The best fics are the ones that recognize that although Luke Skywalker may APPEAR on the outside to be a normal friendly twink who happens to have cool powers, especially when contrasted with such ship partners as Boba or Din or even Han, he is arguably the scariest person alive in the galaxy around the prequel era. AND, crucially, he is also a fundamentally weird guy. This man was homeschooled on a rural farm his entire life and then apprenticed to a swamp gremlin who showed him how to tap into the cosmic power of the universe. He blew up the death star age 19, killing approx 2 million-ish Imperials. He is a vortex of Force power that can communicate with the ghosts of dead Jedi. He’s staring into the distance and mumbling to himself and doing Yoda aphorisms and casually pulling out the “yeah I could crush that guy into a paste with my mind (:” and nobody around him knows what to do with that. I think he is a character who has very little frame of reference for how a Jedi or a person in general is supposed to act and there is some thing about him that is by necessity really fucking weird and a little scary but he’s so nice that it can throw you off the scent a little bit. Thanks for coming to my TED talk
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me, coming to this website every single day: don't look at the like/reblog ratio don't look at the like/reblog ratio don't look at the like/reblog ratio don't look at the like/reblog ratio don't look at the like/reblog ratio don't look at the like/reblog ratio don't look-
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it's a pet peeve of mine when ppl frame Andrew as hating Aaron and being needlessly cruel to him... bc while yes, their relationship is fractured and strained, Andrew genuinely cares about his brother and wants the best for him, he just doesn't know how to show that in a normal way.
like he might not know how to express it in a healthy manner but Andrew LOVES Aaron, like he truly just wants Aaron to be healthy and safe. It's like, his whole Thing. Aaron is one of the most important people in his life. Andrew wants him around. He'd do anything to protect him.
I guarantee Andrew wants to be emotionally close to Aaron too, he just doesn't have the tools to do that and the thought of letting someone in terrifies him. He also has no concept of what a healthy sibling relationship looks like, so he has no frame of reference to work from.
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Robin chose Steve. Robin made the conscious and deliberate decision that she could and would trust Steve. She already liked him! She had fun working and bantering with him! They were already on their way to being weird little bffs and the torture just expedited the process. Steve chose Robin just the same! He thinks she's fun and cool and likes her so much! He chose to be honest and open with her too, putting himself out there.
Even though their interests on the surface level don't match why wouldn't they share them? Steve clearly caves when Robin wants to watch a movie he doesn't think he'll like, Robin can watch a March madness game or five.
Stop trying to take away their bond oh my god people can be close to more than one person!!! Their best friend doesn't have to be dismissive or mean or whatever in order for a romance to be special to them!
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"UWU op defends Israel UWU"-
Have I not made it clear enough what I think of the Israeli government? Have I not made it clear enough that what infuriates me the MOST about all of this shit going on is that neither government gives a damn and civilians will CONTINUE to die because Hamas and Netanyahu are cranking that war machine for their own benefit? Have I not made it clear that I think what the Israeli government is doing is fucking horrific, a war crime, murder, a violation of human rights?
Why do I even need to MAKE that clear? Why is it that you can talk about LITERALLY anything else, any other country, and people don't rush to fucking accuse you of personally supporting the government when you discuss the wrongs committed against a people, but the SECOND you're a Jew you have to justify your stance about Israel?
Why is it that I cannot even be angry about the slaughter of MY FUCKING PEOPLE. Innocents. Civilians. Fucking CHILDREN. The slaughter of the Palestinian people. Innocents. Civilians. FUCKING CHILDREN.
Without one of you absolute fucking monsters deciding to slap some shit on an unrelated post about how "uwu op defends an apartheid state just ignore that"? Do you have to make it part of EVERYTHING I do? Do you consider everything I put out there tainted somehow because I don't support your joy, your cheering, your unrestrained GLEE at the murder of Jews? Do I need to publish a fucking thesis on my stance on Israel, Palestine, and their respective governments like a fucking disclaimer any time I want to talk about myself, my oppression, my experience as a Jew, or a disabled person, or a queer person, because you fuckers cannot for five seconds be NORMAL about Jews?
To decide to slap something about Israel and Palestine on a post I made about MY oppression, about how people will oppress you no matter who you actually are- it all depends who they think you are. It's a bit ironic, isn't it? Doesn't QUITE fit, but it's funny that someone would read that post, agree with it, and then think "Ah yes, THIS is the place to put some tags about how OP, a Jew who has been reeling for the last couple of weeks about the violence, who has been checking on their Israeli friends every day to make sure they aren't fucking dead, who is dealing with vicious antisemitism from people who they thought were friends, who watched as the people claiming to be progressive supporters of human rights on this hellsite and others OVERWHELMINGLY reply to the murder of their people with good they deserved it fuck you, is CLEARLY a defender of an apartheid state and that makes them a bad person because something something I don't know what nuance tastes like and I am a bigoted ass."
I am TIRED.
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rough art tips to learn and then break at your leisure.
the distance between your eyes is roughly one eye. the corners of your mouth dont extend past the middle of each eye. ears are roughly in the middle of the tip of the nose and the eyebrow. the eyes are in the very centre of the head. the neck is just a Little slimmer than the width of the head (varies with fat distribution, but fat tends to build up under the chin). hair is easier to draw when you plot out the hairline and then where it parts. leaving appropriate distance on the side of the face (cheekbone area and back to ear) contributes to making characters look more realistic/hot as hell. i dont know specific tips for that so use reference. an amazing reference/study site is lineofaction.com . if you think of the face in planes it makes it easier to construct (look up tutorials). if you draw a spiral like a tornado it can help you figure out awkward perspective for extended limbs (look up foreshortening coil technique). tangent lines are when two lines intersect and cause visual confusion (when it looks like a line that defines an arm is part of the line that defines a building, for example) and avoiding them makes your art way easier to comprehend. quick trick to good composition: choose a focal point (where you want your viewer to focus), detail that area the most, and make sure various elements of the piece are pointing to that focal point. you can use colours to contrast hue, saturation, and brightness and make certain elements of your drawing stand out. drawing in greyscale can help you figure out values. using black in a piece isn't illegal but you should know what you're doing when you do use it- it desaturates a piece and if used as a shading colour can desaturate and dull whatever youre shading too. if you use almost-black lineart and then add black to darken the very darkest areas it will do a lot to add some nice depth. the tip of your thumb ends just above the start of your index finger- your thumb also has two knuckles and all your other fingers have three. if you see an artist doing something you like (the way they draw noses or eyes or hair or anything else) you can try to copy that and see if you want to incorporate it in your style <- this is ENCOURAGED and how a lot of us learned and developed our styles. there are ways to add wrinkles to faces and bodies without making the character look a million years old, you just have to keep experimenting with it. The smile wrinkles around your muzzle dont connect to your mouth or to your nose; there should be a small space in between smile or nose and the wrinkle line. eyes when viewed in profile are like < aka a little triangle shape. think of the pupil like a disk and apply foreshortening to it (it looks like a line when seen from the side instead of a full round dot). subtle gradients can add a LOT to a piece. texture can also add a LOT. look up Tommy Arnold's work (his murderbot pieces are some of my FAVOURITE) and zoom in. find those random little circles he added and try to figure out why he added them there. light bounces. there's lots of way light bounces. sometimes it even spreads through the skin. i do not know these light tricks yet but i want you to know that they exist. draw a circle to indicate hand placement, draw a straight line between that circle and the shoulder, and then (normally at a right angle) draw a straight line on top of that line to find the placement of the elbow. elbows are normally placed Just above the hip when standing and your arm is at rest. there are no bad colour combos if you're brave enough about it, just fuck with the saturation and brightness until it works. keep playing. try new things. add your own tips to this post if you want or even expand on some ive mentioned here. good luck go ham etc
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