When I first heard There Are Other Ways, I was a little disappointed by the fact that Circe didn’t successfully seduce Odysseus, considering the huge Greek Mythology nerd I am.
Bear with me.
Then, I played the saga, and that song, for my wonderful mother tonight. About halfway through, I gasped.
The story is accurate to the Homeric version: he confronts her (clandestinely at first), she fights back, he pulls the sword.
But she’s not afraid. Of course she isn’t.
Why would an immortal being, with the rage and power of commanding a million different beasts if her Plan A goes down, be afraid of a measly man with a flimsy toothpick to her throat, just because he ate a flower and said “Be afraid!”?
That’s right! She wouldn’t.
Because Jay didn’t submit to the blatant misogyny of the tale.
Read this article for incredible information, if you please. It changed the way I saw Circe’s story.
If Circe cowered, simply because a man held a sword to her throat, only then would she have seduced him (if we’re going ultra-canon with the storyline, which Jay isn’t), which would have, yet again, thrown off the balance of power.
Circe could give less of a shit about the sword, in the song. She thinks he’s pretty hot, and maybe she’s manipulating him into coming to bed with her so she can trick him, so she offers a tryst or two. Here, if you read the article, she is throwing off the nature of men and women by being the active sexual partner.
He refuses, too enamored with Penelope, and shuns his curiosity in her. You can hear how it pains him, it’s a struggle to say no. But he does. He’s strong, he’s no god, cheating on his wife for the sake of sex appeal. He’s just a man.
He begs. That’s the thing that got me. Not her, him.
“So I beg you, Circe, grant us mercy, and let us puppets leave~”
Then, Circe offers to help him — not because she’s restoring the nature of being submissive — but because she has empathy and compassion for the man. She helps him because he’s proved himself, to be weary, and faithful, and human. She knows the feeling of love.
So, yes. So many layers. Like an onion, worthy of making you cry.
1. Jay is spitting in the face of misogyny and gender roles, and having her help him because she empathizes. Because she’s in power.
2. It’s sort of a jab, if interpreted a certain way, at sexual assault. He says no, and he holds true to it. Even though everything is telling him to give in, to let it happen, he refuses, and remains as sure as he can be.
3. It shows how very human Odysseus is. Athena forgot it, and somehow held him to it. Even the men forget it. But he never does. There is only so much he can do.
This is my favorite saga so far.
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My District 13 au
Coryo and Lucy Gray fled in this AU and ended up in district 13. Despite being safe and Coryo rose to power eventually in 13, they both hated it there. The place is no way to live a life. They made improvements but a pox outbreak happened and their son nearly dying had her husband later fully joined 13 to the rebellion. Coryo then was "elected" as President of Panem (she knows) and they moved to the Capitol and her last two children were born and grew up in the Capitol. Having raised children in district 13 where everything is surveillanced and under tight control especially before Coryo's presidency, they raised their children to trust family first and never lie to them ("lies can get you killed").
Lucy Gray is not exactly strict to her children aside from the "no lie" rule so her children gets a way with almost everything. Their shenanigans(especially Orpheus Sage's and Thalia Rose's) will never get them disowned or taken out of the will by Coryo because there will be hell to pay if he does.
The Lady of the Underground
The lady of ways, the lady of means
The lady of the upside down
People usually go to Lucy Gray first when they want her husband to approve something. They catch on that if they get Lucy Gray on their side, Coryo is more likely to accept their request or proposals.
In district 13, of course she'll find ways and loop holes to laws and rules to get what she wants (mostly to sing and for pretty things). She'd sew her clothes, make flowers out of the leftover pieces of cloth, scraps and other items she can turn to trinkets. She'd style her dull jump suit, anything really to give life to that man hole of a district
In district 13 she goes by Melanie Ebony Thorne
Here is early 50s Lucy Gray with her feather shawl. You cannot tell me Lucy Gray in the Capitol would not enjoy the over the top make up and fashion.
Lucy Gray here is singing Lady Of the Underground from Hadestown
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