This screenshot is one of my favorite things from the episode bc every character’s reaction to a literal building caving in on them is so fucking funny.
The two shark/fish demons on the left are just staring wide eyed.
The other shark demon on the right is placing his hat on his chest and just accepting this is his fate now.
Crimson is in utter confusion and disbelief about what the hell just happened.
Meanwhile Striker is clearly having flashbacks to when his statue fell on him.
And finally, my personal favorite, Alessio just casually places his hand in front of Crimson (like a mom does when you go to cross the street before the light changes) as if that’s going to protect his boss in any way from the cave in.
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Epic the Musical:
Circe: Oh my! He cannot be transformed by my powers! What do I do?! What do I do?! Think think I need to protect my nymphs! Oh I know! He's a man after all! I'll seduce the hell out of him to get my power over him back! He clearly can defeat my entourage of wolves and lions all by himself! I mean he's damn immune to my magic! I am sure he can do anything with his sword!
Circe: *aggressive flirting*
Odysseus: Oh my gods oh my gods she is hot...what the hell?! Oh I am just a man! Forgive me... No! Wait! J can't! I love My wife way too much! Please let us go home! I miss my wife!
Circe: Awww that is so sweet! Of course darling. I was always a sucker for a good soap opera. Of course I'll help you free of charge and here's some useful tips for your trip! Drive home safely!
The Odyssey:
Circe: Oh my! This man actually had the AUDACITY to come in my home and threaten me! And he took all precautions (a God helped him no doubt). Finally a man I can consider worthy of standing by my side and not bad looking either!
Circe: Come on, darling. Remove your clothes and let's get down on it! Let's see what you've got!
Odysseus: (oh my! Forgive me Penelope that is the only way to save my men! Hermes told me not to refuse her a thing! She is a freaking goddess that commands all these wild beasts! Power over me or not she's a force to be reconed with!) F-Fine but I cannot do what you ask before I ensure my men are safe. Please release them first and then I will (gods gotta buy myself time! Ain't prepared!)
Circe: *does that*
Odysseus: *sighs* I guess we're doing this...
*A year later*
Odysseus: Okay men you had your fun but I can't keep entertaining her forever! We must go home!
Odysseus: Please Circe let me and my people go! We have to go back
Circe: Oh but can't you stay a bit more?
Odysseus: No...I miss my wife and son
Circe: Fine, my dear, if that's what you want... Your happiness is more important than my satisfaction and I love you so I shall let you go. You paid your price fully. Here are some useful tips for you, some provisions and good luck...
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a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…
you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.
and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.
it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--
the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.)
for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.
melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack.
for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.
the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands.
for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.
the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.
anyway. this was a post about naddpod music.
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