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#this is my magnum opus btw
chasingfictions · 1 year
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cyrusborg · 5 months
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nobody’s seen zane in over twenty years. kai intends to find him.
umm i wrote an oppositeshipping ninjago fic, & u can read the prologue here !!! (theres samurai & geode littered in, and mythology runs rampant).
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theolddivorcedzukka · 7 months
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I am asking about your zukka mitski playlist because my interest has been peaked !!
hi anon i am aware that this ask was sent on july 1st and your interest is no longer piqued so oops and sorry :(
here is the playlist link in case u still want to listen to it and ill talk about it a bit under the read more!!
hiiii so the funny thing about this playlist is that it was from before i even started posting about divorced zukka but i still had the headcanon of zuko and sokka dating when younger, breaking up, and then getting back together as middle aged adults. the playlist follows that exact same sequence cause im too lazy to write the fic so this is my way of writing the divorced zukka fic
ok so im not gonna explain the whole thing but I'll try to be a bit brief about what the songs talk about without getting into Why cause i know i'll be here for hours if i do so
1-3: sokka's section. it is set in canon and the vibe here is "i need to be strong, i need to be brave and tough like my father, like a real man, i have depression, i need to be the warrior, i do all the protecting but who is going to save me, i'm just asking for a kiss, one day i am going to die, etc"
4-9: zuko's section. set in canon up till "working for the knife" which is about him being firelord which suuuuucks. ehh you get the gist of it he is flawed, he is fucked up, he doesn't know what he wants, he is the forest fire, he is watching himself burn, he just needs something that will fill him up, etc and then he is crowned firelord and he gets worse but in a different way
10-11: classic sokka and zuko parallelism. hungry to be something they cannot be, thinking that that thing is what they should want, that that is what they are really hungry for. Wrong
12-13: set in the boiling rock. both would be from sokka's perspective and first love late spring is there because of how zuko holds sokka back from doing this reckless thing alone and end up killing himself "one word from you and i would jump off of this ledge im on baby. tell me don't so i can crawl back in" and heat lightning is about sokka surrendering and giving in to accepting that he needs help, he can't do this alone and so he allows zuko and co to carry this load with him and work together to get out of tbr
14-15: zuko and sokka start dating years after the war. "come into the water" is basically "come here, let's take this risk together. we both know it could be a mess but we don't really care about that right now, tell me you want me to do this and i'll come into the water with you" and for a while, it is all good. sokka and zuko start falling in love, they start taking care of each other, thinking that they can heal like this together and it'll all be good. there is still some issues in there like sokka's protectiveness that can end up hurting him "while you sleep, i'll be scared. so by the time you wake, ill be brave" but during that period in their relationship, they feel like nothing can get to them as long as they're together in their safe space.
16-18: the problems arise. they both knew that this had to be secret because of zuko's position, homosexuality being illegal in the fire nation, the assassination attempts that could worsen if the truth came out, and both their reputations but it's hard keeping it secret when they wish they could be like this not only behind locked doors. as well as that, sokka feels inferior here in the fire nation and it's not just the way the court talks about and at him and the way he's treated because of the fire nation's racism, it's that feeling that in a way he is betraying the water tribe, his family, his mother, everyone. what is he doing here in a nation that caused him and everyone so much harm? and he can separate how he feels about zuko from how he feels about the fire nation but it feels wrong sometimes, they feel like the same person sometimes.
18: this could also be seen as the proposal gone wrong or what leads up to it. they both aren't talking things through with full honesty, they try to avoid conflict cause their relationship is their one good thing at the moment. "sorry i can't take your touch, it's not that i don't want you" is basically sokka refusing the proposal to me. those aren't his words, they both just burst out at each other and make it all a mess. and sokka wants zuko but he can't sacrifice himself to spend his whole life there in a nation that he just doesn't feel right in, which might be one of sokka's few "im doing this for me" moments, and so this ends their relationship. huzzah.
19: breakup song. thinking that's where you loved me. me too zukka
20-21: classic zuko self-deprecation momence. "when you leave me, i should die. i deserve it, don't i?" and "i don't blame you if you want to bury me in your memory, im not the boy i ought to be" etc
22: sokka's lament. "i know i ended it but why won't you chase after me?" i know that this is what i must do but why won't you come back and try to change my mind? what if you just don't care anymore? why didn't you stop me even if we both know that we can't change this?
23: "you're my best friend now i have no one to tell how i lost my best friend" no comment
24: aghhhh this love is a star it's so gone now it's so over
25: we are so back!!!! as reluctant friends. this is zuko and sokka's first formal reunion together where they actually sit down together and awkwardly talk and pretend they don't have feelings. they are both lying when they say they haven't told anyone ofc they have. in my mind, this is when zuko has izumi now and they're catching up and trying to be friends again
26-27: that doesn't fucking work, they don't want to be friends. they always want each other when they think they're finally fine, they're both foolish to bet on this "whatever it is" when they know they're bound to lose. they want each other but they can't have each other, they hold the cards, they have a chance but taking that risk could ruin everything
28: oh my gooood fuck it let's hook up for old time's sake but also we both know that this shit won't go anymore but let's take this chance only for today (becomes a frequent thing every time sokka visits)
29: sokka has a realization and finds out that zuko still does have feelings. he wanted him but he couldn't reach sokka again, he's been keeping all of him in his memory to try to keep that love and now Sokka knows. oh shit wtf what now?
30: zuko and sokka have a talk. they have a small moment. maybe there is slow dancing involved. it really was foolish of us to think that we could stay the same. it would be so wonderful to go back to when we were younger, that short time was beautiful while it lasted. we both know that there is love in here but it can't happen again. im sorry
31: SIKE!!!! WE ARE SO BACK FR THIS TIME. you are the one i want, you're the one i've got, i'm not wasting this one lifetime without you. i will be the one you need, the way i can't be without you
32: zukka undivorced arc baby zukka back together. i know i've kissed you before but i didn't do it right, i haven't kissed you the way i should. let me kiss you like it used to be, not hurried or desperate, let me do it right and let me try again and again and again until we get it right. maybe there is no way to get it right and perfect but they still kiss so it's a perfect excuse
33: zuko and sokka retire, zuko ends the monarchy, they run off to the water tribe together just like they planned from the beginning. they could be anywhere but it doesn't matter where, they just want to be still with each other
34: *sokka voice* yue i just had a weird prophetic dream so if i die, look after zuko for me
35: sokka death scene amv. zuko loses sokka forever this time and there's no coming back now. he doesn't know how to be strong anymore if sokka isn't here to see him
36: zuko death scene amv. go get your stupid death on a rocking chair all calm and peaceful, old man
37: end credits
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driftershunt · 10 months
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Image description in ALT HAPPY TOM CRUISE DAY!!! Here's a catboy Bill Cage for all of you on this Fine Day
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evesbeve · 1 year
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sollertia | Kaebedo Fic
Rating: Teen and Up Audiences
Warnings: None
Summary:
“Something the matter, Captain?”
“Not your best work, is it?” Kaeya asks and raises the sketchbook so Albedo can see what he is looking at.
Albedo places down a test tube and crosses his arms. “I thought you’d be flattered.”
(Or: Albedo draws Kaeya, again and again, but the three stupid strokes of a pencil are not what the Cavalry Captain wants to see.)
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idliketobeatree · 1 month
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i'll give you a boop, anywhere you wanna go.
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eyenaku · 1 month
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FOOL MASK (GITM BY @venomous-qwille)
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Handbuilt porcelain with slip, overglaze, glaze, and gold lustre accents. Paint and lacquer detailing added post fire. Handsewn fool's cap and bells added post fire.
This mask is a part of a (loosely connected) mask series, all hand-built and fired using a range of different temperatures and techniques.
My favourite mask to date, Fool from Ghost in the Machine by the wonderful @venomous-qwille !! GITM is absolutely incredible and I cannot put into words eloquently how much I adore it and Fool so instead I made this mask! Hi!
My word was this mask a struggle to make. The mask itself is entirely one piece, and entirely porcelain!! That's right, those long thin rays are solid porcelain!! The eyes and tips of the blades are done in 22 carat gold lustre. All colouring save for the black and the satin sections of darker red on the face were done with only slips and underglazes. The red colour was correct without the paint, but I thought a contrast from the rest of the gloss would look nice :)
Made to scale, the mask measures 50.8x60.96cm without the hat, and 50.8x116.84cm with it! (20x24in without hat, 20x46in including hat). He is Large, but turned out absolutely lovely and I send my many many thanks to the kiln gods for producing him unscathed.
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(naku & wall for scale)
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(he's so big guys i have large walls (the top of my head is only slightly above the top of the bookcase beneath him) look at him at the wall it's nuts)
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sadmages · 4 months
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Sometimes I remember i went to school to be an animator and i have the power to make my ocs dance and gaze lovingly into each other's eyes
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gay pirates: pride edition 🏳️‍⚧️✨🌈
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simplydnp · 4 months
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who's hand is in this picture?
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A Mathematically Rigorous Proof That I Spent Too Long Writing
welcome to university math: dnp hand edition
(no, don't leave, you'll be fine i promise)
to begin, we need a statement to prove. we have two options:
- the hand is dan's hand
- the hand is phil's hand
now, for most proofs in university math, you are told a true statement, and you must show why it is true using logic rules, definitions, and theorems. but, we do not know which of these statements are true, so we have to find out.
to prove that a statement is true, we must show that it is always true for the situation presented. to show a statement is false, we must present a single instance where the statement is false (also known as a counter example).
a quick not scary math example:
definition: a prime number is only divisible by 1 and itself.
statement: all prime numbers are odd
(this is false, because 2 is a prime number and it is even. you don't even need to check if there's any others, all you need is one single case where it isn't true to disprove it)
so now that we have a little background on proofs and how to prove and disprove them, we go back to our two statements.
the thing with this situation is, one of them must be true (unless you're gung-ho on someone else holding dan's face while phil takes a picture on his phone of dan in his glasses, in which case, i applaud your commitment, but in actuality this proof will cover that option too)
the full statement we have is: dan is touching his face or phil is touching dan's face
now, because this is Real Life and we have a picture where a hand is touching dan's face, we know already that one of these options is true (as mentioned above) but! using symbolic logic you could also come to this conclusion.
this type of statement is an 'or' statement, and if you're curious, you can look into 'truth-tables' and see why, but at least one of the options must be true.
back to the proof at hand (bah-duhm-tss)
okay. now, proofs also must be 'general' in order to mean anything, really. these are statements of truth of the universe, not just for individuals. so, we will prove this generally.
we have 2 people involved, so individual 1 (dan, the owner of the face and potential face toucher) will be labelled as 'D' , and individual 2 (phil, the possible face toucher who does not own the face) will be labelled as 'P'. thus, this can be true for any such D and any such P.
so with our 'or' statement, in order to prove it, we pick one of the options and say that it is not true, and we have to show then that the other is true.
step 1: let's assume this is not P's hand. (assumption)
step 2: thus, it must be D's hand. (what we take from our assumption)
step 3: now, if it is D's hand, we look at what a hand on one's own face is capable of appearing like. (a definition or true fact about step 2)
the position in the given photo shows the hand with a thumb on the cheek, and a finger on the forehead. so, we find an example of a person with their fingers in the same position (or close to) and see if this supports our claim.
consider:
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now, with this image, you can clearly see how the subject's right hand has the thumb on the temple and index finger on the top of their head, however, it is a close enough position for our case.
from the view of the camera, the closest finger to the camera is the edge of the pinkie. in fact, it will always be the closest finger to the camera in this position, assuming the subject has all fingers and no additional appendages.
step 4: we now compare this to our photo (we verify if this holds to our claim or contradicts it)
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in our photo, the closest appendage to the camera is the edge of the thumb.
step 5: thus, it cannot be the case that D is touching their own face. (what the evidence says)
step 6: as we assumed it was not P's hand and have shown it cannot be D's hand, and as this is an 'or' statement both of these claims cannot be false, we can therefore conclude it must be P's hand. (our conclusion: re-stating the statement and assumptions and conclusion)
step 7: we verify that P is true (optional step but in beginner proofs you generally show why your case works)
to do this, i will show a picture of a person touching another's face, and compare it to our image.
consider:
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now, this image is not exactly the same, similar to above. however, P's left thumb is on the cheek, with their index on D's temple. the closest appendage to the camera (if it were in a similar perspective as our original) would be the edge of the thumb.
comparing it to our original:
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our comparison holds.
thus, we can conclude that the true claim in this statement is that P must be touching D's face, which, in particular means that:
phil is touching dan's face in the image
thank you for partaking in phannie mathematics. we now know. i am not sorry.
bonus:
phil has a hitchhikers thumb and dan doesn't so why was this necessary at all 🤡
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swaggenderfrank · 2 years
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happy bday frank, such a special bday girl!!
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impmansloot · 1 year
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finally installed some mods to my game
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princehoneytea · 1 month
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(oc) funny guy drop. 9ft robot race track guy
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obituarybug · 2 months
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Jotaro Kujo works from home
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haunted-xander · 1 year
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Kirby doodles bc ive been watching failboat kirby videos as background noise for months 👍
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takumis86 · 3 months
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ono michio catholic guilt
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