I bought some cheap but very cute fineliners (I have an addiction to pastel colored things), i find out they are pretty good and survive the markers like a champ 💪
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the year is ending! 2023 moodboard recap + tag mutuals! add a song!
ehem restart repost last one don’t yell at me… ANYWAY HERE’S MY MOODBOARD tangina 😭 nobody has to do it so i apologize for everyone who sees this again
anyway, here are the no-pressure tags! it’s completely optional, promise 😞: @hannie-dul-set @yeppietennie @fullsunstrawberry @jenodreamer @rockstarhaechan @ggukkiedae
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Jesper wearing a ring anyone?
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Very very fond of the muppet ghosts
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a group of the two of us
hi, here’s my frame for the #EveryFrameMatters project! please look at the finished project here!
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I made a magnolia tea latte so good I'm having a religious experience at my desk
this is a PSA to go steal some magnolia flowers from your neighbor's yard TODAY
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“They finally made this theme more blatant-" Why does it need to be blatant. What's wrong with subtlety? Concepts can be underused but subtlety is not neglect.
Blaring all your concepts and themes is not good writing. It's so disruptive to a story's flow when the characters look off the screen to be like "See? This is the concept. The idea. The theme."
If you can feel the hand of the author becoming too heavy that's bad.
For example: I see people saying Azula's abuse in ATLA is more blatant in the live action and it's good because "it's being discussed more". It already was discussed at length. The show made it clear she was a victim at every turn, every behavior, every reaction, it came from a place of trauma. It was made clear that she was scared of ending up like Zuko because Zuko was an example of what would happen to her if she failed. When she says she's better than Zuko it wasn't just because she was raised to think hersef superior to him but because Zuko failed and failures get mutilated and exiled, failures are abandoned. In that final Agni Kai the music is morose and somber because this isnt some epic battle its a fucking tragedy, the burning out of "Ozai's brightest light" and Azula finally succumbing to her terror and trauma she was repressing now that her worst fears are realized. How can you see a fourteen year old girl chained to a sewer grate wailing and writhing and breathing fire desperately as unsympathetic? Even Katara and Zuko are horrified as to what has become of her.
The writers weren't looking us in the eye and saying "See? She's a victim too" when they wrote this, they weaved it in. They weaved it into her obsesison with symmetry, her extreme perfectionism, the way she talks about Ozai, the ways she calls herself a monster, her isolation from those with healthy home lives, all the ways she held herself together and ultimately all the cracks and seams that she shattered down when she fell apart. It did not need to be blatant to be clear.
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people already out there like "that was a straight guys who dont know how to kiss men kiss" and im like
a) how dare you imply david tennant wouldnt put his whole pussy into kissing a man for drama
and b) they are literally two celestial beings who to all knowledge have NEVER bothered with physically loving anyone, they have no reference or experience, no concept of the reality of it. its the desperate last chance of a being who so horribly wants to know and a being so horribly afraid to learn
its about the intent. about the unstoppable force meeting the immovable object in a devastating display
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