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kyluxtrashpit · 5 months

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Transferring this post from twitter, with some edits and additions, because the mess that was the development of the sequel trilogy fascinates me on an extremely deep level

Okay so. You’re probably aware that Adam Driver gave an interview a few weeks ago where he said that the original plan for Kylo in the sequel trilogy was to get progressively eviler throughout. Which I’m not here for redemption vs corruption arc discourse, that’s not what this post is (because I prefer a secret third option), and what I want to dig into here is what makes this an incredibly curious statement

Because this is the first time anyone involved with the ST has mentioned there ever being a plan. So, let’s explore that for a second because why is he saying something that’s completely at odds with every other piece of information we have?

(behind a cut for length, as I went and pulled a bunch of interview quotes and other materials and then analyzed them, you can scroll to the very bottom for my conclusions if you like)

So first, I went and found this, which I purchased many many years ago in 2017

In it, an interview with RJ himself confirms what the story has been for a long time: there was no plan, there was no required plot points, no endgame to lead to, just absolute freedom (I recall reading this then and feeling a spark of confusion and concern - what do you mean there was no plan?)

I also found this, and while I don’t have the TLJ art book to verify it, another person on twitter confirmed it and also advised that RJ was even in the know regarding the Aftermath series (confirmed by him and Chuck Wendig at a convention) - so he knew a lot. And this plus the above shows that if there was a plan, it was abandoned before TFA was even released, likely even before it finished filming

And then we have the rather well known moment when JJ himself pretty much confirmed that the ST should have had a plan (question asked was about sw, even if JJ didn’t say it himself). Could this be shade at abandoning a plan instead of never having one? Maybe. But it’s unclear

And as our last piece of evidence, we have confirmation from RJ that he asked JJ to change the ending of TFA. Which once again shows TFA was not finished when RJ, who explicitly said he was given no plan to follow, was writing TLJ

And that was the story all along, confirmed multiple times over. We can say for sure that as of the writing for TLJ being started, which was before TFA was even finished, let alone released, there was no plan. So it is certain that if there ever was a plan, that plan was abandoned at the very latest in early 2015, but I suspect 2014 is more likely

So why would AD say there ever was one? He has no reason to lie and I don’t think he is, he has nothing to gain and everything to lose by doing so. But with so many other pieces of evidence directly contradicting what he’s saying, I think we can also say that RJ is telling the truth too. But how can both be true?

Well, knowing the mess that is d/lf and also how disney treats actors I think it’s one of two possibilities:

Option 1: there was indeed a plan, likely pitched by JJ himself, and that d/lf agreed to that plan with no intention of ever following it through. They sold the actors on the plan, telling them it was a capital P Plan, but then didn’t ever tell them it had stopped being the plan, so that’s also why we saw the actors becoming increasingly frustrated throughout the series. They were told there was a plan, what the plan was, and then watched none of that come to fruition because it had secretly been abandoned long ago without their knowledge. It’s extremely scummy, but I could see disney doing it

Option 2: the plan was never a firm capital P Plan but rather was just the initial concept JJ had. No one ever committed to it, but since the actors couldn’t see the script, JJ’s initial vision was used as a “here’s my concept” kind of thing to sell the actors on without it being a firm plan. Just a concept that was used at the time but later discarded, as I’m sure a good number of concepts were. But it would be easy for that to get misinterpreted by the actors, and this gives us the less scummy option on the mouse’s part because it’s more about miscommunication than anything else

And if it is option 2, it’s also possible that the actors did know it wasn’t an confirmed plan, just a concept, but clung to those concepts since they were all they had. Which I can understand, given that not knowing the eventual story makes their jobs harder. I can totally see AD sticking with that initial concept even if he knew it wasn’t a “plan” per se, because he had literally nothing else to go on and he needed something to play the role. And once again, given how increasingly frustrated the cast got over the course of the trilogy, I suspect this experience would have been shared among the whole cast

Overall, I lean towards option 2 on this, because even though I do think disney is pretty fucking evil, option 1 might actually be a contract violation or at least open up the possibility of one. And plus, the entire story group would have had to be in on it, and if they did straight up knowingly lie to the entire cast and JJ, I just feel like that would be something which that many people can’t keep secret (plus wouldn’t RJ have accidentally spilled the beans when talking to JJ? Or was he in on it too? Too many players imo). I know it’s disney, but still, things leak all the time (as those of us who followed the tfa or tros leaks know lmao). Plus, I do agree with the adage of assuming stupidity over overt malice when in doubt, so I’m going to stick with that here

So ultimately, my suspicion is this was never a true, capital P, confirmed Plan, but rather the initial concept they used in place of a real plan (which they never made) because d/lf had nothing else to use to sell the actors on it and the actors had nothing else to cling to when actually playing the characters, so they used it where they needed gaps filled. And with it being more likely just a vague concept that was never committed to and was abandoned in 2014 than anything else, well, no matter how good or bad it might have been, I don’t even think it’s worth considering as something we ever would have gotten. It clearly wasn’t in the stars (ha) from very early on and thus belongs in the pile with the rest of the surely very numerous concepts that never came to fruition

And this, kids, is why trilogies need to be fucking planned lmfao

#these are just my thoughts #if there's any other evidence out there that contradicts this I'd be interested to see it #or any thoughts really #but I think this is as close as I'm going to come to cracking it until we someday get a tell all book lmfao #kylo ren #text #my post #meta #I guess

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nkjemisin · 10 months

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Hello, hope you're doing well. Love your work a lot :)

If you don't mind, I'd like to ask an open-ended question about the Great Cities Trilogy becoming the Great Cities Duology.

It's fantastic either way! I'm just curious about how things would be different, in different circumstances.

I appreciate your time. Wish you all the best ❤️

Spoilers for the Great Cities!

Thank you!

It's important to understand that when I start a new trilogy, I really only plan out the beginning and the end in detail. The rest is just general points I mean to hit in each book. So I can tell you some ideas I thought about putting into the books at the time, but I can't tell you exactly what I would've actually written if my initial plans hadn't gotten derailed -- I'm not that much of a planner, and I tend to change course midstream anytime I get a better idea for something. But here's what I wrote into the first outline.

Book 1: What you read

Book 2: Tentative title: "The City Hard Fought." America vs. New York. I'd been planning to have a demagogue president -- obvs inspired by Trump; I started working on developing this as a book in 2017 -- attack New York City to further his political ambitions. This would've taken the form of the president eventually threatening to bomb the city/all blue cities. At the time I came up with it, the idea seemed completely far-fetched and silly... Aaaaaaand then Trump started attacking New York City to further his political ambitions. I realized I really didn't want to speak some ideas into existence, and also that I couldn't make something like that funny when it was really happening and ruining people's lives. So I changed things up. The mayoral race would always have happened, but I originally intended to put the start of it in the background of the second book and have it culminate in Book 3. R'lyeh would've spent a chunk of this book being punished for her failures in Book 1, effectively taking the metaphysical stuff off the plot table for a while so human nonsense could move to the forefront. Aislyn and São Paulo would've ended up trapped in the Ur with her (hadn't fully worked out how), and that plot would've turned on Aislyn convincing R'lyeh to do a jailbreak. The end of the book would've been Manny's family calling him home.

Book 3: Tentative title: "The Last City" or "The City Unbowed." New York vs. everybody else. With the demagogue president dead (I was planning for him to get eaten by the Ur, painfully and slowly), things would've gotten metaphysical again, with multiple cities coming to life and causing chaos, effectively led by the newly-awakened Chicago. I'd intended the core of this book to be an escalating "cold war" between NYC and Chicago, with their star-crossed romance and Brooklyn's first 100 days as magical mayor (dealing with an ambitious senator attempting to use NYC to establish himself as the next big demagogue) echoing the politics of the living cities. Among other things, it would've turned out that the Ur was manipulating things to cause war between the living cities, via a traitor in Manny's family, in order to weaken the cities and cause the "falling to the bottom of the Tree" problem that you saw in TWWM. I always planned to end with the climactic "all the living cities march to war as ghostly giant robots" scene that happened in TWWM, but I'd planned for R'lyeh to fight alongside them, and they would've been fighting a manifestation of the Ur itself. Probably a Cthulhu-like monster -- but monsters aren't very interesting to me, so as with TWWM the real threat is the Ur's authoritarianism.

So, different but not that different. Not sure I would've been able to fit in everything I'd originally planned; when I first come up with a new series I tend to be big on ideas, but not all of them work when I start writing. As you can see, I retained most of the major plot elements I'd originally planned. I think the biggest loss was the character-specific subplots I had planned. Like, Veneza would've had a blowout with her racist father; Chennai's ancient avatar was going to try and seduce Padmini back home to take over from her (same subplot involving the risk to Padmini's visa status); Brooklyn would've been a badass mayor; Manny and Neek would've gone on some awkward dates and probably had at least one awkward morning after. I would've spent more time on R'lyeh as she basically starts to decolonize herself. We would've gotten a lot more of Evil Manny, and Neek would've had to talk him down/win him back at some point. Also, tentatively I'd originally planned that Neek's revealed name would be "Nueva." Glad I changed my mind about that one.

Sad that it won't happen, but there's always fanfic! (Don't show it to me tho. h/t @seananmcguire )

#answered asks #the great cities

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tarisilmarwen · 10 months

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Rebels Rewatch: "Twin Suns"

In which the end of the Malachor arc is profoundly beautiful.

First off, obligatory live reaction version from 2017.

Second, I would be remiss if I did not link back to this close read of "Twin Suns" (by greenreticule here on Tumblr), from which I draw quite a bit of my own analysis and opinions about the themes and messages of the episode. Check it out sometime, there's ten parts (technically eleven but the last post in the series is more of a memoir/personal reflection by the author and therefore not as relevant to our meta purposes) and it is a loooooong read but worth it, in my opinion. I don't always agree with every single point of the analysis (the stuff about the Sequel Trilogy, for example) but there's a lot of things that resonate and that I incorporate into my own interpretation of the episode so I figured I'd mention the source.

Onwards!

Rather appropriately we open on a shot of the titular twin suns themselves.

The next series of shots are stark and empty, nothing but the vast white desert, emphasizing the loneliness and isolation of both Tatooine itself, and Maul in particular.

And he is not, ah... taking Ezra's rejection or the long wanderings out in the desert well. To say the least.

From this first opening monologue we can already tell that Maul is fraying. He spent ten years in the depths of madness and it seems like he's descending into madness once again. Even his clothing reflects this, sandblasted and torn, a ragged hood recalling the one he wore at the beginning of Malachor as he feigned being weak and decrepit, and uneven wrappings circling his arms, asymmetrically.

His mood swings from "Visions and Voices" are more pronounced, one moment warbling pitifully about being lost, about being so close to his target, the next shrieking Obi-Wan's name skyward like an obscenity.

Obi-Wan has managed to elude him all this time since Dathomir, and Maul is beginning to get desperate.

RIGHT, SO THIS IS THE PART WHERE I GET BACK INTO MY BLUBBERING KENOBI SHOW FEELINGS BECAUSE "JEDI CANNOT HELP WHAT THEY ARE. THEIR COMPASSION LEAVES A TRAIL. THE JEDI CODE IS LIKE AN ITCH. [THEY] CANNOT HELP IT." AND SOB FOREVER ABOUT HOW WHOEVER IT WAS ON THE WRITING TEAM THAT CAME UP WITH THAT RAW-ASS LINE, THEY UNDERSTOOD THE ASSIGNMENT.

So not only is this a callback to the previous times Maul lured Obi-Wan out to him in TCW, this now also a call-forward to Kenobi and I just want y'all to appreciate for a moment that Maul is using the exact same tactic on two different Jedi, simultaneously.

Maul is luring Ezra and taking advantage of Ezra's compassion, hero complex, guilt complex, and sense of hyper-responsibility, in order to then exploit Obi-Wan's compassion and protector-guardian streak, so that he can kill Obi-Wan when Obi-Wan comes to Ezra's rescue.

Because that's what Jedi do, that's what Jedi are, the Jedi Code is like an itch they cannot help it--frick man, I'm already emotional and we're not even two minutes in.

A general overview of the music this episode, and I'll comment on specific cues as they happen, but I mostly want to point out the frequent lack of music, actually. This episode is very stripped down in terms of theme and instrumentation and there are long stretches of utter silence, to help us absorb the atmosphere. It's very effective in making Tatooine feel utterly desolate, like we're alone on this journey with the characters.

This episode had originally been very ambitious, we've been told from behind-the-scenes commentary, longer, more complex, a lot more plot points, but as it was coming together they very wisely pared it way down to the barebone tacks, cutting out all the excesses and stripping things down to a simple character journey narrative, making the resulting story that much more profound and intimate.

(Plus the saved budget allowed us to get some absolutely gorgeous animation and new pajamas for Ezra. XD)

He looks so comfy in them.

This sequence is heavily styled after the cold open in "Legacy", camera movement and shot choice almost exactly matching. This is not a coincidence, as the basic premise of both episodes is the same: Ezra receives a vision through the Force, and it moves him to action.

Unlike in "Legacy", however, when the Force itself was moving to comfort Ezra and connect him to the voices and images of his parents one last time before their death, this vision is artificially constructed, sent to him by Maul--like the ones in "Visions and Voices"--to deliberately manipulate him, pull him away from his support network, make him act out of fear.

A false Call To Action, in an artificial Hero's Journey narrative that Maul has constructed for Ezra to follow. (More on that later.)

Side note, completely unrelated to all this meta, but an observation I just want to point out: It's the middle of the night and Kanan is not in his room on the Ghost. Where exactly was he eh? Perhaps a certain Twi'lek pilot's room? *eyebrow waggle*

Anyway, after Ezra's Weird Force Tele-Distance Holocron Call we move to a scene that is a bit heavy in the exposition department, by virtue of it having to hold the burden of the extra plotlines they pared down. It's maybe not quite as effective as it could have been but it serves its purpose: It establishes that they identified the "desert planet with two suns" as Tatooine sometime offscreen, and that they asked about Obi-Wan and Bail Organa lied through his teeth about the man being dead. So therefore they must have decided to give the matter up, and let Maul chase ghosts in the Tatooine sands.

Rex being clearly distraught at Obi-Wan's assumed death. :(

Kanan also reminds Ezra that the last visions he got from and about Maul were a trick designed to manipulate him.

Ezra's insistent though, as he always tends to be whenever the notion of being able to obtain "the key to destroying the Sith" pops up. So Hera takes him aside for a moment.

Her face and how often she touches Ezra's arms and shoulders in this scene hurts. :( And the strain in her voice when she asserts that if Obi-Wan were alive he wouldn't be hiding in the desert, he'd be helping them, Hera understands Jedi nature too, she just hasn't gotten the full picture, doesn't know the reason why Obi-Wan is doing... well... exactly that.

This is where the story beat parallels to "Legacy" end, because this time, Ezra does not receive Hera's blessing to go. Instead she reminds him, rather sternly, that he is supposed to be there with them, planning the attack on Lothal, she needs him and his focus here.

Recall Yoda's line about Luke: "Never his mind on where he was. What he was doing." Since all the way back in Season Two, when his mere presence started to become a danger to the safety of his friends, Ezra has been growing more and more obsessed with finding a way to kill the Sith, whenever Maul turns up more distracted. It ties straight back into his motivation for becoming a Jedi in the first place that he told Yoda in "Path of the Jedi".

"I just want to protect myself and my friends. And not just them, everyone. I'll protect everyone."

Ezra has an abundance of that natural Jedi urge to protect (planted by his parents, nurtured by Hera), the itch inside him intermingles with his clingyness and attachment to his Ghost family in particular. When everything went wrong on Malachor he internalized that failure severely, and his natural Jedi compulsions went overdrive into a crippling sense of hyper-responsibility, magnified by his guilt and leading him down the same path Anakin walked--seeking more power, from dubious and deceitful sources, in order to prevent another personal tragedy from happening to him again.

His desire to protect got twisted into attachment, into a clingy possessiveness, into a fear of more potential loss. In this way his flirtations with the Dark Side mirrored Anakin's, though ultimately Ezra never went far enough that he wasn't able to come back, the disaster at Reklam and his reconciliation with Kanan enough of a kick in the head from the Force for him to be all, "NOPE, I REGRET EVERYTHING, I'M NOT DOING THAT AGAIN."

But even though Ezra came to his senses and rejected the Dark Side, he was still not on the right path. The aftereffects of Malachor remained and he kept letting that Sisyphean unattainable goal of defeating the Sith--himself, personally, or else personally enabling it to happen--pull him away. Kept letting it move him out of place in the narrative.

He was supposed to be here, Hera needed him here. "You're in the wrong place, Ezra Bridger," Obi-Wan tells him gently, later. Ezra lets Maul, lets his obsession with destroying the Sith, yank him out of order in the cosmic destiny of things.

The Force has a place for him. But it is here and not there.

But he kind of has to go on this perilous journey for it to finally kick in.

(One of the scenes I do kind of wish they had kept from the original extended plot is the one where Hera and Kanan and Zeb all kind of commiserate about how "the kids", meaning Ezra and Sabine, are growing up and leaving home, and how they have to let them go, even if they might make bad choices, really playing into that whole parental angle and explaining why they didn't immediately rush off after Ezra.)

Despite Ezra's half-hearted assurance to Hera, it's clear he has no intention of obeying her order to stay put. His sense of impulsive hyper-responsibility is too strong, he's following the same instincts that led him to obsess over and misinterpret his other two major Force visions.

So he swipes a training A-wing.

He's such a little shit I love him. <3

This is the point of no return and Ezra is unwittingly drawn into Maul's trap, which mimics the beats of a classic Campbell Hero's Journey.

Joseph Campbell, for reference, is a writer and philosopher who purported the idea of the monomyth, that in all stories and all mythologies across cultures there are similar patterns and cycles. His Hero's Journey is often styled as a closed circle ("It ends where it began."), with a dividing line between the Known and Unknown worlds and various stops and characters and plot elements mentioned along the sides. The Hero's Journey monomyth, incidentally, was one of George Lucas's major inspirations for writing Star Wars, wanting to create one such classic mythological narrative.

So we have all the elements in place here. We have the Call To Adventure (the distorted holocron message). We have the Refusal Of The Call (Hera ordering Ezra to stay and him initially not fighting her). We have the Supernatural Aid (the pieces of the holocron that function as some kind of magic compass). We've outmaneuvered the Threshold Guardian and crossed over into the Unknown (Ezra swiping the A-wing from under the technician's nose). Along the way we'll pick up the Ally or Helper (it's revealed Chopper snuck along and went with him). And we will be facing Trials, Tests, and Tribulations (everything from the initial Tusken attack to braving the harsh elements of Tatooine's unforgiving sand and heat).

...But it's all wrong.

See, Ezra has already answered the Call to his own Hero's Journey, the one that started for him all the way back in the pilot, when he returned Kanan's lightsaber and crossed the Threshold into the Unknown world of being a Rebel and a Jedi Padawan. This falsely constructed cycle Maul has drawn him into is not his narrative. It was never intended to bring him enlightenment, never intended to complete, only to be used to further Maul's selfish ends.

That Ezra manages to find enlightenment and complete the cycle anyway is something that happens in spite of Maul, and not because of him, and takes some severe course-correcting from Obi-Wan. Over and over this episode we'll hear this idea repeated, that this was not where Ezra was supposed to be in the story, it's not his job or responsibility to deal with Maul, he is where "[he] should never have been".

We'll table that for now and come back to it, have a moment to enjoy some pretty caps.

Thus far, music-wise, we've had a couple ominous cues, and a bouncy jaunt full of Rebellion flutes and brass as Ezra made his escape, in between a couple of the aforementioned long bouts of silence. There's a bubbly little bit when Chopper is discovered. (And I can't even tell you how much I love the touch with Ezra startling so bad he smacks the A-wing cockpit window and bumps the steering column so that the ship swerves out of place--PART OF THE METAPHOR MUCH?) Soft vocals filter in as Ezra consults the holocron shards, holding in long, mystical notes. A lone viola sounds, mournfully. Higher strings sound with spiritual reverence as Ezra gets out of the A-wing, as if to suggest his goal, his enlightenment, is just up ahead.

Then, darker notes like a pulsing heartbeat. The voices go discordant.

Then the Tuskens attack and hell breaks loose.

One of the underlying threads this episode is Ezra and Chopper's devotion and loyalty to each other so I really like how, even though Ezra told him to find cover, Chopper doesn't and charges in to get a Tusken off Ezra instead. Ezra in turn shields him with his own body when the Tuskens score hits that make the A-wing explode.

And that's Ezra's, "I'm in so much trouble." look lol.

Maul, meanwhile, decides to go ahead and murder all the Tuskens and I would not fault you for thinking back to another lightsaber-fueled Tusken massacre.

In fact, probably any parallel or allusion you think of during this episode is in all likelihood deliberate. Frankly I'd argue that this is one of the most important episodes of the show, with how integral it is to Ezra's character arc.

Which is why it was so annoying and asinine that people complained that Ezra took up most of the episode's focus and whined that it should have been only about Maul. Hello, do you understand the concept of a protagonist?!

Speaking of allusions though, we get some lovely call backs to "Visions And Voices" with Maul once again letting Ezra hear him inside his head and catch fleeting glimpses of him, this time in order to lure him further out into the desert. Maul is still trying to keep him in the false cycle, tempting him away from escape.

And Ezra's sense of hyper-responsibility, of This is all my fault and I have to fix it, leads him right down Maul's preordained path.

"I have to help Master Kenobi, if I can." As if Obi-Wan needs any help dealing with Maul, ha ha.

Another moment of pure heartwarming loyalty from Chopper here, he has the opportunity to keep going along the path to safety, but begrudgingly chooses instead to stay with Ezra, through thick and thin.

Ezra once again returns the favor by refusing to leave his side when he runs out of power.

Subtle animation appreciation moment: The way Ezra staggers, looking completely exhausted. Also the sandblasting in his hair and clothes kjhfkasjfha.

Taylor's acting here is heartbreaking, he makes Ezra sound SO lost and scared. :(((((((

Maul decides to rub things in a bit and oh hey some mirror dialogue here, eerily similar to a certain exchange in "Gathering Forces". :D

Grand Inquisitor: The Darkness is too strong for you, orphan. It'll swallow you up even now. Ezra: No. Grand Inquisitor: Your master will die. Ezra: No! Grand Inquisitor: Your friends will die, and everything you've hoped for will be lost. This is the way the story ends. Ezra: NO!

And in comparison:

Maul: He is dead... He is dead. Ezra: No... Maul: You led me to him. Ezra: No. Maul: You failed your friends. Ezra: No! Maul: You will DIE!" Ezra: NOOOO!

~It's like poetry, it rhymes.~

Also this is terrifying.

So I've legitimately teared up like... twice watching this show. This was one of the times. This moment right here where Obi-Wan's feet step softly into frame.

Yeah it got me.

Cut to... Night. A quiet campfire. Ezra comes to and things are suddenly put into perspective.

"You're in the wrong place, Ezra Bridger."

(The voice they got for Obi-Wan is perfect btw, sounds just like Alec Guinness.)

Obi-Wan explains gently that he is not "the key to defeating the Sith". He never was. Maul's desires muddied the holocron vision, he used Ezra to get his own answers and left Ezra with only partial answers. Because Obi-Wan is associated with the key to defeating the Sith but he's not the Chosen One.

And neither is Ezra.

He is a narrative "chosen one", a key player picked by the Force, imbued with purpose, but defeating Vader, killing the Emperor... that was never his task to take. After the loss he suffered in "Legacy" Ezra had been letting himself get obsessed with the idea that he could fix that problem--the problem of the Sith--himself.

But that is not his role in the story.

It is not yet sunrise (Luke and Leia). So the moon (Ezra) must endure.

"You win by killing an Inquisitor." "No, you win by surviving."

Ever since before Malachor, Ezra has been stepping outside his station, trying to do things he was never meant to do, instead of what he was supposed to do, which was to help the people in front of him, right now, do what good he can in the moment. (Something that he'd gain clarity on via a falling out with Saw in Season Four.)

"What you need, you already have."

Ezra lost sight of that in the grief over his parents, in his guilt over Malachor. He was never going to be the one to defeat the Sith. Yoda and Obi-Wan both knew the only ones who even stood a chance... would be Vader's children. Maybe Ahsoka. Perhaps that was even why Yoda advised going to Malachor, to test and see if Vader could be saved, or killed, by his former padawan. Someone who he might have had a strong enough attachment to that it would cloud his judgement. (Just as Obi-Wan's mere presence would drive Vader mad with irrational murderous rage and yet, paradoxically, a cloying need to have him back.)

"We asked for a chance to destroy the Sith... and we failed."

Vader has no connection to Ezra, therefore Ezra will not be the one to end him.

His task is to endure, keep the darkness back, and hold the line until the narrative chosen one who will do that task (Luke) is ready to take up the sword. This is not Ezra's role in the story. He has his own destiny, his own part to play in the Rebellion.

And he needs to return to it.

Obi-Wan closes the broken cycle for Ezra, rescuing him from The Ordeal or Abyss, and sending him back to the Known world with the Boon (his sage wisdom) irregardless of how false the path there to him was. Ezra is freed from the obligations, responsibilities, and burdens he wrongly took on himself... to return home, and rejoin his own Hero Cycle.

And then all that's left is to "mend this old wound". (Maul)

Maul has what he wanted, or so he thinks. His old enemy, his past, ready for the killing. His future and legacy, his apprentice, within reach for taking.

But things have changed. Obi-Wan is older, wiser, more serene and at peace with himself and with the Force, in spite of all he's suffered. He has grown from his failures, let go of the past, and found balance, while Maul has regressed, repeated the same mistakes, clung to the hurt and pain in his past and deteriorated, been sucked almost dry by the Dark Side.

And Obi-Wan pities him.

Maul is scalded by this, upset that after everything he's endured, Obi-Wan seems to have taken no ill effect. And it's not like Order 66 and Anakin's betrayal didn't hurt him (hell we have all of the Kenobi show to demonstrate otherwise) but that he's processed those emotions and feelings and traumas, and returned to a settled baseline. He is more a Jedi now than ever, and revenge is not the Jedi way.

And can I flail a little bit inarticulately for a moment about the dichotomy between Obi-Wan's "I had no intention of fighting him, though that seems inevitable now." and Thrawn's "It was not my intention to utterly destroy Lothal but that is inevitable now."?

So Maul digs for something to bait Obi-Wan with, touching about the reason he's there on Tatooine to begin with, discerning that there is someone that Obi-Wan is protecting. Notes of Sith vocals creep into the music here, a sequence that sounds like Maul's arrival on Tatooine from Phantom Menace ("It ends where it began.").

And with this implicit threat towards Luke, Obi-Wan ignites his saber.

SO much ink has been spilled about this duel. I was surprised at how short it was at first too, but it makes perfect thematic sense in hindsight. The way Obi-Wan slowly baits Maul, drawing Maul's mental frame of mind back to Naboo, because he knows that Maul is stuck in the past, constantly reliving that moment of triumph and defeat over and over again, fixated on it as the shatterpoint where things in his life first went wrong. He can't let it go. He can't move on. He has to keep going back to that moment over and over to make things "correct" and kill the one he pins the blame on for his pain. (But this will not fix him, even if he accomplishes it.)

An entire story is told solely through foot placement and stances. Maul moves through the stances he's used in duels with Obi-Wan before. Obi-Wan shifts through his classic New Hope lightsaber grip, to his iconic Soresu.

And then he switches to Ataru, to the same stance Qui-Gon used.

The music has been tense throughout, but now the Force Theme creeps in. There's a flare of recognition in Maul's eyes; He knows this, this is familiar.

So he lunges, using the same lightsaber trick that he used to kill Qui-Gon...

...except it doesn't work.

I love the look of quiet realization and acceptance in Maul's expression. It's just like, "......Oh."

Maul submits and falls in defeat, into his enemy's arms, yet another parallel to Phantom Menace, to the start of everything between these two men. And then he asks something heartbreaking: Is Obi-Wan protecting the Chosen One? The one who would defeat the Sith?

And because Obi-Wan no longer believes that Vader can be saved, he answers yes. (Amazing how well this scene fits with the later Kenobi show.)

With his dying breath, Maul finally recognizes his true enemy, accepts and forgives Obi-Wan as his brother, as a fellow victim of Palpatine, and declares with almost prophetic insight, "He... will avenge us."

Not take revenge, avenge. As Trilla Sundari would admonish Cal Kestis in the Jedi Fallen Order video game, Maul also asks for restitution and justice with his last words.

(I do kind of wish we got one brief reaction shot from Ezra as he sensed Maul passing, just for confirmation that he knows. It's inferred but still.)

Back with Ezra as he returns home with the Boon, and he's also claimed the prize of Maul's ship, the Mandalorian gauntlet. (Again, just the briefest scene of him finding it, that would have been nice.)

"I was wrong. This is where I'm supposed to be. You're my family. And we should go home."

Ezra has finally forgiven himself for Malachor, completed the arc he started in "Legacy" (or maybe even earlier), and returned to his proper place. His family accepts him back with the laying of hands like a benediction.

And meanwhile, just to wring your heart one last time, we return to Tatooine, to watch Obi-Wan watch over Luke from a distance, a scene drenched in OT nostalgia, from using the exact audio of Aunt Beru calling Luke to closing us out with Luke's Theme and Binary Sunset for the credits, reminding us that the shadow will not hold sway forever.

Eventually, the sun will rise. And a new hope will emerge.

Trust in the Force.

Man, there aren't enough words to tell you how much I love this episode. It's so beautiful and poetic and thematic. It's the lynchpin of Ezra's character development, he needed to be in this episode, to go on this journey. It's gorgeously animated and there are so many many layers of parallels and themes, motifs and archetypes, that tie into the monomyth in general and Star Wars in particular. I'm astonished how well it melds with later canon material (JFO and Kenobi), but I guess that just speaks to how true to the spirit and essence of Star Wars it is.

It's just beautiful.

#star wars #star wars rebels #ezra bridger #obi-wan #kenobi #rebels rewatch #liveblog #meta rambling #long post #music #soundtracks #this is a pro jedi blog #i love rebellion era jedi they come pre traumatized #rebels rambles

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unhelpfulfemme · 10 months

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Tag nine (9) people you'd like to know better.

Tagged by: @highladyluck

I keep being tagged in these chain-type things and I keep putting them off for later and then forgetting! But this time the accumulated guilt was strong enough that I remembered!

Last song: Until it Doesn't Hurt - Mother Mother

Currently watching: Nothing. The last thing I watched is a movie that I kind of half-watched on the TV this winter while doing other things and not concentrating on it, and I recently remembered it and wanted to give it the attention it deserves. The movie is True History of the Kelly Gang. And I loved it - it's very punk, it's very gender, it's very feral, and I'm amazed by the complexity of characterization it manages to cram into two hours of screentime. I see it as an exploration of how oppression and colonialism can twist people up psychologically until they've been abused enough that they see everyone around them as an enemy. I'm really not sure how well it holds up to Australians, since I'm a stupid European who knows nothing about Ned Kelly besides the basics, but it's very clearly not meant to be a realistic depiction so I hope that I'm not gushing over a thing that ruins your national hero here.

Currently reading: Currently rereading the 2017 Thrawn trilogy by Timothy Zahn, so that I can then read the Thrawn Ascendancy trilogy which I've somehow managed to not read despite being a huge Zahn fan. All this in preparation for Ahsoka, which I imagine will fuck with Zahn's careful layered characterization and contrive a reason for Thrawn to be an antagonist even if he perhaps logically wouldn't be at this particular point in time. All of my Vorkosigan and Queen's Thief mutuals are gonna be mad at me for this but I've realized that Thrawn is my favourite risk-happy strategic genius just because he combines the madlad energy with the illusion of being a gentle and dignified man. I'll be honest, I've also been stopping every couple of chapters to read some Thrawn/Eli fic because the UST between them is off the charts and I can't deal.

Current obsession: I don't think I have one - I'm all about novelty seeking in this phase of my life, to the point that I am hardly able to finish doing or consuming one thing before needing something completely different. I guess I am kind of professionally obsessed with some things, but I don't think any of my mutuals want to suffer through my ranting about social science research techniques? I can barely bear to hear myself think lol.

Tagging!: @goofygooberton @thesunlikehoney @metalmaul @peppers-ghost-posts @annmcn @starfishlikestoread @viridianriver @cookie-nom-nom @fantasticait

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theputterer · 5 months

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Good Things In 2023

It’s that time of year again! Time to remember all the good things that happened in 2023. I’ve done this since 2017, and highly recommend doing this as a fun way to reflect (and to have something for future reference when you are feeling Down.)

woof ok here we go

PERSONAL

I visited two countries I haven't been to before: the Netherlands and Iceland!

The Netherlands: mostly Amsterdam but did also pop down to The Hague for a day. Did the Van Gogh Museum, the Anne Frank House, the Rijksmuseum, the Bloemenmarkt, a canal boat tour, the Royal Palace, the Mauritshuis.

Iceland: I was there for less than 48 hours but I saw THE NORTHERN LIGHTS!!!! they were subtler than I expected but so cool. also did the Perlan Museum and a Lava Show, which ruled.

Related: I turned 30 this year!

My dear friend Sam came to visit me in Dublin in June! The highlight of her visit was going with her to see Hozier at Malahide Castle.

Speaking of which, Hozier dropped UNREAL UNEARTH which isn't personal, per se, but is very personal to me

My sister visited me in November! We squeezed a lot in her time here, but highlights were Glendalough, the Hill of Tara, and the Galway Christmas Market.

A few aunts went on a trip to Ireland this fall and I joined them for a bit up in Donegal, as well as a day trip to Derry, which I'd not been to before.

Completely fucking forgot about this but I did write a 158k word long ROGUE ONE / FRINGE AU, ENDLESS FORMS MOST BEAUTIFUL. it was a real fuckin bitch to finish, let me tell you that

I got really into MISSION: IMPOSSIBLE over the summer (don't ask) and wrote a couple short pieces inspired by the most recent movie, DEAD RECKONING - PART ONE: LADY LAZARUS and WORTHY THE NAME OF SIR KNIGHT.

I jumped back on my bullshit in October and wrote a long, extended epilogue to my BINARY STAR SYSTEMS trilogy: TWO DESERTS. the way the series ended was always correct and good but it was fun to write this extended epilogue focusing on the fallout, the question of what it's like to live past the end of your myth.

Anything bolded below is something I particularly enjoyed and recommend.

MOVIES

2023 movies I saw and liked:

M3GAN

KNOCK AT THE CABIN

BONO AND THE EDGE, A SORT OF HOMECOMING WITH DAVID LETTERMAN

DUNGEONS AND DRAGONS: HONOR AMONG THIEVES

RENFIELD

THREE MUSKETEERS: D'ARTAGNAN

JOHN MULANEY: BABY J

SISU

THE LITTLE MERMAID

SPIDER-MAN: ACROSS THE SPIDER VERSE

ASTEROID CITY

INDIANA JONES AND THE DIAL OF DESTINY

MISSION: IMPOSSIBLE: DEAD RECKONING - PART ONE

BARBIE

OPPENHEIMER

PAST LIVES

ELEMENTAL

A HAUNTING IN VENICE

CHEVALIER

KILLERS OF THE FLOWER MOON

BOTTOMS

THE ROYAL HOTEL

DREAM SCENARIO

ANATOMY OF A FALL

THE HUNGER GAMES: THE BALLAD OF SONGBIRDS AND SNAKES

EILEEN

NAPOLEON

GODZILLA MINUS ONE

FERRARI

2022 movies I saw and liked:

TAR

THE LOST CITY

WOMEN TALKING

THE LAST OF US

PEAKY BLINDERS

BOOKS

super embarrassing how few books I read this year:

"Survival of the Richest: Escape Fantasies of the Tech Billionaires" by Douglas Rushkoff

"Donegal Folk Tales" by Joe Brennan

"Listen to the Land Speak: A Journey into the Wisdom of What Lies Beneath Us" by Manchan Magan

"Hell Bent" by Leigh Bardugo

"The Book of M" by Peng Shepherd

"The World We Make" by NK Jemisin

"The Echo Wife" by Sarah Gailey

"Daisy Jones and the Six" by Taylor Jenkins Reid

"White Cat, Black Dog: Stories" by Kelly Link

"Yellowface" by RF Kuang

"Ithaca" by Claire North

"Killers of the Flower Moon: The Osage Murders and the Birth of the FBI" by David Grann

"A Heart That Works" by Rob Delaney

"Rebecca" by Daphne du Maurier

"The Crying Book" by Heather Christie

"In the Dream House" by Carmen Maria Machado

"Rogues: True Stories of Grifters, Killers, Rebels, and Crooks" by Patrick Radden Keefe

"Fleabag" by Phoebe Waller-Bridge

"The Hurricane Wars" by Thea Guanzon

OTHER GOOD THINGS

*some of these things are Good as in well-written or well-made, but maybe not Good in topic.

"Eurydice" by Adrienne Su

"What Happens to a School Shooter's Sister?" by Jennifer Gonnerman for The New Yorker. A high school student murders his parents and several students at his school, and his sister is left to pick up the pieces. really powerful story on unconditional love.

"A Friend Died, Her Novel Unfinished. Could I Realize Her Vision?" by Leslie Jamison for The New Yorker. the grief of losing not only a dear friend but her art as well.

"Fuck you, I don't know?"

Werner Herzog pronounces Eeyore.

George Washington's Dream for America, an SNL sketch.

Judi Dench performs Shakespeare.

"Walking Brittany Home" by Devin Faraci for Washington Post. a really beautiful piece on death and love.

This thread on the struggle of trying to be fashionable in Ireland.

"The Return of the Marriage Plot: Why everyone is so eager for men and women to get hitched" by Rebecca Traister for The Cut.

"We Were Never Supposed to See Our Own Faces This Much" by Lola Christina Alao for Dazed Digital. on social media and personal reflection.

sunwoof

this story about Jimmy Buffett I loved

"She Wasn't Able to Get an Abortion. Now She's A Mom. Soon She'll Start Seventh Grade" by Charlotte Alter for Time. the cruelty is the point.

had a pilot named Ken yesterday and he introduced himself by saying his job is plane

"Cillian Murphy might be the star of a massive movie atm but to me he will always be the guy that showed up in the rain to our abortion rights marches"

"The 'Troubling Reverberations' at the End of OPPENHEIMER, Explained" by Bilge Ebiri for Vulture. it's an absolutely devastating ending, but the fact remains: there was no other way to end it.

this obituary for the great Sinéad O'Connor.

Kiké Hernandez returned to the Dodgers!

this behind the scenes video from the filming of MISSION: IMPOSSIBLE: DEAD RECKONING - PART ONE where Tom Cruise's co-stars watch him drive a motorcycle off a cliff.

"How Christopher Nolan Learned to Stop Worrying and Love AI" by Maria Streshinsky for Wired. good interview with Nolan, one of my favorite filmmakers / artists. (anyone who's ever read anything I've written is probably like yes, this is very obvious.)

"The Perils and Promises of Penis-Enlargement Surgery" by Ava Kofman for The New Yorker. an absolutely BONKERS but super important piece!

a new ending to RAIDERS OF THE LOST ARK, lmao

"The Return of Ryan Gosling" by Zach Baron for GQ. really great profile writing going on here!

"LOST Illusions: The Untold Story of the Hit Show's Poisonous Culture" by Maureen Ryan for Vanity Fair. LOST is one of my favorite shows and has been super influential on my work. (again, this is probably very obvious). this piece is devastating in how it reveals the terrible racism and sexism behind the scenes of a show I have loved. important.

Henry Kissinger died this year (GOOD THINGS BABYYY) and this piece by Nick Turse, which came out in May, is a good explainer on why that's such good news: "Kissinger's Killing Fields".

"Talking With 'Swiftie Dads' at a Taylor Swift Concert" by Eileen Cartter for GQ. I thought this was very sweet.

The New York Times had an interactive feature about Connie Chung and her impact on young Chinese-American women, particularly the ones named after her. I love this video of her meeting some of them.

"Will A.I. Become the New McKinsey?" by Ted Chiang for The New Yorker. Chiang is best known as the writer of STORY OF YOUR LIFE which was adapted into ARRIVAL, so it's wise to listen to him when it comes to tech and science.

Loved this speech Mark Hamill gave about Carrie Fisher at her Hollywood Walk of Fame induction ceremony.

Accents white people can still do.

this absolutely incredible slapstick esque unintentional comedy scene.

As always, tagging anyone who’d like to do this!

@magalis @callioope @earnestfeeling @illuminahsti @fortysevenswrites @vaderkat @leaiorganas @garethsedwards @rifle-yes @buffyrat @alittlemomentum @i-am-slain @rogue-rook

#personal #about me #good things

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layla-carstairs · 10 months

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@pamaramburu welcome to the shadowhunter chronicles!! sorry about replying in a new post, there's just a lot to cover 😅

City of Bones is a great place to start! sometimes people will recommend starting elsewhere, because it's not the best book but imo since it's the first book to be published its the easiest introduction. the world building is introduced gradually throughout the book, it's fun to read, not too long etc. so I would start there!

as for the reading order I would recommend a modified publication order. you could definitely do the publication order as is (just follow the publication dates and be mindful that some books came out the same year) but I personally would make some small tweaks to make it more straightforward :)

start with the first three books of The Mortal Instruments; City of Bones (2007), City of Ashes (2008), and City of Glass (2009)

then, read The Infernal Devices trilogy; Clockwork Angel (2010), Clockwork Prince (2011) and Clockwork Princess (2013)

finish the rest of The Mortal Instruments; City of Fallen Angels (2011), City of Lost Souls (2012) (optional: The Bane Chronicles (2013/14), a short story collection about Magnus Bane. it's not important for plot or anything but it does have spoilers for Clockwork Princess & City of Lost Souls so you can read at any point after them) and City of Heavenly Fire (2014)

then it's Tales from the Shadowhunter Academy (2015/16) this is also a short story collection and it's technically optional but I definitely recommend reading it now, as it follows an unresolved storyline from City of Heavenly Fire

next is The Dark Artifices, which is Lady Midnight (2016), Lord of Shadows (2017) and Queen of Air and Darkness (2018) (aka the longest tsc book, good luck!)

then there's the third and final (for now) short story collection Ghosts of the Shadow Market (2018/19)

the Eldest Curses trilogy is kinda hard to place since the books take place years apart & are more of a standalone so you can kinda just read them whenever. The Red Scrolls of Magic (2019) takes place in 2007 at the same time as City of Fallen Angels & The Lost Book of the White (2020) takes place in 2010 after Tales from the Shadowhunter Academy and before Lady Midnight (the third book is not yet released)

which brings us to the most recent series, The Last Hours; Chain of Gold (2020), Chain of Iron (2021) and Chain of Thorns (2023)

the last thing is Secrets of Blackthorn Hall (2022) which is a multimedia epistolary novel that was published here on tumblr (@secretsofblackthornhall) and is currently in the works to become a physically published book at some point soon. it came out before Chain of Thorns and there's a few references to it in the book, but they're pretty minor. you can read it before or after it's really up to you.

and that's pretty much everything! tsc is one of my favourite series ever and I hope you enjoy just as much! have fun <3

#bella talks #tsc #the shadowhunter chronicles #the mortal instruments #the infernal devices #the dark artifices #the last hours #cassandra clare #tsc reading order

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goforth-ladymidnight · 1 year

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My Thoughts on the Official ACOTAR Coloring Book

The official ACOTAR coloring book was my official introduction the world of ACOTAR back in 2017 (I kept the barcode sticker with the date on it and everything). However, I didn’t officially join the fandom until 2021, around the time ACOSF came out. However however, it wasn’t until recently that I realized that the coloring book was all about Feyre and Rhys. I know it seems obvious, but hear me out.

Book 1 of ACOTAR is, at its core, a retelling of Beauty and the Beast and the Ballad of Tam Lin. It is Feyre and Tamlin’s story, despite what the rest of the series became. However, you wouldn’t know that if you only read the snippets included in the coloring book.

This realization came to me when someone on Reddit requested a spoiler-free color-along guide, complete with chapter numbers. This was so they could read the books, then color along when they came across the matching chapter. Since I was procrastinating had some free time, and I have the trilogy on Kindle (it makes research for fanfiction so much easier), I typed something up for her. But in doing so, I noticed at long last that the ACOTAR portion doesn’t tell Feyre’s and Tamlin’s story.

There is exactly one image that is even romantically coded for Feylin, and it’s this one: (art by Yvonne Gilbert, coloring by me)

It’s a beautiful illustration, but... They’re not even looking at each other.

I’ve never worked as an illustrator (even though I’ve taken my fair share of art classes), but I don’t think it’s a coincidence that the only image where Feyre and Tamlin have eye contact is the scene UTM right before she stabs him.

If SJM had any say in which scenes were included in this book, then that excerpt doesn’t surprise me at all. (You can see some more examples of the included pictures on the wiki page here.)

I looked through my copy of the book, and there are eight images of Feyre and Rhys together. Eight. ACOTAR’s portion ends with Rhys and Feyre talking, instead of Feyre and Tamlin walking off into the sunset, which is how the book actually ends.

At this point, you may be wondering why I’m so passionate about this, so I’ll tell you. Once upon a time, I wanted to be an illustrator. Back in 2017, I was studying real-life examples of coloring books and trying to learn from the experts. I’ve since made art more of a hobby to focus on writing, but the interesting thing about studying art and writing is this: The official coloring book doesn’t tell a comprehensive story.

Book 1 is my favorite book in the series, and I would love to see it get more love as time goes on, instead of being dismissed as a “boring prequel”. It set up what the rest of the series became [insert rant about the tonal shift between books, the discarded sequel that was eventually written into ACOMAF, and my feelings about the portrayal of Tamlin’s character in general].

It is a good book on its own... but I couldn’t tell you that if I had to sum it up from the coloring book excerpts alone. Important characters like Lucien are never given an introduction page, unlike the ACOMAF section, where each member of the Inner Circle was highlighted in addition to getting a group shot. Honestly, I wouldn’t want to take that away from them, since they are important to the series, but I would prefer to give more characters like Lucien or Tarquin a chance to shine instead of adding in a picture of the Attor or the Middengard Worm Wyrm. For those who don’t have the coloring book, if you look through the images on the wiki, yes, pictures of those ugly creatures are really in there. Mmm. Just what you want to color in a romance book about sexy hot faeries.

If I had my way, here are the scenes from ACOTAR that I would choose to tell the story properly. To make it more of a challenge, I kept it to 18 scenes, to match the number of illustrations that were chosen for ACOMAF:

Feyre aims for the deer and sees the wolf [technically it’s already in there, so it can stay, but I would change the excerpt and the illustration. I’m just not crazy about that particular artist’s comic book style here, since it doesn’t suit the fairy tale nature of the book]

Feyre speaks to the mercenary [not only does it highlight a criminally underrepresented badass character, it defines the danger of Prythian, and the overall conflict in the book]

Tamlin’s beast form in the cabin as he bargains with Feyre [which is different from the one where they’re walking away from the cabin; the excerpt that was chosen doesn’t have the same impact, imo]

The Spring Court manor [it’s in there, so it can stay, and besides, John Howe’s work is beautiful]

Tamlin’s High Fae reveal [Yvonne Gilbert’s illustration of Tamlin and Lucien is gorgeous, but it’s a shame that Lucien isn’t mentioned by name in the excerpt]

Lucien and Feyre on horseback as they discuss the Suriel [as interesting as it was to see the Suriel depicted by itself, we need context to know why it’s there]

The Suriel and its advice to Feyre: “Stay with the High Lord” [*cough cough* it was always about Tamlin *cough cough*]

Tamlin takes Feyre to the glen, as shown above [although this could also be traded out for the art gallery or the willow scene]

Rhysand taunting Tamlin, and Lucien protecting Feyre [this ties in better to the theme of the book, instead of his description on Fire Night as “the most beautiful man” she’d ever seen. Let’s stay on track, people, and keep it to one love interest per book, mm’kay?]

Tamlin sends Feyre home in the carriage [as much as I would love to highlight Solstice, it doesn’t have the same impact on the plot. Besides, I do love Yvonne Gilbert’s illustration of the scene; even if Feyre isn’t looking at Tamlin, it is thematically appropriate]

An illustration of Feyre’s family, not just of Elain gardening [thus showing what Feyre is giving up by choosing to return to Prythian]

Alis takes Feyre to the cave [this illustration is one that piqued my interest when I first flipped through the book, so it stays]

Amarantha’s intro [it’s perfect as-is; gotta love Charlie Bowater’s work, though I would have loved for the image to be bigger]

Feyre runs from the Worm Wyrm [much more interesting instead of just showing it by itself, because pink and brown does not make for a compelling color palette, thank you very much]

The tattoo and the bargain [it can stay, only because it does affect the plot and future books *grumble, grumble*]

Amarantha taunts Feyre about killing Tamlin [the current version was a big spoiler to me when I first saw it, but the scene needs to be included in some form]

Feyre’s transformation to High Fae, perhaps surrounded by a couple of the other High Lords [the current scene with her and Rhys talking about her human heart works, but it’s very Feysand-centric in a book that should be about Feylin. Plus, more character reveals!]

Feyre and Tamlin’s return to the Spring Court as they walk off into the sunset [ft. Tamlin without his mask!!]

Done.

Now, I know this doesn’t cover all of the scenes I would have loved to see illustrated, but it does make up for the severe lack of Feylin compared to all of the Feysand illustrations. If I feel like it later on, I might do the same excerpt review for ACOMAF and ACOWAR, because I had no idea what was happening in those books from the illustrations and excerpts alone. (And I still haven’t read ACOWAR all the way through. Way to hook me on the plot, promotional material.) We don’t even see what the villain in those two books even looks like! That’s a royal shame (pun intended).

If you’ve made it this far, thank you for reading! You don’t have to agree with my takes, but this is something that’s been on my mind for a while now, and with Tamlin Week 2023 coming up, I felt inspired to finally put my thoughts together. Maybe this will also inspire someone to make something for the event? Maybe this is a sign I should pull out my markers and paints more often... Hmm. If nothing else, this was a good exercise. And I don’t want to be the sort of person who criticizes something without offering suggestions for how it could be better.

I am glad that ACOTAR exists, because it has inspired so much creativity in myself and my fellow fanfiction authors and artists. It has also inspired a lot of people to pick up reading again, and if that leads to people reading more and making new stuff, so much the better. :)

#acotar coloring book #acotar critical #sjm critical #acotar is a better standalone novel #tamlin x feyre #feylin #lady midnight makes something #kind of #my coloring #not my art

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throamguide · 16 days

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hi!! do u know why anna decided not to rewrite and publish throam as an original work?

Hi! First off, some background: even in 2017-2018, when Anna was posting about the rewrite and talking about publishing it, she was open about the fact that it might never happen: "A rewritten version might never get published, anyway, so don't freak out." (X)

It also wouldn't be easy to rid it of its fanfiction past, as with something like 50 Shades of Gray (Twilight AU fic) because of THROAM's relative internet fame.

Anna also disliked when bandom people IRL (people she wrote about) would find out about THROAM because of fans bringing it up to them. Which is completely understandable. Because it happened quite a bit. She sums it up well in a heated post from 2019: Choice. And it had to be said because a lot of people ended up referencing, asking about, or even reading THROAM, presumably because of fans: Dallon, Jon, Vicky, Keltie, Z Berg...

Anna also moved away from bandom in general and started writing about K-pop groups (she's still at it!) and hinted at some original fiction. Finleighsaid, her URL towards the end of her Tumblr days, was some sort of reference to an original character of her's (I think?).

While writing this I had a look at the THROAM Fanlore page (which I helped write because my teenage self had no life) and found Anna's explanation as to why she stopped rewriting it:

March 25, 2019

Monday confessionals - I haven’t even had wine or anything. Some juice, though. Is sugar a drug?

Anyway, it is yet again that I have not posted anything here for a good while, and in the interest of Managing Expectations (whose? idk) I thought I’d give an update. Or, nay, a nopedate. (I’m sorry, I’m trying.) When last summer I decided that perhaps I ought to work the trilogy towards publication, I was working part-time and was kind of weighing my options as to what to do in life. (I still am. Is anyone out there a career counsellor? Please send me some help, thanks.) Anyway, I had time to work on the rewrite in cafés after or before work, and I was quite into it! Then I swapped for a full-time job and all of my rewrite efforts, essentially, ceased. I realise now why I wrote the story when I was a student: I had sooooo much time. From 2009 to 2019, I suddenly don’t have that luxury anymore.

So what I am saying is that, from my end, and for now, the project is definitely on hiatus. You know, like one of your favourite emo bands. I don’t want to mislead people into thinking I am actively working on the project when I haven’t touched it in weeks or even months. I don’t know if my situation will change in the future, or if this is the universe telling me to let it go. I know some people definitely want me to just let the story be! And I know some really want to see it published, too. And you know what, if I ever did publish it, people would always just shrug it off as bandom fic, and it’s hard for me to deal with the reality of people constantly looking down at something I love very dearly. So I have my hesitations and reservations, and I have Dean stood at Venice Beach in 1969, staring at the waves and a decade of stardom.

I have always been my most successful in producing and finishing stories when I have selfishly written whatever makes me happy. I suppose the rewrite is not that for me right now.

Thank you for your patience. Soul searching is hard. xx

#but yeah it would have been cool to see what would have happened with a throam rewrite in another universe #throam #the heart rate of a mouse #mine #ask

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kestrel-of-herran · 23 days

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your url omg. are you a winner's curse trilogy fan? i stumbled across the first book recently and finished it in one sitting. it was so good! can't find anyone to talk about it though bc i didn't think it was very popular...

hi hello YES i am one of the OG ANCIENT winner's trilogy enthusiasts i have been here since 2017 and read the series like eight times no big deal at all

feel free to dm me or send an ask if you want to talk about it!!! it's been a while since my last reread but i still have a lot of opinions in me

also feel free to check the winner's trilogy tag in the blog, i have some edits and a playlist linked!!

i also run @thewinnersnetwork if you're looking for a place where a lot of fandom content is tagged and sorted!

#this has been a psa to read the winner's trilogy if you are an unsuspecting follower stumbling into this exchange #tis so so so good #invented romance and everything #the winner's trilogy #lilly gets an ask #anon

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prettyboysdontlookatexplosions · 1 year

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i was going to make a joke here about how the OG anti jedi movement was started by george lucas and is called the prequel trilogy (and they are like garbage as films but not because of that) but i realized that actually as someone whose family luckily is not in star wars a more salient irritation to me is the conversation about The Luke Of It All and like i could go on about this at length but mostly what i want to say is that in high school i decided i wanted to celebrate my eighteenth birthday by having all my friends over and having a marathon of the original star wars trilogy, which we had all grown up with and loved except one girl who had never seen them and when this came to light we were like WHAT????? HOW CAN THIS BE?????? and we were all a little judgmental when she got bored and went to bed halfway through. because we all had been star wars fans since childhood and thought the movies ruled. we were obnoxious and superior teenagers who went to the last two prequels preparing to hatewatch and eager to make fun, and it was consensus (not shared by me, a lifelong lover of critters) that the ewoks were dumb, but our love for star wars was deep and sincere. my dude friends probably had some knowledge of the world beyond the movies even from like video games and maybe some novels idk. anyway. so we sat down on my birthday to watch these movies that we all agreed were awesome and great. and one of my friends was like, “i should count every time luke whines onscreen.” and we were all like LMAO HAHAHA THAT’S SO FUNNY YES DO IT. and he got to like 110 whines by the end of a new hope and then abandoned the bit. but like. one thing that makes me feel insane is if you’d asked me in november 2017 “how do star wars fans feel about luke?” i UNHESITATINGLY would have said, “oh they think he’s a whiny bitch and the most lame character in the movies and also that mark hamill can’t act.” like i can’t emphasize how much this was the reality i knew as a person who liked star wars but in a normal way. i swear i wrote some line to this effect into a piece of fiction at one point. and in fact as a person who tends towards generosity once i’ve decided i like something i also could have told you of the years i spent alone in the luke-loving trenches, coming to his defense because yeah he does whine a lot but that’s part of his charm. it’s part of the magic of the movies, went the argument i swear to you i had made, that if luke is on the screen he’s probably whining. it wouldn’t be the same any other way! this was, i stress again, as per all evidence available to me, a niche opinion. like it was a really hot take to be like “yes luke whines so much… but i like him anyway! and i think mark hamill is pretty good once you get to empire.” so like i feel really truly berenstain/berenstein bears about this universe i portaled into 5 years ago where apparently longtime star wars fans have always thought that luke was awesome and cool and a total hero. like setting aside all debates over artistic merits and narrative consistency and how to read the best star wars movie of all time (the last jedi), it just makes me feel fucking crazy that people would act like “luke sucks” is a concept invented out of thin air by rian johnson in 2017. like it goes against everything about my experience of being a person who has thought the original star wars trilogy is pretty great since i was 8 years old in 1996.

#the serious adult artistic beef i have with this #is that to me the heart of the movies and the most compelling scene by far is the lightsaber duel with vader in return of the jedi #which is another way of saying #that the most memorable and significant thing luke ever did #was to fail - fail hard - fail brutally - fail in a really ugly and disturbing way #and then having failed - having given in - find it somehow in himself to make a different choice #so… like just putting that out there #my dumb and petty beef is that it is insane to me that people carry a grudge about this #but will forgive jj abrams for deciding that han and leia broke up and also raised a school shooter #i think i would be a lot less idiotically capable of reacting to bad tlj opinions #if not for the fact that the culture has decided to act like the force awakens is like #Fine as a film and a totally acceptable entry to star wars canon #it is not and it was not.

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is-that-sand-in-my-waffles · 11 months

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9 People You Want to Know Better

@quigonsjeans thanks for the tag!!!!

Last Song: "I Can See You" by Taylor Swift (yes, yes, Taylor Swift - its straight up a bop, what can I say?)

Currently Watching: Currently rewatching Rebels. I've gotten to season 4 so there's an ominous sense of dread hanging over me, but other than that I'm having a great time. I'm also rewatching Psych, where I'm also on season 4 (I'm pretty much always rewatching Psych. It never gets old)

Currently Reading: Thrawn Ascendancy: Chaos Rising. I've read some Thrawn fic so its really interesting to see how people's interpretations of the Ascendancy characters line up with the canon versions.

Current Obsession: If it isn't obvious by now, it's Mr. Blue Man War Criminal, Mitth'raw'nuruodo and his government-assigned Little Guy Eli Vanto. I literally did not care about Thrawn at all a couple months ago but I read Thrawn 2017 on a plane cause it was on a list of the best canon SW books and now they've taken over my brain and I own both canon trilogies. If anyone has any fic recommendations about these two, please drop them in the replies!!!

Tagging @glupshirto @kanerallels @heart-of-a-rebel16 @wolffegirlsunite @jedi-nurse @e-g-g-s-s @thegeekylady52 @laughingphoenixleader and @fenkaline

#Tag game #Answering questions about myself is akin to exposing a vampire to sunlight but here we are

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x--daughters-of-darkness--x · 1 year

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NIGHTWISH Cancels Oslo Concert Due To Singer FLOOR JANSEN's Health

NIGHTWISH has canceled its June 22 appearance at the Tons Of Rock festival in Oslo, Norway.

Earlier today, the band released the following statement via social media: "Due to circumstances concerning [NIGHTWISH singer] Floor's [Jansen] health, we're unfortunately forced to cancel our show in Oslo on the 22nd of June. Floor's pregnancy is totally unaffected, and she heads home for some much needed rest.

"Even though all six of us are gutted over this decision, it was an easy one to make, as health must always come first.

"On a more positive note, the rehearsals and recordings of the new album begin in less than two weeks, so onwards!"

NIGHTWISH played its last concert before its upcoming break from touring this past Saturday, June 17 at Lemonsoft Stadion in Vaasa. Fan-filmed video of that show can be seen below.

In November 2022, Floor revealed that she was "cancer free" after recently undergoing surgery to have a tumor removed following a breast cancer diagnosis.

This past March, Floor and SABATON drummer Hannes Van Dahl announced that they were expecting their second child. Jansen and Van Dahl already have a six-year-old daughter named Freja, who was born on March 15, 2017.

In April, NIGHTWISH surprised fans by announcing that the band was not going to be playing any live shows for the foreseeable future and would be not be touring in support of the group's next studio album, which is tentatively due in 2024.

NIGHTWISH's statement read as follows: "As the 'Human :ll: Nature - World Tour' is drawing to a close, we feel now is the time to tell you of our plans for the next phase in our journey.

"After the planned shows for June 2023 we will be 'hanging up our spurs' for an indeterminate time, as far as live concert performances go, and won't be touring the next album.

"The reasons for this decision are personal, but, we all agree, vital to the wellbeing and future of the band. Be assured that we still love working together, and this decision has nothing to do with Floor's pregnancy or our other individual projects.

"However, an album of 12 new songs will see bright daylight in 2024, as will 3 music videos! The band is positively hyped beyond words over this new upcoming musical adventure.

"Stay tuned for updates from our legendary NIGHTWISH band camp & studio this summer!"

Last December, NIGHTWISH keyboardist and main songwriter Tuomas Holopainen said the band's upcoming follow-up to 2020's "Human. :II: Nature." will be the third part of a trilogy that began with 2015's "Endless Forms Most Beautiful" album. He told Metal Hammer: "I immediately knew after getting that album ['Endless Forms Most Beautiful'] done that, 'Okay, we have to do more songs about this, because there's so much more to explore and tell the world. We're not done with this.' And the same thing happened after 'Human. :II: Nature.'; we're still not done. So let's do one more. At least one more.

"In a way, [the next album] is the third part of a trilogy, which started with 'Endless Forms…' and then 'Human. :II: Nature.' There are some major surprises there again, but it feels like a natural continuation to 'Human. :II: Nature.'"

#floor jansen #nightwish #2023 news

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usaghinanami99 · 5 months

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how are you into devilman

Fine, thanks, how about you? Kidding, kidding. I know what you're asking (and I know I'm late answering...): I don't seem like the type of person that would post about something like Devilman, right? Well, the reason behind my getting into it is actually the simplest you can think of: as the most cursory glance at my blog can show, I am an animanga nerd (and for many other things too, but that's a story for another day). I've also been a literary nerd since my dad taught me to read, and now I'm a Literarure student, to boot. My burning passion for literary creation and, crucially, for acquiring knowledge about it (through reading it first-hand, of course) thus plays an enormous part in the way I read and/or watch non-literary texts, which I never choose to engage with any less seriously than I'd do with anything else. And, well, you know how there are some books that you can't not read if you want to understand the literary history of a particular country and/or language? When the medium we're concerning ourselves with is manga, then we can't not read Devilman the same way we can't not read Astro Boy, Attack no. 1, The roses of Versailles or dozens other milestones in the history of Japanese comic that I can't list here and now. I've known that Devilman was among these required readings for a long time, because its immense importance was always referenced in all the books and magazines about the history of manga that I devoured as a Gymnasium student. And my curiosity only grew with the years, because the comic book shop I was a regular at couldn't obviously sell me a series with such a high age rating before I turned 18. You can add to that the fact that I thought I was already well-acquainted with Gō Nagai, when in fact I was only familiar with family-friendly animated adaptations of his most famous works. This is because since around the age of 7 I had watched and rewatched the Robotic Trilogy anime (which consists of Mazinger Z, Great Mazinger and UFO Robot Grendizer), as well as the unrelated Jeeg Robot, be it via some of the very frequent TV reruns or via videotapes that my mum had recorded at the end of the last century. Grendizer, in particular, is very dear to my mum because she grew up on it during the late 70's, so to put is shortly she made it so it could become a part of my childhood too. (Off-topic side note: she was very excited when news of the upcoming Grendizer U reboot aired on TV, but I fear she'll be disappointed due to it being written by the same Ichirō Ōkōchi who's brought us Devilman Crybaby...) Putting it simply: I knew I liked these anime series so I thought I liked Gō Nagai, which fostered my desire to read this all-important but forbidden Gō Nagai manga that I kept on reading about. How things have changed... It may be repeated too much, but it's just because it's true: no one respects Gō Nagai more than those who only known him cursorily through Tōē Dōga's classic adaptations of his giant robot stories, but no one hates Gō Nagai more than those who have actually endured reading his manga.

This was just the needlessly long story behind why, as you can see, I had the moral duty to read Devilman. Flash forward to early 2017, I turn 18, I go to the comic book shop, I buy Devilman, I return home, I read Devilman, I am traumatised, I begrudgingly recognise its genius, I am still disgusted, I develop a (probably unhealthy) love-hate relationship with this manga. Not with Gō Nagai though, that one is a pure hate relationship. BTW, you can imagine how shocked I was when I discovered that my childhood fave Tōkyō Mew Mew was secretly a Devilman retelling; I am just glad I hadn't yet watched stuff like, say, Neon genesis Evangelion before reading Devilman, but this just proved how right I was about there being some manga that should be required reading before passing on to... well, everything else.

I unfortunately suffer from a terminal form of completism syndrome, which is how I ended up searching Japanese blogs for info about those silly pachinko cutscenes that have sparked your question. But in fact, Devilman may very well be what is slowly curing me, since I was so horrified from some of the later official material I've read, not even mitigated by the redeeming virtues of the original manga, that more and more I'm starting to reconsider my stance about having to read and watch *everything* about any particular franchise I get into. I wish I didn't have to learn this the hard way, though... and that I had some brain bleach handy, sigh. Yes, I hate Gō Nagai. Yes, I hate almost all the non-70's Devilman stuff that I've read or watched so far (to the point that I don't know whether to go on or not). Yes, sometimes I wish I could warn my younger self. But historical knowledge is one of the things I value most and, if I hadn't read this foundational title, what sort of pseudo manga fan would I be today? And I love Ryō Asuka to death - don't we all? - along with many future characters and stories by different authors that he paved the way for. These are the two things that I reckon make it worth it to be into something as infuriating and terrifying as Devilman.

#ask #personal

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