I feel like Lucy Gray’s fashion sense had an influence on the Capitol. It’s mentioned in the book that she’s wearing makeup, which is notable to Coriolanus and he wonders where she got it from since it was barely becoming accessible again in the Capitol. In the movie one of his classmates mocks what she is wearing, asking if she thinks she’s a clown. It isn’t common to dress like her, but she owns her own style and the Capitol LOVES her. Coriolanus, as he tries to get sponsors for her, makes the case that since she is Covey perhaps she isn’t really district at all, in fact she’s really more Capitol than anything… and perhaps it rubbed off. Perhaps her sense of extra-ness, her fun makeup even at the reaping, her colorful dress at a dark occasion….perhaps that’s one part of her legacy that never truly goes away, even when the name of Lucy Gray Baird is erased from the memories of the people of Panem.
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people actually went on about how game of thrones made it socially acceptable to be a fantasy nerd, as though the lord of the rings movies hadn't been released less than a decade earlier and left far greater cultural ripples and i am just
got may have made the adults feel better about liking fantasy, but lotr got into the kids' heads when they (we) were just young and impressionable enough to be absolutely transported and emotionally rewritten by don't you leave him, samwise gamgee and my brother, my captain, my king and and rohan will answer
lotr was rewriting entire generations' brain chemistry long before asoiaf and so obviously it's not fair to compare any post-lotr fantasy novel to it, and each book series was trying to do different things within their own spheres and so that also is not a fair comparison, but in terms of the cultural impact of the adaptations that came out within a decade of each other, saying that it was game of thrones that made fantasy mainstream is baffling
game of thrones could only run because the lord of the rings movies laid the path, and i will die on this hill
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While i work I've been listening to an LP of the Telltale Walking Dead Games (the ones with clementine, I do not care about the others lmao). Ages ago when I played these I was well aware/amused that part of season 2 takes place in Parker's Crossroads/Parker's Run because I grew up right next to it and the detail stood out to me.
But I never caught the line of "We'll head to parker's run. It's just up the road from here" until just right now. So I had a sort of "wait, where the fuck are they supposed to be right now?" (search)
ARE YOU SHITTING ME LMAO
So by process of elimination, since it's the only city with anything even remotely resembling a large home supply store, that would mean they're in my literal hometown. My tiny hometown in the middle of nowhere that's never in anything that barely anyone knows of.
How in the fuck lmao
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"Az carried Elain bridal style"
She was unresponsive in his arms.
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People who are like “Omg gen z theatre kids only know *proceeds to list every single musical that came out after 1999*” are the most annoying assholes like hey maybe we just don’t like shit from the 1960’s or we have specific tastes have you ever considered that
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to be loved
is to be changed
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frankly i think the best way to differentiate fanon sky and canon sky is to take a look at groose's redemption arc. both forgive him for the bullying but fanon sky says "he didn't mean it!" Canon sky says "i deserved it"
(for reference, canon sky is sky as shown in the game/inferred directly from sksw)
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After very little research into the other writings of Laura Ingalls Wilder and Rose Wilder Lane, my hypothesis about the Little House authorship question is that the writing is mostly Rose's, but the heart is Laura's.
In Laura's newspaper columns, the parts that sound most like Little House mostly come from the extracts she shares from Rose's letters (incidentally, it's kind of adorable how proud she is of Rose: "My daughter's in France!", "My daughter's in Albania!", etc.) The prose of Old Home Town, Rose's inspired-by-my-childhood-home novel, has some of the same concise descriptive prose that I've come to associate with the Little House style (I could hear passages in the voice of the Little House audiobook narrator).
Yet the Little House soul is all over Laura's columns. She's fascinated by the simple tasks of life, believes in home and family and hard work, believes in holding onto the goodness of childhood and looking forward with hope toward the future. There's an optimism, almost a romanticism, about life. The children's series that bears her name clearly comes from the same woman.
Rose, by contrast, is much more pessimistic. When writing about childhood, she's almost cynical about the life of a small town. She highlights the dark stories underlying the wholesome exterior, is extremely sensitive to the pitfalls of the social scene around her. Part of the difference is that Rose is writing for adults, but there does seem to be an essential difference in the personality behind the pen, despite the stylistic similarities to Little House.
(At the risk of pop psychoanalyzing people long dead, Rose seems much more neurotic and introverted and sensitive than her mother. In her writings and in the books about her childhood in Missouri, she comes across as child of a fairly comfortable modern life, with all the modern anxieties, in contrast to a woman who grew up starving on the prairie and knows that there are much worse things to endure than small-town gossip).
It's not much of a thesis, but I'm just fascinated by the fact that the Little House series can share so many stylistic similarities with Rose's writings, yet feel so much more like Laura.
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whenever i tell my mom that they made fun of me at class for liking taylor or anything of the sorts she says "i kinda understand them because they see you as an obsessive fan and childish" ... excuse me?
the whole concept of "fangirls are obsessive, weird and annoying" comes, in my opinion, from a clear place of misogyny and i think that as of today a lot of people have finally realized it... is the same thing said about men who engage in fights and scream like animals when their favorite football/soccer team scores? no! for them that's "for the love of the game"
no one is childish for simply being excited about something they enjoy (and taylor has said this herself), everything that makes you happy is worth it and no one should make you feel bad about it. i like taylor's music and it brings me comfort, makes me feel seen or brings me up when i'm down (and i could keep going but that's not the point), that's why i get excited when she does ssomething or my friends bring her up in a conversation, that's literally all
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i'm editing parts of star splitter that deal with narcissa and harry in the forest and taking the logic apart as per usual. like what was her plan if harry was like "idk" or "nope he's dead" ??? would she have followup questions? "did you kill him or did we?" was she ready to throw in with voldemort again if draco died in battle? why would she assume harry would know, too, like he didn't have better things to do than look after draco??
i guess the point was that it all would've been game over for narcissa anyway if draco was dead, that there would be no point in helping harry/the magical world against voldemort if she had no one to fight for. and it is silly to deconstruct moments like that with "well what if x had never happened, very convenient that plot points follow each other" asjlksdkjjsl
but i'm also dying imagining harry just like, lying lmao. "yeah he's fine" when he is not fine, he is having a very bad day indeed
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Halloween Recommendation: Stephen King's Rose Red
** This one can be tricky to find. It was originally released as a 3 night mini-series in 2002, but then re-released as a motion picture. Apparently Hulu has it?
In 1906, oil barron John Rimbauer built a veritable palace overlooking Seattle. It was his young bride, Ellen, who would give the house it's name: Rose Red.
First blood was drawn before the foundation was even laid. A foreman, murdered over a simple argument. Bizarre deaths and mysterious disappearances plagued Rose Red, swallowing up the Rimbauer family, their servants, friends, and anyone who dared enter.
Eventually, the grand estate fell into disrepair. Paranormal investigators descended upon the property, but none were ever able to solve the mystery, nor stop the deaths.
Now, more than 90 years after the first deaths at Rose Red, Steven Rimbauer, the last living descendant of John and Ellen Rimbauer, has been offered massive sums of money to sell Rose Red. It will be totally leveled, the land used for condos.
Before the house is destroyed, Steven agrees to let Dr. Joyce Reardon and a cobbled-together team of psychics, mediums, and other paranormal investigators do one final sweep of the house.
What evil lurks within Rose Red?
What horrors did John and Ellen Rimbauer summon in their palatial estate- or were they victims themselves?
Why does Rose Red kill the men, but swallow the souls of the women and force them to haunt it's halls?
How many of Dr. Joyce Reardon's team can escape with their lives?
*** Stephen King wrote the screenplay for this story, but there is no novel. Instead, as part of the publicity and hype leading up to the miniseries premiere, "The Diary of Ellen Rimbauer" was published, serving as a prequel. You can buy the novel on Kindle.
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four years for this show...
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i think part of my reasoning is that "does simon snow get his magic back" doesn't immediately register in my brain as "simon snow's power is restored to him and he can cast spells again like any other magician"
in my brain, he still has magic. magic is everywhere. he just can't use magic on a personal level. and as a guy surrounded by videos without closed captions at work i jus
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read more than 50 pages while i was outside today!!!!!!! where’s my trophy
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thinking back on it i feel so bad for any of my middle school english teachers because i was 100% insufferable to have
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oh yeah shoutout to one of the students in my class today who pointed out it was edgar allan poe's birthday which started an impromptu 52 man happy birthday chorus for him. legendary behavior.
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