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bardofavon · 1 month

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not to be controversial bc I know this is like…not in line with shifting opinions on fanfic comment culture but if there’s a glaring typo in my work I will NOT be offended by pointing it out. if ao3 fucks up the formatting…I will also not be offended by having this pointed out…

‘looking forward to the next update’ and ‘I hope you update soon!’ are different vibes than a demand, and should be read in good faith because a reader is finding their way to tell you how much they love it. I will not be mad at this.

‘I don’t usually like this ship but this fic made me feel something’ is also incredibly high praise. I’m not going to get mad at this.

even ‘I love this fic but I’m curious about why you made [x] choice’ is just another way a reader is engaging in and putting thought into your work.

I just feel like a lot of authors take any comment that’s not perfectly articulated glowing praise in the exact manner they’re hoping to receive it in bad faith.

fic engagement has been dropping across the board over the last several years, and yes it’s frustrating but it isn’t as though I can’t see how it happens. comment anxiety can be a real thing. the last thing anyone wants to do is offend an author they love, and that means sometimes people default to silence.

idk where I’m going with this I guess aside from saying unless a comment is outright attacking me I’m never going to get mad at it, and I think a lot of authors should feel the same way. ESPECIALLY TYPOS PLZ GOD POINT OUT MY TYPOS.

#ao3 #archive of our own #fanfiction #tbh even if I got a comment that said ‘I hate you I’m going to kill your family’ on chapter 75 it still means they read 75 chapters first….#it just makes me sad to see so many writers shouting into the void #and also see ppl complain openly about the specific types of comments they receive #posting screenshots on Reddit like ‘should I be mad at this’ CALM DOWN #sigh

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artkaninchenbau · 4 months

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Crocodile finds a strange stray cat an 11-year old Nico Robin (AU where they met 13 years earlier. Robin's been on the run from the World Government for 3 years. Crocodile's 27 and has not set up base in Alabasta yet)

It seems like I have become possessed. By some sort of demon.

Bonus:

#My art #One Piece #Nico Robin #Sir Crocodile #Y'all the OP brainrot is BAD #According to an SBS Crocodile would absolutely spoil his child rotten if he had one. *We all know how Robin's childhood went*#Scary mofo who does not know how to parent a child but boy does he have the spirit + Child who has never had proper parent in her life #They'd make. An absolute disaster of a duo. This AU concept is so fucking funny to me okay #But also sad because I would fucking die for baby Robin she deserves the fucking world #This poor girl has never been spoiled in her entire life AND NOW PAPADILE IS HERE TO SPOIL HER #You know it's funny. I know 11 yo Robin should LOOK older than 8 year old Robin. But Crocodile is a fucking giant so she's still baby sized #Also I just had too much fun drawing Robin looking as pathetic as humanly possible lmao #She's a like a wet kitten in the rain 😭

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fleshdyke · 6 months

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it is literally the most fucked up thing in the world that fruit goes bad. you shoild be allowed to have a box of blackberries in the cupboard for 2 years and they are still fine to eat

#i love fruit so much but you have to eat it NOW or else it turns into pile of mold.... sad #i have remedied this by eating those fruit cups and also making smoothies with frozen fruit. it's not the same but it's close enough. sigh..#rambles

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mroddmod · 14 days

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everyone be quiet i'm manifesting

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stromblessed · 5 months

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Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

#blue eye samurai #mizu #akemi #kinuyo #bes #women are birds okay they are BIRDS #the let me die line is so SCARY AND SAD like a part of Mizu wants death but she cant? she doesnt know how?? excuse you show???#when all these other delicate birds are dying all around her #akemis character gets more and more gutwrenching upon subsequent rewatches because whenever she says her life is in danger #NO ONE BELIEVES HER - certainly not other women #because shes rich and pampered and that means shes safe and is worrying about nothing right? right?????#and it turns out that all of akemis instincts were right and she was in danger the ENTIRE TIME #also I need to make a post just for kinuyo because I am sad

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cosmosnout · 2 months

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And in the end, Rouge was like, “You know what? Sure.”

#kinda makes me sad to think Roger might have been with rouge just so he could have a son #but hey if it was mutual then that’s so funny #(please have my baby) *rouge looks Roger over* (sure)#also roger literally spent his whole life surrounded by dudes. bro does not know how to talk to women #art #digital art #my art #fanart #drawing #one piece #portgas d rouge #gol d roger #sketchhh

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astearisms · 8 months

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fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

#i’m part of the demographic where i was a kid when adventure time started and now watching fionna and cake as an adult makes me emotional #because did they keep us in mind when writing fionna and her attitude towards life #the dissatisfaction #the hoping for something more #something more magical than this dreary life filled with working to live and living to work #it’s so reflective of how life feels for me and perhaps many of us #and also Simon’s episode was so sad but so well thought out #exploring his feelings after the events of the adventure time finale is something I’m glad we get to see #there were already so many layers to his character in AT but now it feels like we get to dive deeper #I also felt emotional hearing Rebecca Sugar singing and writing a song that encapsulates his feelings so well #😭 it’s been awhile seeing her work exist alongside these characters #and all of these emotions get stronger because I remember AT being the one to inspire me to be a storyboard artist #when I was younger I used to follow many of the board artists here in tumblr and would get so inspired by them #to create simple but powerful boards that can capture the feelings of characters so well #Rebecca Sugar’s songs for the AT characters inspired me so much too #I’m sorry this is long I’m just feeling so many things experiencing all of this again as an adult #my art #fanart #adventure time #fionna and cake #fionna the human #cake the cat #simon petrikov

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slavhew · 1 month

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hm

#hom3stuck #homestuck #john egbert #jade harley #dirk strider #dave strider #karkat vantas #davekat #lil hal #autoresponder #inspired sketches because i went thru a bunch of artblogs and wanted to be dynamic and artsy too #also love to listen to songs and then try my best to draw something for the duration of it. this isnt quite one of those times but #hey the names matched up nicely #idk man. tonight is a sad about dirk strider day turned into sad about dirk strider night. davekats to make it go down easier #anyways ever think about how a captcha of 13 year old dirk doesnt want to die but the 16 year old version does.#cause i do . plenty.#these seem like sketches ripe to do something with but i dont feel like touching them more so. black and white up they go

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swordfright · 2 months

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this might just be because i'm a bit older than your average mcyt fan, but it makes me kind of sad to see all these younger fans scramble to wipe their mcyt fanworks off the internet the second a content creator is revealed to have done something awful.

don't get it twisted, I'm a big believer in rescinding financial support to ccs you no longer agree with or admire by unsubscribing, deciding not to buy merch, or refusing to give them ad revenue by watching their content. if you don't feel comfortable giving someone money, don't give them your money. material support isn't what i'm talking about here - I'm talking about fanfic, fansongs, fanart. yknow, content that fans create for themselves and each other, stuff that's not for ccs.

in the past year (and especially the past week, obviously) i've seen tons of mcyt fans saying they're planning to delete their art (or that they already have deleted) because they don't want their work to be associated with content creators who behaved badly, and that they want "a fresh start." I've seen fan writers say the same thing about their fics. and like, this is fine, do what you want with your stuff, but i'll be honest...it does make me sad that so many younger fans seemingly have been made to feel such a high degree of responsibility for ccs that they're unable to enjoy fandom (a thing that is FOR US! FOR YOU!) or take any measure of pride in their past fanworks.

again, at the end of the day you should do what you want with your own shit. but what i will say is, if what you want to do with your work is delete it, at least think first about why you're considering the nuclear option. you aren't responsible for a cc's behavior, and that goes for literally anyone who's ever had a hand in making anything you like: books, movies, games, anything. you shouldn't be made to feel ashamed of having created fan content for a piece of media that a shitty person was involved in making. straight up, this kind of shame isn't something i believe should exist in fandom, because it's parasocial in the same way that positive emotions towards media/creators can be parasocial.

and also, as someone who's been involved in fandom for a long time, i can say with confidence that creators will keep disappointing you like this. there are shitty people out there. if you're searching for a piece of media with zero shitty people ever involved in the project, you will not find it. i'm not saying this to normalize shitty behavior on the part of creators, I'm saying this to emphasize that bearing the shame and guilt of every creator to this degree is not sustainable or healthy (and it's not how fandom used to operate, but that's a conversation for another day, perhaps.)

i understand why so many folks are considering deleting their fanworks, and if that's you...think about it before you do it. that's all i'm asking. you don't want to create a habit of divesting yourself of all evidence of having been passionate about art created by someone who sucks, because if you do get into that habit, then your chances of ever truly enjoying a fandom again are, unfortunately, pretty slim.

#mcyt #fandom #also deleting all your stuff is a nightmare for archivists but that's admittedly a selfish reason for asking ppl not to delete lmfao #....sigh #idk it just makes me sad to see so many kids panicking like this #long post

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wardingshout · 4 months

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Zelda goes mushroom girl

#tloz #a link to the past #zelda #link #my art #I was happy with that first one but for some reason decided it still needed a companion piece so I spent way too long on that second one...#I don't think there was any time during the progress where I was happy with it but hfduhdfu at least I got to Attempt drawing moss hell yea #I also at some point sat in Pyu's art stream and said I enjoy drawing legs As I was being murdered by the infamously impossibe (imo) squat.#it's ok I had fun !! but I need to learn how to let doodles be doodles or I'll never finish stuff at this rate dfsuhfd #if everything in my tloz tag looks like it was drawn by different people uuuh 2023 was art crisis year ngl......#I'm falling back into my old ways rn though #anyway I think about these two a lot I think they're both stone faced and awkward ppl in different ways but they try rly hard to be friends #like I like to think it starts out so incredibly awkward and a bit sad bc they keep stepping over each other's toes accidentally the harder #they try but idk they find comfy middle ground idk in my brain they have a very interesting friendship I wanna get around to drawing it #in a proper way that might make sense....#if I don't write 200 tags I will die maybe it's bc I grew up on dA or smth #and yes I know how to find 1 (one) type of mushroom /I/ am not mushroom girl unfortunately smh

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tofixtheshadows · 21 hours

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I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

#Dungeon Meshi #Delicious in Dungeon #Kabru #Kabru of Utaya #Laios Touden #Dungeon Meshi meta #you can have him in the tags too. as a treat.#Dungeon Meshi spoilers #this was directly inspired by livelaughlaios's post about Kabru self harming but I decided it got too long to make it a direct reply #this is a theory I've been working on for weeks because I kept noticing this while skimming for screencaps #I'm hesitant to trigger tag this because of the way certain subcultures on tumblr operate #but if anyone needs me to add a content warning please let me know #also I included image descriptions! I did my best #I think they even help illustrate my points but my god were they sad to write. Kabru is so fucking sad you guys #musings with Dea

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brother-emperors · 9 months

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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.