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#this has been sitting in my drafts for weeks
mikichko · 12 hours
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captain price who gets thrown back in time when he hears that farah’s group has been deemed terrorists by the US
who suddenly remembers of another young, capable woman who had trusted the united states and had accepted their help in the fight only for them to turn their backs on her and her people at the last second. she didnt yield to their demands, pushing for the freedom of her people from both sides of tyranny.
price who’s called back and taken to headquarters for debriefing, doesn't even get to say goodbye, not that you wanted to in the first place.
they'd turned their backs on you and you turn yours on them, striving to build your country back up. and you do. you stay out of the government for the most part but put together a strong foundation that’ll be unshakeable for your country in the years coming. he knows because he’s seem the reports. seen how you handle a room, empower your people. some of it even done with a full belly.
he isn’t owed jealousy, you dont belong to each other, but he still cant push down the bitter taste in the back of his throat. even through dinner it stays there. has to stop himself from hunting down a man whose only crime was loving you. something he wasn’t brave enough to do.
after coming back to the present, he looks at alex offering him a gentle smile, grateful that he'll be helping Farah.
he asks Laswell for a favor, he knows that she knows where you are. his next leave is planned. no hotel, just a 4x4 truck, enough pull to make it up the mountain, and supplies for a family of four.
he can hear you in the back of the house, water sloshing around, as you talk to someone. and for the first time it strikes price that he never considered he'd be meeting your partner. whose child you had been carrying.
he doesnt dwell on it too much. already worked up the nerve.
then, he’s rounding the corner and there you are. muttering softly to a voice, that he now notices is much smaller and pitchier than yours.
coming from a carbon copy of him. no thats not right. its a mix, of his features and yours. your genetics definitely won but he can see himself mixed with you.
the girl has stopped talking, just staring now, causing you to turn.
“Hello Captain Price.”
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ludicdoll · 2 days
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hello! been obsessed with your work! (I think I already read all archie madekwe x reader fics from you tbh). Been sobbing over Lizzy McAlpine's song Vortex. And I couldn't stop imagining Farleigh x reader who is in an on and off again relationship. Reader tries to stop herself from going back every time he's at her doorstep begging. But always fails. And it's just sad. LMAO
𝐌𝐈𝐃𝐍𝐈𝐆𝐇𝐓 𝐀𝐍𝐒𝐖𝐄𝐑
farleigh start ☆
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pairing: farleigh start x fem!reader
contents: angst, mentions of sex, slut calling, farleigh being a little bitch, reader is also an american, smoking, suggestive at the end but no smut, kinda toxic
synopsis: although your relationship with farleigh is complicated, you can’t help but run back to him every time he needs you.
a/n: this is so late im sorry i’ve been so busy and this has been sitting in my drafts for a while😭
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there’s something so alluring about farleigh that makes you chase him constantly—even if he pays no attention to you. you long for his approval, his touch, and in his absence you realize you can’t seem to function correctly without him. your relationship with farleigh is complex, to say the least, and everybody around you knows this. whenever you would tell felix that you and farleigh had split up again, he always replied with “give it a week.” and somehow, he’s always right. but, this one was different. you split up with farleigh a few weeks ago and he hasn’t even tried to make an attempt to contact you. he knew you’d come back around sooner or later, but you were persistent on keeping your ground.
your breakup with farleigh was because he had called you a slut, just straight up—which was quite ironic because he was the known campus whore. usually you would ignore his silly and childish name calling, but you hated him calling you a slut, it was too degrading for you. you remember the way farleigh blew up in your face when you told him the two of you were over, it was a priceless expression. now, you’re currently standing outside of the saltburn estate, leaning up against one of the large extravagant stone pillars. felix was hosting a party tonight, a big one at that. the colorful flashing lights can be seen outside, a neon cast over the large grassy field.
you decide to step out for a smoke and some fresh air after you locked eyes with farleigh as he was dancing with a girl, her hips grinding against his. that image alone made you shiver in disgust. although you had broken up with him, you missed him bad. you tried to deny it, but if you had to be honest with yourself—you didn’t know who you were without farleigh. if only he would give you a genuine apology, everything would be fine but his pride stopped him from doing so.
you turn your head when you hear the grand doors behind you creaking open. you watch as felix stumbles out, his dark brown hair disheveled from the party. you’re surprised to see him since he had vanished halfway through the party with some random girl you presume. felix turns, a surprised expression on his face. you look over at him, smiling weakly as you raise your cigarette to your lips.
he stands by the door for a minute, stretching his neck before walking over to you. “what are you doing out here?” he asks. felix scans your appearance, eyes widening when he spots a bottle of vodka in your hands, the same bottle that mysteriously disappeared a few hours ago. you shrug slightly, tired and feeling nauseous from the amount of drinks you’ve had tonight. “you missing the states?” felix nudges at your arm playfully. you stare ahead, shaking your head. “i just needed to clear my mind,” you mutter as you lift the bottle to your mouth, taking a long gulp. felix notices that you’re out of it, and he looks concerned. “you haven’t been yourself.” he starts, “ever since farleigh—” you raise your hand out, your palm facing him. “don’t. mention. him.” you groan, rubbing your temples to soothe your migraine.
“he misses you,” felix smiles widely. you stare at the red cups littered on the paved ground, slowly zoning out. “we’re not talking.” you reply, he sighs in return. “well, he wouldn’t stop talking about you in professor anderson’s class.” you turn to look at him, raising a suspicious brow. you think he’s joking at first, but his face is completely straight.
“really? i didn’t know the two of you even attended classes.” you joke in an attempt to move the topic elsewhere. “oh, ha ha.” felix replies sarcastically. there’s so many things racing through your mind, but at the same time—your thoughts are empty. you think that the alcohol from tonight has made you more sensitive. “i don’t like it when you guys fight.” felix mutters as he slowly takes your bottle away from your grip. “you should stop drinking too,” he waves the half empty bottle in front of your face.
“it’s not a fight, felix. it’s a breakup.” felix scoffs, shaking his head with a laugh. you turn to look at him, a scowl on your face. “oh, so you think i’m gonna run back to him?” you ask in a bitter tone. he steps back a little, blinking at your unexpected tone switch. “what? i didn’t say anything.” he says defensively. you suddenly feel irritated at everything around you. you excuse yourself abruptly while he tries to explain himself. you speed past him, leaving felix by himself outside while you open the doors to the mansion.
ੈ✩‧₊˚
you can’t stop fidgeting with your pen, clicking it rapidly as you scan the words in the open book in front of you. you were sitting in the library, not for the sake of studying but for the sole purpose of distracting yourself from having a mental breakdown in your dorm. you couldn’t even think straight since your hangover was so bad. you hadn’t tried to dress up today, you didn’t even bother to put on makeup or fix up your hair. you knew people would see you and talk, but you were so tired you couldn’t do it. usually when you and farleigh would split, you’d still be in close contact with your (who were really just his) friends. however, this was different. everyone seemed to be avoiding you—everyone except felix. whenever you’d ask to hang out, their only excuses were “i have to study,” or, “i’m busy tonight,” and when they see you, they’d scurry off in a blink of an eye.
you could only imagine what bullshit story farleigh has came up with your break up to make them run away from you. felix was the only person who still spoke to you, but now you think you’ve lost him after what had happened at the party last night. you stop clicking your pen when you hear a cough in front of you. you look up, freezing up when you see a familiar curly haired boy in front of you. “fancy seeing you here.” he says. you scoff, rolling your eyes and avoiding his gaze. he laughs quietly to himself before crossing his arms. “i didn’t know you studied.” he emphasizes the word “studied” almost like he was attempting to mock you—but he knew you did study, he just wanted to make fun of you. “i didn’t know you even knew what a library was.” you snap back instantly, farleigh just smiles blankly at you as he pulls a chair out and seats himself right across from you.
“what do you want?” you ask sternly. he sighs, shrugging. a tense silence fills the air and you’re slowly suffocating. “i’m serious, farleigh.” he stays quiet, his eyes still on you. “what did you tell the others?” you inquire.
“hmm?”
“no one’s talking to me anymore.”
“that’s not true,” he laughs, “felix was just talking to you last night.” you squint at him, brows furrowed. “were you watching us?” you ask. farleigh tilts his head to the side, flashing a deadpan expression. “please, i have better things to do.” he replies arrogantly. you nod, closing your eyes. “i’m sure you do.” you look back down to read the words on the page, not taking in any of the information—but just so farleigh would piss off. you could still see him in your peripheral vision, but this time he’s leaned closer against the table. “get a life, farleigh.” you mumble under your breath. he laughs dully, a small smirk forming on his lips. “that is rich coming from you. you really like assuming shit, don’t you?”
“well maybe if you took my name out of your mouth, i wouldn’t be assuming.” you reply nonchalantly as you close the book, standing up to leave. you pack your stuff back in your bag, turning away from him. he mouths a quiet “wow” before getting up from the chair as well, following closely behind you. he swiftly steps in front of you, blocking you from leaving. he leans closer to you, just inches away from your face. “you think you’re all that,” he starts. “but in reality, you’re just a fucking whore with no personality.” you quietly wince at his response, eyes wide. “you’re lucky that i even gave you a fucking chance. i made you known, and this is how you repay me?” farleigh spits out, he sounds truly angry—you’ve never heard him like this before. “but it’s fine,” he says while leaning back up, “such a shame, you’re a pretty face. too bad you’re boring.”
you can’t muster up a snappy comeback, you just stare at him, scanning his face for any sign of empathy—but there’s nothing. he just looks distant and cold. you glance around, realizing there was a few students nearby listening. you sniffle under him, blinking away your tears as you quickly brush past his arm.
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it hurts to pretend like you don’t care about what other people said about you, because in actuality you take all of their words into consideration—especially farleigh’s. you had successfully avoided farleigh all week ever since the conversation in the library, and in an attempt to make yourself feel better, you had finally started dressing and glamming up. of course, there was still rumors going around about you and farleigh, every day it seemed like there was a new bizzare one. you had just came back from shopping, sitting on the carpet of your dorm. it was getting dark, everyone else in the hall was getting ready for bed. as you slowly dive into a wormhole of your own thoughts, the sound of an abrupt knock on your door brings you back to reality. you blink, turning your head to look at the door.
you choose to ignore it, pretending like you weren’t there. then, another string of knocks pound on your door loudly. “oh my god, i’m coming!” you yell out as you get up from the floor. you pad over, opening it with an unenthusiastic swing. the person standing infront of you was the last person you expected—farleigh. you almost screamed when you saw him standing there. you groan loudly and roll your eyes, immediately reaching to shut the door on him. before you could lock him out, farleigh stops the door with his hand. “can we talk?” he mutters with his head low, almost as if he was afraid someone was going to hear him. you stand still in the crack of the door, contemplating whether or not you were gonna let him in. farleigh whines, shaking his head slightly.
“please?”
you sigh in defeat, slowly creaking the door open for him. he gives you a small smile before sliding through. he looks around your room for a second, taking in every aspect of your interests plastered on the walls. farleigh sits down on the edge of your bed, realizing he’s never actually seen your dorm before. whenever the two of you would fuck, it was always in his dorm, a random bathroom at the pub, or somewhere at the saltburn mansion. he runs his hand against the soft duvet of your bed, laughing to himself when he spots a pile of stuffed animals by your pillows. you shut the door, turning to face him with your hands on your hips. you stare at him, raising your brows as a way of saying “go on,” farleigh clears his throat, clasping his hands together in his lap. “i’m sorry.” he sounds hesitant when he says it, like he’s being forced to apologize.
you blink, staying silent as he stares up at you with bambi eyes. “and?” you press. farleigh sighs, dropping his eyes to the floor instead. “i was just upset, i didn’t mean anything i said. i love you, you know that.” he says with a whiny tone. you’ve been through this same scenario multiple times, he fucks you over, comes back to apologize and beg for you back, then you have make up sex. every time this happens, you forgive him easily, letting him fuck your brains out to forget everything he had said to you prior. you didn’t want to give in again, but the way he was looking up at you with his dreamy brown eyes, his highlighted curls framing his face perfectly, even his cologne was driving you crazy.
you missed him, you missed his voice, his explicit compliments, especially his touch. “i miss you, baby.” he whimpers. you cock your head to the side, trying to hide your excitement. “really?” you ask with dilated eyes as you slowly step over to him. farleigh nods, a small smirk forming on his lips. “please, baby—please don’t make me sit here and beg.” he groans. he looks at you up and down before reaching for your hand. he intertwines his fingers into yours, a perfect fit. farleigh nuzzles his cheek against the soft flesh of your skin, then he kisses your knuckles, a predator like glint flashing in his eyes. he pulls you onto the bed with him, placing you in his lap as he leaves a trail of delicate kisses down your neck.
“let me make it up to you.” he whispers. you moan softly, looking up at him. you lean your head against his shoulder as his hands roam up your back, then under your shirt. “forgive me, okay?” he mutters in your ear. you feel his hands stopping midway to your bra, and you whine softly in response. you lock eyes with him, nodding eagerly. he gives you a faint smile before he continues to unclasp your bra with a swift move. you knew that he’d fuck up again soon, and you knew you would run back to him again—but if it meant incredible sex, you didn’t mind.
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© please do not publish my work on other sites.
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bellaxgiornata · 2 days
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Today I finally finished a rough draft for the first part of Jealousy, the Matt Murdock x Fem!Fitness Instructor!Reader and Frank Castle x Fem!Fitness Instructor!Reader smutty little gym series! I know I announced that one so long ago and it has taken me awhile to sit down and figure out a direction further than my initial idea. But now I've got it!
Not sure what fic I will release this week, I'm currently still frantically writing and hoarding rough drafts over here (the number is at 8 of them now 😅). There's still one more that I desperately want to have finished and ready before I give birth, though, so I haven't been editing too much lately. Thankfully it's about half written at least!
But I'm about to reach a milestone yet again and I've been contemplating a short little celebration since I've never done one before. It would be more game/chat centered with y'all since I definitely don't have time to take requests right now. But I thought about doing that as a lead up to maybe releasing an update so I had some more time to write and stockpile another rough draft. Not sure how y'all feel about that?
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percexe · 21 days
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top ten normalest guys
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vilayrou · 29 days
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how it feels to ship a rarepair in this drought
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this is for a certain audience and its me. im the audience
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yiangchen · 8 months
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it's so tragic funny that while i was watching t100, jroth was so adamant that there was nothing romantic there with bellarke, that it literally made me doubt what was very clearly being written as romantic (and it actually was. like, we know this now. it has been confirmed).
looking back, bellarke could have kissed at so many different points in the show, without changing anything else but having them kiss, and it would have made perfect sense. it would have flowed. it would have aligned with their relationship development.
just think about it. 1x09. unity day. is this a bit early? yes. but do they have the chemistry? yes. and have they had sufficient build up for two characters to have their first kiss? yes. honestly more than a lot of ships that happen in the first season of their show. especially since day trip just happened! plus, the flirting during unity day was...not subtle.
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listen...she wanted to kiss him here so bad. seriously though. clarke could have and that would have been a very natural progression of this scene. it would have especially fit the early drop ship days vibe.
(or you could add in a scene where clarke finds him later, now sufficiently buzzed, they flirt some more, then she kisses him, and bellamy's like, "woah, woah, princess, what are you doing?" but he's smiling and she just shrugs with a smile and goes in to kiss him again, saying "having fun", and bellamy says, "you're drunk" and clarke is exasperated saying, "well you told me to!" and bellamy laughs, very amused, and from the look in his eyes, you can tell that he is also very very VERY smitten.)
if you still think that's too soon, yeah, i tend to agree. i love the idea of s1 bellarke in fanfic, but for the show, i prefer a bit more of slowburn. so let's push it to season 2. no, that's not a true slowburn, but still, you had to wait a little for it, and a lot of shows do this successfully. so anyway. 2x05. post iconic reunion hug, shot in a very romantic way i might add.
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bellamy is watching clarke sleep by the fire, she wakes, we have some platonic gazing with firelight flickering across their faces...
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we all know how the scene goes. he reassures her. he confides in her. she reassures him back.
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i'm sorry, but the way they are looking at each other here? dude, if they had been sitting any closer, they could have kissed. i tend to think it would be more in character for clarke to initiate a first kiss with bellamy in s1-4, but in this scene, i 100% could see bellamy going in to kiss her after this.
(and yes, i'm aware that octavia was pretending to be asleep this whole time, but honestly, her reaction to them would have added some much needed levity to the situation. octavia is a bellarke shipper, after all. also, some people might say that this would make clarke's "i love you" to finn less believable, but i disagree. you can have feelings for two people at the same time. i mean, she literally kisses lxa very quickly after finn's death sooo yeah...plus, it would have made the bellarke angst of s2b/3 even better.)
maybe you still want more of a slowburn though, and that is perfectly fair, which brings me to s3, which in my opinion would have been one of the best seasons for canon bellarke. alright. 3x05. hakeldama yup! it was prime time for a first kiss. i mean, all the build up of s1/2 obviously, but also...this had just happened:
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but anyway...back to hakeldama. this is the peak of their angst. nothing tops it.
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but then, after the heat of the moment, the softness comes in. as it always does with these two. they wind up sharing the softest, most romantic scene in this entire show (fight me).
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that last gif, man...at this point, i think they would both go in for the kiss. mutually initiated. god, it would have fit the scene so well!
(some people might say that this would invalidate clarke's love for lxa, considering everything that happens two eps later, but again, i disagree. like i said before, you can have feelings for two people at the same time. people might also say that this would undermine bellamy's relationship with gina, but you know what? the whole fucking narrative undermined that relationship, so i really don't care. i loved gina, but if clarke can kiss lxa right after finn's death, then bellamy can kiss clarke right after gina's death. this show is messy, okay? and bellarke are messy as fuckkkk.)
still think it would be too early? okay. season 4 then. very recently, i realized how easy making bellarke canon in s4 would have been, holyyyy. starting off in 4x03. bellamy is sleeping on the couch and clarke watches him sleep with the softest smile on her face (i'm still crying about this btw). i can't find the right gif, but you all know the smile! then clarke is struggling so bellamy wakes up and is there to support her, making a declaration that has romantic undertones, it just does!
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and then clarke lowkey makes a move on him lmao. for real though?? what was this???
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i would only change one thing here. he takes a seat beside her first and then puts his hand on her shoulder. so that way they are eye level (aka kissing level).
when she lifts her head off their hands, their faces would be so close. maybe bellamy would tuck a lock of hair behind her ear, not realizing how intimate that kind of thing is until he does it. i could see them kissing here. clarke would initiate. although, i think it would be so much better if it was just an almost kiss. bellamy tells her she should get some sleep right before it happens.
and then in 4x06...
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it's actually so funny how she says that and then she's like 'oh no. that sounded like it implied something. i did not mean to imply.'
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and bellamy's over here like 'omg she's implying.'
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which leads to him literally about to confess. i'm sorry, but there is no other way to interpret....
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and of course clarke interrupts, but this is the moment, you guys! this could have been the moment.
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right after this, before roan's interruption, there's a pause, and then clarke kisses him. it's a quick one. the kind of kiss where she has both of her hands on his face and he's so stunned by it that his eyebrows raise in surprise and before he can even process that it's happened, she's pulled back and they're looking at each other, a bit in awe, both surprised that she just did that.
then in 4x09, we actually get to see the reunion!! and it's the running kind. just like 2x05. only this time, after they run to each other and hug, bellamy pulls back and takes her face in his hands to examine her for injuries, and once he realizes she's okay, probably after she reassures him and puts a hand on his face, then he kisses her, but they both go in for it (and i cry).
in 4x13, i would change the location of the head and heart scene. somewhere more private...a bedroom (!). so, after this moment:
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and bellamy turns away, upset, clarke pulls him back to face her and takes his face in her hands. his eyes are watery. so are hers. she kisses him. one thing leads to another and we get the sex scene we deserved!! then they're lying in bed, cuddling. bellamy's head is on her chest and clarke's playing with his hair. that's when she decides to ruin the moment lmao and continues the head and heart convo with "we've been through a lot together, you and i." i can just see it so well. they would shift so that they're laying on their sides, facing one another. maybe clarke's fingers play with the hair at the nape of his neck now. when she says he has a big heart, her palm rests on his bare chest. when she says he has to use his head too, her fingers of her other hand shift from his neck to his temple. when bellamy says, "i've got you for that," clarke kisses him. their foreheads stay touching for a few breathes, then she pulls back to look at him and says that raven's premonition came true. like...am i crazy or would this have worked so well?? literally the same dialogue but...they're together.
(plus, this could have led to clarke raising bellamy's kid--august--along with madi over those six years they are separated, i'm just saying!)
maybe you still think that season 5 was the ultimate time for bellarke to go canon, and you know what? i honestly might just agree. the set up was there with clarke calling bellamy every day for 2,199 days. the potential was there. madi was the biggest bellarke shipper i swear. she wanted them to be together even more than all of us combined i think. for a bellarke kiss though, you would almost have to drastically change the course of events...unless you go with 5x13 and blecho have broken up earlier in the season. after clarke wakes bellamy from cryo (still crying about this moment, yeah!), i could see them having a moment.
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before jordan walks in, maybe clarke helps bellamy out of the pod, and once they're both standing, bellamy would finally make his move. instead of bellamy asking why they're the only ones there, clarke does. bellamy tells her, "we'll figure it out, clarke, but first, i have something i wanna say." maybe he does something soft, like take her hand or brush her hair behind her ear. clarke is staring at him, not quite believing what is happening right now, but deep down, she knows. he tells her, "those six years without you were the worst of my life and i don't wanna waste any more time." clarke is wearing a watery smile, still not quite sure she believes what she's hearing. she tells him, "i radioed you every day you were gone." bellamy's whole face lights up and he tells her, "i know." their foreheads touch. both of his hands are cradling her cheeks, her hands are cradling his wrists. she whispers his name. it's the kind of kiss where the time before the kiss is excruciatingly long, but once they kiss, it becomes much more urgent as they finally give in to all of the feelings. god. would have been ICONIC.
plus, they both looked absolutely gorgeous in this scene. hello???
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would have been one hell of an aesthetically pleasing first kiss holyyyy. then jordan interrupts and makes some comment about how his mom and dad were right all along :)
if not season 5 though...moving onto season 6. 6x10 to be exact. i know i've said that other times were the ultimate time for canon bellarke, but this episode is too! or right after it in 6x11. there are two scenarios that i see playing out here. (in both, blecho have broken up previously.)
in the first scenario, it's 6x10. as soon as bellamy saves clarke and she wakes up, instead of going in to hug him, i swear when i was watching it that i really thought she was going in for the kiss. that was the one and only time where i legitimately thought they were about to kiss while watching. it had never made more sense than in that moment. even with all of jroth's attempted brainwashing, my mind was stronger in that moment. it saw it coming. or at least i thought i did lmao. i know they didn't actually kiss.
but listen.
they really should have.
clarke is literally looking at him like this:
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come on, man.
i usually say that bellamy should be the one initiating post s4, but in this moment, it would have been clarke.
and if not then, the other scenario is that they hug as usual. clarke gets some rest as usual. but when she wakes up in 6x11 and bellamy is at her side, they are in a separate private tent. they have that same conversation that they do. they argue about clarke risking her life again. but then...
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he tells her, "hey, i just got you back." he says it firm but soft. i see bellamy initiating the kiss here, especially since he's almost lost her twice now, but once clarke realizes that this is really happening, that after all this time he wants her just as much as she wants him, she would for sure be the one initiating everything else. she would be sitting in his lap making out with him so fast jfsldkjfaslk and you know what? good for her!! they either just kiss a lot here, laying down on the bed, all tangled up together, and then they're interrupted, or maybe, just for once, they're allowed to be happy, uninterrupted, and they sleep together. either way. natural progression.
that's really the point of this longwinded post. so many times it could have happened. all of them a nature progression of the story that was being told.
then comes season 7...
there are no words.
6x13 left them off in a perfect place...
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the set up was literally right there! they should have kissed in 7x01!! they should have lived happily ever after with madi in a seaside cabin situated in a field of gold!!
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silverfoxstole · 9 months
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These photos, taken by rinaflies on Flickr at Gallifrey One in 2012 are just so cute.
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pawphin · 2 years
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(she has none)
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spikrock · 1 year
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loooove this show
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yekokataa · 1 year
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🔥 choose violence ask game 🔥
the character everyone gets wrong
a compelling argument for why your fave would never top or bottom
screenshot or description of the worst take you've seen on tumblr
what was the last straw that made you finally block that annoying person?
worst discord server and why
which ship fans are the most annoying?
what character did you begin to hate not because of canon but because how how the fandom acts about them?
common fandom opinion that everyone is wrong about
worst part of canon
worst part of fanon
number of fandom-related words you've filtered
the unpopular character that you actually like and why more people should like them
worst blorboficiation
that one thing you see in fics all the time
that one thing you see in fanart all the time
you can't understand why so many people like this thing (characterization, trope, headcanon, etc)
there should be more of this type of fic/art
it's absolutely criminal that the fandom has been sleeping on...
you're mad/ashamed/horrified you actually kind of like...
part of canon you found tedious or boring
part of canon you think is overhyped
your favorite part of canon that everyone else ignores
ship you've unwillingly come around to
topic that brings up the most rancid discourse
common fandom complaint that you're sick of hearing
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sparklingsora · 3 months
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doodle dump. give it up for WORLD'S WORST POLYCULE!!! (feat. my vox redesign)
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you know how hermit crabs like form queues where they exchange shells from biggest to smallest. yeah these bitches do that but with shirts
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azperja · 3 months
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Modern! Shadowheart ✨
God’s Favorite Princess + ink of her favorite flower
Closeups!
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Links: Commissions Open | Twittter | Insta
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messiahzzz · 16 days
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it is a conscious choice of mystra to initially present herself as this benevolent, courteous, and merciful being. a practiced and perfected approach she knows will compel gale to follow her demands with the least amount of resistance on his part. he already refused to follow her instructions when she sent elminster to request his death — his effective father figure, gale’s self-proclaimed hero, mentor, and the one who plucked him from obscurity in the first place — so another appeal is in order.
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narrator: "elminster's visit weighs heavy on your mind. his face you did not expect to see again." narrator: "when you last saw him, you were in your prime. no orb, no tadpole. a mage of growing renown, all power, pride, and potential - beloved by the goddess of magic herself. narrator: "it's one thing to have fallen from such heights, but to have elminster himself now witness your humiliation is almost unbearable." gale: [his disappointment cuts deeper even than mystra's. he was your hero.] narrator: "while most know of elminster the legend, few know him as you have. he plucked you from obscurity. offered you his guidance. his faith. and most recently, his pity."
yet it is curious how quickly she changes her tune once gale doesn’t readily agree to her demand to return the crown of karsus to her, no questions asked. or even dares to impugn, or criticize her reasoning for leaving him to die.
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gale: "a great ask indeed. you've given me much to think on - as you always did." mystra: "so be it. follow the needles of your own wisdom. we shall see how truly it leads you."
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gale: "because i disobeyed you. you punished me for it." mystra: "how so? you think i should have cured you? erased the consequences of your actions?"
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gale: "you break up with me, cut me off from the weave, leave me to die, and that's all you have to say? 'you look well'?" mystra: "i did not come here to suffer a mortal's admonitions. certainly not yours."
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gale: "you were threatened. you realised you couldn't control me." mystra: "you were many things to me, but never a threat. and never a saviour." nodecontext: sharper, almost a warning - don't entertain such thoughts, gale. you won't like where they lead.
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gale: "i don't know. i need time to think." mystra: "so be it. follow the needle of your own wisdom. we shall see how truly it leads you."
particularly interesting to note is how she uses his surname as a tool to chastise and taunt him. only referring to him as "gale dekarios" in the context of him displeasing her, when he doesn't readily obey, whether he simply wavers (needing time to think) or outright declines her instructions. she uses the very name he had actively discarded and refuses to be referred to at this point in time. a deliberate reminder of his fallible humanity, of the flaws he tried to distance himself from. she knows this.
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gale: "i won't let you down again. when the absolute is vanquished, i will surrender karsus' powers to you. you have my word." mystra: "thank you. may the weave's light guide your purpose, and it's wisdom guide your hand." mystra: "the future of magic rests on your shoulders, gale of waterdeep". mystra: "i promise you - it is a burden you are strong enough to bear."
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gale: "i don't need your forgiveness. the crown of karsus will be mine, and the karsite weave will obey me." mystra: "crown yourself, gale dekarios, and you will learn what it is to carry such weight upon your shoulders." mystra: "if it does not crush you, i will." nodecontext: an icy edge entering her voice - a hint of a challenge gale will face if he pursues this course. nodecontext: here we glimpse the true, unimaginable power of mystra. she's still in control of herself, but her anger should be palpable.
i have already addressed the overall topic of mystra & gale's relationship in several posts i wrote some time ago [x] [x] [x]. however, since then we have received new snippets of information with patch 5 that shed more light on the progression of their relationship as a whole. this post is intended to be an update of sorts, containing a more comprehensive list, as well as lore excerpts for added context and proof. i will split this essay into several sections for coherency — buckle in, cause this is going to be a long one!
✧ mystra's history of manipulation ✧
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one of the epilogue letters revealed that elminster first sought gale out when he was about 8 years old. which according to gale's canon age being 35 (as listed on his idle champions character sheet) means that their first meeting occurred around 1465 DR. although elminster's wording suggests that this may merely be an estimate on his side.
furthermore - in the ending where gale dies in the attempt at ascension, raphael has the following to say:
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raphael: "you were the spark of ambition that rekindled gale's ambitions, after mystra had so cleverly put them to rest."
insinuating that mystra did make an active effort to keep gale in line, to temper his ambition, lest his thirst for more knowledge would eventually prove bothersome for her. keeping an eye on him at all times, keeping him close, placating him, and urging him to be patient.
what distinctly stood out to me is how this also aligns with some of azuth's quotes in the temptation of elminster, while he gives advice to a then-young sage of shadowdale.
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we are her treasures, lad—we are what she holds most dear, the rocks she can cling to in the storms of wild art. she needs us to be strong, far stronger than most mortals ... tempered tools for her use. being bound to us by love and linked to us to preserve her very humanity, she finds it hard to be harsh to us—to do the tempering that must be done. she began the tempering of you long ago; you are her 'pet project', if you will. [...]
"you serve mystra differently. she watches you and learns the human side of magic in all it's hues from your experiences and the doings of those you meet—foes and friends alike. yet the time has come for you to change, and grow, to serve as she'll need you to, in the centuries ahead."
and yet again, there is a reoccurring pattern in her relationship with sammaster, another of her chosen, as well:
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sammaster fell to his knees and wept upon mystra's feet. they ended up spending ten days together. this made him the first chosen of mystra since the seven sisters. when he asked for the reason that mystra had chosen him, she replied that she had foreseen that one of her chosen would be killed in battle, and he would be the replacement. he left this encounter feeling as though he and mystra were in love.
mystra is no stranger to fostering feelings of boundless devotion that weren't present before. observing her potential chosen, appearing before them, promising them power. luring them into service without the knowledge of what this may entail. where other gods may instill fear, mystra instills the notion of love. practicing seduction while mirroring her chosen's humanity. intentionally portraying herself as someone sympathetic and approachable. syncing their language, highlighting mutuality, making them feel favored and seen. mystra sees no need in the act of divine separation, a display of godlike grandeur — inimitable, menacing, larger than life, towering above her chosen. instead, her manifestation is purposefully unassuming. she meets them in the form of a woman in her early 30s, conventionally attractive, palpable, and appealing to the masses — a human figure. the very embodiment, the very ideal of traditional beauty an impressionable, young wizard may have.
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gale: "i can't quite describe it, the need i sometimes feel to see her - to draw the filaments of fantasy into existence." gale: "no sculpture or painting could ever do her justice, only the fabric that she herself is and embodies."
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gale: "in her likeness, i used to read a thousand stories. she was beauty, wisdom, elegance, power... she contained universes."
player: “what did mystra’s attention feel like?” gale: “love. [...] perhaps it was not quite love, but you see, the wizard was but a very young man. it was most certainly love to him. [...]"
how we see her in the game is very likely the same form she chose to present to a young gale. beauty, wisdom, elegance. perceived perfection, yet humble in her divinity.
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the mystra of now (1490s DR) retains some of the memories of all of her earlier selves, and the relatively young and inexperienced midnight is “in there,” but wholly subsumed. mystra could generate an avatar or seeming that might fool some mortals into thinking they were meeting midnight, but it would be an act. [x]
generating an avatar in the form of a mortal she subsumed. purporting mutuality. midnight was just another mortal added to mystra's long list of "human stock" — vessels intended to preserve her power. favored, chosen, and ultimately suppressed by the very essence of mystra herself. midnight is no equal piece of mystra, the deity, there is no conscious part of the mortal that remains. [x] the mystra that currently exists is a union of the original mystryl, as well as all the other reincarnations of her that melded into her being. fragments of their minds that linger in the weave, scraps of humanity that could perhaps aid in her knowledge and understanding to prevent further betrayals in the future.
mystra's approach has always been indirect, instead of being outright menacing and portentous. the fact that mystra isn't written like the other gods in the game doesn't mean she's more sympathetic to gale's struggles or more inclined to understand human nature. her concern will always be the preservation of her domain and her hold over the weave — to do as the gods do.
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gale: "you're one to talk. how many innocents were you prepared to sacrifice if i detonated the orb?" mystra: "such eddies are unexceptional. souls arrive and depart your plane with every tide, in circumstances just and unjust." nodecontext: matter of fact, not interested in these kinds of specifics
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ketheric thorm: "who decides what is right? the gods did not care for right and wrong when they dismantled my life piece by piece." ketheric thorm: "and when i tried to buy it back, it cost me everything - everything." ketheric thorm: "we are copper pieces in their belts. tokens to be traded for scraps."
it is often mentioned that mystra makes her attention known by brushing against her potential chosen. whispering to them, touching their skin, eliciting a tingling sensation. which is also how mystra chose to reveal herself to ariel manx (midnight) in 1353 DR, while she was 21 years of age.
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gale mentions feeling a similar sensation if he chooses to destroy the summoning circle in balthazar's office at moonrise and thereby receives her blessing.
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gale: "did you feel that?" gale: "if i wasn't surrounded on all sides by the darkness of the shadow-cursed lands, i'd think it was mystra herself brushing against my skin."
mystra isn't above using manipulations to get her way. once again evident in her instigating dornal and elué silverhand's union in the first place, as well as intentionally withholding information from dornal that she actively took possession of his wife, elué. to ensure that they would indeed produce her offspring — the seven sisters — her chosen and the vessels to house her power.
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where elué had previously been reluctant to acknowledge dornal's advances, he found them suddenly returned with great fervor once mystra took possession of her body. [x]
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"by the time elué was carrying her final child, she was in effect a lich - a crumbling shell kept alive only through mystra's power. dornal was shocked at her deterioration. he sought magical aid to cure his wife, and when he learned from the most powerful priest he could find that his wife was possessed by an intelligent force of great power, a sickened dornal tried to slay her. he struck off her head one moonlight night as they walked together in a wooded glade. mystra was forced to reveal herself. dornal was shattered by what he had done, and aghast at how he - and especially elué - had been used." [x]
dornal, who had been kept in the dark throughout, abandoned his lands and children after slaying his wife, traveling to the north, with the plan to seek his own death. he repeatedly tried to poison himself, yet mystra wouldn't allow him suicide and magically neutralized the lethal doses to keep him alive against his will. after his death in 797 DR, mystra turned him into another servant of hers: the watcher — one who wanders the realms, seeking out new potential chosen to this day.
which brings us to...
✧ mystra's foresight and her "death" ✧
mystra possesses a degree of foresight - she foresaw the time of troubles and her own passing at the hands of helm in 1358 DR for defying him and her attempt to converse with the overgod ao without the tablets of fate. the very reason why she sought out mortal vessels to house her power (the seven sisters) — to avoid disaster should another entity win control over her in the chaotic period of wildly fluctuating power struggles that was the time of troubles. this divine power slumbers within these individuals, which she can call upon.
in 1385 DR mystra (midnight) was struck down by cyric and shar, which brought upon the spellplague.
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in 1479 DR mystra was located by elminster inside a cave in cormyr, guarding her mortal body. she survived cyric's assassination by inhabiting the body of a bear, while still able to contact her chosen. she returned to her full power in 1487 DR.
the important part, that i've often seen outright ignored or misinterpreted by fandom altogether, is that mystra wasn’t actually “dead” for over a hundred years. at least not in the way we perceive it. we can’t equate her death with our mortal understanding of it. her powers were diminished to an extreme and she was weakened, yet she was still able to communicate. it was in her power to contact her chosen and to guide them. evident by her calling for elminster through her telepathic link and directing him to recruit other chosen for her to restore her power.
the plot of baldur’s gate 3 takes place in 1492 DR. meaning gale's actual year of birth would be 1457 DR. while elminster likely sought him out around 1465 DR, when he was only 8 years old. however, i once again want to emphasize that “couldn’t have been more than 8 summers old” indicates that this may merely be an estimate on elminster's side. he could’ve possibly reached out to him even earlier than that, or perhaps later. gale was 22 year old at the time when mystra was found in her diminished state by elminster in 1479 DR.
✧ mystra's awareness✧
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gale: “so, all it took to get mystra’s attention was to learn how to reforge an artifact that once destroyed her." gale: "it's obvious, when you stop to think about it."
even if you may personally be skeptical of elminster’s insertion into gale’s life at age 8 (as well as mystra's ability to contact her chosen during her death) to be enough evidence of mystra’s attention — she had to be aware of him for his talents alone since he was a mere child. there is no way around this.
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player: "how could she possibly know we read a book? hasn't she got more important things to worry about?" gale: "the weave is a highly sensitive magical network threaded through all life on this plane. any shift in magical energy, no matter how small, is akin to a beacon, alerting mystra to its cause." gale: "opening a book like the annals of karsus was akin to us shooting a firework spelling 'look at us, mystra!' directly into the skies of elysium. she knows."
mystra IS the weave, as gale himself has stated several times. it is an extension of her being, threaded through all life. by touching the weave one is directly touching the goddess of magic herself. mystra is aware of any magic user, able to deepen this contact at her choosing.
shadowheart: "isn't it so, that every time you speak as you cast a spell, you're endeavouring to call upon mystra?" shadowheart: "i'm surprised she still listens to you." gale: "she has no choice - she's sworn to hear all magic users. even me." gale: "i'm sure she at least stuffs her fingers in her ears to muffle my invocations."
gale described himself as a child prodigy. a virtuoso that was able to manipulate and compose the weave at will from an early age.
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gale: "magic is... my life. i've been in touch with the weave for as long as i can remember. there's nothing like it."
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gale: "i'm what one might call a wizard prodigy, who from an early age could not only control the weave, but compose it, much like a musician or a poet."
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gale: "such was my skill that it earned me the attention of the mother of magic herself. the lady of mysteries. the goddess mystra." gale: "she revealed herself to me and she became my teacher. in time, she became my muse, and later, even my lover."
someone who was able to perform feats way beyond the skillset of his peers. he managed to wield the blackstaff itself, accidentally facing an irritated death slaad, and lived to tell the tale. he summoned and befriended tara, as well as the magma mephit, k'ha'ssji'trach'ash. we also know from elminster that he was able to cast fireball — a 3rd level spell — at age 8.
it is indisputable that mystra must’ve taken notice of the precocious young wizard during this time, even in her diminished state. much like she had once observed midnight. she began to whisper to him, drawing back the veils, revealing herself bit by bit, urging him that he was special — chosen.
gale: "he fancied himself much more than that. he fancied himself favoured above all others. [...] mystra showed him the secrets behind the veils. the gossamer veils first, draped across the weave. the delicate veils next, draped across her body. ‘chosen one’ she whispered, as she slipped them off completely."
✧ final part: power imbalance & exerting control ✧
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gale: "the weave is still here, all around us - inside of us too. as long as the goddess lives, magic is a tangible thing for those who know how to touch." gale: "i've studied magic for many years, and in as many ways i am still a more than capable wizard." gale: "it's just that i'm no longer able to perform those feats even arch wizards would marvel at." gale: " to have one hand on the pulse of divinity." gale: "you have to remember that the weave is a living thing, both the embodiment and the extension of mystra herself." gale: "she can give and she can take away. i'm afraid i'm still very much on her naughty list."
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gale: "mystra commands all magic. salvation, if such a thing exists, is hers to bestow or withhold." gale: "and yet, even now, more than i fear losing my own self and soul, i fear losing my command of her art."
player: "he sounds like a very talented individual." gale: "he was. even though it was in mystra’s affections that his true power lay."
even apart from their innate different forms of existence as a mere mortal and the literal goddess of magic, mystra is in full control of gale's power at all times, able to grant and withdraw her favors at will. claiming that such a power imbalance doesn’t exist, that it doesn’t apply to their respective relationship, that it might’ve been “healthy” at one point if gale was indeed of age at the time their relationship transitioned into a sexual nature is —pardon my french— fucking insane.
this stance disregards everything we know about the gods, about mystra’s involvement with other mortals and her chosen. it disregards the level of authority she wields over any magic user. it carelessly and naively disregards the implicit difference in power. mystra is the goddess of magic, his goddess. the very object of his worship and adoration since childhood. the goddess he devoted his life, his work, and his unyielding loyalty to. it is ultimately irrelevant at what exact point their relationship underwent its final transition from muse to lover. this discussion is redundant. mystra has been a constant presence since his early childhood. his worship of her began with the practice of his first spells, even if it wasn't conscious at the time. every practitioner of magic inevitably honors mystra, regardless of their faith in her. magic is his life, in the same way that mystra is pure magic. she is in total control of the tools he wields.
✧ summary ✧
mystra possesses a degree of foresight, already knowing about the time of troubles & her subsequent passing. this being her reason to seek out mortal vessels to secure her power.
mystra feels any shift in magical energy no matter how small, immediately alerting her. gale was able to cast a third-level spell at age 8.
mystra has a history of instilling feelings of love that weren't present before and using her chosen/other mortals for her own means. (elminster, khelben, sammaster, the seven daughters, ariel manx etc.)
mystra's manifestation is a conscious choice. midnight has been wholly subsumed by her.
mystra wasn’t actually “dead” in 1479 DR, but merely diminished. she was inhabiting the body of a bear and was still able to communicate with her chosen. she directed elminster to recruit other chosen to restore her power.
elminster sought gale out around 1465 DR when he was about 8 years old, as stated in the epilogue letter.
mystra first functioned as gale’s mentor, then his muse, and later his lover.
gale’s relationship with her was indeed of a sexual nature, he has explicitly stated so several times. their intimacy wasn't restricted to incorporeal interactions either, even though they were preferred.
during the ending where gale fails to ascend raphael states during the credits that tav has “rekindled gale’s ambitions after mystra had so cleverly put them to rest”.
azuth describes mystra's chosen as "tempered tools for her use". being bound to them by love and linked to them to preserve her very humanity.
mystra's intention to shape gale into yet another loyal, devoted asset to her portfolio has been there from the very moment she chose to reveal herself, to instruct elminster to seek him out. it was a conscious decision to directly insert herself into gale’s life, sowing his conviction that he was favored above all others. singling him out among his peers, isolating him with subtle promises of his greatness, his uniqueness, and all he could yet accomplish to be under her guidance. offering him her teachings, her inspiration, and eventually her love. yet all the while tempering his perceived greed and thirst to reach for even greater heights, unless it acted in her favor. keeping him close — lest his growing ambitions should ever prove to be an outright challenge to her rule.
the groundwork has been carefully laid from the very beginning.
gale: “goodnight. and thank you for your patient understanding. [...] try not to think too poorly of me. a cat can look at a king. a wizard can look at a goddess.”
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7more · 15 days
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HERE WE GO AGAIN & the ONE ARMED SCISSOR outro
November 7, 2022 | Toronto, ON
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emblazons · 1 month
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"Fine. Fetch."
Cloud Strife in Final Fantasy VII (Rebirth)
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silverfoxstole · 2 years
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And the winner of the HMS Renown face-pulling competition is...
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