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#this is just a feel piece so I can figure out for real what the sentinel will look like whenever they come up.
kellysue · 14 hours
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The Suit-Making Metaphor
[Written in January, 2024] The cold eventually got bad enough that the Grandma, the kids and I fled to a hotel while Matt stayed at the house with the dogs. We were fortunate to be able to that of course, and sharing a room in a nice warm hotel was not suffering by any stretch of the imagination. Even so, it was stressful. We brought ipads, paints, books and needlework to keep the kids entertained and alleviate some anxiety, but time also had to be made for school work—especially as they would be going back to class just in time for finals. We made lists of their classes, what they had to study, what we could help with and what questions would need to be put to their teachers.
Henry’s 16 now (!!) and instead of an exam, his Humanities final was a personal essay. We chatted a bit about his writing process, what he liked about what he had done so far and what was frustrating for him. Though he had a terrific topic, he’d written and rewritten his opening paragraph several times and wasn’t making any real progress.
Been there, buddy.
As we talked, I stumbled on a metaphor that I found helpful, and so I’m going to try and share with you roughly what I said to him, and perhaps some of you will find it helpful too.
I get it, I do. It’s exactly my inclination as well. But writing like this-- where you try to perfect everything as you go, effectively writing the third draft before you finish the first--it’s like trying to make a suit from the top to the bottom. You can’t make a suit like that. You can’t start with the collar and get that perfected and then move to the shoulder. You can’t topstitch the upper part of the button placket before the bottom even exists. And even if you could figure how to do it that way, your suit isn't going to fit. Because that’s just not the best way to make a suit. Finishing the thing from top to bottom is not the best way to write, either. You start by choosing your fabric—your topic. What material are you going to craft the suit from? What’s the subject of the essay? You want to write about your relationship to various monsters. That’s terrific! That’s like a nice wool; there’s heft there—memories and feelings and personal details that resonate as truths; it should make a rich and interesting suit. Now, instead of cutting out the collar immediately, let’s choose a pattern. We need a pattern to help us cut the wool into the proper shapes. The pattern is the very basic structure of your essay. How might you organize your thoughts and feelings about monsters? The order isn’t as important as the categories. For the suit jacket, we’ll need right front, left front, sleeves, collar, lining etc. For the essay, what monsters do you want to write about? King Kong, the Rancor, the Minotaur and Bernard the Bull. Perfect. Cutting the pattern pieces out is equivalent to gathering your thoughts on each monster. Write freely about each one, taking the time to remember in as much detail as possible where you first encountered each monster, how old you were, etc. Go through each of your senses to help you recall the moment. What did you see? Smell? Taste? Feel? Who was with you? How did you feel in your body? How did you feel in your heart? Include everything that jumps out at you, you can always edit it down later. In our metaphor, this step is not just cutting out the pieces but also taking the time to transfer the pattern marks. You might not need them all, but you're sure to make a finer suit if you have them all available. Once you have the pieces, the next step is to see how they fit together. Read through each monster and look for connections. Is there an order that suggests itself? Rearrange and then edit and expand to highlight those connections. The first pass of this is basting stitches—loose connections just to test the fit—once you’re happy with the shape you can go ahead and lay in seams. Here is where our parallels start to fall apart: For the suit, you’ll want to do all the finishing touches—the handstitching, buttons, pressing, etc.—and then try it on and style it. But in writing your essay, these steps are reversed—styling is crafting the last paragraph, bringing the piece to a close. Your essay doesn’t have to wrap up neatly, in fact, you don’t want it to be too matchy-matchy. Just as an outfit’s style is improved by personal idiosyncrasies, a piece of writing is enriched by the author's capacity to engage with complexity and ambiguity. With the styling done--when you really know what it is you're trying to say--now you can go back with needle and thread and do that hand-stitching: tighten the prose where you can, polish rhythms, word choice, grammar and voice. With the whole of the thing in front of you, you now have what you need to do the kind of “third draft” finishing work that was impossible to begin with.
This might be the very definition of beating a metaphor to death, but I surprised myself with it. It was as revelatory for me as it was for Henry--probably more so.
And with that, I need to get back to those now-422 emails.
Cheers,
Kelly Sue
PS New creator-owned book coming out late fall this year--first launch in a decade or so, I think? I do need to figure out this whole newsletter/blog conundrum sooner rather than later. Advice and opinions welcome.
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queensunshinee · 2 days
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Time Of Our Lives || Part 3
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Part 3:
Liana hadn't seen Art for three days. Ever since they started studying at Stanford, not a day had gone by without his presence being felt. Even if just for five minutes, he would pop up suddenly and disappear just as quickly. Liana wouldn’t say it out loud, but his presence had started to grow on her. She was never the most popular kid or the most popular teen. She always had two or three friends. And Art, it's not very clear who he is in her life, but he's a figure that's there. Present. Breathing the air she breathes. Knowing the people she knows. Laughing at her words, annoying her with his. She hadn't seen him for three days and it's bothering her. So today, she decided to go to the open practice for the first time, and Art wasn't there either.
"Are you looking for Art?" a female voice sounded behind her, and she turned around. Facing her was Tashi. Liana searched for the words, something that was always complicated for her; finding words in front of people she didn’t know or felt threatened by. Right now, she needed to answer 'yes' or 'no', and all she could do was stare. "You're Liana, right? Patrick showed me a picture of you with the boys, and I’ve seen you a few times with Art. Are you looking for him?" she explained and asked again. "Oh, yeah..." Liana managed to find her voice, feeling the blood rushing to her cheeks. Unwanted color flooding in. "Did you see him?" she squeaked, trying to steady herself in front of the girl before her. "He just texted that he wasn't coming to practice today. Nice to finally meet you. Maybe we can have lunch sometime." She smiled briefly and moved towards the court, leaving Liana in the stands. A bit more worried than she had been before.
She knocked on his door three times. Then another three. And then six more. After the fifth round, he opened it for her. It was the first time she had been in his room, and he couldn't hide his surprise. "Li?" Art's voice sounded weaker than usual. "You didn't come to the open practice," she said coolly, looking at him and furrowing her brows. He didn't look good. In fact, he looked like shit. His hair looked greasy, his cheeks were flushed, and his eyes were sunken with dark circles around them. Art Donaldson looked awful. "What happened to you?" She gave his arm a light push, which made him lose his balance and almost fall, but he understood her intention and moved aside. He ran a hand through his hair, a tic she knew he had; when Art was nervous, frustrated, or confused, his hand automatically went to the back of his neck, a few seconds of that until he gets a grip and acts as if nothing had thrown him off balance. "You were at the open practice?" He couldn't believe what he was hearing. Stuck on that piece of information. Almost wanting to request that the sentence be engraved on his tombstone when the time came. 'Here lies Art Donaldson, whose open practice Liana Levi attended.' His parents would surely be thrilled. "For four and a half minutes, then I realized you weren't there." She said as she walked to the window and opened it. "Your room stinks," she stated, turning her gaze back to him. "Why didn't you tell me you were sick?" she added. Sure, they weren't best friends, but they were supposed to be each other's emergency contact. They were supposedly here together. He made sure to remind her of that once a day. And now, in a real emergency, he wasn't talking to her. "Because it doesn't matter, I already feel better," he tried to speak in a more upbeat tone, one he thought characterized him but failed miserably at it. Her hand was on his forehead, causing him to immediately lean into it and close his eyes. "You're burning up, damn it, Art." She moved her hand from his forehead to his cheek, realizing that the situation might be worse than she thought and beginning to think of a plan. "Okay, I need you to get in the shower, alright?" she spoke softly. He looked at her, his mouth half-open. "Where's your spare key?" she asked, without looking at him too much, opening the closet intending to find clean sheets there. Art watched her bustle around his room, and despite feeling awful, worse than he had felt probably in the last two years, he found himself smiling. Liana was worried about him. She would make sure he was okay. "Art, do you hear me? I need you to get in the shower, I'm going to get a few things. Can you do that for me? I'll be back in half an hour." she said assertively, and he handed her the key as she requested. "Please be done with your shower when I get back." She ran her hand over his forehead once more, almost causing him to surrender to her touch and close his eyes again, but just as she had entered like a storm, she left like one.
Liana went down to the cafeteria after making a phone order. She returned to her room with the soup and grabbed the bag she had prepared for Art. When she entered his room, the shower water was still running, so she decided to use the time to change his sheets and put the lemon, ginger, and honey in his fridge. He came out in a towel and looked at her, leaning against the doorframe. He felt blessed. His head hurt, he had sneezed forty times that day, and all his muscles ached, yet he felt blessed. "You didn't have to, Li..." he mumbled, and she turned to him. "Good, you're out. Get dressed and eat the soup. If it's cold, let me know and I'll go heat it up." There was a microwave on each floor, so that was an option. Art went back to the bathroom and put on long pants, unable to bring himself to wear a shirt. "I also brought you some pills I had. If you need anything else, I can go get it, this is just what I had in my room," Liana babbled, realizing she was behaving in an uncharacteristic way. It dawned on her too late that Art probably thought she was crazy. More than that, that he didn't want her presence in his room right now. She had invaded his personal space and decided on her own that she was there to stay, when he hadn't really invited her. He had done everything to avoid seeing her in the past few days. He sat down to eat the soup at his desk, unable to take his eyes off her for fear she would disappear and he would be alone again, wallowing in his own misery. "Is it hot?" she asked, not knowing what else to say. "It's great. Thanks, Li," he smiled sincerely, and she reached her hand towards his forehead again. "Can I?" she made sure to ask this time, hesitating and seeing him nod. Her hand moved from his forehead to his cheek automatically, and he sighed for a second. "You're still warm." Her brow furrowed again. "When you finish, take this pill, okay? It's supposed to help with the fever..." she added, starting to gather her things. "Are you leaving?" he asked. Art's voice sounded more desperate than he intended. He wanted to sound indifferent, as if he didn't mind being alone. As if the last three days hadn't been an isolated nightmare filled with self-pity. "You can stay a bit longer. If you want," he added quickly, saying the sentence fast as if it would make it vanish from the air. "Okay," Liana said and nodded. "We can watch an episode of 'Gilmore Girls'," she smiled. Every summer, she forced Art and Patrick to watch a few episodes of 'Gilmore Girls'. If she had to be stuck with them, at least some of the time they would do what she loved. She was sure they liked the show because sometimes they would make comments about it. Art shrugged while finishing the soup, acting as if he didn't care if she stayed or not. In reality, he wanted to smile victoriously because he had won today. No one could argue that Art was the winner of this day. "You can take a shirt from my closet if you want," he told her, and she nodded. If they were going to watch an episode of the show, they would watch it on his laptop, in his bed. She couldn't stay dressed in jeans, and besides, they had seen each other in much less clothing over the years. So Liana put on one of his oversized boxers and a Stanford shirt that was at least two sizes too big for both of them. Art looked at her and nodded for a moment, lying down in bed and waiting for the moment she would say it was too much for her. That despite all her good intentions, she and Art weren't going to share a bed just so he could feel better. They hadn't done that since they were six, probably because she wouldn't even sit next to him on the same couch. "We're in Logan's season, are you excited?" she asked with exaggerated enthusiasm and sat down next to him. He automatically pulled her closer. "Aren't you afraid of getting sick?" he felt like the biggest jerk in the world for asking only after he had pulled her that close. "My immune system has never let me down, Donaldson, and it’s not going to let me down today." She started the episode while getting comfortable next to him.
As the episode progressed, her hand found its way to his hair, playing with one of his blonde curls that, just like Art Donaldson himself, had grown on her. "That feels nice…" his voice was barely audible as he was close to falling asleep, his head half on the pillow and half on her shoulder while his arm was wrapped around her. Just before Art fell asleep, focused on Liana's breathing and her fingers in his hair, instead of the show, he realized he didn't need much to feel good.
heyyy there. How are we feeling about this chapter? I hope the slow burn isn't too slow for you...any thoughts? I know that Patrick wasn't here at all, but he'll have his comeback, don't worry. Also, should I do a tag list? It feels a little too much since I really don't know if there are readers who want to come back. I really want to hear from you so feel free to talk to me (PLEASE). By the way- I still feel like my English is ruining the story, but again, I'm trying. Thanks for reading. It means a lot ❤️
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atopvisenyashill · 19 hours
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Worst things GOT did casting wise:
- making Dany too beautiful (+ styling her in a way that she never has a hair out of place, always wears BLUE - which makes her look peaceful and soft and angelic, not making her burn her hair off etc). I just think of that one official art piece that's in the illustrated AGOT book where dany is bald, with the dragons and sparks and frames around her and its so striking instead of the "beautiful angelic blonde women stand empowered with her tits out" scene we got
- casting Iain Glen as Jorah and not like. a random Lannister (like. Come on. He is a burly and ugly man... why are you casting one of the most beautiful men to play him.... this is how we ended up with dany/jorah shippers)
-making Joffrey too unattractive (this is not meant to disparage JG who is a great actor and seems like a really cool dude and i'm not saying he's ugly but I think from his very first scene Joffrey looks very punchable and it would have been so much smarter to make the audience .. relate to Sansa's infatuation with his golden looks. In my head (and in all the official art) Joffrey looks like a male version of cersei/a younger version of Jaime.)
- making Dany, Jon, Robb, Marg, Brienne etc 10+ years older than Sansa and the younger starklings .... It's not "the main characters and arya (who is so cool and can kill people) + the little children" it's ONE AGE group of equally important characters
Like I know people are upset at Ned/Jon etc being too attractive, WHICH I GET, but I feel like those were very vibe based casting decisions and i'm ultimately fine with that (I also think it's easier for the audience to root for someone if they're attractive so like. I guess they had to do it) but these other things resulated in people's perception of the characters being so wildly different from what they're supposed to be. The real reason people get so angry whenever someone says they wish tamzin had stayed is because they don't like the idea of daenerys not being this ethereal beauty (TM is beautiful but not in a conventional way) that they can fully root for without issue.
1. NO YOU ARE SOOOOOO RIGHT ABOUT THEM REFUSING TO LET DANY LOOK UGLY. it’s not to say tamzin isn’t clearly beautiful, but i think she’s beautiful in the same way gwendoline christie is, which is that she’s very striking and she has a strong presence but she’s not exactly what people picture when they say “typical hot lady” (which is Crazy these are all able bodied white women, like the definition of “beauty” is soooooo fuckijg narrow that tamzin merchant is ~atypically beautiful) vs emilia definitely is, and YES like everything from not burning her hair off to emilia being,,,,,fuller in figure than dany as a fourteen year old would be is just very clear that they saw dany different than the way she is On The Page. i mean i know people whack george for saying that she’s like a sexy funny lady or whatever but george never lets go of the fact that she’s incredibly young whereas d&d completely miss that part of her character.
i will say i Get the criticism of tamzin perhaps not picking up on the conlangs easily because one thing you can say for emilia is that she had a decent head for the conlangs, she’s even still partially fluent in dothraki lmaooo. but all the other stuff they said about why they recast dany it’s like. hmmmmmmmmmm.
2. absolutely right about iain especially because he’s similar to idk paddy in that he’s got CHARISMA but unlike viserys, they didn’t intent to portray him as a deeply flawed, antagonistic character they went in portraying him as like an objectively Good Guy dedicated to dany. he’s just so much less creepy and pushy in the show and has several scenes where he shows some moral backbone - that “yet here you stand” “yet here i stand” scene is sooooooo good for example, the fact that he actually apologizes for spying on dany, giving him the greyscale story & not having him fuck a valyrian looking woman in a brothel 💀, etc etc - and you also just lose some of the creepiness here because emilia is clearly a grown if young woman and ian is handsome, so it’s like. welll of Course you want to root for them to be together! and never mind that this is a Massive departure from their book characterizations!! again, they have this idea of jorah in their head that doesn’t match up with what’s on the page even a little.
3. i do get your point re: joffrey and i think this is my problem with aidan as littlefucker too - they’re too obviously villains and it makes ned and sansa look stupid. like, in the books we have that moment where robb almost decks joffrey which does seem to signal something bad but the crown prince being full of himself doesn’t mean he’s going to threaten his betrothed’s sister with a sword then get his ass handed to him by a toddler. in the show we get QUITE a number of scenes where joffrey is shown to be a brat AND as you say, just like aidan, jack has a Certain Look, he looks like a shitty jock who has allegations against him ajsjdj like irl when jack smiles he’s so adorable!! but in the show they REALLY play up his ability to channel a greasy aura ya know aksjd. when the point of asoiaf is often that villains don’t LOOK like villains, but some of our Main Villains clearly resemble typical villains in the show.
4. “it’s ONE age group of characters” NO YOU ARE SO RIGHT. like, there’s several years difference from robert to ned to cat to the twins to tyrion but they’re all the same generation of characters. there’s that exact same age difference from brienne to robb, dany, jon to sansa, arya, bran, with theon kind of similar to characters like jorah, who are old enough to remember The Before Times but aren’t quite in either generation. but because they wanted dany, brienne, jon, robb, and margaery to be more of a Typical archetype rather than an exploration of that archetype, they aged everyone up and essentially invented another generation between the “adult” characters and the “kid” characters. not to be super nerdy here but one of my favorite worked shoots in wrestling is one cody rhodes did where he was ranting about the way young wrestlers get put through the grinder and he has this amazing line where he sums it up as “old men talking, young men dying” and it’s not to say there aren’t a lot of old dudes Also dying lmao but you really see this where young leaders are often unprepared for their responsibilities and used as puppets by older men and you just MISS THAT when that whole generation is so grown!
it’s like they looked at those themes of war being terrible and all consuming and brutal no matter how justified you feel you are and went “wow war is brutal 😍” LIKE PLEASE????
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mudora · 9 months
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"Behold my knowledge and despair, child. For all my works have become infested with rot by the demon who claims this land. The dead walk, and my body fills with spores. My neutrality is forced to become the actions of evil - I fear my sister will watch me burn along with my library." "Cut out the rot, child. My knowledge must survive." "I... must... survive."
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autistic-shaiapouf · 1 year
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Screaming and crying
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thecodeveronica · 4 months
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As an update on my attempts at writing fanfics again, it's... slow progress? ...okay, it's SUPER slow, but progress nonetheless?
My previous idea to combine two separate fic ideas has definitely helped, as did consequently swapping one of the two lead protagonists of the original idea out for the lead of the other and then turning the other one into a "goal" of sorts who would become a kind of tritagonist later on.
I also actually have 15-20 pages of notes on scenes and dialogue in my Notes app on my tablet! Now, don't be fooled; those are in my slightly large handwriting and they are choppy, bulletpoint-style notes, but regardless, they exist.
Sort of have a setting? Kind of? I'm one of those people who kind of visualizes things while reading as just taking place in a void lmao, but I've got a little set here.
My new problem, though, is... an antagonist. Since this isn't a fluff or smut or romance fic, there needs to be an antagonist. Someone who is setting up the stuff happening. But while I have a goal in mind and a general idea of events, I... have no clue what to do with an actual antagonist. Like... the events are still only loosely linked so far in my mind and notes, and I think if I nailed down an antagonist and motive for them, that would really solidify things.
But should that be an existing antagonist? An OC? I've never really done an OC with canon characters before, I feel kind of weird about that? I'm not really a fan of OCs for anything that isn't just my own little self-contained worlds and ideas, you know what I mean? But canon leaves me few options here for the timeframe that this fic would be set, without some major asspulls (more than the ones I'm already doing to have two characters be present there at all lmfao). SOOOOO I dunno, might have to be an OC :x
annnnnywaaaaaay that's what's going on, so I'm actually not totally bullshitting when I act like I'm writing, because I SORT OF am (notes), but the actual non-planning stage hasn't really taken form yet
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ervotica · 6 months
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please don’t go, i love you so
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pairing: young!coriolanus snow x reader
warnings: a lil toxic!coriolanus, he’s rough with r, possessive talk, quite tame in this but imma tamp it up soon, a bit of making out and being lovey
note: i do not careee about who likes this character or who doesn’t okay i am writing about him because he is literally one of the hottest men i’ve ever seen, kay? i’m not here for moral dilemmas thank u, enjoy (yes i will follow up w smut and my young!coriolanus snow reqs are OPEN!) please please remember to comment and rb, it helps me so much!
hunger games masterlist
Coriolanus is possessive.
It sickens him to his very core, sends nausea rolling like a wave through his chest; he’s not a child. Yet, the mere sight - thought - of you engaging with any other man, even innocently, is enough to have him seeing red: white-knuckled, muscles drawn taut like a bowstring, ready to eliminate any and all threat standing between him and his girl.
It's the way those boys look at you. As if you're a piece of meat, a toy to play with that they're just begging, aching to sink their teeth into, to leave a permanent mark on. The boys in this district are barbaric- that's what Coryo thinks anyway. It's disgusting, the things that he knows they think about you.
It's been a long day in District Twelve. Coriolanus' grey jumpsuit rubs and itches and his skin crawls with an uneasiness settled at the pit of his stomach. It's a warm day, his skin sticky as he peels the top half of the jumpsuit from his slender arms and ties it neatly around his waist. The grass by the lake is damp with the leftover dew from the morning.
He catches sight of you amongst the trees, weaving and bobbing through the undergrowth as you do, your lithe fingers brushing against leaves. Your head dips and then raises as his tall figure creeps into your peripheral vision. A smile graces your features, real and earnest with all your teeth.
There’s a slight waver in your countenance when you catch Coriolanus’ own expression; his brows are knit, pushing his forehead into a crease, lips pushed together tersely.
You walk straight into his arms, balancing yourself on one leg and pushing your shoulder underneath his armpit. You needle your way in, your forehead rested against his chin, so close you can feel his breath against your face.
“Hi, gorgeous,” you murmur. You reach up to push out the ridge in his brow and your thumb traces the bridge of his nose in a way that couldn’t be perceived as anything other than unbridled affection. “Something wrong?”
His slender fingers settle against your waist. You shiver at the contact when he spins and pushes you back into a tree. The bark digs into your back as you shuffle to meet his eyes— his eyes that have suddenly clouded with something dark and possessive.
“What is it?” you ask again; your voice is becoming more strained the longer he stays quiet, your own hands snaking up his arms like vines and squeezing.
He shakes his head and drops his face to look at you properly.
“Nothing. I have you.”
“Okay.” You click your tongue, tilting your head at him. His face gravitates towards yours, breath hot and mixing with your own. “You gonna kiss me or what, handsome?”
He doesn’t need any encouragement, surging forward to catch your lips between his own; his hands are rough, kneading the soft flesh of your hip. His other makes its way up to your jaw, fingertips pressing so hard you’re sure he’s branding you. You’ve never been kissed like this, with such fervour and passion and need. You gasp into his mouth and your arm wraps around his neck to pull him further into you.
“Coryo,” you pant.
“Shh,” he forces out, his fingers suddenly an iron grip around your neck; the hollow of your throat is bared to him and bobs under his cruel touch.
“Coriolanus, that hurts,” you say, strangled. His eyes are alight with a fire, a blazing inferno roaring in his head as he squeezes your throat and laughs.
You wheeze, clutching at his wrist in an attempt to loosen his grip. He obliges you, running a thumb over the indents he’s left in your soft skin to smooth them away.
“You know I’d never hurt you, right?” he asks. His head drops to the juncture of your neck, arms hooking loosely around your middle as he relaxes into you. “I just wanted to feel you. To know you’re mine.”
The incident is forgotten as soon as it ends. He has a charm in that sort of way; you don’t see his faults even when he shows them to you clear as day. You’ll never see what’s right in front of you even if he wants you to.
“Of course I’m yours, Coryo. Why wouldn’t I be?”
“The way they all look at you here…” He falters. “Like they all want you. Like they want to take you away from me. You’re mine- they have to understand that.”
“No one could take me away from you,” you giggle, your temple resting against the tip of his shoulder so you can duck your head to meet his eyes. “I know where I belong. And that’s right here with you.”
“Good.” He mouths at your neck like a man starved, arms coming right up until they’re hooked just underneath your own. He pulls away heaving for breath.
“Wanna show me just where you belong?”
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dexaroth · 1 year
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been having this bizarre relationship with art lately. i feel.. numb to it. it's surprising in a way bc now everytime i see something i know by gut feeling that i like i think 'huh. a tertiary palette. flat angle. somewhat dynamic pose. the idea is there. its really that simple? to make something good? just some lines and a situation?' and stuff along these lines. like looking at a painting and wondering why blotches of paint arranged in a certain manner somehow made me feel something.
like ill look at an absolutely stunning drawing i love so much and i'll be able to theorize to a good extent the techniques used to make it look that good and it kind of. sucks the magic out of it? its like the drawing dies to me. it becomes.. Just A Thing. its a set of gestures and strokes now. i lose part of the thought process of trying to find meaning on something and by extent the meaning of the drawing itself also vanishes with it
its something ive been experiencing with other ppls art for like what. a month, maybe more? but its also been affecting my own bc now i cant even bring myself to like anything that i do, let alone start a drawing. theyre not drawings anymore theyre 'just a dude sitting in an emo pose'. its like i looked too deep into the abyss and the abyss sucked my soul out of me in return and i came back horribly wrong from the whole experience
i guess it started with fantasazing about making a game and going Well, every game needs a story! and then Well. you need a Good story, with conflicts n such! and i looked back at the stories of games and it kind of dawned on me that stories are just a bunch of information bunched together that overlaps. its a bunch of situations. i dont have any good examples but my jerboa avatar reminded me of ratatouille so like. ratatouille.. its just rat has poor family. chef has shit job. they cross paths. both have their needs. then other characters come along and contribute their part to it. then the rest of the movie happens (its been years since i watched it sorry lol) and thats the part that gets me.. these bunches of. situations. were entertaining to watch and engaging. How. what makes something interesting? what makes something be more creative? its just *plot A* interacting with *plot B*! i could overlap a bunch of settings myself but that doesnt mean it'd make a good story. somehow. it seems so simple...
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sinning-23 · 6 months
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Calling Them By Their Full Name
OPLA Headcannons! I thought htis was a funny little thing lol. Anyway enjoy
Warnings: slight mentions of nsfw topics but nothing too serious
Sorry for any spelling errors!
Luffy
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-ohhhhh that did not sound like your usual happy, loving voice.
-he knows he fucked up and now he’s hiding from your wrath.
-“MONKEY D. LUFFY, GET YOUR ASS IN THIS KITCHEN. NOW.”
-you could hear a pen drop from how quiet the ship got
-ok so maybe he ate that super expensive, super special dessert you had been saving for a while now. And like, it was going to go bad! All he wanted was a little taste! Than a taste turned into accidentally eating the whole thing.
-He was gonna tell you, honest! But it had proven obvious you found out before he could. He seen you round the corner with RAGe on your face and tears in your eyes.
-"TRAITOR!" You yell, throwing a tired punch to his chest.
-“I’m sorry mami, I’ll find you another one. Promise.” He hums, peppering your face with kisses, squeezing your face between his palms when he did.
-There’s no way you could stay mad at him for long
Zoro
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-whoa whoa whoa why are you so ANNNGRY
-hated when you call him by his full name like that, makes him feel like a child being reprimanded
-“RORONOA GODDAMN ZORO.” You boom, Nami’s jaw dropping at the sound. Even she could tell you were pissed
-he’s the sassiest mf alive so he’ll probably just be like, “who the hell are talking to woman?!”
-“You’re a real piece of work you know that??” You’re still yelling and he wastes no time rolling his eyes at you and grabbing you by your waist, the action shutting you up.
“Wanna stop yelling and be a big girl and tell me what’s wrong?” He teases, that stupid smirk you love falling over his features at your speechlessness.
-It’s not often you say his full make but when you do he makes sure you’ll never forget it that same night.
-“Say my name baby, real loud.” He groans, a hand around your throat to steady spent body as he slams back into you
Sanji
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-I know thats not a cigarette i smell Vinsmoke Sanji."
-awe hell. Yout tone is deadly. he tried he damndest to stomp it out before you rounded the corner but nope.
-You never use his full name like that. Never.
-did he just get chills?
-"Of course not my love!" He lies throigh his teeth but before he can say anything ese you re lips are on his, you fist gripping the fabric of his shirt.
-He knew he was caught, the taste of tobacco mixing with your usual mint. You pull away, smoothing his shirt out with a warning smile.
-"Don’t lie to me again, I’ll always know when you do, Black Leg." You explain , taking the small cardboard box from his pocket and walking off.
-Even though it was ment as a threat, he couldn't help but feel hotter than ususal. God he loved it when you talked all serious to him.
Bonus: Mihawk
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-You know better than to use his full name. Orr to even call him anything besides the usual endearing pet name.
-So when he hears his name called with nothing short of rage, hes trying to figure out who you think you’re talking to.
-"Dracule. Mihawk." You spit, holding the empty bottle in your hand
-Ok so your rage was warented cause he managed to drink the entire vintage bottle of wine you'd been saving...it wasn’t like it was on purpose!
-He doesn’t even bother to look up from his book, just barely giving you a slight glance when you were right in front of him, pointing to the bottle.
-"Id watch your tone darling." he warns, smirking at the way you purse your lips and turn away with a fierce attitude he'd be sure to deal with later.
-“Oh shove it up your ass Dracule.” You scoff, trying to quicken your pace but failing when he’s already behind you, his much larger hand holding your wrist as you yelp.
-His look says it all. You’re screwed.
-So now you’re sitting pretty, bent over and counting each time his hand meets the sore and slightly reddened flesh of your ass.
-“Now, what’s my name again darling?”
4K notes · View notes
sundrop-writes · 3 months
Text
Careful - Chapter One
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(Dad)Spencer Reid x (Mom)Fem!Reader
Chapter One: Over Yet
We can go farther, beyond the end.
Summary:
You and Spencer broke up more than four years ago. Since then, he has tried his best to forget about you. He has pushed all of his feelings down - locked them away into a little box that he never touches.
That is, until he sees your name on a list of potential victims being stalked and killed by a man who kills single mothers. (And he quickly realizes that your son could be his.)
Dad!Spencer Reid x Mom!Fem!Reader. Exes to Lovers. Angst.
Word Count: 5,900
Criminal Minds Masterlist | AO3 Link | Series Masterlist
Please keep in mind - I am not doing a taglist for this series, so please do not ask to be tagged in future parts. I do not do taglists. If you want to be notified when future parts of this fic are posted, you can follow this blog and turn on notifications here - I don't make personal posts on this blog, it is just pure posts of my fanfiction. Or you can subcribe on AO3 to get email notifications when this series is posted. You can also view the posting schedule on the series materlist and check @tenpintsof-sundrop for any information about possible changes to that schedule.
Detailed warnings and author's notes below the cut.
Warnings: general warnings for a Criminal Minds episode - mentions of murder/killing, somewhat graphic descriptions of killing, somewhat graphic descriptions of dead bodies, the underlying misogyny that comes with a man killing women, mentions of children being orphaned due to their mothers being killed (though there is no mentions of other living family members taking care of those children - you can imaging that they still have nice families to take care of them if you want, I didn’t fill in that detail), mentions of children being in proximity of a serial killer; exes to lovers - the reader and Spencer broke up and the reason why will be revealed later; mentions of pregnancy/mentions of the reader having a child; mentions of sex that resulted in a child/pregnancy (there is no detailed sex scenes/detailed smut in this chapter, but there will be in other chapters); mentions of JJ x Will; the reader’s looks are described as vaguely as possible; passing mention of incest (in the context of a historical figure); all statements that Spencer makes toward the end of this chapter were heavily researched and are factual; I think that’s about it?
A/N: The reader and Spencer originally dated around Season 1/Season 2 - I state at some point during the fic that they dated for 3 years before breaking up, so they started dating when he was very early Season 1 baby Spence (or even before Season 1) and they broke up around Season 2. So technically this fic takes place around Season 6 - but because I didn't want to distract from the plot, I didn't mention any of the stuff going on with Emily or any of those major canon plot points, and I am using pictures of later versions of Spencer just because that's who I was picturing in my head while writing this. But that's how the math works out. Anyway, I hope you enjoy the fic!! This chapter is more of an introduction before we really get into the meat of things, but I still hope that you guys like it.
...
The team had been in Portland for three days.
No leads, a confusing, inconsistent profile - huge pieces missing that would likely give them the real answers. 
A patient killer with an extended timeline who likely wouldn’t kill again for months - leaving them chasing their tails, looking for answers. 
“Okay, so, let’s take a step back.” Hotch sighed. “What do we know so far?” 
He leaned against a nearby table, looking at everyone with the hope of reassessing the case from a different angle. The hope of talking it out to get some answers. 
Another woman’s body had been found just before they arrived, and that would mean that the UnSub would be out hunting again soon. This was both good and bad. 
Good, because the UnSub clearly had to spend a lot of time stalking his victims - he knew a lot of details of their lives, and he had spent a lot of time developing an intimate fantasy of being a part of their family in his mind. So he wouldn’t be killing again the next day. No woman was in immediate danger. It gave the team more time to find viable suspects. 
Bad because they had no physical evidence, no good leads. And thus far, the profile was leading them nowhere. It felt incomplete. 
They could find no real connections between the victims - their gyms, their banks, their childcare, their grocery stores. Somehow, the victims didn’t seem to have any crossover in their lives. There was no real way to say how the UnSub had met them. And someone like this - he would have interacted with them at least once in order to become obsessed and stalk them to this degree. 
“Five women dead within the last three years.” Prentiss announced, starting to round up the facts that the team knew for certain. “All of them mothers, all with children under the age of five. All within the same ten square mile radius of Oregon, around Portland’s suburban neighborhoods.” 
She slumped back into her chair with a tired huff, and then continued. 
“The UnSub breaks into their homes through a backdoor or a back window, and somehow goes undetected in such an upscale neighborhood.” She sighed. “He kills the mothers, but he leaves their children alive. And then he calls 9-1-1 to report the death as a case of child neglect.” 
“So he was likely neglected by his own mother in his childhood.” Morgan easily theorized. 
“All of the victims upper-middle class, single mothers to one child with good jobs. All of them are of the same physical type.” Rossi added on. “They’re the same race, they have the hair color, they’re the same body type - all in their late twenties to early thirties. So the UnSub definitely has a type. He’s most definitely recreating a fantasy of some kind - perhaps taking out revenge on his own mother, but protecting himself. Which is why he never hurts the children.” 
“Yeah, but the children are different.” Morgan replied. “Sometimes boys, sometimes girls. Some of them are biracial - he doesn’t look for a specific type in the father. He doesn’t necessarily need to see himself in the children.” 
Then, as another thought occurred to him, Morgan continued on: 
“Plus, the children’s ages vary from barely a year old all the way up to five - if he was looking to seek revenge on his mother, looking to protect a younger version of himself, then he would have locked in on a critical event that he needs to protect himself from. The age of the children would be more consistent, at least, because he would be looking to protect himself as he hits the age that he was most traumatized by a specific event.” 
“That’s good.” Hotch nodded. “Then we know that it’s more about the mothers. He hates women at his core. Protecting the children is just a byproduct of his obsession over these women.” 
“But we still have no clue how these women could be connected or how they met the UnSub.” Morgan replied, jaw stiff with frustration. 
“Focus on what we do know.” Hotch reminded him. 
“All of the women were killed via stabbing. They all had over a dozen stab wounds to their stomachs and genital areas.” Rossi replied. “So, he is an aggressive sexual sadist.” 
“But if he hates women so much, why spend so much time in the house?” Morgan argued gently. “Every single one of these scenes has evidence that the UnSub spent hours - possibly up to a day in the house before he killed them. He cooked dinner, set the table, and made the women eat it before he killed them. Including a second place setting for a child. Some of the kids even said that ‘the scary man’ tucked them into bed and read them a story.” 
He held up one of the crime scene photos that depicted the scene of the family’s place settings - a haunting scene of plates not cleaned up from dinner, with a flower vase sitting in the middle of the table with a few white flowers wilting inside of it. 
“He’s right - why bother to show them the kindness of a last meal if he shows so much aggression toward them during the killing?” Prentiss added on. 
“It’s a routine.” Hotch said, the thought suddenly occurring to him. “It’s likely that he chooses single mothers because he gets to play the role of the father. With the real father figure absent from the picture, it makes it easier for him to impose himself into that role. At least for a temporary amount of time.” 
“It is strange.” Reid added on, clearly swimming in thought. “It’s almost like he’s courting them? Sending them gifts, showing what a good father he could be. Each of the women were sent white carnations sometime in the days before they were killed, and after the killing, he lays the flowers around their head in a halo-like fashion. It is said that carnations represent motherhood, and the white shade could depict an angelic innocence that he’s projecting onto these women.” 
“So he views these women as angelic figures, yet he kills them so brutally?” Prentiss scoffed. “It just doesn’t add up.” 
“Maybe he views the killing itself as a type of purification.” Reid theorized. “It’s not uncommon for killers to emotionally fetishize dead bodies and consider them more ‘pure’ than their living counterparts.” 
Prentiss visibly cringed at this. 
“Wait.” JJ said, looking at one of the crime scene photos with a sharp line pulling her brows together. 
Everyone looked to her, waiting for her to finish this thought. 
“I don’t think that the mothers were the only ones sent gifts.” 
She held up the photo, showing a picture of a colorful child’s play mat in the living room. Everyone stared at the photo in confusion, and JJ sighed and began to explain. 
“Look at this toy truck in the middle.” She said, pointing at something that almost blended into the background of the photo. The true focus was a large handprint - one that belonged to the killer, but he had worn gloves. “It’s wooden, it’s hand-carved, it’s old fashioned. All the other toys are plastic, brightly coloured. Remember what the UnSub said in the second 9-1-1 call?” 
“‘She pretends to have her son’s best interests at heart, but she was going to let him get cancer from sucking on those cheap plastic toys.’” Reid said, repeating it word-for-word, using his impeccable memory. 
“Exactly.” JJ confirmed with a nod. “Clearly the UnSub believes that he would be a good father because he can gift his child something hand-made instead of something mass produced.” 
“Alright, get the crime scene techs back over there to pick up the truck, maybe he wasn’t wearing gloves when he made it and there is some slim chance he left a print on it.” Hotch said, and JJ left to call the crime scene unit. 
This left the team sitting in silence for a few more moments until Reid spoke up again. 
“What about preschools?” He said, suddenly coming out of a wave of thought to announce this to the room. 
“What?” Prentiss prompted, wondering what on earth he was talking about. 
“Preschools.” Spencer confirmed, looking across the table at her. 
“We checked already, none of the victims’ children went to the same preschool.” Morgan reminded him. “Two of the kids didn’t even go to preschool.” 
“Yeah, but preschools typically have large waitlists.” Spencer argued. 
Naturally, all eyes in the room fell on him, waiting for him to explain. 
“In the first 9-1-1 call, the UnSub said that the victim ‘shipped her son off to be cared for by strangers half the time’.” He explained, once again perfectly reciting this from memory. “What if the UnSub resents preschools and the schooling system for taking these children away from their mothers, so he’s choosing his victims off of a preschool waitlist? What if that’s where his obsession stems from because that’s where his rage stems from?” 
Reid jumped up, pointing to the map he had been using to make a geographical profile. 
“All of the victims live within the same school district.” He added on. “So they would be applying to the same group of preschools.” 
“I’ll call Garcia.” Morgan announced. 
A few minutes later, Morgan connected Garcia’s call to the comm on the center of the conference table they were working from. 
“Hey, pumpkin pies.” She greeted them sweetly, as usual. “So it turns out, the preschool that Tommy Laird, and Emily Ashton, the third and the fourth victim had in common, does have a waitlist. But none of the other victims’ names were on it.” 
“Come on, babygirl. I know you’re holding out on me.” Morgan said, giving a small smirk. 
“Oh, my Adonis, if I don’t have your trembling anticipation, I have nothing.” Garcia giggled. “The school’s waitlist, and their applications, are handled by a firm called Gordon & Stanheight. And it turns out, they handle the applications and waitlisting for five other preschools in the area.” 
“Which gives the UnSub a perfect way to pick his victims.” Morgan sighed. “The first interaction that gets him hooked might not even be in person-” 
“Unless he’s picking them out of the line-up on paper and then waiting to meet them in person?” Prentiss replied. “With this type of guy, the smallest smile, a nod in his direction - that could be consent in his mind to play father to a household that’s missing one.” 
“You said they handle forms for five different schools? That just widened the victim pool.” Rossi groaned. 
“And the suspect pool.” Garcia added on. “The firm has thirty male employees. And I did a bit more digging - the preschool applications have ten ‘optional’ questions on the bottom that are definitely not marked as such. Questions directed at the parent filling out the form, rather than vital information about the child. Things such as: ‘what’s your favorite food?’, ‘when is your birthday?’, ‘what’s your favorite color?’, ‘do you plan on having more children?’ - typical survey schlock,” 
“That would explain why the UnSub served Lisa Laird a birthday cake.” Reid sighed. “He knew it was her birthday two days before he killed her.”
“I have a feeling I’m not gonna like where this is going.” Emily sighed. 
“Oh, sugar. You probably won’t.” Penelope easily agreed. “The ���optional’ part of the forms is sold off to other companies as survey data. And those forms are seen and handled by over a thousand male employees of Gordon & Stanheight’s larger ‘data processing’ sector.” 
“Well the UnSub has to be local to Portland. So narrow down the suspect list based on his last known address and go from there.” Hotch said. “Also, it would be someone who has a criminal record. Someone committing this level of violence wouldn’t be a first time offender.” 
“Gotcha.” Penelope said. “Penny G, out.” 
… 
The team ended up raiding Gordon & Stanheight’s Portland based office. 
After some pointless conversation, some threats of lawsuits, and some even larger threats of being detained for impeding an FBI investigation, the team was able to get their hands on the preschool applications. Over two-dozen boxes worth, that they would have to sort through. 
So this left JJ, Reid, Hotch, Rossi, Morgan, and Prentiss knee deep in paper, looking for anyone who fit the UnSub’s victimology - praying that they would be able to pick out the next victim and get to her before the UnSub did. 
“We’re never gonna get through these fast enough, are we?” Prentiss sighed, continuing to sift through the papers. 
“We just have to go as fast as we can, and hope the UnSub sticks to his schedule.” Morgan replied. “He has to spend time stalking them, learning their routine. Even if he has chosen his victim by now, he won’t break into the house until he’s fully confident that he won’t be disrupted.” 
“And the stalking helps build up the fantasy.” Reid added on. “He romanticizes them from afar, sends them gifts. It adds to his delusions of grandeur and forbidden love. The idea that he’s swooping in to become the perfect father figure for these ‘broken’ families.” 
“So we’re hanging all our hopes on the idea that this psychopath needs time to ‘fall in love’ with his next victim before he kills her?” Prentiss groaned. 
“Sadly, yes.” Rossi confirmed. 
“It helps that most of these applications are from two-parent households.” JJ pointed out. “We can throw out anything with a second applicant on the form, because he’s only targeting single mothers.” 
The rest of the conversation easily became quiet in Spencer’s ears when he saw it. 
It should have been just another page among the sea of paper in his hands, but when he saw those words on the page - that name - it was like a punch to the gut. It pushed all the air out of him in seconds, it made him dizzy, made him struggle to breathe. Like a reel flashing through his mind, it brought back a flood of memories he thought he had locked away forever. 
It was you. 
What the hell were you doing applying for preschools? 
Spencer rushed to tear this paper away from the others in order to read it more carefully. 
Surely enough, the application was filled out in your handwriting. Something that had barely changed over the years. And it was all right there, laid out in front of his eyes, clear as day - 
You had a son. 
A son named Sebastian, who was three years old. Spencer checked the date on the form, eagerly looking for a birth date for your son. His birthday had just recently passed, actually, so he was four years old now. 
And his birth date was… fuck. 
He had been born eight and a half months, almost nine months exactly after the two of you had broken up. Your son had been born eight and a half months after the day you had left and Spencer had never seen you again. 
One thousand, seven hundred and two days. 
Four years, eight months, and two days. 
It wasn’t difficult math. 
Your son was the perfect age to be Spencer’s child. Was this Spencer’s child? 
His hands began to shake at the very thought of it.  
Is that why you had disappeared from his life with such haste? Because you knew that you were pregnant and you didn’t want Spencer to be a part of your child’s life? 
Had you been keeping this from him intentionally? 
He hadn’t thought about you in four long years, he had tried so hard not to. He had spent so long forcing himself not to miss you, and now he was struck with the realization that he might have a child out there with the woman he considered to be his regrettable lost love. A child he didn’t know - a child who he had missed four whole years with. 
What the fuck was going on? 
There were no pictures included with the application, and suddenly, Spencer found himself dying to see the boy. He wanted to know if there was any physical resemblance to himself, or if he was jumping to conclusions. 
Maybe you had cheated on him. Maybe that was why you had left town and never contacted him again. Maybe the kid wasn’t his at all, maybe- 
“Reid.” JJ called out gently, getting his attention. 
Spencer suddenly realized that he was hyperventilating, staring down at the application with your name on it in his hand, wrinkling the paper as he squeezed it more frantically. 
“Did you find something?” 
… 
All in all, the team found four different women who fit the victim pattern in the files - you being one of them. 
So the team split up, ready to knock on each of the womens’ doors, preparing to warn them that if they received any gifts or saw any suspicious men lingering around them in the next few days, they should call. They had to hope that the UnSub wouldn’t move on from this victim pool if he saw the FBI around. But he was overly confident, he had contacted police before. 
It could definitely work. 
When Hotch found out that Spencer had known you, he said that Spencer should be the one to knock on your door. That you might find it comforting to hear that you and your child could possibly be in danger if it were coming from ‘an old friend’. Spencer stuttered over himself and didn’t have the words to explain that you weren’t just a good friend to him, but a romantic flame. He didn’t want to embarrass himself in front of the team by telling everyone that the break-up had been messy, and sudden, and Spencer still wasn’t even completely sure what had caused it. He didn’t want to rip open his old wounds in front of everyone. 
So he simply shut his mouth and got in the car with JJ, and they made their way toward your house. 
“So…” JJ’s voice broke through the undulating silence of the car ride - filled by nothing but the sound of the car’s motor running and gears grinding inside Spencer’s mind as he tried to figure all of this out. “I do have to ask the obvious question,” 
“What is that?” Spencer probed, slightly glad to be relieved of his own thoughts. 
He wasn’t so glad when JJ pried those thoughts out of his mind and spilled them to the open air. 
“Is the kid yours?” She wondered aloud. “I mean - when did you and Y/N break up?” 
JJ had known you as Spencer’s girlfriend. 
Come to think of it, she was probably the only person on the current field team who had some kind of a relationship with you back when you and Spencer dated. 
Initially, it had been by accident. JJ had driven him home one night after a particularly long and sleepless case, and you had been coming to his apartment to drop off some books he had asked for (shortly after he had given you a key). When JJ saw you, her natural curiosity got the better of her - even more so when you stuck out your hand and introduced yourself as ‘Spencer’s girlfriend’ without hesitation. 
The two of you got to talking, and JJ invited you to ‘girls night’. You met Elle and Penelope shortly after. You had become pretty good friends with the three of them before the break-up. 
But Spencer had always felt secretive…. well, protective of you. He didn’t want Morgan teasing him about you, or him wanting to have ‘guy talk’ about things that occurred in the bedroom. Not when it might mean talking about intimate moments with you. Spencer had only introduced you to Gideon over coffee about three weeks before the break-up, and that felt like a lifetime ago. 
Back then, having you, Elle, and Gideon leave his life all in a matter of a few months felt like hell on earth. It felt like being grabbed by his ankles and shaken for all he was worth. He really wasn’t sure that he was ready to see you again. 
It had been four years. 
JJ was someone he could lean on right now. 
“Four years ago.” He told her, completely honest. 
“And how old is the kid?” JJ asked. 
“Four - four years old.” Spencer stuttered out, realizing that now as he was speaking about this very real possibility, he might be breathing more life into it. 
“Oh my god.” JJ sighed. “Well… could it-? I mean…? Did the two of you?” 
It took Spencer a moment to clue into what JJ was talking about. He gave her a sideways glance and she took her eyes off the road for a moment, raising her brows and giving him a pointed look. 
“Please tell me you know what does and what doesn’t make a baby,” JJ groaned. 
“Oh!” Spencer huffed, a small wave of embarrassment flooding him. “Yes! God, yes. I know.” 
There was a moment of awkward silence, and then Spencer felt the need to clarify his answer. 
“We - I mean. We…” He trailed off for a moment, clearing his throat. “We didn’t always use… protection. We were together for three years, at the time, it was on the table.” 
“Kids were on the table for you back then?” JJ asked, clearly shocked by this. “I could not imagine little twenty-four year old Spence with a baby.” 
“Well… it’s something I’ve always wanted.” He mumbled quietly in reply. 
It was true. At the time, Spencer easily imagined himself getting married to you, having multiple kids with you. These days, seeing JJ with Henry and Will brought him the occasional underlying pang of jealousy - but since breaking up with you, there hadn’t been anyone else in Spencer’s life that he could have imagined having kids with. He thought that he was going to be alone and childless for the rest of his life. That the dream was long dead for him. 
“Hey - then, maybe this is a blessing in disguise?” JJ posed. “If we hadn’t been looking through those forms because of this UnSub, you never would have found Y/N again. You wouldn’t even know this baby exists.” 
There was another thing that JJ was dying to ask - something she held back because she felt like it was a touch too personal. (Even if ‘too personal’ was basically how the BAU team lived - knee deep in each other’s business, all the time). 
She wanted to know why you had a baby, a baby that Spencer had very likely fathered, and you hadn’t contacted him about it. Spencer seemed entirely clueless about the child’s existence before now, and JJ knew that because of what his own father had been like, he wouldn’t just blow off a kid that was his if he knew that one was out there in the world. 
So why hadn’t you told Spencer about the baby? 
“What if the kid isn’t yours?” JJ wondered aloud. 
Maybe that would unburden him. She knew that either way, Spencer would fight to protect you from the UnSub. But if the kid wasn’t his - he would walk away again, and he wouldn’t have to be hung up on the heartbreak of dealing with his ex just to parent a child together. 
“Honestly… I think I’ll be more heartbroken if I find out that he’s not even mine.” Spencer told her, his voice quiet and already lulling with that disappointment. 
That was not something JJ had considered. She frowned as she saw the sadness paint across Spencer’s face. 
“One thing at a time, alright?” 
When they pulled into your driveway, Spencer’s mind immediately began churning. 
It was a nice house. It was a beautiful, quiet neighborhood. The front yard was clean and trimmed and there was a silver SUV in the driveway with a ‘baby on board’ sticker in the rear window. There was a rocking chair on the porch, but he didn’t see many children’s toys out front on the lawn. He guessed that was a good thing. Letting children play in the front where they could run into the street and potentially get hit by a car was too dangerous. He was glad to already see signs that you were a good mother. 
Spencer felt like he was opening up a book halfway, desperately wanting to be filled in on the previous chapters while having missed so much. Still wanting to read ahead and see more. 
He had already missed so much of your son’s life. He had missed you. That was something forming the biggest knot in his gut. He had truly missed you. The times he had allowed himself to think of you over these past few years - he had missed you so dearly. 
And now the two of you likely had a child together. 
Craning his neck to get a better look, desperately trying to take in more information, Spencer’s eyes were wide and hungry as JJ put the car in park by the curb in front of your house. As Spencer reached for the passenger side door handle, JJ’s phone rang. 
“I have to take this.” She sighed. “You go ahead.” 
She gave Spencer a distinct look that said ‘I know you need a minute alone with Y/N’, and he nodded, stepping out of the vehicle while she greeted whoever was on the other line. He smoothed down his tie - for once in his whole life, he was actually worried about how he looked. Only because he knew that he was going to see you. Perhaps he had only ever felt like this before going on his first date with you. 
He had such a strange lashing of emotions going through him as he approached the door. Fear, anxiety, anticipation. Longing. 
He truly had tried so hard to lock away his feelings for you when you had left. He had tried to move on. He had considered, briefly, in passing, dating other women. There had been times when someone else caught his eye, and he considered asking her out on a date. Morgan had offered to ‘set him up’. Penelope had offered too, telling him that he deserved to ‘get back out there’. 
Whenever she asked about you, his heart freshly cracked open. 
At one point, she had advised him to write a long, Shakespearian letter, pouring out his heart to you in an effort to get you back - one which she would mail. (Because of course, she could get your new address in a heartbeat.) But he didn’t want to experience the heartbreak all over again if you ignored him. He didn’t want to sit, waiting by the mailbox every single day like a lost dog, waiting for you to write him back in return. 
You had disappeared from his life for a reason. Just like everyone else had. For a long time, Spencer convinced himself that he was simply meant to end up alone. 
Perhaps if he had known about your son - a child that could very well be his - then he might have felt differently about getting Penelope to contact you. 
But now he was standing at your front door, his fist shaking as he raised his hand to knock. 
He let out a sharp breath and steadied himself, giving three swift, firm knocks against the door and then trying to wait patiently. His heart thumped inside of his throat, and it felt like forever. 
“Sorry!” Your voice called out from behind the door, muffled. “Sorry, I almost didn’t hear you. I was-” 
You cut off your own words as you opened the door - the moment you caught Spencer’s eye and recognized it was him, pure shock fell across your features, and you froze on the spot. 
You were just as stunning as ever. You had barely aged at all - your hair was different than the last time he had seen you, of course. And you were dressed casually - wearing a simple hooded sweatshirt with a drawstring and a pair of jeans with some fuzzy slipper boots on. But pale blue looked so good on you.
So much like the pale blue dress you had worn on your first date with him. 
You were breath-taking. 
“Y/N.” He greeted you, his throat dry already. 
You didn’t say anything, simply continuing to stare him down with wide-eyed shock. 
Seeing you again, Spencer couldn’t help but to think back to that first date. 
The first night that he knew he was in love with you. 
… 
He had taken you to see the Virginia Symphony Orchestra. 
It was Spencer’s idea of a good time - and it ended up being one of the most beautiful, most romantic, most unique first dates that you had ever been on. 
It was difficult not to fall for him with the beautiful music in the air and his glossy eyes, so sickeningly thick with affection, staring you down all night. 
Afterwards, the two of you stopped to get ice cream at a small shop that was a short walk down from the orchestra. And now you were both enjoying your ice cream as you walked along in the cool night air - enjoying the peace and quiet and the gentle breeze in the darkness. 
It was a perfect night. 
Spencer could think of no better way to spend it than with you. The yellow bulbs of the street lights practically cast a glow onto your skin, the mulberry lipstick now worn off your lips as you brought the pink spoon to your mouth and licked up your sweet treat. 
His stomach was churning with nerves. Joyous nerves. 
And as per usual, when he was nervous - he rambled. 
“You know, Bach actually married his cousin.” He said, spouting off the first thing that came to mind. 
You told him that Bach was one of your favorite composers - it’s why he had thought to bring you to the orchestra on a date in the first place. 
“I did not know that.” You giggled. “So what? Was it like a ‘third cousin twice removed’ type situation?” 
Spencer found himself grinning at the fact that you actually engaged him in the conversation, rather than staring at him with an odd look for bringing up such a strange topic. 
“Not quite.” He replied. “They had the same surname before marriage.” 
“Oh, ew.” You chuckled again, giving a shudder at the thought of this. 
Spencer knew it was an odd topic to discuss on a date, and if he rambled on too much, it might freak you out - but he couldn’t stop himself. His mouth ran away with him, and he continued. 
“He married Maria Barbara Bach, and they had seven children together.” He told you. “His sons, Wilhelm Friedemann and Carl Philipp Emanuel became composers and musicians much like their father, which was actually carrying on a legacy started by Bach’s father himself - who was a seventh generation musician. He was the one who taught Bach the organ from a very young age.” 
“Why don’t people play the organ anymore?” You wondered aloud. “Except in churches, I guess. The organ rocks.” 
Spencer’s brain began rocketing off at the fact that you had asked him a question. A question he could answer. 
“The organ has actually long been associated with divinity.” He replied. “The instrument rose in popularity alongside Catholicism throughout the eighteenth century, and in a sense, that was part of what made Bach a sort of ‘rockstar’ of his time. The religious references in his work, and his mastery of the organ - all of it made him incredibly popular at the time because it caused him to be favored by the church and by royal figures associated with the church.” 
Spencer gleamed a large smile, heavily enjoying that he could share these facts with you. He thought for certain that any moment, you would change the subject or imply that he should stop talking. But instead, you engaged the conversation more. 
“Religious references?” You questioned, wondering what he meant by this. 
“Yes!” Spencer grinned, suddenly very excited by the explanation behind this. “Even in his secular music, Bach would often incorporate the acronym ‘INJ’, a Latin abbreviation that means ‘In Nomine Jesu’, or ‘in the name of Jesus’. It was something he put on all of his manuscripts.” 
You grinned back. You found it fascinating that being around Spencer for such short periods of time caused you to learn so many things. It easily made you want to be around him more. 
“Interesting.” You replied. 
“And his talent on the organ was seen as something that made him ‘divine’ at the time. Divine enough to be worthy of performing for royalty.” Spencer added on. “In 1708, Bach got a position as the court organist in Weimer for Duke Wilhelm. And later when he requested early release from this position, desiring to go work for Prince Leopold of Koethen, the Duke actually had him arrested and put in jail for several weeks in 1716.” 
Spencer laughed at this mental image - the composer being put in jail. 
“Ooh, harsh.” You sighed. “But I guess Dukes have too much power.” 
Spencer let out another bright laugh at this. 
“And see, the interesting thing is, Bach later became the conductor of the court orchestra, in which Prince Leopold played.” 
“So he got his wish,” You replied with a smile. 
“And see-” 
Spencer set off on another rant again, and you couldn’t help yourself. You put your spoon into the cup of ice cream and then you used your now free hand to reach out and grab Spencer by his tie - you pulled him toward you before he could get anymore words out, and he let out a shocked, choked-off sound when you pressed your mouth into his. 
He sighed gently against your lips, and unconsciously dropped his own melting chocolate cone on the ground by his feet as his limp hands drifted toward your waist. He was dizzy, and now every single fact he had ever known about any composer had vanished from his head. In that moment, standing under a random street lamp on a random sidewalk somewhere - all he knew was the soft, pillowy feeling of your lips and the cool night breeze against his skin. 
It was perfect. You were perfect. 
You found his intelligence and the enthusiasm with which he spoke to be so utterly irresistible. You had been on so many dates with men before where they had acted like talking about their interests was a chore. Where they had made it seem like the whole thing was simply a routine, waiting for the end of the night so they could get into your pants. And for them, that’s what it probably was. 
But Spencer was nothing like that. 
He spoke about everything with such intense passion - and you couldn’t resist the urge to try and suck that very passion off his lips. 
When you were forced to pull back slightly, your lungs crying out for oxygen, Spencer let out a gentle moan and began puffing out sweet little pants across your chin as he tried to catch his breath. You kept a hold of his tie, wanting to keep him close, and he stayed there, gently pressing his forehead against yours. 
“That was… wow.” He sighed. 
“I didn’t think I would ever find you at a loss for words, Doctor Reid.” You replied with a giggle. 
“Well, I - you - wow.” 
It was all he could muster, causing you both to break down into laughter. 
Back then - everything had been perfect. 
He had no clue where it all went so wrong.
...
Continue reading: Chapter Two - Liar
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studioghibelli · 5 months
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always yours- a joel miller x reader
summary: joel has carried guilt with him his entire life, especially after losing you many years ago. you were young and naive, and joel was cold and distant, a match that simply wasn’t meant to be. (so he thought.) when he and ellie finally make it to wyoming, he’s in for the surprise of a lifetime.
warnings: joel pov for a bit, pining, so so much pining, ellie and joel dynamics, a lot of angst, various flashbacks throughout the story, guilt is one of the main themes of this piece of writing, a rather large age gap that is the center of joel’s guilt, a very brief mention of joel having sex with another woman (tess), post outbreak, and of course- smut. (allusion to m receiving oral, brief female masturbation, unprotected sex, cream pie, f receiving oral, some dirty talk.) mdni
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The smell of pine swirled lazily in the air, the promise of a fresh snowstorm making its way through the tree line like the wafting scent of slow baking cookies. The white ground crunched beneath Joel’s leather boots, imprinting the shadow of their soles into the thick wintered earth. With each step his bones ached, shoulders heavy with the fate of the world.
Behind him, a figure trucked lazily behind, giggles occasionally filling his ears.
“What’re you up to back there?”
“Hey, hey. Check this one out, Joel. Why did the can crusher quit his job?” There was a long moment of silence. “Because it was….. soda pressing. Ha! Get it?” Ellie jogged closer to Joel, nudging him with her elbow. “Do you- do you get it, Joel?”
A heavy grunt escaped the man. “Yeah, I get it.” A tooth pick hung loosely from his lips as he glanced down at the girl, a slow roll of his eyes following.
“Want to hear some more?”
“I’d rather not.”
“Okay. Okay… that’s fine.” Ellie cleared her throat, humming as she took in the world around her. “I do have something on my mind. Something real heavy.”
Joel looked at her, his eyes glossed over with a hint of concern. “What is it?”
“Last week I….I-” Ellie paused, sniffling a bit, feigning a look of guilt. “Last week I called someone a watering hole, but I swear I meant well!”
Joel stopped, his jaw clenching momentarily before he met the gaze of Ellie who, in the midst of her terrible joke, was choking back a roar of laughter. He sighed out, shoulder slacking, before giving in to the chuckle stuck in his throat.
“Okay, okay. That wasn’t half bad, I’ll give you that.”
“You’re laughing! I made you laugh! I know you liked that one.”
“I did. Don’t know what’s wrong with me.” Joel shook his head with the hint of a grin teasing against his mouth. “Now quit with the shitty jokes, alright? You’ll miss the scenery.”
Ellie saluted him sternly, giving him a thick nod. “Aye, aye, Captain!” She declared.
Joel sucked in a thick breath.
You were staring at him, with your big, beautiful eyes, gnawing on a stale, unseasoned piece of venison jerky. The flickering flames of the campfire in front of you illuminated your face with glimmering sheens of orange, blanketing the hue of your skin with crimson and gold. A sunset, personified.
He stared at you, long and hard, analyzing every inch of you, taking in your beauty. He wanted to drown in it. The softness of you lips, the apples of your cheeks, the bridge of your nose. Joel wondered how smooth your skin was, how the curve of your waist would feel against his calloused palms, how the heat of your breath would feel fanning against his throat. His eyes dragged down to your small hands, eyeing your manicured nails. What shape would they imprint upon his skin?
“Who the fuck made this shit, Joel?” You guffawed, rubbing your eye with your free fist. “I hate jerky. Tired of it!”
“Well, you’ve just never had good jerky. Before the end times, we had lots of good brands. Jack Link was pretty popular. Was my favorite.” Joel looked at you, a stray curl falling against his forehead as he set the paper bag down. “Ever heard of them?”
“No. Never. When…. all this happened, I was too young to remember. I’ve got no memories from that time, honestly.”
It was a simple statement. One that shouldn’t have made Joel’s stomach clench and turn. Yet it reminded him. It reminded him of his age, of your youth, your naïveté. His chest tightened with the deep feeling of wrongness, the bitter taste of guilt like bile in the back of his throat.
“Don’t, uh, don’t remind me.” Joel mumbled, rubbing the back of his neck.
You, none the wiser to the war raging on in his mind, laughed sweetly, saluting him lazily as you finished the last of your venison jerky. “Aye, aye, captain!”
“Hey.”
“Hey!”
“Heyyyy!”
Joel’s neck snapped towards the noise, where Ellie stood still, leaning against the thick trunk of a pine tree. “Huh?”
“Dude, you were just standing there. Like a fuckin’ statue. You okay? I thought you were dying.”
Joel rubbed a scruffy cheek, the thick bristles of hair irritating his fingers as he stared into the distance, taking in a deep breath before resuming his walking. “I’m fine. Let’s jus’ keep goin’, onwards and upwards. Should be there in a day or so.”
“Whatever you say, man.” Ellie kicked a stray pebble in front of her, jogging every so often to meet the long strides of Joel.
In front of her, Joel was lost in deep thought.
He felt the ache of remorse tugging at his heart. A reminder it still worked. A reminder he was still human, still alive and breathing. A human, a man, who hoped and yearned and craved and cried. A man who loved. This remorse, this pain, this guilt, that had corroded away at his soul piece by piece, kept him stable and nailed to the ground. It was a nudge towards the idea that perhaps after all these years of killing, after the taste of blood and haze of destruction, perhaps his heart was still capable of something good, something right.
Joel thought he was right, when he did what he did. Even with the tsunami of tears threatening your eyes, even with the quivering of your lip, the tight furrow of your brows, the embarrassment on your face- even with the sheer look of pain and betrayal that you wore like a masquerade mask- Joel felt that what he did was for the best. That the line in the sand he carved with his own bare hands would help you in the end.
“Don’t look at me like that.” Joel warned, pointing a finger at you. “Don’t look at me like that, girl.”
“Why?” There was a shrill crack to your syllables, a dejected figure emerging from the shadows of your mouth. “Does it make you feel bad? Am I hurting your feelings?”
“This is worse enough as is. I don’t need you flashin’ them puppy dog eyes at me. Ain’t gonna change a thing.”
“So you just used me. Fucked my mouth until you got what you wanted. And now what, Miller? Now what? Gonna ignore me? Gonna start doin’ runs with Tess again like there was nothing between us?” Venom dripped from your incisors as you took a step towards him. Your tears, your sadness, the heavy weight of your heart had been replaced with rage. Burning hot rage. It consumed you until it was oozing from you, spilling from your eyes, your mouth, your nostrils. It was you.
“Yeah. That’s what I’m goin’ to do. ‘Cause you’re right, kid. There wasn’t shit between us.”
Ellie’s humming brought him back to reality, clearing his mind of any thoughts, before she broke the silence with a dreadful question:
“Did you ever have any girlfriends, back at the QZ in Boston?”
“Told you not to ask me any questions like that.”
“I know, I know. But it seems like things with you and…. with you and Tess were weird. I remember what she said, how she never asked you to feel what she felt.” Ellie cleared her throat, gripping ahold of the straps on her backpack. “But, you know, it got me thinking. If someone as cool as Tess liked an old fart like you, some other chicks would have had to, too. Right?”
Joel sighed a deep, tired sigh, rubbing at his temples. “Me and Tess…. we weren’t. We- just. No. Tess and I, there was nothing there.”
Ellie held her hands up in defense. “Okay, okay. Geez, no need to throw a bitch fit, asshole.”
“Watch it.” He grumbled, adjusting the strap of his rifle. “But there was one girl.”
“Really? What was she like? What was her name? What did she look like?”
“Slow down, Ellie, slow down. Way too many questions. I’ll answer one. One! So pick wisely.”
Ellie walked in silence for a moment, rubbing her cheeks in thought as though she had a beard. She nodded with a sense of finality, catching up with Joel’s long strides. “Why did you like her?”
Why did Joel like you? Why did he love you? What was so special about you that Joel, a man concrete in his stoicism, a man lost in his own selfish, distant ways, could crumble at the sheer thought of you? What was so special about your sparkling eyes that made his chest pound? What was so special about your soft voice that made his jaw slack? What was so special about your gentle touch that made his body shiver?
How could a giant such as Joel Miller come crashing down at the feet of someone like you? Someone so pure, so happy, so kind and thoughtful? How could Joel have ever let something like that happen? How could he have been such a fool?
“Hello? Earth to Joel.” Ellie waved her hand in front of Joel’s face, eliciting a groan.
“Um…” He scratched at his chin.
“When I was a little girl all I wanted, the one thing that mattered most to me in the world, was to go to the zoo. My momma used to tell me all these stories. How you could touch the stingrays, feed the giraffes… But you know what I want to see most of all? The gorillas.”
Joel was staring out the window, keeping watch as you shuffled through the drawers of the abandoned room, looking for extra stuff that could be worth smuggling. His eyes scanned the road, but he was mostly interested in listening to you. Quickly and slyly he turned to look at you.
He saw the glimmer glistening through your gaze, the smile lines crinkling ever so slightly at the corners of your eyes as your pretty lips turned up into a big grin. Your face was aglow with passion, your heart pinned proudly to your sleeve. You were the exact opposite of him when it came to that, it only drew him closer, like a moth to a flame.
“The zoo? I went to the zoo. Took my daughter all the time to the one in Austin. Never saw a gorilla though, not up close. Just on the Animal Planet.”
“Animal Planet?”
And there it was, that familiar twinge of guilt. “Yeah. It was a TV Channel.” Joel explained with a grimace, his voice soft and quiet. “You, uh, you find anything good yet?”
“Nah. Just a half empty box of condoms and some bandaids.”
“Condoms? We could use those.” Joel explained, turning to you quickly.
A look of surprise crept on to your face. You hoped you hid the butterflies erupting in your stomach well enough. Surely it was a slip of tongue, you thought- Joel was never forward like that.
Realization soon dawned on his face when his words finally settled in. “Not….. not us, I mean. For- for trading. Could get some ration cards. The, I mean- I would never be…. I- Uh.” A guttural noise of defeat escaped him as he slumped into the wall, groaning deeply against the palms of his hands that his face was now buried in. “Forget I said anything.” Joel seethed through gritted teeth.
“You sure do have a way with words, cowboy.” You teased. A beautiful laugh, one that haunted Joel, escaped your chest as you threw the box of condoms towards him. “There you go, lover boy.”
“Her laugh.” Joel finally broke the silence, his eyes secured to the track in front of him. “She was always laughing. Real happy, curious, always day dreaming. She was….”
“The exact opposite of you.” Ellie filled in, laughing to herself. “Man, she sounds great. And she liked you back?”
“I said one question a day.”
“But-”
“No buts. You can ask another one tomorrow.”
“Well, can you at least tell me her name?”
Before Joel could stop himself, the syllables of your name rolled from his tongue. He hadn’t spoken it out loud in years. He promised himself he wouldn’t, not after losing you. But it escaped him quicker than he could stop it, like a dog running from its cage, sniffing its way to freedom.
Ellie repeated it to herself. “That’s real pretty.” She hummed in approval, and Joel continued walking, his eyes stirring with the burning hot threat of tears.
Angry, regretful, bitter tears.
“Have you seen her anywhere?” Joel was pacing his room, frantically throwing supplies on to the bed. “Did she- did she say anything? Where she was going? What she was doing?”
“Joel.” Tess’ voice rang through the air. “Joel.”
“What? I need to get to her, God dammit.”
“She’s gone, Joel. Said she left four days ago. You won’t be able to find her.” Tess rested a hand on his shoulder as she sat down on the edge of the mattress, looking up at the disheveled, broken man before her.
“This is all my fault.” A single sob racked through his body as he fell down beside her. “Putting a gun to her head and pulling the trigger would have been the exact same thing. She’ll die out there, Tess.” Joel buried his face in his hands as he fell back, jaw clenching in unison with his flaring nostrils as he sat and stewed in the crashing waves of resentment. “She’s going to die, and I won’t be there to protect her.”
Teas traced her hand down the broadness of Joel’s back, taking in a sharp breath. “You’re right. Better move on now, we have work to do. If you’re going to get over it someday, you might as well do it now.” If there was one thing Tess wasn’t going to do, it was sugar coat things. Especially not for Joel fucking Miller. “So get up, stop crying, and do your fucking job. You got it?”
That night Joel drunkenly fucked Tess with her face in the pillow and ass in the air, and the whole time he imagined it was you.
Dusk was soon approaching by the time Joel had rolled out his and Ellie’s sleeping bags. The canvas of the sunset was being torn apart by sparkling stars, the moon illuminating the snow covered trees surrounding them. It was a quiet, peaceful night, shrouded with the sort of yearning and hope that only came once the sun set.
“Can we start a fire? Please, Joel?” Ellie was shivering beneath her sleeping bag, pulling her jacket tighter to her chest.
“Use my bag. I’ll take watch while you sleep.”
“We’ve been walking for like, a hundred hours. You need sleep too. Nobody will find us here. We’re in the middle of butt fuck nowhere.”
“You don’t know that. Now take my bag or stop whining.” Joel’s voice was gruff as he sat against the tree, the light of the lantern illuminating the hardness of his face.
“Okay, geez. Don’t have to be an asshole.”
“Go to sleep, Ellie.”
Joel hadn’t meant to fall asleep. He never liked sleeping, for many different reasons. The lack of control, the possibility of danger, the lurking nightmares about his past. But most of all, he hated sleeping because they brought him dreams of you.
In the beginning, when he had you, dreams of your body, or your face, of your voice- they were all welcomed. He would wake up in his mattress, bathing like a cat in the golden rays of sunshine, and would go about his day slightly less grumpy. Not a changed man, by any means, but how could a man be completely cold and detached after a visit from an angel?
But now these dreams were different. He would wake, not quite remembering them in their entirety, but always feeling the heavy burden of loss thick in his mouth, like phlegm during a nasty cold. For the rest of the day he would think of you, unable to shake the memory of your face away from his mind. You had branded him like a cow at the slaughterhouse.
Joel knew he was yours forever, always yours, despite the pitter pattering footsteps of guilt that followed him around like a needy child.
Tonight, he dreamed of his past memories with you.
“Oh, this is a good one.” Joel hummed out as he turned the record player up ever so slightly. “This is Nat King Cole. My mom used to play his stuff while she was cookin’.”
Sometimes I wonder how I spend the lonely night,
Dreaming of a song. The melody, haunts my reverie,
And I am once again with you, when our love was new.
“He’s got a nice voice.” You quipped. You swung your legs off the desk, walking towards him before extending your hand.
He looked at you like you were crazy. “What’re you doin’?”
“Dance with me.”
“Dancin’ is a dangerous game. I ain’t no good at it.”
“That doesn’t matter. Come on. Just dance with me, cowboy!” Your giggles ignited the air with sparks of comfort, warming Joel’s body through with the familiar pang of affection he so often suffered from when he was around you. He thought on it for a moment before letting out a long sigh.
“Fine. But if you tell anyone about this I’ll… I’ll…”
“You’ll what? Spank me? Come on, just live a little. If it was actually the end of the world none of us would be here. So be alive and human with me tonight, and dance.”
Joel stood, looking down at you as his hands found your body. He rested one palm against the small dip of your waist, his other finding your hand, quickly engulfing it, wrapping around your fingers like a blanket. You swayed, barely shuffling your feet, a smile of contentment washing across your face.
“See?” You hummed. “This is nice.”
He stayed silent, swaying with you to the crooning voice of Nat King Cole. Joel sucked in a sharp breath as your cheek rested against his chest. He ran his hand down to the small of your back, instinctively pulling you closer.
And now my consolation is in the stardust of a song,
Besides the garden wall when stars are bright,
You are in my arms, a paradise where roses grew
Though I dream in vain…
“Joel?” You whispered, craning your neck to look up at him.
His eyelids fluttered open, lips parting ever so softly as his eyes met yours. Chocolate irises, flashes of gold glittering within them, drunk every inch of your face up, memorizing you as thought it was the last time he’d ever see you. “Hmm?”
“Will you kiss me?” The question escaped you before you could think, your eyes slightly widening at the boldness which preceded you.
Joel stopped swaying. He looked down at you, a thumb slowly tracing across your cheekbone.
“I’m sorry. I don’t know what came over me. I- I wasn’t thinking.” Your face was hot with embarrassment, and your hand on his shoulder quickly dropped.
Joel remained quiet as he gently grabbed your fallen hand, moving it back to his shoulder, up towards his face, until you were cupping his cheek. “You really want me to?” He asked softly, curiously, his thumb gently running across your lower lip. You nodded without hesitation.
He leaned forward, the curve of his nose brushing against the tip of yours as he moved both of his hands to hold your face, eyes open and staring in to yours, as though he were trying to make his way through your soul. A stabbing breath hitched in the back of your throat as you gently pressed your body to his, lips mere centimeters away.
“Joel…” You whispered softly.
He paused right before your mouth, eyes now full of remorse, wide and guilty like a petulant child who had just been caught red handed. When he spoke, you felt his moustache tickle your cupid’s bow.
“I… I can’t. I can’t do it.”
“Do you not like me?”
“That’s not the issue, darlin’. It’s the… opposite of that, actually. But I just- I… I gotta go. I’ll stop by tomorrow with some more ration cards.” Joel pulled away from your body, rushing to the door.
“Joel, wait. Joel!” But before you could stop him, he had already left. Your heard his footsteps soon disappear, left with nothing but the scratching vinyl.
In my heart, it will remain
My stardust melody
The memory of love’s refrain.
Joel awoke with a violent jerk, to the bitter smell of coffee and the bright warning of morning light.
“Wakey, wakey sleepy head. Made you some coffee!” Ellie smiled at Joel as she dug her heels into the dying fire, handing Joel the metal cup of brown liquid.
“I told you no fires, Ellie. Someone could see us.”
“It’s fine. It’ll be okay. And if anyone comes and tries to hurt us, I’ll use my super slick Ninja skills I learned on ‘em! Promise! Now drink your nasty bean juice and let’s get going.” Ellie rolled up the sleeping bags as Joel stared into space, sipping his coffee before dumping the rest of it out.
“How long was I out for?”
Ellie shrugged, walking beside him as they made their way towards the open valley. “No clue. But you were muttering to yourself. Woke me up.”
“Was I? Mutterin’ what?”
Ellie looked at him, a small, sad smile playing on her mouth. When she said your name, his stomach turned. That beautiful name. That terrible, awful name that haunted him at every corner. It crept through his mind like a ghost, in and out of the hallway of his memories, refusing to ever leave.
“Weird.” Joel finally said, after a long, thick, uncomfortable silence. “Let’s…. let’s head out now.”
An hour or so had passed, hiking through the forest towards the open valley, before Ellie realized Joel had been whistling. She had never heard him whistle before. And, like always, her curiosity got the better of her.
“What is that?” She asked.
“What’s what?” Joel answered, looking around to try and pin down what she was talking about.
“The song you’re whistling. What is it? I like it.”
“Oh.” Joel hadn’t noticed he had been making any noise. “It’s called Stardust. An old song, before my time even.”
“Who’s it by?”
“There are a few renditions, I can’t remember who did it first. My favorite version was by Nat King Cole.” Joel explained, clearing a makeshift path through the jutting branches and scratching leaves.
“I’ve got my one question, you know.” Ellie stated with a wiggle of her eyebrows. “About her.”
“M’kay. Make it quick.” His voice grumbled out lowly like an over worked furnace, eyebrows tight together as he walked ahead of her.
“Where’d she go?” Ellie finally mustered up the courage to ask the question, slowly looking at Joel’s back. She noticed how it stiffened at the question, and for a moment she regretted ever asking anything.
But Joel’s voice was uncharacteristically soft. “What do you mean?” He finally choked out, clearing his throat.
“Like, if you liked her so bad, why isn’t she with us? You’ve protected me all this way. I-… I can’t imagine the lengths you would go for someone you actually liked.” Ellie joked, trying to lighten the air, the air which had suddenly grown so chewable, so thick and stuffy.
“I don’t hate you, kid.” Joel mumbled, rubbing at his face. “She, uh, she left. While I was out doin’ a run with Tess. Just up and vanished. No note, no nothin’.”
Ellie could feel the pain radiating from Joel, although she couldn’t quite pin point it in his words. He was good at hiding things like that. You don’t spend months with a person and not pick up their habits.
“How long ago was that?” She asked quietly, softly.
“‘Bout three years before I met you.”
“That’s a long time.”
“Yeah.” Joel muttered. “Now, no more questions until tomorrow.”
“Okay.” Ellie grumbled, watching her feet as she walked.
“Joel!” His name tangled through the air, breathless and wanting. His ear was pressed to the door, hand on the door knob. Waiting. Thinking. Pondering.
Your legs were spread open, jeans halfway down your legs, panties to the side as your middle finger lazily rubbed circles in your clit, your free hand kneading against your exposed breast, chest flushed with the hot hand of want. No. Of need.
You couldn’t get the image out of your head. Slick curls pushed back, lips turned into a scowl, bulging arms chopping at the thick log of wood like it owed him something. You remember the rage swirling in his eyes, dark and angry, knitted brows tight and bold. Why was he so god damn hot when he was livid?
“Oh, God. Fuck.” Your whimpers filled his ears, well- his good ear, at least- and Joel felt his jeans beginning to tighten.
Something overtook Joel. Something primal, something instinctual, because before he had a chance to think, he was barging in to your room, mind empty with thoughts only of you, of your pleasure. You jumped with a squeal of surprise, face coated with embarrassment, grabbing a pillow to try and cover yourself up. It was a fruitless attempt, because Joel still saw exactly what he wanted to see. You.
“Joel! Oh God. Jesus Christ….. how-how much of that did you hear?” You wanted to cry. To deteriorate into a pile of rubble would have been your best option. Anything to not have to deal with his gaze. Stern, unreadable, dark. Your heart was slamming against your chest.
“I heard enough.” He whispered, slowly stepping towards you.
You blinked the forming tears of embarrassment away quickly, propping yourself up better on your elbows, finally garnering the courage to look up at him, right in his eyes. A long, deep, sensual gaze steaming from him.
Joel reached for you hesitantly, his hand gently grabbing your knee. A rough thumb traced circles into your skin, smooth and vanilla scented from the lotion he had smuggled for you on a particularly boring run. He watched the way your skin pricked with goosebumps, the way your leg leaned in to his touch. You wanted this. He knew, looking into your eyes, so soft and tender with desire, that he was the only thing on your mind.
“Please,” you whispered, voice shaking in the dimly lit room. “Please touch me, Joel.”
When he finally gathered the courage to lean forward, when those horrible thoughts of shame that so often plagued him had been pushed to the back of his mind, he heard Tess shouting his name in the distance.
When Joel saw Tommy for the first time in ages, he could barely contain himself. He embraced his little brother, tight and hard, feeling the familiar heat of tears welling in the pits of his eyes.
As dusk soon pulled across the sky, Tommy made sure to tell Joel which house would be his. “House 37! Two lefts and a right.” Tommy reminded him, as he jogged away to meet Maria.
It was only until he reached the movie theatre that Tommy realized he gave Joel the wrong number. Oh well, he thought to himself, Joel will figure it out.
The hot water cascaded down Joel’s back, steam dancing through the air, covering him in a warm blanket, the smell of vanilla body wash filling his nostrils. Vanilla. It reminded him so much of you. Of that night, the night he almost had a taste of you. You were so close, yet still managed to remain just out of reach.
Joel was so preoccupied with his thoughts of you, you, you, that he hadn’t heard the front door downstairs open.
• • •
It had been a particularly long and exhausting day for you. You had been posted a mile south in a rundown factory, keeping watch for Raiders as a group of workers focused their abilities on turning the old building into a new extension of your town.
Maria wanted to turn it in to a greenhouse and new horse stable. With the newest colt in town, Shimmer, she figured horse breeding could be a bright part of their future, and if it grew well and but enough, they could extend further out into the wilderness.
Well, that was Maria’s dream. But you had seen how slow these workers went about their business, how they often broke into fights and managed to forget their tasks entirely. How Maria had ever cultivated this place…. well, that was beyond you.
Your thoughts were full of Joel.
Joel, Joel, Joel.
He was a hard worker. Persistent and tenacious, strong and able, stern and forthright- he was everything you wanted in a man. He was just like the knights you would read about, yet he had a twinge of anti-hero that always enticed you, always pulled you in closer.
Thinking about Joel was always draining. You missed his laugh, gritty and low and never that frequent. You missed his hands, well worked and scarred. You missed his eyes, deep and mysterious and full of something that you could never quite pin point.
After these long day dreams with him at the forefront, it left you craving a life you had never gotten to live with him, a life you had never known.
By the time you reached your house it was dark, and your feet ached from the long trek. You felt much older than you actually were. Taking your boots off, you noticed the hallway light upstairs was on.
“Weird.” You whispered to yourself, ultimately shrugging it off as you switched it off, walking to your room.
The door was shut. Double weird. You lived alone, and almost always forgot to shut your door.
The bathroom door was ajar, and you saw steam swirling out of it, yet the shower was off.
“Okay, what the fuck.” You hissed, reaching for your knife. You had already turned your gun in. Hand to hand combat…. well, that would have to do, even if it wasn’t your strong suit.
Behind the closed door of your master suite, you hear someone opening up drawers. “God dammit, Tommy!” You heard a muffled snarl, and your eyes widened.
You dropped the knife, clattering against the carpet with a faint cling, as you brought your hands to your head. No. No. This wasn’t happening. It couldn’t be him. Surely not.
You rarely spoke to Tommy. You heard he had a brother named Joel here and there, but you never asked. Never gave any part of yourself away. To the people of Jackson City, you were quiet and reserved- kind, always- but haunted by something.
No, by someone.
Your hand was shaking. The metal door knob was cold on your palm, shivers coursing straight down your spine. With a quivering lip, you barely had time to turn the handle before the door flung open, thoughts of self defense and protection miles away.
A figure, huffing with annoyance, stood in front of you. A white shirt stretched taut against a broad chest, sweatpants hanging on a low waist, a bundle of dirty clothes resting in his arm. His arm. His familiar, tanned, muscular arm.
Joel.
Joel. Joel.
The syllable rolled around your brain, head empty as you gathered the courage to slowly look up at the man. His eyes were wide, lips parted in surprise as he stared at you. Both of you stood, in the midst of a proper western stand off, the air stagnant around your bodies.
Neither of you said a word. How could you? What was there to say? You blinked rapidly, rubbing at your eyelids in an attempt to spook the apparition of Joel Miller away. Surely it was a ghost. Perhaps you were finally losing your mind. Perhaps the end of the world had caught up with you.
You went to speak, but a gargled mess of noises were all you could come up with.
Before you had a chance to correct yourself, he had scooped you up in to the tightest hug of your life.
Joel’s left arm was wrapped around your waist, pressing you close to his chest, while his right laid across your back, his large hand pressed into the back of your head. You grasped ahold of him, fingers digging into his skin as you tried to make sense of what was going on.
Before you could catch them, tears were flowing from your eyes, staining his shirt with a puddle of wimpy cries.
“Shh.” He cooed, voice shaking. “I’m right here. I’m here.” Joel held you as though you would vanish if he let go, slowly falling to the floor with you tightly pressed to him. He cradled you in his lap, strong arms secure and steadfast around your body. Joel wasn’t planning on letting go anytime soon.
When you finally looked up, you saw his own cheeks west with the ghosts of previous tears.
“Oh.” You whimpered, touching his face gingerly. “I haven’t seen this face in so long. Look at you.”
“Look at you.” He countered, thumb tracing down the apple of your cheek. “You’ve only grown more beautiful.”
“How… are you…. you’re the Joel Tommy mentioned? How could I have been so stupid.” You whispered, shaking your head.
“How long have you been here?”
“Two years. Managed to find a group of mercs, travelled with them to Kansas City before FEDRA got ahold of them. I was the only one to escape and, somehow, I found myself in this place.” You explained, his face now cupped in your hands.
His lips looked so tantalizing. The thing you wanted most in this world, right in this moment, was for Joel to kiss you. Hard. Deep. Passionately.
Joel looked down at you. He knew that look. Knew those emotions in your eyes, knew the way you looked when desire overtook your being.
He was so tired of being scared, so tired of the shame and guilt that followed him like smoke.
“Can I kiss you?” He finally asked, taking a thick gulp.
You nodded slowly. “Kiss me.”
And he did. It was just as you had always imagined. Soft and sweet, deep and passionate. Your mouths molded together as though they were two puzzle pieces created for each other. It felt right. It felt good. It felt…. perfect. The way you had dreamed it would.
You shifted in his lap so you were straddling him, arms thrown around his neck as you beckoned him closer, his palms pressed firmly into your sides as he held you in place. You both knew you weren’t going anywhere.
You parted your lips as his hungry tongue swept against you, gently exploring your mouth, tasting your spit, the minty residue of your now thrown away gun mixing with his mouth. Joel groaned as you shuffled, and you felt the bulge in his sweatpants where his cock was getting harder and bigger.
You had seen his dick before. Once. When you both stumbled to your room drunk and you had given him a blowjob. The best blowjob of his life, as Joel remembered. He had held you by the hair, barely touching you except a gentle brush of his hand down your cheek after he had finished down your throat. You remembered how his eyes had engulfed you, how you watched as he seared the image of you on your knees into the recesses of his memory.
That was the closest you two had ever got, the farthest he had ever dared to go. And even then, it was selfish of him. He went to bed under the heavy blanket of ignominy, and he swore he would never do it again. He was drunk, Joel assured himself, it wasn’t like he….. loved you or anything. Right?
But now, with his tongue searching your throat and his hungry hands feeling their way around his skin, with the way your clothed bodies moved in harmony against the scratchy carpet of the hallway floor, what else could it be? Lust? No. Lust doesn’t last like this. It sizzles away at the prospect of someone new. No, no. You both knew what it was. Love. But you both too fearful to admit it.
“Joel.” You whispered against his mouth. He opened his eyes at the sound of his name, the way it so sweetly rolled off your tongue.
“Yes?”
“Take me to bed.” Your words stuttered against themselves as you took in a heavy heave of breath. “Take me to bed… and make me yours.”
Joel swallowed the tight lump dangling at the back of his throat. He had two options. One, say no and push you away. Two, give in to his deepest desires and fall further into this love he had tried so hard to forget.
The last time he chose one, you ran half way across the country.
He was a smart man, Joel. He knew exactly which one to pick. No more would he run.
He scooped you up into his arms wordlessly, carrying you to your neatly made bed. Your hair splayed across the white pillows, your doe eyes staring up at him, full of yearning, full of want.
You watched with hawk-like eyes as he slid his shirt off, moving to do the same before Joel stopped you.
“No. I want to undress you myself.” You swallowed thickly at his command, nodding as your neck grew hot with desire.
When Joel was left with nothing but his boxers on, you drunk his image in. A small tuff of hair rested above the hem of his underwear. His belly was soft, and stray curls of hair dotted across his broad chest. His shoulders were strong, broad, welcoming.
You looked up into his face, eyelashes fluttering.
He had a few more wrinkles, a lot more gray in his hair. There were a few more scars etched into his skin, a darker tint to his eyes. He had aged. But so had you.
You had always liked your men older, anyways.
Joel Miller was the man of your fucking dreams, and he was standing nearly naked in front of you.
“Up.” He motioned for you to sit up and you did without hesitation. A smile crossed his mouth as he cupped your cheek. “So good for me.” Joel murmured, slowly peeling your shirt off.
“For you.” You whispered with finality.
He nodded, eyes twinkling with….. happiness. Joel worked the lace of the leather boots you wore, carefully pulling them off your feet before sliding his hands towards the zipper of your jeans. He watched your face as he slowly unbuttoned them, stripping them from your legs. He watched the way your lips parted with desire, the way your eyelids shut as the feeling of his hands grazing your skin.
“Look at you.” Joel whispered, and you met his steaming gaze. “So beautiful.” He learned forward, pressing a kiss to the hem of your underwear. “Lay back for me, honey.”
You did as you were told, shivering as his warm hands pried your legs apart. He stared at your clothed pussy, the patch of wetness showcasing your arousal. Joel chewed on his cheek as he drunk the image in, taking in a sharp breath as he discarded your underwear.
And there you finally were. Open and exposed, laid bare for him, and only him. Joel slid down on his stomach, inching his way towards your cunt as he reached forwards, using his thumb to slowly trace down your outer lips.
You shuddered, taking in a deep breath of as your hands snaked to his head, running your fingers through his thick curls, watching his finger slowly move. You saw him spread you open, you pink, wet pussy on display for his searing gaze.
“Ain’t that a sight.” He hummed out. “This all for me?” His voice was smug. He knew. And you knew he knew.
“All for you.” You admitted, pushing a stray curl out of his eyes.
“Bet you taste real nice, too.” Joel leaned forward, extending his tongue as he swept it flat across your clit. This made you whimper out, your grip on his hair tightening. “Just as I thought. Sweetest thing I ever had.”
Your head fell back onto the pillows as he wrapped this lips around your swelling clit, sucking softly at the button. He was holding back, his movements teasingly gentle. You were squirming for him, nails digging into his scalp, your breath begging for me.
Joel pulled back, much to your dismay, and rubbed his middle finger against your entrance. He slowly pushed it in, grunting quietly.
“God, you’re so fuckin’ tight, honey. Can’t wait to feel you stretched against my cock.”
“Oh, God. Joel, please.” You murmured, watching as he resumed his tongue against your clit, swirling and flicking. Your thighs were shaking on his shoulders, where you hadn’t even realized you had propped them up.
Joel chuckled against your pussy, savoring the sweetness of your arousal, letting it coat his tongue like sugar. He lapped at your clit, middle finger slowly hitting up against that spot, coaxing you closer towards an orgasm.
“If-if you don’t stop Joel, I-I’m gonna cum.”
“Babydoll, that’s what I want.” He responded smugly, sucking harder at your clit.
“B-but I want to cum on your cock. I-I’ll be too sensitive.” You explained, hips grinding as your fingers pulled at his curls even more.
“We’ll see about that.”
Joel added his ring finger into your pussy, pushing and pumping into you, wanton noises of filth filling your ears. You cried out his name, right on the brink of orgasm, as Joel continued his same movements, never daring to stray or pause.
“Joel. Joel! Oh, fuck. Joel. God dammit. Joel, I’m cumming!” You were sure the whole neighborhood could heard but you weren’t half fussed about that at the moment. All you knew was his mouth was drawing you in to the most earth shattering orgasm of your life.
Tears pricked your eyes as he rode out your climax, his mouth never leaving your clit. His fingers slowed down to a halt, yet his mouth never left your cunt.
You whimpered, trying to push him away from your sensitive pussy, but Joel didn’t let up. He grabbed your thighs, relishing in your moans as he made sure to lick up every drop of your cum, every inch of your wetness. He wanted the flavor of your pussy to be stuck in his mouth for the rest of his life.
You collapsed onto the bed as he slowly pulled away, leaving a hot kiss to each thigh.
“Was that nice?” Joel asked smugly, wiping off his mouth with the back of his hand.
“Shut up, asshole.” You teased, a soft laugh escaping you. “Oh.” You murmured to yourself once you saw the bulge tenting at his boxers. You reached forward, gently grabbing it with your small hand. “Looks like we should do something about this.”
Joel hissed in a sharp breath of air, watching with intent as you tugged off his boxers. He kicked them off, his thick cock slapping against his stomach. He was thick, long, sexy- his cock could have been in a porn magazine, to be frank.
“Yeah, we should do somethin’ ‘bout this.” He had climbed on top of you, hands cupping your head as you glanced up at him with a tantalizing look stuck deep in your eyes.
“Yeah, we should. Fuck me, cowboy.” You whispered, resting your hands on his cheek. “Fuck me like you missed me.”
“I did miss you.” Joel admitted, almost shyly.
“I know.” You ran your hand through his hair, feeling the tip of his cock at your entrance. You sucked in a soft breath of air as he slowly began filling you up, allowing you the time to grow accustomed to the way he felt inside you.
“‘Course you do.” He snorted through gritted teeth, filling you completely up to the hilt.
You groaned softly, wrapping your arms around him as you held him to your chest, smiling up at him softly. “Feels so good.”
Joel buried his face in your neck, slowly moving his hips. “You’re so fuckin’ tight. So fuckin’…. so fuckin’ good for me. A god damned dream.” His words were hot, guttural, melding in to your skin like paint on a canvas.
You shuddered, dragging your nails down the length of his back, resting them on his ass. His movements grew harder, wilder, every inch of his throbbing cock deep within your walls.
“Christ, Joel.”
He groaned against you, propping himself up on his palms to watch your face. His nose brushed against yours as he leaned forward, lips pressing to yours in a burning kiss, igniting your body aflame.
“Love how you say my name.” He whispered as he pulled away from your mouth.
“Joel.” You mumbled, a teasing grin cascading on to your face:
With a smile of his own, Joel’s hand traced across your neck, down your shoulders, fingers tickling the skin of your arm before he reached your hand. Joel held it in his own, lacing your fingers tightly within his, thumb brushing over your knuckles.
His thrusts were steadier now that your eyes were on each others, hand held tightly in his own as he took the feeling of you in. The way your pussy clenched around him, the way your body felt tight on his. He pulled away from you, sitting back a bit as he held your hips, fucking himself in to you.
“Touch your clit.” He ordered, eyes darkening. You swallowed, lowering your hand to your pussy, where you did as you were told. You shivered. “Rub it.” He whispered, voice soft.
You rubbed it, your middle finger circling your swollen clit tenderly.
“You’re going to cum one more time for me. Okay?”
You nodded obediently, gently placing your free hand on to his arm. “Okay.” Your voice was sweet, angelic. It made Joel’s cock twitch, an animalistic grunt soon following.
He looked on with hungry eyes as you played with your pussy, stretching it out for him. You both watched the way his cock filled you up, the way the lips of your pussy strained against him. You whimpered at the sight, wondering how something so big could even possibly fit inside you.
You resumed your masturbation, fingering at your clit as he pumped in to you.
“That’s a good girl, rubbing your clit for me. Such a good fuckin’ girl.” He murmured, eyes glossed over with desire.
“Gonna cum for you again.” You warned, hips bucking.
“Yeah? Cum on my cock, honey. Paint it with your pretty cum.”
That’s all it took to send you over the edge. Your back arched off the mattress as your second orgasm washed over you, vision blurring white. Joel grabbed ahold of you and pulled you up, legs wrapping around his waist as he held you, pumping up into you as you shivered and shuttered against him. You chanted his name like a mantra, crying out against him.
You were eye level now, and Joel has you by the jaw, forcing your eyes to meet his.
“I’m gonna cum inside you. Gonna fill this little pussy up.” He whispered, forehead resting against yours.
“Cum inside me.” You begged, hands moving to his shoulders as he fucked your body on to his cock.
Joel groaned, primal noises filtering out as his dick convulsed inside of you, his hot cum painting the inside of your cunt. You moaned at the feeling of being properly full, grinding against him gently as you sat on his lap, your arms holding each other close and tight.
When his orgasm had subsided and you both fell against the soft mattress, you were still entangled with one another, his dick still stuffed inside you.
You stared at one another as though you had never known anyone else, eyes searching, reaching for the soul, sparkling with love, swimming with adoration.
His fingers traced down your back, resting on your thigh as he brought you closer.
“I’m sorry I left.” You whispered, your hand resting on the side of his neck. “I… I didn’t know what to do with all of it.”
“All of what?” Joel asked, voice deep and quiet.
“All of the love I had for you.” You sniffled, nuzzling your cheek into his. “Have.” You corrected.
“Have?” A smirk was tugging at his voice.
You took in a deep breath, bravely nodding your head. “Have. I…. you know I do.”
Joel rested his head against yours, looking down at you. “I’ve always known.”
A moment of silence fell over your bodies.
“I don’t think it’s goin’ anywhere, either.”
“Good.” Joel whispered, his dark eyes meeting yours. “I want it. All of it. ‘Til the day I die.”
“It’s yours, Joel. Always yours.”
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elixrr · 5 months
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“Please,” He murmured with a slight tremble in his voice, “don't leave. Don't go just yet.”
His arms snuck around your figure and wrapped you in his embrace. He just needed to feel you, to know that you're there. A smile graced your face in response, a blissful sight gifted to him from the heavens.
“I won't.”
“You won't go?” his eyes hesitantly met yours. He felt so weak, so vulnerable for the first time in ages. He felt powerless in your presence.
“Why would I?”
He stared into your eyes, confusion catching him. He held you tighter.
“You mean you wouldn't have a reason to?”
You chuckled, leaning in to kiss his forehead.
“Never in my life.”
.
You liar.
He snapped back into reality, chasing after you through the city crowd.
Why?
He sobbed, not caring if the entire universe could hear him. He cried your name, pushing through the crowd but—
Why did you leave him?
You were nowhere to be seen. This isn't real. This can't be. Why are you leaving? Why'd you have to go? He finally trudged through the last few people of the crowd, jumping out of it. He frantically looked around for you.
Show yourself. Show up.
Please.
But you were nowhere—
Show yourself. Show up. Please.
Please don't leave me.
—But you were nowhere to be seen.
He tripped on the sidewalk, falling over, but without you? He didn't have a reason to even want to get up.
.
“Hey, hey? Hey!” You whisper-yelled next to him, dressed in your usual clothing.
Your boyfriend woke up, groggy and sweating. He stretched, yawning, and then looked down at the bed.
What?
“I've got to go now. Sorry for waking you up, I wanted to get you up and going for work later.”
You smiled at him, and when he only looked at you without a single noticeable piece of love in his eyes, you stopped.
In contrast, he looked up at you like you were his savior. You, who he thought he just lost, are back here with him. You're still with him. You're still in love with him. It was all just a bad dream.
“Actually, uhm, can I...” You looked away. You stopped smiling at him. He looked up at you in wonder.
“...Can I talk to you later?”
His heart dropped.
“We need to talk.”
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(inspired by @areislol) / I wrote this in 15 mins it's kind of shit
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inkskinned · 4 months
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most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.
i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.
sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.
repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.
but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.
it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.
i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.
my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.
back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.
hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.
it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.
the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.
i love you, keep going.
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ms-demeanor · 3 months
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Hello,Do you have any tips for recovering from internet brain rot? It's like my patience has dried up and if there's a huge amount of text (even about topics I'm very interested in) that I have to read, I get annoyed and just don't interact with the material at all.
I have multiple tips!
TL;DR (Because of course I generated a wall of text): Take a break from the internet, create a schedule for getting yourself used to reading longer texts, take breaks while reading, and perhaps reconsider how you interact with The Internet and the world in general.
Here are the basic "to reduce the brain rot just don't interact" tips:
Take a break. Give yourself time off from The Internet (for these purposes The Internet is the social media industrial complex; clickbait news, recommended videos, social media sites, etc. You don't have to totally check out of email or your local news site, just get away from the huge time sucks). I'd say to take at least one day a week where you're online for less than an hour a day, and to maybe work up to doing a week-long break from whatever the main agents of rot are.
Once you've identified the main agents of rot, give yourself a time limit or set up rules for yourself. I don't let myself look at social media in bed, for instance; no staying up late on my phone, no scrolling before I get up and start my day. I don't give myself a strict time limit anymore, but for a while there I was very firm about "you only get to go online 4 hours a day" with myself.
Don't comment (or at least only share the things you really want to share). If you feel the need to argue, or if you feel pressured into sharing something, don't. Step back, maybe even open the post in a new tab or send it to yourself, and come back later. If you've been thinking about it and have decided it IS something you care enough to talk about, share it. If you look at the tab and feel stressed out or still feel reactive, close the tab and walk away.
Go out and interact with the real world in a non-work capacity for a few hours a week; take walks or go shopping or go out and take pictures of insects. Touch grass so that The Internet is not the only thing you're doing with your downtime.
Here are the "work on reading longer texts specifically" tips:
Set a reading goal for yourself. Maybe you want to read one New Yorker article a week, maybe you want to read all the way through news articles, maybe you want to read novels like you used to in high school. Figure out what your actual goal is and articulate that goal to yourself.
Set up a practice schedule and gradually increase the amount of time you're reading. Don't go from short tumblr posts to a novella, go from short tumblr posts to slightly longer news articles, then to slightly longer essays, then to a novella. You can do this in literal paragraphs if you want to - maybe your goal for your first day is to read five paragraphs in a row, and the second day is seven, and the third day is ten, etc, until you are comfortably reading for longer amounts of time without counting paragraphs. (Try this with books from gutenberg.org; read a classic you haven't read a few paragraphs at a time and if you find yourself going over your paragraph count, let yourself run with it. If you finish a book, good for you, find another one and start again.)
Set up a maintenance schedule. If your goal is to read longer news pieces, try to read a longer piece every week and try to read to the end of every news article you open. If your goal is to read novels or longer nonfiction, try to read a book a month (maybe setting aside dedicated time each week to read, maybe Thursday evenings are book time now). If you find yourself falling back into old habits, take a break from The Internet and do some more rigorous practice for a while.
If you find yourself getting frustrated while you are reading you can also take a break! Read until you get frustrated and then *instead of switching to a different page or closing the article* close your eyes or look out the window or away from the screen for thirty seconds (count 'em! count out the time in your head) and then continue reading. You can also take a longer pause and sit and think about why you're getting frustrated. Is it the subject matter? Is it just looking at this text for longer than a couple minutes (if you are experiencing FOMO because you're reading for another few minutes instead of scrolling, the harder tips at the bottom are going to be important to you)? Are you comfortable? Are you reading this text to procrastinate from something and the procrastination is making you nervous? Are you trying to read to the bottom of your dash and reading a long post is taking up more time than you want while scrolling? Are you bored? Genuinely and very seriously: are your eyes straining and does your head hurt (if this is the case when is the last time you had your eyes checked or your glasses prescription updated)?
Here are the much harder "examine yourself and reassess your reactions to things" tips:
Work on re-training your attention span.
Identify something that you enjoy and find deeply engaging, and schedule some dedicated time for that thing. Set a literal timer (it can be a short amount of time at first) and sit down and do the thing without switching to a different website or opening up an app on your phone. This can be re-reading or watching a couple episodes of a show you like or listening to your favorite album while you sit down and draw. What's important is to spend a longer time focusing on doing something you DO like before attempting to spend a longer time focusing on something you DON'T like.
When you're starting on things you DON'T like, start with things you mildly don't like, or that feel tedious but aren't actually unpleasant. One way I do this is by transcribing poetry; I look up poems that I connect to and I transcribe them into a notebook that I have for that purpose. I enjoy having the finished product, but I don't enjoy the process, so it takes some effort to stick with it. Maybe there is a boring book you have been trying to get through, maybe you need to detail your car, maybe you've been trying to take up embroidery - these are good things to make yourself pay attention to (having music or a podcast on can help, but avoid watching videos or opening social apps)
When you're okay at that kind of thing (doing something not actively unpleasant) work on your attention span for things you ACTIVELY don't like. I don't think you should be a masochist about this, but you should work on being okay with doing unpleasant things for a sustained period of time. All of us have to do unpleasant stuff sometimes, and it's better to be able to pay attention to it for an hour at a time than it is to put it off forever.
This leads into the next Big Tip which is:
Work on being less reactive
Find something that you dislike; I'm going to use conservative talk radio as my example.
Expose yourself to the disliked thing for short periods of time (under ten minutes, maybe under five minutes).
Work on moderating your emotions during the time spent exposed to the disliked thing. If it makes you angry, work on intellectualizing the anger without becoming agitated by it. If it makes you sad, work on accepting that sadness without letting it drag down your mood. This isn't precisely about becoming numb to stimuli, but it is about being more in control of how your emotional reactions impact you.
Analyze the disliked thing. Why does it make you angry? Is that on purpose by the creator of the thing? Would it make someone else angry in the same way? How would you explain the anger to a neutral third party?
Consider responding instead of reacting. Let's say you're seeing a lot of very sad and upsetting things online and it's making you sad and upsetting you. You re-share these things because you don't feel like there's anything else you can do or you get angry when you see people sharing incorrect information, perhaps you argue with people about this. Now try looking at the upsetting things through the lens of point number four. This has upset you; how has it upset you? And once you've thought about how it upset you and have articulated that to yourself, find out what you can DO. I cannot make conservative talk radio go off the air, but I can support the groups harmed by conservative talk radio; thus there is no point in me getting upset and angry about conservative talk radio when I could be helping the people they target instead.
And that gets us to the last big tip which is:
Ask yourself if you are spending your time in a way that is enjoyable and edifying.
We all have limited time in our days and limited time in our lives. If you are finding yourself frequently frustrated online, it's a good time to consider whether you want to be spending so much time online.
If you feel like The Internet has become a rat race in which you can't read more than a few paragraphs without getting frustrated, there's a good chance that not only are you spending too much time on The Internet, but you're also spending it on doing things that you don't particularly like.
A realization like yours, Anon, that you are getting frustrated with any longer texts, can actually be really helpful because it provides a good opportunity to look at what you're engaging with and consider the questions:
Is this something I enjoy?
Do I feel good when I do this thing?
And that's a great way to figure out how to get rid of things that are leading to your background frustration. Maybe that looks like paring down the list of blogs you follow, maybe that looks like unsubscribing from some youtubers and podcasts, maybe that looks like uninstalling apps, maybe that looks like blocking a whole bunch of people and terms on your socials.
I don't think that everything we do has to help us grow as a person or expand our consciousness or anything like that, but I do think it's important to prioritize doing things that you like and doing things that you feel good about.
Like, I'm not doing something *wrong* if I spend an afternoon on Youtube watching drama channels every once in a while, but if I come out of a few afternoons of watching youtube drama channels feeling restless and anxious and like I wasted my time - even if I enjoyed myself while I was watching - it's probably a good idea for me to take a break from drama channels and see if there's something I can do instead that will make me feel better.
ALSO, A NOTE:
You are an animal that requires significant enrichment in your enclosure.
Think about tigers. Tigers in captivity are going to be excited to get high-value treats for any reason. They will eat and enjoy the treats. But if a tiger in captivity is only given the treats and never given any other form of activity to engage with, it is not going to be a happy tiger. If you start putting their treats in a pumpkin or a puzzle feeder or giving them toys to play with, that is going to be a much happier tiger.
Please give your brain things to play with that are more than just treats (though it does need some treats!). Make yourself a happy tiger. Your brain need a puzzle feeder, not a treat button.
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cherryredstars · 26 days
Note
Could we get a part 2 to that breeding kink one shot about the experiment - what would happen if people from different dimensions had a baby? Pleaseee 🥺🥺🥺🥺🥺 thank uu in advance
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Pairing: Miguel O'Hara x fem!reader
Warnings: 18+, NSFW, Cock Warming, Breeding Kink, Penetrative Sex
A/N: Of course you guys can!!
Unedited
Part 1
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Everything hurts.
You groan as you wake up, your head pounding. You squint your eyes open, brows furrowing when you come face to face with the fabric of your couch. You blink a couple times as you try to get your mind focused, pushing through the persistent hangover to try to figure out why the fuck you're sleeping on your couch. You only connect the dots when a shiver of sensitivity hits you.
You gasp softly when a spike of pleasure runs up your spine, only then registering the hard surface pressing against your back. You turn your head slowly, eyes widening when you come face to face with Miguel. His eyes are closed, mouth slightly parted as he lets out soft breaths. He's pressing you up against the back of your couch, and you know he's probably centimeters away from falling off the small piece of furniture. When he shifts, groaning lowly in his sleep, you remember the pressure on your lower half.
You try to push yourself up as best as you can without disturbing Miguel, looking at the indented lines that run up your arm during your sleep. You hiss softly when the position of your body causes that small spark of pleasure again, and you follow the length of your body down until you find the source of it. Your cheeks flame as you see the mess between your legs, they're sticky and a bit tacky from dried cum. But the real culprit for your embarrassment is the fact that both you and Miguel are naked from the waist down and his dick is still kept nice and warm inside your cunt.
Your mouth drops open, twisting your body to look at Miguel. The turn only jolts his cock inside of you, pressing against your walls more. Both you and Miguel groan at the same time, and in his sleep he presses his body closer to yours. You can feel his cock twitching inside of you in its semi-hard state, and you wonder if he's subconsciously... released inside of you while the two of you were sleeping. The thought alone has you pulsing around him, and you clear your throat to get rid of the new fantasies and foggy memories of last night.
You look around, finding empty and the half-finished cheap beer bottles on the coffee table. On the floor is the discarded clothing from last night. You may be a scientist, but you have no idea how to get out of this situation. There isn't enough room for you to get up and off of Miguel's cock without waking him up, and you find a tiny, naughty part of you just wants to keep cock warming him. But then again, you don't want to suffer the consequences if Miguel wakes up and isn't a big fan of the... position the two of you are in. You bite your lip as you think, sighing through your nose. You place both of your hands on the top of the couch, slowly pulling yourself up. Your mouth falls open as his cock slides against your sensitive walls, gasping out a soft curse.
You're so caught up in the pleasure and your focus on not waking Miguel up, that you don't register Miguel's groggy hum as he begins to wake up. You're almost completely off his dick before you feel large hands wrap around your waist. You let out a loud moan as Miguel's cock is quickly plunged to the hilt inside of you, muting Miguel's own moan. You fall back against his chest as he grinds his hips up into you, whimpering when you feel his cock hardening in awareness. Miguel's face is pressed into the back of your neck, huffing at the left over scent of sex and sweat on your skin. Your hand comes down to his arm that is holding you in place, nails slightly biting into the skin.
"Miguel, wha-"
Miguel cuts you off, nipping at the skin of your neck.
"Don't worry, baby." He mumbles against your neck, his hips slowly beginning to thrust into you, "Just trying to get positive results."
Your cheeks flush at the reference of last night's 'experiment', and you gasp when Miguel's thrusts begin to speed up.
"Gonna make sure you're nice and bred." He growls, his hands traveling down to spread you out wider.
"Want no false positives."
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Part 3
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murdrdocs · 4 months
Text
REARRANGE YOUR WORLD. luke castellan
description. as the daughter of the god of dreams still honing her powers, you sometimes found yourself sucked into the dreams of others. tonight, like most nights, you find yourself in the dream of luke castellan. however, his dream seems to be more pleasant than it usually is
includes. SMUT 18+, fem!reader, she/her pronouns for r, consensual voyeurism (luke watches), dub con voyeurism (r watches luke watching…), subby!Luke, dom!reader (dream scape reader), real r and luke r just friends, cliffhanger don't be shocked; title from this must be my dream by the 1975
pt 2
wc. 1.3k+
a/n: the description and warnings makes it sound confusing but its not i swear.
Your dreamscape begins to morph. 
You’re barely allowed to mourn the disappearance of the world you love so much, soft grass that acts as a cushion beneath your lax body, the distant smell of salt water and the soft sound of cascading waves just a little ways away. Nobody else in the world is there with you, yet you don’t feel lonely one bit. 
And then, it’s ripped from under you and you find yourself in a bedroom instead. 
It’s large, warm as if there was previously a source of heat but you don’t find one. You exist solely among furniture, a grandiose bedroom suite, a four poster bed in the center, the shape of what looks to be a couch in the corner. But nothing else is as clear as the bed. 
You take a step closer, preparing for the piece of furniture to be the focus of the dream. 
There’s just a few moments before the subject appears where things start to change. The changes aren’t noticeable, and if you hadn’t been forced to exist in dreams for a while now you wouldn’t have recognized them. The way the air became more humid and a little stuffier. The smell of the air becomes more pungent with a light musk that reeks of human sweat. And then you can feel a presence even before it’s there. 
That’s when they appear. 
One figure sits at the edge of the bed on their haunches. From what you can tell, they’re masculine presenting, the expanse of their back toned and tanned, dotted with a few sparse moles. They’re wearing nothing but dark boxer briefs. 
The other figure sits towards the top of the bed. They’re lounging more so, wearing nothing but feminine undergarments. It takes you a while to notice who it is, and you spend the time analyzing their position. Leaned back on their elbows casually, legs bent and connected at the knee. They hold the position and air of a goddess, but it’s not until the dream clears you that you notice they aren’t a goddess. They’re a demigod. 
They’re you. 
Wearing a confident smile (bordering on a smirk) as well as she’s wearing that underwear set. 
Your eyebrows furrow, you take a step closer, trying to figure out who is having a dream about you. 
You step to the side of the bed and focus on the masculine figure. When your eyes land on Luke Castellan, things start to click into place. 
Usually, Luke’s dreams are nightmares. Many times have you been pulled from the serenity of your dreamscape into the tortuous lands that Luke’s mind produced. You’ve fought off monsters from the deepest pits of the underworld along Luke’s side, only to wake up in the morning bearing the mental scars and smiling in Luke’s face as if you were unaware of your presence within his mind. 
Your shoulders briefly start to tense as you prepare yourself for such. You wait, and wait. Anticipating the ground to open and swallow the scene. Or for a lightning bolt to strike down your surroundings. Or for something to come from somewhere to morph this brief serenity. 
But the nightmare never comes. 
Which leaves you to watch and see what will come. For better or for worse. 
A few moments go by and then Dream You is speaking. 
“Are you going to watch me, Lukey?” 
Your eyebrows raise at the nickname. It’s not one you haven’t called him before, but you usually say it in an egotistical tease, used mostly during intense moments like capture the flag or during training. 
Never with that tone of voice. 
Dream You speaks like a temptress. Her voice is smooth, teasing, and seductive. You don’t even know if your real life voice is capable of sounding like that. 
Luke nods, curly hair bouncing with the movement. 
“Yes.” He hesitates for a second before adding, “If you’ll let me.” 
Her grin grows and it’s not unlike the appearance of the cheshire cat. 
“Of course I’ll let you, Luke. I’m not cruel.” 
Dream You spreads her legs and the wet patch in the center of her panties is so vivid and emphasized. It’s only something that could exist within a dreamscape, a place where everything was emphasized. Desired or not. 
With the way Luke’s breath hitches, you’re sure the sight of Dream You’s arousal is heavily desired by him. 
His fingers twitch at his sides as if he wants to touch you. You notice Dream You’s eyes glancing down to his digits, but if she notices his eagerness she doesn’t say anything. 
She situates herself up against the headboard and uses her now freed hands to touch her body. One hand goes to her chest and the other goes between her legs. She closes her eyes, and begins to touch over her slit. 
“What do you say?” She asks Luke, her eyes still closed as she gets lost in the movements. 
Luke’s reply is nearly instant. 
“Thank you.” 
Dream You sighs, she hums dismissively, and then she hooks her thumbs under the elastic of her panties and slides them off of her legs. 
For some reason, your first instinct is to turn away. It’s only now that you’ve realized that Luke Castellan is having a wet dream about you, and you then realize that this is an intrusion. You shouldn’t be here and you should instead be working on finding your way out. 
There is no reason for you to stay. Surely, Luke won’t be in any danger in this dream. There'll be no variables for you to manipulate or no reason to wake Luke up before he goes too far under. 
But then again … it’s your body. You look at it every single day and that shouldn’t have to change solely because you’re viewing it through someone else’s perspective.  Intrigue preys on you, urging you to get closer and closer until you can feel the heat wafting off of their bodies. 
You take a step closer. 
Since Luke has never seen you naked (from what you know at least), there are a few things that are off. Before you can stop yourself, you’ve blinked and your dream body is as realistic as the one in reality. 
She swipes her fingers through her slit, dragging them up to her clit to rub a few circles, then she goes back down to slip her fingers into her entrance, two at a time. 
Her moan is instantly pornographic. She throws her head back, arches her back, spreads her legs even more as her fingers start to pump in and out of her cunt. The noises are loud and lewd and vivid. They should make you cringe, and if you weren’t starting to be affected by Luke’s dream then maybe you would have. 
Instead, you notice Luke beginning to palm the very prominent shape in his briefs and you can feel yourself falling under a spell of sorts. Everything becomes dreamier. You’re losing your self control. You’re having to fight the urge to kneel on that bed with Luke. 
You don’t know if you expected Luke to ask Dream You for permission to touch himself (the relationship between these two is almost as intriguing as their movements), but he doesn’t. He reaches into his briefs and pulls his cock out. 
You get a glimpse of his head—red and leaking and admittedly enticing—before your moral compass knocks back into place. 
You take one step back, and then another. There really is no reason for you to be in here. Luke is fine, he’s probably having the time of his life, and you no longer have to play the role of the worried friend. You can leave him to his dreamscape, and return to yours where you’ll either try to remember as many details as possible or try to forget it all. 
Either way, you shouldn’t be in here. 
You turn around and a door appears. 
Your foot lands in front of you, and you’re about to make your way to the exit until Luke speaks. 
“Stay.”
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