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#then second sketch i start looking at references
jcwdrawskinda · 11 months
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So I've been seeing Danse in Minutemen outfits and I just really dig that.
Also I want Preston and Danse to be friends please.
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sideeve · 10 months
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PINK + WHITE | with 42!miles and 1610!miles
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— how he knew he was in love with you.
42!miles x gn!reader | 1610!miles x gn!reader IF YOU ARE OLDER THAN 17 , GO AWAY ! !
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he creased his jordans for you.
“hey! slow down!” he yells, chasing after you. “hurry up! we’re gonna be late.” you giggle, taking off. for being the prowler, he was starting to grow tired.
“i don’t understand why you’re running so fast.” he grunts.
as cliche as it is, he tripped over a pebble, falling. but he wasn’t mad that he almost got hurt. it was his shoes. he creased them. for you.
“they were limited edition!” he screams. “i’m gonna beat your ass when we get there.”
but he couldn’t. your face was too cute to hurt.
you smiled as you munched on your burger and fries.
“you gonna eat yours?” you point to his untouched food. but he wasn’t paying attention. you amazed him. how could you be so cute when you just did something oh so cruel.
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you let him reference you.
“miles?” “hm?” he hums in response, not looking at you. just scribbling away with his marker. he had a cap in his mouth that he would briefly chew on to concentrate.
“how much longer do i have to sit here? my body is getting tired.” you moan. “just a second. you’re doing great.” he smiles at the paper.
at first, he was supposed to sketch some anatomy drawings for his art class. but he got carried away. there was multiple sketches of your face scattered around the paper.
every time he looked up at you, his heart warmed. you looked so beautiful. and it was unintentional. you just had it like that.
“you’re doing a lot of staring and not enough drawing, miles.” you giggle.
his cheeks heat up. “uh…yeah. sorry, i needed to see something.” he clears his throat. you are forever burned in his mind.
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birbs89 · 1 month
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cool things and interesting stuff I saw in the new spooky month episode and just me obsessing over it lol
WARNING!: major spoilers for the new spooky month episode
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I really liked Father Gregor because honestly his design is cool in my opinion and I liked that even though he's a priest who in other shows I've seen are almost always made as good and flawless people but in spooky month Father Gregor still has his flaws especial his flaw with how fast he went to blaming Skid and Pump for being the ones who caused Moloch to be freed (there kinda at fault but c'mon their kids)
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also Moloch has to have my FAVORITE design for a demon I've seen in media I love how he has the hooves like one's that goats have since how much goats are associated with demons, I adore the furnace type of thing seen on his stomach, and I like how his hands and claws look
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and also because Moloch created in my personal the funniest scene in the episode when he panics when his name is revealed to Father Gregor by Pump
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also some things about Moloch possession it seems that he can just posses anyone he decides to posses and that he can also posses and control multiple people at a time and when he is not possessing a body he is either in his demon form or in a liquid form
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final thing about Moloch is that I kinda feel bad for him for some reason (I think it's just because of how sad Skid and Pump were when seeing that Father Gregor killed him)
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also feel incredibly bad for Dexters mom poor girl had to experience the loss of her son and then be lured and killed by the same demon who was the reason her son died
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also can we PLEASE give Lila a break poor girl is going through actual hell
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Pumps eyes seem to only be blue when he's in a very dark area
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and I think from the implications and things Father Gregor said I think Skids father is dead maybe dying sometime when he was in the cult
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love how Ignacio just without a second thought shoots Moloch and I think the scene is a reference to Silent Night, Deadly Night 2 specificality the Garbage Day scene since he shoots Moloch right after putting down a garbage can
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also speaking of Ignacio I think he might have been an ex cult member since the picture frame where he's holding the birthday cake I think that might be Skids dad also holding the cake with him and if he is a ex cult member it explains why he's boarded up and barricaded his house since they might have tried to kill him in the past
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father of the year award goes to John (also Jack) because of how caring this man is to comforting Skid and Pump when they start thinking they aren't good enough and are a problem to their parents and of how much a good father he was to his daughter
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love every scene we got with Patty during this episode (also she's very pretty :])
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also thought this guy with the briefcase was a reference to Doug from the Fnaf movie lol
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also it's revealed in the ending of the episode seen on the NewGrounds version of the episode that the two thief's and the Candy Dealer are apart of the cult so I guess I was right about them having something to do with the cult in my theory
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also we get to see the spider monster we saw in a sketch Sr Pelo posted (can't find and if I did couldn't add it since image limit:[) I think it might be the main villain of the next episode and It seems to be in some way connected with the mannequin/Skids dad from the mannequin theory (if it's cannon idk) since at the end of the episode the spider picks the mannequin up and looks at it
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we get to see the The Eyes of the Universe in this episode and I was right in my theory that he was located under the cults mansion since we see the cultist take Father Gregor their to be sacrificed in the end of the episode
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also Roy seems to be losing it at this point
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cherryredstars · 4 months
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1K Prompts
Pairing: Miguel O’Hara x gn!artist!reader
Warnings: Fluff
Summary: The beauty in art. 
A/N: Based on this request.
Word Count: 1.2K (Unedited)
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He was more than just displeased. 
He was tired and aching, muscles sore from a long day. The ache became more prominent as he was forced to hold his ridiculous pose. But no matter how much he huffed and puffed, he would hold it until you gave the okay for him to move. He guessed it wasn’t so bad. From here, he could see your side profile. Could see the lidded look in your eyes as you sketched onto your canvas, mouth slightly parted. Your eyelashes would flutter so beautifully as you blinked, the dying sunlight illuminating your small art room and making your eyes glisten and hair shiny. You could produce beautiful art, but Miguel would never find anything more beautiful than you in the process. 
Another one of his huffs caught your attention, and you turned to him with a smile and laughter in your voice. “Miguel, I told you it would take a while. Stop complaining!”
He glared at you teasingly, shifting again but stopping when you glared back, “Can’t we just continue again tomorrow? I’m tired.”
Sympathy filled your eyes and you gave him another small smile, “I’m almost done. A few more minutes, I promise.” 
Miguel sighed, staying in his position obediently. True to your word, you sketched a few more lines onto the canvas before thanking him. His muscles relaxed instantly, going to leave your art room to go to bed, but was stopped at the door when you gave him a quick kiss to his lips and thanked him again. He hummed against your lips, his body sagging as he told you not to stay up too late working. You gave him a dismissive wave of your hand and he went to bed. 
____________________________________
For the next few weeks, every second of Miguel’s free time at home was spent in your art studio. You had insisted. Something about the handiness of having a live model to reference when it came to shadows and lighting and everything and anything under the sun. It was definitely better than posing, seeing as he was allowed to just lounge on your studio couch and do whatever he needed to do. It did get annoying every now and then when he had something important to work on, forcing him to carry things from his home office into your studio and then back out at the end of the session. But it brought a smile to his face every time he complained and you whined, “Please? I just want to spend time with you too. I like spending time with you.”
He likes spending time with you too. 
Today was one of the rare days where Miguel didn’t have anything to work on. He simply laid on the couch, watching you work. Your brush was feather light on the canvas, picking into a pile of paint and transferring the coloring onto your work. Every now and then you would clean off your brush, a soft ringing filling the room as the brush handle knocked into the glass of water. The peacefulness made him sleepy, and he picked at a loose thread in your couch pillows. 
“How come you won’t let me look at the painting? Is it bad?” He asked, the last bit covered in teasing. 
You smiled at the canvas, eyes briefly flicking to him before you continued working. “The process of every painting is ugly. That’s why we say ‘Trust the process’.”
Miguel snorted at your answer, clearly dissatisfied. It made you laugh and you shook your head as you decided that you were done for the night. Maybe a day and a half more of working and you would be done officially. Your eyes flicker over to the calendar you keep on the wall. Perfect.
You walk over to Miguel helping him off the couch and guiding him out of your studio so the two of you can start on dinner before going to bed, giving him a kiss on the cheek. 
“Trust me, it’ll be worth the wait.”
________________________________________
It’s snowing, Miguel realizes as he sits in the living room. He can see it behind the tree you have put up, fuzzy white dots falling from the sky. The air smells like your cooking, warm spices filling the house. He can hear you approaching from behind him, and he doesn’t even flinch when your hands suddenly fall to his shoulders.
Your hands massage the muscle absentmindedly, following his gaze outside of the window. “It’s snowing,” You point out, and he hums and repeats it back to you. 
You seem to light up as you stare at it, squeezing his shoulders one last time before approaching the tree. Miguel watches you silently, brow raised in question as you grab one from the back. You check the tag on it to make sure it’s the right one, before walking back over to Miguel. You perch yourself onto his lap, handing him the present.
His arms wrap around your body, holding the wrapped gift in his hands before the two of you. He squeezes you in his arms, shaking the present slightly, before you place our hand over his to stop him. 
“Gifts are supposed to be after dinner, hun.” He reminds you, and you roll your eyes at him. 
“I know. But I think now is the perfect time for you to open it.”
It’s his turn to roll his eyes at you, smiling as he carefully uses a claw to cut through the tap and unfold the decorative paper. From how he opened it, he’s first revealed to the back of a canvas. On the back is your signature and the date, and his fingers trace over it before he slips it over. His breath gets caught in his throat as he stares.
It’s the painting of him that you were working on. He’s in your art room, glowing white highlighting his frame as he lays there. His face is towards the window, where snow is falling. His eyes are shiny, and the smallest smile graces his lips. He traces over each detail with his hand, smiling down at it. 
“You like it?” You ask him, your hands playing with the hair at the nape of your neck. 
He nods, turning to you and leaning up for a kiss that you gladly return. You’re smiling against his lips, and you kiss the crown of his head when you pull away. Miguel nuzzles into your neck, setting the painting down on the coffee table so he doesn’t break it when he traps you into the couch. You laugh as you fall, Miguel laying on top of you and planting kisses up and down your neck. 
“I love it, thank you.” He whispers into your skin. But then, he’s pinching your sides as he gives you a small glare. “But don’t think I didn’t notice you made me do that stupid pose for nothing!”
You burst out laughing, shoulders shaking as you throw your head back over the arm of the couch. “It wasn’t for nothing! I’ll have you know it was a great inspiration. Kept me very motivated.” 
Miguel raises a brow, a large smile on his face. “Great inspiration was it?”
You nod, smile growing bigger as you agree, “The biggest.”
Miguel hums, nodding his head before he’s tickling your sides until you can't breathe. 
“Inspirational my ass!”
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shepscapades · 4 months
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GOD DAYUM
So the part 5 thing huh? Welp IT'S GOOD I LOVE IT
Because X is my blorbo I just wanted to point out some things here
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MMMMMMMM HE HAS LONG HAIR??? I mean *looks at my posts* long hair fits him absolutely [Still not sure if he has long hair or not but looks like he has his hair tied in a ponytail or in a bun, I don't know it just looks like it on the second image]
[oh and also he called him "Doc" again, instead of Docm which I don't know what could mean in this situation yet, but one day it'll probably make sense as we get more parts]
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This Etho right here looks either terrified or confused, and I think it's because
X is going to go absolutely crazy and he's scared that X is now in control [based on the "you dropped your crown king'' caption that might refer to Etho who isn't the attacker anymore but could also refer to Xisuma which I'll explain later]
or
2. He finally snapped back into his senses
or
3. he sees X without his helmet for the first time and his good 'ol computer brain is like '??????? Who tf is that"
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"you dropped your crown king" could also refer to X as his helmet got destroyed in process [being the crown] and from what I know, we don't know the reason for why X wears helmet in this AU. The most popular headcannon for his armour and helmet is that he's a voidwalker and can't breathe in the overworld, we don't know if it's a thing in this AU but if it is that could mean that now he's powerless, he "dropped his crown" - he became weaker, powerless against his enemy. Also Doc looks kinda scared, or maybe just surprised after seeing X's face for probably first time. [if he's scared, then he's probably aware of Xisuma's condition when it comes to air]
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NESTLE CRUNCH
But also poor Doc he looks horrified
ALSO
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*looking for lore through old posts* huh these seem familiar... WAIT
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AND THE DATE THOSE WERE POSTED
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[it's in Polish sorry, but it says 13th October]
SO THE COMIC HAS BEEN SKETCHED OUT SO EARLY?? Damn those really take long to do, I mean I was aware of that fact but It's been like 3 months since those sneak peeks have been posted and WOW THAT'S A WHOLE LOT OF MOTIVATION YOU HAVE HERE SHEP
[also only now noticed how in this panel Etho's body sketch is red as a sign that he's the danger in Doc's eyes and Xisuma's is green/blue. Oh and in the first sketch X didn't have his hair visible in the visor hee hee ]
So yes, loved it, even if there were only 3 images I still think it's amazing ! We got to see your Xisuma a bit [he- he handsome -makes big eyes]
Sorry for the long ask again!! just!! excited!!
Now I'm going into my drawing cave as I'm full of inspiration already bye bye <333
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(also also to reiterate, I have no idea how long part 6 will take since I just kinda have rough storyboarding for the rest of the comic, and classes just started up again— this is my exhibition semester so most of my drawing energy will be prioritized for my grad gallery… we will wait to see how much energy I have left by the day for destruction :3)
ALSO ALSO ALSO! “You dropped your crown king” was absolutely me trying to find a silly caption for what’s supposed to be a serious/dramatic part of the story while also referencing the fact that Xisuma’s helmet shattered/fell off— there are many conspiracies and clues to be had here but I just wanted to clarify that that line is not one of them SFKDFGHJ
I will therefore also not directly respond to anything else being discussed here BUT thank you as always for sharing your theories and analysis!! It always makes my day >:D
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lowkeyrobin · 2 months
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MCYT with artist reader and like R makes them art all the time weather it's using them as an art reference and having a bunch of doodles of them, or painting full portraits of them, or like painting pictures of their pets🪩🩷🥹🛸
ooooo I'm an artsy weirdo so here you go!!! thanks for the request ; also this is the day I figure out the ufo emoji existed
MCYT ; artsy reader
includes ; tommyinnit, tubbo, ranboo, badlinu, nihachu, quackity, & foolish gamers
warnings ; language
masterlist
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TOMMYINNIT
bro u got a whole sketchbook dedicated to doodles of him and his character versions in mc smps (dsmp, osmp, etc)
you love painting him in watercolors 🫶🫶
you made him a watercolor portrait thing with the HTBAB logo behind him, freddie & jack
he treasures the art you give him
literally frames it and hangs it on the wall or puts it on the shelves in his office
sometimes he'll take a picture of them and posts them w ur consent to show off your talent
"look what y/n made me 🫶" or "now wtf why can't I have this kind of talent?"
will chill out with you while you're drawing/painting etc
you go over to his parents house ONCE and make a family portrait + the dogs for them
that painting hangs above their fireplace, his parents look at it everyday
he does little drawing competitions with you on stream just to bond with you a bit and make you laugh
like the "we go back to school" video, the paint gets everywhere because of him LMAO
will straight up show off your sketchbooks on stream too
TUBBO
absolutely loves that you draw him
and the fact you have so much q!tubbo and sunny fanart 💔💔
he hangs all the physical art up around his house
you made a little oil pastel portrait of you two with tommy, freddie & molly under you like they were your kids 😭🙏
it hangs in a frame in his background so everyone watching stream can see it
he absolutely loves your character designs and your art style/s
you straight up animated the life by the sea music video as a little present for his birthday
took 5 months but you got it done 💪💪
genuinley rewatches it a million times
he posted it to his YouTube as well to show off your talent
adores watching you draw/paint in silence
and he loves posing for you to help you get a good reference
beware cause he'll start complaining after 30 seconds
RANBOO
absolutely loves showing off your art and praising you for it
you've made them so much genloss fanart
you even made them a few channel banners, especially after the rebrand (and they will never change them ever again omg)
gives you a bunch of ideas for drawing
you love drawing the lanky d!ranboo and gl!ran especially w the mask and wide arrangement of wires and stuff
you made a textured painting of genloss!ranboo and it sits on one of the shelves in his office
he's obsessed with touching it and feeling the paint
its like feeling the hours of work you put into it, something just for them
also loves posing for you
they will get so extravagant and unique with it LMAO
FREDDIE BADLINU
anything you make for him is a treasure
you made a little portrait of him and his closest friends, and it hangs on his bedroom wall where he can see it constantly
shows off your art and totally praises you for it
does silly poses for you to reference
you've made him a couple screensavers and stream starting soon pages
he absolutely loves your color pallettes good god
Freddie in acrylic paint>>>>>
"guys look at what my amazing partner made me today 🫶❤️"
sends you links to Instagram shorts or whatever to little crafts/ideas if you're having artist block
he finds a notebook full of sketches and random blurbs of/about him when you get bored and shit and have nothing better to do
absolutely head over heels because the fact you spend so much time making art of/for him, omg
if you bleach-paint shirts yk damn well he's wearing whatever you made him 24/7
NIKI NIHACHU
absolutely loves your character designs for her characters, they're all so unique and different and she loves it
your designs of osmp!niki are her favorite, considering she's literally a mermaid
the art you make with all her tattoos and piercings>>> omg
either totally adorable or totally badass
"more biker! niki bc she needs to learn how to bike rn... @/nikinihachu"
"amazing as always y/n/n 🫶 maybe I will..."
loves just quietly watching you do your thing
her and watercolor paints will never not be perfect
you make a whole mural for her because you got bored...
it's an abstract kind of goth-ish mermaid kinda thing on one of her office walls, and 'nihachu' spread across it in white, kinda cursive lettering, it's amazing
always making silly little doodles of her too
ALEX QUACKITY
cant even comprehend how talented you are
he always sees you drawing him and painting him and he's like "bro go touch grass u spend too much time thinking about me"
you also made a textured painting for Tiger
it's his prized possession, he loves it to much
almost broke down and cried when you gave it to him
loves looking at all the little doodles, drawings and character designs
his favorites are the ones of him with dynamic arm poses, even if you think they're bad
he thinks it adds a lot more personality and makes him look better LMAO
he loves and appreciates that you spend so much time on something about/for him, and so often as well
he looks so good in gouche paints that's all I'm saying
and in a kinda graffiti style as well omg
FOOLISH GAMERS
absolutely adores all the art you make of him
he'll even pose so you can get references and shit LMAO
him and watercolor paints... lord
AND COLORED PENCILS
any painting you've made for him is hung up on the wall
loves seeing your character designs for his dsmp/qsmp etc characters
he also shows them off online and points out all the cool things you've added and shit
even if it's just simple doodles of him, you'll add a splash of color w a marker or highlighter and he thinks it looks so awesome
you have post it notes all over your wall thatre just doodles of him and shit
you painted his shark logo on a giant canvas for him for a YouTube video
like 59 hours later you completed it and gave it to him as a birthday gift
he doesn't shut up about it after that
literally brags about it like he's a 15yo who just got a girlfriend for the first time before all his other friends
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dailyhatsune · 2 months
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hi! not exactly a request but i do wanna ask, whats your process when you're rendering more paint like art? (if that makes sense, English isnt my first language so apologies hdskhsjdbd) i really love how you use the colors and im curious how you do it :0
i’ve been meaning to answer this one for a while so here’s how i painted miku in today’s post (put under the read more because yeah prepare for a long post
i’d also like to preface this by saying that i never follow a set way of doing things, so in terms of what my personal process is like, these are only broad strokes of what i do! sometimes i’ll combine or skip parts entirely, depending on how i feel. also, this is not a tutorial, just how i do things, so please don’t treat it like one :’D this will read like the ‘how to draw an owl’ picture if you do
first, like every artist, i sketch. more specifically, i’m getting an idea of what i want to paint later on. this could be how a scene is set up or in this case, how a character is posed. here i’m not concerned about details or getting everything perfectly, i’m only planning how the thing will be composed. maybe a lot of canvas size changing, or adjusting what miku’s doing (note how busted miku’s right hand looks from all the transforming!) however, i still have to be concerned with how clear the sketch will be to future me, because the sketch won’t be any good if i can’t read what miku’s doing
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after that, i lay down a flat gray under the sketch, mainly focusing on giving miku a clear silhouette. this is also a good time to make adjustments to the composition on the fly if i suddenly feel like something can be improved upon, like shortening miku’s left arm from the sketch!
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after painting a flat silhouette, i start shading in grayscale, focusing only on lighting. i usually do it in two passes, one for the lightest and darkest tones i’ll use (not black and white) and then a second for midtones to blend them better with the base gray but i forgot to screenshot the result of the first pass 🗿 nevertheless, here is where i can start adding some amount of details. i’m not including any extra accessories yet, just focusing on the base design of the outfit and the character herself (for anyone wanting to draw characters from That Gacha Game, this is how i personally make the process more bearable for myself.) i still use the dark gray to separate where certain details (like the facial features and fingers) begin and end, mainly to make colouring more bearable later.
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now here’s where i get the Good Colours. it’s a cheat lol. i put a gradient map layer over the grayscale painting so that there’s a little bit of color to start. some gradient maps can be applied as is, some need the layer settings adjusted to make it look good. this one, for example, is a (free) gradient map set from the csp assets store that needs you to set the layer opacity to 20% and to set the blending mode to color to achieve this result. in general, i tend to pick which gradient map i want to use based on vibes, or basically whether i want the work to be warmer or cooler, colour-wise. but this does do quite a bit of lifting for the colors in my stuff.
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and then, finally, i add the colours. i add flat base colours in an overlay layer. at this stage, i’ve made the character silhouette clear enough that i don’t need to refer to the sketch anymore for what miku looks like. also, the gradient map layer does its magic by making the shading a bit more vibrant than it would’ve been without it. after that i paint over with a new layer to add details like the lace.
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and then i put some extra shading on top. basically this is where the ‘better lighting’ happens. again, this isn’t a tutorial, so i’m not here to say what each part of the lighting is, but i’ve labeled which layers do which job. in other works where the lighting within a scene is more defined (from a window, from a small crack in the walls, etc) the glow dodge layer may be more opaque and sharper, but since this isn’t a work with that, the lighting was applied using an airbrush. the linear burn layer is also there to make the whole thing darker so the glow dodge doesn’t end up oversaturating miku. i also usually match the lights to the vibe i want, and use a complementary color for the shadows. so here you can see i have warm colors on the glow dodge layer, but light purple on both the linear burn and multiply layer.
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and that’s it for the character—here’s a gif showing how each layer adds to miku! (sorry it’s so toasty)
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as for the background, depending on the complexity, it may go through a similar process, or if i can settle with flat image backgrounds, i just go for that. it’s ok to use external image materials. i didn’t have a background in mind for this miku in specific, so i got some default csp materials and threw together something
and that’s about a rough overview of what my process for more finished works looks like! again, art is a fluid process so i never specifically stick to certain steps all the time, and you shouldn’t either. i can probably answer why i’d pick this colour over another in one particular work, but it’s something that kinda has to be learned on a grander scale. i think everyone can already feel what colors work with what atmosphere or what setting, even if they can’t immediately explain why. colors and composition do take some level of experimentation to find what works best!
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ohforfluffssake · 2 years
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Jacob's No Pressure Guide to Learning How to Enjoy Art Practice
DISCLAIMER: I own none of this. All of it is just an abridged version of the Drawclass (link: Drawclass 04/29/2022: Jacob's No Pressure Guide to Learning How to Enjoy Art Practice - YouTube). Please watch the video for the full experience, context, and nuance.
So, recently Jacob Andrews from Drawfee taught a class on how to practice art without putting too much pressure on yourself, and honestly, it was excellent. Do give it a watch if you're also facing a wall in getting started on art practice (also subscribe to their channels and support them on Patreon for more excellent content :D). Since I don't really have a good memory for basically anything, I did what I usually do to memorize stuff: I made notes. This blog post is basically just for me, but I'll be glad if it helps other people too. (again, all credit to Jacob and Nathan for the excellent Drawclass).
The Rules
Rule #1: Pick any 5 days during the week to practice. Take your break days whenever you want.
Rule #2: Set a minimum time for each day that is easily achievable. Continue drawing after that only if you feel like it. 
Rule #3: If you miss a day, it doesn’t matter. Just try again the next day. (Avoid thinking of it as maintaining your “streaks”)
Rule #4: Do NOT try to do a good job (Practice is INPUT). The only judgment you get to make is if you drew or not.
Rule #5: Focus on something you want to improve on each week. It can be as general or specific as you want it to be.
The Schedule
Day 1: Draw from imagination to the best of your ability
the aim is to get warmed up and also to get a baseline for the week
Jacob’s Example: Jumping poses, 15 minutes
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Day 2: Speed sketching 
numerous and fast drawings from reference
Fast is subjective, whatever feels comfortable for you (the upper limit is 3 minutes, Jacob does 30 seconds to 1 minute)  
Not going for detail, just capture the structure and vibe, as fast as you can
No need to even save it
Jacob’s Example: 10 minutes, ~1 minute for each reference photo (reference photos from Pinterest)
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● Nathan’s sketches from the same reference photos:
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Day 3: Reference drawing
Pick references (the number is up to you) and spend a little more time with each one
Capture details and complexities this time (like if day 2 was poses, then in day 3, try to capture musculature or folding of clothes etc.)
Doesn’t have to be a one to one copy, you can stylize
Another thing you can do is lower the opacity of the reference image and place your sketch over it to see which areas need improvement. In case of Jacob’s example, he mentions that the torso and legs are too short (areas of improvement which he was already aware of, so in general he tries to keep those in mind while drawing).
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Nathan’s sketches from the same reference photos: 
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Day 4: Style study
Take a look at how professional artists portray the topic you’re studying
It helps you to develop shorthands and your own style
Pull up references and try to imitate to the best of your ability
Can also draw over the reference pics to understand the shape language and flow (but don’t simply trace the drawing)
Also try to notice shapes made by the negative space
Basically don’t mindlessly copy, this is “active copying”
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● Nathan’s:
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Day 5: Draw from imagination again
Put together what you learned throughout the week
Compare with day 1 (hopefully, you will notice improvements)
Changes will be incremental, don’t be discouraged!
Jacob’s example: 10 minutes of free drawing:
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● Nathan’s:
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I hope this was helpful. Good luck with your art practice!
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flowerandblood · 1 year
Text
Girl with a Pearl Earring
[modern! photographer • Aemond x female]
[warnings: dirty talk, domination, sexual tension, fluff]
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[description: Aemond is a photographer dealing with works referring to the painting of the old masters. His sister poses in class for a girl who catches his attention. He decides that she would be a perfect model for one of his photos. Lots of sexual tension and slowly built fascination.]
Part 2 - Magdalene with the Smoking Flame
Part 3 - Ophelia
Part 4 - Lady with an Ermine
Part 5 - Rokeby Venus (End)
* English is not my first language. Please, do not repost. Enjoy! *
_____
It's been a long time since there was such a beautiful model in a painting class as Helaena Targaryen. With her fair, almost white hair, slender, fair face, snub nose, and blue eyes, she looked like an angel. She was able to create an amazing hairstyle with her combed braids.
The students and the professor decided to dress her in a blue gown, borrowed from costume designers from a nearby theater, in the style of seventeenth-century French fashion. Behind her was a large yellow background falling into the shade of warm gold. Even as herself, sitting half-profile towards them, she looked like a painting.
She had a great connection with her right away and they talked a lot. She knew that Helaena was the daughter of the dean of the university, a famous furniture maker and sculptor. Their entire family was famous for their strong commitment to the arts. She knew that Helaena's brother, Aemond, was in the fifth year of photography.
She was in her second year of painting and knew most of the people in his major - they often traded lecture halls - but he was always completely withdrawn. She had never seen him talk to anyone, he was always the first to leave the classroom.
Several girls from her year tried to flirt with him and get his attention, but their attempts ended in total failure. Still, she felt it wasn't fair that they were talking about him behind his back after being rejected. She tried not to express an opinion about him, because she didn't know him.
Even though it was known how Helaena got this temporary job, no one held any grudges about it because she bravely endured hours of posing without flinching. She decided to paint her portrait in the style of the Italian masters, starting with a monochromatic underpainting, applying the color with glazes in delicate layers. She was just starting to apply color to her face, making the character's face seem to emerge from the sketch around it.
The professor called a break and everyone got up to stretch a bit. Helaena stepped down from the platform and approached her, wanting to see how she was doing, as usual. She was delighted to see that the work was slowly moving to an advanced stage.
"What you do is amazing. You have real talent!” She said with her hand over her heart, playing with the chain. She smiled warmly at her.
They were talking for a while about ways of painting and different types of portraits when suddenly Aemond entered their room. He was looking for his sister with his eye, and when he saw her he walked towards her, greeting only the professor on the way.
"Ah, Aemond, thank you." Helaena said as he handed her apparently her own phone. "I had completely forgotten about him. Come closer, do you want to see how beautiful my new friend paints?” Helaena asked happily and she looked down in embarrassment. She guessed he didn't want to, but out of politeness he came over and stood behind them.
He literally said nothing. She glanced at him uncertainly over her shoulder and met his intense gaze which almost scared her. She blinked and opened her mouth slightly, then closed it, wondering if she should say something. She turned her head away, swallowing softly.
"Beautiful, isn't it? It makes me look like a baroque countess." Helaena said happily, looking at her brother.
Aemond only grunted, nodded, and stepped around her easel as he left the room. She looked at Helaena slightly shocked, but she seemed completely unfazed by his behavior.
"Is he always like this?" She asked quietly, wondering what had just happened. Helena laughed.
"Yes, he is very economical with words."
***
She entered the painting room first. She liked to look at her paintings from a distance before going back to work. When she looked at it with fresh eyes, she suddenly noticed all the mistakes she hadn't seen the day before.
It immediately caught her eye that she had painted one of the eyes a little too close to the nose. She immediately grabbed the brush, mixing the paints properly, wanting to fix it without even waiting for the model to show up.
She heard someone enter the room and, thinking it was Helaena, greeted loudly. Surprised after a while that no one answered her, she leaned over the easel and realized surprised, that her brother was standing in front of her.
Aemond, as usual, was dressed all in black. His black turtleneck emphasized his slender, long face and long, blond hair partly pulled back. He looked at her expectantly, as if he wanted to say something. She blinked, wondering what he might be looking for here, and suddenly it dawned on her.
“Helaena hasn't arrived yet, she'll probably be here in a few minutes. Should I tell her something?" She asked softly and smiled warmly at him. She decided that she would not be guided by the opinion of others and would form her own opinion about him.
Aemond turned his head, staring out the window, his mouth tight. He tapped his fingers on the sill as if thinking hard. After a moment he looked at her suddenly.
"Pose for me." He said indifferently, looking at her with a stony face. She sucked in a breath, completely taken aback by his proposal. She blinked, putting down her brush, looking at him curiously. She's never stood on the other side, modeling for someone.
“I take photos stylized as copies of paintings by old masters. I'd like you to pose for me as a Vermeer Girl with a Pearl Earring." He explained, apparently wanting to make it clear that he didn't mean the act or anything else that might seem inappropriate to her. She smiled widely.
"Very willingly! That sounds great. Will I also have to prepare the appropriate costume for this?" She asked, clearly excited, stepping closer to him. Aemond stared at her, surprised by her energy.
"No, that won't be necessary. I'll get you something." He said looking at her face thoughtfully. She blinked.
“I can sew well, and a lot of photography is about making the fabric look real. I can take care of it, I used to sew some historical costumes as a hobby.” She said lightly, looking at him expectantly. Aemond stared at her, clearly amazed at her commitment. He didn't seem to know what to say to her for a moment, because he hadn't expected such a pleased reaction.
“Well … if you want, of course, you can sew something. I'll bring something too. I will book a photo studio for next friday. Will you make it by then?" He asked softly, clearly appeased by the way she was acting.
"Yes, I will."
***
She was incredibly excited about his proposal. They exchanged phone numbers in case the studio was busy that day or needed to contact each other for other details about the shoot.
She had no idea why he chose her or what he saw in her, but she was very pleased that he wanted her to pose for him. She always dreamed of being someone's model, and she knew he was a talented photographer.
His pictures were really miniatures put in huge frames, almost like paintings. His photos, although colorful, had a kind of noise and blur that made the photo look old. He probably used special plates and exposure methods for this, but she wasn't very familiar with it. However, she knew that he was great at capturing the moment, chiaroscuro and color. There was something painterly about his photographs.
She spent one afternoon wandering around second-hand clothing stores where fabrics could be found cheaply. She was pleased that she had found everything she needed.
When she got home, she turned on her sewing machine, sewing a brown blouse for herself, and what she couldn't sew on the machine she sewed by hand.
She looked at herself in the mirror, looking at the effect of her work and decided that everything looked great. The fabrics she chose were soft and draped smoothly without looking artificial. She suddenly realized that she was missing the most important thing - a pearl earring. The pictures were to be taken the very next day, so she texted him quickly, scared.
[Y]: "I completely forgot that I need an earring, and I can't buy anything at this hour!"
After a few minutes, she saw that she had received a reply.
[Aemond]: "I was able to find a virtually identical pair of earrings at one of the pawnshops. I also have some fabrics if needed."
She took a quick portrait photo of her reflection and sent it to him along with the message.
[Y]: "I don't think any additional materials will be necessary."
He didn't write back to her for a long time. She got scared that he didn't like what she had created and started to worry. She jumped as her display lit up and she got a new message.
[Aemond]: "Well done."
***
She entered the studio at the time stated, looking around. Aemond was already inside, apparently adjusting the lighting. He just glanced at her and went back to working on setting the lamp.
"Close the door." He said coldly. She dutifully did as he asked and placed her backpack on one of the chairs against the wall. She took out all the materials she had prepared. She looked at him uncertainly.
"Can I change somewhere?" She asked quietly. Aemond looked at her in surprise and cleared his throat.
"Yes, you have a small storage room on the other side." He said, pointing to the opposite side of the room. "The door is open."
She nodded and quickly walked into the small room. With resignation she found that there was no mirror in it. There was no problem with putting on the shirts, but she had some issues with tying the bonnet and scarf.
Resigned, she poked her head out of the door, searching for him. He was looking through the camera at the place where she was supposed to be sitting.
"I need your help. I can't see if I tied it properly." She said pointing to the fabric on her head. Aemond motioned for her to come closer.
"Sit down. Here, like this.” He said, turning her with his hand, so that her body sat in profile to him. When he touched her with his large, cool hand, she shivered.
She watched him from below as he busied himself with tidying up her headgear. He glanced once in a while at the printed reproduction of the painting on the floor in front of him to get it right.
After a while he seemed pleased with the result. He handed her a pearl earring, and she put it on, empathizing with the person she was about to be. Aemond pulled away, took the camera in his hands and looked through the lens.
"Turn your head slightly towards me. No, not that much. Oh, that's right. Open your mouth slightly." He said matter-of-factly and suddenly she heard the sound of the camera shutter. Aemond pursed his lips.
"Don't look at me with such terrified eyes. Relax." He said and she swallowed softly, squeezed her eyes shut and tried to pull herself together.
This time she tried to keep her gaze soft. Aemond took the picture again. He pulled back and looked at her thoughtfully. His gaze was intense and he seemed to be thinking about something.
"Lick your lips." He said suddenly. She shivered at his words and looked at him in surprise, thinking she had misheard.
"What?" She asked quietly. Aemond looked at her expectantly.
"Rub your lips with your tongue. So that they shine." He recommended.
She felt her heart pounding. She blushed, ashamed and pursed her mouth, not looking at him, her tongue running slowly over her lips. She looked at him and saw that he swallowed softly.
He walked over to her and lowered the material of her shirt so that it showed more of her neck. She felt his fingers brush over her bare skin and gasped, wondering if he had done it on purpose. She looked at him and saw a shadow pass over his face.
"Yes. Look at me like that." He said, looking quickly through the lens. She lowered her eyes, embarrassed, feeling the tension in her whole body.
"Don't look away. Look at me. That's how you're supposed to look at me." He said in a tone that conveyed some kind of arousal and desire that made her shiver. She looked at him, her eyes hazy and slightly dreamy.
"Open your mouth." He ordered in a low voice, and when she did, he immediately took a series of photos of her.
"God, yes. Just like that." He said with a delight that made her even more embarrassed.
She lowered her eyelids, feeling her cheeks burn, pressing her lips together. Aemond looked at her with a mixture of admiration and something she couldn't name.
"Pose for me more often. I will pay you." He said suddenly and she looked at him surprised. She swallowed loudly.
"I… you don't have to pay me." She spluttered, looking away from him, looking down at her hands. She didn't know what was happening to her. She could feel his intense gaze on her, her heart pounding like crazy.
"Is that all?" She asked suddenly without looking at him.
Silence answered her. She heard him swallow hard.
"…yes, that's all." He spoke low, with a note of unreasonable uncertainty in his voice. She nodded and got up without looking at him, heading to the room where her things were.
She took off her costume and only now felt her hands tremble. She wondered what had just happened between them. She felt as if something inexplicable, artistic, intense and sensual had developed between them.
She left the room as soon as she was done. Aemond looked at her, obviously tense, looking at her expectantly. They looked at each other in silence.
"When can I see the result of your work?" She asked softly and saw him flinch as if he was thinking of something completely different, and her question brought him back to earth.
"On exhibition in two weeks." He said calmly, looking away. There was silence between them for a moment.
"Shall I go now?" She asked quietly, not knowing if he needed her for anything else. He looked at her in surprise and hesitated for a moment.
"Yes…yes, thank you, you can go." He said low. She nodded, said goodbye and left, closing the door behind her.
***
Aemond and she hadn't spoken to each other since the photos were taken. She saw him stare at her as they passed, but neither of them dared to speak. She wondered if he felt what she felt then too. She thought resignedly that his proposal was probably already out of date, but she had no intention of pestering him.
Helaena encouraged her to go with her to the exhibition. She had lost her will, but what Helaena said shocked her.
"Are you kidding? Your photo is at the center of his part of this exhibition. In the middle of the wall, in a beautiful frame, spotlit, the rest of his works are on the walls on the sides. This is probably his most beautiful picture!”
She blushed at her words and bowed her head. Her words made her feel that despite her fears she had to see it live.
What he saw on the other side of the lens.
That evening, she and Helaena arranged to meet outside the hall. She didn't want to go there alone, knowing that few people she knew would be there. She was grateful that she wanted to keep her company.
They went inside together, there were a lot of guests inside, talking intensely about something. The exhibition consisted of a series of works by several artist photographers, including Aemond. She noted with interest that her painting professor was also among the crowd.
At the very beginning there was a speech by the patron who funded the exhibition. He talked a bit about the assumptions of the exhibition, their artists and the works themselves. After it was over, as people rushed to fetch glasses of wine dispersing to explore, she saw with a lump in her throat what Helaena was talking about.
On the other side of the room hung her portrait. She had to get very close to it becasue photography was small in size, about the size of a notebook page.
The photo was slightly hazy, but sharp at the same time as if you could feel the air that was filling the studio at the time. She was delighted to see that indeed, the colors of her outfit perfectly reflected the saturation of those in the original painting.
She felt both awe and shame as she looked at her face. Her glossy lips were gently parted as if she was exhaling softly. Her gaze was warm, hazy, full of some unspoken, intense feeling.
She gave the impression that she wanted to say something to the viewer, as if she was already opening her mouth to say the words. She thought it was indeed a great photo and barely recognized herself in it.
She swallowed hard as she saw that indeed, her gold-framed picture was the only one on the main wall, the rest of his work was more closely spaced on the side walls. He clearly made this work the focus of his exhibition.
She looked curiously at his other works, and saw that they too alluded to the works of the old masters. She flinched as she heard a low voice behind her.
"What do you think?" Aemond asked, standing literally inches from her. He was so close she could feel his hot breath. She looked at him over her shoulder, confused.
"It's beautiful." She said softly. Aemond looked down at her, his gaze dark. He took a sip of wine from his glass, looking at her searchingly.
“I agreed with my professor on the subject of my diploma thesis. I want you to pose for me for female portraits like this one." He spoke calmly and matter-of-factly. She opened her mouth in surprise and blinked rapidly.
"I… I'd be very happy if I could help you." She said softly and smiled warmly, trying to control her facial expressions and her trembling heart.
Aemond looked at her intently. He pursed his lips, apparently debating whether or not to say what he was thinking.
"Be my muse."
_____
I decided that I wanted to write something that would be a one-shot and I came up with this idea. I really like what came out of it and I'm curious about your opinion. Let me know if you'd like it to be a mini series with other paintings in the background. If you want to be tagged, leave a comment below. ♥
@zenka69 @melsunshine @opheliaas-stuff
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ashersanity · 5 months
Note
I know you're a whitney enthusiast but please drop some messed up jealous corrupted sydney.
🤲
- 🤡 Jester
pft, don’t you know that I’m also a sydney enthusiast too, jester? or more like johan is.
if you haven’t already seen this post, involves corrupted yan!syd, if so then, I’m still willing to write for you a few snippets of my stupid ideas.
cw! mentions of violence, blood, non-con, burning, possessive and abusive behaviour, shitty rambles
I think.. I may have unintentionally made sydney terrifying, shit.
jealous c!sydney that can’t help but look in your direction, across from the library counter as you chat away and giggle to kylar’s sketches. their now ex-childhood friend smiling to themselves, proud to be the one responsible for that precious laughter. amber eyes narrowing at the sight, grip tightening, not even realizing they crushed the pen in their hand before a droplet of ink drips down to the carpeted floor.
jealous c!sydney’s fist that doesn’t hesitate to meet whitney’s face the second they openly refer to you as their ‘slut’, the two school mates now thrashing and squirming around on the ground, attracting quite the crowd. the bully sauntering off with a pissed look on the face, utterly humiliated that they lost to sydney of all people. seriously, the bastard is gonna get it once they’re alone again, mark their word. obviously the fallen doesn’t care, for they have you to now tend to their wounds that whitney left behind.
jealous c!sydney who purposefully sends blowed kisses your way whenever you sit at robin’s table during lunch time. of course, they’re petty like that, wants the stupid orphan to know that you’re their partner first and foremost, the one who took sydney’s virginity. enjoys the change in the other’s features, a slight frown forming on their face as they watch the initiate walk away.
jealous c!sydney who insists on marking you, leaving ‘subtle’ traces of their existence across your body. starts randomly nipping at the blade of your shoulder at times, softly claiming they’re only being playful, right? that’s what lovers do to each other sometimes, right? for it is too late once they’ve written their name down on that exact spot again, in bright red letters, unable to be missed by any filthy fucker who tries to get their hands on you.
jealous c!sydney who’s now tugging at your wrist, sneaking you inside the prayer room, insistant kisses sloppily left all over your mouth and face. god, they need you, they really do. wandering hands not stopping despite your protests, tears pricking at the corner of your eyes and flushed cheeks, begging them to stop. lost through maddened lust, no driven wild by their all time high jealousy, does not listen, only ignores your frantic pleas.
jealous c!sydney who now has a torch in hand, shrill screams echoing through the isolated room as the burning fire meets your flesh, forever ingraining themselves into you. warm arms finding their way around your trembling frame, cooing you sweet nothings, reassuring you with kisses as if they didn’t just burn you. burnt your skin, irreparably leaving their mark behind. you won’t leave them after this, not ever.
“oh, my beloved,” sydney murmurs against your ear, tracing the length of their finger across your cheek, smearing fresh blood along the skin. the same one they’d cup at while you two kissed, familiar warmth now replaced with something else, something more.. sinister. darker. “don’t you understand? we belong to each other now. as one.”
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pomrania · 17 days
Text
Starting to work on the bestiaryposting thing for this week, and I had to get this out of the way first.
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Like, it's not even that funny; but part of my brain is convinced an this is hilarious.
So as you might gather, I'm interpreting this creature as a cat. There's a larger variety that lives in forests, and a smaller variety that "roams around in houses"; presumably both of them eat snakes and mice. Plus there's a mention of carrying their young around.
I don't know WHY there'd be any confusion about their reproductive behaviour if it includes "the domestic housecat", like people THESE days end up witnessing cats mate or give birth, and we live a lot more distanced from animals now than in medieval times; but I don't have any better ideas plus I want to draw some fluffy cats. Or maybe that bit of the bestiary was meant to be "can you BELIEVE some of these wacky misconceptions"; "some say that" gives you SO MUCH wiggle room.
I'll be using "pictures of Norwegian Forest Cats that I looked at for a few seconds because they're cute, then I closed the tab" as reference, mostly from the mention of "forest"; like I know they don't get THAT large, but shhh let me imagine Lorge Floofy Kitter.
If I'm drawing something that's mostly a cat, I don't need to work out what the anatomy might be, so that means I'm going to be thinking about what kind of pose and composition. I have some ideas, but you never know if something's feasible or not until you actually sketch it out.
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randomyuu · 7 months
Text
there's a lover in the story, but the story's still the same
Ahh, don’t you love it when fear motivates your drawing mood? (not really)
That’s what I felt reading the scene that is drawn below. It’s fear for Yuuji but also feeling excited picturing an emotionless teen!Gojou so here I am. Always down bad for Vox’s Goyuu fics, aren’t I? *sighs*
Welp, here we go.
Title: there’s a lover in the story, but the story’s still the same
Author: @voxofthevoid
Second fic of the series there’s a lover in the story, but the story’s still the same
Pairing YuuGo, NSFW, please read the tags carefully before giving it a read... the usual drill ∠( ᐛ 」∠)_
!!! SPOILER FOR THE FIC !!!
Highly recommend you guys to read them first. Or not, it’s up to you honestly :v
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Usually I would gush about the fic but I’ve already done that under the fic itself so I just want you to know this comic is solely carried by me wanting to draw the ticking time bomb called teen!Gojou-post-discussion-with-adult!Ieiri. You could probably guess what they’re talking about :”)
The fear for Yuuji’s well-being started this, but Satoru’s cold eyes kept me going. I can’t get rid of it from my mind lmao
You can say drawing these kind of expressions is my jam   ( ̄▽ ̄)
I hope I did Satoru’s emotions justice haha
A bit of my thoughts and doodle below. Unhinged maybe, it’s midnight, I got more work to do after this, and my brain cells are barely hanging on. Haha I'm living the life-
I AM STILL REELING FROM THE FACT I MANAGED TO GET THIS DONE.
There are so many things I want to talk about in the process of making this. But after I typed it out, most of them sounded so unnecessary so I rewrote it a few times. I tried to make this as short as possible lmao
Typesetting and sketching are the roughest parts of this project. During these stages, I kept feeling everything I did wasn’t doing the scene enough justice, and it was frustrating. As I planned this project, I read a few doujins and noticed the font types scanlation teams use. There are so many of them, and each helped convey the tone of each image. Felt like crying when I realised I’m not knowledgeable enough to apply good typesetting, ngl. And then the interior design. Fuck, the frustration is so real. I am absolutely clueless about this kind of thing. Tracing lots of references because I have no perception of space makes me feel even worse. I knew first times rarely create a masterpiece, but I was not satisfied with my accomplishment and the feeling of failing to fulfil my own expectations hurt.
BUT.
Thank goodness most of the things I need to draw are Shouko, Yuuji and Satoru. Because dear g o d drawing them healed me. I found so much comfort in drawing Shouko’s long hair and Satoru’s eyes and drowning Yuuji in an oversized hoodie. The comfort zone of character drawing never feels so real lmaooo
Drawing them was so effective that I can look back at the backgrounds with acceptance. Hey, I did it! Not perfect just yet, but I did it!
Haha I feel like I’m losing my mind. I don’t know if it’s in a good way or a bad way. Guess I do have one or two screws loose.
Only for Yuuji lmao
(nah I just need sleep, or cooling down from the rush of having finished this)
It might come off as a surprise if you’ve only seen my art on Tumblr, but I’ve always preferred to draw feminine-leaning ladies. I’ve always loved drawing their curves, whether it’s the figure, the clothes, or the (long) hair. But I’ve grown to like drawing masculine gentlemen as well with their sharp edges and straight lines, and now my ladies start to look more androgynous lmao
Anyway, I was pretty stoked to be able to draw adult!Ieiri! I… I kind of miss drawing long hair so here have some more before you go on your day ∠( ᐛ 」∠)_
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catwyk · 3 months
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(notes and comments next, tumblr will not let me add a cut no matter how hard i try!!!!!!! killing and maiming!!!!)
silt verses wips, some will get finished and some wont :p which is which?? who knows !!! not me !!!!
1) thurrocks and faulkner on their quest to the endless drear, with jasp, tapper and wallace in the background (or at least thats the idea). most of my time on this one has been spent adjusting values on the hills in the background, and its absolutely too vibrant and green for how i imagine the scene lol theyre also really shitty hills if you look at them for less than a second so. dont do that please LMAO
2) faulkner in his katabasian garb, sat in a river for to maximise his solo slay. this one is kinda old atp but the design hasnt changed much. ive mentioned the open-mouthed epaulettes referencing the mouth delivering/returning before, but the green uhhh idk thing is dried and woven seaweed :) the rest of the robes will be more decorated with abstract woven patterns and embroidery if i ever start working on this one again
3) now THIS is the relgious faulkner that was giving me brain damage a couple days ago, that ive since realized wont be fixed with the ideas a couple people offered because of the perspectice. its pretty obviously mimicking a guillaume dufube sketch intended for a ceiling that i absolutely love. the parts ive produced, im really happy with, but i cant work out the composition fully so its gonna be abandoned at least for a while. not to mention the absolute misplacement of a sky motif. its one of those paintings i wish i had thicker/oil paint or gouache style brushes on medibang for
4) my mercer design!! heavily inspired by paleoart from various sources. everything she and gage have is organic, except a very few, like her sheath (oblong metal with a leather "cap" around the tip of the blade, a real ancient design i found references for on google) and her rifle. the original image also features gage playing their flute while squatting, but both of those things are hard poses to draw and hard to find refereces for, and im not willing to put in THAT much effort god lord i draw for FUN if its hard im giving up baby
5&6) snare dog!!!! i love these silly guys but i dont like this design, its too wolfish and i imagine them sorta borzoi/greyhound aligned. i also dont like the way the face opens, since i imagine that as more of a twist. i do like the flopping tongue though and i liked the half assed rendering
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Text
You Call It Madness But I Call It Love
Chapter 1: You Shouldn't Have Answered The Door
Pairing: Soldier Boy x f!reader, Reader POV
Summary: When the reader left Payback 40 years ago after a falling out with her childhood best friend she never looked back, but when two men show up to her apartment and start asking her questions about the past, the reader begins to think those things can’t stay hidden and starts to question what’s real and what’s fantasy.  This is a re-telling of The Boys Season 3, where the reader is a supe who's known Soldier Boy since 1927. The chapters will fluctuate between past and present. This is chapter one of my "You Call It Madness But I Call It Love" series. (I'm so bad at summaries please forgive me!)
Word Count: 3.6K
Warnings: References to sex, Cursing (once or twice), Soldier Boy might be, is, really, absolutely, a little OOC,
Note: This is told from Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. If you don’t like, don’t read, but if you do like, you’re my favorite!
Internal Monologue is in first person and is in italics
Masterlist
Chapter 2
******************************************
Present Day
Your head rests against your forearms on your desk, jerking upwards as a loud rhythmic knocking assaults the front door of your apartment.
What?
You think to yourself, rubbing your face with your hands. Your sketchpad was laid open on your desk beneath your head, the rough sketch of an egret bowing its head along the bank of a small pond splayed over the page in shades of gray. It would be the first in your new series of nature paintings that you would be unveiling in a month.
At least I didn't poke my eye out with the pencil. You think eyeing the sharpened point of the pencil that was dangerously close to your face a few seconds ago.
You turn your wrist to glance at your watch and note the time. It was an antique, square faced and strung on a simple black band, a reminder of a past life that you couldn't bear to part with.
Who would come see me at 8:00 am on a Monday?
For a minute you try to remember if you'd received a call from the curator of the gallery downtown, or if there had been a meeting or a lunch with your agent to discuss your next installment of work, but nothing comes to mind.
When you officially retired from being a hero you decided to become a full time artist, a hobby you had since you were a child. You hadn't expected it explode. You had enough money from your heroing career to live several lifetimes, not unwelcome given the fact that you couldn't die, not in the traditional sense at least, so art was supposed to just be a way for you to off steam. But you were happy with your life now, a lot happier than you had been when you were a hero on Payback. The thought of your previous employment with Vought sours in your mouth followed by the unavoidable thought of Ben that you push down with a well practiced sigh.
You didn't feel like reliving all that over again right now, though you knew it would probably happen later. It came in waves, especially at night when you found it difficult to sleep, the melatonin wasn't working, and all you really wanted was a hard drink.
Sobriety sucked.
The knocking persists, rattling around in your head like a bee trying to get out of a plastic cup.
"Fine. I'm coming." You shout standing up from your desk and making your way from the wall that serves as your studio towards the front door of your apartment, while trying to rub away the line the page made on your cheek.
Your apartment was the one extravagance you allowed yourself. Despite the amount of money you had, flashing it had never been a priority even in your hero days. The apartment was open concept with exposed brick walls, tall North facing windows that angled away from the inside and jutted outward over a raised wooden floored area that served as your studio. A large modern kitchen sat just to the right of the front door with stainless steel appliances, on another wall a tv hung above a leather couch and held a dark hallway that lead to your bedroom and the guest bedroom, the other walls were covered in your work, and the final wall held several bookshelves with art supplies and your vinyl record collection. A collection you started forever ago and that continued to grow with each passing year.
Need to get another bookshelf. You note looking at the limited space that remained.
You look through the peep hole in the solid metal apartment door. A tall dark haired man wearing a Hawaiian shirt and a black duster and a thin younger guy with brown curly hair stare back at you.
"I don't want to buy any girl scout cookies." You shout through the heavy metal of the door.
The younger guy snorts.
"y/f/n y/l/n?" The dark haired man asks an accent tilting the ends of his words.
"Who's asking?"
He pulls out a badge, holding it up to the peep hole. "I'm Agent Butcher, this is Agent Campbell. We’re from the CIA, here to ask you a couple of questions about Soldier Boy."
At the mention of Ben's hero name you pause. You had avoided thinking about your former best friend as much as possible over the past forty years. Your relationship with Ben was complicated, the final few days you spent together even more complicated than the early years.
It hurt to compare what your life with him was like before you both became supes to the life you had together after. You had grown up together, forced into close proximity because your parents were friends and then became best friends yourselves. You stayed friends, before you both got injected with Compound V and a few years later moved on to Payback together. You were the only person able to keep Ben in check and as violent as his temper was, he didn't like to cross you. You were the only person who knew the real him, had been with him longer than anyone else. Not that he ever admitted that to you or admitted that he cared about you, but you thought somewhere deep down that he had to, felt at least something for you.
That was the problem. You were in love with him, cared deeply about him, cared more about him than anyone else you'd ever had in your life. On the night you finally slept together you were happy, you thought he felt the same way, and then the next day at his premiere you found him in the bathroom with Countess bent over a sink. The fight that followed had been your resignation from Payback and also the reason why you weren't there when Ben died.
Your jaw clenches together at the memory, followed by guilt. You were always there for him, you had his back just as he had yours, but the one time you hadn't been there-
You open the door to look at them. "The singer?"
"What?" Agent Butcher looks confused.
"The artist? Soulja Boy-" You arch a brow feigning confusion. "Because honestly I don't understand why the CIA would be asking me about that."
“No.” Agent Butcher holds up a photo.
You keep your face impassive. It’s a photo of Ben and you at a movie premiere the week before he left to go to Nicaragua. Both of you were standing in your supe suits, your own was a sleeveless black one piece suit with purple embellishments that traced from the sides of your ankles and stretched up under your armpits, while a dark hood covered your head and a black mask hid the bottom of your face. You always thought you looked more like a supervillain in it, but you were thankful that it hid your identity. It was so long ago, but you still remember that night clearly. The ridiculous movie, the afterparty where everyone was so tipsy and the smell of alcohol burned against your nose, and finally when you went to the bathroom and found Ben and Countess together, the immeasurable rage followed by heartbreak that you felt when you saw them.  Not to mention the fight that followed when Ben trampled all over your heart and stated that you meant nothing to him.
“You’re here to talk to me about my mom?” You flit your eyes back to the two men standing in the doorway, easily slipping into the lie that you and Legend invented.
“Your mom?” Agent Campbell looks confused.
“Yeah. Indigo? I mean y’all can come in if you want-“ You open the door wider, understanding that they won't leave, before you begin to move towards the kitchen. “I apologize in advance. I’m not quite myself, I was up late working.” You pause halfway into the kitchen. “I’m going to make some coffee, you guys want some?” You eye the man in the black coat. "Or tea?"
“Coffee is fine."
You find the coffee filters and shuffle through the cupboards to find a bag of coffee, still trying to wake up. Staying up late wasn't unusual for you. You tended to find the urge to create in the wee hours of the morning, not to mention everything that happened in the past kept you up.
You open the bag of coffee to smell the grounds, thinking that it will wake you up, but as soon as you do the smell of Agent Butcher and Agent Campbell washes over you.
You could smell the compound V in their veins pumping through their bodies with every beat of their hearts.
So, they're supes. You think to yourself, pouring the grounds into the coffeemaker. Which means they probably aren't from the CIA.
Despite the realization, you weren't worried. Your particular ability was a well-kept secret, a secret that only Ben knew despite you being on Payback. Stan Edgar and the others had believed that "Indigo," the hero name assigned to you, had enhanced strength and senses, but it was more than that. You had an ability that, if brought to the public, would probably land you in a government facility. Laying low had it's perks, your freedom was one of them.
You watch them begin to walk around your living room examining the artifacts of your new life, the one you crafted when everything fell apart. There wasn't anything in the living room to arouse suspicion that you were the original Indigo. The only remnants of your past life that remained were in a wooden trunk at the back of your walk in closet, hidden behind a collection of paint splattered overalls almost identical to the pair you were wearing right now.
"You've got a nice place." The younger guy says looking around.
"Thanks. It's rent controlled. I got lucky-" You fiddle with the coffeemaker to buy yourself some time.
Why were they here to ask me about Ben? It had been 40 years, hardly seems relevant now. And why were they pretending to be CIA?
"You're an artist?" Agent Butcher asks, staring at the canvas sitting on an easel by your desk. It was a collection of multicolored dark greens that swirled together, flecked with pieces of gold that shone in the brilliant sunlight from the wall of windows where your studio was.
"Yeah. And I tend to paint my best at night. Hence the coffee" You turn, placing your hands on the island to face the two men.
“You’re really good.” Agent Campbell says examining some of the canvases on the wall.
“Thanks.”
“So your mum eh?” Agent Butcher turns to look at you. You note the smirk on his face and incredulous raising of his brow.
He doesn't believe me. Hard not to. I don't age.
“Yes?” You raise an eyebrow to challenge him
“You look a lot like her.”
“Thanks. I think there’s a compliment in there somewhere.” You look from Butcher to the younger guy who has moved on to look at your vinyl collection. "And I'm pretty sure that most kids look like their parents. But I'm not a geneticist."
"NO WAY! You have a signed copy of Billy Joel's Glass House!" Agent Campbell shouts holding up the vinyl cover in awe.
"Yeah." You can't help but smile at his enthusiasm.
"How did you-“
"Hughie." Agent Butcher sighs.
The younger guy now identified as Hughie puts the record back with a frown, before turning back to the collection.
“But you have the same name.” Agent Butcher's eyes flit to yours.
“She named me after herself. I’m sure the CIA can locate my birth certificate."
“Right.” Agent Butcher smiles, but it’s tight lipped.
You stand there for another minute looking from Agent Butcher to Hughie, trying to think of why they're here. "So what do you want to know?”
“Well is your mum around-“
You allow your shoulders to droop and take in a shaky breath. "She died about a year ago. Cancer."
They weren't the first to come here and accuse you of being Indigo. Legend and you had come up with the farce to protect you, help you start over, but you hadn't wanted to part with your name. So other precautions were put in place: a funeral plot was purchased and a death certificate was issued as was a fake passport, I.D, and birth certificate that made you thirty two rather than over one hundred.
“Really? I thought Indigo-“ It’s enough to make Hughie turn around and look at you.
“Don’t read everything Vought says." You interrupt. "That experimental shit they put in her veins may have made her powerful, but it couldn’t protect her from that.” You sigh again to sell the lie, before turning to the coffee maker, to pour them and yourself a cup. "There should be some milk in there, sugar's in the bowl." You gesture to the refrigerator and the small blown glass sugar bowl on the counter next to the coffee maker.
Hughie moves into the kitchen to pour himself a cup, but Agent Butcher continues to eye you suspiciously.
“It wasn’t in the news.” He grunts.
“They covered it up pretty well. I mean do you blame them? One of the first supes gets killed by something like cancer. Can’t be good for Vought given they pride themselves on showcasing unstoppable heroes. I mean can you imagine if Homelander or Queen Maeve died of something like cancer? Doesn’t look good.” You shrug your shoulders and take a sip from the coffee in your hands. “What did you want to talk to her about?”
“Soldier Boy.” Butcher moves to the coffeemaker and it takes a strong amount of willpower to stop the urge to turn towards him, but you know that you need to act indifferent.
“Did she talk to you at all about him?” Hughie moves to one of the bar stools on the opposite side of the island with his coffee in front of him.
“Yeah.” You look down at the mug with a sigh, rolling the warm glass between your hands. “He really did a number on her. Plus towards the end she started seeing him everywhere."
The emotion that you summon is not fake. You allow a small amount to trickle over the dam you built to protect yourself from falling back into the pit you fell into when Ben broke your heart and then died. When you broke every piece of glass in your apartment and threw your couch through the wall.
“I’m so sorry for your loss.” Hughie looks sincere when he says it.
Why is someone like him hanging out with this guy? You think to yourself eyeing Agent Butcher again.
“It’s been hard. But I took care of her, sometimes it was only me. It’s kind of hard to restrain an 103 year old with super strength.” You smile to yourself at the joke.
“So you’re a supe?” Hughie takes a sip from his coffee mug.
“No I was just able to talk her down. Guess that first batch of Compound V doesn’t work the same way. Never transferred. Plus my dad wasn’t a supe so maybe it just diluted.” You shrug, the lies weaving easily through the air. 
“But she did talk to you about him?” Agent Butcher presses. He's leaning against the counter to your left.
“Yeah.”
“And?”
“I mean what do you want to hear? There’s a lot.” The mug sends a pleasant warmth through your hands as you hold it, but does little to stop the chill of the past from creeping up your spine.
“Start at the beginning.”
“Well.” You take another sip of coffee. “I don’t know details-details but- I just know that she grew up with him, they were from the same neighborhood in Philadelphia.  All that shit they made up about Soldier Boy being from a poor family was just propaganda. His dad owned half the steel mills in the state of Pennsylvania. Used to invest in property with my grandfather. Soldier Boy and my mom were friends. When he got the Compound V shot, she did too. They were looking for female and male volunteers. I think he asked her to? Or-“ You shrug your shoulders to push away the memory of the day Ben told you about the experiments. When he told you he was finally going to make something of himself and convinced you to go with him.
“They were dating?” Agent Butcher asks.
The question makes you pause. It was difficult to think about that, difficult to relive the memories of Ben continuing to push you away and his final refusal to admit he loved you. Ben never did say that to you. You had been through so much together, so many years as friends and then after the night you finally were together he threw you away like you meant nothing.
“No, but he really hurt her-“ You avoid their gaze.
“What did he do?” Hughie asks leaning forward on the counter.
“They had been through a lot together and I think when their friendship began to transfer to relationship he pushed her away. My mother said something about him refusing to admit he loved her. I think the last straw when she caught him with Countess.”
“Do you know anything about how he died?”
The memory of the phone call strikes you in the chest, when Stan Edgar himself called to tell you Ben was dead. When the darkness swallowed you whole and all you felt was guilt and heart break over the fight you had and how you left him alone when he needed you most.
“It hurt my mother a lot. Broke her. She never really got over him, no one was good enough, not even my dad. She drove him away too and then it was just us.”
“Was she there when Soldier Boy died?” Hughie spins the coffee mug in his hands.
“No. She left Payback  before that mission. It was right after she caught Countess and him together.” You force a shrug. “I think she regretted not being there. She was almost as indestructible as him, but I think she felt worse because they had a big fight right before.”
“So she didn’t know about Nicaragua or the thing that killed him?” Agent Butcher raises an eyebrow.
You cock your head to the side feigning confusion. “What are you talking about? Soldier Boy got vaporized in a nuclear explosion.”
“Well I think we’ve wasted enough of your time.”
They get up to leave.
“Wait-“
 Agent Butcher turns to look at you. 
“Why are you asking me about him? It's been what? Forty years since he died-"
"That's classified love. Thank you for your time."
You watch them leave, but listen to them as they walk down the hallway.
“So do you believe her?” Hughie’s voice echoes in your ears.
“Not a bit. Maybe we trail her for a day. See if she really is an artist." Agent Butcher grunts. "At least until we go to Russia."
Russia? Why would they go to Russia?
You stand there for a second, holding the coffee mug in your hands. As you do the memories of the past 90 years wash across your mind, breaking through the damn that you built to protect yourself.
You were friends for years. You loved him since the moment you met. There were good times before the serum and then the bad, when he got famous and you were there to keep him in check. Sure you may have annoyed him, but he liked that about you, that you were able to bring him back from the edge. The day you finally had sex you remembered it, it was special, or you thought it was. You were excited that finally he loved you as much as you loved him. But then it all fell apart. That fight hadn’t been pretty. When you left him you felt yourself begin to slip, you didn’t eat or drink for days and when you finally got the phone call you thought it was him trying to apologize, but it was Stan.
You think again about Russia and finally your mind drifts to Countess.
She was the one that said that the Russians killed Ben, she saw it happen, saw his body get taken away-
Your jaw clenches together in anger and frustration as you remember the last time you saw her, when she taunted you and you almost ripped off her head. You never heard it directly from her that Ben was dead, only heard it from Stan. Of course the ridiculous funeral for Ben that you were expected to go to would mean that you saw her, but you hadn't gone, didn't want to keep up the charade. Instead you went to Philadelphia and walked the streets aimlessly with a bottle of whiskey in your hand, remembering what it was like when you were kids. Sometimes you think it all would have been different if you never got the injection, if you said no when he showed up in your bedroom and asked you to come with him. He was your oldest friend. The only real person you'd ever loved or cared about. The memory of the fight rings in your ears but you push it down.
You think again about Countess.  She was the reason why Ben and you had the fight. The reason you weren't there in Nicaragua. Regret spikes in your chest. You should have been there that day, should have tried to save him. You always had each others backs and the one time you weren't there he died.
Maybe it was time to pay her a visit.
**********************************************
Thank you for reading! If you'd like to be added to the taglist for this series let me know :)
Taglist: @roseblue373
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rongrii · 4 months
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Bit Buster the Bunny — anti-cheat system that was placed in arcades of Fredbear’s Family Diner restaurants to prevent kids from winning in an unfair way.
Description
Bit Buster is a software that was installed in all Freddy’s arcades in 70s-80s time periods. He appears as a character sprite on a screen in circumstances when software detects cheat, though, it doesn’t seem to work properly every time.
Bit Buster is an anthropomorphic bunny with blue fur and jade eyes, wearing an overalls that go over his yellow shirt that has ornament similar to floor in arcades section. Metallic starts appear on overalls and it's pink bow tie. Buster's voice is high pitched and was initially supposed to sound friendly, but it turned out to be more passively aggressive, same as his phrases than it uses to communicate with player.
How does he work?
He will look directly at the player the whole time and give detentions before coming to action. Programm will purposely stop the game and reset your progress, if it detects several cheats.
Sometimes, program will work only after player wins. When arcade machine starts to give out tickets, programm will stop and reverse the action, pulling tickets back inside. This led to several incidents where kids, trying to get their tickets back, injured their hands and fingers.
Covering up the injury incidents
Many people criticised Bit Buster anti-cheat software for not only being not safe for kids, but having an unsettling feeling around it. Fazbear Entertainment, after all the critics and incidents unistalled finally the programm, and there was Bit Buster no longer. After opening of the second Freddy’s location Bit Buster design was used as a reference for a new character - Toy Bonnie, though, Fazbear Entertainment never mentions their software again.
Overall idea behind him is combining something cute, made for children, but as the same time be unsettling and hide horrors behind, I think that’s perfectly fits FNAF mood!
Additional sketches:
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oddballwriter · 9 months
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HEYAA. I’ve been so obsessed with ur MK stuff lately it’s insane. Wondering if I could request a little blurb with Steven? 🙏 Maybe artistic reader who uses Steven as a muse of sorts? 🎨 Maybe Steven finds reader’s sketches of him and Reader is like embarrassed 😨 that he may be uncomfortable with it? Add and change up anything you’d like!! 😽 ur my fav writer thank you 🫶🏼🫶🏼🫶🏼🫶🏼🫶🏼❤️❤️
Your Drawings Look like Heaven to Me
꒦꒷꒦꒦꒷꒦꒷꒷꒦꒦꒷꒦꒦꒷꒦꒷꒷꒦꒦꒷꒦꒦꒷꒦꒷꒷꒦꒦꒷꒦꒦꒷꒦꒷꒷꒦
Summary: Steven always enjoys your drawings and art, big or small, painting or simple sketch and doodle. But he's a bit surprised when he discovers that you have a habit of drawing a certain muse that you have. 
Warnings: There's nothing that I can actually thing of other than it's mentioned that the reader draws Steven when he's unaware, but I don't think it's that bad. Also 'Y/n' is used once. 
Author’s Snip: This was meant to be just a little blurb but I got the writing equivalent of zoomies. You asked for a cookie and I made you a cake with layers, frosting, and toppings. This is insane how did I do this. I think it's because I've been drinking a monster while writing this. I have paused the video that I was previously watching in the background because I am so focused. I'm not even joking this shit is 1517 words long and that is before I proof and grammar checked it. I think this might be the longest writing I've done thus far. Enjoy your free cake, anon.
Notes: This is written in the lens of a world where it's just Steven, so none of the actual events in the show happen.
I’ll shut up now. Enjoy! And don’t be afraid to request.
꒦꒷꒦꒦꒷꒦꒷꒷꒦꒦꒷꒦꒦꒷꒦꒷꒷꒦꒦꒷꒦꒦꒷꒦꒷꒷꒦꒦꒷꒦꒦꒷꒦꒷꒷꒦
Steven always knew you drew. You met at your jobs at the museum, at the time, you were working the front desk while he of course worked at the gift shop. The two of you weren't all too familiar with each other since you only saw each other in passing. You knew him as Steven from the gift shop, and he knew you as Y/N from the front desk. You did learn more details through others. Steven was a chatty guy who had an impressive knowledge about Egyptology and mythos. And you were the person at the front desk who did nothing but sit there and draw all day when not granting visitors entry, or in most cases, taking a second to scan a preprinted ticket and check the schedule.
Steven heard talk that you were really talented in your art. You were able to draw what were basically pictures of things you saw or even made up. He hadn't seen your actual art till one day he found you sat where he usually did for lunch, drawing the statue man that he talked at everyday. And wow, were they right about how well you could draw. Though while you talked to each other you laughed "Well of course I'm able to draw him perfectly. He doesn't move.".
That lunch break was a long time ago. You two started dating between then and now. Steven managed to leave the museum for a new one that actually let him be a tour guide. You eventually managed to find work that let you use your skills in art instead of using it to beat the boredom of your job. And you also moved in with Steven in his little flat, in which he cleared out some of this clutter to make a space for you to work and make your own.
You would draw little doodles for Steven to have. Like Gus swimming around. An Egyptian god that you made using his books as a reference. You even drew him a little alligator with a speech bubble saying "Later" on a sticky note. He still has it by the way. He laminated it using clear tape and has it in his wallet as a pick-me-up when he's upset or as a lucky charm of sorts. You always made drawings for him. But never once had he thought that you would make drawings of him. Let alone how many drawing you made of him.
Steven isn't a man who likes to snoop around regularly, feeling a massive sense of ruining someone's privacy. But you said that he could always look through your sketchbooks and art pieces if he wanted, as long as it wasn't a commission that was still being worked on, which he respected. You, like any other artist, had a plethora of sketchbooks of different sizes that served different purposes. There were your personal sketchbooks, outline and testing sketchbooks, practice sketchbooks, a lot of sketchbooks with a lot of different things they were for. It amazed him just how many you had and how you were able to remember which is which.
He knew which ones were ones he gifted you though. Steven was never confident when it came to gifting you supplies. He wasn't an artist himself so he didn't know what was perfect and what was something you would say thank you for out of courtesy. One of the things he used as a safe play were sketchbooks. The bookstore he frequented had a section of art stuff and found that the sketchbooks were not only great quality but also had various designs on their covers. So he'd get you one almost every time he went.
When he looked at them on the shelf next to your desk he realized that he had never actually seen inside of those ones. He was a bit hesitant to grab one since he didn't know if you would want him to. It's not like he could ask you right now. You were out running some important errands and he didn't want to bother you. However, they were on the part of the shelf that you put all your regular personal sketchbooks, which he was allowed to look at so he took a one random from the collection and flicked through the pages.
Out of some coincidence, it was the first sketchbook he got you, which was admittedly one he got you before he learned what pages were good for actual art. The first few pages were doodles that were likely from testing how the paper held up with the actual process of drawing which soon stopped and the rest of the art was actually taped on like they originally belonged to another sketchbook.
Steven thought of that as a clever use for the pages. You would sometimes make art you thought was nice on miscellaneous papers and would simply take the piece with the art out and stick it somewhere else. But he soon notices a theme amongst all the doodles and drawings, which then follow into all of the other sketchbooks he gifted you.
Him.
Most of the drawings in these sketchbooks were of him.
They were all different. Some were him lounging around or taking a nap. Something that would have made him unaware of you creating a drawing of him. There was one that was him asleep laying in bed from what would be your side of the bed. His face was calm, the limpness of his arms and body was captured perfectly, the sheets drawn with the most accurate wrinkles, and the lighting gave the impression of the light of the morning that came in through the curtains. It looked like you simply took a picture of him while he slept but it was clearly a sketch drawn using a pen and pencil.
There was these bust and face portraits that spanned through out the books, of course of him. The first were already so good in detail considering these had to be drawings of him from memory. But they only got more detailed as they went on. You managed to get his amount of stubble right. You had the little baby curls that lived along his hair line. The crease between his eyebrows he had since he always had a slight anxious expression. That tiny little dimple that he had next to his nose that he didn't know existed until you pointed it out one time.
Steven's mind was boggling to him to see such detailed drawings of him that looked so carefully done even when they were simply quick sketches. They were life-like. They were him. They were Steven. To be honest, how could it not? You see his face all the time. So why wouldn't you have him completely memorized. It was just the fact that you had taken time and pages to draw him and him alone.
It was a bit jarring, for the both of you, when you walked through the front door with a hand full of groceries and other things from your errands and he was seen looking at all the drawings of him. You were embarrassed that he finally saw all your drawings of him and worried that he would think it was weird. He thought that he crossed a line and breached your privacy.
You two avoided talking about it till Steven finally did during dinner later that evening.
"You, uh, draw me... a lot." Steven spoke. "Yeah. I do." you blush as you avoided eye contact in case his eyes showed that your fear of him finding your habit with drawing him was strange was correct. "Why do you draw me so much?" he questions. You sighed, "It's sort of a habit I formed." you confess. You proceeded to explain how it started,
"I first drew you as an exercise to get rid of some art block. I usually draw faces of people I know as a means to do that. So I drew you. It was okay. But when I looked at it a couple days later I thought that I could do it again to improve on detailing some more. Then I used you as a study for lighting and colors.".
"Then, sometimes, I would just draw you when I thought you looked pretty or thought of you. And that's sort of what I've been doing." you explain further. "I thought you would find it weird if you saw all the times I drew you and so I just put them in the books you got me and hoped you wouldn't see them." you say in a timid manner.
"I don't think it's strange. I think it's actually quite flattering." Steven clarifies. "I was just surprised that you think of me as something worth drawing. Especially with such detail." he remarks. You breathe a sigh of relief at that.
"If I'm entirely honest, love," Steven spoke up, "Never tell me that you're drawing me from where I am. I'll get nervous and possibly ruin the position that you're drawing me in." he remarks.
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