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biblically-accurate-dca · 2 months

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full breakdown of the daycare attendant's color scheme & minor design details throughout their apperances

bc im mentally ill abt them lol

warning: this is a very long post and will probably only interest a very specific audience of people

3d model

(source)

their body follows the pattern of having a "primary" color, a "secondary" color, and an "accent" color. this pattern shows up for all of their apperances.

the primary color is the one applied to the crescent moon on their face, the right half of their torso, the upper half of their forearms, the middle "in between" sections of their fingers, and their legs.

the secondary color is the one applied to the other half of their face, and the other half of their torso.

the accent color is applied to their lower forearm, their palm, and their finger tips.

sun's color scheme is a pale tan color(primary), a light orange color(secondary), and a light grey(accent). notably, sun's 3d model's palms are colored with their primary color instead of their secondary.

moon's colors are a pale white, a blueish black, and bright dark blue respectively. also the white of their upper arm fades out into the blue of their lower arm before ending at the elbow, but this doesn't show up on sun's arm. (also also, moon's eyebrow & eyelash are colored in with their secondary color, while sun's isn't colored in at all.)

the buttons on their chest tend to fall more in line with the main colors of their clothes, except for moon's 3d model which is their body's secondary color instead.

nothing major to say about their clothes, so here's a thought about their color schemes: even though moon shares a lot of colors with sun (red, orange, and yellow), sun's design doesn't have any of moon's blue. (though sometimes sun is shown with blue eyes? so who knows.)

their ruffles and ribbons all tend to stay the same color (red), all except for the ruffles on moon's neck which turn blue. this is a consistent detail throughout all of their designs.

their little elf shoes are orange and stay the same color regardless of which form they're in. there's a crescent moon on the inner facing side and a star on the outer side. the crescent moon's two pointy parts(?) are pointed towards their heel.

i will not talk too much about their head/face, but here are some details that are different in other iterations: their eyes do not move, sun's rays cannot rotate and can only move inwards and outwards, and moon's hat goes over their forehead.

also their ribbons have no physics in this game LOL

concept art

(source)

covering this first because the general color scheme and the placement of those colors is nearly identical to their in game model (albeit with brighter, more saturated colors). the overall design is also highly similar, but with a few notable discrepancies:

one major detail that's different in all their drawn iterations is that their torso is one solid piece instead of two separate parts like it is with their 3d models.

moon's arm gradient is still present on their concept art, however sun now has a lighter colored gradient on the end of their arm to match moon's coloration! (this could always be shading but it feels too specific for this to be the case). (also, moon's arms, fingertips, and stars seem to almost glow? which is potentially what their unused emission textures are based off of.)

sun's palms are colored grey! also, the middle sections of moon's fingers are colored dark grey on the concept art (pretty much everything with their primary color is colored like this ((except their face)), but it's probably just due to shading this time since it's not present anywhere else but here.

they seem to have a little circular panel near where their arm bends that isn't present on their 3d model. same with a rectangular panel on their leg.

their clothes, ribbons, and shoes are mostly the same except for a couple small things: moon's pants have faint lines on them to match sun's, their shoes have no symbols on them, and the bit of ribbon on the ends of their pants is colored yellow instead of red. (also moon's shoes are colored darker.)

their face has a lot of notable differences too, but one of the biggest ones is that they have no left cheek! their grin stretches a lot farther up on that side of their face because of this (they have no lips on that side of their face either!). the circular indent on their cheek is colored in on sun's face, their eyes aren't being squished by their cheeks anymore, and they also have a lot more teeth (which don't stretch into the corners of their mouth, and are colored differently than the rest of their face.) lastly, they share the same color for their eyebrow and eyelash!

official art work

something important to note is that all of the dca's (current) official art will have this color scheme and all of the same details due to them either being drawn by the same artist, or because all other current official artwork of them is based off of this design and/or the concept art. (any and all additional artwork i mention can actually be found on their wiki page, but i'll link to it here if i feel it's important.)

one of the most notable details of their official art is that their accent color has been changed to a light grey color for both of them (albeit slightly warmer or colder to match their respective color schemes). though, interestingly enough, moon's palms (similarly to sun's 3d model) are colored with their primary color instead, despite both designs having this detail in the concept art.

additionally, something that was changed from the sketch for this drawing, is that (like their concept art) their shoes lack the little symbols on them, and the ribbon tied on the end of their pants was colored yellow instead of red. something that wasn't changed though is their lack of a left cheek.

moon's button aren't visible here, but other artworks (such as their claw machine artwork) show them as a blue color to match with sun's red.

sun's arm still has the little circular panel near their elbow that can be found on their concept art.

their face has a lot of similar details to their concept art, while still being stretchy and cartoony. they have a lot more craters spread around their face, and sun has consistently been shown to have a chipped tooth... it's cute.

before i move on, i'd like to talk a little bit about their various eye colors! there are several instances of sun with golden colored eyes (e.g. this drawing here, their in game plush, their claw machine art, their piñata from ruin, their actual design from ruin, and an exclusive design from steelwool's store.), while there are only two instances of sun with blue eyes (the sunnydrop candy poster and their icon on the daycare pass).

moon's eye color (when their eyes aren't just... closed) tends to just be red, but there are still a few instances of them with a blue right eye (their plush and piñata, with their claw machine art's eyes being entirely blue).

there's actually even a few specific instances of their eyes being black (their 3d model, the golden moon plush, and the golden sun plush... however that one is more brown than black.)

there's also that one book cover of moon with the pink spiral eyes but that was more of a one off thing.

ruin

this is where my bitching session starts

very noticeably, their eyes move around in this game. did they finally get the glitter glue out of their eyes after the earthquake or something? does no one care about their dead fish eye swag...

speaking of eyes it's actually kind of lame they have yellow eyes instead of blue. the blue eyes actually have some additional meaning to them when you consider moon, but the yellow eyes are just... well, they're already super yellow. what makes them so special. make moon's eyes yellow for a change.

ok actually relevant: they use a mix of both sun and moon's primary colors, while using exclusively moon's secondary colors... both of their accent colors are used too with sun's on their right and moon's on their left.

suddenly their unused emission textures decide to join the party... this was a weird decision for them to make when those textures weren't even visible before. but ok.

all things considered they're actually not even that damaged. the most major damage is to their outer casing and their leg... like, compared to the others this is pretty good? even compared to the original shattered animatronics this is good??

wait is their hat just sitting on the very top of their head? is that because of the rays? are they holding it up? why was this a thing that was changed.

hw2

ok well the hat is even farther back now. what the hell. why

iirc their eyes don't noticeably move around as much as they do in ruin, but they do still move around sometimes (iirc they spin around after sun's cartwheel?) which i guess is fine. whatever. im the only bitch who would care about this anyway

they nerfed moon's ultra bright high beam eyes in this one... sad!

this is such a non problem but sometimes (especially in sb) when you shine a light on moon their pants have this little purple shaded section on the inner thigh parts and it looks. weird. in this picture it's not visible due to the shaders but it's very noticable in the daycare section of sb when you get a good look at them with the flashlight.

actually you ever realize how their design literally makes no sense whatsoever. how does their casing change color, and why is their coloring so inconsistent between the two without visibly affecting the other? how do their CLOTHES change color like that?? where the hell does the hat come from??? why do specifically and only the neck ruffles change color???? where do their pupils come from????? i will stop talking about this now

jack o' moon

they do have moon's color patterns, they're just shifted around a little. they even sort of have the lack of a texture on the sun rays that moon's model has! but this time it's actually intentional.

their face has the world's shittiest paint job which i think is really funny. i guess it does sort of look like a pumpkin yeah.

idk how the hell their glowing mouth overlay works but it's certainly a thing they have. the glowing eyes are also pretty cool looking admittedly. and the insides of their eyebrow, eyelash, and craters glow a little bit too.. that's cute.

the ruffles on their neck and waist, and the ribbons around the bottom of their pants are green, while the ribbons around their wrists are purple (but a small part of the ribbon on their right wrist is still red)? their shoes are similarly purple.

potato sack pants ♡ it's a really good part of the whole look actually

basically their design is like if bbw eclipse was stupid. but like in a funny and endearing way WAIT ACTUALLY SPEAKING OF THAT

balloon world eclipse

bitching session is officially OVER

first off: sun's faces! so the first face very obviously takes inspiration from their in game artwork while still having the general face shape for their regular look. the scattered look of the craters on their face and the color of their eyebrow reflect this as well. sun doesn't have their trademark chipped tooth but overall it's a very nice look and it serves it's purpose very well.

since sun's 2nd face and moon's are the same i'll go over them both here... this look is very much based off of their concept art look! but it's more noticable in the shape of their eyes and the way their teeth are drawn this time, because they actually do have a left cheek... but the corner of their mouth still stretches up the same way it does when they don't have one! also, the base color for moon's eye is a little purple here which is always fun.

now ECLIPSE... brightly lit yellow eyes with red flickering pupils... the light being pushed out between the cracks of their teeth... a menacing color scheme too dark for sun but too bright for moon... the faint color of the illuminated crescent moon hidden inside the darkness of their face... their complete and utter lack of a left cheek because it never got added onto this sprite... this is PEAK eclipse design

also, this isn't about their design but i edited these sprites for something a while back and noticed that some of the pixels were just ever so slightly off color? which leads me to believe this was done in a regular art program not made for pixel art, and that whoever made these isn't super experienced with it.. however that honestly just adds to the charm for me. i really love these sprites.

harvest moon

oh mmy god look at it

#my post #daycare attendant #dca fandom #sundrop #sunnydrop #moondrop #this is the cumulative effort of an entire year of hyperfixation on absolutely useless shit #do lmk if i missed something!! i had to rewrite half of this post cause tumblr didn't save my draft -_-

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honey-beann · 11 months

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Background Noise

rk boys (Nines, Connor, Sixty) x Reader Smut

Word count: 4,244

It was a beautiful morning, especially for Detroit, and Connor was feeling almost too content, watching the birds fly past the window above the kitchen sink as he sat comfortably at the breakfast bar.

The new house was perfect, notably different from the apartments he had lived in prior, and he found himself feeling so at home within it that he was filled with a joy he had only experienced once before, in an entirely different situation.

He allowed his mind to drift back to that night, your pretty dress, your ecstatic grin, and the calm waters lapping gently against concrete and wood sticking out clearly in his mind, even in memory alone.

Unbeknownst to the outside world, he examined his calendar internally, his LED briefly blinking yellow before calming back down to blue almost immediately as he checked just how long it had been since that wonderful afternoon.

He startled a bit (though he hoped only internally), at the realization that it had already been two months, and made a mental note to pick up some flowers to commemorate the event.

He had only just begun considering what type of flowers, when he heard his name get called from the speakers of the laptop that sat on the countertop in front of him.

"Do you have anything to add, Connor?"

Connor fixed his eyes on the screen and smiled politely at the speaker as well as the many college students who sat uncomfortably in their cramped desk seats a few hundred miles away at NYU, where he, Markus, Kara, North, and Simon were currently giving a lecture over video call.

"I'm sorry, I must have gotten lost in thought for a second, what was the question?"

Connor could see North cast the section of the screen he was taking up on her end a brief glare, but Kara, who had been the one to ask for his input in the first place, just smiled easily and waved his apology off.

"No problem. It was just about android-human romantic relationships and how the laws surrounding them are believed to change in the next few years. Markus mentioned his plans to have marriage legalized, and North spoke on the amount of negativity that these relationships face outside of the legal system, but I thought you might be able to provide some extra insight, if you felt comfortable."

Connor gave a slight nod, his smile returning to his face as he turned his attention back towards the large crowd of students, who, despite having been required to attend for credit, all seemed rather invested, though that was hardly any surprise given the speakers present.

Ever since the revolution, Connor and Markus in particular had gained a significant deal of notoriety due to both the rolls that they played, and the romantic relationships they had.

Markus had now been in his relationship with another android for a few years now, and Connor had been in his with a human for around the same amount of time, and people found that to be immensely interesting.

Here was Connor, the deviant hunter, a former prototype android designed for detective work, dating a human as if that were the most natural thing he could possibly do, and honestly, the media ate that up.

There were photos of you in the tabloids, articles about you posted online, and you were both criticized and adored by androids and humans alike for your relationship with Connor, even after all these years.

Of course, there were many other juicy aspects of your romantic life that the media loved to fixate on, but Connor hardly thought those were worth bringing up now, unless he wanted to complicate things extensively.

So instead, he chose to give the simplest answer he could without making it seem as if he were against the idea of speaking on his personal relationship (because he most certainly was not, in fact, he thoroughly enjoyed talking about you whenever an opportunity presented itself).

"Well, in my experience, android-human relationships are very similar to those shared between only humans and only androids. There are a lot of stereotypes, like that android lovers are superior, or that human partners can connect easier, but truthfully, I think most of these concepts are contrived by those who don't accept these relationships as legitimate and seek to weaken them because of that."

Just as he finished up his statement, a student raised their hand, and Kara, as the moderator, was more than happy to call upon them.

"Yes, you in the front row?"

The girl seemed nervous as she spoke up, but even so, Connor was able to make out her question easily.

"So if these stereotypes that Connor mentioned can be eliminated or lessened to a certain degree, can we anticipate the legalization of android-human marriage to occur shortly thereafter?"

Markus was quick to respond,

"Well, the legal system doesn't necessarily depend on these stereotypes being less prevalent, but it would definitely help our cause. That being said, I believe it won't be long now until android-human marriage is legalized, and that seems to be the consensus among many in the U.S. There has been a significant increase in the number of android-human betrothals within the past year, and I think that points to a general agreement that non-regulated marriages will definitely be legalized in the near future, it just depends on how long it takes for the government to recognize that from a legal standpoint."

Connor nodded in agreement,

"The data trends towards a general air of acceptance at the idea of legalizing these marriages. I myself proposed to my fiancee just two months ago with the expectation that in a slightly lengthened wedding planning time frame, the legalization process will be completed."

Soft murmurs echoed out among the crowd at this, as very few people were aware of your engagement (though the media had spoken frequently on the sudden addition of a rather expensive looking ring to your every day outfits).

Connor fought back a slight grin of amusement at the surprise that his words had caused, choosing instead to turn his attention towards the class's professor as the older man asked a question about android unions in the workplace, something that was much more in Simon's wheelhouse than Connor's.

He listened intently as his friend and colleague spoke in depth on the issue,

So intently in fact, that he neglected to notice the bedroom door opening until it was too late for him to do anything about it.

Out you walked, donning only an oversized dress shirt, slippers, and underwear, your hair mussed up, and your expression still rather drowsy as you made your way across the living room and into the bathroom, fully in frame of the camera you were all too unaware of for the majority of your trek.

Connor bit back a chuckle, his cheeks tinted a slight blue color as he admired via his screen how lovely you looked in your pajamas despite your immense lack of effort.

Of course though, he wasn't the only one to notice, and when you walked back through towards your bedroom after using the bathroom, there was a strong silence present from both the speakers as well as the audience, all of whom were rather distracted by the intrusion. Finally, clearly hoping to move on for the sake of time, the professor cleared his throat and spoke up through the newly awkward atmosphere.

"Excuse me, Mr. Anderson, but I believe there is someone in the backgrou-"

He cut himself off suddenly when an arm reached over from just out of frame and pulled you in toward it, shock clearly written across your face as you were yanked straight from view, yelping at the unexpected tug.

"Er, is everything alright?"

The professor spoke quietly now, his brow furrowed in confusion as Connor offered him a polite smile and nod,

"All is well, I believe my partner simply forgot about our professional arrangement this morning and neglected to use the other bathroom upon waking up."

"But who was-"

"As for the individual that removed her from the camera's view, I'm unsure if that was the rk800 or rk900, but I can assure you that our fiancee is entirely safe."

The crowd remained silent for a few moments as a great deal of the students took in what was for them, new information.

Of course, some larger fans and smart speculators had been able to piece together the relationship you shared with Sixty and Nines, but most people chose to ignore the complicated question of your romantic life beyond you and Connor.

After all, in the eyes of the media, Connor was a big sweetheart, while you were his equally innocent and adorable life partner, and how could they ever push that image out if they speculated that you were also engaged to both the rk800 model that had tried to kill Connor and Hank prior to deviation, and the rk900 model who had been strictly designed for military use when it came to hunting down deviants?

The short answer was that they couldn't, and as a result, the already rarely posted images of you and either of your partners who weren't Connor struggled to gain much traction, meaning that not many people believed, or even knew the rumor about your romantic relationship with all three men.

Except recently, you'd all sat down and had a conversation about this topic, which had ended with one strict viewpoint shared by all four of you:

Your relationship was not a secret, nor was it something to be ashamed of, and there would be no more comments leaving that up for interpretation.

The silence continued for multiple additional seconds beyond what Connor himself would consider awkward, until a student loudly cleared their own throat before slowly raising their hand, to which Kara responded by calling upon them in a manner that was almost hesitant.

"So uh, have android related marriage benefits been considered yet?"

North was quick to jump on answering that question, but even still, Connor couldn't help but feel his attention drift towards the situation just outside the range of his camera.

He couldn't quite make you out without making it obvious that he was looking in your direction, but he could clearly see Sixty's back as he caged you in against the wall, arms on either side of you while he leaned down to capture your lips in his in a manner that was no doubt ravenous.

He and Nines had both been out of town until just before Connor had began setting up for his prior arrangements earlier that morning, and if the android had meant what he'd said over the phone the night before last, you were likely in for one hell of a two month engagement celebration.

Connor attempted to turn his attention back towards the lecture, ignoring the growing pressure between his legs as he turned up the volume slightly, eyes fixated almost too intently on the screen.

Suddenly though, he was forced to hold back a wince as you stumbled back into the view of the audience, cheeks pink, lips bruised, and hair even messier than before as you struggled to avoid Sixty's attempts at grabbing you again with a laugh that was distant to the mic, but sharp in Connor's ears, igniting a spark of adoration in him at the sound.

He watched via the screen in front of him as you backed further into clear view with Sixty following confidently, a predatory grin at his lips that immediately let Connor know that the android couldn't care less whether or not those on the video call saw him.

Now more than a little bit enthralled by the chase as well as the sparkle of excitement he could see in your eyes, Connor kept his gaze trained on the scene playing out on the screen, a slight smirk fighting to show itself as he watched you start to lose your balance after being forced to raise a leg to stop your feral fiance from grabbing at it.

You shrieked as you fell back, catching yourself on your palms as you tried desperately to scoot away from Sixty's grip, though your efforts proved futile when he wrapped a nimble hand around one of your ankles, tugging you towards him and eventually just out of frame once more.

Soon afterward Connor heard the familiar sound of your feigned pleas for freedom being muffled against Sixty's hungry lips as they claimed your own for the second time that morning.

It proved to be very distracting.

Though, not nearly as distracting as you backing your way into frame once again moments later, palms flat against the floor behind you as you kicked playfully at Sixty, still doing your best to win the game of chase he'd started despite your obvious enjoyment.

You were fighting a grin as you continued to move backward, using your hands as leverage to pull yourself along faster even as Sixty followed on foot, which gave him a very clear advantage.

Repressing the urge to calculate how long on average Sixty tended to play with you before choosing to halt his typically lengthy games of cat and mouse, Connor shifted his gaze back towards the audience, hoping that the scene in the background wasn't the reason their gaze was so affixed to the projector screen in front of them.

Unfortunately though, the android's attempt at placing his regard on something that wasn't his fiancee's rather amusing struggle was squashed by the notable visual of a new figure entering the frame.

This definitely didn't help his cause, and he was almost certain that the crowd couldn't have possibly gone without noticing it either, as Nines made for an incredibly imposing figure under any and all circumstances.

That being said, you had clearly gotten very comfortable with his presence throughout the years, because you didn't even notice that he was there until you'd accidentally backed into his legs.

And by then, it was far too late.

Connor watched, artificial breathing paused as you slowly looked up to see Nines standing behind you, eyes slightly widened as you took in the sight of him. The android cast a brief glance over to the video call that his predecessor was on before shifting his gaze toward Sixty, who had his hands in his pockets as he smirked down at your helpless position between him and the rk900.

You were laying with your back pressed against Nines' body, one leg extended outward while the other was bent at the knee, as if you had been mid struggle when you'd finally stopped.

You let out a tiny squeak of fear, one that Connor barely managed to make out above the sound of North's voice, as without warning, Sixty knelt down to run a hand slowly up your leg before wrapping it loosely around your calf, his gaze hungry in a way that Connor was certain you were all too familiar with.

Nines, on the other hand, crouched behind you, his torso unyielding against your back as he ran a hand up from your straightened leg to your throat, where it briefly curled and squeezed before loosening, though it notably did not move away as he lowered his mouth to your ear.

Connor attempted to make out what he was saying, but in the end, it was your reaction that held his attention more than anything else.

He watched your muscles tense and your throat bob as you leaned into Nines' touch, nodding softly as the android in question smirked against your neck before he slowly stood, guiding you up with him and walking you backwards and out of frame once more, Sixty following eagerly.

There was a distant clamor that Connor was almost certain came from the counter of the bathroom sink, and then suddenly, his LED was flashing yellow with an incoming call from a familiar rk800 model android.

Connor swallowed thickly, briefly ensuring that the attention of those participating in the lecture wasn't on him before he answered hesitantly, the sound of your muffled whimpers instantly filling his ears and forcing him to hold back a shiver as he shifted in his seat, suddenly very uncomfortable thanks to the increasing strain within his pants.

"Shit."

He murmured under his breath, inhaling sharply as Sixty chuckled in response, a teasing lilt to his tone as he spoke,

"You hear that pretty girl? Connors decided to say hello in spite of his little arrangement, isn't that sweet?"

Connor tensed at the sound of you gasping on the other end of the line, a keening whine slipping past your lips at Sixty's taunting words, which he continued to utilize mercilessly.

"What was that, Princess?"

He pressed,

"I don't think he can hear you."

From Sixty's end, Connor was able to make out an oh so familiar squelching sound followed by a sharp cry that he knew for a fact belonged to you, your head falling back to what he imagined was the mirror behind you with a dull thud.

Connor flinched slightly at the sound, but assuaged his own worries with the knowledge that neither Nines nor Sixty would ever allow you to get hurt in their presence.

And clearly the injury wasn't anything severe, because mere moments afterward, Nines spoke up,

"Why don't you tell Connor how good it feels, hmm? We don't want him to feel excluded sitting all alone out there."

You whimpered at Nines' cruel tone, but opened your mouth to speak regardless, your breaths so hurried that Connor could hear them easily.

"C-Con..."

You whined out, and the sound of his name leaving your lips immediately had the android in question holding back a groan, his LED flickering briefly as he sent Sixty a message.

After doing this, Connor waited patiently, until finally, the receiving android let out an audible chuckle, humming softly as he spoke,

"Well isn't this interesting, Connor here is asking me to narrate your little... Predicament for him."

Sixty paused for a moment, allowing his predecessor to better make out your soft pleas before he continued, voice full of a mocking amusement that he had mastered the use of ages ago.

"Does that sound nice, Sweetheart? You want me to tell him how hot you look all spread out for Nines' fingers? How fucked out your expression is when we haven't even taken you properly yet?"

There was a brief silence for a moment or two, but Connor was quick to deduce that you must have nodded, because Sixty gave a short chuckle before he spoke up again,

"That's right, Baby, you look so fucking pretty when you take what we give you. Does it feel nice?"

You gave a shrill cry of bliss in response, and the next time that Sixty spoke, it was to Connor directly, his voice barely above a growl,

"Fuck, you really should see her, I don't know if she's ever been this wet before."

The loud squelching sounds in the background only served to cement Sixty's statement as truthful, and Connor had to mute himself so no one would hear the heady groan that was pulled from deep within him as a result.

"And she's desperate too, already begged Nines to fuck her before you could even answer the phone."

Connor heard his successor chuckle softly in the background before the squelching increased in intensity, followed shortly thereafter by your rushed pleas for more, which fell from your lips like a waterfall.

Connor then heard Nines give a sigh that was a bit too close to a growl for him to ignore, before suddenly, the squelching stopped entirely, replaced immediately afterward by the sounds of zippers being tugged down and clothing hitting the floor.

To Connor's surprise though, the next thing he heard wasn't some sharp cry or plea from you, but rather Nines' harsh tone as he spoke up for the second time that morning,

"Since you just can't seem keep your mouth shut on your own, you don't mind if Sixty helps you, do you, Sweetling?"

You whimpered shakily, but spoke up nonetheless, no doubt knowing the punishment that awaited if you didn't,

"N-no sir."

You whispered out, and Connor could all but hear Nines grin as he hummed softly before finally replying,

"Good girl."

And the next thing that Connor heard was a loud curse from Sixty, who let out a strained laugh immediately afterward, as if surprised by his own exclamation.

"That's it, Princess, open that pretty mouth just a little more for me,"

And a second later, he groaned heavily again, hissing through his teeth before he spoke up,

"Shit, that's it, Baby, just like that."

Connor held back a moan as he imagined how desperate you must have looked in that moment, spread out for Nines with Sixty's dick stuffed down your throat as you took them both eagerly,

It was almost enough to make him whimper at the thought alone, suddenly all too ready to end this video call once and for all.

Distantly, he could make out a new voice asking a question, but all that he could do was pray that it wasn't for him, because there was no way he could muster up the strength to say anything coherent knowing that his beautiful fiancee was being absolutely ravaged in the next room over.

Connor tensed slightly at the sound of your muffled groans, stifled by Sixty's length as you took everything that both he and Nines gave you, which was apparently about to be increased according to the latter individual.

"Did you want me to fuck you, Little Dove? Is that what you were begging for so shamelessly?"

Connor inhaled sharpy at the sound of your replying whines despite the rather large obstacle that was keeping you from speaking properly, which, judging by the noises that Sixty was making, likely wouldn't be an obstacle for very much longer.

The android in question was growling out your name, fucking your mouth with so much force that you would occasionally gag around his thickness, which only served to bring him closer and closer to orgasm.

"C'mon Baby, take me, just a little more and I'll come right down that pretty little throat of yours."

You whimpered weakly around Sixty's cock, and something about that sound must have struck the android as particularly ruinous, because mere moments afterward he was fulfilling his previous promise, hand in your hair as he rode out his orgasm with a harsh groan of pure bliss.

Connor, recognizing the familiar sounds of Sixty reaching his end, was more than a little bit eager to hear what would come next, and was not let down by what followed, because immediately after Sixty had backed away and leaned against the wall to get a better look at your fucked out expression, Nines took the opportunity to push into you, having removed anything that might get in the way of that a long time ago

You gasped immediately at the unexpected fullness that followed, and Connor could hardly restrain himself as Nines began thrusting in and out of you, hands on your ass as he set an absolutely brutal pace right from the get go.

"N-Nines!"

You cried out loud enough that Connor could hear you both through the call and through the bathroom door, making him immensely relieved to note that he was still muted, because he really wasn't sure how he could ever explain away the sound of his future wife getting fucked by her two other partners in the next room.

Nines chuckled darkly at your exclamation, and unbeknownst to Connor, pressed his thumb against your clit as he continued to take you fast and rough, quickly building you up to your orgasm with practiced skill, all while pushing himself straight to the edge as well.

"Fuck"

He hissed out between clenched teeth, hands gripping your ass hard enough to leave bruises as he drove into you, savoring every little sound you made for him as he did so.

And then, he said something that nearly made Connor snap.

"Do you want me to come inside of you, little one? Fill you up the way that Connor always begs to? Would you like to feel it drip out of your aching cunt and down your thighs for hours to come?"

His voice was like gravel as he spoke, strained and broken up by the occasional grunt or curse, but even still, it provided Nines with the reaction he so desired.

You gave a sharp cry upon hearing those words leave his mouth, and immediately, Connor knew that you were coming, voice haggard and body quaking as Nines dragged your orgasm out of you ruthlessly, until finally, he too came with a groan, filling you with his artificial seed just as he'd promised he would.

And that imagined visual, of you dripping with Nines' come after he had said such filthy things to you, things that Connor had long since made clear he desired, had him sending Markus a brief message about some contrived emergency before he all but slammed his laptop shut, stalking towards the bathroom with a clear purpose in mind.

This was indeed going to be a very long 2 month engagement celebration for you, and Connor would make sure of that far beyond anything you'd ever experienced before.

masterlist

AO3

#dbh connor x reader #dbh nines x reader #dbh sixty x reader #dbh x reader #dbh x reader smut #dbh connor x reader smut #dbh nines x reader smut #dbh sixty x reader smut #dbh smut #c: nines #c: connor #c: sixty #rk900 x reader #rk800 x reader #dbh rk bros x reader smut

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freakadr0id · 2 years

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ROTTMNT Charater Fighting Style Analysis - Part 5: April O'Neil

Oh, would you look at that? It's finally here! After three weeks, multiple rewatches, and several pages of notes and drafts in Word, I've made it to the final individual character* analysis.

This is a continuation of my series of posts analyzing each of the Turtles' (+April's) fighting style, their strengths and weaknesses in a fight, and how Rise uses that to highlight different aspects of their character. I highly encourage you to read the first one (Leo's) before hopping into this one for full context. There is a bit of a TL;DR at the end.

[Part 1: Leo] [Part 2: Raph] [Part 3: Mikey] [Part 4: Donnie]

Last, but ABSOLUTELY not least, is our Girl with the Plan and President of the Dorky Pals for Life Club…

April O'Neil: The Scout/Jack-of-all-Trades:

My analysis for this one might be a bit of a surprise for some, considering a few people have said they already have an idea of how I might categorize her. Going into my analysis, I too thought I had a pretty solid understanding of the way she fought, but by the end, I found that there was so much I missed - I ended up coming to a conclusion that was quite different than what I was expecting.

Fighting Style:

Dynamic and Precise

April is a very strong, energetic, and multifaceted fighter, which allows her to hold her own in battle, even when she's the only human present. She is a primarily offensive fighter with a diverse skill set that she is able to utilize in almost any situation. With her bat, April demonstrates a surprising amount of physical strength as her weapon requires a significant amount of force in order to be truly effective. She also has gymnastic skills that make her a notably agile fighter, giving her an advantage in both speed and maneuverability. She approaches battles with great enthusiasm, amplifying her overall movement and attacks.

In this sense, April's fighting style is rather similar to Mikey's, as they are both quick, nimble fighters that excel offensively while implementing acrobatic movements to deliver quick attacks and make up for a defensive disadvantage. However, she distinguishes herself with a weapon that is very different from Mikey's and by having a larger, more practical set of skills that require unique tactics. Instead of mystic powers, she has a wider range of general skills that end up being incredibly beneficial in battle. She has a fluid fighting style that undergoes the most changes in the show as she learns new techniques from both her allies and enemies and incorporates them into her method of fighting.

Despite the energy she brings into battle, April is surprisingly meticulous in the way she approaches her fights. Instead of running wildly into battle, she is actually quite deliberate in when and how she attacks. April doesn't blindly attack enemies and only goes in for a strike at opportune times, aiming to deliver a few quick, accurate hits that efficiently damage her foe. This gives April the ability to participate and contribute to fights as a human without putting herself at unnecessary risk or becoming a liability.

Strengths and Roles in a Fight:

Jack-of-all-Trades

April is the generalist of the team. While the other members of the family tend to stick to one type of technique or a particular style of fighting, April has knowledge and experience in multiple fighting techniques, skills, and occupations that make her an adaptable fighter. This makes her perfect for "rounding out the team" by providing some extra strength and making up for any weaknesses that may be present in the team. Because of her dynamic fight style and ever-growing list of skills and techniques, April occasionally fights with an amalgamation of the other turtles' roles and fighting styles. April is seen acting as the Wild Card by keeping enemies on their toes with fast movements and nontraditional weapons; a Bruiser/Pummeler (a slugger, if you will) by delivering multiple hits in quick succession with her bat; or even a Striker by going for those accurate, singular attacks. If there's a role that needs to be filled in a fight, odds are April can deliver.

April also has the largest set of practical skills on the team, thanks to the experience she has gained from her numerous (former) jobs. In situations where a very specific set of expertise is needed, April can usually provide that to some degree. This makes her a versatile asset to the team in ways that even Mikey can't be, particularly with battles set in urban or unconventional environments. One of April's greatest strengths as a combatant is her ability to use the environment around her to her advantage - that comes with her dynamic fighting styles. Granted, that applies to all members of her family, but because of the considerable variety of knowledge and experience at her disposal, she has more options when it comes to utilizing her surroundings. Some of her skills are incredibly hyperspecific, however, usually limiting which ones she can use at any given point.

The Scout

April also acts as the team's Scout [No - I'm not just saying this because she happens to have a bat]. She is the one that usually goes ahead of the others before, or at the start of, a battle and gathers information about the enemy and their movements. This typically involves April disguising herself in some way and infiltrating the enemy from within, but there are times when more conventional stealth is needed. She is small and quick enough to sneak past enemies and through different environments, giving her multiple options for her investigations. April also provides information to the team during battles, as she can still apply her "stealth" abilities and use her agility to move around the battlefield quickly and mostly unnoticed.

April's precise fighting style also plays into the Scout role as she can quickly get in and out of fights when needed, which is beneficial both when she is by herself or in a group. A scout needs to be fast, precise, and agile to make up for their lack of defensive capabilities - this fits April's fighting style and abilities to a T. The Scout role plays directly to her strengths as a combatant and decreases her risk of harm as a human in chaotic mutant battles.

Utility:

As a fighter, April is particularly well suited for individual, one-on-one battles. Her primary weapon, a bat, is a generally short-range melee weapon that requires a good amount of accuracy and is limited by its small reach and defensive capabilities. Her fighting style incorporates this by focusing on accurate attacks and accurate timing while utilizing dynamic movements to increase her optimal attack range. When combined with her established proficiency with her bat and adaptive creativity, April becomes a formidable opponent in fights with a small number of opponents. Even without her bat, however, April's ingenuity, agility, and large skill set make her an extraordinarily capable fighter one-on-one.

However, due to her overall lack of mystic powers, limited defensive strength, and the natural restrictions of her weapon, April can struggle in fights with more enemies. Not only is she at greater risk of harm with so many moving parts, but it also doesn't work as well with April's fighting style - she simply doesn't have the range or attacks needed to affect a wider area. That isn't to say she isn't able to handle herself in group fights (she very clearly can), but it just isn't her strong suit.

Some of April's numerous abilities that give her the title of "Jack-of-all-Trades" can be incredibly situational and require a specific set of circumstances and environmental conditions in order to be utilized. While she still has these skills to use to her advantage, not all of them can be used at one time, although at least one of her skills will probably be applicable in any scenario.

How it Plays Into Her Character:

As a member of a family full of mutants and magic, it is only natural for April to want to contribute to the team by participating in fights - but as the only human in a family of mutants, this also means she is left at a bit of a physical disadvantage in comparison to the others. Most people would likely feel a sense of inferiority or weakness in the face of such a disparity, but not April O'Neil. One of April's greatest strengths as a fighter and as a character is her persistence and clever thinking, which is seen in her fighting style. Instead of getting discouraged at her apparent disadvantage to her brothers, April persisted and found ways to use her own natural abilities to her advantage. She may be physically weaker than the turtles, but by implementing a fighting style that relies on precise attacks and her agility, she is less likely to get hurt while still doing a significant amount of damage to the enemy. Her dynamic and precise fighting style embodies April's ability to adapt and persevere even when things are against her.

April's role as a Scout is indicative of April's intelligence while forcing her to dial back on her impulsive tendencies. It is essential for anyone acting as a scout in a battle to be intelligent and clever to be able to acquire information and make observations that are actually useful to the team. April demonstrates her intelligence and quick wit by always assisting the team with the knowledge that is essential to their success, and constantly observing different elements of a battle, even when not formally acting as a scout. The Scout role does, however, expose a potential challenge for April when it comes to impulsive actions. As a whole, I wouldn't say that April is an impulsive character - she is certainly the most level-headed of the bunch - but as the oldest sister to a bunch of teenage boys, it is only natural for some of that to wear off on her from time to time. April is usually pretty tactical about when and how she goes into fights, but there are a few times in the show where she can rush right in if she's especially passionate about something. In order to fully be effective in her fighting style and roles, she has to be sure to not give into those impulses and keep a steady head throughout the fight.

In a Team Fight:

In a coordinated group attack, April is best suited for an initial or follow-up attack. Her speed and agility mean she can get in and out of a fight quickly and her precise fighting style creates a perfect combination to provide a solid initial set of strikes to weaken or disorient an enemy. This doesn't provide much in the way of setting up the next attack, but it could be followed up with an equally quick attack from someone else. Her fighting style also lends itself to a quick follow-up attack and is particularly effective if the opponent is disoriented prior to her attack. April's quick movements and attacks can add to the enemy's confusion and deal significant damage at the same time.

However, April does not do well in a position that requires her to set up for the following attack, nor is she fit to go last in a team attack and deliver a final strike. Since her attack style implements a small number of precise hits to damage an enemy, she does much better at targeting specific weak points on an opponent rather than worrying about how someone else could further add to her attack. Her physical limitations and lack of mystic powers also restrict her ability to deliver the last attack (at least, not by herself). While it doesn't mean she isn't a strong fighter, being the final attacker in a team attack doesn't work well with her physical strengths and the advantages she has with her fighting style.

~-~-~-~

[TL;DR: April is a Dynamic and Precise fighter with very fluid and adaptable fighting techniques and a tactical and accurate approach to her attacks. Her large, diverse set of practical skills and flexible fighting methods give her an advantage by acting as a Jack-of-all-Trades. April also operates as the team's Scout by using her intelligence and precise fighting style to gather information and make quick, opportunistic attacks on an enemy. These all demonstrate her tenacity, perseverance, and creativity by presenting it through her adaptive fighting methods and approaches to battle.]

I have a feeling this one may be a bit divisive... I'm pretty happy with what I've come up with here, but it took some serious self-persuasion to get past the titles and categorizations I already established for her in my brain prior to my analysis - and I think that will be the case with a few others. Hopefully I’ve managed to make my case well enough.

Thank you so much for all your support on this little "series." You have no idea how much it means to me to have people actually read these, much less receive such positive responses to them. I'm thrilled that many of you seem to enjoy reading these posts almost as much as I enjoyed making them. DON'T WORRY - THIS IS NOT MY LAST POST FOR THIS SERIES. I have one more kind of "Wrap-up" post planned after this as an overview of their collective team dynamics, miscellaneous thoughts/"corrections", a brief explanation as to what inspired me to dedicate hours of my life writing these silly things, and (if you guys are interested) a small breakdown of my thought process and approach towards my analyses. I don't have a fully planned time to release that, but know it will be coming at some point in the near future.

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novembermorgon · 21 days

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ok now I need to know about your lannister oc and her targaryen sons uwu

yes siree!!!!

get used to her because despite my boltonposting shes the only one ive been putting in any sort of work writing for . <3

her name is myrielle lannister :-) she's around during the dunk and egg era born aboutttt 192 ac ..? daughter of damon lannister and cerissa brax (one year younger than tybolt and one year older than gerold) - she's honestly just kind of awful sorry . spoiled and vain and selfish like a high school mean girl who goes to nursing school but if you put her in the place of the only daughter of an unbelievably wealthy medieval lord that's given her anything she could ever ask for . while tybolt is heir and the golden boy myrielle ends up being the favourite exclusively off the idea of being a good daughter who smiles politely and sits and looks pretty when they're meeting with this lord or the other . she has a pretty strained relationship with tybolt when they're younger but when they get past being 10 and insulting your sibling over every little thing they end up being really close .

her relationship with gerold on the other hand iiiis . weird . i think they're a little bit too similar in that they like to plot and scheme a little bit and she never really knows what to make of him . they're kind of at odds and while she always has some sense of loyalty to him by virtue of them being family she's never very fond of him, especially after tybolt and his daughter die (which she'd probably believe he's got some hand in).

when you really get into it grrm is notably not very good at telling us exactly what year things happen in this part of the timeline nor is he very in depth with a lot of these targs so a lot of this is going to be headcanon + assumptions etc don't get mad if you're the number one dunk and egg lorehead...

when she's 11 years old she goes to king's landing with tybolt and their father and she ends up engaged to aerion targaryen - which neither of them are suuuper enthused by . aerion because he's a little bit of a child emperor esque horrorshow of a son that holds fast to the idea of the targ legacy and traditions and from what we know about him he'd prefer to marry a sister. myrielle on the other hand finds herself at court and very quickly realizes that She wants to be important and She wants to be special and She wants to be queen so she has a bit of a period where she resents aerion for being a second son of a fourth son (!) and kind of goes well i shouldve married valarr or matarys or even daeron more out of a childish belief that she's owed something that stems from being raised the way she was. her and aerion end up bickering a lot but eventually settle into some kind of acceptance and eventually a fondness for each other in the way only two freaks of nature can . <3

at court she meets odessa dayne (oc + art by chloe), who's betrothed to valarr - they become bestiesss and form a very weird very complicated vaguely homosexual relationship that i don't know how to summarize but i think in some way myrielle ends up wishing she could be odessa's husband . doesn't know how to put words to her feelings that are so different from what she should feel (attraction to a woman) that she ends up kind of taking on a role of makeshift caretaker in the way a husband would - especially when valarr dies later on and odessa is kind of left in the dust at court in favor of her son. myrielle in my mind of much much more fond of her than odessa is of her by virtue of being the kind of person who makes up a complex made up version of their relationship in her mind .

she marries aerion around 208 and instead of being sent off to lys in 209 after the tourney of ashford meadow he's kind of put on house arrest a bit - aerion, myrielle and odessa end up in dorne when the great spring sickness hits (odessa has family business and myrielle + aerion end up tagging along because they have nothing better to do) . valarr dies in 209 and myrielle's dad dies in 210 right before myrielle gives birth to twins anddd well i'll cut the timeline off there for now . sorry anon i could go on for way too long .

she has twin sons with aerion in 210, one of which like in canon aerion insists they name maegor (kid on the left in the first img) and to match she names the other aenys (kid on the right) . funny . by this time given that odessa had a surviving son with valarr she ends up becoming a bit jealous . my son/s should rule etc even if they're like number 234923 in line . raises them to be resentful and ambitious which works for aenys who becomes exactly like she wants but not maegor who ends up being very gentle and kind and trusting . get it.. its funny because theyre like their namesakes but reversed

when she gets a little older myrielle more actively pursues the idea of being queen because these targs just will not stop dying. by the time maekar becomes king she begins to make more and more attempts at convincing aerion to get rid of daeron in advance and really really pushes hard for him to consider himself heir and because he's kind of batshit it works . a strong sense of entitlement between the both of them and a belief that he'd do a better job than daeron when the time comes (very doubtful).

errr.. well in an ideal world in her mind they kill daeron and maekar dies and aerion is crowned after which she also ends up killing him when she gets sick of him or he gets a little older and less nice to look at and one of their sons gets the throne. errr . of course it doesn't end that well . but that's about what i have so far we'll get more in depth one day . <3

#thank u for listening . again!#i like her a lot but the dunk and egg era timeline is going to make me fucking freak it.#why is valarr's birth year listed as Somewhere in this NINE YEAR TIMESPAN #horrendous . anyway .#oc tag #txt #asks #asoiaf #asoiaf oc #dunk and egg #gerold lannister #tybolt lannister

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5ummit · 1 year

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Rumlow & Bucky threatening people with a custom SIG Sauer P226 SCT

At first glance Bucky's gun in TFATWS may not look particularly special or appear to have any narrative significance, but I’m here to tell you that’s almost certainly not the case, whether intentional or not.

I already thought the parallel was fascinating when I first noticed these guns looked similar, but the deeper I dug the more compelling the story got. They aren’t just similar, they’re the exact same gun. Which ordinarily wouldn't be that all that special either, since many people use the same type of gun, but this isn’t some generic off-the-shelf model. In fact, I now think this custom P226 SCT is so unique as to be intrinsically linked to Rumlow, and I’m going to make the case that its reappearance in TFATWS is so remarkable that the gun (and therefore likely Rumlow himself) must hold some sort of significance for Bucky.

Buckle up, I’m about to overanalyze the shit out of this gun.

First, let’s look at the facts:

Out of the dozens of guns seen and used in CATWS, the only person to use a P226 is Rumlow. Even after he loses his customized SCT in the scene above, he's seen with another standard P226 in the next scene, which suggests he heavily favors this model. Side note: Knowing this, my new headcanon is that Rumlow is a former Navy SEAL since P226′s are famous for being beloved and carried by SEALs. Plus, everything we know about him lines up perfectly with that background.

Excluding the Winter Soldier’s P220, no one else in CATWS is seen carrying any SIG handgun model. All other SHIELD and HYDRA agents pretty much exclusively use Glocks, which further confirms this custom P226 SCT is undoubtably meant to be Rumlow’s personal handgun (he’s also seen with this same gun in the scene where they’re hunting Steve down at the mall).

Out of the dozens of guns seen and used in TFATWS, the only person to use a P226 is Bucky. Yet again, no one else in the show carries any SIG handgun model with Glocks by far the most common.

This is the only gun Bucky uses in the entire show. The only other gun Bucky even briefly holds is the submachine gun he takes from one of Selby's goons before dropping it seconds later. Additionally, the fact that Bucky has this gun in two completely different scenes, set days apart in different locations, confirms this isn’t just some random gun he borrowed temporarily in Madripoor, but his own personal gun that he purposefully chooses to carry.

Not only are Rumlow and Bucky’s guns the same basic model, they’re specifically the Super Capacity Tactical (SCT) variant, which is already fairly uncommon, but on top of that and more importantly both guns appear to have the same very specific, very unique customizations to the point where I’m almost certain it’s the exact same prop. While the standard P226 SCT is pure black, multiple parts on both of these guns (hammer, takedown lever, magazine release, decocker, etc) have a silvery finish instead, which you may be able to see a bit more clearly here and here. Some of the parts are reminiscent of the Equinox version of the P226, but it’s not a perfect match and notably the SCT doesn’t seem to have ever been made in an Equinox variation anyway. The most interesting features to me though are the bare-metal front and rear cocking serrations, which again are reminiscent of the Equinox except the rest of the slide is still all black. In all of my research that’s not something I’ve been able to find on any other P226 and is not just a part you could potentially buy and swap out. To achieve that look the slide would have to be very deliberately hand-sanded or machined. This detail, combined with the other custom parts, undoubtably makes this gun one-of-a-kind.

Now some may try to argue that if we look at other Marvel movies we might find that this particular prop has been reused before and this gun is not as unique in-universe as it might seem. Don’t worry, I’ve looked into this too. At least according to IMFDB’s current records, not a single P226 SCT, much less one with these customizations, has ever been identified in another Marvel property. Rumlow’s gun in CATWS and Bucky’s gun in TFATWS are the only instances this gun, or anything like it, has shown up.

Maybe the reappearance of this gun was just meant to be a cool Easter egg for eagle-eyed gun enthusiasts. Maybe it’s meant to be something more. I don’t know and I honestly don’t care. Because here’s the thing, regardless of what was originally intended (death of the author and all that), the facts remain and they paint an undeniably compelling picture of something that has actual narrative weight.

Whatever Doylist reasons this gun may’ve been chosen for Bucky out of the dozens, if not hundreds, of potential options, if we just look at the facts and try to make sense of them in-universe one thing is clear: there’s no way Rumlow and Bucky would both have this exact gun by pure coincidence. It’s not standard issue for SHIELD or HYDRA and it’s not some run-of-the-mill, off-the-shelf weapon Bucky could’ve easily picked up somewhere on a whim. He made a deliberate choice to acquire and carry this gun. And given this custom P226’s extreme uniqueness paired with Rumlow and Bucky’s likely history, there are really only two possible scenarios that I can see:

Bucky sought out and somehow recovered Rumlow’s gun from the wreckage of the Triskelion at some point, making it quite literally the exact same gun.

Bucky tracked down the same already uncommon model and specifically customized it to match Rumlow’s favorite gun (which he would’ve had to have been very familiar with to get all of the details just right).

Either option is intriguing, to say the least. It certainly brings up more questions than answers, namely: What is the significance of Rumlow and/or his gun to Bucky/the Winter Soldier, and why does Bucky care about it so much that he took the considerable time and effort to either recover the original or recreate an exact copy?

[Disclaimer: By no means am I a gun expert, but I did try to be thorough in my research. A lot of my conclusions are based on info pulled from IMFDB, though not all of it. While IMFDB isn’t perfect, as it’s just a publicly run database and not an official source, I’ve found it to be quite comprehensive when it comes to popular shows and movies and its contributors are generally very skilled at identifying weapons. However, if any gun experts think I’ve made a significant error, let me know!]

#bucky barnes #brock rumlow #winterbones #catws #tfatws #catwsedit #tfatwsedit #marveledit #my edit #my words #my meta #marvel meta #[insert always sunny pepe silvia meme]#I'm not saying this is canon evidence of winterbones #but I'm not NOT saying it either #it's been a year and a half since it aired but TFATWS is still somehow the HTP gift that keeps on giving #The Gun

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creature-wizard · 6 months

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Isn't loa same as using herbs and potions and whatever to create a change in your life - gey an outcome, basically witchcraft or magic ?

Witchcraft and the Law of Assumption are similar in that practitioners of each are attempting to affect change in their lives. However, there are notable differences in people's attitudes between these two movements.

Practitioners of witchcraft typically do not hold that you can do literally anything without limitation if you just do it right, and that witchcraft is literally all you need to get anything done. In fact, we often warn against this kind of thinking.

Practitioners of witchcraft generally accept that spells just sometimes won't work out for some reason or another, that may or may not be our faults. Like maybe we did the spell wrong, or maybe there were just too many forces acting against us, or maybe we were just trying to do something that really isn't feasible to accomplish, or maybe we just failed to do the physical work that was needed alongside the magical work.

So for example, many LOA practitioners out there will claim something like, "if you want a job, just assume you have it and when you wake up tomorrow, bam, you'll have it!"

Practitioners of witchcraft, on the other hand, are more likely to tell you something like "If you want a job, don't just think you can cast a spell and have it materialize; you have to actually put out job applications, too."

Witchcraft also doesn't teach this whole solipsistic "you are the main character of the universe, everyone is a reflection of you" thing. In fact, a fair amount of witchcraft involves engaging with (or avoiding) entities that are pretty alien from you; EG, nature spirits. (Though of course, exactly what witches believe about spirits is pretty varied, and engaging with spirits is optional.)

Basically, while these two things may look similar from a distance, once you look closer you'll see that they are extremely different. Witchcraft isn't totally free from problems or anything, but people who start making the level of grandiose claims you see from LOA practitioners aren't exactly well-regarded.

#answered #law of assumption #loa #loassumption #witchcraft #magic

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sailorblossoms · 1 year

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Yet another long post, this time with clickbait-y titles for readability purposes,

Simon has "a type"

Thinking about the ways in which Agatha and Baz share similarities, and how that might lead to the conclusion of "Simon has a type" (which MRB so succinctly summarizes as "better than me") and... I think that's right, but notably: it's not just about dating choices. It extends to other areas of his life. It's also platonic.

I mean, Penny is his type. She's arguably the first person Simon has ever truly loved, the first relationship he forms in which he experiences real love... and she's a very competent person. She excels in areas Simon is interested in. When we meet him, he would tell you he's useless without her. "Better than me" can translate to "I'm a mess and I like to surround myself with people who help me keep it together."

Being traditionally beautiful can be seen as a form of "excelling," especially when you're a girl who is into traditionally girly things (like wearing make-up). Agatha is "prettier than all the other girls" and has nicer clothes and a nicer house, and Simon, who has no fucking self-esteem, tells you "pretty sure she likes being better than others" and likely likes her not despite her being a stuck up; it's "part of the charm." However, liking her doesn't mean he's into her. Simon likes her how he likes Penny: when Simon talks about hating that Agatha is no longer talking to him and essentially "not wanting to lose" her (while, tellingly, not doing shit to prevent this) he proceeds to tell you all about Agatha The Friend. Simon dedicates the entire page to telling you the kind of friend she is where he (very tellingly) should be talking to you about Agatha "The Girlfriend." He never tells you how the fuck they started dating; he tells you how they became friends. What Simon doesn't want to lose is her friendship.

I think "having a type" that applies not just to dating (on top of the heteronormativity of it all and Simon liking to not think at all) would actually make things more complicated for Simon ("do I like them as a person vs do I like like them, platonic attraction vs romantic and/or sexual attraction). Penny, who fits "Simon's type" is obviously like a sister to him. A bestie, a ride-or-die. If you think about it, Agatha is also like a sister – like an older sister figure, in some ways (likely contributing to how wrong it feels, them dating; the more info we get, the worst it feels). She's the "eww don't chew with your mouth open" person, the "please stop getting into trouble, Simon" person. It fits with "helping to keep it together" even if Simon doesn't listen. It must be nice too, because she's not just being judgemental for the sake of it either, she simply cares about him; something Simon doesn't experience often. (More grimly, dating her kinda fits within that too, because Simon doesn't know what to do with himself when he experiences romantic love and sexual attraction, famously not mild or easy to manage feelings – just look at him regularly losing his shit around Baz – and Simon not having those feelings for Agatha helped him exist not processing shit, even though that created other problems).

I would say that both Penny and Agatha are close friends and like sisters to Simon, the main difference being: Agatha doesn't look like the kind of girl you just want to be platonic with, not for boys. It goes against expectations for him to be a boy, to be a hero and not want her romantically and sexually, and Simon cares very much about fulfilling expectations. (Also, these people are British so I'm just gonna say it: Agatha being the lily-white blonde embodying European beauty standards to a degree that's romanticized like there's no tomorrow vs Penny being a brown chubby girl with frizzy hair also plays into it, plus Agatha being weak with magic vs Penny being powerful. Not consciously, but it's part of the design of the stories and roles and expectations that were shaping their lives.)

Agatha "vs" Baz

Sure, they do have similarities, but things that would make Simon simply drawn to Agatha (platonically, although he was confused, heteronormativity, etc) are a turn-on with Baz. It's a turn-on when Baz is a little mean (without being actually hurtful) to him. It drives Simon crazy that Baz is good at everything he does. The things Agatha is good at are not actually interesting to Simon... He's all about magic and one of the first things he tells you about her is that she's a weak magician (while telling you Penny and Baz are powerful) (he even gets distracted with how good Baz is; his life is in danger and he's talking about Baz being good at magic). Going to her activities (like her games) are things he would be "obligated" to do because he's her boyfriend and he's supposed to support her. (In a similar way, he would be "obligated" to be there too with Penny, even if he's not interested in the activity, because he's her best friend, and it goes both ways... which is how Penny found herself stalking Baz alongside Simon at first haha). With Baz, there is no such obligation. He has no reason to go to all his games; he invents silly excuses (that he later admits where "obviously just excuses," he already knew Baz is a vampire etc) because he simply likes watching Baz being ruthless in the field. He simply likes listening to him play his violin. Simon shows interest even when he doesn't have to.

This is something that I picked on during my first read, and the more I think about it, the more I'm convinced I'm right. In some ways, Agatha embodies "female desirability" in Simon's and Baz's POV (she does something similar to them with the whole hero vs bad boy deal). She is "Simon's type," she's very similar to him (they share a braincell, if you will). In short: she seems like someone that Simon would be into... if he was into women. But he's not into her. Paraphrasing the author here: he "has no romantic instincts" and "he never expresses anything sexual" toward her. He likes her and she likes him, sure, but not like that. (Simon equating the way he can see Agatha is attractive to the way his gay boyfriend should be able to see it, Agatha equating the way she liked Simon to the way the girl she wants to jump would like him if she gave Simon a chance) (they share a braincell, I tell you.)

In CO, Simon tells us that he was always just "doing what he thought Agatha wanted." In awtwb, he thinks that he will give Baz "whatever he wants." On the surface, this might look like the same thing, but there are actually pretty notable differences.

With Agatha, in his own words, "he always got it wrong." He "never put her first" (he actually put her dead last, look at his list and the excuses he gives). Doing whatever he thought she wanted operates on assumptions, and doesn't contemplate his own wants. It can also be about guilt over knowing that Agatha, in the role of girlfriend, didn't have any priority in his life (hence she "always feeling like the third wheel" while they dated). Putting it all together, it's pretty clearly a sign of Simon's disinterest. Of Simon being unhappy and not actually wanting to be her boyfriend, because he doesn't love her. Doing what he assumed she wanted then it's a form of just complying, of following expectations and giving in to his role, of perhaps even trying to "make it up" for things not working without ever having to process shit.

With Baz, Simon wants. He tells you that he wants to be the person who takes care of Baz. He tells you that he likes it. Taking care of Baz is a love language (which explains how fucking murder is his love language: protection and proving for him) Simon tells us he can't think about anything else when Baz is unhappy. That it's thrilling to "make it better." "Giving him everything he wants" then it's a sign of Simon's interest. He wants to be with him, and he wants to make him happy, because he loves him. This is also not based on assumptions; it comes in the context of Baz telling him what he wants. Doing what Baz wants then it's a form of Simon giving himself to him, to their relationship, to putting in the work to make it work.

Types of comfort vs discomfort

Part of the differences jumped to me before the goat scene, when we see Baz arguing with Simon over hiding his wings in Agatha's POV, and as soon as she joins in to support Baz Simon gives up. I think a couple of things: it's more of a 2 vs 1, rather than Agatha having more weight than Baz. But also: Simon arguing over (and dismissing) concerns over safety is familiar ground for Agatha, and this comes after he apologized to her over their past together, so I wonder if part of it is Simon listening to her because he feels guilty over dismissing her concerns for safety in the past. Also, and more relevant to this post: Simon feels comfortable with Baz in ways he didn't with Agatha, which is notable given how Baz notes that Simon is comfortable with her in a way he is with few people...

What I mean by this is that Simon did date Agatha in survival mode. "Doing what he thought she wanted" is also survival. Just doing whatever needs to be done to keep the relationship, because is the one thing enabling the HEA fantasy that it's all about "maybe he won't die young and alone" in battle (and because of, again, the heteronormativity of it all). See how breaking up instantly leaves him with nowhere to go at Christmas and without access to adults who took care of him during that period ever since he started Watford. How wanting to break up with her would require him to pursue thoughts and feelings that would result in getting to know things about himself he wasn't ready for, things he didn't feel equipped to handle and that would make his existence in his role complicated, when his role was the one thing giving him purpose (hard enough being "enemies" without being aware he was in love with Baz).

I there's discomfort with both, but with Baz it's the "right" kind of discomfort. The "pushing myself to work through things that should be worked through and process my feelings" type of discomfort, the "getting to know myself" type of discomfort, as opposed to "I don't actually want to do the things I'm doing here" type of discomfort." (Just like how he was the "wrong kind" of comfortable with Agatha while they dated, the: "it's better to not think about anything ever and stick with what's familiar even when it makes you miserable" type of comfort, while it was likely an easy comfort when they were friends).

With Baz, Simon first feels comfortable enough to push and test boundaries before they start communicating. To say stop where with Agatha he likely just turned off his brain and pushed through. And then, he feels comfortable in ways he has never felt before. He feels comfortable enough to begin to think about his desires, his relationship with touch, his thoughts and feelings, which he never has before. To fully be himself in all his fucked up glory. To the point he reveals part of himself you wouldn't think where there when you first read him in CO, that completely re-contextualizes things we saw there even.

#carry on #simon snow #baz pitch #snowbaz #simon snow trilogy #agatha wellbelove #awtwb #i have more thoughts but this is so long #probably for another post #baz grimm pitch #simon x baz #baz x simon

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val-of-the-north · 1 month

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Aldia's human form

I was surprised to discover many people aren't actually aware that the key art of Scholar of the First Sin depicting a bearded man with a crown is most likely Aldia in the flesh.

Now, it may seem bold to just claim this, especially since many people assume that's Vendrick. I mean, he is holding his crown after all! And I get this, they look alike; they are both bearded old men with similar clothes... but I think it's worth pointing out key differences between the two subjects:

When compared side-by-side the differences become rather obvious. The two are wearing completely different clothes, and the character in the key art notably lacks one of Vendrick's more iconic features: his two long braids running at the side of his beard.

The clothing style is also very interesting, as it makes the man look less like a king and conqueror and more like a wizard or priest. The silhouette is more akin to robes! Since he was a magical researcher and seemed to practice strange rituals, this attire would fit Aldia quite well. Other notable differences in their attires include the long sleeves and the seeming lack of a cape (and if there is, it looks really different)

I will admit, their facial structure is quite similar though, but that's easily explained by the fact the two are brothers. It can be missed since it's information only gained from item descriptions.

This also explains why the figure would have a similar style to that of Vendrick without being the king himself!

But I can understand if someone isn't convinced yet. Him holding Vendrick's crown seems odd in isolation, doesn't it? There is a way to explain this though, and that comes from the pattern established by the other DLCs. Their covers all featured the crowns of the old kings. It would only be fitting for the final version of the game to continue the theme with the crown that had yet to be depicted.

And keep in mind, this is the "Scholar of the First Sin" edition, which introduced Aldia as an in-game character rather than a lore-only one. It stands to reason that he would be featured in some way on the cover. Heck, the other key art for the game is one of the Forlorn, who are his creations!

So there, here's my case for why this guy has to be Aldia. I think his design has too many departures to be Vendrick and it just makes sense for Aldia to be featured on the cover of the game named after his title ahahah. These are just my thoughts, but I believe the case is pretty strong.

#dark souls 2 #aldia scholar of the first sin #dark souls #king vendrick #am a bit fixated on this guy sorry #I just think it makes too much sense to ignore #this is also what I used as a base for Aldia's design in one shitpost I made lmao #val-post

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triflesandparsnips · 1 year

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I'm not seeing enough deep-dive nonsense about the new Good Omens season 2 poster drop on my dash, and by god that means I must be the one to deliver it.

For those who haven't seen it yet, behold:

...there's a lot in here to go a wee bit feral over, if one was so inclined, and lord knows I love an inclination.

The Obvious Stuff

1. There Was Only One Bed Chair

This is the bulk of the commentary I've seen, and tbh, it's pretty great. "I am bored/busy and ignoring you but also what is personal space, never heard of her, we will not be taking questions at this time."

Notably, however, this is the second time we've seen them back to back-- the majority of the poster art we saw for the first season had them side by side. In both cases they're in a position to face some third thing together-- the difference, perhaps, is that side by side might imply equality of situation, while back to back implies implicit trust that the other won't stab you there.

2. The bookshop

Aw, look at them. Look at it. What a glorious little mess. This is them in London. Arizaphale looks pleased with the situation; Crowley looks bored af but he's also squished up on that one dang chair, so there's a "cat sitting next to you because parallel play and mirroring are the Best Interactions" feel to it.

3. Tea and wine

Arizaphale's got a teacup, Crowley's got a wine glass, this is very Them and indicative of their Vibes. Tbh, I think this is just a nice bit of design work, but it's worth calling out.

4. The outside street

The shop across the way is using a Gothic and reads "GIVE ME" before being cut off. No clue what it means, but it probably means something.

5. The tagline

The previous tagline we got was "Something's going down in the Up" (with that grey feather falling between their black and white wings)-- this tagline reads "Everyday it's a-getting closer."

Easiest interpretation is, oho, we're getting closer to the second season, and gosh there will be some Plot in it. And sure, yes, it works for that too, huzzah. But leaving aside the "it" and what that may mean-- "a-getting" is a fascinating word choice. It evokes similar constructions like, say, the somewhat obscure "Sumer is icumen in" (a song about the changing of the seasons and also encouraging a cuckoo to go lay some eggs in other birds nests if u no wat im sayin eyyyyy)-- and the significantly less obscure protest song "The Times They Are A-Changin'", whose ending stanza is:

The line it is drawn

The curse it is cast

The slow one now

Will later be fast

As the present now

Will later be past

The order is rapidly fadin'

And the first one now

Will later be last

For the times they are a-changin'

Gosh.

Now the Real Fun Starts

This poster is a composite image (as so many ads are), composed of different bits and pieces to form a whole impression -- based on fun stuff like relative pixelation and whatnot, you can often tell what portions of an image were there to start with, and what were specifically added in after the fact. How packed this poster is in tiny details -- which is exactly where I would hide fun hints to things -- is generally a cue for me to take a closer look, and I have been, I think, rewarded.

1. The books with legible titles

Zoom in on Aziraphale's book-- he's reading Charles Dickens's A Tale of Two Cities. The "two cities" in play are Paris and London, and the book is set before and during the French Revolution.

It's the story of a man who had been previously imprisoned in the Bastille for 18 years, and then was released to go live with his daughter -- who he has never met, what with the whole "imprisoned" thing -- in London.

The opening paragraph is:

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

The pile of books in the foreground have two visible titles: the topmost one is Jane Austen's Pride and Prejudice (a "novel of manners" that's considered a heavy-hitting romantic classic, and also yes the leads are both prideful and prejudiced and it takes an entire book for them to clear that up) and Robert Louis Stevenson's Treasure Island (a young adult coming-of-age adventure story about a kid who finds himself on an adventure with a bunch of pirates to discover buried treasure).

Of note: A Tale of Two Cities, Pride and Prejudice, and Treasure Island also all have note tabs sticking out of them, and are the only books that have them. This is reminiscent of how Arizaphale studied and referenced Agnes Nutter's prophecies.

Some of the books beneath the window technically have titles, but they appear to be about as pixelated as the rest of that section, and so I suspect they're just part of the scenery.

Similarly, most of the books on the background shelves are like that as well, except:

Joseph Heller's Catch-22 (A satirical novel set in World War II; Wikipedia briefly explains that "the novel examines the absurdity of war and military life through the experiences of Yossarian and his cohorts, who attempt to maintain their sanity while fulfilling their service requirements so that they may return home." The book also coined the phrase "catch-22," which is a situation someone can't escape because of paradoxical rules-- in the case of the book, you can't ask to be evaluated for insanity so that you can be exempt from flying dangerous missions, because "anyone who wants to get out of combat duty isn't really crazy.")

Iain Banks's The Crow Road (and a first edition, perhaps? I haven't read it, but apparently it's a Scottish family drama about a perfect murder against the backdrop of the 1990s Gulf War. Its opening line is "It was the day my grandmother exploded." The phrase "the crow road" is a euphemism, in the book, for death.)

Joseph Conrad's Lord Jim (Sparknotes says it's "the story of a man named Marlow's struggle to tell and to understand the life story of a man named Jim" -- a young man who goes to sea, makes a terrible and cowardly decision while following his leaders, and then spends the rest of his life haunted by it.)

There's at least one extra, partially obscured title:

It appears to read "THE BODY ------ and ------", which makes me wonder if it's an anthology of murder mystery short stories.

Leaving aside the uncertain book, commonalities between many of these books include:

soldiers, war, and the horrors/absurdities thereof

doubles and parallels

death and murder

a young/inexperienced protagonist thrown in with more experienced/weirder folk

fragmented and out of order narratives, sometimes having to be pieced together from multiple viewpoints

...pirates

2. The strange but noticeable inserts

There are several images that have been inserted into the poster that -- unlike the teacup and wine glass mentioned above -- don't seem to make a lot of contextual sense and are therefore, perhaps, extra information. These include:

a. the three lizard boys

b. the broken smartphone

c. the matchbox with the quote on the side

d. the camera

e. this statuette that seems suspicious

f. this record and scroll that seem out of place

g. the clockface with the missing hand (which may be just for the Aesthetic, but whatever, I'm including it)

What do they mean? No clue. I suspect it will become apparent as we get trailers and/or the actual show.

In Conclusion

Uh.

Look. Design teams can do all sorts of things for all sorts of reasons. All of this could mean absolutely nothing.

But.

Using my magical powers of bullshit deduction, I might look at all this, and that grey feather falling from the earlier poster, and say... well... the war's still ongoing, yeah? So maybe... maybe there needs to be a new angel keeping an eye on things on Earth. Or an eye specifically on Aziraphale and Crowley.

And that would look SUSPICIOUS, right? So this is an angel who's maybe... a little bit Fallen. For the sake of the Mission. Like, they've agreed to sin just a lil bit, just enough to justify being thrown out of Heaven, and they're not actively in Hell because they're, oh, just stopping off, or maybe just going really slowly, or maybe they were sent back up from Hell because they were still "too good" and all that Pureness of Spirit was stinking up the place--

Whatever. Point is, they're on Earth, they're very confused, it sure would be nice if these very Established metaphysical elders could give them a few hints about how to get on. We'd then get to enjoy a Guide to Living a Totally Normal Human Life given by these two disaster dorks, plus whatever nonsense is derived from, idk, various extraneous plot shenanigans, probably involving a Murder and maybe a MacGuffin Maltese Falcon.

And most importantly: this new angel? Wow no they couldn't possibly be a spy because again WOW, what kind of angel would deliberately Fall? Wouldn't that require doing the wrong thing to do a right thing? ...okay maybe, but can it really be wrong if it was done by command? ...well, wait, it surely must be wrong because otherwise the mechanism wouldn't have worked-- but then, wait, which thing was the wrong thing--

And Aziraphale and Crowley would watch this bouncing volley of cognitive dissonance with great interest, also possibly while holding hands.

#good omens #season 2 #good omens season 2 rampant speculation

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shakingparadigm · 3 days

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idk if your still busy so obviously finish what your doing before doing anything else but do you know how hyuna's prosthetic latches together?? I think theres like a knee-latch on her prosthetic that's a bit father down than her other leg but theres so much going of its hard to tell whats going in that area

Honestly I'm not sure how the mechanics of it would work, especially since there's got to be some weird alien technology or structure at play there. It's pretty different from what a prosthetic leg is like in real life, so it's tricky to make assumptions based on that, too.

There's some stuff I noticed about Hyuna's leg across the various official arts, though. Mostly the fact that it's inconsistent, and I kind of see a reason for it. Please forgive me as I go on a bit of a ramble.

In her original performance outfit the prosthetic is structured almost like it's just a normal leg molded out of metal. It's a lot more solid and is dark in color, almost black. It also seems as if it goes up to just her knee? Maybe it still goes up to her thigh and she just ripped her pants until the knee for better/unobstructed joint movement. It joins at the ball of her knee and seems to be composed of quite a few different parts, somewhat complicated.

In All-In, Hyuna's prosthetic is still mostly of average leg shape. The most notable difference is that the leg includes hollow spaces, most likely thinner parts assembled together as opposed to one solid leg. It's also a different, lighter color. We can infer from this image that her leg is until her upper thigh.

And then we have the latest one. Hyuna's leg in All-In seems to be until her upper thigh, but this image makes it seem as if it goes much higher than that (although it's most likely an artistic choice. maybe I shouldn't look into it too much. I've learned my lesson 😭). But it's interesting how this leg is the most unique, solid and without hollow spaces, but considerably thinner, more simple.

There's also the fact that you mentioned, the latch being farther down in comparison to her actual knee. It's different from her previous prosthetic legs which seem to join at the knee exactly and are much more similar to that of normal leg anatomy. For this prosthetic, her leg doesn't actually latch at the knee, it latches just a bit below it. The prosthetic knee may look a little lower, but it's just the way she's angled, left leg facing left and right leg facing forward.

Maybe I'm overexplaining something that's already obvious/basic knowledge, my bad. Also I'm no scientist, so I could be wrong.

Anyway, the fact that Hyuna's leg changes quite a bit is interesting. It could be a design shift from the earlier production of ALNST to the finalized version, but I personally like to think that Hyuna's leg changes because she replaces it sometimes. Her lifestyle calls for a lot of action, and while her body can heal itself overtime, her prosthetic leg is prone to wearing and breaking apart.

This is how I see it (just a theory/maybe headcanon):

The leg she has in her performance outfit is one supplied to her by the aliens, which is why it looks much more sturdy, more like a true human leg. They're very advanced, so they'd know exactly how to make one that best suits her. Once Hyuna escapes to the rebellion, she doesn't have access to that kind of material anymore, nor does she know how replicate it. So instead she gets creative, taking scraps of metal and joining them together to make another leg, which is why it looks considerably lighter and less complicated. Whenever her leg breaks, she (or someone from the rebellion) creates a new leg from the material they can find, which is why her legs become progressively more simple and less conventionally "leg-like" . It's no problem to her though, and she's very proud of it.

#sorry it took me a while to get to this! I've been busy #also if there's any inaccuracies with how prosthetics work/wrong terms used for prosthetics pls let me know! i dont intend any disrespect!#alnst #alien stage #alien stage hyuna #alnst hyuna #asks

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itsabouttimex2 · 10 days

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Amazing job at writing the new part as always! It flows nicely and you can easily tell how familiar Macaque & MC without making him OOC. Honestly i admire your grasp at these characters and ability of doing something as complex as interactive series. I'm kinda curious how do you plan things and how far ahead but only if you want to share it ofc.

Going back to the actually piece- it actually made me look up the meanings of flowers despite the original thought of it only being because of the color association. Two first flowers have pretty easy and basic meaning. I can see why the edgy (/affectionate) mentor wouldn't want them near his home.

Freesia - friendship trust innocence

yellow roses - friendship, joy and similar stuff

The one choosen by Macaque are a little more interesting.

Tansies - immortality, resistance, "I declare against you", sometimes used in medicine

black dahlias - (warning of) betrayal, sadness, (not specified black ones: dignity, good luck, elegance)

I'm guessing the tansies are about him being bitter about the Wukong and their more practical use. Black dahlias could be about Monkey King but also some kind of foreshadowing depending on our choice. Or I'm reading into it too much.

Hopefully I'm not overthinking it or completely missing the point (and if i am, I'm really,really sorry). Just wanted to share it in case other readers didn't look it up + i know some people like to see their work analysed but if i'm going to far please let me know! Have a good day/night! :]

(Sorry for any mistakes and feel free to delete the ask)

Oh my god, thank you so much! That’s such a sweet thing to say! (Please never stop analyzing my work I put a lot of effort into it💜💜)

🌻🌻I’ll start with flowers: you are right on the money here. Freesia especially are bright and colorful blooms, coming in many different gorgeous colors. Yellow roses are just the same, bright and cheery and so similar to the sun.

And, given that freesia come in orange and yellow… it’s possible the potted plants were a living reminder of Sun Wukong that Macaque finally got sick of and ripped apart. Or he just took advantage of someone else shredding the innocent flowers and took something that Y/N worked hard on and changed it to his liking instead. (Written to be ambiguous as to which scenario occurred.)

Notably, the new flowers not only match his own personal feelings, but even his color scheme! Yellow, then red and black. Twice over do these flowers symbolize him, something he took and changed to make more suitable to his tastes and feelings.

But he’s not the one who takes care of them- no, it’s Y/N who is dedicated to seeing them grow.

His student tending and nurturing the flowers that represent Macaque, while Macaque destroys/allows the destruction of the flowers that represent his student. Huh. Funny.

Okay flower rant done.🌻🌻

Macaque is such an interesting character to write, given that there’s a spike of cruelty barbing out from almost every action he takes. I think a lot of people have forgotten that the man hasn’t had a redemption arc in canon- he displays zero regret for, say… manipulating and trying to kill MK. Or leveling the Dragon Palace of the East Sea. Or assaulting Tang, a strict non-combatant. Or holding Mei’s life hostage.

He doesn’t feel bad for doing any of these. If he does, he’s keeping tight-lipped about it. No apologies. No direct atonement.

And even on the extremely rare circumstance that he’s being “kind”, like deciding to stop torturing MK in Shadowplay, it comes across as almost “I’m bored with you, you aren’t fun anymore.”

He’s not a good guy. So even with Y/N, who he genuinely does care for, there’s this level of manipulation.

Like, he calls Y/N adorable, which sounds nice… but there’s almost a level of victim-blaming to it. No matter how roundabout his words, Macaque basically says to his own student: “If you looked different, people wouldn’t bother you, so let me change the way you look.”

And they trust him enough to agree.

Or letting them cook in fear outside his door when he’s clearly near enough to open it, but dropping the act when they start to break down.

He’s such an interesting character to write ugh I love it.

I had a lot of the routes planned pretty far out, actually, and I’ll give a few examples of what was planned:

Spider Demon Y/N was sort of naive and excitable, but was going to mature/sour after realizing that their beloved queen was, in fact, the bad guy. They were going to have to come to terms with her necessary defeat and their own part in betraying her, as well as living on after you’ve cut ties to your family. Then, readers were going to be able to pick one other henchman to convince to join the heroes.

Dragon Y/N was going to have to both gain Ao Guang’s (their father) approval to live on the surface, and decide how they felt about MK possessing the Ruyi Jingu Bang. They fought using two strings of beaded pearls, utilizing them as whips and grappling hooks to maneuver around the battle field. Also, they hated Macaque. Genuinely throwing hands on sight if they saw that edgy rat.

Heir/Proxy Y/N was going to be a pretty miserable and clingy person, having spent most of their life alone on account of both the LBD and Mayor’s influence. Overcoming their fears and anxieties of being unlovable was going to be a massive part of the journey, learning to love themself and be loved in turn. They were going to have to learn to master the powers forcibly implanted into their body, trying to prevent themself from being sacrificed for power to aid LBD’s onwards path to ‘destiny’.

Ne Zha’s Y/N was going to be cute and polite, very excited to explore the mortal realm outside the grasp of their overprotective mentor/brother. They were also going to have to deal with the first two lotus princes (also overprotective) and Ao Bing, who served as a dear friend.

Sun Wukong’s Y/N was going to be his estranged child who was bitter over ML inheriting the staff instead of them. They were going to despise him for never training them, having to find masters and teachers elsewhere all across the world. In turn, he was desperately trying to make amends and reestablish a strong bond with his cherished progeny, hoping to reconnect eventually.

Also Mei was going to call Y/N “Broth-Face”.

#Time Talks #Choose Your Own Adventure #A Brand New Journey

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steviespanties · 1 year

Text

Steve lets out a deep sigh as he settles next to Billy, their sides pressed together and trapping the heat that builds up between them. He takes a drag of beer to wash away the taste of Billy's come and puts it away just in time for Billy to gain back enough energy to wrap a heavy arm around his shoulders. Somehow, Billy manages to drag him even closer.

"Well done, pretty boy," he purrs into Steve's ear, voice notably rough and satisfied making heat run down into Steve's belly and all the way into his dick. He can feel himself twitch in his shorts.

Billy's mouth travels over his ear, settles right behind it to settle on the sensitive skin with wet, gentle suction. Post-orgasm, Billy is a completely different animal; languid and patient in ways he only gets when he's worked off some of that constant tension that makes him prowl around. His curls tickle against Steve's neck where his shirt has shifted.

It's hard to stay still, with his right arm trapped between them, Steve desperately wants to reach down with the other and get himself off fast and hard. But Billy has a hand free, too, and easily catches Steve's. Leads his fingers up instead and pushes his shirt with them, up up up, brushing his belly and chest and neck till fabric is pushed into his mouth.

His hand is gently, but decisively placed over a nipple. "You know what to do," Billy says gently and hums in approval when Steve's thumb starts to brush over his chest. He gives a brief pinch to his nipple, just enough to feel it harden and send a little buzz through his nerves.

And then there's Billy. Heavy weight leaned against, almost on top of him, smelling of sex and cigarettes and practically purring with contentment. He gives a harder tweak to Steve's other nipple, huffs a laugh at Steve's shocked gasp and then drags his hand appreciatively through chest hair and down Steve's belly. Follows his happy trail right underneath his flimsy basketball shorts with the waistband that's gotten so soft it almost slips off of Steve's hips if he jumps too hard.

There's something exhilarating about another guy's hand wrapped around Steve's dick. Having a hand with similar size, strength and confidence taking care of him. Because Billy likes to touch him. Likes to have Steve touch him too, in ways that make him feel utterly helpless with affection he doesn't know how to express otherwise.

He's so goddamn slick with precome. The shirt barely muffles his moan when Billy's thumb brushes some of it up under the head of his dick and lazily drags back and forth. Steve echoes the movement over his nipple. Feels sweat gather at his temples as he squirms against Billy's hold, delighting in how little he's able to move.

Billy works him in slow, deliberate strokes. Keeps him desperate and just close enough to the precipice till Steve's shirt is soaked with drool and Billy's hand wet from his precome and a nasty glob ob spit he adds. Steve's entire body clenches at that, stomach muscles tensing so hard they hurt at the shock of disgust and fucking lust that overwhelms him at the sight.

Distantly, he's aware of Billy's mouth at his neck. The rasp of stubble contrasted with soft lips. The encouraging hum in his ear at the twist of his own nipple fills him up to the brim with glorious, desperate heat that rises higher with every clever stroke over his dick.

Through half lidded eyes, he watches his chest heave. His hips buck up, seeking out more, harder, faster. Instead, Billy takes his time. It's like he can feel the build up of Steve's pleasure and relishes in every helpless groan and whimper, every drop of precome and sweat he can wring out of him.

Another stroke with an exceptionally skilled twist of Billy's hand and Steve sobs into his shirt. Wishes he could beg. Curse. Anything, to make Billy have mercy on him.

"Such an impatient little bitch," Billy laughs, not unkindly. It's scary how well he can read Steve.

Everything grows hazy. The next wave of pleasure that rolls through him almond pushes him over the edge. He can feel it. His body shivers through it, rides the crest and carries him even higher, till every breath is a labored, desperate whine. Maybe he's crying. He's so warm and safe, wrapped in a haze of pleasure that he knows he can trust Billy with to carry him through.

There it is. A shift in speed. Tight fingers and a rough-knuckled palm drag noises out of him he can't keep contained. His entire body becomes a line of fire and lightning, rides his nerves so hard he shakes and howls as he finally falls over the edge and covers his belly and Billy's wonderful hand with his come. Watches Billy stroke him through the aftershocks, milking his dick till he's so sensitive it hurts.

Billy drags Steve's shirt the rest of the way off and cleans him off as he rests. Tucks his dick back into his shorts and plants a brief kiss against his temple, like Steve isn't supposed to notice that Billy is a big fucking softy. Like he's not being maneuvered to lie down on the sofa so they can cuddle for a while. He hides a tired, fond smile against Billy's shoulder.

#Harringrove #this got a little... Out of hand 🤭

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bokettochild · 5 months

Text

Okay, so I'm writing things from Sky's perspective for the first time in what feels like years (maybe it has been years? the last notable Sky POV I can remember is from Feathered which I finished I year and a half ago) and I have thoughts!

Legend is not the person who resents the goddesses. My boy is literally besties with Din and Nayru, probably Farore too. Who knows about his thoughts on Hylia honestly, but you know who is salty about Hylia? Sky. Sky is so salty about Hylia. The goddesses toyed with him and Zelda like puppets with no cares for how it would destroy them, only that it would turn out how they want. Hylia is the definition of "end justifies the means" in Sky's mind, and he resents her for it.

Sky does not appreciate anyone making any implications that he is dating Hylia, in love with Hylia, or anything of the sort. My man will throw down with anyone who tries to say that Zelda is Hylia. They are two different people, thank you very much! His brothers are not him, and Hylia' incarnations are not her.

Sky finds relief in the Chain because he is not the only hero anymore. On skyloft, he's now an important person, a hero and not just a knight. He did not sign up for this, he's fresh out of school and he is overwhelmed by the expectations and responsibilities that come from being the hero. Being with the chain is a relief because they're all heroes too.

Sky is experiencing burn-out. The sleepiness? Yeah, that's the burn out, Gifted kid burn-out maybe, maybe just exhaustion from the expectations on him, but it's burn out. he's glad no one gets on him for it now. The others laugh at it a bit, but no one thinks he's lazy and it's nice to be allowed to have his rest without consequences now.

Sky is more used to talking to Fi than anyone else, so he's developed certain ticks and cues that he used on Fi to express things (like asking her to stop talking or to redirect her when he wa suncomfortable), but which don't translate as well to talking to Hylians. Most of this is because it involves fidgeting with his sword, not an acceptable method of communication between friends.

To continue the above, Legend, who also talks to Fi, DOES catch some of the ticks because he uses them too. Different, yes, but they're both pretty similar on that front (to the point it's nostalgic for Fi when she talks to Legend because he reminds her of Sky). Does this mean that they understand certain cues the others don't even notice? Yes. They don't even realize they're doing it but it's part of how they've learned to get along already; because they use similar communication styles that no one else does so it adds a whole different level of easier communication between them.

Sky has trouble with communication with Time specifically. he's wary about discussing some topics (their adventures, the goddesses, his sword) but also just struggles to read Time in general.

Sky admires Twilight's connection with Epona and views their dynamic the same way he would a fellow knight and their loftwing.

Sky is a bundle of unresolved and unprocessed issues that he hides under soft smiles and copious amounts of affection.

That's all for now, but yeah. Sky's got more depth than I'd initially thought and my gosh this boy has so many emotions? So many issues too, I don't know if he'll be recognizable compared to the sweet sleepyhead I usually write him as, but I kinda like him being more... mature? Aware? I like him being like a real young adult still finding his feet in the world :)

#linked universe #linkeduniverse #lu sky

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belamew · 9 months

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What other “special” line of Eevee are there?

I'll try not to list too many! There's many more than the below. Each eeveelution has MANY different lines.

Vaporeon:

Royal - Notably a deep, royal blue color. Their face fins don't have the ribbing structure holding them up, so it drapes next to their face instead. 7/10. Doesn't really lower their quality of life, but their face fins are a lot more delicate and easy to tear. Fine if pet-only, but not battling.

Lotus - Often more green in color, but not exclusively. Their key feature is with their tail fins, splitting and overlapping. 4/10. Makes swimming harder.

Flareon:

Charcoal - black flareon! Unlike shinies, albinism and melanism can be bred for. 8/10. Just a good ol flareon with dark fur. Score would be higher, but there's some issues with in-breeding, which isn't as bad of a problem anymore thank god.

Oh My Fluff - yes that's the actual name. They're bred to have more brown fur and are EXTREMELY fluffy, looking more like an eevee. 2/10. Their fur is HELL to manage and while flareon are fluffy, the fur on the their torso is typically short and not long. This messes up their heat regulation. Susceptible to heat stroke. How do you mess up so bad that FIRE TYPE can get a heat stroke???

Jolteon:

False shiny - bred to have that greenish color of a shiny. Not an actual shiny tho. Fairly easy to breed due to color variation and p harmless tbh. 9/10. I kinda don't care if they scam people lmao. Quality of life doesn't suffer genetically.

Elegance-Style - distinctive trait has their usually spikey fur draping down instead. 10/10. Looks goofy, but a p harmless line. This line is weaker fighting wise tho.

Jolteon in general actually has p okay lines.

Since I'm NOT AT ALL being brief, more below the cut for the other eeveelutions.

Espeon:

Lavender-Point - you may see this trait on other Pokémon, but the "point" gene gives Pokémon darker fur on their face, ears, paws and tail(s). This line has darker purple at those points. 10/10, entirely harmless. Looks cool. This gene shows on eevee! Although at that point it's a darker brown or black, not lavender.

Twin Tail - has a fully split tail! While typically harmless, I've heard of breeders splitting the tail a birth if it doesn't have a perfectly split tail :( 5/10

Snow - an albino espeon! Contrary to popular belief, not all albinos have red eyes. This line is noted for having white fur and blue eyes. 3/10 because this line often ends up with bad hearing issues and are very sensitive to the light... which isn't good for an espeon.

I've honestly got SO many more on espeon.

Umbreon:

Moonlight - selectively bred to have have very pale, nearly white yellow rings. Very pretty. 9/10. Linked to odd lethargy? But they're just a little more lazy and sleepy.

Starlight - another albino! Pure white fur, purple-blue eyes. Rings are tactile visible but are also white and not very noticeable unless it's dark. 5/10. EXTREMELY sensitive to the sun. Tends to have eyesight and hearing issues.

Halloween - their rings are more orange than the per usual yellow, more noticeable canine fangs. Bad history with being used in illegal, to-death fights. Wildly believed to be more aggressive, but this is false. 8/10, bad history, but not a bad Pokémon.

Umbreon and espeon face less issues than sylveon. The feelings involved to evolve are a LOT less strong than the ones needed for a sylveon. Emotional manipulation tactics aren't typically used on them. They're usually just treated well.

Leafeon (has the least amount of lines):

Bright Eyes - blue or green eyes! Not... really much else to them. 7/10 for eye sight problems.

Spring time - hybrid line! Often crossbred with other grass types, specifically flowery ones, to get leafeon with flowers. 9/10, doesn't typically cause issues.

Glaceon:

Princess - noted for paler, bluer coloration (similar to a shiny). The ribbons on the side of their head swirl in a curl like pattern. 4/10. They tend to have pretty bad joint issues, especially when they get older.

Snow - surprisingly, not an albino! White fur, very pale baby blues where they should have darker markings. 9./10, very pretty. Sensitive to sunlight.

Both leafeon and glaceon have false shiny lines.

Sylveon:

Flower - their bow is feathered into a several splits, forming a full circle that looks kinda like a flower. Their coloration tends to lean more peachy.

Butterfly - two sectioned bow that looks like a butterfly wing. They lean more purple in coloration.

No rating. The lines themselves don't have genetic issues, but the trauma they're put through is 100% not worth it. There's very, VERY few breeders that do this ethically. I do not trust a SINGLE sylveon breed line except for albinism and melanism since those are popular for ALL eeveelutions and don't require strict sylveon/sylveon breeding.

I could honestly talk about these breed lines all day. I see them a LOT at the daycare.

#pokeblogging #irl pokemon #bela.txt #eevee #eeveelution

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