Killian Hawke~
Bold of Bioware to assume that he too is not a Bi Pirate...
- 6′4 / 193cm
- Force Mage and healer
- Proficient animal whisperer
- Nose broken trying to rescue a traveling piebald-haired circle mage from attackers in Lothering
- Absolute flirt
- Does needlepoint as a hobby
- Can drink but shouldn’t: will end up on the roof at minimum
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Pac and Fit watching and tubbo becomes more and more emotionally dependent upon them and Sunny as the days progress and how he sends himself into a panic if he loses sight of her or them for more then a minute to the point that they once left to grab something from the factory while he was distracted with working on the hole and when they came back he was in hysterics thinking that they finally left him
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They would be so insufferable once they got together I’m telling you right now
Request by @molten-rainbows!💖✨✨
Uni-fying the requests because.
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even KURUK was done so dirty by natla too - you know, going it alone in the spirit world was probably his greatest regret (though at least his animal guide was probably with him)
yeah my friend pointed out that the way roku was portrayed as uncharacteristically playful and charming while kuruk was just kind of flat and serious was not only mischaracterizing both of them in a way where if they had just reversed their personalities it would have made sense (what are they, zukka??) but indicative of anti-native racism by playing into the stoic native leader/elder trope even though that’s truly not what kuruk is at all, whereas roku is kind of the sage old asian man mentor, but you know, they do think to subvert THAT. no offense to ken leung and danny pudi who are innocent but this show was largely made by the most annoying asian americans, and it shows, such as in the fact that a single fire nation boat looks 100x better than the entire northern water tribe, or the fact that they uh. idk. cast a white guy to play sokka and didn’t even give a shit. justice for kuruk but also justice for every single water tribe character truly
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i think i’ve learned a lot when it comes to not applying my own values to the media i consume
for my script analysis class yesterday, we discussed two gentleman from verona, and nearly every classmate of mine was up in arms about how sexist the story is.
and i'm not saying it's not, or that it's not infuriating to read. but i'm also not putting my energy into getting upset about something written 500 or so years ago. and i'm not about to put my own beliefs onto these characters that are not me. i'm going to let their choices speak for themselves, and interpret it in the context of the story.
all that said, this now brings me to the point of alastor in episode 5, and how viscerally people are responding to it. those of you up in arms about the choices he’s making, and the violent threat he gave husk, you’re missing the entire point of his character, of this place they’re in, of the story being told. he’s an overlord, and he became an overlord by killing much bigger overlords and broadcasting their deaths over the radio.
HE IS NOT A GOOD PERSON.
if you started this show with the belief that every character working the hotel is a good person, you’re in the wrong place. watch the good place if you’re looking for a good wholesome story about getting dead sinners into heaven, because that’s not what this show is about.
you’re more than welcome to hate him after seeing the way he exerted power over a being whose soul he owns, but you’re doing the media you’re watching a disservice by writing it off so quickly. if you don’t like to be uncomfortable watching media, watch something else. this is an uncomfortable show, it handles uncomfortable topics, and it’s going to be an uncomfortable ride, and if you’re not up for something like that, then you should take a break from it and pick up something else. you don’t have to get online and defend your own ideals while you watch a show that goes against your ideals.
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‘how do you like criston after he called rhaenyra a cunt’ i wanted to fuck jaime after he tried to kill that child. genuinely what show do you think we’re watching. let hot guys kill evilly
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omg reverse riko au is making me feel so ill..... please let us know if you have any more thoughts abt riko kayleigh and kevin legend.....
I DO my idea is that its around the same age kevin and riko met in canon so tetsuji kicks the bucket when riko is 7/8 and riko is (very forcibly) removed from the nest and sidelined to kayleigh as a new moriyama asset from the main branch takes over the nest. riko struggles a lot with the change because he is very young and very scared and he’s used to horrible things at tetsuji’s hand, which means that he doesn’t trust kayleigh and finds kevin entirely too weird. it’s honestly really cute because i think at this point obviously 7 year old kevin wants to befriend him but riko is such an anxious ball of anger that most of their interactions are like
baby riko: what do you WANT from me. go AWAY!!!! NOW
baby kevin: (heavy irish accent) nothing i think. do you want a bite of my sandwich?
anyway i think riko and kayleigh do get along but he never really considers her his mother or even godmother, for a long time he thinks of her as his Benefactor until the child therapy starts hitting and she becomes Aunt Kayleigh and then after a few more years he can be loosely convinced to refer to her as auntie once or twice a year. his second son syndrome never really leaves him; in the upcoming years riko struggles with the idea that he’s anything But an add-on to the days and still overworks himself to death trying to be acknowledged by kengo, but it’s leaps better just from being outside the nest and having people to look out for him
riko and kevin have some rough patches, especially during riko’s first years with the days. because kevin is an easy target and riko is afraid of kayleigh he ends up letting a lot of that anger out on kevin, though obviously at this point they are children and riko’s anger manifests in some mild bullying and name calling. i think kevin doesn’t even understand it most of the time 😭 riko has been around grown ups his entire life so his adult level insults make no sense to kevin’s seven year old mind. nevertheless after kayleigh tells him to stop picking on kevin riko does respect it (first out of fear, then later because they actually get along) and they go on to become brothers with only a slight tendency towards antagonism. riko’s jealousy of kevin is still a big part of their relationship and i think even more so when college applications roll around, and he’s even more worried when wymack comes into the picture, but it never culminates into anything as horrible as hand breaking because riko has an actual outlet and a support system :) it’s mostly a yelling match that eventually turns to getting scolded by kayleigh for acting like barbarians
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Carpenter and Hayward on an awkward buddy cop road trip is literally everything I’ve ever wanted. I could’ve listened to an entire episode of just that.
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Rating: Explicit
Archive Warning: Creator Chose Not To Use Archive Warnings
Category: M/M
Fandom:ダンジョン飯 | Dungeon Meshi | Delicious in Dungeon
Relationships: Shuro | Nakamoto Toshiro/Laios Touden , Laios Touden/Shuro | Nakamoto Toshiro
Characters: Shuro | Nakamoto Toshiro , Laios Touden
Additional Tags: Oral Sex , Frottage , No Spoilers
Language:English Words: 1,951 Chapters:1/1
Summary:
“You’re so quick to say whatever you please…” Toshiro began to scold, with no hint of irritation in his voice. “I’m beginning to… Enjoy it.” He admitted, which made Laios chuckle in delight.
Made a 100% self indulgence fueled Laishuro fic. To cope, of course.
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One of the best things about the various iterations of tmnt is how different yet similar each variation of the brothers is. None of them are better than past or future versions, they just go about the same things in their own way. None are abusive, none are perfect, they’re all brothers with their own set of weaknesses and their own set of strengths.
Each variation has some eye brow raising moments where you’re like “hey that one went a little too far there-“ but nothing makes them irredeemable or bad brothers. They’re just brothers - and family isn’t perfect.
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TW Abuse
Aren feels guilt over clinging to his abuse, because he’s looked up to his Pops for so long as a role model, as someone who he should aspire to be.
But then he interacts with a toddler, or a little kid, or even people his own age. He can’t help but think about how fragile they are, how easy their skin would give way to bruises and blood, and he wonders how you could have something so precious and vulnerable, one that looks up to you with adoration and unadulterated trust, and tear it to shreds.
And he knows it was wrong, but he still tries to convince his friends otherwise. Because if they agree, that means it’s something he has to let go. He doesn’t have to look it in the eyes and ask questions that he won’t ever get an answer to.
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one of the worst feelings ever is wanting to write but your hands hurt too much or the words just don’t want to work so you just sit there staring at a half finished doc with tears in your eyes bc you want to write and you need to write but everything is telling you that you can’t
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i find it damn near impossible to get mad at santana’s behavior in 3x06 and 3x07 because i genuinely do think she had the right to be lashing out at everybody. sue me idk
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i don’t know if this is a hot take or not but the rr/b skew more neutral than evil to me
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i’ve talked about the theme of grief in jfa, and i think one of the most interesting things about it is seeing it shift into the themes of t&t, which are love and devotion - whether earned or misplaced. phoenix’s naïve love for dahlia sees him eat glass and almost get convicted in the tutorial, and godot’s driving motivation is his devotion to mia. the delites’ love for one another is reciprocal, but viola and armstrong’s devotion to tigre is misplaced and exploited. gumshoe insists that you take maggey’s case because he can’t believe that she’s guilty. terry fawles, as gross as his relationship with dahlia was, represents one-sided devotion to a suicidal degree. phoenix wants to help iris because he still does really care about her. morgan acts in the name of her idea of pearl, and pearl still, in spite of everything, loves her mother. in the climax of the game, godot’s misguided idea of what mia would want shows the danger of acting on devotion to the dead, and stresses the importance of our love for the living in edgeworth and franziska defending iris (and turning a blind eye) when phoenix can’t. dahlia, again, subverts the theme by refusing to represent it - she uses and abuses the love and devotion she receives, but gives none in return
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OK changing it slightly. How dysfunctional would shadowpeach be if they never broke up and became enemies, staying as best friends/lovers, and still never communicated their issues
so dysfunctional that i wouldn’t want to touch it even with a 39 1/2 foot pole
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