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#the same could be said of any character
direwolfrules · 2 months
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luck-of-the-drawings · 2 months
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so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.
#jrwi fanart#jrwi show#jrwi prime defenders#jrwi prime defenders spoilers#jrwi pd spoilers#jrwi pd#william wisp#vyncent sol#THIS ONE IS FUUUUCKIN OOOOOLLDD RAAAHHHHH i made it like. a year ago. but didnt finish it for so so long bc i just wasnt happy w it.#BUT LIKE A CENTURY EGG the decades of being encased in salt n lime n ash have done WELL to bring out the flavores of this piece#i sorta recently cleaned it up and posted it onto twitty. didnt tag it bc it was SO OLD AND SCUFFED(i see so many MISTAKES NOW)#that i didnt want to expose it to the open air just like that#if i show smth to my small circles then it shall only be understood in those small circles.#open air and open interpretation from minds i cannot predict are NOT something i enjoy the thought of. usually. i am brave tho#BUT EVERYONE ON TWITTY WAS SO NICEEE i was like damn... i guess it IS good enough to be enjoyed by the masses...#lets work on being nicer to our art together. THAT BEING SAID. i really love my colors here HELL YEAHHHH#FIRST TIME IN A WHILE COLORIN THESE BOYS.... i dont use proper color enough..I ALSO RLY LIKE MY BACKGROUNDS HERE#i LOVE when the bg is hyperrealistic (i frankestiened stock photos) and when the subjects are all flat colored n cartoony#recently rewatched Making Fiends and they do that similar thing!! soft shading! lotsa details! almost painted? ill paint one day#ive already rambled so much abt the art im runnin out of ROOm to ramble about WWWIILLIAM GODDAMN WWIIIISP. its been a minute since i saw-#-this episode..but i DO remember the funny smoke trick that will did to his funny brother. EVERYTIME U GIVE AN ORDER. THAT BRINGS HARM-#-INDIRECTLY OR NOT. YOU WILL HEAR THOSE SCREAMS. YOU WILL FEEL THAT PAIN. OHHH WHAT A COOL PUNISHMENT THAT IS#its still an olive branch in a sense! a final chance for big bro bell to show that hes NOT an irrideemable piece o shit. and if not#well. to the wolves of psychosis with him!!! i really think william did the best he could here. if i was in his shoes i have no doubt i-#-woulda done the same. IM ALSO GLAD THAT VYN DECIDED TO STICK AROUND N SUPPORT HIM! thas character development baybe!!#i loooove prime defenders.. its been so long since i watched any eps of it but i KNOW it still has such a grip on my heart..GOTTA rewatch i
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mari-monsta · 7 months
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It honestly really baffles me when people say adrien is a boring or simple character, I don’t understand where that comes from at all. Because I think the main reason he’s so compelling are his complexities, but in the same vein those complexities I think make him someone very easy to relate to. Like it’s fine if he’s not likable or relatable to everyone but saying he’s not complex is really just ???? To me. Just looking at how DIFFERENTLY he acts around different people and situations is so fascinating to me. Of course everyone takes different personas and highlights different aspects of their personality around different people but adrien is the king of doing it around the same people to the extent of which having his two personalities be the same is laughable to those who know him personally in his everyday life.
But it’s not out of no where, seeing his home life and the kind of person he’s made out to be by his situation it’s not hard at all to understand that he’s a person who is immensely self conscious. He’s constantly gauging others perception of him and whether or not he is “safe”. What’s more fascinating is the entirely different way this comes out in chat noir. Because adriens personality as chat noir is also deliberate to a certain extent but it’s deliberate in the way that that’s how he wants others to see him. He wants to see self assured and larger than life because in his everyday life he feels small and self conscious. The fact that this dichotomy is so easy to follow in his character but creates such a black and white image in his two personalities is so interesting!
Another thing I find completely fascinating about him are his high empathy and how that actually fucks him up more often than not. He’s acutely aware of how other people might be feeling and can easily sympathize. At the same time though he has a hard time understanding certain social cues and situations and seems very out of his element. I don’t think these things conflict at all. Adrien is someone who easily puts himself in other peoples shoes and can imagine and have sympathy for their situation, but that doesn’t mean he’s going to pick up on the social complexities of every interaction every time. Emotions aren’t the same as communication and when it comes to the later adrien works best with simple and straight forward interactions.
In the same vein because of his aforementioned situations he’s also a character who has a lot of repressed anger and frustration that has been building up for a very long time. In his everyday life, he feels powerless, small, and insignificant. He doesn’t have faith that anyone would listen to his thoughts and feelings and actually take them into account, because by all of his experiences no one really has. This creates a defense mechanism where he shuts himself out before he even gets to the point of sharing how he really feels. We see this really easily in his relationship with Nino. He loves Nino DEARLY, but there is something that we have seen in him constantly putting up walls emotionally. He won’t tell him when he doesn’t find something funny, he won’t tell him if he’s unhappy to do something even when it greatly affects his life because he is at his core afraid Nino will not validate those emotions.
As a result, all the frustration he’s built up from feeling powerless in his everyday life we see just. Randomly bursting out of him in inopportune moments as chat noir. It’s not that adrien is such a violent or angry person normally. But he’s so used to repressing and modulating his emotions regularly that when he feels somewhat safe to express any frustration ALL of the anger he feels constantly bubbling under the surface all of the time just suddenly rushes out, like a dam holding back hundreds of gallons of water. This happens repeatedly, and then as soon as he’s realized he’s let himself get out of control he immediately feels immense guilt and he stops the dam up even tighter. This is obviously not a healthy feedback loop but it’s fucking FASCINATING!!!!
A common thing that I feel like I see fans often misinterpret about his character in my own opinion is just how PRIVATE of a person adrien is. Adrien loves sharing his love and appreciation for those around him because he knows how it feels not to know, not to be sure of that affection. But in the same token, Adrien rarely if ever actually shares his real feelings with those he’s close to. He doesn’t like people prying into his life or his feelings and he is very private about most things. We don’t see him talking about what he likes, we don’t see him sharing with his friends his anger or frustration. And in the end Adrien is the one character who has kept his secrets most closely held to his vest. This is all despite being so grandiose and loud mouthed as chat noir. Even as chat noir, adrien rarely is entirely open about things going on in his life.
To me Adrien as a character isn’t interesting or compelling because he is shy or cute or sweet, but because there are a number of different facets to his personality that I can easily see reasons for and understand where his feelings come from. He IS sweet, but not without misplaced anger, not without repression, not without mistakes and messy emotions. Not without pain that we can both easily see the roots of but also have a wide spread variety of consequences from. We see how his formative experiences affect every aspect of his life even in ways he audience wouldn’t necessarily expect, but make complete sense. That’s so fun and interesting to me!!!! Let characters be messy but try their best anyways!!! Let characters hurt each other and try to put the pieces back together one shard at a time. People have complicated emotions that come out in ways we can’t always foresee or help, people make mistakes because of that. But despite everything adrien is a character who cares deeply for those around him and tries to do right by them despite all the rest of it, and despite sometimes not really knowing how.
It’s things like that that keep miraculous being an extremely engaging and compelling story to me. Most of the general things about adriens character are also things that I find interesting about marinettes as well! Of course the intricacies of her character are completely different, but the general hows and whys and complex motivations for her actions while maintaining the best of intentions are what make them both so interesting to me. So this is just a little love letter to adriens character because I wanted to talk about that and why I find him so engaging!
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oceanwithouthermoon · 13 days
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i feel like im obligated to remind everyone that the time we see the characters spend with saiki on screen isnt the ONLY time they spend together,,, i just see a lot of people take their screen time very literally and assume that this is the case despite it being heavily implied that it isnt, and im not entirely sure why but i can guess that it may be because of the assumption that saiki genuinely hates his friends (i do also see people doing this with specific characters they dont like or that they have a specific agenda for, which i think is them being like "i feel a certain way about them, therefore saiki the narrator who gave me all the information that made me feel this way about them must not like them" which i dont really have a problem with (its just an hc) until they start arguing with people that their hc is the only right answer and saiki canonically hates that person or is only around them when forced to be LOL)
yumehara and teruhashi immediately recognize "kurikos" eating manner as saikis despite us never seeing him eat in front of them, kaido + nendo + kuboyasu bribe saiki for his homework with coffee jelly because they know hes obsessed with it despite us seeing no on-screen reason for them to know that (we do see a bit later that he walks home with them every day and he stares at coffee jelly every single time though LOL), and mera talks about saiki spending a lot of money at her workplace despite us only seeing her and him there at the same time once before..
saiki does not succeed at avoiding them, and in fact is probably not even trying to most of the time LMAO he loves those idiots. dearly.
the people i see the least true implications of him spending off-screen time with are actually, weirdly enough, the other two psychics. this doesnt necessarily mean to take that at face value and assume he DOESNT spend as much time with them, but its interesting i feel... please correct me if im wrong though cuz i would love to see more examples of these kinds of implications, for any characters actually!
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I think fans want Jason to be a good person or be becoming one. To have a character that is well meaning and compassionate but decided murder is ok and to stand against main heroes who’s beliefs and actions go against the people he cares about and wants in his life. It’s confusing for people. People want their fav characters to be happy. But Jason can’t have his family’s support and follow his moral code. He’s cares about people and Gotham, and he’s an asshole who kills. It’s messy. It’s not black and white. I don’t even think Jason cares about being a good person or in the right anymore. I think he cares about what will save the most people instead.
Oh my goodness gracious I’ve been bamboozled
Batman’s definition of Good is not synonymous with absolute good/right no matter how much dc insists it is. Torture, battery/assault, surveillance, those are all condemnable actions too. I won’t get into the exhausting and frankly dumb debate of comic book morality wrt killing because I’ve already reblogged plenty of posts from other people who explained my thoughts on the matter far better than I ever have the patience to sit down and articulate. I also just think the notion that there’s something to be done about fictional characters who kill nazis and senseless murderers is stupid. Jason’s point is that the “main” heroes’ sanitized definition of right has its unaddressed holes and flaws which ultimately result in more preventable fatalities, and that he’ll work to correct those missing spots.
He doesn’t not care about doing what’s right. What he doesn’t care about (at least during his Winick characterization) is whether Batman thinks he’s right or wrong, because he sees the flaws in Batman’s methodology (and since he has a mind of his own). Batman’s methods alone cannot address Arkham’s revolving door and the rogues that come and go through those doors who have no intention (or capability from the doylist pov) of ever changing or undergoing redemption. Jason knows that he’s minimizing the number of preventable deaths by killing his targets, typically Characters Who Simply Do Fucked Up Shit Just Because, Why The Fuck Not?
Secondly, Jason is compassionate … to a fault. That was his fatal flaw. If he wasn’t so hell-bent on saving his potential birth mother he just met from that bomb despite everything she did to him prior, he could have protected himself instead, however slim his odds of survival were. What about his relationship with his other parents? He was a caregiver during his early childhood years for Catherine, until her death. Even mature adults who are financially stable find being a caregiver to a dying parent to be extremely burdensome on their bodies and minds, but he never complained about it or resented Catherine for being unable to care for him. Despite how none of his parents have really been what he needed them to be, he doesn’t blame them for their failings, and even continues to think highly of them (Bruce included).
And post-death? Enter Lost Days. Despite being dead set on plotting his revenge on Bruce, he constantly sidelines this in order to save other victims who are helpless like he once was. His own anger, trauma, and mission don’t remain his priority. (Sound familiar? Something something my own trauma above my son’s, mission above all else, etc.). Why would he waste precious time and risk his own life to do this if he wasn’t empathetic towards these victims or didn’t care about doing the right thing. He is simultaneously horribly traumatized and full of rage, and also incapable of ignoring what’s happening to victims around him (even as he claims that it’s indeed not his priority). And in that same vein, the entire premise of his rebirth outlaws run was that he doesn’t care if the public views him as a villain, an outlaw, so long as he can protect Gotham. And anyway where is this portrayal of him not caring about being in the right anymore. Almost every modern Jason story is about him grappling with where he stands with Bruce/Batman. During the early 2000s was probably the last time he did not care (hello, tentatodd??).
Jason has very evidently been portrayed as a kind and compassionate character. He is also simultaneously a calculated killer who doesn’t hesitate to kill when he deems necessary, and does so without remorse. It’s called being a Complex Character With An Edge™ that as you said, people so often claim to love. However when he fulfills that latter part, that seems to upset people because “killing bad”, and they then try to shave off and round out all his edges and claim he shouldn’t be that angry. In that case I guess you should just stick to liking traditional one-dimensional characters instead of claiming to like Jason but then encouraging his character assassination attempt by dc. Lol.
Lastly, who said anything about the batfam making Jason happy? Just because he’s written nowadays to want acceptance from Bruce (a shoddy attempt at forcing a non-existent nuclear batfamily), doesn’t mean that it’s a sound decision or that it does his character justice. I certainly don’t empathize with the idea that Jason needs the family’s approval or acceptance to be happy. (And anyway he has enough outlets for angst and pain aside from the batfam hello explore his other sources of trauma and do more deep dives into how he thinks when he’s alone). I don’t want them to magically make up and become one big happy family. This is not disney Lol. Besides, there are plenty of stories from dc that have that type of “wholesome” (hate that word utilization) characterization for Jason (Li’l Gotham, Tiny Titans, wfa, and even new stuff like the brave and the bold mini) and that is sufficient imo. Jason fans who are invested in the character deserve accurate, nuanced characterization and well-written stories, whether they be from his robin days (e.g., Batman: The Cult) or as red hood.
#fellas. ya know what else is wholesome? avenging your own death#you can have moments of ‘reconciliation’ or peace but still maintain a strained relationship which is far more realistic#‘he’s an asshole that kills’ and Bruce is an asshole who doesn’t kill. lol.#you can’t claim Jason’s conflicted and disturbed but go on to say Bruce is perfectly sane those two are mutually exclusive#also please realize that a character acting out of anger does not mean they lack compassion.#implying that he doesn’t care about doing the right thing is saying the same thing that person said;#that he doesn’t actually know what he’s doing. that he hasn’t thought through his moral stance.#‘Jason didn’t put any thought into anything he did in utrh he’s just a poor mentally ill lost soul who needs the batfam’s love to heal 💔’#🤝#‘jokers just a poor victim of society 😔 he just needs someone to understand him and maybe one day he’ll heal and realize he’s wrong’#what they both have in common is that they’re misunderstood in opposite directions#the joker doesn’t have a point to prove. there’s no deeper meaning behind what he does. everything is a joke to him.#he isn’t unaware of right vs wrong lmfao#jason todd#dc#asks#my post#and I think you’re implying that he’s utilitarian based on that last part but I don’t think he is#user mintacle posted a few metas regarding that and again they explain it much better than I prob could#anyway it isn’t difficult to understand his character if you know why you like him and you actually read his stories#that post specifically was from someone who clearly said they did not read the comic so. technically they’re on their own wavelength#edit: grammar
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welcometogrouchland · 7 months
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IMPORTANT UPDATE FOR BATMAN AND ROBIN (2023) FANS!!!...he eat a burger [ID in alt]
(taken from Nicola Cizmesija's insta, who's on art for B&R issues #5 and #6)
#ramblings of a lunatic#batman and robin#damian wayne#dc comics#''ladel are you gonna get obsessive about the character again and hunt down any and all official art of them-'' no what makes u say that#nikola cizmesija was the artist on the recent red hood gotham wars tie-ins btw! same colourist as those issues too#...idk how much dc tumblr is actually in to the production side of comics. i know i am but i have a feeling that's not universal#anyway i actually really like to know the individual artists colourists and inkers on stuff if i can it's fun!#anyway i quite liked the art in those red hood issues so i am :] excited for issues 5 and 6!#there was also a cover(?) defs done by cizmesija that has damian and bruce in like underwater batsuits? like they're wet suits#and they're fighting orca on it! and cizmesija mentioned getting to design new suits so! it seems like we're getting an underwater adventure#for that arc at least! the writer joshua williamson said that he's trying to focus the structure more around shorter arcs this time#so it seems like in the shorter breather arcs we might get little artist changes to break it up?? neat imo#i like a book w consistent art if I'm really vibing w the art but i get that a lot of ppl have mixed feelings on di meos art for b&r#so I'm interested to see what the reception will be to cizmesijas when it comes out in...i think January? same month as the annual#i saw a solicit that said the art for the annual was by Howard Porter but i could be wrong#god this got way off track. ANYWAY! he eat a burger#(also williamson has said before that damians a vegetarian so I'm assuming it's a veggie burger)
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i love!!! pavitr!!!! best part about him is that the astv creators just said he's indian. he could be any type of indian and you wouldn't be wrong. maybe he's malayali. maybe he's from mizo. maybe he's from punjab. maybe he's tamilian. maybe he's from sikkim. you decide!!!!
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chirpsythismorning · 1 year
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I just remembered they devoted a whole scene to Mike and Will burying a dead body for no reason other than to poke fun at—
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proseka-headcanons · 4 months
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Heyyyyyyy it's way late and I shouldn't be trusted to say shit buttttt
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Ena means so much to me if she existed when I was a kid I would not be half as fucked up as I am today she is just like me frfr
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theokusgallery · 6 months
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i have bad news for anyone who expects mental illness to be family friendly
^ yeah!
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raifuujin · 12 days
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It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo
Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j
Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.
Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)
-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.
We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.
#And also he probably won't care to expand on KaiAo when he knows it's already canon#Like; not in the same way that ShinRan is canon endgame and he just needed to write it out#But in a 'I said these two were dating in another manga; they will exist even if I haven't written it'#And his story atm does feel like it could be left off with an ambiguous note on if they're together or not#And then just leave them dating in Yaiba for people who care about confirmation#MK is not in a stable enough state; I really don't know what he's planning with anything#And it's been so. -gestures to all the 'meaningless big stuff'- lately#I don't know if it'll ever get any shift in focus in the future#We barely get anything; all we have now is a new character people are divided about#And the tiniest continuity of Aoko thinking to herself that Kid is teasing her by reminding her of Kaito#Like; part of the problem is continuity as well; at least if Gosho wants to stick with DC-ish MK#MK has all the potential for callbacks or returning characters that could be interesting#But none of the potential that fans enjoy is ever /used/#We got all our KaiAo up front. We have suspicion arcs where it's barely mentioned that Kaito's proven his innocence in the past#They could go back to the amusement park and Aoko could mention the movie and Kaito can be sweating#Because he never saw the movie; that's then he peaced out to go heisting#There's so much. Gosho's good at adding potential to his story#But everything he comes up with to make canon ends up disappointing because he never fully uses any of it#He just adds more and more elements that go nowhere#MK is a mess that gets more and more fun to play around in; but the actual chapters are. Bad#Which might be for a reason similar to DC of we wait so long and get something extremely meh#Except instead of the months between DC cases; it's years for MK; and DC fans complain the entire time#So when MK fans are fed crumbs of... anything. It's just not as enjoyable as new content should be#(I got rambly in tags; sorry ;._. )
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nellasbookplanet · 1 year
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Actually loving how the different critical role campaigns exist in relation to themselves, each other, and the world at large, and how their different narrative structures ripple outward.
Campaign 1 was story driven. Not to say the characters weren’t deeply important and dynamic, but their growths were largely driven through and by the plot. They were on a mission and grew along with that mission, and as a mission driven archetypically heroic party they also left very few loose threads by the end.
Campaign 2, meanwhile, was more insular and character driven. Where Vox Machina traveled all over the world and planes outside the main setting of Tal'Dorei, the Mighty Nein largely stayed in Wildemount, allowing for a more intimate and political look at it’s cultures. Instead of story and characters revolving around plot, plot revolves around character. We only got to see Yasha’s tribe in the epilogue, because her growth didn’t require facing them. We didn’t face Uk’otoa, because Fjord’s arc culminated in embracing the Wildmother, not in facing his former patron. Similarly, while the entire Assembly was an antagonistic force, only Trent was dealt with directly, because he was the only one directly tied into one of the pc's arcs.
The larger world building let us know about Molaesmyr and Ludinus, about the Luxon, even about Ruidus to some extent, but the Mighty Nein weren’t a typically heroic party here to save the world and solve every mystery, but a group of broken people finding it in themselves to heal, and to end their journey ready to face greater threats in the future. They were still getting the Assembly and Uk'toa, they just weren’t doing it in the main narrative, because they were irrelevant to the growth of the characters. Of course, that also left a lot of threads hanging, which brings us to campaign 3.
By now, it seems pretty clear that campaign 3 is another plot driven story rather than the more meandering, character driven narrative of c2. That leaves the cast free to pick up on the many larger mysteries in world building left in the wake of the last campaign. What is the nature of the Luxon? Of Ruidus? Of Aeor and the aeormatons? Half the party was just plopped down not far from the ruins of Molaesmyr, Ludinus' former home - will they go there? One of them is tied to the Luxon and dunamancy, another to Ruidus and Predathos - will we get to know the true nature of these entities?
Much like c1, the characters of this campaign are driven and shaped by events rather than shaping their own events. The difference is, c1 began as a blank slate, whereas c3 has history. Powerful allies and enemies alike are tied to former campaigns because such is the nature of the world. Mysteries left to solve were introduced earlier but approached only now because this is a campaign whose narrative and characters are served by approaching them. The world is dynamic. Alive. One story merges into the next, and new heroes are born on the shoulders of the last, ready to be shaped by their own narrative.
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gutsfics · 2 months
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general hc for Atlas, not just my specific version: they use any pronouns. like regardless of if they're “male” or “female” in your game she feels like he's fine w any pronouns
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aclairvoyant · 2 months
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okay. okay i'm going to say something real quick and you have to read it all the way through before you get mad at me.
i've noticed that whenever a piece of media has fat characters they almost always get headcanoned at asexual. and like. in a vacuum, that's totally fine. i love me some ace headcanons and there needs to be more ace rep in general. but like. it's almost always only the fat characters. i rarely ever see the majority of a fandom agree that a skinny character is ace the way they'll agree a fat character is, and i honestly think it's just because the mass majority of fans can't comprehend a fat character having sex or being sexually desirable.
again, i love me some ace headcanons, but it's almost always the fat characters and it starts to feel a little weird at a certain point.
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gifti3 · 7 months
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The way he took it so seriously lmaoo
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shummthechumm · 1 year
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part of me wants to say that MV couldve really benefitted from being longer, but then i immediately remember that this is wc we are talking about and no matter what; they will find a way to deny just how dangerous a way of life following the code can be for those who don’t fit within it’s rules. 
all of warriors does this and it only confuses the narrative more. im not surprised that there is so much discourse surrounding the story and it’s characters, man. and on top of that the series is targeted towards kids in elementary school so. 
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