the history of freddy's, it's likely that they would come to the conclusion of is "someone [likely the og kidnapper from the 80s] found out that the guy working at freddy's had a sister, kidnapped abby from her house while her aunt was babysitting and tried to recreate the crimes, his story of him and vanessa defending her and escaping vaguely checks out." whether or not mike would incriminate vanessa by mentioning her dad was the killer is up in the air, and there's obviously some huge holes that are left from nobody believing that there are ghosts in the building but that would probably be the eventual conclusion

but throwing that all away, it would be really, REALLY funny if the rest of the town, being really fuckin nosy and getting into the juiciest gossip they've had in decades, took one look at michael "big teddy bear falling asleep on himself" schmidt and said "there's no way. there's no way this guy murdered his aunt, stabbed an officer and then destroyed his own workplace, especially when he really needed that job and was on sleeping medication," and then turned around to look at abby "neurodivergent in the early 2000s (ableist af time period)" "vocally hates her aunt" "doesn't talk to anyone and claims that she can see ghosts" "vaguely possessive of her brother" "claims that she found the guy who hurt her friends and got him jumped by a cupcake(?)" schmidt and said "oh my god. it was her."

and nobody's gonna directly say anything but they've got cautious eyes on the situation and someone quietly slips mike a copy of the bad seed to see if he has a realization but instead he's just like "hey this book kinda reminds of that golden freddy kid lmao. wonder how he's doin" and then we smashcut to golden freddy kid poking springtrap with a stick

#fnaf #fnaf movie #five nights at freddy's #fnaf spoilers #mike schmidt #abby schmidt #mine

[a-dinosaur-a-day]

What's most amazing about people who hate that birds are dinosaurs is that, without the discovery of birds being dinosaurs in the 1960s, none of y'all would have ever actually cared about dinosaurs

the history:

dino craze in 1800s. people thought, birds are very similar to these guys. Dollo fucked it up, made a bad theory, and people stopped thinking that

Early 1900s, dinosaurs deemed sluggish, stupid, pointless evolutionary failures. most people not really into dinosaurs anymore. this continues until

1960s: Deinonychus discovered. suddenly, dinosaurs interesting again: vibrant, lively, warm blooded animals. Also... birds might be dinosaurs?

from the 60s through the 70s, a slow buildup of dinosaur culture - both in crappy stop motion movies, but also in children's books and other media

80s cladistics revolution shows birds are living dinosaurs, though not without flaws. documentary after documentary is made, causing the major dinosaur boom of the late 80s and early 90s

the peak of this boom are the A&E and PBS documentaries, which both outright state birds are dinosaurs

cartoons like land before time and other dinosaur content keep coming out too, especially at the end of the 80s and the earliest 90s

the book jurassic park, referencing the birds are dinosaurs thing, is written in the late 80s. in the early 90s, is adapted into one of the greatest blockbusters of all time. now dinosaur interest is MAINSTREAM.

jurassic park isn't the start of the dinosaur boom, it is the apex

90s becomes the decade of dinosaurs, with tons of new discoveries, television shows, documentaries, and other programming

1996 first feathered "nonavian" dinosaur discovered. birds are dinosaurs is the closest thing we have to proven phylogenetic fact

1999 walking with dinosaurs premieres, revolutionizing the dinosaur-documentary genre.

early 2000s becomes the age of Period-Type Dino-Docu-Dramas

velociraptor is determined to have feathers

suddenly, dinosaur mania starts to die in the later 2000s

even though discoveries keep happening and we learn so much in the 2010s, the 2010s becomes a very regressive time - a sort of reactionary response to the birdification of dinosaurs and the dinosaurification of birds. the height of this is jurassic world

we may be in the middle of a dino-docu-drama revitilization thanks to prehistoric planet. stay tuned on that one

like, everyone was fine with the birdification of dinosaurs up and until they looked "feminine" on the outside, because of feathers.

It's just all such transparent misogyny and homophobia and people who react against feathered dinosaurs or birds being dinosaurs are just... so transparently parroting conservative talking points

Anyways, yeah. without birds are dinosaurs, you wouldn't have jurassic park. Sooooo

#I don't know why I keep talking about this #I'm procrastinating my museum collection conservation assignment tbh #birds are dinosaurs #feathered dinosaurs #jurassic park

[twentyfivemiceinatrenchcoat]

somewhere in the back of your mind, you know this isn’t how it should be. 

your living room is dimly lit, illuminated only by the tv in front of you, and the moon is glowing a pearlescent blue. flimsy strings of moonlight spill over your floorboards, reflecting off the windows, and whatever you’re doing isn’t what you should be doing. you shouldn’t be awake this late, shouldn’t be gorging on sweets before bed, shouldn’t be having a rendezvous with an enemy — shouldn’t be watching movies with your ex of ten years. 

most of all, you shouldn’t be feeling nearly this content.

getō is seated right beside you, legs comfortably spread, popping a macaron into his mouth. chewing it slowly, savouring the flavour — or lack thereof, you suppose. he can’t taste much, anymore; one too many curses digested. or so he says.

this time, he brought pastries with him. expensive ones, you can tell, just from the package alone — a soft pastel pink box, wrapped up in silk, golden letters etched into the front. mont blancs, macarons, two slices of strawberry shortcake. carefully picked, suited to your tastes.

(you aren’t actually too fond of sweets, anymore, but how is he to know? he hasn’t seen you in years.)

”would you like me to make us some tea?”

when you turn your gaze towards him, getō’s wearing a smile. laid-back, the slightest upward curl, tilting his head in a manner you’re far too used to. eyes shining with something keen. somehow, it feels difficult to tear your gaze away from his.

but you manage, turning forward, grasping control over your sleepy vocal cords. ”no, i’m good.”

a low hum. he’s still looking at you. ”coffee?”

”the sweets are more than enough.”

this time, a smile, one you can’t see but still somehow sense. a little bit amused. geto gazes at you with a knowing look, watches you glance at the box of pastries on your coffee table — studying you under the monochrome flicker of the tv-screen. 

”understood,” he finally quips, leaning back into the leather couch, exhaling a little breath. ”eat as much as you’d like. i bought them for you, you know.”

you nod, nibbling at a macaron. not glancing his way.

being alone with him still feels a little awkward. a little tense, to be curled up on the same couch, watching the same movie, just like your old sleepovers in high school. there’s an elephant in the room that neither of you have addressed — not since he first showed up, just a couple weeks ago, waltzing up to your apartment with a plastic bag of dvds after a decade of estrangement. wearing heavy robes, and a familiar smile. asking to be let in.

and despite every single circumstance telling you not to, you did just that. you’ve yet to refuse. 

(satoru would hate you, if he knew.)

so he’s there, right beside you, and you don’t talk about it. not his choice, not your work, not anything except the movie playing on the screen in front of you. this time, it’s one he’s seen before — beautiful, he called it, and for once you think it might be a romance; if the kiss between the main actors is anything to go by. 

you wonder if that’s why he says it.

”say, do you hate me?”

you still. freezing in place, for a moment, discontent but not surprised. he’s always been like this; breaking the illusion of peace before you can find any solace in it. 

you bite back a groan, and shoot him a glance out of the corner of your eye — but he isn’t looking at you. only at the tv, at the two men, holding hands and standing on a bridge in the rain, watching the stars twinkle in the sky. and you sigh, turning your head to look at him fully, parting your lips. your voice comes out frustrated. 

”do you really want to have this conversation now?”

”when else?” he chuckles, meeting your gaze with one brow raised. amber eyes gleaming with mirth, and something else, something less practiced. ”you don’t have to answer. i’m just curious.”

you gulp down the last of the macaron, licking your lips for any leftover crumbs — unaware of how his eyes follow the movement. ”are you?”

a hum buzzes in the back of his throat, a tiny rasp. you wonder if he’s tired. ”i hadn’t expected this, you know.” he taps at his knee with the pads of his fingers, rhythmic and controlled. ”i thought it was just wishful thinking… that you’d let me come this close.”

you feel his gaze on you. it’s heavy, heavy like lead, like a loaded gun. you feel it dissect you from afar, and can’t find it in you to reach for another pastry. 

”… would you have preferred being kicked out?”

”not at all.” a little grin plays at his lips, something in his voice betraying the face he’s making. ”are you avoiding the question?” 

another sigh. you’re painfully aware of how resigned it sounds, spilling out into the open air, already filling with a sense of dread; any leftover nostalgia bursting at the seams. you want to tell him so many things, but every thread inside your mind feels all tangled up.

and, as always, getō beats you to the punch. 

”that’s fine, too.” a brief pause, a twitch of his pinkie. he closes his eyes, a flutter of his lashes, and inhales a breath. ”— because i’ll keep waiting.”

for a second, you consider not taking the bait. 

… then you’re giving in. because that’s what you always do, whenever he’s involved. you watch him in the dark, pale skin enveloped by moonlight, raven hair spilling across the headrest. he looks beautiful, just resting his eyes.

”… for what?” you whisper, and his answer comes without a hitch to his breath.

”for you to love me again.”

…

getō tilts his head, opening his eyes, a golden brown dragging you into their depths. he looks expectant, selfishly awaiting a response, and you’re tired. 

(unbeknownst to you, he resists the urge to intertwine his fingers with yours, to trace every ridge and dip of your knuckles with his thumb. to squeeze your palm like a promise, something concrete.)

when your mind has managed to untangle itself, something in your gaze turns sharp. frustrated, impatient, disappointed, looking at him with a raised brow. ”you really are stupid, aren’t you?”

as fast as it came, your gaze returns to the screen in front of you. monochrome, flickering, two beautiful men. one of them is holding a gun to the other’s temple, and the victim looks appeased. the movie’s almost over.

(how very like him, to find such violence beautiful.)

quietly, you swallow down the bile building up in the back of your throat. a decade of bitter flavours. clenching your teeth, nails digging into the couch beneath you, leather on your cold fingertips. it’s a little peeled.

you wonder why you even bother being honest, when he never quite seems to return the favour.

but the room is dimly lit, and the moon is big and bright, and your ex of ten years is sitting right next to you. in your apartment, on your couch, watching a movie on your tv. when he could, should be anywhere else. he’s with you, and he pulls the words out of your throat without trying. puppeteering your heartbeat.

”… as if i ever stopped.”

silence.

you hear a gunshot ring out. low, muffled, a crackle of static. one of the men falls down to the ground, and you can’t tell who's who. the actors are forgettable, but the soundtrack is pretty. it rings in your ears like a lullaby. 

getō says your name.

it sounds the same as you remember. honeyed syllables, spilling from his parted lips, silky and sweet. he says your name like he’s asking to marry you, and you can hear the smile he’s struggling to repress.

”will you look at me?”

it’s less of a question, and more of a demand. you wonder why he even bothers asking — but you’ve never really understood the way his brain works. never understood why a burglar would bother asking the shopkeeper for permission before reaching for the register, when they’ll be leaving with the money either way. 

and you’re paralyzed, stuck in place on the couch, gaze glued to the screen in front of you. but you aren’t watching, not really, just looking. and you don’t want to see what kind of face he’s making. so you whisper;

”.. no.”

”no?” he mimics, something like a coo on the tip of his tongue, lightly amused. as always, you can feel his gaze, travelling down your face like a trickle of honey. ”and why is that, my dear?”

you bite down on your lip.

a long, long moment passes, and neither of you say a word. he’s looking at you, and you’re looking down at your lap, at your clenched fists. a little meek. it’s quiet, the calm before the storm, and you know exactly what’s going to happen — because it’s already set in stone.

”because you’re going to kiss me,” you exhale, finally, resignation on your breath. ”and i’m going to let you.”

…

for a second, you wonder if his silence means he understands. if he can hear the desperate plea in your voice, if he can translate it correctly. 

but his fingertips graze the lines of your jaw, his palm sneaks under your chin, and he keeps you in place. turning your head to meet his gaze, his amber eyes, dripping with something hungry; something pleading. 

this time, he doesn’t ask for permission. he leans forward until there’s no space between you, tips your head back, and kisses you with bated breath — as softly as he can manage, which is still too intense for your liking. still brimming with desperation, something carnal, like he wants to pour his everything into the kiss but knows he shouldn’t. he tastes like tobacco.

and it’s over. 

you know it is, because your senses are flooded with him, him, him. nothing but him, the strands of his raven hair ghosting your skin, his greedy tongue licking along your teeth, large palms resting on your spine and the back of your head. you’re pliant, surrendering yourself to his touch. he’s cradling you like he loves you, and you feel like you’ve done something awful, because you have.

because you’ve let him come so close, again, invited him inside — inside of your home, your ribcage. and he won’t bother making a home for himself there, because it’s already waiting for him, untouched, between your fourth and fifth ribs.

you never bothered to get rid of it.

(that’s your sin.)

getō hums, muffled by your lips. he sounds pleased. he sounds like he’s been waiting for this for decades, and you suppose that he has. he murmurs praise that you do nothing but swallow down.

everything feels too perfect, too normal, and it’s too much, too much, too much. your lips pressed together, your chests pressed together, your noses meeting in a tender touch. you choke down the noise that threatens to push past your lips, and he kisses you like a starved man. like he’s trying to drown in you.

he only pulls away once he realizes that you’re crying, and by then it’s too late. his widening eyes don’t matter, your cold hands don’t matter, the tremble of your erratic heartbeat has never mattered less. he looks at you with remorse, and it doesn’t matter. 

(he’s yours, again, and you’re his.

you can’t stop crying.)

”… i’m sorry.”

in the background, you hear the sound of gentle whispers, an ending scene. the men are talking to each other, speaking softly, and your eyes burn with tears. geto catches one of them with his forefinger, and leans forward to plant a kiss against your nose. chaste, this time. still mumbling apologies.

it doesn’t matter, because a tiny sob still breaks past your throat — and you know the sound must hurt him. 

you hate that. you hate that you always hurt him, hate that you care, hate that you feel nothing but guilt when he’s around. you hate the movie still playing to your left, hate that he doesn’t hate it, hate that he loves you. hate that you love him, that you probably always will.

you hate that you blink up at him with glassy eyes, swallow down a shaky breath, and kiss him again. hate that it’s still the only thing you know how to do well.

he doesn’t pull away, only biting back a noise of surprise — but he makes sure to kiss you gently, as if you’re made of porcelain, slow and tender, cradling you closer still. he wipes away your tears with his thumb, one after another, and you hate yourself because everything feels so deliriously right.

somewhere in the back of your mind, you know that what you’re playing is a losing game. 

(he’s yours, and you’re his. it’s already set in stone.) 

#geto suguru x reader #suguru geto x reader #geto x reader #geto x you #geto x y/n #geto angst #suguru geto x you #geto suguru x you #jjk x reader #jjk x you #jjk x y/n #jjk x gender neutral reader #jjk angst #jujutsu kaisen x reader #suguru x reader #suguru x you #suguru x y/n #getou suguru x reader #getou suguru x you #getou suguru x y/n

[askzoosmellpooplord]

ok

go

... are you recording me?

yes

wow, awesome. this is superb.

y'know, you are such a pain in the ass sometimes i have to wonder, do you get off on it?

yes john

every time you get your panties in a twist i get this sensual rush through my body akin to the feeling of a big fat greasy fistful of bacon on a sunday morning

oh, cool.

that explains so much.

you're the worst friend ever.

aghh! you're going through a lot of unnecessary trouble trying to get me to start this stupid blog with you!

i mean, come on. everyone knows tumblr is for girls and people who got dropped by their psychiatrists and have no where else to complain.

you're exposing me to nutheads, dave.

and i know that's your forte but, i have this thing...you may be unfamiliar with it,

it's called having a life.

i don't have time to fit responding to internet weirdos into my schedule like you.

ok your royal highness

im sure you have a lot on your plate

what are you too busy sucking your thumb and shitting your diaper

what responsibilities could you possibly have all you do is sit in your room and watch crappy decade old movies all day

while your dad serves you a b list celebrity weddings worth of cake firsthand like a mother to her newborn son

your dad might as well have wished you were a girl with all that pampering you receive i bet you feel like a real princess

but hey man im not here to speak for him

why dont you ask yourself if you think youre so manly egbert

are you still recording?

yeah

hey guys! you're gonna get a real kick out of this one. go to https://dstrider.blogspot.com and hit ctrl f...

shut up

then you're going to want to type in the word...

shut up

THE WORD...

shut up

TURNTECHGODHEAD S-

s-

AID-!

looks like youre cutting out john

F- OR-

yeah dude your wifi is cooked

CK-

AH-

AHHHHHHHHHHHHH-

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!

ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHh fine ill just do this with lalonde

...

you roped rose into this too?

yeah

well, FINE! god, i guess if you insist!

ask box open for reception.

#homestuck #john egbert #homestuck ask blog #dave strider #too i guess

[beatrixstonehill2]

"Look at how big my titties are getting.... so full of milk! I look like a regular breeding cow already. It's so wonderful seeing my pretty little boobs start to get so heavy and swollen. Pregnancy is amazingly fun! I was a bit worried when my doctor said he signed me up for this! I mean, I've been living as a girl for a little while now and my transition has been going super well. But as soon as I turned 18 he was like, "Emily, now that you're old enough I think you're ready to start carrying a few kids, don't you?" I was like "Uhhhh, sure?" And he had me sign all these wavers, despite me not 100% knowing what I was getting myself into!

Soooo, apparently I was entered into a trial to be continually impregnated on high doses of fertility drugs for a decade. My paperwork says that 'the patient's uterus is expected to produce a minimum of 100 kids in that time.' The minimum!? Ummmm...... wow. But I'm not too surprised. I'm only like six months along and I look huge. It's definitely making playing field hockey a lot more challenging, but as expected we are college girls now so over half of us are pregnant anyway. So I guess it's not a huge deal but when the other girls check me or tackle me I feel like my belly's gonna pop like a balloon, which would be fun to see, I suppose.... Hasn't happened yet though!

So, not only was I forcibly entered into this clinical breeding trial or whatever but I realized the procedure was pretty quick.... I asked my surgeon and I'm not going on Rocket, so I'm not giving birth urethrally, and they didn't hook my birth canal up anywhere, so I won't be giving birth anally like a lot of trans girls..... I decided to ask if they intended to do a new surgery and they said no. So I asked how am I giving birth? The people running the trial said a small device is hooked to my womb, when my babies are ready it'll emit a signal, telling them where I am.....

Guys, get this: I won't know when it's going off. They said they only perform the retrieval between 9-5 Mon-Fri. So I'll be at school or out, going about my day and they'll come by. Allegedly they'll have me take off my clothes wherever I am, they'll smear my belly with numbing cream, and..... perform a C-Section no matter where I am. College? A crowded mall? A movie theater? I'll have no choice, they'll just rip off my clothes, prep me, and open my belly like it's a casual, minor test they're performing, like drawing blood or weighing me or something. Then they'll take my babies to the usual government-owned civilian living centers all these babies are raised at by all these government-appointed breeders who manage to make it to thirty. I might end up being a full-time mom like that one day, if I'm lucky and I don't pop! So.... I have public C-Sections to look forward to! Wonder if it happens even if some random guy is fucking me as I try to go about my day? Wouldn't surprise me one bit.....

Guess I'm still glad I transitioned, even if being forced to have a uterus and pump out babies like a factory was not how I envisioned my twenties. No big deal, I guess. I love having this huge belly, and guys and girls go crazy about it! They go even crazier when they see I have a nice, thick cock between my legs, too.... I feel like it's getting even bigger lately, maybe it's just getting swollen because I jerk off so often? And every other person I run into gives it a few healthy tugs when they reach up my skirt or dresses..... Mmmmm, speaking of which I think I'm gonna put on a cute tiny dress and go out clubbing tonight. My poor pregnant body is just begging to be pounded by twenty or thirty cocks..... I'm sure my professors will understand if I'm late to class tomorrow!"

#pregnant trans #trans girl pregnant #pregnant mtf #pregnant kink #breeding k1nk

[naryrising]

So you like imaginary fandoms...

With the recent success of Goncharov, I thought I'd make a post to mention some of the previous times this has happened in fandom, and a brief explanation and some links on how you can find works for them. I don't claim that this is a comprehensive list, it's just ones that came to me off the top of my head based on several decades of fandom involvement.

Ghost Soup Infidel Blue. Originates from the annual Yuletide exchange, specifically a post by liviapenn in 2007 that used it as a default fandom to help explain how to write 'dear author' letters. The relevant quote (meant to illustrate the kind of letter that would be too specific) was "'Bad: "I would like a Ghost Soup story where Luke makes out with Angela's clone and Angela gets mad and seduces Moira just to make Luke mad, and then Ryan and Luke duel to the death with their lightsabers and it ends up in an Angela/Angela's clone/Moira threesome. And Ryan feels really bad and flies off to Mars forever."" Consensus is that it is a sprawling space opera anime series, something like Gundam or Macross, with many sub-parts and spin-offs. Part of the dynamic of Ghost Soup 'fandom' is people arguing in the notes and comments about the continuity or quality of these various spinoffs (e.g. Purple is reputed to be bad, but some people will staunchly defend it just to be contrary.) Deliberate wank and badfic is part of the humour. You can read the Fanlore post about Ghost Soup here and find works for it and its related fandoms here

Winterblumensaat. Again, this comes out of Yuletide, specifically a nomination in 2021 for what was strongly suspected to be a nonexistent German book. The nominator's sister found it in a flea market! It very definitely was real! They couldn't provide any evidence or a photo of the book, but they promise it was definitely a real book! Despite being rejected from Yuletide nominations as not having any basis in reality, it has nevertheless had some fics written for it. The AO3 tag is merged into Original Work, so you can find them by searching in Original Work for Winterblumensaat (results here). It seems to be a moody, dark mid-century European novel, with characters named Florientina, Mailia, Schnail, and Markus. A related non-existent fandom with the same origin story is Nur die Sonne - Maria Moßer, but this has only attracted one work so far (a crossover with Winterblumensaat).

Cordelia (Movie Poster). In 2020 a movie poster for the movie Cordelia came out that inspired fandom in ways probably not intended by the movie's creators. While the actual movie Cordelia is a contemporary horror/thriller, the poster gave people the impression that it might be about Victorian femdom with pegging. Needless to say, they were disappointed by whatever was in the actual film, and made up fic based on what they thought the poster was about instead. Currently ALL works in the Cordelia (2020) tag on AO3 are actually about the poster and not the movie.

Invisible Ficathon. In 2014 an exchange called Invisible Ficathon ran, which was based around "stories that never were". Nominated "canons" had to be nonexistent fictional works referenced in another work. Examples given included "The Casebook of Sherlock Holmes - Joan Watson" (from Elementary), "The Itchy and Scratchy Show" (from The Simpsons), the books in Lucien's library in The Sandman that only exist in dreams, and so on. The collections on AO3 contain 71 works for nonexistent fandoms. Alas that this exchange only ran once, because it was a fun concept. I think with the renewed interest in Goncharov, it would be ripe for revival.

#goncharov #fictional fandoms #ghost soup infidel blue #winterblumensaat #cordelia movie poster #invisible ficathon

[savagegood]

@shinjiroatae1126: To all my fans, today was a very special day for me. For years, I struggled to accept a part of myself...But now, after all I have been through, I finally have the courage to open up to you about something. I am a gay man. It has taken me a long time to be able to say I am gay. I could not even say it to myself. However, I’ve come to realize it is better, both for me, and for the people I care about, including my fans, to live life authentically than to live a life never accepting who I truly am. I hope people who are struggling with the same feeling will find courage and know they are not alone.

ps, he’s released a new song, “into the light”, which you can watch here. part of the proceeds from the single will go to lgbtq+ organisations

@shinjiroatae1126: July 26th, 2023 was a big day for me. I finally gathered the courage to come out to the public as a gay man. I am grateful to have received media coverage from multiple platforms both within Japan and overseas.

To be honest, I was extremely anxious before all of this happened. However, I've been pleasantly surprised to discover the overwhelming amount of positive feedback pouring in from both my fans and people who have come across the news about me. It's heartwarming to see that my story is being acknowledged from all around the world, and this brings me immense joy. Although they may be baby steps, I sense that this world is gradually moving into the light. Yesterday, I made an announcement about resuming my career as an artist. I also released a new song titled “Into The Light”. The music video for the song is also on YouTube now. This song is packed with the emotions and thoughts leading up to this point, including my decision to come out. Living with anxieties and struggles is not limited to just LGBTQ+ individuals. I hope this song can be a source of encouragement for anyone carrying such emotions. I've aimed for it to become a song that can uplift those with similar feelings. A portion of the proceeds will be donated to Pride House Tokyo, Japan’s first permanent LGBTQ+ center, and ReBit, an organization providing resources and support for LGBTQ+ youth. I hope this song will touch many hearts.🙏🌈

At first, there was total silence. Then, there were shrieks, wild applause, weeping and shouts of “I love you!”

Fans of Shinjiro Atae, a J-pop idol who has been on a nearly two-year performance hiatus, had come to hear him talk about “the challenge of my life.” Standing onstage in a dark auditorium in front of 2,000 fans in central Tokyo on Wednesday night, he revealed something he has kept hidden for most of his life: He is gay.

“I respect you and believe you deserve to hear this directly from me,” he said, reading from a letter he had prepared. “For years, I struggled to accept a part of myself. But now, after all I have been through, I finally have the courage to open up to you about something. I am a gay man.”

Such an announcement is extremely unusual in conservative Japan, the only G7 country that has not legalized same-sex unions. Earlier this summer, the Japanese Parliament passed an L.G.B.T.Q rights bill but it had been watered down by the political right, stating that there “should be no unfair discrimination” against gay and transgender people.

In making a public declaration, the 34-year-old Mr. Atae, who spent two decades performing with AAA, a hit Japanese pop group, before embarking on a solo career, said he wanted his fans to know his true self. He also hopes to comfort those who might be grappling with anxieties about their sexuality.

“I don’t want people to struggle like me,” he said.

AAA debuted in 2005, with Mr. Atae, the youngest member, forgoing high school. He performed mostly as a dancer, and began appearing in TV series and movies.

His sexuality perplexed him. “It was a time when on TV, comedians would say two men kissing was gross,” he said. If anyone asked if he had a girlfriend, he just said he was too busy working.

Activists said they could not recall an instance when a Japanese pop star of his stature had publicly declared they were gay, because of anxieties about losing fans or sponsors.

“I think he has decided to come out in order to change Japan,” said Gon Matsunaka, a director and adviser to Pride House Tokyo, a support center for the gay and transgender community.

The decision to open up about his sexuality, he said, evolved over seven years of living in Los Angeles, where he saw how freely gay couples could show affection in public and built an extensive support network.

“Everyone was so open,” he said. “People would talk about their vulnerabilities. In Japan, people think it’s best not to talk about those things.”

Mr. Atae’s decision, he said, was not political.  All he wanted, he said, was to “normalize” being gay. Coming out, he knew, would likely draw criticism. “Whatever you do, there will be haters,” he said. “I can only focus on the people I might be helping.”

#this made my week :') #please give his new song a listen and leave him a lovely comment on instagram #shinjiro atae #aaa #japan #jpop #queer #lgbt #lgbtq #gay #long post

[magicfootballstuff]

Best Mate (georgia stanway x reader) 

Summary: Georgia is your entire world, the love of your life. But you’re probably never going to be more than just her best mate.

(aka 12k words of angst and pining)

———

You’ve known Georgia since you were eleven.

Thirteen years in which you’ve been the closest of friends, through ups and downs. Thirteen years of playing for the same football teams, of carpooling to training and movie nights after matches and sharing rooms on away trips. Thirteen years, basically, in which you could have fallen in love with each other.

There’s a strange kind of irony, a punishment from the fates, that the first time you start to think of Georgia as anything more than your best mate is about three weeks before she moves to Germany.

You blame the Euros, naturally. That’s where you start to catch feelings. A long pre-Euro preparation camp, followed by weeks of heightened emotions as the Lionesses progress further and further into the tournament. It’s been a bonding experience for you all and you’re far closer to all the girls than you were a couple of months ago, but there’s been a shift in your relationship with Georgia specifically that you can’t quite explain.

It’s after the game against Spain that you first notice it. After coming back from behind, Georgia is the one who scores the winner to send you through to the semi finals and it might be the best goal you’ve ever had the pleasure of seeing live. It’s not just the goal - you’ve seen Georgia score screamers from outside the box on countless other occasions in your thirteen years of friendship - but the significance too.

It’s after this game that you actually start to believe you can win the whole tournament, that nothing is going to stop you until you get your hands on the silverware. And that belief starts with Georgia’s goal.

“I fucking love you, G!” you tell her in the dressing room after the game, still riding the euphoric high of beating Spain in such dramatic fashion.

Georgia grins at you.

“I love you too.”

Her words make you feel warm inside but you put it down to being happy about the result.

It’s not until later, lying alone in your bed back at the team hotel, unable to sleep because you’re still so pumped up from one hundred and twenty minutes of difficult football, that you hear Georgia’s words over and over again in your head and realise what it means.

I love you too.

Shit. You’re falling in love with Georgia Stanway. Your best mate.

What a cliche.

But you’ve spent thirteen years of friendship not being in love with Georgia. It should be pretty easy to brush any hypothetical feelings aside. Right?

———

It’s not. 

Actually, it turns out that acknowledging you have feelings for Georgia only makes them grow more.

You sit next to her on the coach on the way back from Bramall Lane after beating Sweden in the semi final. Around you, the whole team is jubilant, but all you can think about is how you can smell Georgia’s shampoo and feel the warmth of her thigh pressing into yours.

Shit, you’ve got it bad.

“We’re going to Wembley,” Georgia says. “Can you believe it?”

“Stuff of dreams, right?” you grin at her.

“And I get to do it with my best mate.”

The words ‘best mate’, while true, are like a knife to your heart and you’re reminded that you’ll only ever be Georgia’s best mate.

You try to shake yourself out of it. You’ve been Georgia’s friend for over a decade, you can keep being her friend, no problems at all. Because surely it’s better to be her friend than to risk messing things up and being nothing at all?

Except that she moves to Munich in two weeks. What if she loves it there, what if she prefers her new teammates to the old ones, what if she has such a good time there that she completely forgets about her old life in Manchester?

And you hate yourself for even thinking that. Georgia deserves to be happy. You know how excited she is to move abroad, how much she’s looking forward to the challenge of playing for a new team in a new league after spending so long at Manchester City. As her friend, you want the best for her, you want her to thrive in the new environment and be happy with her Bayern teammates as she settles into life in Munich.

You just hope that she doesn’t forget about you in the process.

“You’re quiet,” Georgia says, drawing you out of your own thoughts. “Wanna talk about it?”

You shrug, then give a half truth.

“Just trying to soak this moment in,” you tell her. “This feels special. No matter what happens in the final, I don’t want to forget the feeling of being part of this team.”

“I’m never gonna forget this,” Georgia says, sinking into your side and when she lets her head fall against your shoulder, you allow yourself just the briefest moment to imagine that she’s talking about this exact moment on the bus with you, not the summer of incredible football. “Would be pretty cool to win the damn thing though, right? One more trophy together before I leave.”

You never want this summer to end. Because as soon as it ends, Georgia leaves and you lose your best mate. You lose the person you’re in love with.

You have a feeling that this moment is going to be one that you come back to over and over again when you’re missing her, and you try even harder to commit every detail to memory.

———

Inevitably, the tournament does come to an end, but in the blur of playing an intense final at Wembley, winning said final, and the celebrations that continue long into the night, you almost forget that this is one of your last nights together with Georgia before she leaves for Germany.

Eventually, you and Georgia find your way back to each other, as you always seem to do. You have no idea what time it is, no idea how many drinks you’ve had, but it’s the early hours of the morning and most friends and family have either left or gone to bed, leaving just the players to continue their celebrations. You can still hear distant music and the occasional shout from downstairs, but you end up on the carpeted floor of a deserted hallway, side by side with Georgia. You’re sitting so close that the thighs of your outstretched legs are touching, and Georgia leans her head on your shoulder. You're holding hands too, though you don’t know who initiates that. Maybe it just happened because it felt right.

“I’m so proud of you, G,” you tell her, tracing your thumb across the back of her hand. “For everything - for today, for everything you did at City, for choosing to take a leap in your career.”

Georgia has hardly spoken about her impending transfer since it was announced, not while she’s been so focused on the tournament, and other than a couple of jokes this evening hoping that her new teammates will still welcome her after beating so many of them today, it’s been easy to pretend that she’s not about to move to another country. But now that the tournament is over, you have to face up to the reality sooner or later that your best friend is about to spread her wings and embark on a new journey that doesn’t involve you.

“Stop it, you’re gonna make me cry. And we’re supposed to be happy right now. We’re supposed to be celebrating.”

“I’m gonna miss you though. Bayern are lucky to have you.”

Your hand is still in Georgia’s, fingers linked together, though you don’t remember how it happened, whether it was you who took her hand or her who took yours. But her skin is so soft, especially on the back of her hand where you trace mindless patterns with your thumb.

“You’re still gonna be my favourite though, you know that right?” Georgia promises you.

“I am?” you ask, turning your head to look at her.

“Yeah, you’re my day one. Even when we live in different countries. I’m still gonna be talking to you every day.”

“I’m gonna be thinking about you every day,” you confess. “Every second, even.”

It’s only after the words slip from your lips that you realise you might have said too much, that you’re getting dangerously close to telling Georgia about the feelings that you promised yourself that you were going to keep secret.

“Yeah?” Georgia asks, her voice barely more audible than a whisper.

And just like the hand-holding, you have no idea who initiates what comes next, you’re just aware that your lips are on Georgia’s, or maybe hers are on yours, but who the fuck cares who leant in first when it feels this damn good.

Her lips are as soft as her hands, softer maybe, and she tastes like a combination of the free beer you’ve been drinking all night and something else, maybe optimism, if such a thing has a taste. But you’re very quickly unable to process much at all, senses overwhelmed, because Georgia is kissing you. Georgia, who you’ve been friends with since you were awkward teenagers with spotty faces and bruised knees, whose kisses are like a drug that you’re surely going to get addicted to because how could you not want to do this forever?

Just when you’re considering the logistics of pulling Georgia into your lap to continue this further, she pulls away from you, giggling as she wipes at her lips with captivating fingers.

“Shit, I’ve had way too much to drink,” Georgia says. “I shouldn’t have done that.”

She leans her head back against the wall behind you both, her eyes closed, and you try to keep yourself together, though your heart feels like a fragile sheet of glass that could shatter under even the tiniest amount of pressure.

“It’s fine,” you tell her, even though your lips still burn from her kiss. Even though you’re probably never going to be the same again. “We’re both drunk.”

———

The next morning, Georgia is wearing the most ridiculous pair of sunglasses you’ve ever seen, so huge that they mask half her entire face, but maybe that’s the intention because when she sits down next to you on the coach that’s supposed to take you to Trafalgar Square, she lets out a groan and says, “I don’t think I’ve ever been this hungover in my life.”

“I think I’m still drunk,” you admit. Your head isn’t pounding, it’s just swimming, the alcohol not yet worn off out of your system. It’ll hit you at some point today, you’re sure of that, and it’ll be torture. 

“Did I kiss you last night?” Georgia asks, pushing the sunglasses up onto the top of her head and frowning quizzically at you.

The way she asks, it’s almost like she doesn’t quite remember, and that stings a little. It’s pretty much the only thing you’ve thought about in the five drunken hours since it happened.

“Oh,” you say, trying to sound just as casual about it as Georgia does. “Yeah. I’d forgotten about that until you mentioned it.”

The lie is easy because there’s no way that you’re going to admit how affected you are by something as simple as the memory of her lips on yours.

“Yeah, sorry about that,” Georgia grimaces. “Emotional day, and all that. We’re still cool, aren’t we?”

“Course we are,” you answer, and it’s mostly the truth - Georgia could commit a serious crime and you’d still think she was the best person on earth.

She’s got no reason to know the depth of your feelings for her, no reason to understand that kissing you might have done more damage than if you’d never got the chance to feel Georgia’s lips against yours at all.

———

You decide to confide in Keira.

“I think I’m in love with Georgia,” you confess, during pre-season, still ignoring the rumours that Keira might be moving abroad soon too.

“Our Georgia?” she asks for clarification, as if the idea is so ridiculous that she can’t quite believe what you’re telling her. “Georgia Stanway?”

You nod, and Keira presses on with her next question.

“Have you told her?” she asks.

“Why would I do that?” you scoff.

“Why wouldn’t you? What have you got to lose?”

“Only thirteen years of friendship,” you point out.

“Obviously it’s your decision, but worst case scenario she doesn’t feel the same and things carry on as normal.”

“Worst case scenario I lose one of the longest friendships I’ve got,” you interject to correct Keira.

“G’s not like that though,” Keira dismisses your worries with a wave of her hand. “She wouldn’t just cast you aside because of something like this. Anyway, she’s in a different country now. By the time you next see each other she’ll have forgotten all about it and things will be back to normal.”

“I’ll think about it.”

———

You do think about it. In fact, it’s pretty much all you think about.

One international break passes, then another, without you saying anything to Georgia about how you feel. You’re practically glued to her side for the whole of both camps, or maybe she’s glued to yours, because you somehow seem to end up alongside her even when you’re making an effort to not seem like you’re obsessed with her.

That plan clearly isn’t working, because on the penultimate night of the second international break, Keira brings it up when the two of you are alone.

“You’re not being subtle,” she tells you.

“Huh?”

“About G,” she explains. “If you think it’s not obvious you have feelings for her, you’re wrong.”

“Yeah but I’ve told you,” you point out, in a half-hearted attempt to justify the way you’ve probably been staring at Georgia with huge puppy dog eyes for the last week. “You know what you’re looking for.”

“Have you told Leah?” Keira asks, arching an eyebrow. “Because she asked me yesterday if you and Georgia were closer than usual so she’s noticed something too.”

“What did you say?” you demand, your eyes widening in panic.

“Don’t worry, I told her you used to be inseparable at City and that you probably just missed seeing each other every day. I think she bought it.”

You relax, or at least you try to, because if Keira says it’s obvious and even Leah has noticed your heart-eyes, then it can’t be long before Georgia herself realises, and then she’ll surely want to distance herself from you.

“Just talk to her,” Keira pleads with you. “You’re one of my best mates too and I hate seeing you like this. Even if nothing happens between you and Georgia, at least you’ll get closure by talking to her.”

You know that Keira is right. You’ve known Georgia for so long that you’d like to hope she won’t make things weird if you tell her how you feel and she doesn’t feel the same. You need an answer, so you can get over your feelings if nothing is ever going to happen.

And you fully intend to talk to her on the last night of camp. But you have a game tomorrow so you decide not to say anything for the risk of somehow upsetting the equilibrium of the team, and then before you know it Georgia is on a plane back to Munich while you return to Manchester and still nothing has been said.

Another time.

In the meantime, your heart continues to ache for something you’ll probably never get to have.

———

You’ll tell her when she comes home for Christmas, that’s what you decide. No England camp, no training or matches to use as an excuse for not telling her how you feel. Just two old friends catching up on what’s been going on in their lives - and so what if one of the most important thing that’s going on in yours is the depth of the feelings you currently have for your best friend?

You’re nervous for two full days before you see Georgia, your heart pounding each time you think of the enormity of the conversation you need to have with her. Telling her how you feel could change everything for better or for worse and even right up to the moment when you’re on your way to meet her, you’re still not sure if you have the courage to actually tell her.

You meet Georgia for lunch at Jill’s coffee shop, because Georgia’s only in Manchester for a few days before she jets off to Barcelona to see Keira and she wants to see as many people as she can while she’s back, but once you’ve both shared a bit of playful banter with Jill when she brings you your food and drinks, the two of you are left alone in a quiet corner of the shop.

“I’ve been dying to tell you something,” Georgia says, almost as soon as Jill leaves you alone. “I was gonna text you but I really wanted to tell you in person.”

She loves you too. That’s the first conclusion that your brain jumps to, because you can’t think of anything else she might have to tell you that’s important enough to be said face-to-face rather than over the phone.

She loves you too. She loves you t-

“I’m seeing someone,” Georgia announces.

And just like that, your heart shatters into a million tiny pieces.

She doesn’t love you.

“You are?” you ask, trying not to let the pain show on your face - this is supposed to be your best friend telling you that she’s found somebody, after all, and if you weren’t hopelessly in love with Georgia yourself, you’d surely be happy about this development in her life.

“Yeah, a guy back in Germany. His name’s Nico - he’s one of Syd’s mates so I met him through her. It’s still really new, like he’s not my boyfriend or anything, but we’ve been on a couple of dates and I think it’s going pretty well.”

“Cool,” you say, and then immediately kick yourself, because what kind of heartless idiot says cool when their best friend announces they’re dating someone, which is why you add, “I’m so happy for you.”

There’s a degree of truth to your words. Though on a selfish level you want Georgia to reciprocate your feelings and be happy with you, that’s not very likely to happen when you’re too much of a coward to tell her how you feel and obviously the most important thing is that Georgia is happy with whoever she chooses. You just hope that if it can’t be with you, that this Nico guy at least treats her well and gives her the happiness she deserves.

“Anyway, what’s going on with you?” Georgia asks, taking a sip of her hot chocolate. “Any big life updates?”

If there was ever a moment to tell Georgia that you’re in love with her, it would be now, when she’s inviting you to open up about what’s been going on in your life. But Georgia is clearly excited about this guy that she’s dating, or else she wouldn’t have waited until she saw you in person before making it the first thing she brought up, and what kind of friend would you be if you tried to ruin that for your own selfish reasons?

“Nothing much,” you answer with a shrug. “Nothing as exciting as your news. Anyway, tell me about Munich. Are the German lessons still kicking your arse?”

———

Keira calls you a few days later, when you know that Georgia is in Barcelona too, probably sharing the same news about her dating life with Keira that she told you the other day.

“You’ve seen G, then?” she asks, once you’ve caught up on your own lives.

“Yeah, we had lunch together a few days ago.”

“Did she tell you…?”

“About her new boyfriend?” you interject, completing Keira’s question. “Yeah.”

“Do you want to talk about it?” Keira asks.

You can practically hear the pity in her voice and it cuts you almost as much as Georgia’s news about her dating life.

“There’s nothing to talk about,” you try to dismiss it quickly, before you end up getting upset, or angry, or both. “She’s happy, that’s all that matters. I missed my chance.”

“Did you ever tell her?”

Keira doesn’t need to elaborate on exactly what she’s asking about and for that you’re grateful.

“No,” you answer. “But it’s too late now anyway.”

“I don’t think it is,” Keira counters. “It doesn’t sound very serious yet with this German guy.”

“Keira, if there was any chance she felt the same she’d have told me.”

“You mean like you’ve told her how you feel?” Keira asks.

Though you can’t actually see Keira’s face, you can picture it, one eyebrow arched at you and mouth twitching at the corners as she calls you out.

“It’s different,” you try to argue. “She wouldn’t be dating someone else if she had feelings for me.”

“Well if you aren’t ever going to tell her, maybe you should think about dating someone else. You know, a couple of the Barca girls are single. If you don’t mind the distance, I could put in a good word for you.”

There’s only one person you’d be willing to put in the effort required for a successful long distance relationship, and it’s Georgia. Besides, while Keira’s right that you’ll have to think about dating someone else eventually, it doesn’t feel fair to mess with somebody else’s feelings before you’ve at least tried to put your feelings for Georgia behind you.

“I’m good, thanks Ke,” you promise Keira.

“Well if you change your mind…”

“I’ll let you know as soon as I do.”

———

You don’t change your mind. Not about being willing for Keira to set you up with one of her club teammates, at least. You do, however, reconsider your decision not to tell Georgia about how you feel.

What can the harm be? If anything, the German boyfriend is a safety net because you have less optimism that Georgia feels the same, fully prepared for her to let you down. 

You phone Georgia when she’s back in Germany in January, entering the conversation with your heart already wrapped in bubble-wrap, in theory protected from being broken.

“Hey G, are you busy?”

“I’m never too busy to talk to you,” Georgia replies.

Your heart soars, giving you the courage to say, “Cool, well there’s actually something I wanted to talk to you about.”

“Go on, I’m listening.”

“I was gonna say something when you were back in England but then you … well, you had your news and I didn’t want to ruin that.”

You pause and take a deep breath, glad that you’re doing this over the phone so that Georgia can’t see the sheer physical anguish you’re going through to psych yourself up to tell her this.

“I love you.”

There’s a moment of silence on the other end of the phone, then Georgia speaks.

“Aw, you big softie,” she teases you. “Love you too.”

You close your eyes and pinch the bridge of your nose. Part of you wants to leave it there, the idea of having to correct Georgia’s misunderstanding somehow even worse than having to admit you love her in the first place, but you can hear Keira’s voice in your head telling you to grow a pair and tell Georgia how you really feel.

“No, I … I mean that I love you,” you clarify. “Not just as a friend. Like, I’m properly in love with you.”

“Oh,” Georgia says. There’s silence on the other end of the line as she processes what you’ve told her, before she eventually repeats, “Oh. Shit, okay.”

It’s not exactly the reaction you were hoping for and though you’d prepared yourself for probable rejection, you couldn’t actually have prepared for the punch in the gut that is the pure surprise from Georgia, as if the idea of there being anything more than friendship between the two of you is so far-removed that she’s never once even considered the possibility.

“Forget I said anything,” you say quickly, eager to put this torturous ordeal behind you. “I’m just being stupid. It’s nothing I can’t get over.”

“No, wait!” Georgia blurts out. “It’s not stupid. It’s just … unexpected, I guess. You’ve surprised me, that’s all.”

“I’m sorry,” you mumble.

“No, don’t apologise! I’m glad you told me. The thing is, I do love you too. Just as a friend.”

And despite all the preparation you did beforehand to try to protect yourself from the pain of inevitable rejection, hearing Georgia confirm aloud what you already knew still causes your heart to splinter into tiny pieces. 

“Okay,” you say, trying to swallow the lump that’s formed in your throat. “That’s what I needed to hear. Now I can move on. And I understand if you don’t want anything to do with me-”

“Are you kidding?” Georgia interrupts you. “This doesn’t change anything. It takes courage to tell someone how you feel. I’m not gonna punish you for that. Anyway, you’ll always be super important to me. So unless you need a bit of space…?”

“No,” you’re quick to say. “I don’t need space.”

“Then you’re not getting rid of me anytime soon,” Georgia reassures you.

A single tear spills from your eye and you wipe it away quickly, even though Georgia can’t see you, because you’re worried that if you let it trickle the whole way down your cheek, it’ll be followed by a flood. The only thing that could make this more embarrassing that it already is would be if you burst into tears and Georgia heard you crying.

“Thanks, G.”

———

“I hate to admit it, but you were right,” you tell Keira, as you make your way out to the training pitch at St George’s Park on the first morning of the February international break, a few weeks on from telling Georgia how you feel - how you felt. “I just needed closure.”

“From Georgia?” Keira asks for clarification.

“Yeah. It turns out that finding out she doesn’t feel the same was a really quick way to shut down whatever stupid feelings I thought I had for her.”

“I think you’re being hard on yourself. It’s not stupid to catch feelings, especially for someone like G.”

“It was just emotion from the Euros,” you try to explain. “Then the distance. I was missing her. I got a bit carried away, that’s all. Anyway, she’s got her German guy now.”

“Not anymore,” Keira tells you. “That fizzled out a while ago.”

“It did?” you ask, your head jerking up in surprise when you hear the news. “She never told me that.”

“Yeah, well…” Keira trails off with a grimace, and you don’t need her to finish her sentence to understand what she’s saying.

“Right.”

You probably sacrificed your right to hear about Georgia’s personal life when you attempted to insert yourself into it by confessing your feelings for her. And if you’re completely honest, though you still talk to Georgia pretty often, there has been a slight shift in what you talk about, more superficial football chat and fewer deep conversations about all the other stuff going on in your lives.

Not for the first time since telling Georgia how you felt, you wonder if admitting your feelings was the wrong decision after all.

You hear footsteps behind you, the telltale sound of studs against concrete, and you turn to see Georgia, who inserts herself between you and Keira and drapes an arm around each of your shoulders.

“Hey guys, whatcha talking about?”

“The weather,” Keira is quick to save you the turmoil of having to come up with a lie yourself. “Thought it was cold in Barcelona at this time of year but I’d forgotten how much worse it is in England.”

“This?” Georgia scoffs, gesturing at the bleak grey sky above. “It’s tanning weather. I don’t know what you’re complaining about.”

“You’re mad,” Keira says, shaking her head as she eyes up Georgia’s bare arms.

“Not mad,” Georgia counters with a grin. “Just happy to be back in England with my best mates.”

You don’t know how it makes you feel, hearing Georgia refer to you as a “best mate” again. She’s clearly making an effort to make sure you know that nothing has changed, that your sudden confession of feelings a few weeks ago hasn’t made Georgia think any differently of you than she thinks of Keira. But it still stings a little, all those hours spent wondering what if and picturing a hypothetical parallel universe in which Georgia returns your affection coming to nothing.

In the back of your mind, it registers that a public friendzoning shouldn’t hurt if you were as over your feelings for Georgia as you claimed to Keira that you were, but you push that thought down for now.

———

You don’t actually speak to Georgia alone until later, hanging out in one of the communal recreation areas during the free time you get between a gym session and dinner.

“I meant what I said earlier,” Georgia says. “It’s good to be back together again. And we haven’t seen each other in person since…”

Georgia trails off, leaving you to fill in the rest yourself.

Deciding that the best way to get past the slight awkwardness is just to acknowledge exactly what happened and laugh it off, you say, “Since I told you I liked you?”

Georgia’s eyes widen, slightly surprised that you’re so blasé about the situation, but she passes it off quickly and says, “Yeah.”

“I’m sorry if I put you in a weird position,” you apologise. “I just needed to say something, even if you didn’t feel the same way, for peace of mind, you know? Just feelings that had been brewing under the surface since the emotion of the Euros…”

“Since the Euros?” Georgia interjects, surprised once again.

“Yeah, but I don’t feel that way anymore,” you continue, fully aware of the fact that your cheeks are starting to heat up with embarrassment. “I got closure and I moved on. I hope things can go back to normal between us.”

Georgia hesitates for a second, like she’s still trying to process everything, before her face splits open into a huge grin.

“Yeah, of course. Nothing’s changed at all.”

You try to remember what normal friends who haven’t admitted feelings for each other talk about, and your mind immediately wanders to the guy she told you about when she was last home. The guy that, if Keira is to be believed, is no longer in the picture.

“How’s it going with that guy you’re dating?” you ask, already knowing the answer but wanting to hear it from Georgia too.

“Nico? I’m not seeing him anymore. Like he was nice, but he was … I don’t know, he was just nice. There was no real spark, or nothing.”

“Oh, I’m sorry to hear that.”

It’s partially true. If you can’t have Georgia yourself, you want her to be happy with somebody, though you’d be lying if you said you hadn’t done some social media stalking after she told you about him and he didn’t seem like anybody particularly remarkable. In a way, it’s a relief to hear that confirmed by Georgia herself.

“Nah, it’s fine,” Georgia says, dismissing your words with a casual wave of her hand. “It wasn’t serious anyway. And I wanted to tell you it was over but I didn’t know how. I didn’t want you to think I was messing with your feelings, or anything.”

“I get it,” you assure Georgia. “But you don’t have to worry about that. There aren’t any feelings to mess with anymore. That’s all behind me.”

Georgia narrows her eyes just slightly, like she’s not quite sure she believes you, but it passes so quickly that you might have imagined it.

“Cool,” Georgia says. “Anyway, did you see that worldie I scored in training earlier?”

And so the conversation moves on, back to normal with your best friend.

———

It does go back to how it was before, for which you’re relieved. Your biggest worry about admitting your feelings for Georgia was that it would ruin your friendship if she didn’t reciprocate, so you’re glad that you’re still just as close as you were before Christmas.

The problem is that now you’re back to talking to Georgia all the time, whether that’s messaging each other, ganging up together on Leah in the group chat, or FaceTiming to have a general catch up about life, you’re starting to realise that maybe you’re not over your feelings for her after all.

Can you really be blamed? Georgia is like a human ray of sunshine, lighting up your world with her silly jokes and beautiful smile, even from another country.

Surely everybody who meets Georgia falls a little bit in love with her?

Still, Georgia has made it pretty clear that your relationship is never going to move beyond friends, and you’re content to have her in your life in whatever way she’ll allow you, even if you’re still harbouring feelings for her.

You don’t tell Keira either. She asks you about Georgia a couple of times, just casual questions in passing which you respond to with reassurances that you’re getting along like old friends again, that her rejection was enough to extinguish your feelings. If there’s one thing that’s more humiliating than admitting to your best friend that you’re in love with her only to be turned down, it’s having to deal with the constant pity of another friend concerned about a possible broken heart. So you tell Keira that everything is fine and she seems to believe you.

It is fine. You are fine.

(And if you tell yourself that enough times, one day it’ll eventually become true.)

———

You have a plan.

And it’s not a plan that you’re making because you’re in love with Georgia. It’s a plan for your best mate who lives abroad and you miss dearly.

So when Georgia’s Bayern Munich team draws Arsenal in the quarter final of the Champions League, you go straight to the airport from training on the day of the match and catch the next flight to Munich to watch her play.

As you sit next to Georgia’s mum in the stadium, who makes a comment about how nice it is that her daughter’s best friend has flown all the way from Manchester just to support her in one game, you try telling yourself that you’re not just here for Georgia, that you know Leah and Lotte and several of the other Arsenal girls and you’ve come to watch them too, but as the game progresses you’re only really watching one person. 

You’ve always known that Georgia is good - you’ve played alongside her for more than a decade at England age groups and then at City, watched her put in tackles that others wouldn’t dare to try and score goals from outside the box that would make anybody drool. But there’s a big difference between seeing Georgia play in training or when you’re on the same team as her, and actually watching her play. It’s an exciting match, a close match, with good performances from players on both sides, but you watch Georgia far more than any other players, your eyes tracking her even when she’s off the ball.

Bayern come away with the win, though only just, and you’re already trying to figure out whether you can make it down to London and back in a single night next week for the second leg that promises to be as exciting as the first. For the quality of football, you tell yourself, not just for another chance to see the best friend that you miss terribly.

You watch as Georgia greets the fans, smiling for pictures and signing shirts in the process, slowly making her way along the edge of the pitch until she reaches the area where you are. Her eyes search the crowd, no doubt looking for her mum, but she does a double take when she spots you and you carefully manoeuvre your way forward until you’re close enough to talk to her.

“What are you doing here?” Georgia asks, disbelief in her eyes.

“I’m here to see Leah,” you joke.

“Oh, I’ll just go and fetch her for you then, shall I?” Georgia grins at you. “Why didn’t you tell me you were coming?”

“Have you never heard of a surprise?”

Georgia just rolls her eyes.

“How long are you here for?” she asks.

“Just tonight,” you answer. “I managed to convince Gareth to let me have tomorrow off training so I fly back first thing. I wish I could stay longer, but we’ve got a league game at the weekend.”

“Are you coming next week?” Georgia asks. “To the second leg? At the Emirates?”

“Do you want me to come?”

Georgia nods enthusiastically and says, “Yeah, course I do.” She pauses, then adds, “Only if you want to, though. I know it’s a long way to travel.”

“I’ll be there,” you promise. A wicked smile spreads across your face as you add, “To see Leah again, of course.”

Georgia rolls her eyes and says, “Dickhead.”

“Be nice, Georgia,” Georgia’s mum interjects. “She’s come all this way to see you.”

“Relax, mum, it’s just banter,” Georgia protests. “She knows I love her really.”

Love. That word again. Because Georgia does love you, of that you’re certain, but not in the way you want her to.

But as you look down at your best friend over the barrier that separates the players from the fans, her brown eyes alight and a smile on her face as she stares back at you, you realise that you’ll take Georgia’s love, however much of it there is and in whatever form it comes in, just to see her smile like this.

———

The weather is terrible. Unrelenting rain turns the four hour drive from Manchester to London into a five and a half hour drive with limited visibility on the motorways. The prospect of spending an evening in this torrential downpour for at least the two hours of the match, possibly longer if the game goes to extra time and penalties, is brightened only with the knowledge that you get to see your best friend again just a week after you last saw her.

Unfortunately the game doesn’t go Bayern’s way. Despite bringing in a one goal lead from the first leg, that hard work is quickly undone by two Arsenal goals in quick succession in the first half. You’re largely neutral to the outcome of this game, except that you aren’t because you want to see Georgia succeed, and she seems to double her efforts when Bayern go behind, putting even more into every challenge, every pass, determined not to lose.

You’re kidding yourself if you think you’re a neutral fan in this game because when the final whistle goes and the Arsenal fans start celebrating a hard-fought victory, your heart aches for Georgia and what could’ve been. But Georgia is a ray of sunshine, even in defeat, and still makes time for all the fans.

When you finally get to see her, inside the stadium after she’s showered and changed out of her wet kit, you’re actually more disappointed than she is about the outcome of the game.

“That’s football, isn’t it?” Georgia says with a shrug, after you’ve exchanged a long hug and offered her your commiserations. “Thanks for coming down though. It’s good to see you again. I missed you.”

Her words make your heart flutter and you play it off the only way you know how - with humour.

“It’s only been a week, G,” you remind her, rolling your eyes.

“A week is a long time when we used to see each other every day,” she points out. 

“And whose fault is that?” you tease her.

“Yeah, yeah, whatever,” Georgia rolls her eyes at you. “What are you doing now?”

It’s already late and the drive back to Manchester will be a long one so as much as you want to hang around and cherish every moment with Georgia, you know you need to get on the road soon.

“Gotta drive back home soon,” you tell her.

“To Manchester?” Georgia asks her eyes wide. “Nah, no way I’m letting you drive back through the night, especially not in this weather.”

“But…”

“No buts,” Georgia interrupts you. “I’ll text you the address of our hotel and you can stay with me. Drive back in the morning.”

You’re supposed to have training in the morning and you don’t want to imagine the trouble you’ll get yourself into if you don’t show up. But this is Georgia, and is a bit of a telling off from the coaches not worth spending a bit of extra time with her? Besides, can you not just set an early alarm and drive back home straight to the training ground in the morning? You’re not needed until ten anyway…

“Fine,” you nod, trying to pretend that the decision was harder than it actually was, pretending that you wouldn’t jump off a cliff for Georgia with very little hesitation if she asked you nicely enough. 

———

Georgia meets you in the lobby of her hotel just over thirty minutes later, already dressed in pyjamas with a battered pair of sliders on her feet. She grins when she sees you and reaches straight for your hand, not even bothering with a proper greeting.

“Come on,” Georgia says, dragging you into the lift and pressing the button for the fifth floor. “Before anyone sees you.”

The lift doors rattle shut and it starts to rise. You turn to Georgia and ask, “Is this gonna get you in trouble?”

Georgia grins at you, then replies, “Only if we get caught.”

Your heart is pounding in your chest, so loud that Georgia must be able to hear it echoing around the confined elevator too, and you’re not sure if it’s racing from the thrill of trying not to get caught or because Georgia’s hand is still in yours, her warm palm pressed against yours and your fingers tangled together. 

Does Georgia even realise that she’s still holding your hand, or the effect that it’s having on you? Because it’s pretty much all you can think about as the lift ascends, your heart hammering away until the rush of blood in your ears is so strong that you might faint.

The lift can’t reach Georgia’s floor soon enough, but eventually it does arrive and the doors slide open with a soft ping, and then Georgia is dragging you along the carpeted hallway until she reaches the door to her room.

“Shhh,” Georgia hisses as she unlocks the door, ushering you inside as she finally lets go of your hand. “In you go.”

You enter Georgia’s hotel room and she closes the door behind the two of you. It’s a pretty standard room, a large double bed in the middle, a tv screen hanging from the wall beside a door that leads to the adjoining bathroom. Georgia’s suitcase is open on the floor, a few clothes strewn across the floor and the chair in the corner.

“Do you want a shower to warm up?” Georgia asks you. “I can lend you some spare clothes to sleep in.”

“Yeah, sounds nice,” you nod, shivering as you’re reminded that you’re still wearing your rain-soaked clothes from earlier.

Georgia kneels beside her suitcase and rummages around in it until she pulls out a spare pair of shorts with the Bayern logo on them and an oversized t-shirt, which she passes to you as she stands up again.

“Spare towel is on the rail in the bathroom,” she explains. “Pass us your wet clothes when you’ve taken them off and I’ll hang them up to dry.”

You smile your thanks and wander into the bathroom, turning on the hot water of the shower before stripping out of your wet clothes. Wrapping a towel around yourself for warmth and modesty, you open the door just wide enough to pass your clothes through to Georgia, who promises to hang them up by the radiator to dry overnight, before shutting yourself in the bathroom and stepping into the shower to warm up.

You spend longer than you probably need to in the shower but the warm water cascading over your head is more than welcome and it gives you time to think. To think about the fact that you’re here in Georgia’s hotel room, about to spend the night in her bed, wearing her spare clothes, when you should really be halfway up the motorway back to Manchester right now.

For some reason, your conscience warning you against this appears in the form of Keira’s voice.

“Are you sure this is a good idea?” Keira’s voice asks you in your head. “You’re still trying to get over her. Is this really going to help?”

“It’s fine,” you whisper aloud into the empty bathroom, your words masked by the sound of water hitting the tiles. “We’re just friends and that’s fine.”

It’s far from the first sleepover you’ve had with Georgia. You’ve known each other for well over a decade and spent your teenage years sleeping over at each other’s houses gossiping and giggling well into the night until a parent came in to hush you and urge you to get some sleep. You’ve shared rooms on countless camps before, during tournaments with England or on away trips with Manchester City. And since growing up and getting your own places, there have been movie nights that ended late where it was easier for one of you to stay over instead of driving back late.

In short, you’ve shared a bed with Georgia many times before.

You haven’t shared a bed since you realised you had feelings for her last summer, and definitely not since you admitted those feelings a couple of months ago.

But if Georgia’s comfortable with it, then you shouldn’t have a problem either.

You finally get out of the shower, when you’re completely warmed through and your fingertips are starting to shrivel from being under the water for so long. You dry off and change into the clothes borrowed from Georgia, then spend a bit of time drying your hair with a towel and brushing your teeth using the spare hotel-issued brush still in its plastic wrapper, before you eventually unlock the bathroom door and return to the bedroom.

Georgia is sitting upright in bed looking down at the screen of her phone, bathed in the yellow glow of the bedside lamp. She glances up when she hears the bathroom door open and smiles, whether at the sight of you in her clothes or some other reason, you’re not quite sure. 

“You still like to sleep furthest from the door, right?” she asks, shuffling across to leave plenty of room for you in the bed beside her.

“You gonna protect me from intruders?” you tease her, as you clamber into the empty side of the bed.

Georgia is a few inches shorter than you, but you’ve seen the way she tackles on a football pitch and you have no doubt that she’d do better in a fight than you.

“Course I will,” Georgia grins back at you. “Ready for bed? Can I turn the light off?”

You nod and settle yourself down, adjusting the pillow and pulling the covers up over your shoulders as you roll onto your side. Georgia flicks off the light, then there’s some shuffling on her side of the bed, before you both fall still.

With your eyes not yet adjusted to the darkness, you can’t actually see Georgia more than just a shadow on her side of the bed, but you’re pretty sure she’s lying on her side facing you. 

And that’s when it truly hits you. You’re sharing a bed with Georgia, close enough to touch her, close enough to be able to hear her breathing, but knowing that you can’t do anything about the ache in your chest.

You have no idea how you’re going to calm your mind or your heart enough to be able to fall asleep tonight.

You shiver - whether that’s because you’re still cold or for some other reason like Georgia’s proximity - but it’s enough that she notices.

“Shit, are you still cold?” Georgia whispers into the darkness. 

“No, it’s fine,” you say, but your body betrays you again with another shiver.

“Come here,” Georgia says, though it’s her, not you, that closes the gap between you, shuffling her body closer until she can wrap her arms around you and pull your body against hers. Your feet intertwine at the bottom of the bed, hers warmer than yours, though she makes no complaint. “Nothing warms you up like a little cuddle.”

It’s not just a little cuddle though. This is a cuddle with your best friend who you’re more than a little bit in love with, who is kind enough to let you stay here despite the fact she could get in trouble, who has lent you her clothes and let you use her shower and now offers her arms to keep you warm. Your best friend who can surely now feel as well as hear the pounding of your heart as you nestle your body against hers beneath the covers.

Your eyes have started adjusting to the darkness and now you can see how close her face is to yours, your foreheads separated by barely an inch, and she’s staring right back at you, her warm breath hitting your face with each exhale.

“G…”

You breathe her name into the space between your lips, ready to tell her that you can’t do this, ready to admit that you still have feelings for her and that you need to leave, drive back to Manchester even though it’s the middle of the night and you’ve got no dry clothes, because otherwise you might do something that you regret.

But you don’t get the chance to say anything, because suddenly Georgia’s warm lips are on yours, soft and unmoving and so incredibly tentative, but also so right.

She lingers for a few seconds, then pulls back, her chest rising and falling more deeply than before with each breath, as she asks, “Sorry, I … was that okay?”

“You shouldn’t kiss me if you don’t mean it,” you say, just about ready to combust into tears, such is the intensity of the feelings overwhelming your entire body for the other girl. 

You don’t know what to expect from Georgia, but it’s definitely not what she says next.

“And what if I do mean it?”

Her voice is quiet, her words cautious. You’re so used to Georgia being her usual loud and effervescent self that you barely recognise the tone of her voice, but she sounds almost vulnerable.

“I’m so far gone on you, G,” you admit. “I thought I could get over you but I can’t. I need you to know that you could shatter my heart and stamp on all the tiny pieces and I’d still want to be yours. And if there’s even the smallest part of you that doesn’t mean it, then we should forget that ever happened and…”

You don’t get to finish your sentence because Georgia’s mouth is on yours again, hotter and more insistent this time. You gasp as she kisses you and her mouth opens too, her hand coming up to cup your jaw as her tongue swipes past your lips. The sound you let out is involuntary and you would be embarrassed, if not for the fact that you can’t think of anything except Georgia - her lips on yours, her body wrapped around you, her hands burning your skin.

Eventually, breathing becomes a necessity and Georgia must agree because she pulls back, though only far enough to lean her forehead against yours as she says, “I think I’m in love with you.”

“You think?” you ask, needing Georgia to be absolutely certain before you let yourself hope.

“I’m pretty sure,” Georgia corrects herself. “I’m still figuring it out but I’ve been thinking about it ever since you told me you liked me, and then when you showed up in Munich last week to surprise me … nobody’s ever done something like that for me before. And I can’t imagine anyone else making me feel the way that you do. You’re so much more to me than just a best mate. You’re … you’re everything to me.”

“Do you really mean it?”

Georgia nods.

“Whatever I have to do to convince you I mean it…”

“Just hold me,” you tell her, pushing your body further into hers and nuzzling your face into the crook of her neck.

“Just hold you?” Georgia asks, her hand squeezing your hip, and though you can’t see her face, you can picture the smirk on her face anyway.

You lift your head and use the element of surprise to roll Georgia onto her back, trapping her against the mattress with one of your legs framed on each side of her hips.

“You’ve got other suggestions, have you?” you ask her, raising your eyebrows at her as you sweep your damp hair out of your face.

Her hands settle on your hip tentatively, like she knows what she wants but isn’t quite sure yet whether it’s okay.

“I’ve got some ideas,” Georgia admits, fighting off a mischievous smile.

“Yeah?”

You lean down, still hardly able to believe that this is Georgia telling you that she loves you, that she wants you in the same way that you want her, as you press your lips to hers again. You hope that you’ll never get tired of kissing her because each time feels more magical than the last, as you slowly get used to the way that her lips move, to the things that make her breath catch in her throat as she kisses you back, and you know that there’s a whole other side of your oldest friend that’s now open for you to get to know and explore.

It would be so easy to get carried away, especially when Georgia’s hands, already dangerously low on your hips, start to slide lower, but there will be plenty of time for that, you hope. You’ve waited long enough, thirteen long years, for this to happen. You can wait a little longer.

You reluctantly detach your lips from Georgia’s and settle back against her side, one of your legs slung over her hips and her hands coming up to wrap around your back as you lie half on top of her.

“Another time,” you tell her, as you let your eyes flicker shut, knowing that sleep will be easy to come by with Georgia’s arms around you.

“That’d better be a promise,” Georgia murmurs, pressing a kiss to your temple.

You don’t say anything, just laugh softly, and snuggle into her until sleep takes you both.

———

You wake in a different position, spooning Georgia from behind, but no less content than you were when you fell asleep. Georgia is still fast asleep, body rising and falling with each deep breath, and you manage to carefully extract your arms from around her so that you can reach for your phone on the bedside table to check the time.

You let out a soft groan when you see the time because you’re supposed to be at training in Manchester in less than two hours, and as perfect as last night was, finally getting an admission from Georgia that she feels the same, you now have to deal with the consequences of staying overnight in London instead of driving back home last night after the match.

You slip out of bed as quietly as you can, intending to go into the bathroom to call Gareth and give him some kind of made up excuse about why you’re not going to be at training. Something that doesn’t involve having to admit that you prioritised a girl over your career, even though Georgia is so much more than just a girl and last night will hopefully be the first of many that you get to experience falling asleep in her embrace, but you’re not so sure that your manager will understand or approve.

But before you can make it as far as the bathroom, you hear a sleepy voice from behind you.

“You’re not sneaking out on me, are you?”

You turn to the most adorable sight, a sleepy Georgia rubbing at her bleary eyes as she pushes herself up onto one elbow, her hair sticking up at an awkward angle on the side she slept on.

“No, of course not,” you promise her. You hold up your phone and explain, “I just need to make a call. I’ve got training today and obviously I’m not going to make it.”

“Come back to bed,” Georgia pleads with you.

“One sec,” you say, calling Gareth and lifting your phone to your ear as you sit down on the edge of the bed. 

When it rings through to voicemail, you’re a little relieved that you don’t actually have to talk to him in person, and you wait for the tone before leaving your message.

“Hi Gareth,” you say, deliberately rasping your voice as you try to sound as sick as you possibly can. “I’m really sorry but I don’t think I’m going to make it into training today. I’m not feeling well and I’ve already been sick once this morning. Sorry again. I’ll catch up with you soon when I’m feeling better. Bye.”

You hang up and toss your phone aside, ignoring the amused look on Georgia’s face as you get back under the covers.

“Pulling a sickie, eh?” she teases you.

“Shut up,” you grumble, though you still cuddle back into Georgia’s side, tangling your legs together beneath the covers once more.

From this close, you’re taken aback by just how pretty she is. Not that it’s the first time you’ve thought that, but seeing her like this, still slightly heavy-eyed from just waking up, looking back at you with adoration mirrored in her dark eyes, and being able to take it all in without having to worry about whether you get caught staring at her, is brand new. And with whatever limited time you have left before you inevitably have to get up and leave the blissful sanctuary of Georgia’s bed, you just want to kiss her, to feel her body against yours so that you have something tangible to remember this by when she has to go back to Munich.

“Can I kiss you?” you ask.

“You don’t have to ask.”

“I do,” you insist. “Because I can’t believe that last night actually happened. I’m still kinda waiting for you to tell me it’s just a prank.”

Georgia presses forward and her lips meet yours. It’s slower than the kisses you exchanged last night before bed, but you sigh happily into the kiss and bring your hand up to cup Georgia’s cheek. She lets out a little noise that you capture with your own mouth as your fingertips brush against a sensitive spot just below her ear and you make a mental note to revisit the spot later, perhaps with your lips and teeth instead, and vow to find every other spot that makes her whimper and melt into putty.

You make out for a while, a lazy exploration of each other’s mouths without any real destination. Having spent at least the last eight months dreaming of getting to spend quiet mornings in bed with Georgia, kissing until it’s hard to tell where you end and she begins, you’d be quite happy to keep doing this for the rest of eternity, but she eventually pulls back.

“I wish I didn’t have to go back to Germany,” Georgia says, echoing your own thoughts.

“But you love it there,” you remind her, trying to be the voice of reason, even though you wish you could both just exist in the cocoon of this hotel room for the rest of time.

“I love it here too.”

“Here being…?”

“With you,” Georgia clarifies, and your face cracks open into a big grin.

“Didn’t know you were so soppy, G,” you tease her. 

“Neither did I. I guess you bring it out in me.”

“Charmer,” you say, snuggling into her shoulder and sliding your hand under the hem of her t-shirt so that your fingertips can brush across the skin of her hip bone.

“We should really get up,” Georgia says, though she makes no move to do so.

“Five more minutes?” you ask, nuzzling your face into Georgia’s neck and pressing your lips to her pulse point.

“Go on then. Five more minutes.”

———

It’s another twenty minutes before you eventually drag yourselves out of bed, which means you have to rush to get ready and any chance you might have had to slip out of the hotel before any of Georgia’s teammates see you is ruined when you hear a knock on the door.

You’ve redressed in last night’s clothes, now mostly dry, and grab the last of your things as Georgia opens the door, revealing three of her teammates standing out in the hallway.

“Breakfast?” they ask her, before three pairs of eyes look past Georgia and fall on you, slipping your feet into your trainers.

“I should go,” you say, checking your coat pocket for your car keys and wandering over to where Georgia stands at the door once you’re satisfied you’ve got everything. “Text me when your flight lands.”

“I’ll text you before then,” Georgia says, her hand coming up to rest on your waist as she tilts her head up to press a sweet kiss to your lips. It’s far more chaste than the ones you shared last night and this morning but it’s still enough to draw some sniggers out of her teammates.

“Bye,” you whisper against her lips as you pull away.

“Love you,” she says.

“Love you too.”

As you leave the room and walk down the hall, you can hear Georgia’s teammates starting to tease her loudly behind you, and you enter the lift fighting off a smile that has everything to do with the development of your relationship in the last ten hours.

———

Luckily you don’t have to wait long to see Georgia again because just a few days after the Champions League match, she returns to England for another Lionesses camp as you prepare for the Finalissima against Brazil.

Naturally, you smuggle Georgia into your room almost as soon as she arrives on camp and spend the night trying really hard to keep your hands to yourself, because you’ve waited so long for Georgia to be yours that you’re determined to wait a little longer so that your first time together isn’t at St George’s Park while your teammates are trying to sleep in the rooms on either side of yours. But you settle for kissing her heatedly well into the night and waking up with her head resting on your chest and one of her arms draped around your waist.

You’re in such a good mood when you go down to breakfast on the first morning of camp, that you completely forget that nobody else knows about the new development in your relationship with Georgia. Specifically, you forget that Keira, who knows pretty much every other up and down of the last few months, doesn’t yet know that Georgia reciprocates your feelings.

You sit at your usual table for breakfast, Keira opposite you and Georgia setting her tray down next to yours.

“I’m just gonna get some juice,” Georgia says. “Do you want some?”

“No thanks,” you reply, taking a sip from your mug of coffee.

You watch as Georgia wanders over to the jugs of juice, your gaze following the swish of her ponytail before dropping to appreciate her legs and the shape of her butt in her training shorts. It’s only when Keira kicks you under the table, hard enough to surely leave a bruise on your shin, that you snap out of your trance.

“What?” 

“You’re still in love with her, aren’t you?” Keira hisses across the table.

You pause for a second, glancing between Keira and Georgia, who is on her way back to the table with a glass of orange juice, and then you laugh. You can’t help the way that it spills from your throat because Keira is looking at you like being in love with Georgia is the worst thing in the world, and while it might have been painful a week ago, you don’t know how to begin to explain that in the space of just a few days it’s become the best thing that’s ever happened to you.

“What did I miss?” Georgia asks, as she returns to the table and sits down beside you. “What’s so funny?”

“Keira thinks I’m in love with you,” you explain.

Keira’s eyes widen, and now that you’ve got over the initial surprise of her question, you start to wonder if you can have a bit of fun before actually telling her the truth.

Georgia is clearly thinking the same, because she nudges your thigh with hers and says, “Aw, you love me? That’s lame.”

Keira looks even more panicked - understandable given that she’d probably expect Georgia to be a little more considerate towards your feelings if she didn’t reciprocate.

“Can we talk after breakfast?” Keira asks. “Because I’m worried about you. I thought you’d…” Keira’s eyes flit across to Georgia, then back to you, giving you a deliberate look as she says, “… you know.”

“You thought she’d moved on?” Georgia fills in the gap. She puts down her fork, then reaches for your hand, lacing your fingers together and resting them on the table where Keira, and anybody else, can see. “Fat chance of that. She’s obsessed with me.”

Keira looks more confused than ever, and you realise that you probably owe her an explanation.

“G’s my …” You pause, realising that while you’ve both admitted you love each other and there seems to be an understanding that you’re together now, you haven’t actually had a conversation to put an official label on what you are. You turn to Georgia and ask, “Are you my girlfriend?”

“If that’s your way of asking me, it’s not very romantic, is it?” Georgia teases you.

Rolling your eyes, you turn back to Keira and say, “She’s my girlfriend. We’re dating.”

To emphasise your point, you bring your joined hands to your lips and press a kiss to the back of Georgia’s fingers.

Keira’s eyes look like they might pop out of her head at any second.

Leah sits down in the empty seat beside Keira, taking one look at your joined hands, before she says, without a hint of surprise in her voice, “You two have finally got your shit together, then? About bloody time.”

“How are you not more surprised by this?” Keira asks Leah, apparently exasperated by the new development. “I’ve spent months listening to this one,” she jabs an accusatory finger in your direction, “whine on and on about how much she loves Georgia and how Georgia is never going to love her back to the point where I’ve genuinely had sleepless nights worrying about it, only for them to hard launch their apparent relationship by rocking up to breakfast and just holding hands like it’s completely normal!”

Keira is usually so cool and composed, even when under stress, that it’s weird to see her have an outburst like this, but she’s the only one who knows the extent of how much your feelings for Georgia not being reciprocated until now has really affected you over the last few months, and for that she deserves an explanation. 

Georgia leans closer to you and whispers, “Babe, I think we broke Keira.”

You’ll have time to process the way that Georgia’s use of the pet name babe makes your heart do an actual somersault in your chest, eager to revisit the subject later, but you probably owe Keira an explanation before she actually combusts.

“I love her,” you tell Keira and Leah. “And it turns out G loves me too, it just took her a while to figure it out. But we’re serious about giving this a go. It’s brand new, which is scary and exciting, but…” You turn to Georgia now, almost forgetting that the others are here too as you get caught in the adoration in Georgia’s eyes. “But she’s my girlfriend, my best mate, the only person I’ve ever felt like this about. So yeah, I’ve been a bit of a mess over the last few months trying to get my head around what I felt for her. But she’s worth it. You’re worth it, Georgia. And I’m lucky I get to call you mine.”

Your words come from the heart and it feels for just a second like the two of you are caught in your own little bubble of blossoming romance.

That is, until Leah bursts it by sarcastically saying, “Well thanks guys, I really didn’t want to keep my breakfast down this morning.”

It doesn’t matter if Leah ruins the moment. You’ve waited for Georgia for far too long to care. And as the news of your relationship filters through camp until the rest of the team knows, met with some surprise, some cries of “I knew it!”, and plenty of teasing, the only thing that matters is Georgia and the fact that you finally get to call yourself hers.

#woso x reader #woso imagine #georgia stanway x reader #georgia stanway imagine #angst

[greekmythcomix]

How I teach the Iliad in highschool:

I’ve taught the Iliad for over a decade, I’m literally a teacher, and I can even spell ‘Iliad’, and yet my first instinct when reading someone’s opinions about it is not to drop a comment explaining what it is, who ‘wrote’ it, and what that person’s intention truly was.

Agh. <the state of Twitter>

The first thing I do when I am teaching the Iliad is talk about what we know, what we think we know, and what we don’t know about Homer:

We know -

- 0

We think we know -

- the name Homer is a person, possibly male, possibly blind, possibly from Ionia, c.8th/9th C BCE.

- composed the Iliad and Odyssey and Hymns

We don’t know -

- if ‘Homer’ was a real person or a word meaning singer/teller of these stories

- which poem came first

- whether the more historical-sounding events of these stories actually happened, though there is evidence for a similar, much shorter, siege at Troy.

And then I get out a timeline, with suggested dates for the ‘Trojan war’ and Iliad and Odyssey’s estimated composition date and point out the 500ish years between those dates. And then I ask my class to name an event that happened 500 years ago.

They normally can’t or they say ‘Camelot’, because my students are 13-15yo and I’ve sprung this on them. Then I point out the Spanish Armada and Qu. Elizabeth I and Shakespeare were around then. And then I ask how they know about these things, and we talk about historical record.

And how if you don’t have historical record to know the past, you’re relying on shared memory, and how that’s communicated through oral tradition, and how oral tradition can serve a second purpose of entertainment, and how entertainment needs exciting characteristics.

And we list the features of the epic poems of the Iliad and Odyssey: gods, monsters, heroes, massive wars, duels to the death, detailed descriptions of what armour everyone is wearing as they put it on. (Kind of like a Marvel movie in fact.)

And then we look at how long the poems are and think about how they might have been communicated: over several days, when people would have had time to listen, so at a long festival perhaps, when they’re not working. As a diversion.

And then I tell them my old and possibly a bit tortured simile of ‘The Pearl of Myth’:

(Here’s a video of The Pearl of Myth with me talking it through in a calming voice: https://youtu.be/YEqFIibMEyo?sub_confirmation=1

And after all that, I hand a student at the front a secret sentence written on a piece of paper, and ask them to whisper it to the person next to them, and for that person to whisper it to the next, and so on. You’ve all played that game.

And of course the sentence is always rather different at the end than it was at the start, especially if it had Proper nouns in it (which tend to come out mangled). And someone’s often purposely changed it, ‘to be funny’.

And we talk about how this is a very loose metaphor for how stories and memory can change over time, and even historical record if it’s not copied correctly (I used to sidebar them about how and why Boudicca used to be known as ‘Boadicea’ but they just know the former now, because Horrible Histories exists and is awesome)

And after all that, I remind them that what we’re about to read has been translated from Ancient Greek, which was not exactly the language it was first written down in, and now we’re reading it in English.

And that’s how my teenaged students know NOT TO TAKE THE ILIAD AS FACT.

(And then we read the Iliad)

#man this week has been hard for classics teachers #Iliad #greek mythology #tagamemnon #greek myth #odyssey #homer #greek myth retellings #comix #greek myth comix #classics teacher #teaching #myth #history #ancient greek history #horrible histories #the idiots #teaching resources #teacher rant #Youtube

[hotvintagepoll]

Propaganda

Deborah Kerr (Bonjour Tristesse, An Affair to Remember, The King and I)— For several decades she held the record for most Oscar nominations without a win (6 in total), and she was a prolific leading lady throughout the 40s and 50s. She's best known today for the romance An Affair to Remember with Cary Grant, and as the governess in The King and I. Many people have this erroneous perception of her as extremely prim, proper, and virginal, but this could not be further from the truth. When she first came to Hollywood under MGM she was typecast into boring decorative roles, but broke sexual boundaries for herself and Hollywood generally in From Here to Eternity, when she made out (horizontally!) with Burt Lancaster (on top of him!) in the famous Beach Scene. She went on to play many sexually conflicted women, a character type that would define most of her post- Eternity work. She continued to break Hays Code boundaries with Tea and Sympathy, which addresses homosexuality/homophobia head-on, and even did a topless scene in The Gypsy Moths 1969!! One of the only classic stars to do so. She deserves a more nuanced and frankly a hotter legacy than she currently has!!!

Ethel Merman (Anything Goes, Call Me Madam)— Possessed of a bold, brash voice, and an even bolder and brasher presence, Ethel Merman might be more well known for her stage roles, but she made several movies, and was bold and brash in them as well. Also I think if I don't submit her, she's going to come back and haunt me.

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Ethel Merman:

You've gotta love any woman who got typecast as lead-MILF

Deborah Kerr:

I think she was one of my first crushes before I realised I was bi in The King and I when I watched it as a kid honestly. The kissing scene in From Here to Eternity is iconic for a reason. Actually tried to learn the accents for the characters she was playing if they weren't English which is more than pretty much anyone else was doing then. Played very restrained characters who frequently seemed to be desperate not to be so restrained. Did horror movies without venturing into hagsploitation tropes. Gave Marni Nixon the credit she deserved for her share of the singing in The King and I.

Anne Larsen is a peak late 1950s bisexual with big MILF energy. Have you seen the behind the scenes pics of her wearing a suit?? Have you????? Vote Deb as Anne Larsen.

Nominated for an Oscar six (6) times and never won, but besides her having actual talent (hot), and besides her looking Like That (very hot, also beautiful), she was always playing women who are, like, crazy repressed. Which makes it fun and easy for me to read these characters as queer. Icon!!!! You know what's hot? Playing ambiguously gay in vintage Hollywood.

Her face and talent and body, yes, ofc, duh. But also!!! Her HANDS!!!! I may be but a simple lesbian, but she is the best hactor (hand actor) that ever lived and that's HOT! For propriety's sake I feel I must redact a large portion of my commentary on this subject. Anyway. She's hot in her most famous roles (mentioned above), and also some of her sexiest hacting is on display in An Affair to Remember (her hand on the bannister when Cary Grant kisses her off-screen??? HELLO???), Tea and Sympathy (when she's trying to persuade Tom not to go out and she keeps flexing her hands like she wants to reach out to him but can't??? ALLY BEHAVIOR! WE STAN!), and The Innocents (which opens and closes with extended shots of her hands bc director Jack Clayton was also an ally and he did that for ME). Much of her appeal also lies in the fact that she often played deeply repressed characters and you know what's hot? When those uptight characters finally unravel. It's sexy. It's cathartic. It's erotic. Plus, she's beautiful to look at in both black & white and technicolor, and the more of her films you see, the more you can't help but fall in love!

Literally is in thee most famously sexy scene of all time (or maybe just during the hays code era which is what we're talking about HELLO), which is the beach scene with Burt Lancaster in from here to eternity. To quote a tumblr post of a screen capture of a tweet of a video of joy behar on the view: "y'know, there used to be movies where they were kissing on the beach... From Here to Eternity. They're kissing-- Burt Lancaster and Deborah Kerr are Kissing on the Beach and then the WAVES crash!! You know exactly what they did!"

She might have a reputation of being chaste and virginal or whatever, but we all know it's the quiet ones who are certifiable FREAKS

#ethel merman #deborah kerr #hotvintagepoll #ladies 1 #fuck that old woman

[moonlightsapphic]

Look, I just need you guys to understand how important queer coming-of-age forbidden romances on internationally accessible platforms like Netflix is, especially to youth in countries where homosexuality still hasn't been legally decriminalised or socially accepted.

That was a mouthful, so let me explain. You, a white American adult with a liberal family, may not relate to a fictional anxious teen Swedish prince grappling with strict familial and societal expectations versus his first love. You may not find anything special in a bunch of queer British teens discovering themselves and figuring out complex relationships that are honestly rather simplistic, in retrospect. It might be a little too trite for you. Like, just a little vanilla without any extra drama. Perhaps corny—cringe, even. Too wholesome.

But you know what that is to me, a desi queer young adult? It's representation, in an unlikely place. My country certainly isn't making movies or shows where I see my secret relationship between me and my girlfriend portrayed. I don't see that happening in the next couple of decades, either, sadly. But you know who’s telling our stories? Alice Oseman. Lisa Ambjörn, Lars Beckung and Camilla Holter. Through fictional storylines that might seem kind of boring to you, I am finally able watch my lived experiences play out on screen.

American media has done such a disservice to queer coming-of-age stories. I want to scream this from the rooftops. Y’all, I’m glad to see more out quirky queer side-characters—I can’t get enough of them—but why is it so rarely their story, in sharp focus, about how they found themselves? I want to know how they overcame internalised homophobia. When was the moment they knew? What is the cost they have to pay for being out? For not being out?

And no, I don’t want it to be dramatic. I don’t need to see violence or betrayals or victorious kisses in public, really. I’m happiest with the teenagers behaving like real teenagers. Innocent, vulnerable, nervous. I want it to be heartfelt, and excruciatingly slow, and authentic. I want to see the small wins and the subtle losses. The quiet mental toll of how much you have to give to a queer relationship—especially your first queer relationship—and how hard that can be to separate from your Identity itself.

Give me that "am I gay?" quiz and genuinely crying at 3:00 AM because you're in a rabbit hole about LGBTQ+ rights in a country where you actually don’t want to be gay and you don’t even know if you “count” anyway. Show me that moment where you're going back and forth from forbidding yourself from seeing the one person that sees and understands you and it's to protect your mental and physical well-being but it's driving you insane. Give me ALL THE YOUNG ADULT BI+ AWAKENINGS where one person strolls into your life and changes everything. No, it’s really not the same as most cis-heterosexual insta-love movies out there, even if it looks that way to you. It doesn’t even cut it close.

The happy ending, the acceptance is only what I can dream of, not what I can expect. The wholesomeness is actually radical to me.

No, we’re not past the need for basic star-crossed queer romances. For most countries in the world (including for many white American teenagers!), we need them as much as ever.

#gay #queer #lgbtq+ #young royals #heartstopper #i just want americans to understand they're not the center of the world #just frustrated at how divided all my american acquaintances are on soft queer media #what do you mean it's just okay?? #stfu #wilmon #narlie #wlw #mlm #achillean #men loving men #bi #lesbian #women loving women #sapphic #lgbtq #alice oseman #lisa ambjörn #bisexual #lgbt #netflix #closeted #desi #desi queer #queer muslim #muslim

[makingqueerhistory]

Queer Book Recommendations

Every once in a while I like sharing some queer book recommendations on here as I read a lot and I get requests to share some of the books I love, so here we go! 

Tell Me I'm Worthless: Three years ago, Alice spent one night in an abandoned house with her friends Ila and Hannah. Since then, things have not been going well. Alice is living a haunted existence, selling videos of herself cleaning for money, going to parties she hates, drinking herself to sleep. She hasn’t spoken to Ila since they went into the House. She hasn’t seen Hannah either.

Our Wives Under The Sea: Miri thinks she has got her wife back, when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home. 

You Made a Fool of Death with Your Beauty: Feyi Adekola wants to learn how to be alive again.It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.

Silver Under Nightfall: Remy Pendergast is many things: the only son of the Duke of Valenbonne (though his father might wish otherwise), an elite bounty hunter of rogue vampires, and an outcast among his fellow Reapers. His mother was the subject of gossip even before she eloped with a vampire, giving rise to the rumors that Remy is half-vampire himself. Though the kingdom of Aluria barely tolerates him, Remy’s father has been shaping him into a weapon to fight for the kingdom at any cost.

Disintegrate/Dissociate: In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness. 

The Perks of Loving a Wallflower: As a master of disguise, Thomasina Wynchester can be a polite young lady—or a bawdy old man. She’ll do whatever it takes to solve the cases her family takes on. But when Tommy’s beautiful new client turns out to be the highborn lady she’s secretly smitten with, more than her mission is at stake . . . 

It Came from the Closet: Queer Reflections on Horror: Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. 

Refusing Compulsory Sexuality: A Black Asexual Lens on Our Sex-Obsessed Culture: Everything you know about sex and asexuality is (probably) wrong. The notion that everyone wants sex–and that we all have to have it–is false. It’s intertwined with our ideas about capitalism, race, gender, and queerness. And it impacts the most marginalized among us. For asexual folks, it means that ace and A-spec identity is often defined by a queerness that’s not queer enough, seen through a lens of perceived lack: lack of pleasure, connection, joy, maturity, and even humanity.

#refusing compulsory sexuality #it came from the closet #the perks of loving a wallflower #disintigrate/dissociate #silver under nightfall #you made a fool of death with your beauty #our wives under the sea #tell me im worthless #queer book recommendations #queer books #lgbt books #queer history

[carolperkinsexgirlfriend]

Steddie Upside-down AU Part 4

Part 1 Part 3

We should go to the store,” Steve says. 

He says it mostly to get Munson’s blood up. The silence is digging into his head, making every breath the other takes sound like the ragged wail of that fucking monster.

The longer he stays there, crouched in the trees, the harder it is to tell how much of the ache in his stomach is fear, and how much is hunger. They should find food, water, shelter, a way out of this bullshit.

Munson scoffs. “Looks like you’re getting your way, huh King Steve?”

Steve stands, legs unsteady. His feet are cold and bare in the dirt, gone numb around the ants under his skin. His hand aches from clutching the other boys. He drops it, shaking out the clenched nerves. “Yeah,” he says, channeling all the bitchiness Carol had hammered into his head over pseudo girls nights, “I summoned that thing into my bedroom just because I really wanted to go on a shopping date with you Munson.”

He starts through the woods in the general direction of the store, smiling at the sound of Munson sputtering incoherently behind him before the other boys jogs to catch back up.

“Careful there, big boy.” Muson leans into his space, smile saccharine around all its cracks. “I might just go and catch feelings.”

Steve rolls his eyes, shoving the other boy a few steps away. He can’t stop looking around for a threat, or some tear in the air that’ll lead them back home. He wants to be warm.

The rest of the trip to Melvald’s is quiet, but every time Steve glances his way, Eddie’s biting his lip against the words practically bursting from him.

He’s always been a talker. In the hallways, on cafeteria tables, even beneath the bleachers when he’s trying to keep a low profile. His voice carries. It’s almost painful to watch him try and suppress it. 

No wonder teachers are always cursing his name.

Prying the door open is louder than Steve wants—metal creaking on hinges aged decades in a matter of hours. It echoes off the vacant shops loud enough that both boys stop, staring into each other’s panicked eyes as they wait for a sign that something is coming. The silence echoes around them, bouncing off the storefronts like a physical force.

Nothing stirs.

Steve pries the door open a tiny bit more, gesturing Munson inside. He does a dorky little curtsy on the way, pulling the gaping knees of his jeans like they’re the hems of a skirt. Steve rolls his eyes, but follows him in.

The door resists closing, but Steve pulls it shut, around the sounds of its own groans. The illusion of safety and all that. Munson must feel the same because he immediately starts chattering.

“Is this how you feel, all the time, Harrington?” he asks, bounding over to the cereal aisle and pulling a luridly orange box down from the shelf. He pries the box open, pulling at the seams of the bag like an impatient child on Christmas morning. “No budget, no coupons, just—shit.”

He drops the box around his startled expletive before immediately ripping into a new one.

“What?” Steve asks, but he’s already following in Munson’s wake and reaching down for the abandoned box. Before he even pulls the plastic bag out, he can smell the stench of food gone off. He pulls it out anyway.

Just like the door, and the street, and the water in his tap—the cereal in the bag has seemingly aged years in a matter of hours. Each wheaty bite has shriveled into itself, turning an off-putting grey and smelling like a stack of cardboard left to mold in the rain.

Munson’s still picking up and discarding boxes, movements growing more frantic with each new discovery.

In a state beyond horror, Steve wanders over to the water aisle. There’s no light on in the store, but the bottles almost seem to glow—an unholy green, murky and brackish in their pristine bottles, still lined up like it was opening day. It looks like some sort of gone-wrong science experiment from those science fiction movies Carol pretends she doesn’t like to watch. They look just like the sludge in his pipes back home.

Munson is cursing up a storm as he rounds the aisle, but he goes quiet when he sees Steve. He’s not sure what he looks like, but Munson’s hand reaches out and lands on his shoulder. Steve can barely feel its warm squeeze—can’t bear to tear his eyes away from those bottles.

It’s becoming a pattern, the way they’re always stuck together in horrified silence. It’s also becoming a pattern that one of them breaks said silence with some convoluted bullshit.

“Where’s your shoes,  man?” Munson asks, like he’s only just noticed the flesh beyond the caked-on mud.

Steve sighs, shrugging off the other boy’s hand. His toes are numbed past the point of pain as he limps to the first-aid aisle, Munson trailing in his wake.

He ends up on the ground, clutching a roll of bandages, staring down at the bottoms of his feet. The bandages are soft and spongy. Clean. But he can’t even see the abrasions on the bottoms of his feet past the dirt and mud. There’s no water. There’s nothing. So, he just sits there, feeling nothing.

He’s still on the ground. Time must be passing but he doesn’t feel it, can’t see it in the dank light of the store.

He blinks and Munson’s sitting in front of him, Steve’s right foot in his lap. There’s a crumpled pile of used wet wipes beside the other boy’s hip, the brown and red from his own feet smudged across their normally pristine white surfaces.

The package crinkles as Munson pulls the plastic lid open to tear off a fresh wipe. He’s gentle enough that it tickles slightly between the toes and on the arch of his foot as Munson scrubs the last of the dirt away.

Steve clears his throat.

Munson snaps his gaze up, fingers twitching flightily on his foot, but doesn’t stop his ministrations. “You back with me?”

Steve nods. He wants to ask where he was before but can’t force the words past his constricting throat. He feels alarmingly close to tears.

He feels like he’s been sucked out of his body and into a very small tube, compressed until his breaths come in short, punched-out bursts that never fully enter his lungs.

“I think you’re having a panic attack,” Munson says, voice even. He’s looking down at Steve’s foot again, stroking it almost soothingly with the dirtied towelette. “I need you to breath with me, okay?”

Munson’s breathing gets loud and purposeful—long breaths in through his nose, longer breaths out through his mouth. Steve stares, enraptured, and gasps along.

Time passes. Steve’s shoulders slump. His fingers are tingling like they do sometimes at the end of a long basketball game. Sweat dripping down his face, body buzzing with excited adrenaline, fingers buzzing with the need for the ball.

The squeeze of Munson’s hand around his ankle catapults him out of the tube and back into Melvald’s.

Embarrassment crashes into Steve. He crawls to his feet, using the shelving behind him to steady himself. He stands, with creaking knees and hobbles stiff-legged out of the aisle, tossing “I’m going to to find some shoes,” over his shoulder.

“Okay,” Munson replies, so quietly Steve can barely hear it. 

There’s a thank you stuffed deep in Steve’s throat, trying to crawl its way past his mortification. There’s gauze wrapped around the soles of his feet, containing the damage. He’s not sure when Munson even did it.

There’s not a single fucking shoe in any of the aisles–not even a fucking pair of slippers. He’s three seconds away from duct taping the bottom of his feet and calling it good when there’s a tap on his shoulder. He whirls, slipping as his gauze, covered feet try to keep traction. Munson steadies him with a hand to his elbow.

There’s a pair of ratty sneakers clutched in his other hand, and he’s smiling dimples popping. 

“Where’d you get those?” 

Munson beams, skipping in place like a kid playing hopscotch. “Found them in the breakroom,” he says. “Do you think your highness can lower himself to wear a poor, lowly worker man’s shoes?”

His eyes are fucking twinkling. Steve’s heart fucking twitches. This whole thing is too fucking derranged for him to handle.

“What size?”

Munson cackles tossing the shoes into Steve’s chest. 

Steve bends down, pushing his feet into the shoes sockless, hoping the gauze will do enough to keep blisters at bay. They’re a little loose, so Steve ties the crumbling shoelaces tight, hoping against Munson’s fucking dimples that they don’t break. He double knots them. They hold.

“Thanks,” he says, still looking down at the ratty things. 

“Gotta clothe our knights properly for battle!” Munson says. Steve looks up just in time to see that same goofy curtsey.

“I thought I was the King?” he asks. “Have I been demoted?”

Munson laughs again, bringing a curl to his face, as if to hide his grin. “I don’t see any of your subjects around,” he says. It should be mocking, but the elbow he drives into Steve’s side is good-natured. Playful. “Besides, knights are way cooler.”

Steve sighs, can’t believe he’s devolved to playing along with this level of nerdom. “Where’s my sword then, huh Munson?”

Munson sweeps his arms wide encompassing the entirety of Melvald’s in his gesture. “You’re down on your luck, Sir Harrington. You’ve lost your noble steed and your enchanted sword to a suductress from a rival kingdom. Now you’re on a perilous quest to reclaim your property, and regain your rightful place by the King’s side!”

“And where are you in this whole mess?” Steve asks, already kicking himself for playing along.

“Well, I, Sir Steve, as the King’s devoted jester, am on this quest with you to save you from a fate worse than death.”

“Oh, yeah?” Steve asks, inching closer to Munson, unsure of why. “What’s that?”

“Boredom, of course!”

Munson’s hair is a mess. It’s more fly-away than contained. His skin looks a little oily around his forehead, and he looks absolutely ridiculous with Steve’s clothes on. But his eyes are shining, and his smile is beaming, and Steve wonders how someone can be that bright in the literal bowels of hell. 

“Shove off, Munson,” Steve laughs, shoving his shoulder lightly as he walks past.

Munson skips up to keep in pace. “Now, what, my liege?”

“So what, I’m the King again?”

Munson puts a hand over his heart, gasping dramatically. “You’ll always be a King to me.”

Steve feels warmth in his cheeks, pushes it down, doesn’t think about it. What now, he says. What now? 

“Now,” he says, thinking aloud as he eyes the aisles around them. “We collect anything useful around here and go.”

“But–”

“We’re not going to last much longer without water, man.” he replies.

Munson sighs. “The quarry?” he asks, sounding like he’d rather say anything else.

“The quarry,” Steve agrees, feeling just the same. 

Part 5

#steddie upsidedown au #steddie #steddie fic #eddie munson #steve harrington #stranger things #my fic #they are finally Sort Of getting along!!! maybe someday they'll even be on a first name basis!!!