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#this is the narrative of the show LMAO
hawkinsp0st · 2 years
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i believe s5 will see our characters have everything returned to them that was taken from them in (or before) s1.
hopper will have a wife and a daughter again. lucas will have the love of his life, max mayfield, come back to him when she’s freed from vecna. dustin will avenge eddie’s—and by extension all outcasts’—name. joyce will have a healthy family and a loving husband. nancy will be free of societal expectations. jonathan will be able to live his life without the obligation to constantly worry over his mom & brother. steve will find that he’s already got the family he wanted, and robin will have a beautiful girl to share her truest self with. el will have a real family, a real mother and father, which was stolen from her as a newborn.
and mike wheeler will get back will byers, the one who’s never fully come back to him since he was taken by the demogorgon—the best boy that’s ever happened to him, who was taken from him by forces of evil and repression on a fateful november night.
and will byers? he’s going to be returned to the arms of mike wheeler, his knight in shining armor, the boy he couldn’t lie to, the boy who has been destined to love him unconditionally, for the rest of his life, since the moment they met.
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lovegrowsart · 3 months
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it's pretty wild to me that people don't see that aang running off to save katara in CoD is his luke in empire strikes back moment, where he runs headlong into his want and attachment and he's narratively punished for doing so and not learning his lesson - aang runs after katara despite guru pathik's warning, like luke runs after leia and han from yoda on dagobah despite yoda's warning; similarly, as a result, things go to hell in ba sing se like they do on bespin - aang enters the avatar state before he's ready and gets killed, and ba sing se falls to the fire nation, luke fights vader before he's ready, loses a hand, and symbolically commits suicide after vader tells him he's luke's father.
the difference between their character arcs is that george lucas and co. actually went thru with luke's hero's journey and understood the fundamental difference between attachment and love, whereas I don't think bryke understood this difference and then dropped this from aang's arc pretty much completely and replaced it with aang digging in his heels into his want and attachment and he gets rewarded with energy bending from a lion turtle, the avatar state from a random pointy rock, and his forever girl from the self-indulgent white men that couldn't bring themselves to give their hero a compelling character arc that meant he might not have gotten everything he wanted at the end.
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jerreeeeeee · 2 years
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people so often interpret sazed as taako’s ex, which like, to each their own obviously, nothing wrong with that, but i think its so so much more interesting to interpret him as taako’s apprentice instead. and like all we have to go on is that he really looked up to taako who sort of taught him how to cook. “thought taako hung the moon and stars” or something like that iirc. which brings so much more depth to taako’s relationship with angus if sazed was to taako then what angus is to taako now, someone who idolized him and saw him as a mentor.
it puts some of the conversations taako’s had with angus into really interesting context. like the fact that the first person taako’s (ever?) told about what happened at glamour springs (which he didnt know at the time, but was sazed’s fault) is angus. does he tell angus because he doesn’t want him to be betrayed (like he assumes sazed was, since he ran away)? or because he doesn’t want angus learning from someone so clearly unfit to be a mentor (both since he was unfit to be sazed’s, because he was dismissive to him, and because he believes himself to be a murderer)? he teaches angus magic and cooking. when he implies that angus might become as or more skilled than him he jokes about striking him down. which is exactly what he did to sazed when he wanted equal share.
but taako redeems himself with angus. he mistreats angus in the beginning, bullying him and dismissing him and generally being a dick, but as angus becomes taako’s apprentice, he’s more open and a little nicer. still “open” and “nice” in his own way, but definitely more than he was before. learning from his mistake, letting angus in and being encouraging and honest in the way he wasn’t with sazed.
idk. i think it’s so interesting and so rarely explored
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webs4ribs · 8 months
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He’s literally me
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rovermcfly · 2 years
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TED LASSO parallels →
Rebecca & Ted vs Trent & Ted
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panncakes · 10 months
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"You are obsessed with Tinn. You're obsessed with his world, with his thoughts. Are you sure you can win him over?" / "I'd like to know what kind of man can make our great lawyer so vunerable."
LAWS OF ATTRACTION (2023)
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mariipun · 10 months
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Adventures of Wally & The Gang (plus their Caretaker)
Keep A Level Head
Warnings: None. Humor. Just more silly antics. Inspired by the anime “ Aggretsuko”.  
Word Count: 834
Brief Description: The Welcome Home cast is alive, living alongside humans. You have been contracted as their Caretaker. Our dear Caretaker has been running around all day, working hard. On top of your daily administrative work, you also have to babysit tend to the colorful ensemble of actors, plus all the other studio employees, who can’t seem to do things on their own.
[Not sure if this constitutes a WH!Muppet AU scenario?? Not sure how to tag it haha] 
“Care! Hey, hey! Care--?! Hey! Caretaker! Heeeeeeeeeey!” Julie wails, following behind as you try to ignore her and focus on the task at hand.
No matter how many times you try to address the blonde, she pulls you away from what needs to be done, to what she wants to do. It’s become a bit of an irritating habit, although you’re convinced it’s her hobby, to distract you from your job so you can entertain her grabs for attention.
“Not now Julie, I have a lot of work to do, but I promise I’ll do whatever it is you’re wanting once I’ve got more time—”
“No, I need you now. The new dress I had ordered still hasn’t arrived and I—”
You drone out her increasing insistence, beginning to pick up the pace as you swerved through the crowd of studio employees and other puppets. Unfortunately, the moment the others sight you, the choir of:
“Hey Care—”
“--need you here—”
“Can you fix—”
“Get me some—”
You stop in your tracks, feeling Julie bump into you from behind. With your binder tucked close to your chest, your hands tighten around it. The overwhelming demands from the maintenance team, stagehands, cameramen, and puppets made you fume. It was obvious from your face how feelings of annoyance had now turned into full-blown anger. You tried steadying your breath, feeling the heat prickle at your cheeks, and reminding yourself to remain professional, you need this job, it pays the bills… it pays the bills…it pays the bills….
“Hold on!” You boom, causing the voices to settle. You stand your ground, steeling yourself as you take a breath. “I am extremely busy right now—” You strain, each word slow, with brows furrowed and jaw tight. “Sooo-- I’d appreciate it if you all stop pestering me for a moment, because if I hear one more per—”
“Hey, Care?” Barnaby interjects, poking his head out of the restroom door.
Your mouth shuts, head snapping around to look at him. “What?!”
“I clogged the toilet,” Barnaby responds monotonously, thumb pointing toward inside the restroom, as water slowly began trickling its way outside.
The grip around your binder tightens even more to the point you felt like you could have ripped it in half. Your eyes narrow into a glare, tight lips twitching up into a menacing grin.
“So uh… could you fix it?” Barnaby probes, moving away from the slow leak of water pooling around his feet.
“Please excuse me for a moment…” You seethe, quickly and silently moving your way toward one of the audio control rooms, knowing the padded walls would shield your outbursts. Upon arrival, you slammed the binder down onto the script stand, causing it to wobble and tilt over.
That was the last straw.
You bring your arms up, flailing them around as you release your rage. “What the actual [redacted]?! I just need to do one [redacted] thing! One thing! But nooooooo--! I can’t catch a [redacted] break around here! And why the [redacted] would Barnaby clog the toilet?! PUPPETS DON’T EVEN NEED TO USE THE [redacted] TOILET?!”
You heaved, palming your forehead for a second before sliding your hand over your eyes. You took a few deep breaths to soothe yourself until you heard an audible click and the sound designer over the two-way speaker.
“You, uh, okay in there?”
You drop your hand down to your mouth, eyes darting open to see not only the sound designer but a few of the puppets and two other employees who followed you to your location, staring at you from behind the glass.
You stared back.
Julie had arched a brow, crossing her arms over her chest in disapproval.
Wally’s half-lidded, unwavering, eyes peered at you. “Those are some naughty words there...” He commented, his voice crackling a bit through the speaker. Though, reading his expression you could tell he was a bit amused.
“Yes dear, you really should watch your language.” Poppy chimes, as everyone else in the sound room nods in agreement.
Standing there for a moment longer, you finally gave up. Picking up your binder and setting the script stand back up in place, you walk through the door into the sound room, staying silent as Barnaby stepped toward you with a plunger in hand.
“I found this if it’ll help with the toilet—”
You didn’t say anything as you walked past him, only extending a hand, and swiping the plunger from his grasp. You moved on through the exit.
[BONUS]
Barnaby and Wally both stood outside the restroom door, peering in and watching as you muttered curses under your breath and violently plunged the toilet to unclog whatever ungodly thing Barnaby stuffed in there.
Wally: “So, uh, Barnaby?”
Barnaby: “Yeah lil’ buddy?”
Wally: “What did you put in there?”
Barnaby: “Just a bunch of leftover doughnuts from the spread table.”
Wally: “…Why?”
Barnaby, shrugging: “Wanted to see what would happen…”
[For scientific inquiry]
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iridescentis · 6 months
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i really want to do a full lore analysis of just add magic soonish because damn i just remembered how deep it goes like that show had backstory all the way to the 1800s
unfortunately i don't really have the time to watch a whole show and take notes but it is really cool how much worldbuilding they put into the show from the spices and the book to the actual full timeline that revealed itself through the time travel spells they used
as i've said before i also want to do the same for mako mermaids, because i feel like it was quite shadowed by h20 since that show holds so much nostalgia for people and they were basically aired for two different childhood eras i think, but it has SO much story and worldbuilding that i don't see talked about very often
there is a whole backstory of mermaid politics that is just brushed over which i really want to go back and analyse it fully because it is really interesting and deserves attention! mako mermaids added so much to the overall lore of this universe and i love it dearly i just have to find time to rewatch it
i talk about both of these shows at the same time because i feel like there are a lot of similarities in which their backstories are very detailed and they have a similar plot structure (which is probably intentional given the glaringly obvious similarities between just add magic and just add water) but yeah i just feel like they deserve a more thought out deep dive into everything they have because it is so much fun to learn about
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saeiken · 7 months
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gojo has a tamagotchi <3
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So 'Just For Once' is supposed to be a metaphor for Ruth's motivations and personality, right? Like, the lyrics generally being about wanting attention and love from other people when she normally gets ignored or passed over, and how her anxiety prevented her from doing things she wants to do (like theatre)? I haven't seen this interpretation talked about anywhere but I thought that made Just For Once really work tbh
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cringefaildiaz · 1 year
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the thing thats making me a little cuckoo bananas is that eddies couch is kinda a fandom thing. like yes we know buck sleeps there sometimes but we blew it into the significant symbolic object it is to buddie fans now. which is totally fine and great in its own right but then the show....the show made it a thing. an actual canon thing. the show said "the couch is a metaphor" and we said "so how does eddies couch play in" and they???? had an answer for us??????
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scoliosisgoblin · 1 month
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Which version of Rick is your fav?
it's so hard for me to choose tbh. HOWEVER, I'd say Evil Rick
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then I'd say it's C-137 and Memory Rick
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I love how pathetic™ Evil Rick really is tbh. love that he's being controlled by his Morty. can you guess who my favorite Morty is?
#the only reason why Evil is above C-137 and Memory is because#Memory's design is something I don't really like in the style of the show#his fanart makes him look so much cooler but in the show he just looks.. unfinished?#idk it's weird to me. I love him outside of that though#and with C-137. I'M SICK OF HIM LMAO I AM SO SORRY#there are too many fucking episodes dedicated to this man. pushing everyone else aside just to have him yap about his dead wife#I love him so much but there's only so many times we can bring Diane up and not really develop her as a character but rather to boost Rick#and the show is Rick and MORTY yet all I see is Rick 😭😭 don't get me wrong I love this man#I just feel like we know more about Rick than the rest of the family#WHICH IS FINE IF THAT WAS WHAT THEY WERE GOING FOR#and if they wanted to go in that direction so be it! it's fine!#I just feel like he needs less screen time or at least balance episodes among the family#cause even the most recent Morty episode is about Rick. it was so frustrating watching it cause it's literally MORTY'S fear hole experience#yet we're watching Morty's head canons about his grandparents#I also hate the narrative they took with Diane. only ever having Rick talk of her or others bring her up#it just doesn't make her a character but rather an extension off of Rick. that's how I'm feeling rn with the family#they're all just there to prop up Rick or something. super annoying#but that's about it. I'm not gonna continue my rant#unless you want me to?#idk if I even made sense but that's all good#rick and morty#rick and morty fandom#rick#memory rick#evil rick#C-137#Rick Sanchez
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bloo-the-dragon · 18 days
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Why did Solar have to die permanently while Eclipse gets to keep coming back over and over like freaking Megatron!?
anon you stirred an ancient ghost inside me with mention of megatron lmao /silly
but anyways - i think it became a running theme that Eclipse was gonna keep coming back like peepaw. But this time however there has been a big shift in his character, so the coming back from death thing has ultimately had a greater effect this time around than the last.
For starters, it's already been confirmed he is not really Eclipse. At least not the prior incarnations. He's a mimicry a different entity who carries only the fractured memories and directives of the ones who came before. The only thing that even really connects him to the Eclipse character beyond that is the fact his code was made from Solar's (who is also an Eclipse)
He is very much like Eclipse in personality for sure, unhinged and a complete asshole. But his unique circumstance, being brought so low that he truly is an inferior Eclipse, a false copy, and the fact he knows this has greatly altered his view on himself and his goals. He can say how he's superior to everyone all he wants but 1. no one cares anymore and 2. he knows it's a lie anyways.
But with Earth showing him genuine kindness and patience lately combined with the aforementiond, this has finally allowed him to actually open up a bit and maybe just maybe allow that sliver of a chance for redemption/to find a new purpose in life, even if that is away from the plex. I don't expect him to suddenly turn into a nice eclipse like Solar, in fact i would very much prefer for him to continue being a little asshole rat bastard /aff - but i do want him to be free of his past and find a new purpose, a new reason to live that isn't just antagonising others and hungering for power.
But i'm getting off track here-
We don't actually know if Solar will be dead permanently. It's been said already there is a way to bring him back but it would require sacrificing someone else, and not only that but their entire existence. My moneys on it being the creator ngl because as it stands he is pretty much unkillable. Using him as that sacrifice would be effective in removing him entirely but the only problem would be actually being able to go through with the plan because the brain's a tricky guy to pin down (plus i don't doubt Earth would be conflicted about it)
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coredrill · 2 months
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funniest thing abt bravern is that isami goes around saying shit like “there’s no point in saving the world if smith’s not here” “i’m not strong enough to do this but smith made me feel like i could” “hey smith i feel your dick” “smith gets full body waxes?” and also literally begging smith to talk to him from beyond the grave (in a callback to their first conversation no less!) and yet the poor dude is like. struggling to hold onto his spot as the third gayest character in his own show LMFAO
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mamawasatesttube · 3 months
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you guys i have so many thoughts about tdr. i have so much to say. like i don't want to be super mean but dude that comic fucking sucks and i can't lie i think it made me kind of homophobic actually
#my stance up to now has been that i don't really care about tim/ber but now that i have read this. dude...#it sucks that they gave a canon queer tim narrative to someone who uses homophobia as shock value and virtue signaling points#and who actively tears down characters who don't like her special little uwu flawless oc (kate im so fucking sorry)#there's no substance to this relationship i don't see why they even like each other#bc she keeps just stating oh they're perfect they make each other so happy but she doesn't like. show that at all#and i HATE the shock value homophobia like i cannot overstate how much i hate it#oh these random cops are homophobic (that's how you know they're BAD!)#oh bernard's parents are homophobic (that's how you know THEY'RE bad too!)#it's so hamfisted and it reads like such. cheap storytelling#especially bc tim as narrator doesn't even get to have ANY thoughts on his own queerness or seeing this homophobia in the world around him#and then she can't go more than two pages without being like BTW BERNARD IS THE BEST EVER AND TIM CAN'T STOP THINKING ABOUT HIM#while against this ugly backdrop of shock value homophobia#there's no substance to this relationship. why do they even like each other. it just falls apart if you examine it at all#because she just is fundamentally incapable of writing either of them as people with character flaws#for fucks sake she can't even be consistent with tim's BASIC character tenets. ''i always dreamed of being batman'' false lmao#but then to follow it up with ''i never wanted to be batman i always wanted to be my dad''#and then on TOP OF THAT to make the Only mention of Jack drake and his impact on tim's life ABOUT BERNARD AGAIN.#yeah sorry im a hater now. this was shit tier#rimi talks
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lyriumsings · 3 months
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the excuse of “it’s an adaptation of coURSE it’s not going to be perfect” is so funny to me as if one piece didn’t do MONUMENTALLY WELL bc it is a literal frame by frame copy of the source material and tbh that’s not even exactly what i wanted (mostly bc it’s impossible to achieve with atla in live action and it not look cringey and cheap as fuck) but it’s such a lazy excuse lmfao they had what? over 8 hours of content atla runs for the same time (actually even less if you take out the beginning and ending credits) so this excuse of cutting down for the sake of time is a joke. they had the time to do the proper plot points they chose not to for the sake of adding weird death scenes, weird clunky romances with sokka? and massacring the plot points. it felt like the people who made this show hated atla tbqh. like the only parts they liked were the “main quest parts” (spoiler alert damn near everything that happens in atla is relevant to the main plot down to katara’s fucking necklace and sokka’s boomerang) it feels like they didn’t know the source material at best and at worst straight up didn’t fucking care. None of the characters are true to their core traits, none of the arcs are treated with any kind of respect or even just the courtesy of basic coherence. i don’t understand how anyone who actually likes and understands atla can go “oh em gee it’s just bandwagon hate it was actually so good teehee” have some fucking standards for gods sake
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