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#this got out of hand. sorry

57sfinest · 1 year

Text

okay as a Jean Enjoyer i feel like i need to say this because there are different genres of jean enjoyment (jeanres if you will). i am of the faction where i don’t really vibe with the whole “jeangst” thing (as it exists as a fandom phenomenon) and here’s why. so much of the stuff i see labeled “jeangst” is WAY too sympathetic to and forgiving of jean for my taste. like he’s woobified or there’s a lot of uncritical ‘poor jean harry is so mean to him and now harry’s amnesia ruined his life :(’ type stuff which is such a fundamental misunderstanding of him and his role in harry’s past & present and it skews how we view his dynamic with harry too. and i don’t mean this as “oh considering jean’s pov is bad!!1!1″ no i consider his pov all the time i am indescribably mentally ill about the torment that the jeanharry relationship puts both jean and harry through. but when we consider his point of view i really think that just ascribing him the simple role of ‘poor depressed punching bag’ strips him of all the interesting parts of his character & also contributes to a less nuanced and accurate understanding of harry as well (it makes it easy to villainize him for his addiction and mental illness, which in and of themselves aren’t moral failings-- harry was a bad person for his behavior, which is not the same as his addiction or his illnesses)

like, jean put himself in this situation. over and over again. yes he was likely forced into working with harry, but whatever’s going on between them is more than a workplace conflict. you look at luiga’s twitter and he’s said so much about jean and harry’s codependency and the other mentions of a very close and very unhealthy personal relationship. you see the way jean talks about his own role vs harry’s in the ending-- jean WANTS to be the poor victim, he wants everyone to see him as the helpless punching bag who is being such a saint by Putting Up With Harry And His Bullshit, look at me, i’m so much better than this stupid mentally ill addict! he’s like harry you are so unprofessional, and there is something wrong with you, and we are all so tired of putting up with you and your shitty behavior, but here he is sitting in a hotel lobby in a wig to harass harry while harry is actually doing his job!! like jean my love here you are reaming harry out about “doing his fucking job” sir what are you doing!! you are sitting in a hotel looking angry for 14 hours just in case your special little partner who you are definitely sooo mad at condescends to speak to you for a few minutes!! and you dragged poor judit out here too!! jean. girl. babe. it’s time to admit you are a massive hypocrite with an even bigger victim complex. you, a mentally ill addict, are losing your shit at harry for being a mentally ill addict. why don’t you meaningfully address the actual behaviors instead of just reminding harry that he’s an alcoholic every 2 minutes.

like i’m not saying jean should have infinite patience for harry after multiple years of mistreatment but damn dude the double standards are insane. jean is instigating a messy public breakup and being pretty abusive the whole time and then he’s like everyone feel bad for ME and not STUPID HARRY who is an ALCOHOLIC in case anyone forgot. he goes on and on about how much his life sucks and how much harry sucks and boohoo poor him he’s so depressed and beaten down by the shitkid etc but then in ANY sub-ideal ending you get there’s still something that tells you that he’s still taking harry back or at least considering it. in the cuno ending “he can’t leave you behind. he just can’t. one final time...” even in the worst ending “if you make it-- if you’re sober for 10 months-- tell us. i’ll work with you again.” jean babe if you hate him so much then stay the fuck away from him!! damn!! your codependency is showing!! your victim complex is showing!! just go get harry’s name tattooed on you at this point like at the very least it might get you some sympathy from people at the bar when they ask about what’s very clearly an Ex’s Name Tattoo

#this got out of hand. sorry #anyway yeah i disagree with 'jeangst' on principle because it's too nice to jean basically #you can be sympathetic to his point of view without being a Jean Apologist or completely erasing his role in a mutually abusive dynamic #i love to think about how much this whole situation hurts him. and i love to think about how a lot of it is his fault #it's so much more interesting for him to be a participant in his own victimhood #he's standing there goading harry into punching him and then he gets punched and is like HOW DARE YOU PUNCH ME!!#well sir you see if you tape a sign on your forehead that says kick me then eventually you are going to be kicked.#the jeanharry relationship as a form of self harm for both parties involved etc etc #using each other to punish themselves etc etc #just enough good in it to keep them going. just enough bad to make it bitter the whole way through. the push and pull of addiction etc etc #see a return to jean/harry partnership after martinaise would be so funny #jean tries to provoke harry says some shitty stuff etc and harry just like. starts crying or having a panic attack or whatever #and jean is like hold on this makes ME look like the bad guy. come on quick hit me. come on say something mean. call me a slur. please #or maybe harry goes right back to being an asshole depending on ur guy. and nothing ever changes and they hurt each other for ever and ever #until they succumb to the inevitable murder-suicide #kiwipost #jv meta #jean vicquemare #I HATE THIS GUY *beating him with one of those carpet dust racket things*

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flowercrowngods · 5 months

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who did this to you. part 2

🤍�� read part 1 here pre-s4, steve whump, protective (but scared) eddie

This is not happening. None of this is happening, he’s… He’s dreaming. He’s high. High as a kite somewhere where reality doesn’t matter, where it can’t fucking reach him and he’s— He’s not panicking behind the wheel with Steve Fucking Harrington bleeding against the passenger side window.

It’s not happening.

Because if it were happening, Eddie would simply throw up. He’d leave his van on the side of the road and run the fuck away. Away from Harrington and his trouble, away from his rattling breath that’s so loud and unsteady, Eddie doesn’t even dare to turn on any sort of music, even though he’s itching for it, his hands clenching and unclenching around the wheel until his knuckles go white.

“Shit, shit, shit,” he mumbles under his breath, barely aware of his surroundings at all, his eyes flitting from Harrington to the red stain against the window, back to the road and then down to the white-knuckled grip and the speckles of dried blood that is decidedly not his.

Lost in his panic and disbelief, Eddie almost runs a red light.

It’s harsh, the way he hits the brakes, and the sound Harrington makes is pathetic enough that Eddie feels like maybe this might actually be happening.

“Sorry,” he breathes, his voice no better than Steve’s — and he’s not the one with a concussion, a broken rib, and that… fucking fear. Of something. Or someone.

Who’s hurting you, Steve?

Jus’ everyone, sometimes. God you don’t… You don’t even know.

He doesn’t even know. He doesn’t wanna know. All he wants is for Harrington to stop fucking bleeding, to keep his eyes wide open and—

“Ed,” the boy says, wheezes, and it sounds like he wanted to say his full name, but had to swallow first. Blood, Eddie thinks. Don’t let it be blood. “Think I’m… ‘M gonna throw up.”

“Please don’t throw up,” Eddie says before he can stop himself, hating how small his voice sounds, how urgent — like that’s the thing to be urgent about. God, he’s such an ass, but he… If Harrington throws up, Eddie will lose it. He knows he will.

He chances a glance over at Steve, who has somehow managed to get his right arm tangled with the handle at the door, keeping himself upright and safe from Eddie’s rather frantic driving style. His head is drooping, moving this way and that against the red-stained glass, and he blinks unseeingly as blood begins to trickle down from his nose and temple again.

He’s making himself small, and Eddie wants to pull him upright and tell him to stay like that, tell him to stop looking so terrible, so horrible, so…

So much like Eddie’s fucking problem.

He hates it. Hates everything about that vision. Boys like Harrington shouldn’t look like this, shouldn’t hold themselves like this, shouldn’t… Shouldn’t have no one but Eddie to take them somewhere safe.

It’s just not tight.

“Don’ wanna throw up,” Steve says at last, the pause too long for Eddie’s liking, and he sounds so solemn about it, yet so helpless, and Eddie kinda wants to scream. Wants Harrington to scream. Anything to stay awake and maybe not ruin his car. Anything to not fucking die in it.

“Tell me something,” he says then, because he knows he has to keep Harrington awake and speaking. Just for another ten, fifteen minutes, he tells himself. “Anything, yeah? Tell me anything. Gotta keep you awake there, you hear me? Sounds great, right, staying awake?”

He’s rambling and he knows it, desperation shining through his words and the god-awful way his voice breaks a little. This is not about him, he knows it isn’t, but still he wants to punch himself, wants to pinch himself and stay fucking calm.

But who could stay calm in a situation like this? The silence is filled with the horrible wheezing and rattling of Harrington’s breath barely audible over the engine, and Eddie has to look over several times to make sure he’s still there, still with him, still alive. His panic spikes each time.

He’s just about to reach over and shake him a little, snap in front of his face to get him back, when—

“I don’t know what.”

It’s quiet, that voice, breathy and tiny and almost invisible, and Eddie wants to scream again.

Tell me why you’re so scared. Tell me why your old buddy did this to you. Hagan would never touch you, so why did he now? Tell me what happened to Hargrove. Tell me why you sound so fucking small.

“Tell me about your…” He fumbles for a moment, taking a sharp left and pretending not to hear the choked-off whimper. Focusing on good things. On normal things. “Your favourite person.”

Eddie cringes at himself the moment the words leave his mouth. Your favourite person? Really, Munson? He scrambles to find something better, something cooler, or maybe something easier like asking his favourite fucking colour, but the overthinking really doesn’t mix well with the already panicked state of his mind. And Eddie just blanks.

Beside him, though, Harrington sits up a little straighter, smearing more blood against his window in the process that Eddie pretends not to feel nauseous about.

God, he never did like blood.

“You wan’ me to tell you ‘bout Rob?”

“Sure, yeah,” Eddie says, a little too loud, a little too shrill, actually running a red light this time because he doesn’t want to brake again and hurt the boy some more. There’s no one around anyway. This is Hawkins. Fucking dead-end of a town. It doesn’t need red lights, or boys who look like Harrington. “Rob. Tell me ‘bout him, what’s he like? Favourite colour, all that shit.”

“Her.”

Eddie blinks, looking over to find Harrington looking at him — or trying to, his eyes still drooping and empty. But it’s a good sign. People don’t die when they look at you, right?

“What?”

“Her,” Harrington says again. “An’ blue. Deep ‘n’ dark blue. She’ll say something corny when, when you ask her, jus’ to fuck with you. Sunset gold or rose, jus’ to mess with… But is blue.”

Eddie doesn’t really listen, doesn’t really process what Steve is saying, already thinking of the next question just to keep him talking. But then he continues on his own.

“Mornin’ blue dep— de… makes her sad, though. So only dark blue. Says it’s why we’re friends. You’re so blue, Stevie. Got half’a my clothes, still, she does. All the blues.”

That's... really fucking endearing, actually.

And he says it with a half-smile, too, bloody and pathetic as it is. Like it’s a secret that only the two of them are in on, only Steve and Robin. It’s kind of sweet.

Not for the first time today does Eddie find himself wondering, Who the hell are you, Steve Harrington?

He exhales through his nose, ignoring the way he’s started to shake with all that panic that’s been sitting inside him for a little too long now with no way to let it out.

“Not much longer,” he mumbles under his breath again, or maybe he just thinks very hard. Maybe he doesn’t know where he is at all. It’s like he blanks every few seconds, too busy thinking and trying not to.

Before he can tell Harrington to talk some more about that girlfriend of his, there’s a pained, confused little whine that forcefully tears Eddie’s eyes from the street for a moment only to meet hazel eyes widened in confusion.

“Wh— Where… Where’re we going?”

Oh no.

“Why’m I in y—“

“You’re safe,” Eddie interrupts him, speaking slowly because suddenly his tongue is too big for his mouth, and not entirely sure if he’s reassuring Harrington or himself. “You’re hurt, okay? It’s bad, but it wasn’t me. I’m taking you to… to someone. My uncle Wayne, he’s— He knows about that kinda stuff. You were telling me about Rob. Remember her, Blue? How about you tell me some more, hm?”

Eddie’s voice is unsteady with worry and fear and panic, and he’s doing a piss-poor job at hiding it. The thing is, he’s going to cry. He’s actually, absolutely, no-doubt-about-it going to scream and cry and punch a fucking hole into something when this day is over, when his van is no longer bloody, and when Steve Harrington won’t have reason to look at him any longer.

Oh, how he wants to skip forward. Past the nausea, past the fear, past everything that’s happening right now. Maybe past the insomnia that will come with a day like this, too.

Past all of it.

Or better yet, travel back in time and never get to that fucking boat house.

But he can’t. So he breathes.

At first, through the ringing in his ears and the racing of his own heart so loud and so forceful he’s shaking with it, he worries that Steve’s gone silent again, that he’s gonna ask again, ask what happened, ask where he is, ask all the questions that make Eddie feel like he’s been doused in ice water because they’re questions that only get asked in stupid movies where terrible things happen to people.

But then he hears him mumbling something. Numbers.

“What’cha mumbling there, Blue?”

“‘S her number,” Steve says, his voice slurring again, worse than before, and Eddie hits the gas a little harder. “‘S jus’ her number. Robbie’s number.”

And he mumbles again. Over and over and over, until Eddie couldn’t forget it if he wanted to, ingrained into the frayed edges of his mind now.

He lets him ramble, lets him repeat the number until the words slur together and he can’t separate a four from a nine anymore. Each time Harrington hesitates, each time he stumbles over the words or forgets a digit, Eddie wants to punch the wheel.

He doesn’t. He only grips it tighter and counts down the turns he takes, the streets he passes, the fucking trees that are familiar, before, finally, the trailer park comes into view.

The sob Eddie lets out when, with shaking, trembling hands he pulls up to his home to find his uncle having a smoke outside is deafening to his ears after the quiet weakness of Harrington’s voice.

It startles him, makes him stop his rambles and sit up straighter when Eddie finally kills the engine. For a moment, without the steady, rolling hum, the car is filled with the small, tiny whines Steve makes on each exhale. Like it hurts to even breathe.

“Wha’s wrong?” He asks, but Eddie can’t really hear him. Can’t turn to him, can’t— “Eddie?”

He’s out of the car before he can take hold of another thought, stumbling out of his open door on legs that feel numb and heavy. The urge to cry is back again, the burning in his eyes only getting worse when Wayne takes in the dried blood on his clothes and hands with careful, calculated worry.

“Ed?”

“I didn’t know what— where—- I’m… Wayne, I’m sorry.”

“Slow down, kid,” Wayne says, raising his hands as if to calm a spooked deer. Like Eddie is the one who needs his help. And he is. He really, really is, and he shouldn’t be, because this isn’t about him, but—

Wayne grabs him by the shoulders to keep him still, and only now does Eddie realise he’s shaking again, restlessly moving his weight from one leg to the other. His uncle steadies him, gently pressing down on his shoulders to ground him, and Eddie nearly sobs again.

“Ed. Are you in trouble?”

“No,” Eddie scrambles to say, becoming aware of what this looks like, hiding his hands behind his back on instinct, like that’ll make Harrington’s blood disappear. “‘S not my blood, I didn’t do anything, I swear! I swear. It’s, uh. I just found him. In the boathouse, I found him, and he was… God, he looked so bad, okay, but he didn’t want the hospital, and he was, like, so scared of something, and we don’t even talk, we don’t even look at each other, but I just… I didn’t know what to do, and you know something about concussions and people who were beat to shit and, again, I’m—“

“Eddie,” Wayne says, his voice so calm but so assertive that Eddie shuts up immediately, gladly handing over to controls to his uncle now. “Who’s the kid?”

He nods towards Eddie’s van, where Harrington looks to be halfway unbuckled, but his eyes are closed and his face smushed against the door again, like he just gave up.

“Shit,” Eddie says, adrenaline and panic slowly falling from him with Wayne’s hand on his shoulder. He sags into his uncle and rubs at his face. “It’s Steve. Uh, Steve Harrington, I mean.”

“Okay,” Wayne says, and he’s so calm. So calm. Eddie feels like he’s about to fall apart, and Wayne is the only one keeping him together, with that’d steady, warm hand on his shoulder. “And you promise me he didn’t give you trouble? Or anyone else who’ll come finish what they started?”

Eddie shakes his head profusely, getting a little dizzy with it. “I promise I’m not in trouble. He said Hagan did this to him, was alone when I found him. No trouble, Wayne, I swear, I’m not like that, you know I’m not.”

“Okay,” Wayne says again, and Eddie wants to weep. “I know you’re not like that, but some people are, y’know? You did good, son. You did good. Now help me get him out of that car.”

It takes his uncle tugging him towards the van for Eddie to kick back into motion, nearly falling over his feet turning back around. It’s only Wayne’s “Easy” murmured under his breath that keeps the ground from opening up and swallowing him whole.

He climbs in on the driver’s side while Wayne rounds the car and gets to Harrington’s side.

“Hey there, Blue,” Eddie says, his voice shaking and the nickname slipping again — but it’s easier to call him that than his real name, it’s easier to pretend it’s literally anyone else in here with him, bleeding against his door.

It’s easier to pretend it’s not Harrington’s breath rattling the way it does, easier to pretend those pained groans so high in their cadence they can only count as whines don’t come from Hawkins High’s Golden Boy who graduated a few months ago and was supposed to be done with bullshit like this.

“Come on, up you get,” he tells him, not daring to raise his voice too much.

He looks so frail. Like he’s already broken. Or like he’s trying not to. Like he’s holding on.

Eddie pretends not to think that the hand he places on Steve’s cheek to gently pry him from the window is not the only thing keeping that boy together right now.

Harrington groans, whines, wheezes, but opens his eyes to meet Eddie’s. Jesus, we’re they this blown before? Or this swollen?

“Hey,” Eddie says, just to say something. Just so he won’t have to hold the boy’s face in silence, just so he won’t have to focus on all the blood. Just so he won’t have to hear more questions that people aren’t supposed to ask.

Steve opens his mouth, his breath coming out a little sharper, like he wants to say Hi rather than Where am I? or When will it stop hurting? Like he wants to say How can I help you help me?

Somehow, Eddie manages a smile.

Wayne chooses that moment to open the door — just unclicking it, not pulling yet; giving Eddie enough time to support Harrington, make sure he doesn’t fall.

“Careful,” he whispers, though whether it’s for Wayne, for Steve, or for himself, he can’t quite tell. Maybe it’s a plea to the rest of the world, and to anyone else who will listen.

Steve is still staring at him. That’s probably not a good sign. He leans back a little, turning Steve’s head to make him follow him. Slowly, of course. Gently. Eddie can’t remember ever having touched something like it was going to break if only he looked at it wrong, but somehow he’s hyper-aware of it now.

Because Harrington is staring at him. Entirely too still, like he has no strength, no coordination to do anything but stare. And yet Eddie is the one who, now that the adrenaline has fallen from him, now that he can let someone else take over, now that Harrington doesn’t need him anymore, finds himself unable to look away.

Because Steve is just a boy. And so is Eddie, who can feel Steve’s breath against his wrist. And maybe, out of the two of them, Eddie is the fragile one. The one about to break.

“Blue, you with me?”

Steve nods. Doesn’t speak again. Doesn’t move. Eddie swallows, briefly looking back down at Wayne to see if he’s ready. His uncle nods, ready to catch Harrington should he go down, and Eddie turns back to the boy who’s smeared with his own blood.

“I’m gonna take off your seatbelt now, yeah?” he tells him, not entirely recognising his voice anymore. “That man out there, that is Wayne. My uncle. He’s safe. He’ll take care of you, okay?”

“Safe,” Steve breathes, and that shouldn’t be the one thing he focuses on. It shouldn’t sound so unsure. So insecure. So hopeful, so relieved, so— Fucking earnest.

Swallowing all these thoughts, all this desperation and all those questions, Eddie reaches over Steve, one hand still supporting his head and feeling the overheated skin of Harrington’s cheek against his palm, the hint of stubble and the crust of dried blood. As if in slow motion, not daring to make a wrong move and hurt him more than he already does, Eddie frees him the rest of the way, letting the seatbelt slide into its hold behind his shoulder.

“Careful,” he says again, just to say anything, but he is careful, and his hold on Steve is steady.

“‘M careful. Not gonna break, Eddie.”

“I know.” But maybe I will.

“Good. ‘Cause… Don’ wanna break.”

Eddie smiles, despite everything. “You’re not gonna break, Blue. Wayne’ll catch you.”

Harrington loses his focus then, his eyes glazing over, but the small smile on his lips widens. “Blue. ‘S nice.”

Yeah, Eddie thinks. He kinda is.

Somehow, miraculously, they get Harrington out of the van and into the trailer. He throws up halfway to the doorstep, and Eddie curses under his breath while Wayne talks quietly, asking him yes and no questions that Eddie can’t really hear through the ringing in his ears — a strange mix of fear and relief, a panic not quite over, but soothed by his uncle’s familiar voice; even if it’s not directed at him.

“Don’t worry about it, kid, the next rain’ll take care of that. Stop apologising.”

It throws him then, rather suddenly and violently, watching Wayne supporting Harrington, watching the blood smeared boy with the swelling, angry red bruises in his face. Somehow it’s different, seeing him in his home.

This was always a safe space. Always void of everything terrible.

And now there’s a broken boy on his doorstep who’s not Eddie.

He remembers the fear, the panic, the plea for no hospital, Eddie. Can’t go there.

Why not? You need a doctor—

Monsters. Only monsters there.

It paralyses him and he stays where he is, holding the door with an arm that’s heavy like lead, standing on legs that begin to go numb again. He watches, but not really, as Wayne sits Harrington down on the living room couch, between magazines and brochures and some of Eddie’s calculus notes from last night that he was searching for a sketch of a monster he was so certain he’d drawn in the margins a few weeks back.

Now there’s blood on his calculus notes. And Eddie is helplessly keeping the door open as though he’s going to run away any second now. Letting in more trouble to join Harrington on his couch.

He should… He should close the door. Help. Run. Disappear.

“Ed,” Wayne calls, snapping him out of his stupor. “The first aid kit, please. A bottle of water. A clean, wet cloth. A blanket, too.”

Wayne talks him through it, takes it one step at a time, has Eddie bring him one after the other like he knows how much he’s keeping his nephew together by keeping him on the brink of usefulness.

Soon, Wayne has everything he needs, taking care of Harrington and his wounds, keeping him awake and talking so much better than Eddie did, even making him smile here and there, hiding his wince when the motion pulls on his split lip or the huffed breath sends a jolt of pain through his rib that Eddie is absolutely certain must be broken with the way he holds himself — with the way he lets Wayne hold him up.

Wayne is doing his thing and Eddie is hiding, gripping the kitchen counter like a vice, staring both unseeingly and hyper-vigilantly as exhaustion washes over him, dragging him under and draining him of more than adrenaline. He slumps against the cupboard behind him, rubbing at his face like that’ll make it all go away.

It’s not right. It’s not. This is Eddie’s home, it’s supposed to be safe, it’s not…

He breaks away, ripping his hands from the counter and all but stumbling outside, heaving a deep breath and giving in to the urge to cry. Tears spring to his eyes and he wipes them away angrily, because it’s dumb, it’s so stupid, it’s absolutely fucking insane that he should be so worked up when Harrington talked about dying earlier.

These things don’t happen. They don’t!

“Stop fucking crying,” Eddie grumbles, sniffling and wiping away more tears as he closes his eyes against the afternoon sun. “Get a grip, Munson, Jesus Christ, there’s no reason to cry you big fuckin’ baby.”

Nobody’s there to contradict him. Nobody’s there to make it worse. So he lets his eyes sting for a while, lets his lips wobble, his jaw clenched shut, the balls of his hands pressing into his eyes, breathing deliberately.

In. Hold. Out. Hold.

He doesn’t even scream. Doesn’t punch the still bloody side of his van, doesn’t run into the woods and disappear into the void.

He simply breathes. Tries not to think about boys dying in mall fires, and even less so about boys beaten and abandoned in boat houses.

Doesn’t think about fucking Hawkins in Bumfuck-Indiana and the cursed way it has, driving its people mad.

Doesn’t think about, They said my brain is hurt, Eddie. Doesn’t think about the Monsters Harrington mentioned. Doesn’t think about Blue, doesn’t think about I’m tired, Eddie. Don’t wanna hurt anymore.

Doesn’t think about blue, blue, blue.

He’s shaking when he comes back inside. He’s shaking when Harrington meets his eyes, looking a little clearer now, the blood washed away and everything bandaged a lot better than Eddie managed. He’a bundled in Eddie’s blanket. It’s wrong. It’s so, so wrong.

Eddie can’t move, and neither does Steve.

“Steve,” Wayne says, waiting until those eyes tear themselves away from Eddie and back to him, though Eddie sees them fill with such trepidation, he almost asks what’s wrong. “I won’t hear a no on this, and I won’t let you go home. I’m taking you to the hospital. Especially if you tell me your head was hurt like this before, more times than one.”

“Three,” Blue breathes, a little dazed still. Not magically healed, not even from Wayne. Another thing that doesn’t feel right.

“Three times,” Wayne says, nodding, like he’s encouraging Steve to continue.

“But I don’t want a hospital.” Again with that tiny fucking voice. Like the Monsters are hiding under hospital beds.

“I know, son,” Wayne sighs, tugging the blanket a little tighter around Steve, and Eddie’s eyes begin to sting again when he notices the tone Wayne uses. When he realises. When he remembers.

”I want my mom.“

”I know, son. But she’s not coming. Your mama is gone, Ed, and this is your home now. Think we can make that work, hm? You and I?”

Eddie had never felt so lost as he did then, clutching his blanket to his chest, burying his face in the wet fabric even as this man — his uncle — tugs it tighter around him. Like he is fine with Eddie wanting to hide as long as he doesn’t run away.

He had shrugged, then, even though we wanted to shake his head, tell him no, tell him he wanted his mama.

”I’m scared, uncle Wayne.”

And Wayne had smiled a little, and nodded. “Then we do it scared, Eddie.”

Actually, Eddie feels like he never stopped doing it scared.

And now there is Steve, who Eddie never believed knew what being scared felt like. It’s dumb, of course, because even Harrington is just a boy, but he was always untouchable to Eddie. They never talked. They never existed in the same space together, not in a good way and not in a bad way. Their worlds just never aligned, never collided, never coexisted.

And now…

“I’ll tell you what’s going to happen, okay? There’s a doctor, Doctor Clarke. Like— Yeah, like your science teacher, remember him? ‘S got a brother who’s just as much of a genius, and just as kind. He’ll take a look at you, yeah? Make sure your brain isn’t too hurt, clean your wounds, give you something for the pain. He won’t, uh. He won’t hurt you, kid. Whatever’s got you so scared, Dr Clarke will be nice to you. Especially when I’m there with ya, I’m an old pal of his. And I will be. Won’t let you outta my sight until you’re well enough to run away from me, you hear me, kid?”

Eddie��s hands are hurting, his fingertips raw from where he’s been biting his nails while Wayne talks Blue through what’s going to happen — and he wonders, with the way Steve’s eyes are glued to Wayne, if he ever had anyone talking him through shit like this.

“Okay,” Harrington breathes at last, still sounding way too small. “But. I’m…”

“Scared anyway?” Wayne offers. Steve nods. You’re so blue, Stevie. “Then we do it scared anyway.”

And they do. Wayne goes to get the car so Steve won’t have to walk too far, leaving Eddie alone with him for a brief moment.

He watches, from his place in the kitchen, how Steve’s face falls into a look of utter exhaustion and tiredness; the adrenaline washing from him just the same. Eddie wants to reach out. Wants to say something, break the spell of tension and silence and I know we don’t talk, but I’m glad you’re doing a little better. I’m glad you’ll go see a doctor. I’m glad you haven’t died, I guess. Do you really think you will? Are you really so scared of that?

But Eddie keeps biting his nails, and Steve keeps his eyes closed, blanket around his shoulders. And they don’t talk.

“Thank you.”

Eddie perks up, not entirely sure he didn’t imagine the words — but Harrington moved slightly, his eyes still closed but his face now turned towards Eddie.

“For, uh. This.”

“I didn’t do shit, Blue,” Eddie says. “That was all Wayne. All I did was freak out, I promise.”

Harrington shakes his head, though, slowly. “Mh-mm.”

Eddie’s mouth snaps shut, because there is no room for discussion here. They don’t talk. And he doesn’t want the bubble to burst with insecurity and sourness.

“Thank you,” he says again, and he sounds final about it. It makes Eddie wonder what he’s like, really like, when he doesn’t consist of pain and nausea and disorientation.

He has a feeling that, despite everything, despite Monsters under hospital beds and torture in boathouses and mall fires that kill teenagers, Blue Harrington might be someone good to talk to. Compassionate as shit, even when all he wants to do is pass out.

“You’re welcome,” Eddie rasps, pretending that his eyes don’t sting.

He wraps his arms around his chest like he’s hugging himself, or like he’s holding himself back. From reaching out, from asking, from telling, from talking.

Unwittingly, even with his eyes closed, Steve mirrors him, and Eddie wonders if he, too, it holding himself back, or just curling in on himself some more even though it must hurt, feeling so small.

Maybe that’s what fear of death does to a nineteen year-old. It’s so fucked up. Eddie wants to scream again.

Outside, he hears a car door fall shut just before Wayne reappears in the door, giving Eddie some kind of meaningful look that he wouldn’t mind deciphering on any other day, but today he fears he needs words.

“I don’t know how long this’ll take. Will you be okay, Ed?”

“Will I be— Yes! I’m not the one with the concussion, man, of course I’ll be—“

It’s a bluff, comes too fast, and Wayne sees right through it before Eddie even realises it, and he steps closer. A warm hand on his shoulder. His eyes stinging again.

“You did good, kid. Everything will be fine. But it might take a while. It’s fine if you need to go somewhere, just… Don’t drive. Call Jeff if you need someone, just. Don’t do anything stupid. And don’t get behind the wheel. Deal?”

Eddie swallows hard, hit by another desperate, aching wave of I wanna go back in time and skip this day. A wave of tired exhaustion and wondering, aimlessly, just who the fuck Steve Harrington really is.

“Deal,” he says, and Wayne pulls him into a hug.

Eddie follows them outside then, trailing behind them like a lost little puppy, helping Harrington into Wayne’s car. His movements are still slugged and a little disoriented, so Eddie decides to lean in again and fasten his seatbelt.

“Careful,” he mumbles, allowing the boy a moment’s warning, a moment to adjust before the weight settles on his chest.

Dejá-vù hits him and makes him pause, with Harrington staring at him again.

“I’m careful,” he says, the corners of his mouth tugging into a little smile.

More lucid than earlier, and Eddie thinks it that which takes his breath away for a moment.

“Not gonna break, Eddie.”

“I know,” he says, still not moving back, instead reaching up to tighten the blanket around his shoulders even though the seatbelt is already there to hold it in place. “You’re not gonna break, Blue.”

The smile on those lips is genuine now, gentle enough to not be ruined by the blood crusting them.

“Thanks. Again.” And then, when Eddie finally pulls away to close the door and tell Wayne to drive safely, “I really do like that name.”

It soothes the urge to scream.

Eddie closes the door as gently as he can — which isn’t much, because the car is old and not exactly smooth.

“I’ll see you later,” he tells Wayne. Promises. To stay out of trouble, to stick around, to not run away for a while again, to stay out of his car.

Wayne nods, a faint smile on his lips.

“Later, Ed.”

And then they’re gone, and Eddie is untethered again. Wonders, for a few seconds every now and then if it really happened, if this is real.

But it did. And it is.

And after sitting on the steps for a while, having a smoke and staring at where Wayne’s car disappeared ten, twenty, forty minutes ago, Eddie heads inside.

He has a phone call to make.

🤍🌷 tagging: @theshippirate22 @mentallyundone @ledleaf @imfinereallyy @itsall-taken @simply-shin @romanticdestruction @temptingfatetakingnames @stevesbipanic @steddie-island @estrellami-1 @jackiemonroe5512 @emofratboy @writing-kiki @steviesummer @devondespresso @swimmingbirdrunningrock @dodger-chan @tellatoast @inkjette @weirdandabsurd42 (a thousand percent sure i missed some but oh well such is the 3am disease)

addendum 22 jan 24: onwards to part 3

#steddie #steddie fic #steddie fanfic #steve x eddie #steve harrington #eddie munson #steve harrington whump #this is so long i am SORRY #i hope tagging y'all was okay (and equally i'm hoping i missed nobody but also it is 3am)#who did this to you #most of y'all will know most of the beginning already maybe i should have split it up but i wanted y'all to have Something New too #and then the Something New got out of hand and oh well :(#dio words

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ddejavvu · 9 months

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Do you think you could do Sirius Black with the “I hate everyone but you.” Personality.

James is immediately alerted to your glum mood when you sit down without so much as a greeting, and he leans across the table with narrowed eyes.

"What's'a matter, Y/L/N?"

"Sirius is mad at me." You reveal drearily, wrapping your hand around the fork set at your place even if you don't feel like eating.

"Oh," James's brow scrunches, "Don't take it personal, babe. He's having a shit day, he heard from his mum. Nothing nice, I bet. Wouldn't let me see it. Just- he's grouchy with everyone today, don't let it bother you."

"But he told me to come back tomorrow," You recount, "Like he can't stand seeing me for the entire day! What am I supposed to do, James, we're set to study in the library at three. And- and I could help him! I could be there for him, but he's pushing me away instead."

James's brows raise, and a pitying smile works its way over his face, "Love. You're the kind of person that wants to be around people all the time. You seek comfort out when you're sad; Sirius doesn't. If you love him, y'gotta let him sulk for a bit. Then he'll come to you. And-" His nose scrunches, his brows wrinkled, "And all he said was 'come back tomorrow'? That's nothing. He told me to get my bespectacled arse out of the room before he shut the window on my head."

Your face contorts in horror, "James! James, that's so mean, are you okay?"

"I'm fine, darling." He snickers, "That's what I mean, that's just what Sirius does."

"Not to me he doesn't," You frown, "That's not okay, James, he should treat you better than that."

"He's having a rough time," James shrugs, "Doesn't bother me. He's all talk, he'd never do any of it. Just needs to blow off steam, y'know? And I think we both know why he tones it down for you, Y/N."

"I'm not special," You snap, reigniting the age-old argument between you and James that Sirius totally does not have feelings for you, not one bit.

"Right," James gives you an overexaggerated roll of his eyes, curls bouncing as he does so, "That's why he threatened to behead me and all he did to you was kindly shoo you away."

"Maybe you just piss him off more than me," You stick your tongue out at him, and turn to Remus for support as the boy sits down beside you.

"Morning," James takes the lead, shooting you a smirk out of the corner of his eye, "Talk to Sirius today, Moony?"

"Little shit told me if I didn't stop talking to him - which I only tried once, by the way," Remus groans, "- he'd 'mess me up' so hard my transformations felt like reprieve."

James's eyes widen and he tries tamping down a snort, tucking into his breakfast instead. Remus turns to you and your once-more incredulous gaze, scoffing lightly, "And I suppose he just told you to come back tomorrow?"

"That's exactly it!" James slams a fist on the table, a chunk of egg flying from his mouth that Remus shakes off of his hand with a grimace, "Moony, tell her she's special."

"I'm not special," You desperately try deluding yourself, shoveling your own forkful of food into your mouth as soon as you're done speaking, so that you don't have to answer to their protests, "He just hates you both."

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brofisting · 2 years

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MY FRIEND, I ABSOLUTELY CAN!!!! 🥰 Starting from the beginning...

PART ONE: ORIGINAL FILMANIA PRODUCTION & FATE

It’s 2019-20, you’re Mile Phakphum Romsaithong, a very rich socialite who plays guitar. You’re bored and you’ve been thinking about getting into acting, and have been offered misc. BL casting opportunities before (1), but never really felt like any of them were For You, so you turned them down.

Then, one day, you find out that there is a BL currently casting from the studio Filmania, where the male lead is based on you (2), at least your public persona/physically/whatever. Being a puppy of a man, you are delighted, and go read the script, and then the books, and decide you’ll go to the casting call for it.

At casting call, you re-meet Apo Nattawin Wattanagitiphat (3), who you went to college with and had a giant crush on (4). You guys hit it off IMMEDIATELY, chemistry unhinged, and get cast as Kinn and Porsche. Apo takes it, even though he has historically had a bad experience with the Thai acting industry (5). You are delighted by this incidence of FATE!!!!!!

PART TWO: IF YOU DON’T HAVE FATE ON YOUR SIDE STORE-BOUGHT IS FINE

The show gets dropped (6) Something something the authors, something something the company, whatever. I assume, if you are Mile, you are very sad! And if you’re Apo you’re also pretty sad, because it seemed like for once even with all the industry BS you had a cool dude on your side who you hit it off with, and it was gonna be a cool show. On the heels of that, if you are Mile, and have stacks of money, and see your college crush who is an unbelievable actor about to re-give up on acting and call it a wash, you are like, “wait, I have stacks of money and know everyone”.

So you, Mile, call up the head of the small talent agency you’re signed with, Be On Cloud, which is really just your buddy Pond Krisda Witthayakhajorndet in a fake mustache and a trench coat, and go, hey! So! Have you ever wanted to make television? I have a man here I CANNOT allow to be sad under any circumstances, and also, we’re really good at this and there’s an audience here.

PART THREE: BE ON CLOUD, KINNPORSCHE TAKE TWO!!!!

Pond, being just as unhinged as Mile, thinks about it for a second, and is like. Well. How different can making television be from running an event planning company, which is my real job (7). It’s just calling up a bunch of different guys who are good at their jobs and putting them in one place. And I know so many different guys! Let’s do it!

They get the rights (handwaves this I don’t know anything about it) and jump into production. They get their shit together UNREALISTICALLY quickly (6), and on top of that, since they’re starting from scratch and they’re just A Bunch Of Guys led by Pond and Mile, they decide that their priorities are #1 making art and #2 making Apo happy. With regards to #1, they rework the script (8), hire the best acting coaches money can afford, and put the cast through character-building and intimacy workshops. With regards to #2, they toss out all the industry bullshit that has sucked for him in the past -- no more crew/cast hierarchy (9), no more homophobia on-set (10), no more fake fanservice (11).

FINALE: MIRACLES IF U BELIEVE ETC.

Magically, it turns out, when you create a great working environment, you get really, really good TV!!!!! Which means that their unhinged plan succeeded beyond their wildest dreams, and now Mile & Apo are internationally famous superstars who hang out 24/7 with their squad of 16 close friends, and we get to watch them do it. And it has been, genuinely, a fucking privilege.

To end this tale with a personal note, one of the reasons I allowed myself to get so invested in KinnPorsche so fast is because it was evident from every aspect of it -- the show itself, the BTS, the actors interviews -- that the people working on this show both really cared about the show and were genuinely having a great time. There is nothing like seeing art made by people who are passionate about making it!

Their enthusiasm, their hard work, and their obvious enjoyment of the process & each other’s company are what made me feel like I could trust what they were making, because you could tell no matter what else it was, it was from the heart. And that’s really something special! Especially in this day and age!!

And even though they could pull it off this time because of the circumstances (financial and social), I hope that it shows BL television CAN be made in a way that keeps the actors comfortable and safe and happy, and encourages change for the better across the industry as a whole. KinnPorsche shouldn’t be the last wild BL passion project; it should be the first one of a new wave. (bangs gavel) Thank you for coming to my TED talk.

#THIS GOT OUT OF HAND SORRY #watch kinnporsche #kinnporsche #mile phakphum #apo nattawin #infodump #mangoamango

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raycatzdraws · 8 months

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🥺 aa

He always looks like mmmwafflesart's Sky in my heart <3 The sketch reminded me of their art so I leaned into it with the vibrant colors. While we're here please go give Waffle's art some love! @mmmwafflesart

#2020 LU fandom I'm so sorry guys but you've had an irreversible impact on how I see these characters #ilu all and I love seeing what it is you're working on nowadays #doodle #linked universe #lu sky #lu aepon #doodle that got out of hand because his smile just made me soooo happy!!!#not drawing hands though nope

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starry-bi-sky · 29 days

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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.