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#this is one of the greatest shows of all time...
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daryl + doggy style
warnings. smut, unprotected sex, soggy style position, assman!daryl, swearing, cunning inside, slight praise, fluff
MINORS DNI (18+), I DO NOT CONTROL YOUR CONSUMPTION ON THIS BLOG 👻
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divider credits. @cafekitsune
Daryl tossed you with lack of effort, meandering your body to his wishes as his wolfish eyes drank in the curve of your ass, rubbing his hand greedily over it. For him, it had been an excruciatingly long day, he had been doing all he could so that you would all be equally accepted in Commonwealth, and whilst his tendencies were working, he was still frustrated.
And to come home to find that you had dropped Judith and RJ off to one of your friendly neighbours for the night, he realised that there was an open opportunity. It was a chance to release the pent up brewing of overwhelming aggravation that bore within his chest, and thus he watched almost malevolently as your cunt hugged his cock tightly, and he had to try and not cum then and there.
He was just a man, he thought, and the curvature of your figure was his greatest weakness, his lower lip was caught between his teeth as his textured palms gravitated to adjust a firm grip on both of your hips. Each fold of your flesh that moved with every thrust that he drove into you kept him transfixed, the various scars that you had earned through the years of battling for your life only made you more beautiful. It showed that you survived through the hardest of times, and that you would continue to do so until life diverted you down an ending path.
“Fuuucckkkk.” His accent drawled out as he pressed his v-line strongly against the round ampleness of your ass, rotating his hips for a moment until he pulled back, striking deeply into your dripping wet pussy, practically revelling from the pleasurable sensations that sparked up through his body. You were lost in bliss, physically fucked out whilst all the while drooling for more. Your face was plush against the cushions, vacant eyes fluttering as shockwaves rendered through your vessel, prompting the fact that you were growing significantly closer to your orgasm.
“C-cum inside of-f me Dar.” The desire to feel full was overpowering, a pitch squeal ricocheted from your parted mouth as the expected high took toll of your body. Groans rumbled out from his broad chest as your body was practically melting into the duvet, Daryl lifted your hips so your backside was above the rest of your ecstasy induced form, as he rammed into you, closing in on his own orgasm.
A few more thrusts and Daryl was spent, he spilled his seed within your clenching walls as he grappled at your ass, needing to feel any inch of skin belonging to you that he could beneath his fingertips. “Good girl.” He muttered, pulling out from your warmth begrudgingly as he felt fulfilled to collapse beside you over the sheets, pulling your exhausted self into his arms as the afterglow of the amorous moment lulled you into a perfect sleep.
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Hazbins bad character design
I feel like there is a definitive lack of varitey when it comes to the designs in HH as well as a problem of characters' designs not fitting them or what the show wants us to assume about them.
I've said it before and I'll say it again (like lots of other ppl already) but the designs in HH specifically mostly don't work. They're fine if you look at them disconnected from the show. Maybe as just random characters who don't really have to carry a show visually. But they don't work if you actually put them into context and into the background of Hazbin Hotel.
Obviously this stuff is very objective and if you do like the designs thats fine (which I shouldn't even have to say). Also I didn't study art or character design and I don't think you have to to be good at it/be able to form opinions on it and this is mostly just me compiling what I don't like while using some basic knowledge on how shapes, colours etc work.
(rant under the cut)
One problem I really have is, that as soon as you have a design there are immediate assumptions about the character. In the sense that if person A is very muscular and fights against person B, who is maybe slimmer or less buff, you would probably immediately assume that person A wins, atleast in physical combat. Whereas person B would probably be the assumed winner in a stretching or flexibility competition. Often characters are designed with these assumptions in mind. Muscle, height, weight, age, clothes etc. give way into assuming stuff about people, their condition, lifestyle or personality.
The expectations that are set up by the design choices are usually either picked to genuinely represent something about a character or to be subverted and shock/confuse the audience.
Like how a lot of fighting types in Pokémon will either be more muscular or have other details relating to certain fighting styles/sports and the fairy types are usually pinkish, fluffy and cutesy. Because these elements are something typically associated with these types and when we look at them we can pretty easily tell which type they're supposed to be.
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Otherwise, Monster girl from Invincible is drawn as a twelve year old girl, so it subverts expectations when she turns into a big green monster and generally doesn't stray away from violence, because it's something you wouldn't have assumed about her from her appearance.
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In Hazbin Hotel most of the time the character designs don't necessarily fit what they're supposed to be and they also don't use the other design choices as subversion (the one that would probably count here is Nifty with looking and acting very childlike usually but then also acting violent/crazy sometimes).
The first thing would probably be that characters don't look their age mostly.
Charlie and Valeria (Vaggie, but I really don't wanna keep calling her that so she gets a new name) look fine as they're supposed to be around 20. Rosie and Carmilla also look alright for what we can assume their ages are supposed to be. But Alastor is in his 30s or 40s (what it says on the fandom wiki) and he looks around 20 as well. The same thing goes for Lucifer. He looks so young that he could also count as just Charlies brother or friend rather than her dad, because he doesn't look like he could be the dad of a 20 year old. This makes the song "Hell's Greatest Dad" a bit awkward because these men are singing/competing about who is better as Charlies father but they don't look a day older than her. Husk also looks way too young for someone in his 60s-70s (again from the wiki).
The body types being all the same also doesn't help.
Mimzy and Adam are pretty much the only more relevant characters who aren't like all the others in terms of body shape. All the other relevant women in the show have a tiny waist and either big boobs/big hips or just a slimmer build in general. All the men have thin waists and then broader shoulders.
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And for some characters it makes sense. Like Angel is really flexible and his more lanky body fits with being a spider. But why are Lucifer and Valentino like that? Other than the fact that Viv doesn't like drawing muscles there is really no reason for them too being build like every other skinny man there. Valentino is supposed to be intimidating not just by how he acts but physically too. He seemingly has a bit more muscle than others but his arms are still super thin and look like they could snap if I look at them wrong. I'm not trying to say that abusers all have to be buff, but simply from a design perspective the scenes with him would be a lot more effective if we saw him actually have a big physical advantage over Angel and others, even when he isn't necessarily threatening them. As soon as he comes on screen, we could see him as a much more intimidating presence, especially when all the other characters look like sticks. Or they could make it so, that he hides his muscles under his coat and when we get the reveal of him actually removing it, it's more shocking and immediately makes the situation more tense.
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Lucifer could've had a more confident frame as well. He's the king of hell and the strongest being in hell, so just for the diversity I would give him some muscles too. Husk is also super skinny and for someone who only sits around and drinks alcohol all day, he should definitely have a beer belly (please I swear to god I wanna see more men with bellies, Mammon was great). Also for Valeria and Lute and pretty much all the Angels I don't get why they wouldn't be more buff either. Valeria is a fighter, she's Charlies bodyguard but she looks like all of the other women there. It's stated that Angels fight so wild because they don't know they could get hurt. And while I know that the Angels can really only get hurt by angelic weapons, having this whole reveal that they can be injured would've definitely suprised me more, if they actually looked like they couldn't be injured in the first place. But then again, Valeria looks like her arms would break as soon as a breeze hits them too hard. In some episodes her thighs look a bit more muscular, but not notably and she also doesn't fight using her legs (like Carmilla) so only her thighs being bigger sort of doesn't make sense. In general, she or Lute don't show any difference to the women who aren't physical fighters. And obviously just to have a more interesting show to look at, including different body types would do a great job at making these characters stand apart from eachother more.
While we're on the topic of diversity, another obvious thing that makes the characters redundant and borig (sometimes ugly too) is the reused colour pallette. Colour coding is probably one of the easiest things when talking about character designs and it's something atleast Helluva Boss understands.
What effect warm/cold tones have or what feelings we associate with different colours is a great way to bring stuff about characters across without being too on the nose. Obviously colour can also be used to either connect characters or to make them very distinct. Shape language also plays into that of course. In Inside Out the emotions are mostly characterized by their respective colour and by their distinct shapes.
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Joy = yellow (bright colour often associated with the sun/light)
Sadness = blue (cold colour often associated with tears/rain)
Anger = red (very strong colour with aggressive association with fire or when someone turns red because of anger)
Fear = purple (light colour here, mix between red and blue as fear often falls into a more angry or sad feeling)
Disgust = green (colour of most dirt or puke or other stuff people usually see as gross)
Or in a show like Bluey, where different patterns, shapes and colours show the breed of the dog and also how characters might be related to eachother (same breed/mix of breed = usually related).
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Or how colours can be used as lighting effects to create cool shots when the colour pallette changes all of a sudden. In JJBA these changes happen often when someone is in distress or unsure of themselves. Also in tense moments to make them seem more exciting and interesting.
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Hazbin Hotel has very limited range when it comes to the colours of the main cast. All of them feature some form of red and that usually in combination with black or white (if they aren't just purely red like Alastor or Rosie). This makes them not stand out from eachother and creates very similar colour pallettes which get boring once you've seen them repeated over and over again. It also makes the visual connection between characters who are actually related (like Charlie and Lucifer) a lot less strong because so many characters share similarities already.
Also they just hurt to look at sometimes because the background is mostly red as well and with a lot of them being very overly detailed. People have also spoken before about the show being pretty inaccessible for colour blind/vision impared people due to these issues with the colour.
And now you might say that it's hell and therefore it makes sense for all of them and the background to be red. But firstly, I don't think that there is a definitive source which decides that hell is red and can only be shown/interpreted as red. And also there is another show, also set in hell which actually does a much better job at that and actually shows different colours in hell. Like in Helluva Boss the rings are all colour coded.
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And I know, that HH plays in the pride ring fully, but imagine how cool it would've been to see sinners have colours similar to the sin(s) they committed. This could lead to them looking distinct from eachother and the background and would also lead to us being able to assume stuff about them, if we're familiar with the colour coding. In "Hell's Greatest Dad" they do a fun colour change with different light and it's really refreshing and I just wanted to see more variety like that (of course I kinda get that the colour changing isn't really part of the shows design but it was pretty cool to see in that song).
There also is the issue with characters that are supposed to be animal-like sinners not looking like the animal they apparently take inspiration from. The thing is that the animal/object parts don't necessarily have to be visible to understand a character. But in the show, how sinners look in hell is often influenced by their life on earth. Vox's head being a TV is because he was a Tv-show host when he was alive. Nifty also is supposedly a bug, which makes sense because she hates bugs and probably hated them in real life too. But that is where it would be great to actually have Nifty resemble a bug, instead she has no features of one and just looks like a regular humanoid sinner. The same thing happens with Alastor being a deer, Valeria a moth, Charlie goat-like and Angel a spider (also Mimzy is apparently based off of a chicken). Like I said, the animal inspiration isn't essential to the characters, but emphasizing these design elements could help the characters stand out instead of them all just looking like sort of human characters. Sir pentious and Husk work the best in terms of presenting their animal inspiration (though pretty much everything else about Husks design sucks ass).
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And then there are complaints about the characters that are supposed to be people of colour not having any features that resemble their race. It's just a bit weird when a mostly humanoid sinner doesn't really seem to resemble how the person looked in real life. Black characters have really desaturated and sometimes just straight up grey skin in HH. Alastor is probably the most egregious in that regard, but also Emily has just light blueish gray skin and no textured hair or other black features like the nose or lips or palms. Velvette and Sera have darker skin but also no other features (except for when we see Velvette's natural hair texture in like one shot at the end of the season). I know there are other things wrong with how Voodoo is presented in HH or with Mimzy's design often being seen as a jewish caricature, but I don't wanna focus on that fully, because I feel like there are people better suited for talking about that (black people or jewish people ofc).
In general HH is a show with pretty bad designs (imo). That's actually a thing I prefer about Helluva Boss, because there the designs are mostly okay or actually sometimes pretty good. Striker is probably my favourite design in both shows (he reminds me of Dillon and that's cool).
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I like Mammon, Asmodeus, Octavia and Loona as well. I would still probably change a bunch if I were to redesing the HB cast but they overall look more solid than the HH cast.
This was another post which pretty quickly became an excuse to talk about other media I enjoy. I might do that more often, because comparing elements of HH or HB to other stuff makes it kinda easier to articulate my feelings. Also just because I enjoy talking about other stuff too.
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weskie · 2 days
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Earned (Albert Wesker x gn!Reader)
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no warnings, wesker lives au, extremely loose followup to this, wesker receiving affection, i think he deserves it, if that's wrong i don't wanna be right | Fic Directory
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Sometimes you can see through the cracks of his cold, unbothered demeanor.
There’s something… fragile under all of it.  Buried beneath decades of shielding himself from the worst this world had to offer, from dealings with the dregs of humanity and a life manufactured and directed without his knowledge.
You remember how volatile Wesker had been after discovering the truth from Spencer.  The cracks you peer through now had been wedged clear open back then.  Salt dumped into the not-so-metaphorical wound.  You found him in a fit of rage when he finally came home, destroying his entire office just to cope in the only way he could think of.  Splinters of debris gave way under your footsteps and he glared daggers at you, daring you to come closer, daring you to cross the fray into the eye of the storm.
His reluctance to let you touch him weaned with every passing second that you smoothed your thumbs over his cheeks.  It was startling to see his typically calm exterior eroded so completely. You’d never seen him so… shattered.  It wasn’t until later that you’d understand that the foundation of his entire life had been swept out from under his feet. But, even then, you had an inkling that something had truly shaken him to his core.
“Who am I?”  
You’ll never forget the flare of amber glowing brighter in his eyes as each word fell from his lips over and over, nor the bruising grip he had on your arms, until he hid his face in the crook of your neck– secretly so desperate to hide from the haunting revelations of his life.
And you don’t forget it now as you run your fingers through his hair, cradling his head on your lap while he rests.  His recovery had been long and arduous, and it had humbled him more than anything possibly could have.  His dependence upon you had been a nearly insurmountable sore spot, but you wager it taught him a truth so incredibly foreign to his perception of the world.
Vulnerability can be okay.
At least it can be with you.  You’re not out here to stab him in the back or raw deal him for a larger cut in some grand scheme.  You’re not a multi-billion dollar pharmaceutical company pulling his strings nor the corpse that once orchestrated the entire marionette show.
You’re someone who loves him– adores him. 
It’s taken him a very long time to truly believe that, much less accept it.  You will forever be his greatest weakness and strength, all rolled into one.  You are leverage for anyone who wants to truly hurt him, but you are also the ferocity with which he will unmake them for even considering it.  
Worse yet? 
You are the only reason he’s glad to have not perished in that volcano.  Wesker remembers only flashes of his dreams while cocooned in Uroboros, but he knows, without a shadow of a doubt, that he dreamt of you.  That it was your voice that pulled him through, your presence that he reached out to in his near comatose state. It was you who he sought after waking, despite how his body screamed to cease his movements.
So maybe…
Maybe it isn’t so wrong to let those cracks open up when he’s with you.  Maybe you should see the parts of him locked away from the world.  You should know the little boy thrown into the best boarding schools money could buy, the one who wondered if he had parents like the others did, who sought academic excellence so that he’d have even a fraction of the love he’s seen bestowed upon others by right of birth to those who could love them– to the man he is now, stripped of his pride and still always left to wonder what his true name had been.
Long ago, he asked you a question under much different circumstances.  Have you earned me, he’d said.  As he peeks through his farce of sleeping to take in the sight of you looking at him with endless love, only one thought lingers in his mind.
You have.
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johnnyutah · 19 hours
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average adam faulkner stanheight fan: if adam isn’t in saw xi we riot! @lionsgate @kevingruetert @jameswan #adamlives #justiceforadam #corpseinconsistencies
average john kramer fan: What people don’t realize about John, is he’s such a genius that even when he makes mistakes, he planned on making the mistakes. He is the greatest villain of all time
average jill tuck fan: Appreciation post for the Women of Saw 🩷 [the same ten photos that get posted once a week]
average lawrence gordon fan: last night i watched a 2004 tv movie about serial killers called ‘the riverman’, followed by the cheesy family rom-com ‘a castle for christmas’. today my friends and i are going to binge the entire third season of netflix’s ‘stranger things’. none of us have seen a single episode of the rest of the show and we don’t plan on it. then we might rewatch ‘another country’ together
average amanda young fan: sorry i haven’t been online in 4 weeks i’ve been too busy trying to get the new pig cosmetic in the rift [posted 7 weeks ago]
average mark hoffman fan: [underneath a gifset of costas mandylor in a republican christian propaganda ‘sci-fi’ movie] #hes so fucking hot #i would give anything to put him in a sports bra and make him do jumping jacks in front pf me i would literally do #ANYTHING #i need to make him into a marionett and fist him lol
average daniel rigg fan: Here’s a quick low effort doodle I did of Daniel! I just love him so much ❤️ [a literal masterpiece, the best art you’ve ever seen in your entire life] [3 notes]
average allison kerry fan: i am hardcore attached to ONE ship which is probably either allison/amanda or allison/lindsey and my whole blog is devoted to them. there are dozens of us DOZENS
average lynn denlon fan: okay so i know bahar is a realtor now but in her last instagram post where she’s congratulating her son on some new achievement, both the first and last words in the post have 11 letters, AND there’s an X and an I visible in the background of her post 👀?? is this a reach???
average jeff denlon fan: No seriously let me finish seriously when you compare him to the other shitty men in Saw he’s NOT that b
average david tapp fan: i’m 39k away from publishing my 40k tappsing Everybody Lives AU <3 this is going to be epic [account has been deactivated for an indeterminate amount of time]
average brit stevenson and mallick scott fan: Hey I stayed up making this instead of writing my thesis paper for grad school. Here’s a 30,000 word document about the implications of Brit’s promotion within the Marshford group and how it would lead to her eventual demise and also how she rose to the top in her group. It also delves into her relationship with Mallick, whose existence, I believe, is an obvious literary reference to an ancient Roman play read by only me and three other people currently alive. I translated relevant passages and included them in my work. I got understimulated around page 8 so I did take a break to pierce myself in the same spot that I believe Mallick would have a piercing. If you read my fics on AO3 you will already be familiar with the location.
average peter strahm fan: haha peter does CRACK cocoaine haha i think he sniffeds some drugs! why else would he be so MANIC HYPER CRAZY!!! i love my crazy JUNKIE man LOL get him some andderall STAT!! if hoffman didn’t kill him the SPEED certianly would of! LOL!
average lindsey perez fan: i love lindsey perez i’m such a big fan of the character lindsey perez
average matt gibson fan: i literally would eat garbage out of a dumpster
average ezekiel banks fan: holy shit i just finished spiral what a good movie what the hell!!! what a cool addition to the saw universe! i bet everybody else loves this as much as i do! let me take a big drink of water as i check tumblr dot com to see all the nice things people will have to say about darren lynn bousman’s Spiral
average william schenk fan: my hobbies include: being a fujoshi,
average cecelia pederson fan: [pic of cecelia yanking on the metal loop around her neck and smirking] https://docs.google.com/document/d/e/2PACX-1vT3f5IIzt5PG-M7G9_Z-gjY4gZaiUneTdMlYrFAcdBGcJo0-N-RDQcj2JfxOaBTxKa6J_DiDQNgqVpg/pub
average logan jigsaw fan: What people don’t realize about John, is he’s such a genius that even when he makes mistakes, he planned on making the mistakes. He is the greatest villain of all time
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Part 1: what's lost can be found
"She won't make a sound, alone in this fight with herself and the fears whispering if she stands she'll fall down. She wants to be found, the only way out is through everything she's running from wants to give up and lie down. So stand in the rain, stand your ground. Stand up when it's all crashing down. You stand through the pain, you won't drown. And one day, what's lost can be found."  -Stand in the Rain by Superchick
Regent Masterlist Part 2
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The decayed ghost siren echoed through the abandoned streets of Amity Park's Witching Hours. Its residents were well acquainted with what that sound meant, fear and exasperation a potent (strange) mix to keep them tucked in their homes, their beds, as the Fentonworks building seemed to come alive.  
Of course, figuratively speaking. 
(Nothing was truly alive there anymore.)
Jasmine Fenton had just arrived back from the Infinite Realms, muscles pleasantly sore from training with Pandora and very much looking forward to hugging her little brother before he begun his nightly patrol. The siren caught her attention before she’d stepped fully out of her portal, dread filling her gut like a rock dropped into a lake. 
Oh no. 
Team Phantom were young, no one could ever argue that, with some scars to show for all their battles to protect Amity from those that would claim their haunt- but no one outside the team understood just how paranoid they’d become since Pariah Dark and Dark Dan
The contingencies had begun when Jazz started to remember bits and pieces of a timeline that Danny himself had erased using the reality gauntlet. He’d never told anyone of what had happened, with Freakshow’s plan to make himself ‘ringmaster of all reality’ and all, but Jazz had somehow recalled flashes of sheer panic at watching her little brother accidentally reveal himself as Phantom on live tv, in the Fentonworks kitchen on that little box set. The white rings of light that emerged from his core to switch from half-alive to half-dead and vice versa damned him. 
The elder fentons had gone on the offense immediately, Jack’s screech of ghost! Echoing in the house and they raced down to the lab to get whatever latest weapon they’d built to capture Phantom. 
It didn’t matter that their son was dead, that he had died, that their ‘greatest work’ was Danny’s grave. That Jasmine was…well, she wasn’t entirely human anymore, not when she turned on her heel to follow her progenitors down down down into the darkness, sword tightly grasped in hand as her teal eyes glowed a sickly green.  
She hadn’t hesitated then, to protect her little brother. One slash, two, three
Danny hadn’t known she killed their parents in that timeline. She would never tell him. 
She would never tell him how they hadn’t even noticed her presence, her ever loyal weapon Faithkeeper about to take their lives, how she hadn’t even needed to summon her armor. She would never tell him how they begged for their lives, not to protect their children, but to kill the ghostly menace. 
Danny never knew she’d dumped their corpses in the landfill.
(Right where they belonged.) 
WIth the rewrite of the timeline, reset to the same day of the ill-fated Humpty Dumpty concert, Jack and Maddy Fenton’s deaths were undone, but not the blood on Jasmine’s hands. 
With Danny’s defeat of Pariah Dark, came another revelation. 
Jasmine was still mostly alive. Somehow she’d survived her childhood, but Danny hadn’t. She’d looked away for five minutes, forgotten to lock the lab after their parents left and he’d died for it. 
With the weight of being schrodinger’s hero, could her little brother withstand becoming king of the infinite realms? 
Perhaps not while he was still learning, still gaining his own grip on his strange existence. In time, he would become a great king- one of mercy and benevolence, but he still had a long ways to go. 
Jasmine had borrowed ancient ghost law books from Ghostwriter and locked herself away for three days, cycling between crying for her and Danny, reading through the complicated laws of ye olden times, and writing down her findings- just in case another reality rewrite was due. 
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Jasmine had accepted Regency on Danny’s behalf with a grace she didn’t know she possessed. 
It had been a small ceremony, with Danny and his friends present and Pandora, Jasmine’s mentor, acting as sentry as she accepted the Crown of Fire. She knew it was a long road till she could pass it down to its rightful owner, but Jasmine was prepared to shoulder the burden for her little brother. 
Pandora had simply laid one of her many hands on Jasmine’s shoulder with a solemn air, in understanding. There was work to be done before any of them could have peace. (Not even the afterlife was safe from paperwork.)
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Her favorite journal contained the scraps of her hope and dreams bound in maroon leather, soft with age and imprinted with every emotion Jazz had unwittingly (and later knowingly) poured into every word. 
Its pages were a kaleidoscope of her life. 
Sure, it began with the soft tinge of curiosity-exasperation-fondness, some sentiment of better times before her progenitors began working on that damned portal, constructing the future grave of their son without the slightest clue. 
The emotions began turning a darker turn when the work turned into an obsession. Jazz had plunged into her schoolwork and part-time jobs to afford whatever was needed for the siblings to survive, fondness becoming slowly poisoned by anger. Anger for the portal. Anger for the food other kids had, that they didn’t have to work so hard for. Anger that she knew what starving felt like. 
Anger that she was so weak. 
Then the day of Danny’s death. 
The darkest part of her history, the last embers of her hopes and dreams, of the siblings escaping smothered. Danny’s death scream forever etched into her brain. 
(It should’ve been her.) 
She hated those pages of her journal, the emotions of grief-anger on her tongue, but she couldn’t bring herself to rip them out. No more than she could destroy the confessions of protect-rage-grief, the confessions of the darker timeline she shouldn’t remember. 
On very last page was the contingency plan Jazz herself had created.
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Code Graverobber.
That siren wasn’t any ordinary ghost siren, no, it was the one Tucker had programmed himself- it was the quickest way to alert every member of Team Phantom and Tucker had made sure that none of them could mistake it for a Fenton ghost alarm. No, Code Graverobber was in effect. 
Phantom had been captured by the elder Fentons. 
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(Fate has a way of setting itself right.) (Death wants its due.) With a bleeding, sobbing and vivisected Danny cradled in her arms, Jazz left Amity Park behind for what she prayed to the Ancients was forever. The Fentons died that night, though the official records would claim they were killed in a explosion due to the highly unstable inventions they created, taking the lives of their children as well. No one really dug around in the wreckage of Fentonworks, not for the bodies of the family within, with the chance of another explosion happening should rubble be shifted the wrong way. 
Jack and Maddie Fenton died.. 
But Jasmine and Danny Nightingale lived on, in Gotham City.
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The last of those three days she spent locked in her room, Jasmine wrote a letter to a future version of herself, tucked inside one of her favorite books now lost in the destruction of Fentonworks. To my future self, Forget me in your happiness.    Love, your past
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A/N: BEHOLD!
Ahem. This is the original chapter 1 that I never finished or published. It's not my favorite or my best, but I unburied it for the 300 milestones. Thanks for reading!
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sage-nebula · 1 day
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"Friede's using himself as a decoy to keep us safe."
I rambled about this in the tags of a reblog, but hell, I'm going to go ahead and make a separate meta post about it as well, because it's something that I think could have a delicious narrative impact on a future Horizons arc if the writers choose to utilize it. (And even if they don't, it could make for some delicious fic.)
So, one thing I noticed on my catch up binge of Horizons is that Liko and Roy (and to a lesser extent Dot) see Friede not only as the leader of the Rising Volt Tacklers, but also as a hero -- as their hero. This especially jumped out at me in episode 25, when Friede had them take shelter in the tower of the ancient castle while he battled Amethio. Not only did they readily listen to him when he told them to stay put inside the tower while he alone went to the exposed top, but then we were treated to this:
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This whole sequence is notable for several reasons:
Friede jumps off the tower to draw Amethio away from the higher floor of the tower where Liko and Roy are sheltering, so that Amethio has a lower chance of going after them.
As he passes by their window, Friede gives them a wink and a smile, to comfort and encourage them.
The animators made sure to show us not only how Friede looked from Liko and Roy's perspective (heroic), but also how awed they were by giving us a full shot of their own facial expressions.
Just in case it wasn't obvious enough, Roy and Liko spell it out themselves that Friede is using himself as bait for Amethio in order to protect them, not only telling the audience what he's doing in case the audience didn't pick up on it (which, young children do watch this show), but also showing how this knowledge affects them, because Roy's voice is shaking a little when he says his line, and Liko's is hushed.
This was a very scary night for these two kids. They were outnumbered, their enemies were much stronger than they were, they were being pursued and in hiding. But Friede put himself between them and the greatest, nearest threat, and did his best to comfort them as he did so. To give them a wink and a smile as if to say, "Don't worry, it'll be okay."
And this isn't the only time.
We would be here all day if I grabbed screenshots of every time Friede rushed in to either save the kids from danger (either directly himself or by sending Cap in his place), or check on their well being after the fact to make sure that they were unharmed. Often, he does both in the course of the same episode, sometimes multiple times. Hell, his establishing character moment in the very beginning of the series is a heroic rescue whereupon he enters the scene to protect Liko from Amethio on the rooftop of her school. Friede makes it a point to prioritize the kids' safety and well-being, and as a result, they've reached the natural conclusion: they view him as a hero. As their hero.
So then, the question must be asked: what happens if their hero is taken out of the picture?
The question needs to be asked for a few reasons, and not just because I have a love for angst. The first reason is because we've already been given a teaser of what would happen at the end of the Terapagos Shine arc. In episode 44, Friede was trapped in a tower of Spinel's design. Though neither Liko nor Roy knew that the tower was a trap by Spinel, they did know that Friede was trapped inside -- and both immediately panicked upon seeing that Friede was trapped in a tower beyond their reach in enemy territory.
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Roy immediately tried opening the door and, when repeated attempts to yank it open wouldn't work, banged it on it with his fists while yelling Friede's name. Liko, meanwhile, stared in abject terror. And even after Friede reassures them, Roy still frantically demands more answers while Liko just as frantically wants to know if Friede is okay, and a little bit after that has to take a deep breath to try to get herself to calm down. Keep in mind that just an episode prior to this, when faced with a sudden attack by the Explorers, Liko's first instinct was to call Friede for help, while Roy said that he would battle because there was no time to call Friede (not because calling for backup wasn't necessary). Don't get me wrong, I'm not saying the kids aren't brave. Of course they are! They both insisted on going on this mission in the first place! And they're there because, as concerned as Friede is for their safety, he is also Professor Pushover when it comes to them and caved immediately to their puppy eyes. But they also feel much safer on that mission because Friede is there with him. Feeling that he is in danger, cut off from them like that -- the stakes suddenly became that much more real.
And on the other side of the door, Friede knew it as well. And how did he react?
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He's not happy. He knows this is a bad situation. But --
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He does what he always does: he doesn't let on at all that this is a bad situation, so as not to worry and scare the kids. He also tells them to leave the area, because Spinel is there and Spinel is dangerous, and he wants to get them away from that danger. To date, Spinel is the most dangerous Explorer that they've encountered. Remember, Spinel is the one who successfully stole Terapagos' pendant, and the one who wiped Liko's memory and had her missing in Levincia for awhile. It's understandable why Friede would prioritize getting the kids as far away from him as possible.
So, to recap:
In a situation where, as far as the kids knew, Friede was just temporarily locked in a room away from them (in enemy territory but not with an enemy) and could still talk to them, it freaked them out enough to make them panic, and it took Landau telling them that they had to believe Friede could get himself out of the room and that they had to move forward for Liko to deep breath her way out of her mounting panic attack so she and Roy could move on. In a situation where Friede was actually captured, then, we could probably expect their reactions -- at least, their initial reactions -- to be much worse.
And I consider this possibility for two specific reasons: one genre, and one narrative.
First, genre. Pokémon has always been a coming-of-age story of sorts, but I feel that the Horizons anime feels especially so, focusing very strongly on Liko, Roy, and Dot as they grow up and discover both who they are, and who they want to be when they're older. (This has been especially emphasized with Liko and Dot, I feel; with Roy, he hasn't really thought about the future beyond battling Rayquaza.) The thing about coming-of-age stories set in fantasy settings, though -- rather, the thing about coming-of-age stories set in fantasy settings wherein the young protagonist has a stronger mentor that they can lean on to bail them out of jams is that, if they can consistently rely on the mentor to bail them out of jams and danger, then it doesn't give them the opportunity to overcome that danger themselves. Therefore, very often those stories will kill off the mentor character to force the younger protagonist character to go off on their own to face the primary villains in the end. Hence the deaths of characters like Obi-Wan Kenobi in Star Wars, Gandalf in Lord of the Rings, and so on.
Now, given that this is a Pokémon anime, obviously they're not going to have Spinel murder Friede. I mean, true, they let Zygarde kill Lysandre on Bonnie's order at the end of the XYZ anime, but Lysandre was the big bad and we didn't see his corpse, it was just heavily implied that he didn't survive what Zygarde did to him. Same with Hunter J and her crew in the DP anime. Did she live? Probably not, but we never saw the bodies, so hey, plausible deniability, and they were villains anyway, so. But Friede is a main character, and a hero, so we can be 99.9% sure that they're not going to have Spinel or anyone else murder him in order to force the kids to get by without him for awhile.
However, Friede doesn't have to die for him to be taken out of the action. He just needs to be put into a position where it is physically impossible for him to get to them to save them when they're in danger (and for them to know that he can't get to them when they're in danger). But I'm getting ahead of myself. The point I'm making here is that, for genre reasons, the writers have a reason to want to remove Friede from the field of play in order to force Liko, Roy, and Dot to stand on their own against the Explorers. Because while they would still have the rest of the adult crew of the Rising Volt Tacklers, the rest of the adult crew aren't really battlers. The only one among them who has a fully evolved pokémon is Orio with Metagross, and we've only seen her attempt to battle once. It doesn't mean she can't, of course, but it does imply that perhaps she's not an active battler. Certainly, she's not the one rushing in to save the kids all the time like Friede is. The rest of the RVT crew is important as well, but Friede is the one who would cause the real narrative impact here, as well as the psychological impact on the kids.
(And to briefly address Dot, since I've barely talked about her: Dot hasn't received as much focus in this discussion since she rarely leaves the ship, and thus hasn't been in as much danger as Liko and Roy. However, Friede has had as much of an impact on her life and I believe she sees him as a personal hero just as much. He is, after all, the one who gave her the new life that has impacted her so greatly. He's the one whose thesis first caught her attention. He showed an interest in her interests. He called her abilities special. He invited her to join the Brave Asagi. He brought her aboard no questions asked, made her feel welcomed, has never shamed her for being a shut-in, so on and so forth. Friede treats Dot with as much respect as he does the rest of the crew and his offer to let her become a crew member changed her life for the better. So while he hasn't had to rescue her as much as the other two, I think she does see him as a hero just as Liko and Roy do, and would be just as affected if something happened to him as they would be.)
The other reason why I think the question needs to be asked is a narrative one. I think, from a narrative perspective, it would simply make sense for the Explorers to want to do something about Friede at some point, particularly if they wish to take Terapagos from Liko (or get the kids out of the way of their plans for Rayquaza / Terapagos / Rakua). Again, whenever the kids are in danger, Friede swoops in and saves them. This is something that Spinel, at least, has noticed; he built the trap on the island specifically to imprison Friede. Why would he do that, if Friede was not at the very least a nuisance, at the very most a threat? And at the end of it all, we got this:
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Which then brings me back to what I mentioned earlier: since the anime clearly can't (and won't) murder Friede, because that would be going way too far for a Pokémon anime, if the writers do choose to temporarily remove him from the field of play in order to give the kids room to stand on their own two feet without Professor Safety Net, then I could see this playing out one of two ways.
The first (and most delicious) way is obvious: have him be captured by the Explorers. I feel that this is already set up by Spinel's little smirk and comment above. Spinel has already designed one trap meant to imprison Friede; there is nothing stopping him from designing more. Of course, it would require nerfing Friede (and Cap) a bit, in order to leave them captured for a good while; but it would also give the kids a mission, that mission being rescuing Friede and Cap in a reversal of all the rescues Friede and Cap have provided for them thus far, while simultaneously taking the fight to the Explorers, versus the Explorers always coming after them. Of course, this does carry the risk of still seeming too dark for the writers to want to consider, since Friede would be a prisoner during all this, but if nothing else, I can always write fic.
The second possibility that is less obvious and more bonkers, but less dark and so somehow more plausible in my mind, is that Friede could somehow end up trapped in Rakua with Lucius. And before you're like "what," consider this:
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Friede has a plan that involves the three Heroes they've obtained so far. If I had to guess, Friede is going to continue pursuing the remaining Six Heroes while the kids are on their Terastal course. And that's fine / good; he's continuing the mission so they don't lose time, although how he's going to do that without Terapagos is a mystery. (Although I'm sure Liko would let him borrow Terry if he just asked.) But the point is, he's got this mysterious plan involving the three Heroes they currently have. Rakua is some mysterious place that isn't on any maps and so could very well be another dimension or something similar, because those are 100% canonically real in the Pokémon world (e.g. the Distortion World). It would behoove the writers to have Friede off the field of play for awhile, to the extent that it is physically impossible for him to help the kids. And the kids also intend to reach Rakua because that's what Terapagos wants. So if Friede somehow got trapped in Rakua, then they would be killing two birds with one stone: Friede can no longer help the kids when they're in danger from the Explorers, and the kids can rescue Friede when they take Terapagos to Rakua to see Lucius' spirit (or just Lucius himself if Lucius has been alive in Rakua all this time because it's like a fountain of youth or limbo or something). Bonus points if the kids don't even know that's where Friede is, if they just know that something happened to him but don't know what, but they keep working toward Rakua anyway because the other adults on the crew convince them that Friede would want them to. (But Friede can maybe still somehow get messages to them through Terapagos visions or something, I don't know.)
I could honestly see this being the way they go with it, simply because it's less dramatic than "the enemy has taken your mentor hostage and taunt you about how powerless you are to do anything about it and also they're going to hunt you down to steal your little turtle, too." Plus they're setting Friede up to do something with the three Heroes, and it can't be for nothing. But then again, neither can Spinel's interest . . .
Either way, the fact that the kids so clearly see Friede as their hero, and the way it would impact them to have something happen to him as a result, has lived in my head ever since episode 25. Particularly since it would have a narrative impact as well, given how often he is their safety net, and what it would mean if he couldn't be any longer. Not because he chose not to, because he would never choose that; but because he couldn't, because external forces took that choice away.
Well. Even if the anime itself doesn't deliver, that won't stop me. :)
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blouisparadise · 20 hours
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Upon request, today we have a second part to our rec list of domestic fics. In case you missed it, you can find the first part here. If you enjoy our rec lists, please be sure to like and reblog the post to help spread the word. Happy reading!
1) To Make a Home Where There Is None | Mature | 3,907 words
Harry shows up and doesn't want to leave. Louis doesn't mind too much.
2) Harmony | Explicit | 6,175 words
Alpha Harry and Omega Louis don’t have the most amicable relationship at work. When they get stuck together in an elevator, Harry scents Louis after nothing else works to bring him out of his panicked state. Their time trapped in the elevator together brings to light some misunderstandings, and maybe some feelings for each other, too.
3) Too Nervous to be Lovers | Mature | 6,445 words
Louis doesn't want to spend quarantine with Harry, his straight roommate, who doesn't even acknowledge his existence.
4) Oranges, Whipped Cream and Blueberries | Explicit | 9,135 words
Louis was an omega of a pure bloodline. He had known since he was merely eight years old that he was to be bonded with a high ranked alpha. Not the one of his choice, but the one deemed suitable for him by the elders. Little did he know that the alpha would be the leader of his pack; the greatest pack known to their kind.
5) I Glow Pink In The Night | Explicit | 12,128 words
“These are academic articles,” Harry argues lightly. He runs his hands up and down Louis’ smooth and tan legs, grinning when Louis purrs. “I just want to learn more about you. We’ve only been dating for a few months.” Louis bites down a smile, warmth filling his belly and a flush coloring his cheeks. Pulling his fluffy black tail around him, he picks off lint and flicks them onto the floor. “Well, then ask me.”
6) With The Certainty Of Tides | Mature | 13,980 words
“Love you,” Louis whispered in the dark. He didn’t know what time it was or where the light had gone, he knew that he was in Harry’s arms, basking in the afterglow of all their love and he’d be a fool to not tell Harry that. As if Harry didn’t know. “Love you,” was whispered back, as if Louis didn’t know. They confessed to each other as if it was their first time saying it, raw and painful, and listened to it the very same way, but they knew those words to be the only ones true. With all the certainty of the tides, with all the light from the sun, with all the steady beats of their hearts, they were deftly in love, in secret and so loudly. They were brave and fearless and strong and hopelessly devoted in every sense of their breaths. “We made it, baby,” Harry mumbled, bringing their lips into a final kiss, sweet and soft and the color of pink. They already knew that, didn’t fight tooth and nail and argued through every petty year and bleed their hearts into the words they sang and on their skin for them to have not made it home. They were home.
7) Hungry Heart | Explicit | 16,100 words
"So you're using me and my kitchen for a bigger paycheck?" Harry asks. "What do I get out of it?" "What do you-" Louis parrots in disbelief. "I get a job that doesn't make me work ten hour shifts just to barely pay my rent while you get three meals a day cooked for you." "So, what, you're like some glorified housewife?" Housewife, personal chef, Louis doesn't care. Contract's signed and done; T's crossed and I's dotted. Louis will wear an apron and twirl his hair all pretty if that's what he wants. Even if the job feels more like some drawn out jail sentence, Louis hopes this isn't going to be a long summer.
8) Three’s A Crowd, Four’s A Party | Mature | 16,569 words
“Morgan, sweetie, mommy and daddy have something we want to talk to you about.” The little girl looks at them confused, having no idea what’s about to happen. “First I want to tell you that we love you very much and nothing will ever change that, okay?” “I love you too!” Louis smiles. “What we wanted to talk to you about is that there’s going to be some changes around here soon.” “Why?” “Because mommy’s having a baby.”
9) Hijack My Heart | Explicit | 18,105 words
Harry Styles loved challenges. What was life without challenges? he asked himself at 17 when he failed his A levels and had to switch schools. Challenges made life interesting, he said at 20 when he moved to New York, all alone, away from his friends and family. Challenges are what make life worth living, he thought at 25 when the nurse handed him the most beautiful baby girl on the planet, and asked him to give her a name. Challenges suck, he thought at 25 and a half, when he held a wailing baby in his arms on the 6.00 AM flight to London, from New York.
10) Tennis Court | Explicit | 18,285 words
Louis and Harry are co-workers and Louis is sure Harry hates him because he always refuses to help him with his heats.
11) What Happens In Vegas...Doesn't Stay In Vegas | Explicit | 21,976 words
What should have been a fun one-night stand in Vegas turns into something a lot more complicated. Because getting married is easy but getting unmarried... not so much.
12) True Blue | Explicit | 23,409 words
Louis and Harry are the most codependent couple. Harry's life purpose is to take care of his omega & Louis' is to be doted on. After a few too many jabs from their friends and coworkers, Louis is determined to show Harry that he's capable of surviving on his own while Harry is certain that Louis is going to break up with him at any moment.
13) My End And My Beginning | Explicit | 24,749 words
When Louis starts as an intern at a new company, he becomes particularly fond of the boss’ five children. And maybe the boss himself as well.
14) Yours To Lose | Mature | 25,742 words
Louis always gets distracted with his mummy duty and he eventually catches Harry's attention.
15) Confections Of The Heart | Explicit | 25,877 words
Louis is a single mom, Harry is a pastry chef, and Oliver just wants his mom to be happy. With a teaspoon of love and a sprinkle of fate, the three might just find a home in each other.
16) Through Chaos As It Swirls, It’s Us Against The World | Explicit | 31,728 words
Corporal Styles is sent on a suicidal mission, at his hands the lives of hundreds of men that are going straight into a trap. He ends up finding Louis, the french and most beautiful boy he has ever seen, and a baby, in a basement of a dead city.
17) Deleted Scenes | Explicit | 33,623 words
Agent Harry Styles was injured on the job a few months back, and gets roped in one last mission before he can retire prematurely: playing house with Louis, a widower who has amnesia. The assignment seems simple at the beginning, but soon enough Harry's twisted in a web of his own making, and can't get out anymore.
18) A Common Place Affliction | Explicit | 36,508 words
“You should go home,” Louis muses, and Harry can feel the omega crouch down to become eye level with Harry, poking his cheek with a dainty finger. Harry lifts his arm, taking a peek at Louis’ face. Louis looks tired, he notes, but not exhausted, and there’s an eyelash stuck to his cheek. Harry doesn’t hesitate to lazily reach out and thumb over his cheek. “Can’t,” Harry croaks, blindly twisting his hand around to grab at Louis’ offending finger and just holding it. “C’mere. Take a nap with me,” he asks after a beat, opening an eye to look at Louis. Louis raises an eyebrow. “M’not going to nap with you in the middle of the ER, H.” Sighing, Harry squeezes the young nurse’s finger. “Nobody cares.” He knows they do; they’ll annoy nurses and probably worry patients when they catch sight of a nurse and surgeon sleeping on the job. Let alone in the middle of the emergency ward hallway. Harry can hear the complaints now: ‘these are the people we’re supposed to trust with our lives?’
19) All This Devotion | Explicit | 38,047 words
Louis is Harry’s work wife. The already blurry lines of their friendship are smudged further when they get caught up in a web of lies.
20) Kiss Me On The Mouth And Set Me Free (But Please Don’t Bite) | Mature | 42,036 words
Harry is the CEO of Flora Corp, Louis is his new secretary.
21) A Silent Whisper (That's Left Unsaid) | Explicit | 50,848 words
Note: This fic is locked and can be only be read by AO3 users.
A Fake Relationship & Exes to Lovers AU ft a failed proposal ten years ago, an oblivious Harry, an overworked Louis, Zayn as the protective best friend, a meddling aunt and a lot of talks about weddings and rings.
22) Forgive The Urgency, But Hurry Up And Wait | Explicit | 53,701 words
Note: This fic is a sequel to this fic. We'd suggest reading that one first.
Louis' going to do better. He’s going to have all of the uncomfortable conversations and the relationship talks. He’s going to make himself be a good boyfriend. And he’s got absolutely no idea where to start.
23) Strawberries & Cigarettes | Explicit | 76,633 words
Summary: Two stories, eleven years, and the two boys that never stopped loving each other.
24) Saving Symphony Hall | Explicit | 124,766 words
Note: This fic is a sequel to this fic. We'd suggest reading that one first. This fic is locked and can be only be read by AO3 users.
“I think I have an idea,” Louis said. Slowly, and reluctantly, but with a growing sense of the inevitable. “God damnit, I think I have a really good idea.” “Oh christ, that's the problem-solving face,” Babs said. “Last time we saw that face, he sold a company.” “Wait, what?” Zayn asked. “Right place, right time,” Louis said. “Also, fuck my life,” “What?” Zayn repeated. Niall patted his hand. “I usually just roll with whatever Louis is about to do,” he said. “It’s better for us all.” “That’s the attitude,” said Louis, “I’ll tell you tomorrow. Tonight, I need to do some research. Zayn, give me your number. I’m gonna save our symphony.”
25) Love Me Until The End | Explicit | 207,311 words
AU where Louis, an Omega, is the head nurse of the hospital in charge of running the nursing staff. Harry, an Alpha, is a highly respected surgeon working at the same hospital. They also happen to fall in love.
Check out our other fic rec lists by category here and by title here.
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beauty-and-passion · 20 hours
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Eurovision 2024: broken promises and one last hope
Hello.
I know this post took a bit longer than usual, but I needed some time to collect my thoughts about this year’s Eurovision.
Yes, I watched it. Why? Because it wouldn’t have been fair to the artists, who took part in this year’s competition. It’s not because of them that the show was so polarized, so they didn’t deserve to be punished for that.
Also, I needed to see how far the EBU would go. I needed to see and I needed to remember. And everyone needs to remember too. Remember this year and remember what happened, when the EBU followed its policy so strictly, it ended up making the most tense show I’ve ever watched.
I will share my thoughts and I will try my best to do it effectively. It won’t be a short post and I apologize, but I tried my best.
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Sweden: was it worth it?
We all had big expectations for this year’s show. There was Petra Mede, everyone’s favorite host. And Sweden is well known for doing great shows. This year should've been great.
 The first semifinal starts and we're bombarded by greatest hits of the past. Cool for five minutes, boring after one hour.
I’m disappointed: I expected something better from Sweden, not them recycling something already done in the past. But that’s what they did by sending Loreen back to win again, so I suppose it’s fitting.
Okay, so we have Johnny Logan, Ireland’s three-time winner. Is he singing one of his songs? No, he’s singing Tattoo.
Weird choice. Why call Ireland’s three-time winner to perform a Swedish song? Why call a representative of the nation who won as many times as you and make him sing one of your songs and not one of his?
If I were to think badly, I would think this was Sweden's subtle way to impose its supremacy on Ireland. A sort of: "You're not the best anymore, I reached you and I will surpass you. You will succumb to me". But Sweden would never do something like that, wouldn’t it?
Then we have the second semifinal. And we have a song, which can be resumed as follows: “We know we stole Finland’s victory last year, but instead of admitting there is a problem with the voting system (and the entire system for that matter), we’d much rather prefer to whine, because people have been sooooo mean with us. And yes, we will keep sending the same stuff every time, because it makes us win. At the end of the day, all we want is to keep winning, so shut up and love us.”
I don’t know you, but the line between being self-aware of your flaws and openly admitting all you want is to win (all while insulting the country that almost won last year, by saying that their show would’ve been so stupid ah ah, while ours is so cool, see how cool we are?) is very thin. And even the greatest hosting country of all time can succumb to its own hubris once in a while.
Then we reach the final. Okay, the semifinals' shows were meh and left me with a bitter aftertaste, but hey, that’s the final! It must be awesome!
After two hours, I was looking at the clock, waiting for the entire thing to be over.
Did we really need a thirst song about Martin Österdahl, the most hated EBU Executive Supervisor? Was it really necessary to sexualize this man? Is it because he’s Swedish? Is it because Sweden needs to kiss the ESC’s ass even more? Or is it because the ESC really really wants to make this guy more popular, considering people hate him?
After hinting at them in every possible way for the entire week, in the end we got AI-generated ABBA. Well, shoutout to the real ABBA for not participating in this: last year they said they would’ve not taken part and they didn't. Respect.
Alcazar were the biggest surprise of the entire week, because they are a piece of my childhood and Crying at the Discoteque is still a huge bop. But heaven forbid we having fun for more than five minutes, so they were sent away immediately.
At the end of the day, my question is: was it worth it, Sweden? Was it worth winning seven times, only to celebrate with the most boring show ever?
I cannot believe I’m saying this, but I missed Portugal’s show. Yes, the show I called “torture”, because they kept spamming the entire country for days.
You know what? I’d rather watch a country constantly spam its beauties and its culture, than another greatest hit compilation. By god, you’re hosting Eurovision. That's your chance to display your country on the greatest window Europe has to offer. And you use that chance, to repeat over and over “Eurovision good” and talk about it only.
I know Eurovision is good and cool and I love the reminder... but please, give us something more, Sweden. Something you. Listening to a country say: “We don’t have anything else to offer besides Eurovision” does not make me laugh. It makes me sad. It's not that you don't have anything else to offer, Sweden: it's that you don't want to show what else you have to offer.
You have gorgeous natural places (Höga Kusten and Gotland just to name two). You have the second-longest bridge in Europe and it's fucking impressive. Your capital is full of wonderful islands - and I found out there are tours with buses that go both on the ground and in the water. How fucking cool is that?!
Do we want to talk about culture? Your coffee breaks are literally part of your lifestyle and even have a specific name. You have that great concept of lagom which a lot of people should learn too. You are full of beautiful art and funny foods - heck, there is even a Disgusting Food Museum in Malmö! And I didn't find out thanks to Eurovision, but thanks to fucking Tripadvisor.
It's just sad, you know? Don't underestimate yourself so much, Sweden. You have a ton to offer besides this show.
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 The Netherlands: victim of paradoxes
Europapa was one of fan’s favorite songs and of course it was: a catchy tune, funny singer, fun and happiness for a song that was both a celebration of Europe and a touching love letter from Joost to his parents.
Of course it got people’s hearts. We all love the story of a character who comes up with a dream and wants to fulfill it. And if we can, we want to make that dream come true.
So just imagine how devastating it was, to find out Joost has been disqualified. I was minding my own business when I found out and I was shocked, so I can’t even imagine how bad his hardcore fans felt.
The first question was, of course, why. What happened? What could’ve done a man who has always wanted to attend Eurovision, to get disqualified? Not warned, not penalized. Disqualified. What did he ever do, to put in jeopardy his lifelong dream like that?
I don't know if we’ll ever find out the whole truth. All we know is that Joost asked a woman to stop filming him, she refused and kept following him, so he made a “threatening gesture” towards the camera, while not touching her.
Which gesture? No idea. Maybe he showed his middle finger, maybe he tried to lower the camera, maybe he said “fuck you and stop filming me”, maybe he tried to hit the camera. I don’t know. But in this case, I would really like to know - and not just what he did, but how the whole thing went.
If this year taught us something, is the importance of context. If Joost Klein tried to punch the camera is one thing and he should be condemned for that. But if Joost Klein tried to punch the camera after being filmed without his permission, because a woman was harassing him and following him, thus breaking the agreement that wanted him to not be filmed after stage… well, that's another thing.
Sure, he shouldn’t have reacted this way. But you can understand by yourself that snapping at someone out of the blue is one thing and snapping because you’re fed up with harassment is another thing.
Did Joost deserve some punishment? Sure. But did the person filming him without consent deserve punishment too? Of course. If you have to apply punishments, you have to do it equally, not with a double standard. So if he was disqualified, that woman should've been removed from her position too. But as far as I know, she wasn't.
Also, why didn't the EBU tell exactly what happened right from the start? Why refer to it as “an incident” and give only vague explanations? Why not mention Joost's disqualification during the Grand Final? Why did people have to find out through social media and the Grand Final happened as if nothing?
That's weird, that's not the behavior of someone who has nothing to hide. What’s the matter, EBU? Why this weird lack of communication? And why not show the footage of the incident and make everything clear? Now you’re respecting Joost’s right to not be filmed? A bit too late for that, isn’t it?
So yes, in a paradoxical turn of events, Joost Klein got his dream denied by the same show he wanted to be part of. The guy with the most European song ever, the one who stuck to the ESC motto “united by music”, the one who celebrated Europe, the one whose childhood dream was to be part of this European show, got disqualified by the same European show.
What can I say? I just hope karma will do its job for him. If he's innocent, he will get good things. If he's in the wrong, he will get his punishment.
In the meantime, you can still support him, stream his songs and check his albums. Here on YouTube you will find basically all of them, since it doesn’t seem he has a YouTube channel (yet).
And if his fans still find everything absurd and unjustifiable, don't worry: if Eurovision 2023 (and all previous ones) taught us something, is that you don’t have to be the winner, to steal people’s hearts. Sometimes, you just need one performance.
And this one stole everyone's heart.
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Also, since apparently paradoxes were not enough, it seems like European flags were banned for being political? European flags during a European show in a European country in the European continent.
Uh?!
EBU, one question: on which continent do you think you’re in? Spoiler: it’s not America.
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EBU’s biggest mistake
Let's talk a bit about the current global situation, shall we? No, you can't escape from it.
So, unless you lived under a rock until now, you know that the Israeli-Palestinian conflict has been going on for a long time and that recently it intensified again because of the new Gaza conflict. Israel pretends to not have committed war crimes, the rest of the world tells them to stop committing them, there are protests everywhere and people are ready to jump at each other’s throats to defend one country or the other.
Now, you’re the EBU. You say your show isn’t political. And that’s true: Eurovision isn’t political. Eurovision is a musical competition. It has nothing to do with politics.
But Eurovision takes place on planet Earth. And, as said, the situation on planet Earth is a bit tense right now. So you already know that, if you stick one single finger in this situation, you will get BIG reactions from the public.
So, what do you do, when Israel asks you to participate?
a) You tell Israel, very politely and very professionally, that you appreciate their application, but cannot accept them this year, because the situation is what it is and letting them in would bring chaos and potential dangers into a contest whose main foundation is being safe and non-political.
b) You let Israel in and let Palestine participate too, at least in spirit through people’s voices and decisions to mention it. This way, no one can say you’re taking sides, since you’re letting both sides participate.
c) You let Israel in and censor everything and everyone else, so not only you bring chaos inside your non-political contest, but make it even more political than ever and end up taking sides too.
Guess what EBU chose.
In order to stick to their non-political policy, EBU put blinders on and ignored the rest of the world. In order to let one country in because "Eurovision is non-political, so everyone is allowed to participate", they brought politics into their non-political show.
And no, it's not unexpected: it was obvious that, by letting Israel in, politics would've entered the competition too. This country and politics are bound tightly now, because of the current situation: of course if you let one in, the other will enter too.
And with politics, all the chaos of the current situation found its way in too. And that means EBU literally put in danger:
25 artists and their teams coming from all over Europe
the same Israeli gal and her team
all the tourists coming from all over the world to attend Eurovision
Swedish people who were living their normal lives and were suddenly surrounded by protests and chaos
the protesters who could've been involved in potential clashes
members of the police who also could've been involved in potential clashes
“But hey”, you might say, “nothing bad happened, in the end! You’re being too negative!”
Sure, thankfully nothing bad happened. But the risk was there, it was huge and it's not that "it would've been here anyway": the risk could've been completely avoided, by applying just a bit more human reasoning.
But even after politics found its way into the show, even after that, EBU could've saved the whole thing. If only one human being with a functioning brain said something like: "Okay, politics is in, even if we didn't want to. Now all we can do is let the other side of the conflict speak too, while we stay neutral".
But no, oh no. Mentioning Palestine and ceasefire means politics and our show isn't political. So let's ignore the fact that our decision to follow the policy verbatim led to politics being inside the show and let's keep applying the rules as if nothing: no one should mention politics, so Eric Saade cannot perform with the kefiah, Bambie Thug should remove their messages about ceasefire, Iolanda cannot keep her nails with Palestine's colors (seriously?!) and people's booing should be drowned with anti-booing technology.
You know, it's incredibly fascinating how EBU's stubborn decision to strictly follow the rules not only allowed politics inside the show, but led to the EBU itself taking a political stand, all while censoring every other opposition. EBU's rigid, mechanical application of the policy led to the EBU contradicting the same policy it was oh-so-religiously following. By making sure the show wasn't political, EBU applied censorship and not only made it even more political, but politically oriented towards one side of the conflict.
I don't know who the EBU members are and if they're human beings with functioning brains or just AI-generated bots, but please: stop following the rules like mindless robots and start using human reasoning in your decision-making process. And use common sense too, because if an idiot like me could foresee the consequences, you should've been able to foresee them too.
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Israel: bullying cannot buy you victory
Now, we have Israel in. And the Israeli gal and her team perfectly know that their sole presence will lead to controversy and political stands.
So, if you were in their place, what would have you done?
kept a low profile during the entire competition;
showed at least an ounce of regret for unintentionally putting everyone in danger;
bullied everyone and tried to find any possible chance to beef with the other artists;
Guess what the Israeli team chose.
During the entire competition, these people kept harassing other artists, filming them without consent, calling them names, misgendering them. They kept this arrogant behavior, as if they owned the place and all other countries were just invited to their show.
And if there’s something I hate more than arrogance, is arrogance with a side dish of bullying.
So, to all the people whining because “Martina Satti yawned while Eden was speaking and Joost hid his face”: if that’s bullying, for you, you have a great life and I envy you. I wish I was bullied like that in school. But my bullying was more like… well, calling me names, harassing me and listening/spying what I was doing without my consent.
But apparently harassing the competitors wasn’t enough, so Israel decided to harass the viewers too, by begging for votes. Yes, they begged for votes. Yes, they spammed ads all over YouTube. Yes, I got one too and it was on a Eurovision-unrelated video and it made my blood boil. Yes, they were this desperate. And yes, that’s pathetic.
Also: is this legal? Is this allowed? EBU, are we sure this is part of the rules you follow so strictly? And please, tell me: is harassment also part of those same rules?
But do not worry: in the end, karma found its way. And despite the arrogance, the harassment, the tons of money spent to beg people, none of these means was enough to grant Israel the victory they oh-so-desperately wanted.
On the contrary: in a wonderfully ironic twist, the winner was one of the artists they kept misgendering and harassing. Mmmh, delicious irony, my favorite.
So thank you Israel for wasting money all over YouTube, I hope they were a lot. Thank you to all the people who made a political vote, you really got the spirit of the show, I hope you will never watch it again. Thank you Israeli team for harassing everyone and making an already tense competition even more tense. And, most importantly, thank you EBU for bringing politics in a non-political show: great fucking job, I hope someone will get fired.
And now, let's finally talk about music. Israel's song was nothing special, just the umpteenth bland song I've listened to 200 times already. And we all know it didn't get 300+ votes because everyone was in love with it. People's taste is not so bland and boring. And the final points proved it.
(On a side note, if I were Eden, I would be offended by these votes. At least the people who voted for Loreen last year didn't do it because of Sweden, but because of her talent. This year, I doubt that the people who voted for Eden gave a shit about her talent at all)
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France: I need to make some apologies
Listen, you have to understand: we Italians know that French singers are good. We laugh, we say they’re “so French” and they keep Frenching and everything, but we know they rarely disappoint.
The problem is that France is good at the same things we’re good too. We’re both good at soccer, we’re good with food, wine, fashion. And we’re both good at singing.
So, France, remember: we might make fun of you but my god, your artists are amazing. When Slimane sang that part acapella two meters away from his microphone, I literally got shivers. He is a fucking great singer, his voice is incredible and he deserved more than 7 points.
I know Franch Frenching, but we should give credit when necessary:
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Estonia, Spain and basically everyone else: two words and more apologies
Estonia 20th and Spain 22nd? Super robbed. The ignominy. The audacity. They served us beautiful Estonian language and a Spanish gal with a soft voice and that's how they got rewarded? They deserve more and better and people are stupid.
Also, I don’t know what kind of beef Greeks have with Marina, but she was good and doesn’t deserve all of this hate. Also because most of the complaints I've heard about make no sense, so… uh?!
Germany: fucking finally, people gave you votes. Thank you for persevering, your song was truly nice and I liked it too.
Armenia: yes, top 10! For great, lively, wonderful Balkan rhythm! You deserve it and your country deserves love and appreciation.
Italy: I’m okay with this result. Angelina’s performance was better, compared to the one in the semi-finals (also, better costume too, the other was too revealing and too much in general). 7th place is fine.
Ireland: I know that’s not a song for everyone and okay, fine, maybe it’s nothing special either… but my god, have you seen the performance they put on? A-ma-zing. It was interesting, captivating and full of details. And the narrative is perfect too: you can see how Bambie slowly befriends the demon and ends up killing it. It was truly enjoyable to watch. So I’m glad it got 6th place, they deserve an even higher position.
Ukraine: please keep slaying, your artists are always so great and they keep proving it every goddamn time. Also, that moment when Ukraine surpassed Israel was delicious: money truly cannot buy you love and support.
The UK: seriously, why are you whining about people not giving you points? The song was okay, but nothing truly special. Still, you got 18th place! What should Norway say, instead? Poor Norway, it has all my sympathy, the song wasn't this bad.
And now, to you all: you know what to do. Follow your favorites, stream their songs, shower them with love. Eurovision is over, but these artists are not disappearing. They are still out there, making beautiful music. Go check on them.
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Croatia: “the audience will come to my concert, not the jury”
Baby Lasagna was a blessing and as Italian, I want to properly apologize for giving it 16 points total only. You deserved 24, shame on us for being stupid morons.
Croatia gave us a beautiful song, from a beautiful artist with a great message and upbeat sounds. And I’m not the only one who thinks this, because the rest of the public agrees with me. Marko gave us pure joy and entertainment in an evening that was mostly sadness, tension and boredom.
And yes, it’s sad he didn’t win… but he knew it, before Switzerland’s points have been announced. Look at his face, during the final voting: as soon as Petra said Switzerland only needed 182 points, he realized he was going to lose. You can see him understanding and accepting it. He knew Switzerland would get these points. I knew. Everybody knew.
So no, this wasn’t like last year: last year, it was a one-on-one game between Finland and Sweden and a tug-of-war between public and jury. This year, we had a lot of favorites. Marko was the favorite, but if Joost wasn’t disqualified, maybe the points would’ve been even more distributed.
But you know what? Marko actually got the best possible result you can get in Eurovision. People adore you, you become a legend and your country doesn’t have to deal with EBU’s bullshit. You get the best of both worlds and it doesn’t cost you a cent.
Also, consider that Marko accepted his 2nd place graciously and maturely, went back home and was welcomed by basically the whole Zagreb (Let3 were there too! Kings supporting a king, very fitting). And in an interview, he said something like “I don’t care about the jury points, because the jury doesn’t come to my concerts”. Which proves he is:
a mood
a king
the truth oracle
everyone’s spirit animal
the winner of the people
the coolest guy ever
So, Croatia: I understand your disappointment, the jury system REALLY needs to change. And no, you won't host Eurovision next year. But consider that you're everyone's favorite country now. And you won't have to deal with whatever shit will happen in 2025! So sit back, relax, may your tourism thrive and your quality of life be high.
And if all of you people really enjoyed Baby Lasagna, please consider he has a YouTube channel and there are two other songs, besides Rim Tim Tagi Dim. One criticizes social media and the influencer system, while the other is a piece of great life advice from the title: “Don't hate yourself, but don't love yourself too much”. Thank you, king, for being so real.
And in case you’re wondering, yes, they’re both huge bops.
Do your magic: subscribe to his channel, stream his songs, watch his videos, shower him with love and, most importantly, meow back.
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Switzerland: a contest that can live up to its promise
In the end Switzerland won. And it’s a good victory, you know? You might not like the song, but consider that Nemo sang pop, rap and opera, all while jumping on that rotating platform-thingy and running all over the stage. And they even bent back, while keeping a high note and rotating. I can’t even keep a high note by standing still, let alone by doing all the stuff they did.
Also, this is the first victory for a non-binary person, so great for them. And basically no one knew Nemo before Eurovision, so the show came back to its roots, by giving fame to an unknown artist.
Last but not least, in an ironic turn of events, this victory is the least political thing that happened on that stage. In the most polarized, political show ever, the winner is the quintessential neutral country. Almost poetic, in a way.
And this victory is also a huge slap in the face for the EBU: in the end, it wasn't its rigid adherence to the policy that made the show non-political, it was the jury’s vote. How the tables have turned.
But there is another reason why this victory is good after all and it’s because it’s a hopeful one. The winner isn’t famous, they didn’t harass anyone, they didn’t use money to win, they brought nothing besides their identity, a kind heart and a flag they had to sneak in because of the weird “flag rule” EBU pulled out.
And I would like to remind you that, during their victory speech, Nemo said this:
"I hope this contest can live up to its promise and continue to stand for peace and dignity for every person in this world".
I think it’s a speech that tells everything about this year’s show. This year, the contest didn’t live up to its promise: it put people in unnecessary danger, it brought tension, it made it political. EBU’s strictness led to a lot of consequences, the exact ones it tried so desperately to avoid.
As a result, no one enjoyed their time. I didn't enjoy my time. When Sunday came, I was relieved that the week was finally over and I was able to leave Eurovision behind. I didn't feel an ounce of the usual post-Eurovision nostalgia. I was just glad it was over.
And it's sad and unfair, because Eurovision isn't this. Eurovision is a perfect little window of peace and unity, away from the chaos of the world. For a few hours, three evenings a year, we can leave the real problems behind and focus on silly ones, like which country should win, which should be forever ashamed and which artist will become a legend.
This year, it wasn't like that. This year politics found its way in and wrecked everything. What was supposed to be a silly, funny, lighthearted show became so heavily politically charged, it broke under the weight.
And now that I think about it, Nemo breaking the trophy is the perfect metaphorical representation of this year's competition.
Just like that trophy, Eurovision is something frail and beautiful and mishandling can break it. And oh boy, the EBU truly mishandled it. Even if it was an accident, even if it wasn't done on purpose, the trophy is still broken. The show is broken.
But when asked about their broken trophy, Nemo didn't mourn it: Nemo gave words of hope. Maybe the broken trophy can be repaired. And maybe Eurovision can be repaired too.
How? Well, maybe by starting to learn when and how to apply rules. By using common sense and sensibility. And by checking the world outside too. If we want Eurovision to keep being that small window separated from real world problems, we can't just ignore them: we need to check them and react accordingly.
And if we have to break a rule to guarantee peace and safety, then so be it. One broken rule is not as important as safety and unity.
After all, what makes Eurovision isn't a set of rules: it's the artists, with their talents, their messages, their hopes, their voices, their dreams. They are Eurovision. They are the pull that draws everyone in. They are the reason why people are "united by music". Not because a rule orders them to, not because of the EBU: because of these artists.
Maybe the EBU can start from that. Maybe it can start by looking at the human aspect. Maybe it can start by going out and looking around. And maybe it can learn to take more care of the artists who are the foundation of the show.
And maybe, maybe, they will be able to repair Eurovision too.
See you, hopefully, next year.
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babyblue711 · 2 days
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Loyalty
Aemond Targaryen (HOTD) x Alys Rivers - Part 1 Summary: Alys reflects on her time at Harrenhal under the reign of the Prince Regent, Aemond Targaryen. Words: 2.6K
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Chapter Warnings: NSFW, Dubcon, Sexual Content 18+, Smut, War Things, Typical Westeros Misogyny A/N: I fully realize not everyone is an Alys fan and that is perfectly fine. Perhaps once the show airs, I'll change my opinion too. But, as of right now, this is fanfiction and, therefore, my fantasy. I personally tried to humanize Alys, which I hope you all will see. As always, I love reading your thoughts, comments, and reblogs! 😘 And - No tag list since I don't know who will be in to Alysmond. 💙 Beta read by the Queen herself: @arcielee 💙 Beautiful banner gif by the one and only: @myfandomprompts
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The prince was insatiable at times.
Sometimes he was gentle, sometimes rough. Though she never knew what she was going to get, the news from the battlefront and the state of affairs of the kingdom often foretold the sort of night she could expect from the Prince Regent.
With the weight of the green faction firmly resting on his shoulders, periodically he would be consumed by raw desire; he was fueled by passion, fueled by rage, fueled by an innate need to dominate and control, as certainty was a rare commodity given the unpredictable nature of war. On those nights, his touch was borderline cruel, harsh and demanding, and she would brace herself, anticipating the forcefulness with which he would claim her, feeling a mixture of pleasure and pain as their bodies collided. She didn’t know how to tell him ‘no’. She didn’t think she could. She needed him just as much as he needed her… or so she was leading him to believe. 
But at other times, he would approach her with a soft touch, his fingertips tracing delicate patterns along her skin, his words filled with warmth, just like the first night they spent together. Those were the nights when she had felt cherished and safe, enveloped in his affection and care. She couldn’t ever remember a time where any man of higher standing had ever worshiped her in such a tender way. 
Presently confined within the ominous black walls of Harrenhal, tonight she is suffering the prince’s wrath. The recent tidings are dire: Kings Landing has fallen into the hands of the enemy, igniting the red hot rage of the dragon. She knows Aemond feels solely responsible for this significant blow to their cause, for leaving his family unprotected as he seeks out his greatest foe, terrified of what is happening to those he has left behind. Tonight, he uses their intimacy as a conduit for his pent-up emotions, unleashing his fury upon her in a desperate attempt to find temporary respite from the anarchy gripping the Seven Kingdoms and the chaos of his own soul.
In the dimly lit chamber, the air is heavy with tension and the scent of burning candles. Pinned to the bed underneath him, his long fingered hand is wrapped firmly around her throat as he thrusts powerfully, hips snapping into her with a brutal force, a look of utter madness in his lone purple eye. His grip tightens on her throat as his unhinged gaze flicks from her bouncing breasts up to her face. 
“Why couldn’t you have told me about this before?” he demands with a harsh growl that echoes off the stone walls, his fingers digging into the delicate skin of her throat so that she can barely breathe, let alone articulate an answer. She chokes slightly, wrapping a dainty hand around his wrist, begging with her eyes for him to soften his grip, which mercifully he does so she can speak.
“My prince,” she gasps as he continues to rut into her, “My visions do not work on command…” She attempts to explain but anger clouds his face and his grip tightens once more on her throat, cutting off any further speech. The Prince Regent does not want to hear her excuses. His desperation and anger is evident in every movement, in every harsh word, in every mark he leaves upon her body. She clenches her jaw and tries not to whimper as his teeth sink into the soft flesh of her neck and breasts, afraid weakness will spur him on further; mentally, she tries to disassociate from what is currently happening to her. She is fully aware that he sees her as a means to an end, a tool to gain an advantage in the chaos of war; she purposefully has supplanted herself in this position, just as he is her mechanism for survival in return.
She knows deep down that she cannot fulfill his demands; her gifted visions do not bend to her whim or will, and she cannot control what they show her. To admit this to him would mean certain death, and so she bears the pain of his grip, the forcefulness of his thrusts, and the weight of his expectations, all while concealing the truth that she cannot deliver what he seeks.
With a guttural groan, his hips stutter as he spills deep inside of her, his fearsome eye closed in some semblance of bliss as he reaches his peak. Without acknowledging any need for her pleasure, he tucks himself back in his pants and departs the room in silence, his rage barely satiated. 
Alys lays upon the bed, her chest rising and falling to catch the breath withheld from her while caught in Aemond’s iron grip. She shifts slightly into a more comfortable position, feeling the slickness between her thighs and, despite his brutality, she quietly hopes for a silver-haired babe, further securing her own position and a testament to her worth.
She wonders if Aemond does not think she is capable of having children and, therefore, is much less cautious where he spills his seed. Her moon’s blood is late, but that is not unusual for her, though she still thinks it is too early to tell if they have been successful yet. She rests a hand on her lower belly, willing her womb to quicken, something that hasn’t happened in years. 
Exhaustion tugs at the corners of her eyes as she rests, waiting for her soreness and aches to lessen so she may get a few hours sleep. Sighing deeply, she stares into the dying flames of the fire in the hearth and reflects on the last few months of being caught up in this accursed Targaryen civil war. Life with Aemond is, at least, a little better than when Daemon ruled these halls. The Rogue Prince had been a formidable presence, his sharp eyes saw through her facade of obedience from the moment he landed astride his fiery red dragon. She had never underestimated him, knowing that he would not be easy prey to be fooled by her own ambitions.  
But when Aemond descended from the heavens upon his colossal, ancient dragon, Alys suspected the young Prince Regent to be a lot more volatile, and thus, a little more vulnerable than his formidable uncle. Aemond was desperate to prove himself in the ongoing war, his ego inflated by the fact that he commanded the largest dragon in existence. His mere presence struck fear into the hearts of warriors, who readily bowed before him as he issued commands with an air of undeniable authority. Yet, beneath his bravado, Alys discerned a deep-seated fear—that of failing his family and being perceived as a disappointment.
Recognizing these traits, she decided to try to leverage this to her advantage. She harbored no ill will toward the prince; in fact, she had developed a fondness for the young man during his stay at the fortress. But she knew that sentimentality had no place in the games of power and politics that defined their lives; the world was cruel, especially to lowborn women, and no one in her position would turn down such an opportunity to wield the influence that came with being entwined with a Targaryen Prince. 
It still took considerable effort to gain Aemond's trust, considering his sharp intellect and initial tendency to see her as nothing more than a lowborn woman with limited utility. However, upon learning that she had some experience with the healing arts, he tasked her with tending to the injuries of his soldiers, which she executed without fail. 
It was one fateful night that the prince called upon her for help with his own affliction - the vicious scar that marred the left side of his beautiful face. She concocted a poultice aimed at soothing the damaged nerves around his missing eye that was causing him some discomfort that particular night. Witnessing the visible relief on his face once she had applied it, and taking advantage of being alone with the prince for the first time, she seized the opportunity to subtly offer strategic information, mainly concerning Daemon's previous tenure at Harrenhal. Aware of Aemond's desperation for any advantage in the ongoing war, especially for any knowledge that had to do with his uncle, Aemond clung to anything she could tell him about Daemon and his war strategy. She was aware of just enough information to be deemed useful and what she wasn’t aware of, she may have elaborated just a bit, as the prince would never know. This gesture swiftly elevated her status in his eyes, securing her a place in his inner circle sooner than she had even anticipated. 
But it wasn’t only Aemond she had to charm; she also understood the importance of gaining favor with Ser Criston Cole, the Hand of the King and Aemond's second in command. Although she suspected that Ser Criston could occasionally see through her intentions, she had a knack for manipulating him too.
Late one evening, and after a few too many cups of wine, she prophesied his future, whispering words that she knew would resonate with him as they gazed into the flames of the fire. Men in positions of power and influence loved to be told exactly what they wanted to hear and Ser Criston was no exception. Soon, both he and Aemond would come to depend on her clairvoyance much more than either should, but war often strove men to desperate measures and she delicately played this hand when she had no other choice.
Another aspect she did not expect to contest came a few weeks after Aemond and his army came to stay at Harrenhal. It was Aemond who turned their relationship into something more physical; whether it was brought on by boredom or loneliness, she’ll likely never know, but she certainly had not anticipated becoming the Prince Regent’s bedmate. She remembered the night well, the way his fingertips grazed her wrist lightly as she poured him more wine. The intense look of his eye was…different that night, a primal look of longing coupled with a smoldering desire. The bulge in his pants was obvious and it was clear what was intended from her that night.
Worried to displease the prince by refusing him, she settled on her knees in front of him as he sat by the fire. She held his gaze as she slowly unlaced his breeches, pulling his thick, veiny cock from the confines of his trousers, and began pleasuring him with her mouth. Wetness had formed between her own thighs as she sucked him with abandon, enjoying the way his sharp face contorted with the gratification she was giving him. When he shot his seed down her throat, she expected that to be the end of it… until he asked her to show him how to pleasure her in return.
She could perfectly recall the earnest look in his eye as she stared at him with bewilderment; it was highly unusual for a man to be concerned with a woman’s pleasure, let alone a high-born royal like himself. After a moment’s hesitation, she willingly agreed to his request and they spent the night exploring each other’s bodies; she taught the prince about the bundle of nerves located above her entrance and the special spot buried deep inside her cunt. He was an excellent student, mastering her body quicker than she thought possible. His expression was hungry with intensity when he watched her unravel underneath him as she succumbed to his touch, and she knew this gave him a different sense of power over her body. She encouraged this, fully committing to being the prince’s loyal servant in all things, further gaining his trust and, in return, his protection. 
She lost count how many times she came that night during their passionate lovemaking, and her hopes ignited further when he shot his seed deep into her cunt. Since then, he had called upon her almost every night to visit his bed, torturing her deliciously as her velvet walls clenched around him repeatedly, milking him dry as her cries of ecstasy filled his room. Afterwards, she would pray to the gods to bless her with his child.
However, she was beginning to wonder if she had played her part just a little too well. Unfortunately, the prince, gaining confidence in their arrangement, had started to abuse his position of power, more often than not just using her body as a vessel for only his pleasure. Her disappointment was palpable; he had shown so much promise and she thought she could teach him to be different, that he would continue to treat her with respect.
But such wishes were not to be, as dark thoughts of the first time she had suffered the prince’s wrath resurfaced. On that fateful night, after a particularly fearsome thunderstorm culminating with bad news of the war beyond Harrenhal, Aemond and Vhagar had descended from the storm-stricken sky in a fury, his dragon’s wings clapping louder than the thunder itself. As was customary, she was summoned to his chambers. Lightning flashed as she entered his dimly lit room, illuminating his countenance —a hauntingly beautiful sight. But as she caught sight of his murderous expression, dread filled her gut and she knew she was about to face the consequences for whatever misfortune had transpired.
Afterwards, he seemed to emerge from a trance, apologizing to her as he gazed upon the red marks from his fingers on her neck, the bite marks on her breasts, the bruises that littered her body. She was dumbstruck once more, never had a man shown remorse for hurting her before. As their tryst continued, their passionate lovemaking became rougher and more animalistic, her own pleasure forgotten at times as he used her body as a means to his own end, but she made the best of it, knowing that to bear his child would outweigh her suffering and reward her tenfold. 
Back in the room, these memories of Aemond lulled her to sleep as she curled in his bed, warm and comfortable from the smolder in the hearth. The reprieve was short lived as she was roughly shaken awake, startling at his harsh touch.
“Wake up,” Aemond says gruffly. “We’re leaving.” He refuses to answer any of her questions, throwing clothes at her and telling her to get dressed in a hurry. She has no choice but to obey, noticing he has given her breeches to pull on as well as several warm layers, including riding boots and soft leather gloves. 
The moon shines brightly in the nighttime sky as Aemond takes her by the hand, leading her outside the gates of Harrenhal where the immense form of Vhagar looms in the distance. Alys pulls back on Aemond’s arm, terrified, slowing her pace, her unusual attire dawning on her as it is obvious that the prince means for her to fly on Vhagar. The energy that emanates from the massive dragon is unlike anything she has ever felt before. This was an intelligent being that could not be tricked by pretty words or prophetic visions that danced in the flames, for she was fire incarnate herself.
Feeling her tug on his arm, Aemond whirls to face her, impatient, furious. Vhagar rumbles like thunder from behind him, disturbed by her rider’s erratic energy, but makes no effort to move as she waits for him to mount her. 
“Aemond…” Alys starts to sputter, “I - I don’t think she’ll let me ride...?” Terror clutches at her throat as she tries to stress to him the dire warning in the pit of her stomach, but he only smirks, taking hold of her chin with his thumb and forefinger, his breath fanning her face. 
“Vhagar does as I command,” he says confidently as if this could assuage her fear, “but I am going to need your help with something else.”
Part 2 - WIP
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blackberreh-art · 2 days
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In the old man yaoi au, what attracts afo towards all might?
All Might has a magnetism that draws even AfO to him. A hero through and through, a real one, and that entrances AfO - it makes him think of Yoichi. Its only fitting that All Might be one of One for All's bearers, the greatest one even. All for One loved All Might for his heroism just as much as he hated him for ruining all of his plans.
All for One wanted to break All Might. Deeply, personally. Then he got himself in the situation with the HPSC, and AfO experienced extensive torture - torture that All Might thought even he didn't deserve. And having such an earnest, desperate need to help directed at AfO is kinda what flipped the switch in his mind.
All Might was a fool for showing AfO pity, he stated as such to All Might a lot in the beginning. And yet every time, AfO's heart pounded in his chest. All Might thought even he was worthy of saving?
(All for One wanted him, He wanted those eyes and that concern on him now forever)
For a long time he manages to convince himself that it's all a part of the plan, and then he convinces himself that this dalliance with All Might is a vacation of sorts, and that he'll grow bored of All Might eventually (surely) and when he does he will kill him and move back on to claiming OfA for himself.
He's very good at lying to himself. He finally stops around the 10 year mark.
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starhvney · 3 days
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𝐏𝐑𝐄𝐒𝐒𝐄𝐃 𝐅𝐋𝐎𝐖𝐄𝐑𝐒
𝐏𝐀𝐈𝐑𝐈𝐍𝐆: mystreet vylad x fem!reader
𝐒𝐔𝐌𝐌𝐀𝐑𝐘: you’ve jokingly given vylad small flowers since you’ve known him, but as newly weds he surprises you with a leather bound journal, the scent of flowers pressed into the pages.
𝐓𝐀𝐆𝐒: tooth-rotting fluff, vylad actually being sickeningly romantic, established relationship, vylad and reader are married
𝐂𝐖: none
𝐀/𝐍: vylad the man that you are
𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓
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“where are you going?” you ask, turning to your husband as he leaves your side from the swinging daybed, his feet padding across the back patio to the door.
“don’t worry, i’ll be back in a second. i just have something i want to show you.”
“okay.”
you wrap the knitted blanket around your body, the apple cider in your cup still steaming as it keeps your cold hands warm. your wedding with vylad couldn’t have been set for a more perfect time of year. it was at the prime time of autumn, when the leaves had all turned into beautiful shades of red to yellow, yet hadn’t begun to fall to the ground. it was now two weeks later, and the both of you had officially settled into your new home.
the evening air was chilly, rustling and carrying leaves across the ground and invoking more evening coos from the last waking birds of the day. you’re not sure what could make you feel more at peace and utterly happy in this moment, yet the stunning man you married never ceases to give you more reasons.
he’s soon snuggled back next to you, placing a thick, tied, leather-bound journal in your hands with an eager smile. for a moment you see that eager young boy you had met so long ago, round cheeks squishing against those beautiful green eyes.
“what is this?” you ask, gingerly taking the book in your hands and smelling a faint whiff of dried flowers from between the worn pages.
he holds your mug for you, cheekily taking a sip before nodding down at the journal.
“just take a look.”
you stare at him in awe for a moment, before turning your attention down to his gift. unbinding the tweed rope that kept the journal from flopping open, you crack open the worn leather to the first page.
a small pressed dandelion is preserved under a cleanly placed sheet of clear tape, displayed under a small entry written in vylad’s elegant writing.
thursday, 8/13
i don’t know what’s wrong with me. i’ve always been a quiet person, but when i’m with her i’m not quiet out of choice. how can i feel so comfortable and happy around someone yet be so nervous?
she gave me this flower today, with the most beautiful smile i’ve ever seen on her face as she told me to cheer up. she’s as sweet as ever.
your head whips back to your husband, who merely smiles and presses a soft kiss against your cheek. he rests his head against your shoulder, a contented sigh leaving his lips as you turn to the next page. then the next. then the next.
each page was about you, from simply fawning over every detail of how beautiful he found you, to describing the days that you had spent together. you remember starting to give vylad flowers as a cute inside joke between the two of you–but then it grew to simply be a habit of expressing your love for him.
while he had given you flowers too, you hadn’t taken the time to neatly press each one into a journal, writing it down to engrave each occasion into your memory like he did.
the sweet scent of the dried flowers wafts into your face with every crinkle of the next page turning, but you don’t think they’re the culprit for the dizzying surge you feel in your throat. 
“vylad…” tears prick your eyes, an overwhelming feeling clouding swelling your heart in your chest.
“just keep reading, love.”
saturday, 2/5
she wouldn’t stop apologizing, saying she couldn’t afford a “real” gift for me on my birthday. she laughed and gave me a flower instead, saying she’d make up for it in the future. how do i tell her this was the best thing she could’ve given me, that her presence is the greatest gift that i cherish?
you remember that day. you were both freshly young adults, and while trying to stabilize yourself in this world you struggled to get the funds to spare for anyone but yourself. you felt so guilty that you couldn’t get one of your closest friends something nice for his birthday, but you can’t forget the bright smile you love so much when you had given him a singular flower instead.
he had insisted it was the best gift he had gotten yet, and while you had shaken your head disbelievingly at the time, you’re starting to realize he may have been telling the truth.
friday, 6/14
i gathered the courage to ask her to be mine today. i was the one who gave her a bouquet this time, and yet she insisted on giving me back the singular rose that was in the entire selection. her soul is sweeter and lovelier than any of the flowers i could give her. i’m so lucky.
more pages. more entries. you read every one like they were sacred artifacts. like they were the answer to why you should take your next breath.
small pictures of you and him. and so many flowers. had you really given him this many? you suppose you did. always running off into fields and tripping over fences anytime you saw one, bringing it back to him with a stupid goofy grin. you always remember he’d slip it carefully into his pocket or bag, but you assumed it was just him being too kind-hearted to toss them away in front of you.
wednesday, 3/24
we went to that beautiful field, the one that blooms with tons of different kinds of flowers during spring. of course she was so excited, my sweet girl. we made each other flower crowns and rings, and after slipping on the flower ring on her ring finger i pulled out the real one i bought a couple months ago. i was so nervous, i thought my heart was going to beat out of my chest. she said yes, though, tackling me into the grass and accidentally squishing our flower crowns underneath us. i don’t think that really mattered to her anymore though. i’m the happiest man alive. 
saturday, 9/22
she’s so beautiful. i thought i might be able to stop myself from crying, but i knew it was over when i saw her walking down the aisle. i stole a flower from her bridal bouquet, but we’re preserving the rest of it and i don’t think she’ll be too upset. i love you, my sweet flower.
underneath it was one of the flowers from the theme of your wedding, it’s white petals only just beginning to fade in its liveliness under it’s neat confines. scribbled underneath it is one more line of writing, vylad’s cursive scribbles once again beautifully decorating the page. 
your beauty is everlasting, the flowers you gave me could never compare. my love for you is forever and eternal. it will out live any petal this earth can produce.
tears stream down your face, and once you gently set the journal shit next to you, your arms are tightly wrapped around vylad, who startles at the sudden movement as the swinging daybed jolts with your movements.
“woah,” he laughs, lifting away the cup of cider from spilling on either of you as his other hand pulls you to him. “careful, love.”
“i love you.” your voice is thick, throat tight as you cry into his shoulder. 
“i love you too, my beautiful flower,” he laughs, finally finding a place to set down the cup and earnestly pulling you snuggle into his lap. “you know, the goal was not to make you cry.”
“how could you think that i wouldn’t?”
“well, i cried when i completed the last page, so i guess we’re even.”
you laugh, melting against him as he presses sweet kisses along your forehead and cheeks, wiping away the tears from under your eyes.
“i guess you liked it, then?” he laughs, and you erupt in giggles again.
you didn’t just like it, you loved it enough to dedicate a whole shelf in your house to neatly display the thick journal, right next to the framed resin preservation of your wedding bouquet.
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©starhvney, 2024. please do not steal, copy, or repost my works as your own.
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kingdom-of-sins · 2 days
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Aro Volturi x reader
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You and Aro met at an era where people believed vampires were real. There have been so many cases of finding bodies with the blood drained out, fang puncture wounds in the necks. Sightings of dead people coming back to "life". But in the midst of that your human life was going as normal as it could. Arranged to be married to a rich guy who is twice as old as you, an annoying family who only cares about wealth and reputation, and a future with very less freedom. You have made peace with it, but it doesn't mean you can't dream for something more.
The first time Aro saw you he immediately knew you were his mate. The beautiful silk gown, flowers in your hair, smile that can start a war or end one. He has never seen anyone so beautiful. Your blood calls out to him, attracts him, but despite that he wants you safe, protected, and in his arms.
He couldn't resist meeting you. Imagine you couldn't sleep. It's a full moon and something inside you was just telling you to go outside...maybe sit in the garden for a little bit. And that's what you did. Imagine feeling watched. You saw a figure in the shadows. You should run. You should go back inside, but instead you decided to see who it was. Imagine seeing the pair of red eyes for the first time. You could feel a pull towards him, and you didn't know he felt it too. Imagine he took your hand and placed a gentle kiss, introducing himself. The touch allowed him to see all your memories and thoughts.
It felt so good to always meet him in secret. Whenever you are with him you feel alive. There was a darkness in him and you are attracted to it. Imagine there are news flying around about monsters with red eyes killing people by draining their blood, everyone in panic, but here you are in Aro's arms, mesmerized by him. You knew he wouldn't hurt you.
Imagine Aro visiting you late at night when you are in your room. The candles are almost burnt out. Both of you making love as the room goes dark. If anyone finds out that you are in love with a vampire then you have no doubt in mind that you will be hanged or burned alive.
Even though you are still human Aro's view of the world, his visions, his mentality was rubbing off on you. It was as if the darkness he has in him is now inside you as well. He loves it. It only shows that you were meant to be part of his world.
Imagine he finally turns you into a vampire. You were practically begging for it, and Aro wants you turned before you two leave the place.
When you woke up as a vampire everything just felt perfect. Aro was there to greet you and welcome you into your new life. Immortality suits you. Imagine he brings you a group of people to feed on, watching you proudly as you drain their blood.
You two became more physical. He loves it when you try to dominate him with your new strength, but at the end he always ends up on top.
He never says no to you.
You are powerful. Your beauty incomparable. You want the same things as Aro. Soon words spread about you. Aro's wife, the new queen.
Imagine yourself in the Volturi castle, wearing a red dress with a train, long bell sleeves, the Volturi crest in your necklace. Aro never gets tired of seeing you.
Some believe the power you and Aro hold together is too much. And everyone knows you are Aro's greatest strength and his biggest weakness.
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daisyblog · 17 hours
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Uncle Liam
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Too Young Masterlist Summary: Liam attends Louis show in Uruguay.
YN and Arthur had flown out to join Louis for a few shows, including the Uruguay one. Louis and Arthur had spent the afternoon playing football together, letting a pregnant YN rest on the tour bus ahead of the show. 
It was getting busier backstage as the show grew closer to start, so YN decided it would be best if they found their place in the family box. 
“Good luck out there”. Louis held YN in a cuddle, her small bump sat between them as they shared a kiss. "I love you". 
"I love you more". Louis left one more kiss on her mouth. "Daddy loves you little peanut". He leaned down to leave a peck on YN's bumps as his hand felt for movement. 
"Dad!". Arthur came running up the corridor after he had been for a walk around the arena with Oli. 
“Hey my boy!”. Louis caught his son in his arms and holding him close. “You look after your Mum for me and have fun okay?”. 
Louis put Arthur back down as he ruffled his hair. “I always do…remember our thumbs up”. 
After exchanging their “I love yous”, YN and Arthur walked along the corridors to the box. They chatted as they walked and YN could see how excited Arthur was for the show tonight. Entering the top section, YN took a double look at the figure that was looking over the railing, but a small voice confirmed her thoughts. 
“Uncle Liam!”. Arthur wasted no time running towards the man who had been in his life since he was young. 
“Arthur!”. Liam held his arms out to catch him. YN took faster steps with a grin on her face. “Look at you…you’re almost as tall as me”. 
The younger boy laughed at the teasing, before turning to his mother who was now walking towards them. “Mum..look it’s Uncle Liam”. 
“Hey…this is a nice surprise”. YN initiated a hug with Liam. 
“I wanted to surprise Lou”. Liams grin was bright as he said Louis name. “Bump is growing nicely”. He gestured down to where the next Tomlinson was growing. 
YN ran her hand over her bump. “Bump is going to be a footballer if their kicks are anything to go by”. She joked, as she felt another niggle. 
“Oh another Louis ey”. Liam pulled Arthur into another hug as he passed them. “And how’s this little lad doing?”. 
“I had thirty out of thirty in my spelling test last week”. Arthur said with a proud smile as fidgeted on the spot. 
“Wow! Clever boy!”. Liam praised, before watching him make use of the space around them. “You and Lou have done an amazing job…you should be proud of yourselves”. 
“Hormones Liam…you’ll start me off”. But cutting their conversation short was the lights dimming and the sound of The Greatest beginning. 
During the show, fans are quick to capture them all as they enjoy Louis show. But naturally whenever he sang a One Direction song all eyes went to Liam who had Arthur on his shoulders as they sung and danced along. 
Wanting to greet Louis as he came off the stage, they all left their seats just before the show ended and made their way backstage. Louis’ voice could be heard as he made his way to his dressing room and as he entered he was tackled by two small arms. “Aw my number one fan…did you enjoy the show lad?”. 
“Best show ever…and guess what Dad?”. Arthur didn’t give Louis a chance to answer. “Uncle Liam is here!”. 
Louis’ head whipped around quick and then he spotted Liam standing next to YN. But the two men wasted no time in bringing eachother in for a brotherly hug. 
“Good to see you brother!”. 
Taglist: @jillsvalentinex @itsmytimetoodream @peterholland04 @youcan-nolonger-run @chronicallybubbly
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kxniraa · 1 day
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Domination in Formula 1: A Blessing or A Curse?
When someone not well versed in the world of Formula 1 thinks about the sport, a few things may come to mind: Ferrari, McLaren, Red Bull, Mercedes; Lewis Hamilton, Max Verstappen, Michael Schumacher, Ayrton Senna. There is a definitive comparison with all of the names I have presented to you - Dominance. Every team or driver listed here has at one time in their existence or life been the leading image of the sport. But someone winning every race is boring, right?
If a team is performing the best, has the best car, the best drivers. Then you would think there would be no competition. This is not always the case. Since 1958 and the start of the Constructors championship we have seen 11 drivers take the title who were not driving for the winning constructor. This begs the question: is it the car that is dominant or the driver? I think both are true. In order to be given a place in the best teams, you need to be the best driver. Ayrton Senna was given the drive in McLaren after proving his worth in the smaller teams, first with Toleman (where he almost won the Monaco Grand Prix until it was controversially stopped early due to adverse weather), then with Lotus. Winning races in a car that should not have been winning anything proved to McLaren team boss Ron Dennis that Senna deserved a chance. Now he is considered by many to be the greatest driver who ever lived. Lewis Hamilton is another example, incidentally also with the team McLaren, though much later. Hamilton showed such promise and speed in lower categories that when given the chance to race alongside reigning 2 time champion Fernando Alonso in 2007 Lewis almost won the title; missing out by 1 point. (Lewis came second, Fernando third. Lewis beat Fernando by means of having more second places, 5 to Fernando's 4. They both won 4 Grand Prix). Almost out of spite, Lewis went on to win the 2008 Championship driving for McLaren, Ferrari won the constructor title that year.
A new fan joining the sport in 2018 seeing Mercedes and Lewis Hamilton winning endless titles may start to root for Verstappen at Red Bull, or Vettel at Ferrari. Building the foundations of your loyalty to a team or driver stems from whether they are winning or not. A driver who is always winning may quickly become the favourite of many fans. Someone who is always winning may start to become a Goliath in everyone's eyes. Then, and only then, will people start to root for the underdogs. It is worth noting that casual fans may support a driver purely based on nationality. If every race saw a different winner, leading to a champion who won marginally with 15 other drivers almost taking the title, the value of the overall championship would diminish. If every driver is constantly in the run to win every race then people would quickly start to forget who wins at all. When someone like Michael Schumacher starts winning championships one after the other with Ferrari, people start to notice. When people start to notice, they begin to become attached to the names and faces they recognise. Now you have fans who are not going to see a Formula 1 race - you have fans who are going to watch Michael Schumacher race in Formula 1. It is worth remembering, Schumacher joined Ferrari in 1996 when the team was very much underperforming. He helped rise them up to start winning in 1999 with a constructors title followed by 5 more as well as 5 consecutive driver titles - all with Schumacher's name on them. Lewis Hamilton and Michael Schumacher are the only two people to have won 7 drivers championships each.
I feel compassion to everyone that say Max Verstappen winning nearly every race between 2022 and now (early 2024) is boring and bad for the sport. Even I have said it becomes boring. But you have to admire his dedication and clear ability. He almost never makes a mistake. You don't win 19 out of 22 races on pure luck. Max often found himself winning races in 2022 by 20+ seconds. But if you take him out of the equation his teammate Sergio Perez was not even always second place and, when he was, he was never clear of the field. I think what we currently find ourselves in is a period where a team such as Red Bull have built a car that has the capability to leave the field behind. Then they have put Verstappen behind the wheel and the two mix emphatically. If we had two drivers driving for Red Bull in 2023 who were of Perez's level, the title would have been much more up for grabs. Red Bull, Mercedes and Ferrari would have all been fighting for wins and the title. But Max drove the Red Bull that year, and the rest is history. People tend to forget history. In 1988 McLaren were so dominant that they won every single race except for the Italian Grand Prix (The First Italian Grand Prix held at Monza since the death of Enzo Ferrari the year prior. It was Almost like fate intervened to make the two McLarens retire in that race. Senna through a collision and Prost with engine failure). Senna and Prost were fierce rivals and in that year Prost won 7 races. Senna won 8 races and took the title. If, in 2023, Max had a team mate who could take the race to him, just as Prost took the race to Senna, then maybe we would not be talking about how Max winning every race is boring, rather how the two drivers at Red Bull make for an entertaining season (even if only between those 2 drivers, arguably better than 1 driver).
I think the debate over dominance being good or bad for the sport is a conversation shrouded in immediacy. One fuelled by our generation's brains that are wired for instant gratification. While it may seem bad for the sport now, for reasons stated above I believe that dominance is required in sport. It brings people together. Forms attachments between fans, drivers and teams. Forms legacy and legend. In five years time, in ten years time, in 40 years time - Max Verstappen will be remembered for his absolutely devastating dominance displayed in the years between 2022 and TBC. As of right now, he is leading the 2024 standings and it looks like, save for multiple retirements, he will go on to win this championship too.
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specialized-rexan · 2 days
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SCREENSHOTS I GOT FROM THE JEREMY JORDAN LIVESTREAM YESTERDAY. especially love the comments on his duck drawings. he was very proud of some of them since he needed to practice before the stream. he admits he does not draw much lol
and here's Lucifer's signature that Jeremy came up with: a cursive capital L attached to a pentagram!
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the stream was SO FUN and literally only felt like 20 minutes even tho it was almost an hour
at one point he mentioned he's making pancakes with olive oil now since he has high cholesterol, and that he LOVES how the pancakes turned out. someone responded:
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(later someone joked he should make pancakes with bacon grease and he almost shouted (not angrily) "DO YOU WANT ME TO DIE? I JUST SAID I HAVE HIGH CHOLESTEROL. I just said. I had high cholesterol. Are you TRYING. To kill me."
anyway back to screenshots lol)
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"Take that, depression!" was a popular quote to write on prints, and he said he hoped we're not depressed and it was very sweet
some more quotes written during the stream and other notes:
"I'm gonna be signing these prints of my boy Lucifer, the short king of Hell"
he drank both a cold smoothie and hot tea during the stream. "Doesn't make any goddamn sense, but here we go."
"It's never too late to fuck up--too late to fuck shit up" (a legitimate accidental stammer. but still perfect in its own way)
"Every time I hear the name 'Shay' I think of my daughter's friend at school. My daughter's obsessed with a friend named Shay. 'S all she talks about. 'Shay Shay Shay Shay Shay Shay.' Shay and Madeline. It's like 'You can be your own person. Clara. You are your own HUMAN.' …HAPPY BIRTHDAY, KATHERINE."
hopes to go to some conventions for Hazbin Hotel. more likely to go to cons in New York, New Jersey (where he lives), or Philly area
"He's just a li'l cutie. :3 Is he really da bosh? :3" (wondering if Lucifer really is the Big Boss of Hell Himself or if it's just more of a title)
"Hope you're not depressed"
" 'Write something Lucifer would say to cheer someone up.' And I think Lucifer would think that… 'SINGING MAKES EVERYTHING BETTER!' At least when it comes to rebuilding your relationship with your daughter."
"Guess what's in my smoothie. There are six ingredients. Go."
"…said draw a little duck, so I drew the smallest duck I could. (holds print up to camera then says in small high-pitched voice:) It's a little duck!"
MORE QUOTES UNDER THE CUT. THIS POST IS GETTING LONG ASFQJSKSKSKKS
_____
about his smoothie again: "Obviously, I just went to the gym. So I gotta have some kinda supplement in there. ... WHAT'S THE BASE, Y'ALL? YOU GOTTA HAVE A BASE." (someone could use that audio and give a character a bass guitar lol)
(still about people guessing smoothie ingredients:) "WATER? Why would I put water in my smoothie. (mutters:) Water is for losers. ... Kale! -grins and points at camera- That's it! You win. That's my smoothie."
his smoothie was blueberries, bananas, strawberries, protein powder, almond milk, kale
"…with a hUUGE shmiley faysh! :3" (about a little " =) " smile he wrote with an autograph)
"THAT DUCK IS CUTE!"
"We love, we stan Lilith"
AGGRESSIVELY, ABOUT A JOKE HE MADE: "GET IT?"
Some fatherly advice from Lucifer: "Don't fuck up your lives like I did 😎"
HE SANG THE START OF HELL'S GREATEST DAD AND WANTS A MIMZY-LESS VERSION THAT ACTUALLY HAS AN ENDING QSJFKSKKSKS
he's only seen Hazbin Hotel once, and he had "~champagne fountains, caviar mountains, that's just to staaart~" going through his head for the two+ years between recording his lines and the show airing. he wasn't able to tell anyone it because of non-disclosure stuff, and eventually he even forgot what that song line was from. but it still went through his head
"[Person he was signing an autograph for] is a bi girl [bisexual], and that's pretty baller"
"AN INCREDIBLE DUCK YOU SHALL HAVE"
"Take that depression!! Quack"
"Hold please!" (i just liked imagining Lucifer saying almost any small thing)
Jeremy Jordan says Lucifer is short, and not just that all the other characters are tall (i cannot confirm that that is canon even tho that's what i want LOL) "What gives!? There are short people in this world, and they need some love"
someone asked what he thinks about OC x canon ships. he was confused about what OC means and then when the chat explained, he was confused about how "OC x canon" works. but he figured it out after thinking for a moment. "So basically everybody wants to fuck Lucifer. GOT IT."
"Am I going to Hell for this" (about all the pentagrams he's drawing)
"…so i just did a bunch of stars and hearts around Emery's name 💜"
someone asked about his favorite Hazbin Hotel song, and he answered that season 2 has a rock song he really likes 👀 👀
"(a requested phrase for an autograph:) 'Duck lord loves you no matter what.' ...Don't know what that particularly means but…"
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kaledya · 1 day
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What’s your perspective on huskerdust/casinohearts for your AU? Is it similar to the show, not as much as a main focus..what’s the tea?? Love your art and your AU, thank you for reading 🥹🫶🏽🫶🏽
First of all, I'm so glad to hear that you like my work!
And I haven't heard of Casinohearts, it's a really creative ship name!
My story is still wip but this is my current plan. AngelDust and Husk become two characters who support each other a lot on this journey, but their relationship can be said to be very slowburn.After all, they are both broken people and need time to heal.
And unfortunately, they are not the main focus except for their own arcs. Even though there is romance in my story, the main focus is not romance, but the story. In my opinion, a truly beautiful romance is one built on a quality story, which is why I made such a decision.
And their relationship begins in their show in the Greatest Showdemon arc. (Here he starts to think that these two characters might actually be similar. After that, after going through the things that Charlie did. and the things that the hotel members had to do side by side, a real trust develops between them.
And at the end, when Angel comes to the hotel exhausted from Valentino and after a fight with Husk, Charlie knows that Husk is the best person who can understand him. He sends him after Angel.Here, there is a song similar to Loser baby, and the friendship between the two seriously develops and they are now sure that they can really lean on each other. In the arc where Angel is rescued from Valentino, Husk again stands next to Angel and opposes Valentino and defends him.
But don't worry, Husk and Angel defend themselves well before Charlie comes and makes Valentino regret being born.
“If you see it thinking that only his body is important, you are seriously blinder than you think, Valentino, but in reality, it actually suits you, you will never be able to see the real treasure. you became a scarab with no intelligence and this hasn't changed in the past years, you just got into shit on the field, I would tell you I pity you, Valentino, but you don't deserve an ounce of pity. I despise your entire existence." -Husk
After these, they slowly passes into the romance stage.
I hope you like it. I am someone who can't understands romance very well and cannot write it, but I did my best, I hope you like it.
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