#the last two episodes have me nostalgic as hell i’m a fan again truly

[brewdarrymore]

yo the flash is for real BACK and i am being reminded why i fell in love with this show nine years ago like THIS is what i’ve been wanting this is what i’ve been missing for 5 seasons i’m about to get emotional

#the last two episodes have me nostalgic as hell i’m a fan again truly #i won’t survive the finale #and i’m gonna get emotional that there’s only 3 episodes left when it’s finally getting good again #my mouth was OPEN this episode i was genuinely like oh my god #the flash #dctv #cw the flash

[hilarieburtonmorgan]

Hilarie Burton Morgan On Home Beyond Hollywood And Working Beside Her Husband On ‘The Walking Dead’

FilmMagic

From her standout performances on beloved television series to a recent bestselling memoir, Hilarie Burton Morgan continues to take us along on her journey called life. Beginning her career as a MTV VJ in 2000 to regularly lighting up the small screen ever since, the 38-year-old actress and author wears multiple hats these days, with an even more important title of mother & wife leading her charge. Now with several exciting projects on the horizon, including her long-anticipated introduction into the expanding world of The Walking Dead beside her husband Jeffrey Dean Morgan , Hilarie is no doubt maintaining a lasting impression.

To truly appreciate her on-screen chemistry with Jeffrey, it would be helpful to know how they first connected off-screen. “I knew right away,” Hilarie tells Forbes about how soon she knew Jeffrey was the person for her, while sharing the story of how they met. “My very dear friend Danneel Ackles is married to Jensen Ackles and I would stay at their house every time I would go out to LA. When I was 26, I went to stay at their house and I think they got sick of me dating drifters. So Jensen was like ‘I’m going to introduce you to someone that I want to hang out with’ and he introduced me to Jeffrey, who had played his dad on Supernatural . It was pretty from the jump. He started sending me packages right away of books and love letters and he laid it on nice and thick and it worked! Here we are 12 years later.”

AFP via Getty Images

Easter Sunday on AMC, The Walking Dead will reveal to viewers the backstory of Jeffrey’s character Negan and his ailing wife Lucille, played by Hilarie. Even though this important “Here’s Negan” season finale episode will be the first time you will actually see Lucille in action, Hilarie points out that her character has played an integral part on the hit series for some time now. “The mythology of Lucille has been around as long as Negan has been around,” Hilarie explains. “When it was introduced that he had a baseball bat that he used to kill people named Lucille, obviously there were questions surrounding who that was named after and he has been pretty forthcoming throughout the series that his dead wife was the inspiration for the name and he has talked a number of times about her cancer diagnosis, about her death, about what that loss meant to him. While Negan and my husband have been vilified over the last five or so years, to me what Lucille is, is a real glimpse into who Negan was pre-apocalypse and the man that she wanted him to be.”

Hilarie says being a real-life married couple portraying a married couple on television was an experience they really enjoyed together. “It was really wonderful. We have a really similar energy on-set. Neither one of us takes ourselves very seriously. We like joking around.” Hilarie also hopes that fans will better understand the violent ways of Negan after they get to see the love and heartbreak that he came from. “If there was ever a time for people to understand Negan’s aggression or his way of doing things, I feel like the entire world has been prepped for that over the last year. So Lucille comes in as the person who loves him the most and loves him even with his flaws. Perhaps the audience if they don’t already love him, which they should, perhaps they can follow Lucille’s example and love him through the tough stuff.”

Josh Stringer/AMC

In reality, Hilarie’s life with Jeffrey and their two kids is far less dramatic. When their son was in preschool, the couple decided to set roots as a growing family in Upstate New York and ultimately build their home on a farm. “We rescue animals and we got tons of chickens and ducks and cows and llamas and an emu and a donkey that are in love. We have got a really large vegetable garden that we definitely expanded on during quarantine and our son just turned eleven and our daughter is three and they are fully onboard with getting involved in there.”

Following the unexpected death of their local family friend Ira Gutner, Hilarie and Jeffrey decided to become co-owners of Samuel’s Sweet Shop to keep Ira’s storefront from closing, with the help of a handful of nearby friends, including another familiar face, actor Paul Rudd. “It has been such a wonderful experience for our kids because they all know what their first job is going to be,” Hilarie adds. “It has been fun for our community because we have been able to use it as the trophy case for all our food artists in town. During quarantine, when you can’t celebrate with the people you love, we hired all new people and created a new space to do gift baskets. It was so wonderful that our community and people from all over the country were supporting a small business, because we know what lockdown did to those this year.”

AMC

Last May, in the height of the Covid-19 pandemic, Hilarie published her memoir The Rural Diaries: Love, Livestock and Big Life Lessons Down on Mischief Farm . In the book, which she says is meant to be a love letter to her husband, her community and her children, Hilarie very openly discusses the miscarriages she endured and says she did not expect so many people to connect with her story over the past year. “This has been a book that people have gifted their friends or their loved ones during a really difficult time. For me, the responsibility of being a voice for people who have felt like they needed to keep miscarriages or infertility a secret, I’m very serious about it. I never want to cheapen that for anyone because I know how terrible it is to fall asleep at night devastated.” Hilarie is currently writing a second book, which she hopes to have done by next year.

Even as new projects continue to pop up for Hilarie, her nostalgic fan-favorite projects from yesteryear also seem to have the possibility of returning in some capacity. When discussing her role as Sara Ellis on the stylish con artist series White Collar and her commitment to finding a way to work with that cast family again through a revival series or simply together on a new project, Hilarie says, “We’re going to get the band back together, hell or high water. We love each other.”

Hilarie’s six seasons starring as Peyton Sawyer on the hit drama series One Tree Hill has led to her having a substantially large and vocal fanbase for nearly two decades now . “Peyton was the Negan of One Tree Hill because there are people who really hated her and then there were people who really loved how messy she was. Those are the characters that I have always been drawn to, which is probably why I am so defensive of my husband’s character. I love Peyton Sawyer. I put so much of my real self into that character and really fought for her a lot behind the scenes.” When reflecting on the longevity of this series that ran from 2003-2012, Hilarie has noticed the loyal One Tree Hill fan community growing larger and larger as time goes on, as younger generations are now experiencing the series for the very first time through the in-demand world of video streaming. “It’s going to be weird when my son or my daughter comes of age and has to reckon with all the dumb stuff their mother did in her early twenties because it’s there forever,” Hilarie jokes.

FilmMagic

When referencing her One Tree Hill co-stars, which include Sophia Bush, Bethany Joy Lenz, James Lafferty and Chad Michael Murray, Hilarie says, “Those are going to be the people that I’m close with forever. Those are the people who were with me when I was most unsure about myself and we’ve all seen each other fall in love and break up and been through it. All of those life experiences matter, now that we are almost twenty years later and we’ll love each other forever. We’re always scheming on how to continue to work together.” When hoping Hilarie will elaborate further with any hints for fans, she responds, “I will say that the girls in particular are very, very close. We went through a lot together on that show and we evolved together on that show and so we may have some things in the works that we will be excited to promote later this summer.”

As Hilarie strives to make time for her new and revisited projects, she is consistently striving to make her family’s schedules work as one. “We definitely take turns. Jeffrey’s Walking Dead schedule is obviously the thing that takes precedent. So if I can maintain my side hustles around that (laughs) . The kids’ school year is a big deal for us and what has been really lovely is that in the time we have lived in the Hudson Valley, the film community there has really blossomed. Everything is about making it work for the family and I think once you have that as your center point, it makes every other decision that rolls around it very easy.”

Hilarie wrapped up our conversation thinking about other women in the world right now that have to juggle many responsibilities at once during this life-altering era of the pandemic. “For me, the struggle is always between being a good mom and working and quarantine pulled so many women out of the workforce. When I see those numbers of the amount of women that had to leave work to be able to take care of their children because schools were closed and because we didn’t know what this virus was going to do, that’s heartbreaking. Being able to be a working mother from home and take my kids to school and take them to dance class and write my book and produce movies is something I don’t take for granted at all. I want a shine a light on all the women who are doing it. Homeschool and working and cooking dinner and cleaning the house and just all of it. You’re never good enough. So for the women who out there trying their absolute best, I just want you to know you’re good enough and you’ve kicked ass and your kids are going to be great and they saw how much you cared and how hard you worked and that’s important.”

#hilarie burton #jeffrey dean morgan #the walking dead #news #2021

[whatadaze]

shan writes another long ass post no one asked for: 

so unless you’ve been living under a rock, you MIGHT have heard about skam nl + its recent decision to remove the geoblock on its youtube videos. if you have never watched skam nl or am on the fence about it pLS PLS PLS keep reading okay!? PLEASE 

I’m not the best at articulating my thoughts and suck at writing but i’ll try my best so PLS read :-) 

1. THE CAST

skamnl’s girl squad has a WOC playing noora (liv), a bisexual chris (janna), the least problematic vilde (engel), an AMAZING eva (isa), and even though their sana (imaan) could only be in the show for one season PLEASE do not let that deter you from watching. the actress left due to personal reasons and they left her character’s storyline open ended so if there ever was a chance for the actress to return, she could! i know there are many people who want a sana season with muslim representation but skam nl introduces another character, esra, who is also a muslim woc and FUCKING AMAZING. that aside, the cast members have great chemistry with one another. the way the characters interact + talk feel so real and genuine, largely because of the fact that the cast members are very close irl. one thing that i love about skamnl is the way they portray the friendships within the girl squad. i’d even go as far a saying that they are the best girl squad (even surpassing og) because they are so open and honest with one another + actually TALK to each other when problems occur. i don’t want to get too into specifics because you just need to watch the show but UGH i love how the show promotes POSITIVE girl/girl friendships without all that unnecessary catty drama we usually see in teen shows. 

2. THE WRITING + PRODUCTION 

so season 1 follows isa (eva) and i’m not going to lie, season 1 was always the season i didn’t care for as much but i was drawn to isa from the very first clip. she is just SO relatable and i would’ve loved to have watched a show with a main character like her when i was a teen. the dialogue feels so raw and real—the writing isn’t cringey or sound forced/straight from a script. and let me tell you, the PRODUCTION IS OFF THE CHARTS. skamnl has a unique way of telling its story through eVERYTHING. what the camera chooses to focus on, what colors are included in the scene, the song they choose for certain scenes, EVERYTHING has a purpose and i love when people analyze clips because it just shows how genius the skamnl team really is. they all work so hard on this show and it’s truly a shame that they don’t get the recognition they deserve. 

3. THE SOUNDTRACK

i’m not sure how it is with other remakes, but the spotify playlist for skamnl gets updated after each episode and that will tell you how long an episode will be. it’s actually one of my favorite parts of the show—waiting for the next group of songs to drop, listening to them, and trying to figure out what might happen in the next clips. they have introduced so many songs that i listen to on the regular from all over the world. in season 1, they had a song by kpop group TWICE and as a korean person myself, i was s h o o k when that happened! if you love music and discovering new songs, you’d love what skamnl has to offer because their soundtrack is A++++++ 

4. THE CHEMISTRY 

i touched on this in my point 1 but i just need to delve a bit more into it. so i mentioned that the cast members hang out outside of filming and they are genuinely all good friends. this makes their acting feel more genuine and real, their dialogue sounds more natural, and as a viewer, you really feel like a fly on the wall when you watch the show. it feels like you’re watching a real group of friends hanging out, going through typical problems you might be facing yourself, and for those of you who aren’t in high school, watching them really takes you back to your own high school days. i always get this warm, nostalgic feeling i just can’t really explain whenever i watch season 1. 

right now, it’s liv’s season and i know that many people who watch skam+remakes don’t like william or noora/william or think it’s just a season where two het couples making out all the time but IT’S NOT. first of all, season 2 has so many important themes that people (especially teen girls) need to be aware of: sexual assault, eating disorders, relationships, and like season 1, touches on the importance of friendship. also, noah IS AND ALWAYS WILL BE THE LEAST PROBLEMATIC WILLIAM. you just have to watch to understand but I PROMISE YOU you will not be disappointed. i have talked to so many people who HATED william and now they hate themselves for loving noah so much. not to mention, zoe (liv) + monk’s (noah) chemistry is INSANE. these two dorks are friends irl and in order to prepare for their season, they spent a lot of time getting to know each other and building a relationship so that their interactions on screen feel more natural. the cast just goes above and beyond to deliver an authentic performance and it FUCKING SHOWS

5. THE FANDOM 

this will be the last thing i touch on + may be the most controversial so pls don’t hate lol :-) one positive thing about skamnl being underrated is the small fan base. i’ve gotten pretty familiar with the regular group of people who frequently post in the tags and they are some of the sweetest and talented people i know. it may sound cheesy as hell, but the people in this fandom feel like a small family + i LOVE THAT. there’s no drama, there’s no hate, and we all just love discussing the show, promoting the show, and freaking out over clip drops, hiatuses, social media posts, and sharing theories. the fan base is one of the main reasons i enjoy watching skamnl so much, and i’d say it’s the least problematic as well. and that’s not me saying other remake fandoms are toxic or horrible, because for the most part, THEY AREN’T. i enjoy watching other remakes as well + am familiar with people in those fandoms as well but the environment seen in the skamnl fandom is just so.......different. i’ve developed genuine friendships with people from all over the world through this show and i think that’s just SO amazing. we’re small, but we’re a warm, inviting bunch and would love to have more and more people join us! 

SO WHAT SHOULD YOU DO NOW? 

skamnl has removed its geoblock from all their youtube videos which is how they gather data on viewership and all that so it’s SUPER important that if you decide to watch this show, you do it through their official youtube channel. the clips are usually subbed within 30 minutes of being dropped by the amazing @skamdutch team, social media posts are translated within 15 minutes, BASICALLY waiting for translations has never been a problem okay? they are released super fast so don’t let the waiting deter you. 

i personally love watching it the first time without subs and use that time to freak out and let all my excitement out of my system + once the subs are released, i watch it again and actually pay attention LOLOL 

but anyway, i know a lot of people didn’t want to watch skamnl because it was geoblocked so if that was your excuse, you LITERALLY have no excuse now. and we don’t know how long this will be going on for but i have a feeling they will block it again soon so THE TIME IS NOW. the cast have spoken out about it, the production team have spoken about it, so go go go and watch it!!! 

even if you can only watch one or two clips a day, do it! anything and everything helps at this point! this show deserves to have its season 3 and many many more in the future. 

ok all of this probably didn’t make any sense because like i mentioned before i suck at writing and articulating my thoughts BUT if you actually read all of this then THANK YOU THANK YOU THANK YOU and please click HERE for a surprise.

byeeeeeeeeeee

love, shan

me after writing this post: 

#skamnl #skam nl #skam dutch #watch #now #please #read #i'm sorry for cross tagging #but it's for the greater good #skam #druck #skam españa #skam spain #skames #wtfock #skam italia #skamfr #skam austin

[theanimeview]

Reboots: They’re for who?

When I was interning a handful of summers ago, I remember talking with a handful of editors and peers about our favorite comic to television adaptations. I said honestly that I am not a fan of Teen Titans Go because I don’t think it has a lot of substance when compared to Teen Titans or Young Justice. It’s a problem I have with a lot of reboots, and I remember distinctly one of the editors saying that reboots “aren’t for you.” That’s a fair statement, they’re not for me specifically, they’re for... who exactly?

What the editor meant, I believe, is that a reboot isn’t really for the original fans of a series. It’s for a new generation to experience the characters and become fans. The characters we see from one show to another are kind of like reincarnated versions--they may have similar names and art styles but, the characters are kind of new because their stories are new. I think that this is often correct. However, I want to disagree a little with the idea that reboots aren’t aimed for older fans. Good reboots should have something that the older fans can enjoy too. I say this because clearly reboots in some ways market to the audience that watched the previous iteration(s), sort of like a big sign saying, “Hey, remember this show you loved as a kid? The one that we sold a lot of for a long time? Yeah? Great! Why don’t you check out our new version and show it to your kids/younger siblings/others?!” Their’s nothing really wrong with that, its an effective sales/marketing strategy, but for it to work the new iteration needs to have something old fans will appreciate.

A great example is My Little Pony: Friendship Is Magic - the series takes the older characters, characters that fans of the previous iterations have loved for a long time, and translates them to the current climate of television, allowing for a new generation of fans to fall in love with the characters. The new show still holds some elements of the underlying message that the original show or stories held. What I mean is that My Little Pony has always focused on friendships and what it means to be a good friend; this message has carried on over the years to what we see today. The old fans can appreciate that the morals or backbone of the show are still there and the new fans can fall in love with these reborn-characters on their own.  

I remember watching the vintage version of MLP on youtube in middle school and loving it. When the new version came out around my junior year of high school, I never quite got into the show again, but when my nieces started watching it, I had no problem enjoying episodes in passing. The same thing happened in college when many of my friends liked binge-watching seasons of it on Netflix. While I still wasn’t a die-hard fan again, I enjoyed that the friendship elements were still there and felt comforted that my nieces not only enjoyed a collection of characters I had loved previously but also by the fact that the show was still teaching aspects of how to be a good friend and responsible individual. MLP FIM is a perfect example, to me, of what a reboot should be. It’s easy to merchandise to new and old fans (which the company producing it will like), it’s still got the elements needed for the nostalgic appreciation and a revival of the fandom in older viewers, and it provides something a new generation can enjoy. If I’m babysitting and my nieces and they say let’s watch it, I’m 100% down for the reasons stated above.

Now let’s look at shows like Teen Titans Go from 2013, or The Powerpuff Girls 2016. Are the shows merchandisable, of course--but do they hold true to the same values that we saw in the originals? I would say, No.

Teen Titans was a beloved show. We saw a mix of comedy and adventure expected of a story with teen superheroes, but we also saw some serious elements befitting characters who are transitioning between childhood and adulthood-for all intents and purposes-alone. They’re, in many ways, outcasts who are bound together by their friendship and a mission to protect the planet from harm. Their episodes are memorable and often have a deeper underlying message. In many ways, the show begins with an examination of crime, and the adult world at large, as being one of black-and-white. It’s how children often see the world, but as the series progress or even single episodes, characters learn that there is a lot more grey area and nuances than we previously thought or understood.

Like, I remember the episode “Sum of His Parts” where Cyborg confronts, not for the last time, challenges with his disability as a half-man, half-machine individual. While the robotic parts give him great abilities most of the time, there are situations where they become more of a hindrance than helpful. It was a meaningful episode that allows us to see that despite having a cool robotic exterior, and the name “Cyborg,” the character himself is a human being with complex emotions that will not always show on his face or in his interactions with others. When I first saw the episode, I remember Cyborg’s last line, “I am just like you, but it’s not your arm that makes us the same, its the stuff that’s connected to it.” It reflects a lot about the character and the emotions he has, as well as stating something about image and what’s inside. While I don’t have a robotic arm, I felt like a part of me was reflected in his character in that episode because I have insecurities (everyone does), and while I sometimes hide them well it doesn’t mean they aren’t there. I also remember the episode “Troq,” in which Starfire faces racism. She and her team (once they are informed of how she is being treated) must set aside their anger for the greater good. It’s a difficult episode for many reasons, the most important of which is that 1. Racism still exists and is something people must fight against 2. Sometimes you have to work with your enemy to prevent a greater evil from taking place. Both are difficult to accept, especially as children, but they’re realities of our world. As I get older, both seem to become more prevalent in my life, particularly the later as sometimes you have to work with awful people to get a job done. Even the former though is something I’ve had to see and face in life.

The original Powerpuff Girls, likewise to TT, had memorable episodes not so much for their imagery but for their stories. For example, “Equal Fights” is an episode I may never forget. In it, a female thief behaving like a radical who hates men points out to the PPGs that women have suffered a lot in history and uses this as an excuse for her behavior. It seems almost justified as retribution against the patriarchy for how women have suffered, at least, until the PPGs’ primary female role-models step to remind the girls and the audience that two wrongs don’t make a right. The common theme with these memorable episodes in these memorable shows is that we, the audience, should learn something from the presented morals and ideas. They encourage us to think more about our situations and our autonomy in society.

Overall, these shows attempted to help children navigate the difficult world around them--that is what made them beloved by their audience. Perhaps the greatest proof of this is that new shows that have gained popularity today seem to continue this message of helping youth transition into thoughtful adults - like, Steven Universe.

However, some of the reboots seemed to have missed this point entirely. Rather than aiming to create an encouraging message for kids, they instead aim to briefly entertain--like a meme. The episodes aren’t memorable, not really. I think the most memorable thing I’ve seen from Teen Titans Go is "Let's Get Serious!" where Young Justice characters make a unique appearance. Aqualad critiques the Teen Titan Team about their ridiculousness and, in all, a very meta-episode in which the end leads us to believe that Teen Titans Go is just supposed to be a joke and we shouldn’t be so serious all the time about a children’s show. Ha Ha. (Let that sarcastic laugh sink in.)

I don’t have kids (yet), but I have nieces and nephews that I care about--and I know how easily kids can be led astray or tricked. Hell--I remember being a kid and how easily adults could manipulate me and my peers simply because they hold the authority. Adults can be manipulated too, I mean look at the Milgram Experiment. So when I look at these poorer reboots and see nothing of substance, when I look and see things that seem to encourage stupidity and lack of thought, I don’t feel like letting them watch the show because some of them aren’t old enough to understand that Beast Boy’s inability to open a textbook is supposed to be a joke. Particularly when he “saves the day” at the end. Sure, I can laugh at it, because I can see it as a joke, but one of my nephews might see a cool and funny superhero shoving a banana into his ear and think “that’s funny, I’ll do it too to make someone laugh” and end up with an ear infection (which is something a friend of mine’s little brother actually did).

In the case of Teen Titans Go, perhaps the creators really do intend for it all to be a joke, like a subversion of the original’s message(s). But then that, to me, is evidence that these are not truly marketed to a new generation of viewers--it’s marketed to the adults that watched the show previously. The joke is that the series is meant to be a form of high comedy with low comedy dialogue (if you don’t know what high comedy and low comedy are, please see here: https://www.enotes.com/homework-help/tell-me-about-origins-comedy-whats-difference-276012). If it is, in fact, not for the older audience, but to a growing generation, then I don’t think the joke is a good one because in some cases it insults the audience’s intelligence and in others overestimates the still-developing cognitive abilities of some viewers.

If TTG is for the former audience, I can appreciate it as a joke. I mean that sincerely, as I’ve found a handful of episodes to be funny and enjoyable. However, I would not recommend the show to kids.

As for I’ve seen some of PPG 2016, I can’t remember anything story-wise, only a collection of meme-like images, like the girls twerking. It’s, again, a show I wouldn’t want kids watching simply because it doesn’t seem to have any value--even from a comedic standpoint.

Of the reboots I’m mentioning, there are many more.

In conclusion, I think that good reboots are intended to be primarily for a new generation of viewers but also hold something that a majority of the previous iteration(s)’s audience(s) can appreciate or even love. Bad reboots focus on the “instant gratification” of entertainment and seem to ignore part of what made the originals so great. They seem to be created for meme-like instant laughs, not memorable content. That seems like a flaw to me but clearly works as a selling point for some shows. Of the two reboot examples I gave, TTG continues. Why? Probably because it holds comedic value to an older audience while providing content that’s not entirely unstable for kids to see. PPG, though, struggled with its release because it didn’t really have value to the older audience that formerly loved the show and relied to much on instant comedy to create a storyline that would keep a younger audience interested. 

Essentially, TTG assumes that the new audience is smart enough to understand that the Teen Titan team is acting stupid. It likewise creates comedy that the older audience can laugh at. TTG will never have the same level of appreciation for storytelling that it’s original once provided, but it’s not intending to. PPG’s creators may have had similar intentions, but didn’t fulfill. 

#reboot #reboots #ppg #mlp #mlp fim #mlp: fim #powerpuff girls #power puff #power puff girls #My Little Pony #my little pony: friendship is magic #my little pony friendship is magic #teen titans #teen titans go #tt #ttg #analysis #long analysis

[itsclydebitches]

RWBY Recaps: Vol. 5 Rest and Resolutions + Alone Together

This is a re-posting from December 8th, 2017 in an effort to get all my recaps fully on tumblr. Thanks!

Hello, everyone! I apologize for the two week gap between reviews. Academia caught up with me in the worst way possible, but that is behind us now, hallelujah. There's a lot to cover in our last two episodes, so let's dive straight in.

First off, Ozpin is the Wizard theory confirmed.

We all knew it was coming, but it's still nice to finally have validation for that idea. Often times writers will deliberately askew what the viewers expect to happen in a failed attempt at originality (see Sherlock's season 3 premiere), but if you've planted the hints there's every reason to follow through with them. In true RWBY fashion though, this information leads to even more questions. I'm particularly interested in this balance between history and storytelling. That is, the version of Ozpin-as-Wizard that we hear about is explicitly a fairy tale and we all know that time has a tendency to twist events, especially when people begin to view them as just old wive's tales, rather than actual truth. All we really know is that Ozpin indeed gave much of his power to four girls, creating the original Maidens. However:

Did he really isolate himself like the story says? Honestly, if I'd been dealing with all Ozpin's shit I'd probably hide in the woods too.

How soon after receiving the curse did all this go down?

Depending on that timing, did Ozpin have reincarnations before he was the Wizard? Or is that his original form? A lot of fans still assume that he was also the King of Vale, though where that fits into the timeline is a little unclear.

Did Ozpin know at the time that his magic was finite? Or was this the event that clued him in?

Did he give the four women magic in a deliberate attempt to stop Salem? Or, like the story implies, was there a broader reason, the desire to give these women the power to continue spreading hope? That would certainly fit with the show's "honest soul" theme (and perhaps an indicator that characters like Ruby have something to teach Ozpin even as he teaches them, just as the original Maidens did).

Are the Maidens' powers connected to their original gifts? Winter is the Maiden of creation and encouraged Ozpin to meditate and reflect. Summer is destruction and, interestingly, told Ozpin to "step outside and embrace the world." Spring brought food and flowers to revitalize his garden and is the Maiden of knowledge, while Fall is choice and reminded Ozpin to be thankful for what he has. I can see some similarities among all that...

We might not ever get answers to questions like these. Unlike other fantasy series, RWBY is rather restricted by its medium--you can't spend page after page explaining nuanced world building as you would in a novel; we've only got about fifteen minutes max each episode and plenty of more important issues to tackle first. Still, it's something.

Besides that confirmation, "Rest and Resolutions" really lives up to its name. We have all the kids enjoying a happy meal together, with only Oscar noticeably absent. (I know, I know, he's housing Ozpin's soul and Ozpin needs to have Important Conversations with Qrow about the missing huntsmen, but let the kid hang out a bit with people closer to his age, yeah?) Much of this volume has been recap of one form or another, so as to make sure that each character is caught up on what everyone else has been doing and are aware of the information that others/the viewer already knows about. Ruby and co.'s conversation works similarly, only these callbacks are meant to induce a sense of nostalgia rather than act as firm plot foundation.

Jaune recounts "loosing" the map on their travels. Jaune. You literally threw it away when you realized that an entire town had been besieged by grimm. Like, I get that losing their map isn't great, but at least the guy is really invested in the welfare of others?

(cough--comforting Pyrrha instead of watching the door--cough)

(It's actually a personality "flaw" that, as we've seen twice now, can cause some serious consequences.)

The kids take turn complimenting one another (aww) and Ruby says that Ren was "out of control" during the fight against the Nuckelavee. I've seen a few autistic!Ren headcanons over the years and this perhaps can be read as evidence to support that. Ren drastically misreads the tone and intention of Ruby's comment, apologizing quite sincerely for his behavior and personal investment in that fight. It's only when Ruby clarifies that she meant it as a compliment that Ren understands... and thanks her. There's a lot of acceptance and support in this moment.

Weiss alludes to summoning her boar during the party (Ruby: "You did not!") and when Nora doesn't believe her Weiss summons the boar right next to her, startling the hell out of poor Nora. This really shows how much Weiss has improved. There's no hesitation, no need to concentrate--she just summons it up with pure ease right in the middle of a conversation.

I was actually rather surprised by Nora's reaction. Yeah, the jump scare was played for humor, but that combined with her horror at Yang detaching her arm... Nora seems a little... skittish to me?  I might be reading too much into things (I almost certainly am), but between these two moments, the joke about her eating, watching her sneak food last episode... they all read as not so subtle indicators of stress to me. And who can blame the girl.

Other nostalgic moments include our Vol. 1-3 nicknames: Ice Queen and Vomit Boy. The group has a long-overdue acknowledgement of how much they've grown since they were at school, with Ruby in particular delivering the iconic line that she tried to "1v1 a Nevermore on our second day of school." And the Death Stalker, Ruby. God bless this trigger-happy child.

There's also talk of Yang's arm. It did my heart good to see Ruby ooo-ing over the mechanics and Yang looking damn proud of it for once. The arm wrestling contest between her and Nora was, of course, fantastic. Yang's not just embracing this new part of her but actively using it to her advantage... that's exactly where we all knew she'd end up. Can't hold this girl down for long.

Yang: "It's no replacement for the real thing, but I'll make good use of it."

There's a radical tone change once dinner is over and Ozpin rejoins the conversation. Yang is clearly distrustful of him after her talk with Raven (despite the fact that Yang has no reason to trust Raven...) and in true Ozpin style he tries to console her with wisdom and compliments: "Your mother must trust you a great deal" if she told you all that.

Yeah. Sorry, Oz. You know as well as the audience that Raven told those secrets to manipulate her, not because she trusts her. That little strategy fell flat.

Ozpin confirms most of what Raven said though, including that he turned her and Qrow into birds. What Raven of course failed to mention was that they both agreed to the transformation. Whether that agreement was a strong and enthusiastic "Yes!" or the kind of consent that Pyrrha gave--a very complicated scenario with no good choices on the table--is hard to say. My own assumption is that Raven was probably thrilled to be given such a useful power, especially when she intended to turn it against the very community who gave it to her. She only regrets it now that her life hasn't turned out quite as planned. She, like others, is looking to use Ozpin as her scapegoat. 

In fact, we're given no explanation for Raven or Yang's anger here. Raven I can conceptualize--she's the type to blame others for her problems--but Yang? What exactly is so horrific about being turned into a kick-ass bird? As Ozpin describes it, this magic allows Qrow and Raven to "see more" and to be "unburdened" in ways that the normal huntsmen or huntress is not. This ability allows them to spy on Salem rather inconspicuously and, as we've seen in the case of Qrow, is useful in terms of keeping track of other people--like your wayward niece who goes off to try and take on the forces of darkness alone. As far as we've been told there's no downside to this ability beyond the fact that Ozpin's magic is finite, but that hardly effects Qrow. He transforms when he chooses, it doesn't seem to cause him any pain, it grants him an ability outside of his bad luck semblance, he already lives in a world where half the population has animal traits... seriously, where's this anger coming from? Just the fact that magic is an unknown to Yang and therefore scary? It's really unclear and frankly worrying considering how much Yang is basing her accusations and demands around that anger. 

Because the irony is that Yang demands no more secrets from Ozpin. He insists he doesn't keep secrets from them, just plays certain pieces of information close to the chest, but Yang says 'tomato tomahto’ even though, as we’ve just established, that wasn’t Ozpin’s secret to tell. And it has no repercussions that impact the rest of the group. Certainly not the girl who just showed up. I mean, maybe there is still a downside? They’ll definitely be a real backlash if the kids discover there is some horrific consequence to Qrow and Raven's ability and Ozpin didn’t say anything... but again, that’s not fair to Ozpin. Isn’t anyone going to ask Qrow why he kept this from his family? Or ask Yang why she’s suddenly on the side of the mother who abandoned her and is a known killer? Putting all this on Ozpin is, again, pretty worrying. 

Perhaps the most moving moment of the episode though is when Ozpin tells the kids that they can still leave. (Except Oscar of course. This poor kid. He got dragged into this fast and is the only one who's truly stuck with it.) He emphasizes that abstaining from battle is not the same thing as retreat and reminds us that these are just kids and they can't be expected to shoulder it all. No one stands except for Yang... but she's not leaving, just making it clear that whatever Ruby decides to do she'll follow her lead. It re-emphasizes that Ruby isn't just a strategic leader like Jaune is. She's the moral compass of the group. Once Ruby decides to keep fighting--and we know she always will--the rest of her family follows. That’s... not always a good thing though. Everyone needs a reason for fighting this kind of war and I don’t think ‘because Ruby is fighting it too’ is powerful enough to carry them through whatever new hardships they’ll face. 

Because you can’t keep the peace for long. We're left with one hell of a cliff-hanger as Emerald, Mercury, Cinder, and Watts approach Raven's camp, the whole gang demanding an audience--or more likely a Maiden. Every fan who cried over the fact that Emerald isn't in the opening finally got to see their fave prepping for a fight and I for one am looking forward to a real battle this Volume. None of the measly stuff we've seen with Blake or in training. For the first time this will, presumably, be Maiden vs. Maiden and I expect something epic.

Luckily the episode airs soon!

Before that though we have the heart-wrenching episode "Alone Together," wherein three fourths of Team RWBY finally get some downtime together. Ruby is up very early due to difficulty sleeping (who can blame her) and she soon realizes that Weiss and Yang are in the same boat. Loved Yang's sisterly "Boop" with her hair (pick that up from Nora, did you?) and Weiss knows her friends well, dumping an unholy amount of sugar into Ruby's coffee to make sure she likes it. "Nice Weiss strikes again!"

I'm quite liking Nice Weiss this Volume. What a step up from Ice Queen.

There's a bit more recapping--Ruby is called out on her priorities. That fact that they're all together at Haven Academy; that's what she can't believe?--before the conversation quickly turns to when they'll see Blake again. We've watched Yang deal rather well with the loss of her arm this past Volume and she kept a comparatively cool head around her mother. This though... this is what's really been festering.

Yang says that Blake "made her choice" and expresses very little interest in seeing her again. Weiss and Ruby are, understandably, shocked. With shaking hands and a flash of red eyes, Yang finally reveals what's truly been holding her back. Not her arm, not Raven, not any anger at Ruby, but the fact that Blake ran from them. Again.  

It's an understandable flaw on Blake's part, and it's equally understandable that this would nevertheless frustrate and upset Yang. I love that it's Weiss who helps her see Blake's perspective in all this: that after finally opening up to them, everything she'd feared actually did come to pass. The family she'd found was torn apart. Beacon fell. Adam hurt Yang in the worst possible way. She brought down the metaphorical walls around her heart and the literal walls of Beacon crumbled. As far as Blake is concerned, getting close to others really did bring nothing but misery. It's not logical, but emotions rarely are. Of course she's going to try and get as far away from them as possible after that, as well as return to her parents. It was a move born equally from a desire to protect herself as well as others.

It says a great deal about Yang's maturity that she does understand Blake's perspective rather quickly (even if, interestingly, she can’t understand Ozpin’s. A difference in who she actually cares for). Notably this is done through Weiss' own experiences, her admission that they've all experienced their own versions of loneliness. Yang says she doesn't blame Blake for the decision any longer; she's just upset that Blake hasn't realized yet (as Yang herself has) that things are easier when you stick together. That she, Ruby, and Weiss could have supported Blake through this... and that they need her support too. Yang resolves to be there for Blake just as soon as she's ready. The girl has a wealth of love within her. And yes, a lot of that stems from adopting the role of caretaker early, looking after Ruby as a big sister, but the fact that Yang can separate her current desire to protect her friends from that difficult childhood is huge. She knows how trauma has shaped her and she's prepared to make the best of it.

Ruby finally does check up on them and lets out a heartfelt sigh. Everything's okay.

Now, I'll be real interested to see if Yang's shaking lessens after she's reconciled with Blake...

Meanwhile, there's Ilia. And you all know what I'm going to discuss here.

There's a lot to say about her meeting with Blake--the well-played betrayal; our look at how Blake might end up in Mistral; the introduction of a very cool spider faunus; Ilia's speech about how there's no right or wrong, no innocents, just doing "what's best for us" that reminded me strongly of Roman's own speech--but for now, especially given how long this review already is, I want to focus in on her sexuality.

(FYI what I have below was originally written as a separate post, so apologies for the repetition.)

In the past week I've seen numerous complaints about how the fandom is “whining” about finally getting what they want. I’m one of the “whiners,” and this, to be frank, is not what I asked for.

Let’s start with the acknowledgment that yes, no matter who Rooster Teeth chose as their first LBGTQIA character, some people were going to be disappointed. Either because the choice doesn’t fit their ship or because of the dichotomy we’re seeing now: the Good vs. Evil gay character divide. It’s a simple disagreement on the surface that nevertheless houses a lot of important questions and concerns: should you make your gay character one of the Good Guys in order provide positive representation, or should you make them one of the Bad Guys in order to provide diverse representation? Do you send the message that being gay is wonderful by associating it with the heroes, or something that’s natural by associating it with the villains--making a statement that anyone can be LGBTQIA, not just the ones you’re rooting for?

The answer to this dilemma is that you do both. You provide variety in order to likewise provide true, diverse representation. However, the reality is that we haven’t reached a point in most media where you get lots and lots of gay characters to provide lots and lots of diversity… so therefore I feel rather strongly that the first character should be a positive portrayal.

Why? Because we’re not living in a positive world. Because we’re still a part of societies where LGBTQIA people are ridiculed, discriminated, and murdered. Because the idea that it’s not just okay, but fantastic to be gay is FAR from universal.

Because we have a very long, awful history of villains associated with gay stereotypes. Because there’s literally a Psycho Lesbian trope with plenty of examples to choose from. Because we don’t live in a culture where you can casually throw out ‘gay’ + ‘bad guy’ and expect your audience to separate the two critically.

Which brings me back to Ilia.

For all these reasons I was truly disappointed to see that she was our first LBGTQIA character. Out of a wealth of women in this show who love each other in healthy and nuanced ways, they were all bypassed for a character who is currently one of the Bad Guys.

Is Ilia pure evil? Of course not. I’ve mentioned previously about how much we see her struggling with her choices, but she’s currently not on a good path either. More importantly, the way her sexuality is revealed does nothing but position it badly. Let’s break that scene down just a bit. The first LGBTQIA content we’re given is:

A woman who is working for an extremist group that in turn is working for the Big Bad

Ilia reveals her sexuality after having her henchmen abuse Blake, attacking her, forcing her onto her knees, and announcing that they’re currently attempting to murder her parents

Ilia says that she wanted Blake to look at her like she once looked at Adam, intentionally or not drawing parallels between her love and Blake’s abuse

She positions her sexuality as at least partly a justification for her actions. Illia is subtly blaming Blake: if you’d paid more attention to me, maybe none of this would have happened. It actively positions all this horror as at least partly a consequence of same sex attraction

Does all of this craft a rather complex, LGBTQIA character? Absolutely, but it’s also one that left a rather sour taste in my mouth. Overt, same-sex attraction is still so rare in our media and frankly I’m sick of it. I’m sick of vague comments, queer baiting, or promises of something “coming later.” I’m equally sick of burying our gays and having same-sex attraction presented as something that only those who are otherwise sick in their morals would experience. Is it so much to ask for something reaffirming in a series that keeps growing in popularity and influence?

Will there be more LGBTQIA characters in RWBY? I assume so, I hope so, but for now all we have is Ilia. A character who, I’d also like to point out, we barely know. I’m sure she’s lots of fans’ fave, but I for one have little interest in this side character… and her position as a side character makes me nervous for her survival. Her sexuality only compounds that.

Rooster Teeth had a huge opportunity here. LGBTQIA viewers have waited five years to see someone like them in this series and it could have been a really magnificent reveal. It could have been Yang realizing her feelings as she worked through her anger at Blake. Or Weiss realizing hers for Yang as they get closer this Volume. Or Ruby for Weiss. Or Weiss for Blake. Hell, give us a throwaway line about Port and Oobleck being happy husbands, or let Ren be pan, or let Oz admit to same-sex attraction after having lived thousands of years…. I don’t care. I’ll take any ship wars that develop as a consequence. All I wanted was to see a character I know and love embracing their sexuality in a way that reaffirmed how proud I am of my own.

Instead it’s Ilia, admitting feelings for Blake while she plots to kill her parents. While she hurts her and betrays her. Sorry if I find that a little difficult to watch. Sorry if I need to “whine” about it just a bit.

So yes. Needless to say I'm disappointed. After that I couldn't really appreciate Ghira's transformation and concern for his wife, or Kali's badass, "Get out of my house!" As said, the whole scene with Ilia left a bad taste in my mouth. I know Rooster Teeth can do better.

Hopefully we do get better. Preferably soon. This is the perfect, filler kind of Volume to set up more characterization, including queer sexualities, and we've got four more episodes until the hiatus.

Tick, tock, RT.

Other Details of Note

Nora, what exactly happened with you and that punch?

I liked the gears on the wall clock. Which begs the question: where did this house come from? Is it a safe place that Ozpin had set up long before Beacon's fall?

They ate ALL that food. Everything they'd prepared while expecting who knows how many huntsmen/huntresses. Never underestimate the appetites of a group of teenagers.

James and Glynda get mentioned this volume! Everyone rejoice! Now if only we got to see them on screen...

Nora exclaiming about how Qrow and Raven are named after birds was pretty hilarious. It's not like we weren't already thinking it. Despite all the jokes on tumblr though, there's no way Ozpin chose those forms specifically because of the Branwens' names. If anything, this seems to act as evidence that a person's semblance/abilities draws on their personality, rather than the other way around.

There are a number of bird motifs throughout "Alone Together," including our opening shot of Ruby watching them fly overhead and a pair of carved ducks on display in the bedroom where Yang and Weiss chat. It's a nice nod to one of this Volume's major themes. (Or, if we buy into this headcanon that this place is a safe house purchased specifically for Qrow, then Ozpin needs to get called out on his on-the-nose decorating lol).

Yang staring at the team photo hurt in so many ways. Excellent touch there.

We have that acknowledged parallel between Weiss and Ruby, in which Yang (and the audience) expects it to be Ruby knocking on the door, trying to talk. The difference is that now, months later, Yang is actually in a position to open up to someone and that someone is Weiss, now just as much a sister to Yang as Ruby is.  

Confirmation that Weiss' mom is an alcoholic. We knew that was coming too...but still. Yikes.

Yang cries! Let all the children keep crying! It's good and natural!

There's a "nocturnal section" of Menagerie. Of course there is. God I can't believe I didn't think of that.

Ilia can completely blend in with the shadows. It's official now: all Volume 1-3's shadow people are just really, really shy chameleon faunuses. Spread the word.

That blow Blake took seemed to hit her pretty hard. Kind of like how Oscar staggered when he got hit without his aura... could Blake really trust Ilia enough to attend this meeting without proper protection? She might, which makes Ilia's betrayal all the worse. In the episode where Yang talks of letting Blake support and be supported by others, she was finally willing to do that with an old friend. Obviously having that backfire won't help Blake to open up any further.

GIF credit: http://knowyourmeme.com/photos/841077-rwby

#rwby #mymetas #RWBY Recaps

[digikate813]

My Little Pony Re-Watch: Episode 51 & 52 A Canterlot Wedding

*I’m just going to be up front here. This is the episode, that made me a brony. This is the episode that made me realize how great My Little Pony: Friendship is Magic really was. For a long time, it was my favorite episode. So of course it’s one of the most divisive episodes in the whole series. So we’re going to approach this differently. Rather then go over events individually, I’m going to stick to talking points more in the style of my video reviews. If i didn’t we’d be here all day. So let’s do this.

*A big complaint about this episode is how Twilight’s brother, Shining Armor, kind of comes out of nowhere. Maybe it’s just because I grew up with a lot of sitcoms, where siblings kind of appear out of nowhere with no previous establishment, but I just kind of accepted Shining Armor’s existence. Though it would have been fairly easy to introduce him sooner. Between the Grand Galloping Gala and Twilight holding her birthday party in Canterlot, it is weird in hindsight that he was nowhere to be seen during all of that. But again, it doesn’t really bother me.

*And i like the touch that his cutie mark is a shield and his most powerful spell appears to be a protection spell able to encase the entire city of Canterlot. It just adds more to my working theory of how talents and magic work.

*Twilight does have a bit of a right to be mad that she wasn’t told about this wedding until days before it’s supposed to happen. But hey, maybe that message that got burned in “Dragon Quest” was the announcement, idk.

*You want to sum up Pinkie Pie in one moment? The confetti sneeze. That is all

*Another criticism of this episode is the other character that appears out of nowhere, Princess Cadance. Now i don’t think the existence of another alicorn comes completely out of nowhere like many claim. Because there was that illustration in “Hearts and Hooves Day” that shows us other alicorns exist besides Celestia and Luna. And as far as we know, they’re all princesses. So this doesn’t break the lore necessarily, but I will agree that this at least was poorly established.Then again the show was never great at presenting Cadance’s role in the world, as we’ll go more into in the next episode.

*I will admit that her supposed love spell is both underutilized and morally questionable, but that’s not a discussion for this post. I think Silver Quill has covered everything on that topic.

*I used to hate the “Sunshine Sunshine Ladybugs Awake” rhyme and dance, but now that they don’t do it anymore, I feel a bit nostalgic towards it watching this again. Is that weird? It feels weird.

*And personally, I think the mystery behind why Cadance is so different from how Twilight remembers her works. Because while Twilight may know Cadance, we don’t. And therefore we can’t really tell what exactly is wrong even when the show tells us something is off. It’s not obvious what’s going on on your first viewing is what I’m saying. We’re just taking Twilight’s word for it that, if nothing else, Cadance has changed a lot. Being dismissive, insensitive, and hypnotizing her fiance to stop asking questions. But that last one probably isn’t that big a deal.

*The rest of the girls may be a bit too dismissive of Twilight’s feelings on the matter, especially after what they learned in “Lesson Zero” but Twilight does have a tendency to exaggerate and be paranoid. So I do get why they wouldn’t just take her word for it. It’s something that they could easily brush off as Twilight being Twilight and not as a red flag.

*Plus not Cadance is pretty good at being manipulative. Getting rid of her old bridesmaids so the Mane Six could fill in. Such a gesture makes it easier for the girls to get wrapped up in the planning and see Cadance in a better light instead of listening to Twilight. 

*Lyra speaks! That is all, but when a famous background character finally talks, you acknowledge it.

*I love this episode, but Spike playing with the cake toppers constantly is a really lame way to keep him out of the story.

*Twilight confronting Cadance the way she did might seem like a dumb move, and maybe it was. But keep in mind. Twilight has tried alternatives. Her friends wouldn’t listen to her, the princesses are busy guarding the city, and when she tried to talk to her brother about this, she saw Cadance put a spell on him. She’s in crisis mode here, and wants something done to stop her. So she takes action into her own hooves. The only problem with this plan is that Twi doesn’t really have, proof that Cadance is evil. 

*How much this plan backfires is kind of devastating. Even Celestia scolds her for this stunt! By the way the facial expression on Twilight when that happens is one of the saddest faces in the series.

*Then we get a really sad reprise of the previous song, but all anyone cared about was the cute little pointy pony style. It’s crazy how popular this style became! Some fan animation series are made just in this style. It is really cute, I’m just always blown away at just how popular it got, and still is.

*One of the best things to see reactions to in regards to this episode is when not Cadance engulfs Twilight in a ring of fire and sends her to the depth of Hell to cover her tracks! Okay it’s not Hell, but still. It was the best cliffhanger from the show for a while.

*How has the show never used these caves beneath Canterlot since this? I know there’s a line where they say that most ponies forgot these caves even exist, but could you imagine if maybe,  the Diamond Dogs wanted to get down here or something? There’s potential to use these caves again, and I’m shocked the show hasn’t.

*And here’s where we learn what’s going on. That Cadance was replaced by an imposter. Now I knew what was going on because I knew who Queen Chrysalis was. That’s what led me to watching this episode. But the story is clever at revealing this twist. There are hints to fake Cadance’s true identity, but since we don’t know Cadance, we wouldn’t notice things like her magic looks different, unless you were paying very close attention to the flashback.

*Ah, This Day Aria. I’ve said that this is quite possibly the moment that sold me on the show for good. And i stand by that. The Disney Renaissance vibes you get from this gorgeous duet are powerful. Between the villain celebrating maniacally and the hero racing desperately, it creates tension and an amazing contrast, performed by the same voice actress. There’s even this clever bit in the melody of contrasting between an Authentic Cadance and a Deceptive Cadance. Everything about this song is marvelous! It’s a beautiful moment to watch play out, and a great way for us to see what the real Cadance is like. I love everything about it!! Obviously.

*I don’t think the way Twilight and Cadance escaped the hypnotized bridesmaids should be as funny as it is, but it is. It’s so funny.

*Queen Chrysalis’ reveal is epic! Her design is incredible and eye catching, her voice s sinister and distinct (I really miss that modulation though), and the introduction of Changelings into this world is such a great concept! The only part that’s kind of weird is that they never say Chrysalis’ name in the episode itself.

*Celestia finally gets to do something and fights back! Only to be immediately defeated. This is one of the most controversial scenes in the episode and i get why, but as far as the moment itself goes, I don’t really feel the same way. In the moment it’s a way to show just how much of a threat Chrysalis is while giving Celestia some agency. For the sake of tension, it works. No what bothers me is the larger trend this started of Celestia getting her flank whooped whenever possible. 

*And I get why Chrysalis was surprised it worked. She would have had to take on Celestia eventually, but she might have figured she’d have her army with her by that point. So being able to get the job done herself gives her more of an ego boost in this grand plan.

*And do I even need to comment of the Mane Six battling the changelings? It’s AWESOME! The combat is exciting, there are a lot of funny moments, and between the return of the Party Cannon and using Twilight as a weapon of mass destruction, Pinkie is a master on the battlefield.

*This episode is also unique by being the first two part episode where the major threat isn’t defeated using the Elements of Harmony. Giving a great twist on expectations that I think gets taken for granted.

*Another major point of contempt with this episode is that Chrysalis just stands there and lets her enemies plot to defeat her. And I get that too. I do, but to me it’s not, completely unjustified. After all, Chrysalis’ plan has gone without a hitch. She’s managed to stop anyone in her way at every turn. Now that she’s taken away all major power, why should it be any different now? She’s deluded by her success and doesn’t see a way she can be stopped.

*The only way she is defeated is by something she wouldn’t expect. True and pure love. The changelings manipulate others to gain power from their love of the person they’re impersonating, and Shining Armor was their latest victim. Not believing his own sister because he’s literally being controlled by someone who says they love him. And it’s not Twilight or any of her friends who break that curse, but Cadance. The one who truly loves him. Simply by being there and expressing how much she cares about him. Add to the fact that Cadance’s magic centers around love, something Chrysalis might not have known, and you get an even bigger power boost. It’s pretty cool when you see it at first  and beautiful when you think about it any deeper. 

*Plus I love cheesy stories where love and friendship and bonds that make us stronger save the day. It’s really my jam and why i stick with the show. And this is one of the best demonstrations of it’s power.

*And the fun little trope twist of the princess saving the knight in shining armor. And then it’s both of them together that stops the villain.

*I know everyone’s made this joke, but because one of my most well know loves is Pokemon “Looks like Team Rocket’s Blasting Off Again!!”

*Hey Twilight and Shining Armor’s parents are back! And they still don’t get any lines. Hooray!

*Props to Dashie for pulling off a Sonic Rainboom so flawlessly!

*Luna?! Where the hay have you been??!! Okay this is another complaint about the episode but this time I have to agree. Where were you??? The only props I’ll give here is that at least they acknowledged she exists. Unlike Return of Harmony.

*I personally think Twilight should’ve gotten more of an apology from her friends, but at least the message still comes across. Not only is there the power of love in it’s toxicity and purity, but also Twilight journey to persist even in the face of doubt. If something seems suspicious to you, especially when it effects the ones you love, pursue it. Investigate and see what you can do to help. And it’s because of Twilight’s actions that she’s able to reunite her brother with someone who genuinely loves him. You might not be able to save someone you love from someone who is just using them on your own, but you can do your best to find someone who can help them. Twilight may not have technically saved the day this time, but she played a very important part.

*Ending with a fun reception with a really catchy song and the reveal that Vinyl Scratch’s eyes are magenta and not red. Breaking the hearts of fan artists the world over... And isn’t that what we should really take away from this episode?

Screw the haters. This episode is amazing! I should really do a full video on this one because I truly love this episode. If anything, the criticisms has made me realize in other ways why I love it so much, and why it sealed the deal for me on this whole magical pony thing. So I suppose I should be grateful for that. There were a lot of other things I could have mentioned, but again, these are just supposed to be short thoughts. Like I’ve said, this is the episode that made me understand why so many people loved this show for little girls, and i will always be grateful for that. Next Time: The Crystal Empire!

#My Little Pony #MLP Rewatch Marathon #canterlot wedding #My Little Pony Friendship is Magic Review #analysis #MLP:FIM

[nicaffeinated]

An in-depth but unorganized review of Star Wars Ep.VIII: The Last Jedi

I don’t really do movie reviews, but for Star Wars Episode VIII: The Last Jedi, I’m willing to do it (and because most of the people I know haven’t seen it yet, I need to let things out!) So, if you haven’t seen the movie yet and are planning to watch it soon, please don’t read this. Do yourself a favor, and don’t spoil yourself.

To set things going, I just want you to know that I love Star Wars. As a kid, I grew up being only aware of the Star Wars franchise. I knew about lightsabers, Darth Vader, Jedi, Sith, and I even knew about the Millennium Falcon considering I haven’t watched any of the movies before! This just says how big the Star Wars influence is. But what set things in stone for me was actually watching the original trilogy marathon on TV out of boredom. This was uncanny of me, as at that age I was more obsessed with fairies and princesses in ball gowns. Then I got to know our beloved heroes, Luke, Han and Leia and I went out a fan, and here I am now. 

I watched the movie on the second day of release, which is the 14th of December here in the Philippines. In fact, at first, I was the only girl to enter the cinema during the first screening of that day. There were like 7 guys already inside and I just knew they’ve been waiting to watch this movie for two years as I have. 

So to get on with the movie review, I generally liked it, but all in all I don’t know what to feel about it. I guess writing about it will help me in weighing everything down.

On-Screen

I feel that instead of answering questions, the movie just raised a shit ton of them. Don’t get me wrong, I liked it in its cinematic sense. I was in awe of how Rian Johnson visualized everything. It is very unlike how JJ Abrams based VII on the previous movies, Johnson really brings new things to the plate. He is very creative and you can really see that in the film. There was a part with Rey seeing multiple reflections of herself during her time in Ahch To, Luke didn’t want her to do that and in the end she just ends up crying. I do understand that it was important to paint Rey in a more vulnerable light compared to her Mary Sue-ness in EpVII, but I just thought it was unnecessary to have the multiple Reys on screen no matter how cool it looked. 

The hyperspeed kamikazee of Amilyn Holdo played by Laura Dern was breath taking. The cinema just completely fell silent and it was so cool I had chills down both my arms. Can I just acknowledge Disney for adding these amazing women to the cast. This was a brilliant move Disney, and also the casting directors.  And, by the way, the “connection” scenes between Rey and Kylo Ren were well executed, in my opinion.

And I really liked how humorous the movie turned out, I was surprised I genuinely laughed which didn’t happen in the Prequels (We get it Anakin, you don’t like sand.) Oscar Isaac/Poe Dameron and Domhnall Gleeson/General Armitage Hux were great and funny whenever they were on-screen. They worked the same way as Chewie, the Porgs and those nuns/caretakers in Ahch To.  I guess it’s safe to say, they kept boredom at bay. 

WAIT, WHAT?

Moving on to the confusing parts, I just don’t get why they didn’t kill Leia off in her swooping in like Peter Pan scene, considering what has happened in real life. They are really making it hard for them to do IX with Carrie gone but it supposedly being her movie (Ep VII was Han’s, and VIII was Luke’s). I guess we’ll just see how that goes and hopefully make Carrie Fisher lovingly raise her middle finger like a salute at us from her pool of moonlight.

I don’t get why they killed off potentially amazing characters. Phasma for one and why the hell did Snoke die that easily? For a powerful, ancient character, he was just like a rag doll that was a throw away. The movie lost the opportunity of expanding their plot by killing off Snoke. I guess Kylo is his own villain now, assuming that he still has light in him after being rejected by Rey like that. 

To top it all off: Rose Tico and Finn? Really? I didn’t even see them lock eyes for more than a minute. (Stormpilot and Reylo for the win) 

Goodbye, Luke

I really appreciate how Luke died. I’m sad that he’s dead, but in his words “No one is ever truly gone” which popped up in a conversation with Leia regarding Ben/Kylo, but can be applied to Han, himself and even our dear Princess Carrie Fisher.  Force projecting himself into the Resistance base in Crait to face Kylo in what I see as his best Kylo-Tantrum ever was awesome. 

On as side note, Adam Driver was amazing in VII and he’s even better (and shirtless, but that’s not the point) here in VIII. I can’t wait to see him star in more movies. He killed it this time.

Moving back, if you were looking properly, you would really see that something was off with Luke. He has his lightsaber, completely unscratched (which was the one Kylo and Rey broke in half back in Snoke’s ship) and he didn’t leave any footprints when he walked out of the base. I mean there was a reason they gave screen time to the Resistance man’s red footprint on the planet’s salt surface. Anyway, Jedi master as he was, Luke died out of what I believe is exhaustion in Ahch To, looking at what seemed as two suns setting, which was a great homage to his time in Tatooine. I won’t lie, I had actual tears in my eyes during this time. But what I thought when I saw this was, IS AHCH TO IN THE SAME SYSTEM AS TATOOINE? I know it’s irrelevant now, but I just want to know considering I don’t see any maps with Ahch To on it. And just so you know, I really am bothered by it.

Anyway, I understand why Luke had to die. In the future movies, we just can’t keep coming back to the Skywalker bloodline. The Jedi and most importantly the Skywalkers are not the sole wielders of the force as there are a lot of force sensitive beings and the force is in everyone and everything. What they are saying here is anyone can be special and I really like that. And I really like how the force kind of chooses people who don’t have anyone or anything else but have ambition and longing to make a difference. 

Other than that, I have high hopes that we’ll be seeing Luke again pretty soon. It will be a welcome sight just like how puppet Yoda popped in here in VIII. It was pretty funny and nostalgic.

Suddenly weaker?

The Force likes to keep things in balance. That’s why in the height of Kylo’s power, the force sent Rey to be his equal at the time, which explains her being able to do all those amazing stuff in VII. But here in VIII, we don’t see Kylo Ren and Rey do a lot of cool tricks, basically because I think the force is making sure that when Luke has to do what he has to do, he has enough power to tap into the force for that force projection, despite it ultimately feeding off of his life in the end. Well, that’s what I think the reason is. 

A New Hope

If you jumped out of your seat when that orphaned kid seemingly summoned that broom to his hand back in Canto Bight (You know, that boring casino world in the middle of the movie where they got Benicio del Toro’s code-breaker character “DJ” (which stands for “Don’t Join”, apparently) to hack into Snoke’s flagship, Supremacy. Yes, THAT.) You are not alone. I literally squeaked when I saw that, and then I was completely in awe when he raised that broom forming the silhouette of a Jedi wielding a lightsaber as he stares out into the cosmos. I will never forget that scene. Never. 

For me, it just symbolizes everything that the Force and Star Wars stands for, which is POTENTIAL. Just about anybody, even if you’re a nobody at that, YOU have the potential to change the universe and the worlds beyond. 

And because Rey is not a Jedi yet, but Luke hinted that he’s not going to be the last Jedi, seems to say that she has the potential to be one and Luke definitely has faith in her. Maybe once she gets to build another lightsaber from Luke/Anakin’s kyber crystal inside the broken shaft of the lightsaber that she and Kylo Ren broke in that tug of war. 

Oh and did you also get why Yoda burnt that old tree just to set Luke free from all his doubts? You know, when Yoda talked about how there is nothing in those books that Rey does not already have. It’s because Rey took the ancient Jedi texts. She stored it in a compartment inside the Millennium Falcon and we got to see it via Finn near the end. Good job, Rey! This is just more proof that hope is never really gone.

RATING

4 out of five stars!!

Reading everything that I have written, I do like the movie. I find it creatively amazing, despite having plot holes (I believe there’s a lot more than what I have listed above). I’d like to think that the creators have provided themselves with an almost clean slate to work on IX and also having the chance to input more stories into the Star Wars franchise. I mean, who knows, maybe some of the legends may become canon soon. 

We’ll see. 

#star wars #star wars episode viii #the last jedi #movie #movie review #kylo ren #rey #luke skywalker #general leia #leia and luke #poe dameron #finn #rose tico #star wars legends #lightsaber #jedi order #sith #ben solo #leia organa #armitage hux #hux #holdo #stormpilot #reylo #reylo fam

[trulisthetic]

Note to Self (to read when I’m down)

So, which is it gonna be, self? Ugh, damn it, I always love the episodes and all this negativity online ruins them for me 😅😅😅 Gotta work on being so easily affected!

Anyhow, now that this half season has officially ended, I decided to white this ‘little’ positive note to myself to cheer me up. If you want to read it too, you’re more than welcome!

Warning: This is just what I would personally want somebody that could read my mind to tell me, you might not agree with some things I say and that’s totally fine. Peace.

Okay, self.

So you cope with the Jaggie situation just fine on normal days, that’s a fact right? You absolutely hate it, of course you do. Who ruins Japril for a couple with zero chemistry who popped up out of nowhere? Who turns Maggie into a black version of April simply so she can match Jackson when she was such a strong, brilliant character before? Of course you cannon believe this is actually happening to you favorite couple, the ones who helped you pull through your favorite person’s passing last year, your big exams, your parents’ stupid fights. They were your home, and now they’re getting ruined and you are incredibly mad and sad and devastated over that. But they still remain your OTP, they are still very much alive in your heart and your mind in the fanfiction world, and sometimes that’s just enough for you. Sometimes it’s not, and you wish with all that you have in you that this is just a phase and they will eventually fall back together after they take some time to miss and appreciate each other. But in general, you are copying. You have accepted that Jaggie is happening. You wish it would just happen already and yet you get goosebumps at the single thought of them kissing, but you have learned to live with it.

So why is it that you get depressed every Friday?

You watch the episodes. And the awesome thing is that even though last year you were so boooooooored because there were almost no Japril scenes and the show without them was just MEH, this year you find yourself squealing in excitement at the single sight of the Seattle shots at the beginning. Does that mean you are falling back in love with Grey’s Anatomy as a whole? Probably. It’s taken a 180 degree turn from last year to your eyes, and it’s somehow exciting again. You’re not just watching for Japril anymore, admit it. Because there is not Japril, and still here you are. You laugh out loud with the new interns, you live for those hilarious lines of Bailey’s, you really loved what they did with the Nathan/Megan storyline and you actually teared up at that last scene with the beach and the sunset. You come to like Meredith again -remember those times she was your favorite character back in the early seasons and you only breathed for MerDer? It’s a nostalgic feeling that comes over you when you think about how different your life was back then when you began watching. But back to the point, the show is so interesting to you again and that thrills you to no end. You had to pause the episode for five whole minutes to calm your breathing when Jo’s husband popped up a mere hour ago! You freaking love season 14 girl. Stop denying because you’re probably the only one. And don’t feel guilty for it, for god’s sake.

Then again, you get what everyone has been saying about April not having a stoyline, which is really sad come think of it. And Sarah Drew is such a precious human and such an incredible actress and she is REAL and she deserves better than to play a side-character. Yet she seems pretty happy at all those selfies and it looks like she’s having a blast with Kelly, but for sure that might as well be just for show. You don’t know what’s going on behind the camera’s, only they do. What you know, however, is that she clearly loves acting and feels blessed for being on Grey’s Anatomy, so who are you to decide if she should move on or not? She is a strong woman, more than perfectly capable to make that decision for herself, and you know that she could book herself a hundred movies in a split second with that talent and dedication of hers. If she feels like she is being wasted, wouldn’t she pack her things and go? And yet there she goes in every opportunity given, expressing how grateful she is for being part of something as big as Grey’s, how she loves the show and the people she works with and how she feels so lucky that she is able to provide for her family doing something that she loves. Why would she fake that, Truli? Of all the interview for the 300th, how many actors showed such genuine gratitude? She is happy working on Grey’s. And that secretly gives you such relief it almost hurts, because it means April is here to stay, and you couldn’t be happier about that.

Still, would you want April to have more scenes? DAMN RIGHT YOU WOULD. You miss your girl so much, you miss her being in things, having a story of her own. But then again that’s how you feel every season. No matter how much screen time she gets, it’s obviously never enough cause you only get one episode a week and barely two minutes of April! However, the truth is that the few scenes she has gotten so far this season you have found brilliant. Starting at the only Japril scene of the season, you were amazed by how much she has truly grown, how well she handled the situation with maturity and openness and honesty. You are so proud of your girl. And then she has been interacting with so many people this season, including Owen and Arizona and Alex and Meredith and Maggie and Bailey and Richard and Amelia and the interns and that just makes you so happy because for so long she seemed like she had no people to turn to, while now she has a whole village. And that cafeteria scene at the Amelia/tumor episode was you undoing, just like good old times! Then when she was shot -Holy crap! She had dodged it for eight seasons! :P And when she prayed for Amelia even though they weren’t that close, and then thanked God, with her baby girl in her arms. Ugh, the feels! So April <3 And then that flash-mob mention... how she stammered “that’s not the point” was just plain B-R-I-L-L-I-A-N-T. Oh, and this last episode you know she got all the good stuff. That “awkwaaaard” line was so well delivered you were laughing for an hour, and the “Stone age” and newspaper parts just killed you. And despite many, you loved how she took a couple of episodes to adjust to the new normal back when she first moved out, to find her way again, to be a bit sad. It was so April. And for fuck’s sake, being emotional doesn’t make you weak. On the contrary, it makes you freaking human. Being able to experience emotions strongly is not a flaw, it’s a gift. It shows mental maturity, and if anything overcoming stuff is making the person go through an entire emotional roller coaster, which in the long run helps them grow and makes them come out stronger and wiser. Let people have emotions.

But you also wish your boy had more screen time, with scenes you could actually watch. Because now most of them are with Maggie, who you can’t say you ever really liked but you just can’t stand her now, and you know that’s not fair to the character but it was inevitable. And you try. You try not to hate on her, you try to be nice because that’s what you were taught. To only spread love, not hate, to see the positive side of things. You credit your grandma for that, too. But man, it’s so damn harddd! And you sure as hell love Kelly and you feel so sorry and mad that they did this to her and her character, because she deserves better than to be hated by en entire fandom. Nobody deserves that, nobody. Remember back when April had a crush on Derek and EVERY SINGLE MERDER FAN hated on Sarah with all their might? How does that make you feel? Hm. Infuriated, mostly. With a very strong urge to run up to your girl and hide her in your arms and protect her from this cruel fandom who thinks it’s okay to hate on real, actual people with real, actual feelings just because someone decided the fictional character they get paid to portray should have a little, fictional crush on another fictional character. That is not okay. And it makes you wonder what kind of shallow, superficial and immature people still go on with it.

Jackson is also getting a lot of hate, and you absolutely hate that. Because despite many other’s that are absolutely in love with April like you are, you are just as absolutely in love with Jackson as well. You have two favorite characters. Jackson and April. Those names are linked together, and you can’t imagine one of them without the other. And just like you hated when April got all that hate back in 12a, you hate how Jackson is getting it now. Do you think he’s different? Yes. He’s definitely less warm and emotional than he used to be. And he’s acting a bit recklessly and immaturely lately, spending money, making rushed decisions... Do you think that makes him an asshole? No. No, you don’t. Because you recognize people have flaws, you recognize people have their moments of immaturity and that they sometimes make mistakes. That only makes them h u m a n. And this short of stuff happen in real life. Sometimes we look at someone and can’t recognize them. It sure has happened to me a couple of times, and I have been the unrecognizable one a couple of others. It’s just how life is sometimes. But Jackson, truly, has done nothing wrong. Not being with April doesn’t make him an asshole. Being with April and thinking about someone else does, and not once has he come close to doing that. He made his stance clear from day one, he didn’t stop April from moving out because he felt like they could never work, or because the idea of Maggie was planted to his head, or for whatever other reason. That doesn’t make him an asshole, not to your eyes at least. That simply makes him honest when it comes to his intentions, and it protected April from getting further hurt as well. Hating his grandpa doesn’t make him an asshole to you, the man was unbelievable! He viewed him as a five-year-old child, ignored his authority, disrespected his choices for his own life and career, compared him to his father -which he KNEW was a soft spot for him and his worst ever nightmare- and was overall an absolute asshole. You hated him too, more than words can express, and you cried in joy when he complained himself to death, don’t deny it!

And also, being interested in someone new, as much as you despise it, doesn’t make Jackson an asshole to you. He is single. April is single. April is obviously already back on tinder and “so ready to be dating”, and you don’t see how Jackson is faulted for wanting the same thing. If anything, you wanted him to start something knew, just for the sake of realizing how there was nobody that could make him feel the way April did, that affected him and made him a better person like she used to. On the other hand the last thing you wanted was for him to be in a relationship with someone he looked good with, so the lack of chemistry between Jesse and Kelly is a gift from heaven to your eyes. Do you like the fact that they’re step-siblings? No, you fucking hate it. Do you think it’s a deal breaker. Ugh, that’s another no. First of all because they didn’t grow up as siblings, and have only gotten relatively closer since her mom died a few months ago. You could have seen them as siblings, but that bond was never really explored -whereas even though Owen and April are not related, their relationship was evolved in such a sibling-like way through the years that you practically view him as her older brother. And besides, you’d be a fucking hypocrite if you said that the fact that their parents got married is a deal breaker for you, since you know that that fact didn’t stop you from having as your first ever OTP a pair of 17-year-old step-siblings (who actually lived under the same roof for at least three years) and you almost cheered yourself to death when they got married at the end of the series. Yes, you know I’m talking about the Greek comic series “Ευτυχισμένοι Μαζί” (Eytyxismenoi Mazi/Together Forever) you freaking dumbass, don’t play innocent on me. You loved that show growing up, and you loved Markos and Eva together, step-siblings aside. And you found their parents’ reactions when they found out absolutely hilarious. You will not find Catherine and Richard’s reactions hilarious, however, no matter which they are, since you don’t find the entire storyline okay at all. Still, you are hoping with all that you have in you that the embarrassingly obvious luck of chemistry between the actors, along with the fact that practically every Grey’s Anatomy fan not only doesn’t ship them but hates them together, will result in the eventual dropping of this ridiculous storyline, which would NEVER have happened, by the way, after what happened in Montana. If Montana had never happened you might be better at believing it, but after Montana you just find it plain ridiculous.

Overall, you don’t think Jackson is an asshole. He is your boy. He is your baby. you love him more than words can say. And so if he wants to try and buy himself happiness, you are happy to watch him. You’d buy all shorts of useless crap if you had money too, and a yacht... man, hell yes! Although the first thing you’d do is buy a farm, we all know that. And if he wants to explore his options in the romantic department, why the hell not? It kills you inside, of course it fucking does! , but he is not with April, he is trying to move on and be happy, and if your baby finds that again, you will be happy too. All you want them is to be together, but if they can both be happy apart, then you can live with that. You can live with them cherishing their time together and simply being friends raising a baby -if we ever get to see a scene with them again. Grrr!- as long as they are happy. After all, you have your perfect version of Japril all shaped in your head where they got back together after Montana and are living happily ever after, in a house with hardwood floors, a washing machine and one of those milk-frothier things, with their little miracle of a beautiful daughter and a puppy. Because, come on, what’s a family without a dog?

You hate the canon Japril/Jaggie storyline right now. You hate it, yet you have learned to accept it. Or rather, to ignore it’s happening. You watch the episodes and really enjoy them, and then when a Jaggie scene happens you just watch it as an average viewer and roll your eyes and even chuckle at how somebody ever believed they could pass this as something actually ship-able. You laugh. You roll your eyes. You cope.

And then you go online, and you fall apart. You watch all these posts and rambles about how horrible the show is and how everyone is to be hated, and how the actors and us the loyal Japril shippers deserve better (which is the one part you partly agree with), and all these do is depress you and make feel guilty, guilty! , for falling back in love with the show that has been your home even since you were thirteen. And why should you feel like that, Truli? Nobody is asking you to apologize for liking the show. Nobody. But even if they were, why the fuck would you even pay attention to them? You don’t have to apologize for still liking the show, as everyone else doesn’t have to apologize for not liking it, and it’s terribly wrong of you to blame them if reading about it makes you feel bad.

People have the right to have their own opinions. People have the right to express them. If someone hates the show, they are free to say it out loud. And if someone loves it, they are free to express that too. Nobody has to apologize to anyone about the way they see things. But we all have to respect that our opinions might differ. That we are individuals with different characters, different upbringings, different beliefs, we are different people that have different views and nothing in the world will change that or ever should.

So I see two options for you, Truli. One is you can just give up on tumblr. If it’s screwing you up, if it keeps making you depressed, it’s not worth it, girl. You can’t ruin your life and your happiness over some fictional show. It’s not even that important. You know what’s important? Whether you will pass your driving exams this Monday. Whether your parents will make up or get a divorce instead. Whether you will study again to try to get into vet school or become a community doctor instead. Whether you will get your dog fixed or breed her. When you’re going to have another sleepover with you cousins. If you’re going to get that rabbit you want or not. Those are the important things you should be worrying about, not the storyline of a fictional show you can’t control anyway. And since you can recognize all that by simply watching the show but forget all about them the second you visit tumblr, maybe you should just give up on it and only deal with the show once a week when new episodes come out and whenever you feel like writing a fanfic about Japril.

The other option I see for you is that you grow the fuck up and realize the majority of the fandom feels only horrible about what is happening and won’t stop or should stop expressing it. You can accept that and learn how to not let it affect you. It can be easy if you just freaking try instead of complain about how negative everything is to yourself all the time. You can make an effort. You can do it, if only you try.

So, which is it gonna be, self? If you chose to go with the first option, that’s fine. It’s the healthier one, if anything. If you chose to go with the second one, that’s also fine - it requires some extra self-control but I think you can pull it off, and it will make you happier in the long run.

This is a choice you will have to make every time you get put down. Every time you feel like quitting the show and Japril, because you know that this isn’t what you really want. Every time you lose hope. Every time those happen you will come back to this post and read it -the WHOLE THING, no cheating, smartass- and you will be called to make this decision again.

And every time you choose to stay, is a time you will come out of this stronger.

#Japril #possitive #note to self #jackson avery #april kepner #jackson and april #april and jackson #Sarah Drew #Jesse Williams #kelly mccreary #grey's anatomy #greys anatomy #grey's #greys #rambling #s14 #season 14 #14a #winter finale #14x08 #Again this is a note to myself and contains personal views which are very likely to differ with your own

[metalandmagi]

Hogwarts House Anime Recommendations: Gryffindor

Okay, it’s that time again, time for the last round of Hogwarts house anime recommendations! And this time it’s Gryffindor!

other house recommendations:

ravenclaw

hufflepuff

slytherin

As we all know, Gryffindors are always in the spotlight and are basically the most represented house, and that sort of reflects in my recommendations. It was very difficult to try and think of lesser known shows to go with, so I mainly kept to what I thought are some of the most defining Gryffindor anime despite their popularity.

Some of the key Gryffindor traits running through these anime are bravery (bordering on recklessness), selflessness, and characters that are highly fueled by their emotions.

1. Haikyuu!!

For anyone who hasn’t heard of it, Haikyuu is an awesome sports anime. Lovingly referred to as “the volleyball anime” this story focuses on the once powerful Karasuno high school volleyball team, with Hinata Shoyo as one of the new first year members of the club who wants to work to take the team to nationals. However, also on the team is his middle school “rival” (a term I use loosely considering they only played one match against each other), and the two have to learn to work together to actually make the team successful.

I actually mentioned this anime in my Hufflepuff recommendations because I believe many sports anime do fall into that house. However, I actually think Haikyuu is a good Gryffindor anime because of its inclination towards showing the characters branch out and define what it means to be brave in their own separate ways. Each character has their own way of being bold and unique in their talents and work hard to make themselves better at the sport, even if it is scary for them. I mostly see this in Kagayama, Yamaguchi’s, and Asahi’s characters, but everyone has their own demons to fight. Hinata may be the main character but this is the only sports anime where I actually remember every member of the team’s names and care just as much about the other high school teams as well. This is going to go down as a classic sports anime because it keeps you gripped on the game as well as the growth of the characters without dragging out the play time or giving the characters super human abilities that is so rampant in the genre.

2. Hunter x Hunter (2011)

Again, for those who don’t know about it, Hunter x Hunter (at least the 2011 version) is basically a standard shounen anime setup about a spunky 12 year old kid named Gon, who starts a quest to find his “missing” father. Gon’s father is a Hunter, meaning in this world, he is part of an elite group of people who basically travel around the world just doing whatever the hell they want, from being hired as bounty hunters, to catching rare animals, or pretty much anything you can think of. So in order to find his father, Gon sets out to become a Hunter too, along with his lovable, rag-tag group of misfits. But be careful, this show starts out as a typical happy-go-lucky adventure anime and turns into an extremely dark and fucked up show involving everything from organized crime and genocide to the mass extinction of the human race to weird animal hybrids.

Okay stay with me, because this is gonna be a wild ride. I can only go off of the 2011 version, but this show is straight up amazing. I promised myself several years ago that I would get around to watching it someday, and that didn’t end up happening until the English dub started airing on Toonami in 2016. After watching the first 5 episodes dubbed on television I sprinted to my computer to watch the rest of the series as fast as possible...while also catching the dubbed episodes every week. Around episode 115 or so, I realized I was going to burn through this anime...and I didn’t want it to end. So now I’m back to watching one dubbed episode a week as it comes out just so I could prolong the experience. That’s how good this anime is. So technically I haven’t finished it yet, but it’s only because I don’t want to end it….and also I had some serious issues with the pacing of the last arc.

In terms of why it fits Gryffindor so well, all you have to do is watch Gon for about 5 minutes. All of the main characters...apart from Killua...have very noble goals and want to help others in their own ways. Hisoka is also one of the best...villains?…..anti heroes?...antagonists?…. that I’ve ever seen, and he is a great mixture of discomfort and intrigue to watch every time he’s on screen. If you love the old school shounen shows, if you want to feel nostalgic for when you were a kid watching Naruto or Bleach, if you want a show with clearly defined arcs, interesting characters, and not one, but two of the best tournament arcs I’ve ever seen, then for the love of all that is good, GO WATCH THIS SHOW if you haven’t already...I know I’m pretty late to the game with this one.

3. Akatsuki no Yona (aka Yona of the Dawn)...And Arslan Senki (aka The Heroic Legend of Arslan)

It’s official, I can’t do one of these things without doing a double recommendation. But seeing as these anime fit so well together and the protagonists seem very similar, I figured I had to do both. Both of these shows focus on the sweet cinnamon rolls royalty of a kingdom trying to regain their thrones after their respective countries have been overthrown or taken down from the inside. Akatsuki no Yona deals with a young princess who is trying to bring together a group of magical dragon people in order to regain the throne and fix the problems with her country. Arslan Senki (the 2015 anime version, not the ova), is more military oriented, focusing on a young prince trying to free his country as well as his father and mother from an invading country, led by a villain wearing a silver mask...who may have more of a claim to the throne than Arslan does.

Both of these shows are very fantasy oriented and desperately need to be continued. They also both have tried and true Gryffindors as the main protagonists who only want what’s best for their people. Arslan and Yona both look at the world through very innocent eyes but have to learn the harsh realities of their kingdoms and be brave enough to overcome all obstacles with the help of their friends.

4. Tsubasa Reservoir Chronicle

This anime follows four main characters (Kurogane, Fai, Syaoran, and Sakura) as they travel through different worlds trying to find pieces of the shattered soul of Princess Sakura. This takes place in the same universe as literally every other CLAMP created work, meaning that yes, it is the same Sakura as the one in Cardcaptor Sakura….just in a different world. If you’re a fan of anything CLAMP related, you need to watch it if you haven’t already.

This show will probably mean a lot more to people who have seen/read literally every CLAMP anime/manga in existence, but I actually hadn’t seen any other CLAMP material before watching this show. I basically just knew that Cardcaptor Sakura was a thing that existed and Tsubasa involved those main characters. But this anime is what sparked my love for the universe, so you don’t really have to know anything about the CLAMP universe to enjoy the anime (the manga on the other hand is a completely different story). I have always thought that Sakura, Syaoran, and Kurogane are all good examples of Gryffindors in different ways. Kurogane is more of a protective father figure, first showing nothing but recklessness and learning to become more thought out in his plans. Sakura is a Gryffindor in the sense that she also wants to protect people and learns to be brave over time, while Syaoran’s sole purpose is protecting Sakura and can be extremely chivalrous. Anyway it’s a fun adventure show that leads into a very dark and mysterious set of OVAs that will make you go “damn I should read the manga....and also every other CLAMP manga I can get my hands on.”

5. Attack on Titan

Yes, I had to. There was no way I could leave out Attack on Titan from a Gryffindor recommendation. I’m not even going to bother with a summary, since everyone and their dog has at least heard of it. This truly is the most Gryffindor anime to ever Gryffindor. It completely embodies the idea of the house both in the actual anime and in the real world. It even has it’s own golden trio, with a bookish character, a “chosen one” character, and a character who relies mostly on instinct.

Like I said, Eren, Mikasa, and Armin are all great Gryffindors in the same way that the original golden trio are. The plot of the show constantly evokes the idea of doing what’s right, even if it means putting your life on the line. Everyone who joins the military in this universe knows they need a mixture of bravery, daring, and just the right amount of recklessness to be successful. Even in the real world the anime has been in the spotlight the same way Gryffindor house is all the time, with great characters, an interesting plot, and intriguing world building that keeps people invested even with four year waits for the next season. Every episode has you rooting for the main characters in the same way that you root for Harry Potter and the rest of the gang. Not to mention it looks and sounds fucking amazing. So if you decided to skip the second season because you’ve read the manga...don’t. The anime just makes everything a million times better.

So that’s the end of my Hogwarts house anime recommendations! Sorry I couldn’t really branch out very much with Gryffindor house, but I tried my best. I hope these are helpful!

#hunter x hunter #attack on titan #arslan senki #akatsuki no yona #tsubasa reservoir chronicle #haikyuu #hogwarts houses #anime recommendation #harry potter #gryffindor

[themorningcatch]

Dana’s Korean Drama Favorites

Special thanks to the Bogum to my Taehyung, Jazzie Rivera, for ruining my life via KDramas

CHICAGO TYPEWRITER ( 시카고 타자기) From April to June 2017

Network: tvN

Number of episodes: 16

Cast: Yoo Ah In, Lim Soo Jung, Go Kyung Pyo, Kwak Si Yang, Joo Woo Jin, Yang Jin Sung

Kilig* Factor: Satisfactory. It’s there but not too in-your-face. Seju is just a total tsundere but it’s perfect because (spoiler?) it’s every fangirl’s dream to meet their idol and be able to peel back all their layers and see them for who they truly are. There’s just enough strain between them that makes you root for them but there’s also some solid, cute couple moments that I may or may not have re-watched because huhu when will I ever???

Drama Factor: SO. MUCH. ANGST. I LOVE IT. Since the plot revolves around a tragedy they can’t figure out, when more of the plot is revealed, there is so much upheaval of emotions on their part, which also affects the audience. Not too mention the main cast’s acting is no joke. Absolutely captivating. Every episode feels heavy loaded, especially the last parts. This drama made me tear up again and again because one, there’s just something about past lives that really get to me and two, the lines (thank Jin Soo Wan) and their delivery just hit home so hard. 

Love Triangle Factor: This triumvirate’s affection for each other is the only Kdrama love triangle I will recognize. Their friendship is so special and it LITERALLY transcended lifetimes. The main cast’s chemistry is endearing like they’re all going through so much but they still have each other’s backs. And you know what, I love how Seol didn’t have to pick. I mean, she sort of did, but she didn’t really. Those two boys were both hers and they knew it. Sigh, now I want to be their friend. 

Notes: it really isn’t a surprise that Chicago Typewriter is my favorite drama because the characters are writers/avid readers; there is a touch of supernatural in the plot which is always good in my books; there is amazing acting. I honestly couldn’t get over how well they did it (especially Ko Gyung Pyo who is now one of my favorites); there is a balance between sad and light scenes, all while letting the story progress; and there are really cute moments without it feeling like fan service. I just love this show. I finished it at 4 AM after no sleep and I was physically and emotionally exhausted but at the end, it made me want to sit down and write and work because that’s the kind of storytelling that I want the world to be filled; stories that make people want to claim their roles as heroes in their stories. And heroes they are, this unforgettable trio. The only thing unrealistic about this is that Seju lives in a mansion. Like, I get that he’s a writer and he’s famous, but a mansion? Really? That’s doubtful.

Rating: 10/10 (will watch again!!!)

*(The Filipino word “kilig” is untranslatable but the best description is “the feeling one gets when they experience something romantic” or “that heart fluttering feeling”; whichever suits your fancy.)

W: TWO WORLDS ( 더블유) From July to September 2016

Network: MBC

Number of episodes: 16

Cast: Lee Jong Suk, Han Hyo Joo, Jong Eu Gene, Lee Tae Hwan, Park Won Sang, Cha Kwang Soo, Kim Eui Sung

Kilig Factor: Hyo Joo and Jong Suk have impeccable chemistry and Song Jae Jung (bless her heart) doesn’t let that go to waste. There were times when I would pause the episode just to let what I saw sink in. I thought, “HOW CAN TWO PEOPLE LOOK THIS CUTE???” Some scenes were so kilig, I almost cried. Sure, it was defo fan service for all us thirsty, lonely hoes, however, it is duly appreciated. Many times I would finish an episode and just want a boyfriend because dammit, Lee Jong Suk. Some moments are a little cringe-y when you think long and hard about whether really people do that, but I’m not complaining. I’m perfectly fine with it. 

Drama Factor: Like all good dramas should, the endings that W episodes go through crush my heart. Ultimately, it was just begging for a happy ending. I didn’t think that a sci-fi/rom-com plot was capable of making me upset but I guess that’s the charm of W; that even with loss, confusion, mystery, yearning, and all those painful adjectives, you still sit tight and grip the seat to watch it all unfold. For me, W has one of the best endings ever, a satisfying close, like a sigh of relief. To be honest, when I think about W nowadays, there’s this phantom ache in my chest just because there were scenes when I just thought, “The writer did THAT.” So word of warning, watch with detachment and if not, just be careful.

Creativity Factor: In the span of 16 episodes, W managed to scissor multiple plots and be stitched together and still not confuse the hell out of me. I think that is a plus for creativity. More often than I expected, W’s story line felt different each time a problem began. It’s an absolute roller coaster with a bunch of tropes that sometimes it felt like watching a whole other show. I personally enjoy that. It felt like an adventure, although exhausting at that. But sometimes, it does do something ridiculous that reminds you, this isn’t real anyways but I forgive that for entertainment’s sake. 

Notes: Not entirely a stunning show, but a unique and imaginative one. No other drama has quite left the same impression W did with me. This was the drama I recommended the most to people. It was about creation and art as well so that appealed to me. I love the bits where Song Moo would be sketching and whatever he did started translating to reality. That must’ve been hard to shoot so I commend the director as well. W also felt quick to watch as the plot moved without dawdling too much. It was quite unrealistic and intense but still, incomparable. As for the romance, Yeon Joo and Chul = OTP. 

Rating: 9/10 (when will my life become a drama???)

GOBLIN: THE LONELY AND GREAT GOD ( 쓸쓸하고 찬란하神-도깨비) From December 2016 - January 2017

Network: tvN

Number of episodes: 16

Cast: Gong Yoo, Kim Go Eun, Lee Dong Wook, Yoo In Na, Yook Sung Jae

Kilig Factor: At first, I seriously didn’t like them because of the age difference and it was little weird that Eun Tak called him “ahjussi.” Later on, I got used to it and as their love story progressed, the more I got tangled with it. I absolutely can’t forget the part when it would rain and Eun Tak would cry hysterically and she had no clue why. That was such a powerful and poignant scene for me. Gong Yoo and Kim Go Eun are incredible actors. They could convey such deep emotions from their characters and still retain parts of that when they become quirky. With the Sunny/Grim Reaper pairing, it felt a little dragging and draining by the end, to be honest. However, there’s this certain yearning I can’t remove that I want them to end up together. I think their relationship boosted Goblin/Eun Tak’s by showing a contrast. The kind of drama with romantic scenes that made me squeal out loud. 

Drama Factor: I think there were only a few episodes I didn’t shed a tear over. The writing has this fragrant poetry structure to it that just appeals so much to a hopeless romantic like me. I know people don’t talk that way in real life but there’s just a beauty with a good string of words that can support an otherwise mediocre scene. Also, a very, very good cast. There was a lot of crying but it didn’t feel overwhelming (for me) because of how it was delivered. I think Goblin is a show I would watch if I ever doubted the supreme lightness love can bring after a dreadful storm. 

OST Factor: Unforgettable. There’s a reason that Goblin’s is one of the most famous. The roster of performers in that OST is unbelievable. It’s so well chosen, especially once it’s edited as the background for a certain scene. There’s also so much to choose from that the songs post-Goblin binge watching don’t feel sickening; more nostalgic than anything. The OST by itself captures the sweet sadness of Goblin’s story and that’s a pretty good feat for a musical score to achieve. 

Notes: Goblin was the very first Korean drama that I’ve watched properly and voluntarily. I was just really curious at first but then the cinematography, the music, the acting of this show absolutely blew me away. I think I cried majority of the time because I couldn’t believe I was watching such a well written show with representation of people who looked like me! (Asians!!!) I think that like the show’s theme of first love for the 900 year old Goblin, this was the perfect drama to show me how great K-dramas have become, and maybe I’m being eye roll worthy but it felt a little like finding a first love. I have nothing but fondness over Goblin and its clever story full of fate and twists and childlike innocence amidst the dark past they all share. And loneliness is something that is so palpable to me and seeing it suited up like this, made my heart clench and have hope. It’s wonderful like that. 

Rating: 15/10. Just watch it. It’s worth your time. 

REPLY 1988 ( 응답하라 1988) From November 2015 - January 2016

Network: tvN

Number of episodes: 20

Cast: Hyeri, Ryoo Joon Yeol, Go Kyung Pyo, Park Bo Gum, Lee Dong Hwi, Sung Dong Il, Lee Il Hwa, Ryoo Hye Young, Choi Sung Won, Kim Sung Kyun, Ra Mi Ran, Ahn Jae Hong, Kim Sun Young, Yoo Jae Myung, Choi Moo Sung, Kim Sul, Lee Min Ji, Lee Se Young

Kilig Factor: Of course I know most people don’t fall in love with their neighbors that often but this one is an exception. Romantic love wasn’t the main theme for this show however it still came through. And yes, I may be super biased when it comes to Park Bo Gum and Go Kyung Pyo and yes, them just smiling can get me riled up already BUT the love triangle presented towards the end is pretty decent and the falling-back-in-love trope with two characters is realistic and enjoyable enough. I’ve never seen a character demonstrate that kind of attitude (fiercely and stubbornly choosing their career over a relationship) before so it was quite interesting for me. There were little moments where they would reveal that this character actually liked this character, or did this for this character that would just have me punching a pillow, kicking, and screaming because dammit, that’s cute. I think it could have been better though, but as Reply 1988 isn’t solely focused on that, it’s good enough. 

Drama Factor: Okay, compared to Reply 1988, my crying in Goblin was a dripping faucet. This show had me bursting like a waterfall. It was in all those moments that felt real, so, so real, I couldn’t help but weep. It was superb how Lee Woo Jeong wrote this show with tenderhearted conversations and the absolute unfairness of life that everybody can relate to and have such an awesome cast enact it in the messy times of the 80′s and translate into something a girl like me could deeply feel. Towards the end, I cried at every episode (there was always just something that hit me so much!) and it was the kind that would start as a sob and just progress then on. Inside Reply 1988 were lessons and experiences that everybody has felt or will feel or is trying to forget that universally is the same but in a different packaging. This show, to me, is the epitome of a Korean drama, unashamed and so emotional.

Food Factor: To be honest, there were far too many times Reply 1988 made me hungry. From clams to ramyun to kimchi pancakes to fish-shaped bread, they ate everything. I do appreciate it though because it exposed what Korean culture is like and how families have a good meal with each other as an act of love. I find the putting-meat/egg/vegetable/whatever-into-someone’s-bowl gesture as a unique and  simple way of saying you favor someone. I also saw how important food is with the plot because as they go through changes, their food changed! When they were poor, they complained about side dishes. When they got older, the food they ate became different. When something good happens, there’s a whole feast. When watching this show, beware of the scrumptious dishes. I’m still looking for tteokbokki these days. 

Notes: First of all, the set design team is amazing. I didn’t feel the whole Ssamundong late 80′s vibe at first but then it felt a little like home after so many hours of looking at it. There’s a lot of things I want to complain about this show, especially how it didn’t resolve properly. There were so many things left hanging! So many relationships unexplored! So many people’s endings swept aside! I didn’t feel like it got the ending it deserved. However, this was such a heartwarming drama. I haven’t seen such a raw presentation of this kind of suburban city life anywhere and it was familiar to me. I also loved how in an episode, things will happen and at the end, there was actually one unifying theme for all of that. I can say nothing more about Reply 1988 other than it did feel like I was growing up with these kids and I was part of their rag-tag bundle of troublemakers. That’s the most important part, I think, to have your audience feel like they were a part of it all. It means art has done its job well.

Rating: 7/10. A little disappointing but still great. 

(this took me forever to make but it was fun. i might make a part two. maybe...)

#lists #review #reviews #kdrama recommendations #kdrama #k drama #goblin #reply 1988 #w: two worlds #chicago typewriter #recs

[gleefail]

Glee Memories: 1x13 SECTIONALS

A long, long time ago, as Glee was approaching graduation in Season 3, I found myself nostalgic with some rare free time on my hands. So I decided to rewatch the series from the beginning and jot down some memories, discrepancies that have arisen since, fave quotes, tally solos - all that good stuff, strictly for shits and giggles.

8 years later (eek!) and once more I find myself with an unexpected abundance of free time. With so many revisiting or being newly introduced to the show between binge watching during Quarantine and all the tragedy that has surrounded the show since it went off the air, I figured I’d finish what I started. And by finish, I mean go through the end of S3. Cause I truly cannot acknowledge what happened after that. Except for 5B.

Kicking this off by reposting the first 15 episodes I already went through. Enjoy!

1x13 SECTIONALS

Ah, memories. I watched this with someone who is now a very close friend of mine when we first started becoming good friends. I think it was the first time we hung out just the two of us outside of our big group of mutual friends or work. All snuggled up on her couch with her dog and wine and stars in our eyes over Matthew Morrison, lol.

Amber Riley looks so different (and so good!) here. Like a new person. I think it’s the hair.

Kurt also looks older and a little less chubby-cheeked. Did they have a filming break before this or something?

Um…toddler or not, Rachel is wearing some SHORT skirts sometimes in these eps. Like in that flashback just now. Yowzah.

Quinn immediately starts yelling at Puck and Finn who try to help her when she falls. I’m telling ya. Hardcore rage there.

“I’ve never told you guys this before, but I’m a little psychic.” I kinda hate RIB for not keeping or exploring that talent of Rachel’s. Seriously. How funny would that shit be with her trying to predict things?

“It’s nothing to be scared of. It’s not like Carrie or anything!”

hahaha. I love this ridiculous cross calling as they all walk down the hall together. Wonderful.

“Sex is not dating.” “If it were, Santana and I would be dating.” Yes. The birth moment of Brittana. :) Also, the pause in response, even in the music. Golden.

Except Artie said Rachel’s a ‘total trout mouth’. No no no. Sam Evans (be still my heart) is the only Trouty Mouth at McKinley. Bite your tongue, Artie!

Rachel manipulating the truth out of Quinn. Ugh. Unnecessary. Yeesh, Rachel. None of your business! Real problems and people’s lives that you’re messing with! My God.

“She’s the one they made me talk to when they found out I was keeping that bird in my locker.”

Mercedes just said she works just as hard as Rachel. And Rachel doesn’t argue. So….when did that change? When did Rachel start working harder than everyone around her? I missed it. Let’s see if I can catch it in my rewatching.

Again, this moment with Mercedes, Mike and Matt. Isn’t she popular? Cause obvs, besides Kurt and Tina, they’re her friends. So…?

I love watching everyone watching Mercedes sing And I Am Telling You. Artie’s so enamored. Kurt’s such a proud papa.

You can’t see me. But I’m giving Mercedes a standing ovation right now. Holy. Fucking. Shit. Amber Riley, ladies and gentlemen. I have no words for that performance.

This is where it started. Rachel has to ‘approve’ of Mercedes getting that solo over her. Even though it’s not necessary, she’s gotta say her piece and give her blessing. It all started here.

Also, this is where Rachel’s “I’m gonna hug you now” thing she does that I hate started. It’s not cute. Stop it. Just hug her. Don’t announce it cause you want praise for it or whatever. Ugh. I need to stop before this all becomes an I hate Rachel Berry rant. (too late?)

“So all that stuff in the hot tub…you just made that up?” #BlessFinnsHeart

“I was selfish when I told him. I wanted to break you two up so that he would wanna be with me.” WHY IS THAT OKAY?!

Quinn’s gonna do this pregnancy thing on her own. Hmm…except…doesn’t she go straight into living with and dating Puck anyways?  Or am I forgetting about a step before that? Ugh. Not at all condoning what Quinn did but…just imagine when she had to see Carol to move out of Finn’s. The look of disappointment. God. I can’t even think about it anymore.

Jacob was a member of ND for a hot minute. I forgot!!!

Rachel says that going first or last is best. She learned this in her ‘extensive’ auditioning for community theatre. Her reasoning, as a Musical Theatre major, I completely stand by. However…Kurt asks her if she ever got any of those parts she auditioned for. Her face clearly says ‘not a one’. Besides Glee club and Maria, what on earth is on her resume? #oops.

Mercedes’ face while Jane Adams is singing And I Am Telling You is hiLARious. Omg.

Artie’s face as he watches them do Proud Mary. Aw. I just wanna hug him.

Rachel’s face as she’s trying to console them all and the crowd gives a standing O. Ha!

“I’m reasonably confident that you will be adding ‘revenge’ to the long list of things that you’re no good at right next to being married, running a high school glee club, and finding a hairstyle that doesn’t make you look like a lesbian. Love ya like a sistah.”

“Because sometimes being special sucks.”

“Mr. Schue, you forgot your keys.” “No I didn’t.” Cute. Also…can Finn drive?

“What happened to the white guy with the jerry curl?”

haha – Britany waves hi to the deaf choir as they’re performing as the rest of ND mopes. Hahaha, people are crying watching them.

Aw. Santana just admitted she likes being in glee club. :)

“Perhaps I could improvise some of my def poetry jams” oh Artie. Oh Tina’s response. Oh Artie’s “no?” in response to Tina’s response. You are all that is magical and glorious about this show. Moments like that.

Okay, I’m sorry, but no. It is not true that Rachel is the best SINGER that they’ve got. I get it that Rachel’s their star. I agree with that at this point in the series. But best singer is not accurate. It’s just not. I have a couple folks I’d throw in contention for that title.

Rachel just said she’s been working on Don’t Rain On My Parade since she was 4. Not 2 like she says in Choke. #oops.

I always hated (and still do) that they have all those damn songs they’ve CHOREOGRAPHED and LEARNED already this season and they can’t find a song besides Somebody to Love to complete their set list. Are you shitting me? Um…True Colors, His Name, Keep Holdin’ On, Crazy In Love/Hair, Halo/Walkin’ On Sunshine, It’s My Life/Confessions…no? None of em? …ok then.

I love that Finn non-chalantly mentions that he trashed the Cheerios copier after he used it to make copies of sheet music. Love it. Cause he’s so pissed at the world that I don’t doubt for a second that that copier was reduced to mere dust.

So they got dressed, did hair and make-up, learned that new song musically, rehearsed the other(s), choreographed that new song…in an hour? Riiiight.

Will on the phone with Emma confuses me. Is he not allowed, like the general public, to even be in the building to watch the performance? Really?

Alright, it’s happening so very much, I can’t NOT do it – restarting Don’t Rain On My Parade and counting the number of times Rachel squints/closes her eyes. Here we go: 23. In 2 minutes and 36 seconds. So…that’s a squint every 6.7 seconds. Hmm. I’m making a game of this from now on. “Can I count to 7 while she’s singing without her squinting her eyes shut?” is the name of said game. This will be fun.

OMG. First judge’s room ever. Ad;kfafdsasodi. I love these so much. Back when they were funny. OMGOMGOMGOMG!

“I’m just gonna come right out and say it: this is a singing competition. I dunno how those deaf kids got in. They weren’t singing, they were like, honking, and everyone was crying and I was like “get off the stage, you’re terrible, and you’re making me super uncomfortable”.”

“I have no idea what the hell I am doing here. I’m serious. I don’t understand what a glee club is and I had never even heard the term ‘showchoir’ til about 3 hours ago when my boss told me he had tickets to NASCAR and I had to fill in at this fool event.”

I just love that we see these kids put their hopes and dreams into this and stress and stress…and it comes down to 3 fools who have no idea what they’re doing. I LOVE the irony of this. I LOVE Glee that doesn’t take itself too seriously. Ah, memories.

“Get me the HELL outta HERE”

Terri’s seeing a therapist. Yay. ...at the local community center. Not yay. That can’t be real, right?

Oh. Even if people had come, this is the saddest wedding. There are just meat trays and lollipops and Munchies in a bowl.

I had forgotten until just now that I was a fan of Wemma. Like, it was the only relationship on the show I felt anything for at this point. Wow. That was so long ago.

“I can’t see you without feeling heartbroken” Oh Emma. I’ve been there hun. I feel your pain.

“The setlists were on Cheerios letterhead.” “I didn’t do it.” “They say ‘From the Desk of Sue Sylvester.” “Circumstantial evidence.” “They’re in your handwriting.” “Forgery.”

“(You have) besmirched the name of William McKinley!” “A FAILED PRESIDENT!” “Oh please – the greatest one who ever lived!”

Figgins just fired Sue. Knew she’d be back but thought it’d be awhile. RIB. Oh how little I knew you then and what you are capable of.

“Get ready for the ride of your life, Will Schuester. You are about to board the Sue Sylvester Express. Desination: HORROR.”

“You know you just woke a sleeping giant. Prepare to be crushed.” Silly Will. Didn’t you read the Hogwarts crest?! It warns you and everything!

So….Will was on the phone with Emma as they were performing. And Sectionals were Saturday. And it’s Monday. And he didn’t know until afterschool at Glee Club whether they won or not? Teacher of the Year indeed…

I still love My Life Would Suck Without You and the montage of former choreography and moments from musical numbers thus far in the season. It’s like…choreographed with memories. I love that. I would say I wish they’d do that on Tuesday in the graduation ep, but…I’ve learned not to get my hopes up. ;) This is still one of my favorite Glee moments though. And makes me all nostalgic and emotional watching it now, lol.

haha, towards the end of that, someone did something to fuck with Kurt’s little solo soul train moment cause he’s pissed.

ah, the first Wemma kiss!!! And then the promo was like “see ya in April!” and my friend and I were screaming and like “WHAT?! NOOOO!!!!” And then we continued to drink wine and wish we were Jayma Mays cause she got to kiss Matthew Morrison.

SOLOS: Mercedes (1), Rachel (3), Finn (1) MERCEDES TAKES THE GLORY NOTE: 4th time, 1st time in a competition

#Glee Memories #Glee #lol Glee #Glee Sectionals