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misty-caligula · 1 year

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Okay this is gonna be long, but I’ve got a lot of ground to cover so please bear with me. In a real way, this is my series thesis.

I’ve said before, many times now (like a cycle) that for me the most important scene is ep 1 act 1 scene 1. There’s something There that I have been struggling to see clearly, struggling to articulate, and s2e9 really finally gave me the last pieces for it.

I think that Pit Girl is the point of the entire story. But not in the way that I thought going in. I feel like I’m rambling, so I’m going to try to structure my thoughts.

Imagine you’re a new viewer. You haven’t watched yj start to finish 30 times, you’ve never even buzzed before. You turn on the tv and the FIRST thing that happens is you see ... brutality. A half dressed girl chased through the freezing woods, murdered without a chance. They drag her through the snow, string her up, pour her blood on the ground. Hack her into unrecognisable chunks. Sit around in scary outfits and rip at her, with a huge focus on the teeth, as horror music plays. Then, Misty takes off her mask, puts on her glasses, and does the worst possible thing. She smiles. Directly at you.

Again, forget everything you know and go on vibes. You’re seeing the teens pre-crash, and you’re seeing them in the third timeline, fully formed, with horror motifs and covered in fur. You’d be mistaken for thinking that you were seeing start and end. Except that... we know, and you know, that Pit Girl is the middle. These monsters somehow came back from this. How? When they’re so so so far gone?

Hence the show. I know I’m not breaking new ground here, but bear with me. I’m going somewhere.

(Edit: Readmore added because honestly, LONG post)

You’d be forgiven, fresh-faced new viewer, for thinking you were watching some kind of gross-out slasher. But what happens in S1? Restraint. Laura Lee, the first non-crash victim dies at the end of episode eight. Jackie end of ep 10. (For the sake of this thesis we’re going to be almost exclusively focused on the teens.)

And yet there’s this tonal shift, It’s like ... inevitability. Like watching a crack in a window that’s very slowly spreading. Everything is steadily Getting Worse. The weather is slowly getting colder, the days are getting darker, food’s getting scarcer, life is getting harder. But so much of this difficulty is coming from external events and pressure. Yes, cracks start to show in the internal relationship dynamics, of course, but if food was plentiful, if shrooms were less so, if the weather were better, then they could probably work out a very long term stable situation. Sadly for them, things are not stable, and the pressure is building.

Then Jackie dies and the glass gets a really big break.

It’s worth mentioning at this moment that Jackie at any time could’ve come the fuck inside. Safety and warmth and even love were available to her. All it would’ve required was for her not to be the centre of the world. To make actual goddamn concessions and join the team. Which is why she couldn’t possibly make that choice, because she had to be invited, she had to be apologised to, she had to be accommodated. She couldn’t see the rest of the ‘jackets as being people who just like her were in a really shitty situation. She saw them as being external, as being in cahoots against her, as being part of some Thing that she wasn’t in on. She couldn’t let go of the society they’d left, and she preferred to die. Which sure is a choice...

Keep all of that in mind though. We’re taught to blame Shauna for Jackie’s choices. Let’s stop with that. Jackie chose not to assimilate, she looked around the cabin at the team eating the bear and praying to the wilderness and instead of just paying lip service to fit in, like Tai, she decided to put her foot down and make a Thing of it. She decided that being Right was more important than being Included.

Seriously, keep that in mind, we’re coming back to it. Cycles, you know...

Season 2, everyone’s hungry and hey we have this spare Jackie lying around. And we joke like “ha, you gonna eat that?” Only...

No. They WEREN’T going to eat her.

Really think about that for a second. They put her in the meat shed. With the bear. Think about what that does, psychologically. Linguistically. The meat shed is made to store food. The bear has a word: carcass. Day after day after week after month they carve progressively more pathetic chunks from it, subsisting on what little it offers. In the EXACT same room, sitting right there is Jackie. Her body has a different name. Corpse. With many different connotations. At NO point does ANY of them raise the fact that they’ve taken their friend and added her to their meat stockpile.

Because they haven’t. Instead, they’ve added a new sub-room. The meat shed is now also a morgue. And nobody ever once had to say it. They got it. We got it. You got it. And while they starved and their bodies BEGGED for food, Jackie’s corpse lay there, frozen and fresh, and stubbornly refused to become a carcass, because they wouldn’t let it. They knew that there were more important things than meat, even when they were starving.

The bacchanal was a mistake. A literal error. It simply wasn’t planned, wasn’t meant to go down that way. Maybe if they HAD considered that route earlier and had a discussion about it they’d have been prepared, psychologically, maybe if they weren’t so starved. Who knows. But in the middle of the night they were offered a way out, and they took it.

But Shauna took it first.

Even in their state, even faced with an ideal roasted feast infront of them, they waited until Shauna said it was okay. Because Jackie was Shauna’s friend, and they knew that she was still a person. That this was still a corpse first. It was Shauna who was able to give them permission to survive. To turn a friend into a meal. It was not their place to take that step. To shoulder that guilt. So Shauna did it for them.

The next day they’re devastated. The heavy reality sets in, now the hunger is settled. And Jackie’s carcass is far too real, they can’t change her back into a corpse. Nat tries, bless her heart. But Tai’s screaming reaction at having eaten Jackie’s face is only an externalisation of the grief and horror and agony they’re all going through.

And after Jackie they starve again. Hope and heat and light dwindles further. Every single day they all take another step towards death. That’s what starvation is, it’s the same thing as dying, you die a little bit every day until you can’t die anymore.

Kristen falls. Misty doesn’t even consider that she might bring her back as meat. If she had’ve, she might think, maybe she’d be considered like ... heroic. It doesn’t even occur to her. She’s not going to LET those bitches eat her one and only friend, and she goes out of her way to protect her.

Shauna has her horror show birth. And, no matter WHAT the context is, she produces.... meat. In the most awful, brutal way. And while the fandom made so many jokes and stuff, the reality is that yes... at least to an extent there was real nutrients there. And it was never once even brought up as an option, by these desperate, starving girls.

When Coach tries to kill himself, here’s a ready source of willing meat. And Misty uses it as a threat to stop him. But it’s hollow, she’s just putting on fake fangs to try to keep him safe. She’s not actually that vicious thing that she’s pretending to be, just like she’s not actually homophobic.

When Lottie tells Misty to eat her if she dies, Misty fights her on it. Lottie has to insist. Then when she tells the rest of the team, they are so overwhelmed with the selflessness of the gesture that it inspires them to twist it into their first hunt. That’s what it takes. The hunt is an act of self-sacrifice and love.

And so we get to the hunt. The proto-pit-girl, we’ve come full circle and we start to learn all these answers to questions posed in act 1 scene 1. And they’re not the answers that were assumed.

How do they get to the point of eating each other? They sacrifice themselves willingly, for the sake of each other’s survival.

Why do they hunt the way they do? Because Shauna just can’t stand to murder a friend in cold blood, a friend she cares for and has no reason to hate.

Why the spike pit? Because it keeps the blood off their hands. Because it lets them blame It and preserve a tiny fragment of their innocence.

Why the weird symbols? The ritual itself? Because they need SOMETHING to hold onto, to make it all make sense.

Why so brutal? Is it? We THINK it’s brutal. It’s certainly bloody. But Pit Girl dies almost instantly. Her pain is over fast. She doesn’t have a good time going into it, obviously, none of them want to die. But she chose to run, she could’ve taken the knife instead. And the spike trap was efficient. Yes they drag her through the snow and string her up, but it’s mechanical and just part of the process and she’s dead already. Her pain is over fast, it’s not sadistic.

Why do they chop her up into chunks like that? Because nobody wants to eat her face. Because nobody wants to struggle with her humanity, they want her to look just like any other meat. So that they might be having deer or bear or ... friend. They’re eating because they are biological machines that need to eat, that NEED death to survive. They didn’t ask to be made the way they are, and they’re doing their best to cope. Shauna, probably blindly, takes on that responsibility, to transform their friend into unrecognisable meat to change a corpse into a carcass. She takes that pain for them, holds that sin for them, out of love. So they can eat, so they can survive.

What’s with the creepy horror masks? During the ritual they can’t handle being themselves. They create alternate versions of themselves to hold what must be done. The masks aren’t there to scare anyone, because there IS NO AUDIENCE. The masks are there to hide behind. That’s why Misty takes hers off at the end of the scene. The ritual is over and they can go back to being people again.

Why is Misty fucking Quigley in charge? Because she CAN be. Because she’s strong enough. If Lott/Nat/The AQ is the goddess/queen, Misty is the priestess/handmaiden, tasked with actually carrying out her orders. She interprets the queens words when she’s too weak, she provides counsel when she needs it, she tells the team what they need to hear in the moment, she gives out the micromanagement. Misty’s the power behind the throne, because when she says she’ll do something she fucking follows through. No matter the cost. And what the team NEEDS, whether they choose to admit it or not, is a backbone.

So...

They bring home Javi. The music uses a reference that’s never been done before. It uses the spiritual powerballad that was playing when Laura Lee tried to fly away. It builds the expectation of Great Things, of big, potent ...

And then it just stops. As the girls are faced with the reality of what’s laying on the table. The cold, blue corpse of a soft child who never hurt anyone. No matter what they do, no matter how hard they try they just cannot make him a carcass. But they have made the choice already, and if they turn back now it’s not like it’ll bring him back. They’ll just be starving and regretful as he rots.

So Shauna, blind and shaking, does the best she can. And when she brings in the meat, she - of all people - understands EXACTLY what Travis is going through. She knows what he needs. Because she’s been here. With Jackie. So she brings him Javi’s heart. His core. His love. His soul.

(She doesn’t bring him Javi’s head. She cuts that off and puts it aside so nobody has to eat his face... Some things are worth more than pure nutritional survival.)

And Travis, god bless him, does the only thing he can do left to respect Javi. He takes his heart, and he bites it, raw and bloody.

It hurts him to do so. It disgusts him so much, but he manages not to throw up. It disgusts the girls too, but they watch on, horrified. And that’s the POINT. Travis makes sure that before they do this, before they do what they have to... that they all remember this is Javi, this is human, this is a person. And he preserves the horror. For all their sakes. And only then, after he’s given his blessing, after he’s done his human acts, do these starving, ravenous girls allow themselves to reach for their food.

S1E1. Act 1, scene 1. We do not know who Pit Girl is. We do not know the exact circumstances that get us there. But we do know where we started now. What the original meaning is behind each of these little things. And it’s not brutality, not barbarism. It’s love. It’s not lord of the flies, a bunch of monstrous human-shaped creatures giving in to their primal nature and predating on each other. It’s a team of terrified people desperately clutching at their own humanity as hard as they can. Trying SO hard not to let that glass break, to not become the thing that the framing of act 1 scene 1 tried so VERY hard to convince us they were. Context changes everything.

And the proof is in the pudding. After they eat Jackie the shock explodes throughout the cabin. The atmosphere is thick, and horrific. Now with Javi, reduced to simple meat, carefully and lovingly seperated from what made him human, so they can grieve him while they sate their natural needs, the mood post-eating is calm and soft and warm and loving. For once they’re all together, with grateful full stomachs and in a time of peace and plenty. They’ve done the impossible and maintained their humanity and love for each other and their respect for Javi in a nearly impossible situation.

*takes a deep breath*

Which brings us to THIS asshole.

Right from the start, Jackie is only kind of part of the team. She’s the team captain, put up there by Coach Martinez, but not because she’s the best of them but because she can maybe wrangle them into doing better. And they KNOW that she’s not really one of them. They plot around her, and just don’t bring her in on it. They put up with her, more than loving her, she’s just kind of forced upon them. But she does her best, to try to maintain some semblance of order, giving pep talks and the like.

Wait, Jackie? I mean coach. My bad.

Anyway, so Jackie has one friend, Shauna. She SEEMS popular, and everyone talks to her, but Shauna’s the only one who actually likes her. And Shauna’s her connection point to the team. She’s got one foot on each side, and is torn as to where her real loyalties lie.

Sorry I’m talking about Jackie again.... weird.

In S1E9/10 Shauna finally chooses the team, for real. And Jackie tries to pull her back away, but Shauna puts her foot down. No way, she counters, I’m ON the team, you’re the odd one out. Why don’t YOU leave, Jackie? Jackie looks around at the burgeoning cult, she thinks “Look at these evil monstrous bitches, and now Shauna’s one of them TOO?” And instead of finding a compromise, instead of doing introspection, instead of anything like that, Jackie goes and freezes to death because it turns out that sheer rage won’t keep you warm in sub zero temperatures. Because no matter what happens, Jackie’s Right and it’s more important to her to be Right than Included. If she’s not in charge than why is she even THERE?

Hold on, I see my mistake. Let me backtrack.

Right from the start, Coach is only kind of part of the team. He’s trying to hide from his real life, from Paul and the complexities of being genuine in society by taking on the job of coaching the ‘jackets. And they KNOW that he’s not really one of them. He’s just the guy they have to listen to, because society put him there. But he tries his best, giving pep talks and the like.

So Coach has one friend, Natalie. He SEEMS popular, and everyone talks to him, but Nat’s the only one who actually likes him. (Ignore Misty, a schoolgirl comphet crush is not the same thing). And Nat’s his connection point to the team. She’s got one foot on each side, and is torn to where her real loyalties lie. Sometimes she’s on the bench with Coach, complaining about the state of things. Sometimes she’s in the thick of it with them all, and Coach is nowhere to be found.

In S2E9, Nat finally chooses the team, for real. And Coach tries to pull her back, but Nat puts her foot down. No way, she counters, I’m ON the team, I’m worse than them, you’re the odd one out. Go, save yourself, you don’t belong in this place. Coach looks at a table covered in blood and gore, at Nat’s face, at the rest of the team pledging fealty to her. And instead of looking for context, or looking for compromise, or even remotely trying to understand what he’s looking at he thinks

Look at these evil monstrous bitches. They’re eating each other. They’ve all gone mad. They’ve even gotten Nat now. There’s no hope for them, there’s no hope for anyone out here.

And he decides that they’re corrupt. That the way you deal with that is fire. And he’s wrong.

(I have a theory that he’s gone and jumped off the cliff, that he set the fire to clear the corruption, and now like Jackie, unable to live in this situation any longer, he’s decided to die himself. I’d not be surprised to find him in s3e1 that way)

Jackie was a frustrating, difficult person. Because no matter how things went she just COULDN’T let go of the fact that she was trying to fit a mold that just didn’t suit her. She was raised with super high expectations, when she was really just kind of mid. And that’s fine, honestly, most people ARE mid, that’s why it’s mid. But she refused to see that those around her were shedding their social pressures, were adapting to the wilderness. They weren’t having a good time, they weren’t hunting and foraging because they were out there, camping for fun. Nobody wanted to be there. They were just trying not to complain about it, because they were all in the same boat.

Coach is similar. He simply won’t adapt. Refuses to. I mean this is a guy who’s STILL trying to live in the closet when there’s open lesbians making out in public around him. Who thinks of others as inherently monstrous when he himself, as a gay man, should know better. Because that’s what trying to fit your society-assigned role does to you.

It’s no accident that he and Jackie both spend a long time in the woods and neither of them can do something as basic as start a fucking campfire. Javi, a little kid, survived for MONTHS on his own in that cave. Coach couldn’t make it a day alone. Jackie couldn’t get through a night. They both rely so heavily on the team without ever once recognising it. Because SOMEONE was keeping the fires going. They both just ... refused to engage.

And just like Jackie can’t see that they’re not having fun out there in the woods, on the knifes edge of survival, Coach can’t see that they’re not having fun when they are so desperate they feel it’s warranted to sacrifice one of their own. He always thought of them as monsters, and he just sees what he expects to: a bunch of stupid useless teenage girls, finally doing what he always expected they would.

At any point... At ANY point he could’ve come in from the cold. He could’ve just accepted reality as they have. He could’ve taken some meat and accepted the price, as they have, joined them in their GRIEF about it, shared their humanity, and survived. Just as Jackie could’ve come in from the cold, and become part of the whole. But instead, they sit in the cold, consumed by their bitter hate, and decide that no, it’s everyone ELSE who’s wrong.

And who emerges from the burning cabin? A bunch of scared kids. Shauna, the FIRST cannibal, who saves Jackie’s prom dress before anything else. Travis, who grabs Javi’s wolf. Nat who grabs the ammunition - that they NEVER use on each other - because if they lost that they’d get SERIOUSLY desperate. And they protect each other, they make sure everyone makes it out. These supposed monsters who are so far gone they don’t even care about eating each other go out of their way to save each other, not just themselves.

Because Coach is wrong. Just like Jackie was wrong. Just like WE were wrong, in s1e1. Which brings me to my actual point.

This question is asked so many times in S1 it’s almost a mantra. And the ‘jackets’ oath of silence really builds up that it must’ve been something REALLY bad, right? But S2E9 has really made me recognise that fundamentally... Act 1 Scene 1 is entirely what everyone who asks this question is expecting.

Imagine they DID know what really happened out there. With that bloodthirsty fucking look in their eyes...

They’re not looking for an answer. They’re looking for a story. For an exciting spooky nightmare they didn’t take part in, so they can get a shiver and a thrill they didn’t earn.

They’re not looking for a love story. They’re not looking to hear how HARD these scared, tragic, broken people fought to hold onto their morals and their humanity and their sanity even against their own survival. They’re not interested in Shauna blinding herself just to try to stop her hands from shaking. They’re not looking to hear about Travis choking down the blood of his brother just to make sure that he can really FEEL it. So he can share the guilt, and never ever pretend like it’s Just Meat. The look in his eye when he can’t think of any good response to Van’s arguments that he needs to let Javi save him. What they want is...

They don’t want the context. And if the ‘jackets ever did try to tell anybody what actually DID happen out there, all they would see is ... Episode 1, Act 1, Scene 1. A bunch of monsters. Eating each other. Just like Jackie. Just like Coach. Just like we did, on first glance.

I’ve been saying this whole time that Yellowjackets is doing something really special. That it’s letting us see behind the curtain, that while everyone’s asking this big question, “what really happened?”, we’re the ones who get to know. Because it can’t be told. It can’t be spoken. It can only be seen. Experienced. I think that S2 has finally finished the first major arc in the teen timeline, that we now have the context to understand what comes next. And I do believe that it will get messy, it will devolve. Into fighting and screaming and battles. It’s tragic, but it looks like that’s the downward spiral, spiraling. As Travis and Nat deal with the guilt of what they did with Javi for each other. As Shauna and Nat butt heads and people pick sides. As Misty Mistys. As resources get even more desperate now their shelter is gone. As potentially new people (hikers? other cabin people?) get brought into conflict with them (I believe the cabin is a smoke signal, personally).

But don’t ever forget that we got here with love. Expect that the downward spiral will be lubricated with toxic, broken, codependant, self-destructive love as well. Watch them love each other to death... they’ve already begun.

#yellowjackets #spoilers #theories #Long post #no really long post

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page-soobinnie · 8 months

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Heres a list of movies and shows i recommend

And where to watch the links are my review on them (updated 03/07/24)

All of us are dead (korean) (horror) (TV) (Season 1) (Netflix)

Alice in borderland (Japanese) (scifi/thriller) (TV) (season 1) (Netflix)

The sound of magic (Korean) (fantasy) (TV) (Netflix)

Midnight (korean) (horror/thriller) (movie) (Tubi)

Mourning grave (korean) (horror) (movie) (Tubi)

Death bell (korean) (horror) (movie) (YouTube)

Death bell 2 the bloody camp (korean) (horror) (movie) (YouTube)

Squid game (korean) (thriller) (TV) (Netflix)

The mimic (korean) (horror) (movie) (Tubi)

Gonjiam haunted asylum (korean) (horror) (movie) (Tubi)

Sweet home (korean) (thriller) (TV) (Netflix)

As the gods will (Japanese) (horror/thriller) (movie) (Crunchy Roll)

The wailing (korean) (horror) (movie) (Tubi)

Extra curricular (Korean) (thriller) (TV) (Netflix)

Incantation (tai) (horror) (movie) (Netflix)

My name (Korean) (crime/thriller) (TV) (Netflix)

Train to Busan (Korean) (thriller/horror)(movie) (Tubi/YouTube)

Money Heist Korea (Korean) (crime/thriller) (TV) (Netflix)

#ALIVE (Korean) (thriller/horror) (movie) (Netflix)

Ju-on origins (Japanese) (horror) (TV) (Netflix)

The divine fury 1 (Korean) (paranormal horror) (movie) (Tubi)

The con artists (Korean) (thriller) (movie) (Tubi)

Monster (Korean) (horror/thriller) (movie) (Tubi)

The Silent Sea (Korean) (Sci-fi) (TV) (Netflix)

Our love story (Korean) (LGBTQ+(gxg)/slice of life) (Movie) (Tubi)

Hellbound (Korean) (Dark Fantasy) (TV) (Netflix)

Re/member (Japanese) (supernatural horror) (Movie) (Netflix)

The raincoat killer (Korean) (Crime TV/Crime documentary) (TV) (Netflix)

Cinderella (Korean) (movie) (horror) (Youtube)

The doll master (Korean) (Movie) (Horror) (YouTube)

I saw the devil (Korean) (Horror) (Movie) (Tubi)

Silenced (Korean) (Drama) (Movie) (Netflix)

Hansel and Gretel (Korean) (Horror) (Movie) (Tubi)

Zom 100: bucket list of the dead (Japanese) (comedy/thriller) (movie) (Netflix)

Strangers from hell (Korean) (horror/thriller/crime) (TV) (Roku channel)

Steel Rain: Summit (Korean) (action/thriller) (movie) (Roku Channel/Tubi)

Unlocked (movie) (Korean) (thriller/crime) (Netflix)

A Killer Paradox (Show) (Korean) (Thriller/crime) (Netflix)

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bengiyo · 3 months

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Hi, i'm a newish bl drama watcher from thailand that just started watching thai bls. i'm a bit ashamed to say that for a long time as a gay man living here i've been avoiding bl shows like the plague cuz of both the fandom reputation and of misconception from my yaoi era which i leave far behind. i'm just want to ask how did you got into watching thai bls and what were you preconception before you got into it.

Welcome to the Tumblr side of BL fandom. I'd actually like to also hear more of your experience with yaoi and BL as a gay person growing up in Thailand if you're willing to share.

For me, I'm a Black American from the Gulf Coast (the South). I grew up in a Catholic city and spent my entire adolescence in the closet. Despite having a sense of who I was as early as 8 years old, I kept most of that to myself. Because I didn't talk about it much with people, I found out most information about queer media and queerness from the internet.

I entered BL via queer cinema. I think the first explicitly gay character that I remember from TV was Marco from Degrassi: The Next Generation. There were probably others, and definitely more subtle expressions, but when I think about the oldest gay character I remember and connect to, it's Marco. I don't like counting things like shipping Shawn and Corey on Boy Meets World or Tai and Matt on Digimon for oldest gay characters. Sailor Moon can't even count because we got a censored version of it in America.

I got access to satellite television away from observing eyes around age 16 and started watching content on Logo back when they aired gay content regularly. I watched basically whatever I could late at night. It's how I saw movies like Get Real (1998), Beautiful Thing (1996), and Bent (1997). It's also how I saw Queer as Folk (2000-2005) Noah's Arc (2005-06).

After hitting adulthood I mostly got lost in video games and standard American TV for a while, but I did basically show up to any Gay Event in TV. I appreciate that Stef and Lena from The Fosters (2013-2018) were some of the only TV lesbians to survive the horror of 2016.

I watched a bunch of movies in this time, many of which appear on the Queer Cinema Syllabus I made for a hypothetical Westerner new to BL and queer cinema, which @wen-kexing-apologist has decided to try to complete.

I got into Thai BL in 2018 accidentally. I started seeing gifsets of Kongpob telling Arthit he'll make him his wife passing around Tumblr and was basically like, "Right, what's all this then?"

I had watched a few Thai gay films, mostly notably Love of Siam (2007), Bangkok Love Story (2007), How to Win at Checkers Every Time (2015), and The Blue Hour (2015), but this was the first time I was seeing a long series made available so easily from any Asian country.

From there I got into Make It Right (2016-17) and Love Sick the series (2014). Once I realized that yaoi had moved beyond manga and a few anime adaptations, I went looking for a lot more. I basically haven't left since I started in about 2016 with SOTUS.

There's my basic entry into the genre. I don't think I was as worried about fandom and worries at the time because so much of being a fan of queer cinema was a mostly-private experience for me for so long. I didn't realize that BL fans active in the space would predominantly be women or queers figuring themselves out. It took a while to adjust to that, and also to adjust my expectations of the kinds of queer stories BL distributors were willing to fund.

That being said, I tend to agree with @absolutebl that BL has a useful role in normalization for non-queer audiences who encounter it. I like cheering BL when it does things I think work really well, and also deriding it when I think it does things that are offensive to help nudge the genre and offer my perspective as a gay man.

I like the place we're at right now where there's way too much to watch for any person with other hobbies and responsibilities because it means that people can pick and choose what's to their tastes.

More often than not, I'm probably most-invested in something airing from Japan because of my melancholy nature, but there's so much variety these days that it's okay if you don't like everything. I certainly don't!

I'm glad you joined us on Tumblr and look forward to your thoughts!

#answered #thai bl #fandom life #about me

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fushipurro · 3 months

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In the Shadows of Love

Chapter 6 - Vega

<- Previous Chapter | Masterlist | Next Chapter ->

☆ Content: 18+ MDNI, heavy angst, depression, suicidal ideation, implied/reference ED, mentions of blood (nosebleed), emotional hurt/comfort, insecure/intrusive thoughts

☆ Word Count: 7.8k

After your little “diner date” as Shoko and the gang started calling it, you found yourself hanging out with Toji more often than not, much to your surprise. You had your worries that the opposite would occur during said “date”, but it appears now to have brought you closer together.

Meals between the three of you ─ Megumi included of course ─ became a common occurrence, along with shared trips to the store. With winter settling in now, Toji stated he felt more comfortable with having you in his car instead of letting you carry bags home in the snow.

“Don’t need you freezin’ to death out here,” he’d say in an effort to convince you.

Other times, he would invite you over so Megumi could share some quality time with you to make up for all the times it’s just you and his dad. And who are you to deny the sweet boy?

Tonight is one of those nights.

The day began (early afternoon for you) with some games before dinner, enjoying said meal in front of the TV while watching a movie together. Megumi loves anything that features talking animals, so you thought it best to put on Kung Fu Panda, to which he fell in love. Hard.

He tired himself out trying to replicate all the moves, leading to Toji having to carry him off to his room to sleep. Turns out in this one-bedroom apartment, the two share the same king-sized bed. Toji had said before to you that because he’s out all night working, Megumi has the bed all to himself and vice versa during the day. He even took Megumi into consideration as far as bedroom décor went, stating his only preference is the happiness of his son, even if that means his sheets have dinosaur print all over them.

“Kid’s finally asleep,” Toji tells you upon his return, sinking back down into his spot on the couch with a thump. He laughs with a simpering expression, “Now we can watch something with a little more excitement for two adults.” His eyes fall on you from the side.

You jokingly gasp. “How can you say that movie wasn’t fun?” You place your hand over your heart to exaggerate the feeling of shock. “I’m telling you now, he’s going to be doing kung fu all week and have you in the Wuxi finger hold.”

“I can fight better,” he snorts, and you giggle. “I bet I could give any dragon warrior a run for their money.” Toji raises the sleeve of his ivory-colored sweater upwards. The veins and muscles bulge as he flexes with that same annoying grin stretched across his face looking for your approval.

“Okay, Tai Lung,” you tease, your voice coy sounding. “Whatever you say.” Your eyes roll away from him and back to the TV.

Toji laughs, snagging the remote before you can even think about it. “Just for that, I’m picking the next one,” he declares.

He pans through the options, debating what might be a good choice. He has a few ideas, but his primary goal like always is to get a reaction out of you. So, when he lands on a classic you know and love, he wastes no time putting it on.

Bride of Chucky.

“Perfect.” The words roll out like a purr. Or maybe a warning growl? Either way, he puts the remote down, leaning back against the couch and draping his arm over the back.

The movie picks up right away with an introduction to the main characters as you remember quite well. Rob Zombie’s “Living Dead Girl” playing while the one and only Tiffany Valentine makes off after the first kill of the movie.

Toji had thought the combination of blood and murderous dolls would have you leaning into him for protection, but to his surprise ─ and disappointment ─ you don’t. The most he gets out of you so far is a recoil during the first murder committed by Chucky himself.

“That’s what gets a reaction out of you?” His question comes out with a pout he doesn’t even hide.

You laugh through your nose, “Hey, the stabbings are one thing, but piercings getting ripped out?” You shudder. “No thank you.”

“Not even a little afraid of some creepy ass doll running around, killing people with a knife…” He goes silent for a minute as the bathtub scene occurs. “Or…a TV?”

“If we’re talking about Slappy from Goosebumps, then yeah,” you huff. “That guy was nightmare fuel for me, but Chucky I can enjoy.” You reach out for some popcorn, ever so quietly humming to “Call Me” by Blondie as it plays.

Toji takes his own handful before speaking, “You’re one odd girl, I’ll give you that.”

It’s funny the things that can affect you. Meeting new people turns you into a stuttering mess, yet you watch horror movies without a care in the world. As if the blood and guts doesn’t do anything to you unlike the words or actions of others do.

To others, you’re that of an iceberg. The image of you that others see is only a mere glimpse with the rest hiding below the surface. All it takes to reveal that side of you is time to warm up, something Toji is finally starting to see as you grow comfortable with him in your presence. No alcohol needed.

Throughout the rest of the movie, even if you weren’t clinging to him in order to shield your eyes, he still had his ways of keeping the distance close. There’s the brushing of fingers reaching for popcorn that seemed like more than accidents or the arm he has resting behind you this entire time for you to lean your head against.

It's like the awkward theater date you never had as a teen, except you’re the only one feeling awkward about it now. But at the same time, it’s endearing because you’re going through this milestone event in your life.

Except… you still aren’t aware if he’s single or not.

All signs point to yes since you’ve never once heard of another woman, or Megumi even talking about a mother. But she could just not live here, or they’re going through something, or she’s working abroad. The fact is, until you mount the courage to ask, or he tells you, you don’t know.

You’d be lying if you said you weren’t hoping he’s single. You’re enjoying this too much to think about this crush of yours falling apart.

Toji is sweet as could be and he makes you laugh every time you’re together. He continues to treat you and while you can’t return the favor financially, you’ve been trying with the little things like bringing baked goods over with the excuse that you made too many to cover up your nerves.

It's all you could ever hope to have with a friend or even a significant other, even if all it must be is platonic. It’s something you haven’t had in a long time, and one thing you don’t want to ruin by desiring more.

The movie ends and Toji stands up to stretch, collecting the leftover dishes to clean. You take a few, following him into the kitchen area.

“I would say let’s watch another, but I can’t be late for work tonight,” he groans, and you swear you can hear him pouting even with his back facing you.

“There’s always another night,” you reassure.

“I think we should just start the kid now with the good stuff.” His head turns in your direction flashing a mischeavous grin. “What do you think about watching Alien next time?”

“And scar him for the rest of his life over the spaghetti scene?” you reply with a sarcastic tone. “Yeah, I don’t think so.”

“Hey, I saw much worse at an earlier age and look how I turned out.” He raises both his hands and shrugs all nice and proud.

“And it’s a miracle you’re sane.” He rolls his eyes with a laugh. “I vote that we watch Finding Nemo next time. I’m sure he’d love that one especially with how similar one of the characters is to you.”

He looks to you dumbfounded. “In what way could I possibly resemble a fish?” he says with disbelief lacing his words.

You giggle, “Personality for one; Gill is tough, smart, and cares a lot almost like a dad.” You extend your hand, gesturing to the man. “And two, you share similar features, like the color black, how you glare at others, scowl, even having a facial scar.”

You bite your tongue, eyes widening at what you just said. Another piece of info Toji hasn’t told you about yet is how he even got the scar on his lip. You know more than anyone that it may not be the easiest thing to talk about, mainly if there’s trauma tied to it versus something mundane like getting cut by a sticker bush.

It doesn’t help that he’s facing away from you so you’re unable to read his current expression. “I’m sorry, I–“

“You think I’m all that, huh?” He interrupts with a huff, appearing unbothered. “Bet I’m tougher than any fish in the sea,” he tells you again, with another flex of both his arms this time around.

You sigh in relief, “What about an orca?” you ask, and he flashes you a toothy smile.

“Now that’s a better comparison for someone like me over some stinkin’ fish.”

You both laugh and continue to chat for a little while longer. While Toji is cleaning the dishware, you’re occupying yourself with Megumi’s toys, helping to tidy up. When all is said and done, he walks you out, hanging back in the threshold of his home and the hallway.

“I’ll see you later then, hope you have an easy time at work.”

“Thanks, sweetheart. Try not to have any nightmares later.” He winks, and you laugh.

“If I do, then I know who to blame,” you scoff. “Goodnight, Toji.”

“Sleep tight, and don’t let the cursed dolls bite.” You roll your eyes, calmy walking into your home. Once inside, you’re anything but calm. You practically skip your way over to your couch, throwing yourself onto the cushions to pet Tsumiki.

Sweetheart.

He calls you that from time to time, and the butterflies you feel are something else. It takes a few breaths to relax from such giddy feelings. It’s been far too long since you had someone like Toji in your life, and you crave this kind of attention. This closeness. For the first time in what’s most likely been years, you feel as though nothing could possibly go wrong.

You eventually pick up your phone that you haven’t bothered to look at in the hours spent next-door, and there were several notifications to greet you.

The first dozen were some cheers from work, namely from Kento regarding the publication of the magazine you modeled for.

The second bunch were the obligatory Instagram mentions, the most important being the one from Satoru’s post alongside a series of his choice photos from that day with you.

That’s when you remember things can and will go wrong, as the third set are all various notifications of strangers blowing up your account. The majority falls under Satoru’s post, a bunch of his followers spitting venom your way to target you.

Who’s this nobody he’s with?

Can she get any closer to him? I bet she’s just using him for clout

Must’ve been torture for him :( she’s not even that pretty lmao

Would look so much better with only Satoru.

You want to look away, you really do. You’d love nothing more than to shut your phone off and throw it at the wall, but you can’t bring yourself to do it.

It’s nothing new for you to be hated on like this. The sad reality is that it’s to be expected, no thanks to the anonymity of the internet. But that doesn’t make it hurt any less.

They’re jealous.

You know that.

Just obsessed fans taking out their anger on you because they wish it was them at his side.

You know that too, but it doesn’t stop the dark cloud that hangs over you wherever you go.

Why don’t you just stay in your lane? Be a flower on the wall?

You should’ve turned the project down, given it to someone else. You don’t deserve the recognition it brings.

This is your fault, you know. You should’ve listened to your parents when they said you weren’t going to succeed in life.

You sit up properly on the couch, tucking your knees to your chest. For a while, all you can bring yourself to do is stare blankly at the screen, watching all the new messages come through every passing minute. It’s a given, considering Satoru’s astonishingly high following. It isn’t until your phone shuts down from a low battery that you throw it aside and fall to your side, letting the tears come cascading down.

You wake up later, still lying on your side with a damp feeling against your face. The light that comes through your apartment is soft, no doubt earlier in the day compared to when you normally choose to wake up. Begrudgingly, you push yourself off the couch, listening to every creak your bones make like dated wood.

The first thing you do is plug your phone in to charge, followed by feeding Tsumiki her breakfast. You ponder whether you want anything, but even if your stomach was growling, you don’t feel all that deserving to eat. Not only does your depression take away your appetite at times, but it also puts a strain on the relationship you have with food and other things pertaining to your day-to-day life.

A shower helps. At least there you can attempt to drown out your thoughts with the water that rains down. Even when physically after you’re clean and smell nice, you still don’t feel all that great. Against your better judgement, you go to see how things were looking today on your phone.

The answer?

Worse.

More of the same shit fills your feed, but with the added bonus now of threats and other hate in your DMs, and all over your own posts that had nothing to do with the magazine. All are a courtesy from the people with nothing better to do than wish harm upon you for breathing the same air as their celebrity crush.

Speaking of, there’s a new message from him.

Satoru Gojo heyyy so sugu, sho, and I are going out to star plasma later to celebrate, you wanna meet up???

You Sorry, I’ve got a lot of work to catch up on :( hope you guys have fun though!

Satoru Gojo boooo :( well if you change your mind, we’ll be there <3

You wonder if he’s seen the same hate you have, or maybe he’s just that good at ignoring it for his own sanity. That, or maybe he just doesn’t care what they’re saying. Not everyone is like you.

Oh, how you wish you could be like that. You also wish you didn’t feel the need to lie to him about having work. The thought of the gang seeing you in this state fills you with disgust, not to mention if Toji’s working tonight.

You place your phone back down on your nightstand, eyes drifting across to your bed. Most of the time, it’s the only place you want to be in, all wrapped up nice and tight under lays of blankets.

Other times it feels like a prison.

All the fabric acting like chains, keeping you bound to your mattress with no hope to escape. It’s during these times that everything outside the walls of your apartment frighten you to no end. And like always, you give in to the call of your damnation.

Sinking down into the cold sheets, you stare now up at the blank, white ceiling. The various scuffs and spots act like sheep for you to count as you make a mental note to clean them later. That will have to wait for a day you feel capable. A day you feel better if that day ever comes before it’s too late.

Why does it seem so easy for others to ignore all the drama of life and intrusive thoughts? They make it sound so easy, that being a normal, functional being is easy but here you are, wallowing in your own misery. You long to feel happy in life rather than the sorrow you feel now.

But will that ever happen?

A few unremarkable days have gone by since then, and you still bear no signs of feeling better.

You’ve stopped crying now, but the emptiness took over. Somehow you manage to get out of bed, only to mindlessly complete your work and anything else you have to do. Tsumiki’s been hanging close-by, as if she senses how distraught you are. Her meows and cuddles are the only thing bringing a ghost of a smile to your face as you shut out the rest of the world.

Food has been minimal, most of it not even having a taste when it hits your tongue. Your appetite is lacking either for anything more than a few bites. All in all, you’re just passing time until you can fall asleep, letting time go by that you later hate yourself for missing.

Depression is an awful cycle.

Today you decided you needed to head to the store. You tell yourself it’s to get Tsumiki more food or toys for putting up with you, but the truth is that your fridge is looking scarce. Your meals have mainly consisted of whatever is easy to make, jokingly referring to it as “girl dinners” to try and make yourself laugh.

You don’t put much thought into your outfit, choosing to wear something easy to keep you warm in this December month. Sometimes it’s nice to try and look pretty to help your confidence and all, but right now you’d rather hide under bulky fabrics. There doesn’t feel like much of a point to care, either way. What does it matter?

It's a quick trip in the end, only coming back with a few bags. You keep your eyes low to the ground, counting the concrete tiles to keep your mind at bay. It works, up until you notice your neighbor hunched over an idled car out front of your building.

Something’s off, you notice, and it makes the hairs stand straight up on your neck.

Never once have you seen Toji express an emotion like the one you’re seeing ─ the death stare he’s giving whoever is sitting in the car. For someone so typically calm, this apparent anger is so much scarier than any cursed doll could hope to achieve.

Who is he talking to?

You want to know, but at the same time you don’t if they’re upsetting Toji this much. Your breathing stills as you walk by, hoping to slip into the front door without being noticed. You make it as far as a few steps up before you’re stopped short from a voice.

“Hey.”

Your body tenses up. You’ve been avoiding contact with anyone outside of work for a few days, and you especially don’t want to be near whatever was going on outside just moments ago. He doesn’t need to be burdened by you.

“Hey, Toji.” You turn your head slowly to the man, weakly smiling.

He makes a few steps up to where you are, a silent urge to continue heading up to your floor together. The fire you previously saw raging in his eyes no longer appears present, instead replaced with his normal scowl.

“I saw your friends the other night at the bar, was hoping you’d be with ‘em.”

You exhale quietly, swallowing thickly. “Yeah, I– wasn’t feeling it that day,” you mutter.

Toji’s eyes narrow with furrowed brows to match but he continues with your pace.

“I’ve got some time before my shift if you wanted to watch that fish movie or somethin’ else,” he asks. You bite your lip as you think of your response.

“I’m sorry, I’ve got a lot of work to catch up on.” You go silent for a moment, save for the tapping of shoes against the tiled floor. “Some other night?”

He raises his hand sheepishly to his neck. “Yeah, no problem,” he says with the hint of disappointment in his words.

Fuck, you don’t want to hurt him. Especially with another lie to someone close to you.

“I’m sorry,” you mumble, turning the key in your front door. “See you later.”

“See yo–“ The door shuts before Toji can even finish responding.

The guilt settles in like a knife to your heart. Enough so that you slide your back down the door to sit with your head between your knees.

“What the fuck is wrong with me?” Disgust drips off your words.

Tsumiki comes right up to you purring away. For several minutes, you remain there on the ground petting her before finally getting up to put the groceries away. Shortly after, you return to your bed, indulging yourself with some good old blue-light exposure therapy. Tsumiki joins you, bringing in one of the new toys you bought for her.

Later, a soft knocking startles you from your sleep, not even realizing you had fallen asleep in the first place. The time on your phone shows that it’s after midnight, so who in their right mind needs you at this hour?

Cautiously, you approach the door, peering through to the peephole only to reveal…no one?

Huh, wrong house?

You turn away from the door, only for there to be another knock, but still nothing through the peephole. You end up opening the door without even thinking, and now you realize why you couldn’t see anything.

“Megumi?” He stands there teary-eyed, clutching his frog plush tightly in his arms. “What’s wrong, did something happen?” you ask with a gentle voice.

“I had a bad dream.” He sniffles, his lip starting to quiver with oncoming sobs.

“Come here, ‘Gumi.” You take him into your arms, lifting him up, and closing the door behind you as you take him to the couch. With one hand, you rub soft shapes over his back as you sit him down with you. “There, there,” you coo.

Megumi holds on to you tightly like a baby koala. There’s a damp feeling sticking to your chest from the tears falling from his eyes. In this moment, you put aside whatever troubles you might have. He needs you right now.

You give him a minute to relax and calm down, waiting to ask, “Do you want to talk about it?” But he shakes his head in response. “That’s alright, you don’t have to,” you tell him softly, further adding, “I’m right here with you, you’re safe now.”

Toji must be at work for Megumi to have come knocking, so you pull up his number on your phone, texting to let him know about the situation.

“Hey, ‘Gumi? You want to try going back to sleep?” He whines into your shirt, doing everything he can with his tiny hands to stay fixed to you.

“Don’t leave me, please…” He sniffles, and your heart breaks. There are those words again, you think, remembering the time in the bathroom with him once before.

“I’m not going anywhere,” you reassure.

You give him some time to calm down, humming a familiar lullaby to whisk him away to sleep. He grumbles when you place him down into your bed, the spot still warm from your earlier rest, but he finds that he can’t fight his heavy eyelids. Between your song and the fingers running through his hair, he has no choice but to fall asleep once again.

“Ma..ma…” he murmurs, and you feel a tear fall from your eye.

Tsumiki joins you now, curling right up to Megumi’s side like the comforting angel she is. You send another message to Toji to let him know he’s still with you, to which he replies that he’ll be right over after his shift ends.

So much for avoiding contact with others, but it’s for Megumi’s sake right now.

It feels like déjà vu the next time you hear the knocking at your front door.

“Hey Toji,” you greet, parting the door for him to enter. He looks around with a confused look at first. He’s thrown off by the lack of lit candles, ambient light, or anything else. Instead, it’s just you, illuminated only by the moonlight peeking through the apartment.

“Did I wake you?” he asks, meeting your eyes. It’s a good thing it’s dark, so he hopefully can’t see the evidence of your tears.

“No, I haven’t slept yet,” you admit, and it only serves to puzzle him further. There’s a lot he wants to ask, but you’re already motioning towards your bedroom. He sighs, moving to catch up with you.

“He looks right at home,” Toji remarks, brushing Megumi’s hair back to better see his face. He gives Tsumiki some attention, careful not to disturb his son’s sleep in the process. Once Megumi is up into his arms, the two of you head back towards your door. He stops, turning to look you in the eyes again. “Thanks for watching him.” He doesn’t move from his spot, though his brows begin to furrow in thought. “About earlier…is everything okay? Did I do something to upset you?”

You feel your stomach dropping. The guilt you felt earlier comes crawling back up with razor-sharp claws. “Oh. No, no ─ I’m…sorry about that,” you stammer out, feeling your chest tighten. “You didn’t do anything, I promise.”

“What’s up then, you’ve been actin’ weir–“ Megumi interrupts with some slight stirring in his sleep from Toji’s raised voice.

“I’m okay, Toji. Really,” you try and convince, despite feeling the exact opposite. Another lie that stains your soul, but you remind yourself that it’s not his problem. You’re not his burden to bear.

You’re not sure if even bought it, especially after the noncommittal grunt he makes with eyes that stare intently, as if peering into your soul despite the darkness.

“Alright,” he says after a minute, his voice noticeably calmer, but still unsure. “If there is something, you can talk to me, okay?”

“I will, thanks.” You open the door to let him out. “Goodnight.”

His head dips to you before the door shuts completely. “Goodnight,” he replies, with your name punctuating.

For some reason it hurts to hear your actual name for once instead of a pet name.

With your apartment empty once again, it feels colder than ever. Lately you’ve been feeling that way a lot. It’s only when Toji is there that your house truly feels like a home.

You meander your way back into bed, curling up into a ball facing the window. You can’t shake the cold you’re feeling, no matter the number of blankets overtop your body. Even the dimly lit skies seem to relate with you.

When was the last time you could see the stars shining so beautifully?

There was a time you yourself felt like a bright star once, one that floated easily through the cold expanse of the universe without any issue. Unlike the other stars that met their fate, there was no spectacular supernova at the end of it all. No rainbow plumes of stardust to vividly show all of existence how good of a life you’ve lived.

It was more like a flip of a switch when it came to you. Shining one day like normal and the next, a bleak void of what you once were, absent of any light.

You roll away to face the wall opposite of your room, moving your hands to clasp either shoulder in a self-embrace.

I miss the warmth.

You wake up alone for once, with Tsumiki nowhere to be found from where you lay. It’s nothing you worry about quite yet, as you figure she’s out in the living room watching birds. You get up to investigate, but to your dismay, she isn’t out there either.

You don’t see her anywhere.

Strange, you think. Maybe she’ll come out for breakfast…?

You try that next. Heading to the kitchen to prepare her usual pampered meal, making noise as you call for her.

“Tsumi!” you croon, adding a pspsps after, but again, nothing.

There’s no way she could’ve gotten out of the house, so she must be around here somewhere. Your heart beats a mile a minute as you’re scouring in and around every piece of furniture you have looking for her. Eventually, you do find her, all tucked away inside your closet on a pile of your clothes.

“There you are!” you exhale in relief. “Do you know how worried I was?” you coo. You then move to pick her up and she doesn’t protest, but she also doesn’t start purring or mewling either.

You bring her out the kitchen, placing her down with her bowl. Your heart sinks again when she sniffs the dish and ultimately turns her nose up.

Tears weld up at the edge of your eyes. “Fuck, Tsumi’, don’t do this to me.” You start to pace, chewing anxiously on your lip as you watch her huddle up in another corner of your apartment. “What’s the matter, baby?”

Fuck, fuck, what do I do?

Searching the internet is your first idea, but the results are anything but helpful. Half the results are akin to that of WebMD (read: you’re already dead). By this point, you’re hysterical now, fixing to hyperventilate as the last bit of control you have slips away.

Of all the times for something like this to happen, it has to happen to Tsumiki. You’d give anything to swap places because you love her more than life itself. But when it rains, it pours, and right now it feels like a hurricane is hanging overhead.

She needs a vet, but you can’t possibly run with her across town. Waiting for a taxi will only prolong whatever she’s suffering from. Fuck, if only you could afford your own car, this wouldn’t be an issue!

But then you remember one thing.

Toji has a car.

Toji.

With no time to waste, you sprint out the door of your apartment, frantically knocking on his all while desperately hoping he’s even home to answer. Your prayers are answered when the door opens, revealing the man himself, half-asleep and shirtless.

“Toji, I-I-I–“ your voice cracks between sobs.

“Woah, woah, slow down,” he interrupts, placing his hands on both ends of your shoulders. He lowers his head to your level. Seeing you in distress snaps him awake. “What’s wrong?”

“It’s Tsumiki ─ I-I don’t know, I think she’s sick!” you stammer out, “I need to get her to a vet but–“

“Go get her; I’ll get my keys.” His voice is calm as he tries to reassure you, bringing his thumb up your cheek, wiping away a tear with the rough padding of his thumb. “Breathe, okay?” You nod, but you’re still trembling.

Toji releases his hands from you, allowing you to run back inside to grab Tsumiki. You place her gently into her transport while at the same time, Toji enters your apartment, taking the crate from your unsteady hands.

The two of you exit the building as quickly as you can, letting Toji settle her into the backseat while you situate yourself right there at her side, cooing to ease your baby’s scared hollers. Toji wastes no time pulling out on the main road for the directions you gave him, putting on his seatbelt as he went.

From time to time, he looks back at you through the mirror, seeing you hunched over in tears over the crate. You’re trying to be calm for her, you really are, but it’s so hard.

You arrive in record time at the emergency clinic, Toji once again carrying the crate inside the building while you briskly make your way to the receptionist. You tell them your name, and everything else they need to know while they work on all the check-in procedures, eventually handing you a clipboard and pen to fill out with further information to fill out.

Toji guides you with a steady hand to the waiting area which includes several benches and tables to take advantage of. He places Tsumiki’s crate on a spot directly in front of you, pulling you down to sit instead of letting you pace the room. Both your legs and hands are shaking uncontrollably with fear, teardrops dotting the paper and ink as you try to write out what they need.

“Hey.” Toji cups your dominant hand with his own, bringing the movement to a standstill. “Breathe,” he calmly requests. “I know it’s tough, but you gotta try and relax for Tsumiki. You aren’t gonna be helpful to her if you suddenly drop over,” he tells you, and he’s right.

“I can’t let anything happen to her,” you mutter with a hoarse voice. You lean forward in your seat, moving your hands to the back of your head.

Toji slings his arm around your shoulder, pulling you against him. “I know.” His words are low, only for you to hear as he speaks into your ear.

“I don’t know what I’d do if something h-happened to her, she’s–“ A hiccup interrupts you. “she’s all I have left. Without her, I…I can’t.”

Toji takes the clipboard from you, putting it next to Tsumiki so he can fully embrace you with both arms. Your head is pulled against his chest and the fabric of his shirt helps to muffle your shattering heart.

“That’s not true,” he begins, his tone of voice calm, but equally stern, “You have me, Megs, those other three friends, even that boss of yours. You said it all yourself to me.” He pauses, bringing his hand up through your hair. His grip is tight yet offers indescribable comfort. The bottom of his jaw settles on the crown of your head. “You are not alone. Not anymore,” he promises.

If you could put a pin on when you start to fall in love in with someone, this would be one of those moments. Even if all he’s doing is reassuring you as any good friend would, it means the world to you and more. A moment in time you’ll never forget for as long as you live.

“Toji, I–“ You lift your head from his chest, taking one sniffle before you catch that metallic scent. You move fast to clutch your nose, but it’s too late. “Shit!” you hiss.

Toji leans back to see what happened. His eyes widen upon seeing the blood trickling down the palm of your hand, hitting his shirt in the process. Thankfully, there’s plenty of tissues given the environment, so he grabs a handful to hold under your nose.

“Fuck,” you cry out, “I’m so sorry, Toji.”

“Don’t be,” he huffs with some underlying amusement. “A bit of blood is nothing, I couldn’t care less.” You swap places with his hand holding the tissues. “Are you okay?” he asks, helping to clean the area around your hand.

“I’m sorry, Toji,” you mumble, lowering your head. “I’m such a mess right now, I don’t mean to burden you.”

“Don’t say that,” he replies, resting his palm on the apex of your head, teasing your hair in the process like he does to Megumi. “You have nothing to be sorry for, and you’re not a burden. Let your ‘knight in shining armor’ be here for you.” He winks.

His helpful teasing earns the hint of a smile on your face and a short-lived laugh, but it’s enough to begin to lighten the mood. At least until you hear a voice calling out your name.

You stand up, reaching out for Tsumiki’s carrier but then you hesitate. “Hey Toji?” He hums in acknowledgement. “Do you mind coming with me for this, please?”

He smiles. “Not at all, princess.”

When all is said and done, Toji drives you back home, walking you back up into your apartment. There, he places the carrier down gently, allowing Tsumiki to roam free.

“I feel, so stupid,” you sigh, kneeling down and hiding your face with your hands out of embarrassment. “All of that for a simple tummy ache.”

Toji chuckles, “Hey, it shows how much you love her. You can’t fault yourself there.”

You turn your head to look at him with a soft smile. “I’m sorry I took so much time out of your day.” Your mind flashes back to when he opened the door earlier in his sleeping form and you can feel the heat reawakening in your body. “I woke you up for it too,” you breathe out a laugh.

“What did I say about the apologies, princess?” He crouches down in front of you causing his denim jeans to bunch up. One of his knees bumps against yours given how close he is. “I’d like to know what else is bothering you though,” he suddenly inquires, and you feel the same guilt you felt the last time creep back up like bile in your throat.

Once again, you border on the crossroads of what to say. It’s a huge step to trust someone else enough to share your vulnerabilities ─ but if it’s Toji… maybe you can? You did it before and it worked out better than expected.

You remain quiet as you stand from your spot, moving towards the couch. While you’re busy pulling your phone out, he rises and makes his way over to your side.

“Look, you don’t have to tell me if you don’t want to,” he says, trying to meet your eyes. “But we’re friends. I want to help you if you’ll let me.”

It’s a lot coming from Toji.

You’ve learned over the course of knowing him that feelings don’t come easy. He does what he can, and what he feels is the best course of action. It’s a big reason as to why you struggle to pay him back for all his moments of kindness. You’ve come to realize that that’s how he best expresses himself, not only through teasing, but also through acts of service.

Being not only a bartender, but also more importantly a father, it’s forced him to open up more to others and to himself. To reflect on his own feelings and shortcomings so he can be better for Megumi. It’s not easy and he certainly doesn’t do all this effort for others, but for you, he will.

You pass him the device silently, pulling your knees to your chest. You let one knee rest against your cheek as you look his way, and at the same time you avoid eye contact. Toji’s expression softens, and there’s the slightest hint of red on his ears, but mainly there’s some confusion in his features.

“These are beautiful ─ you’re beautiful,” he tells you, looking back your way. “What’s the problem with ‘em?”

You want to smile. It’s hard not to let alone the blush trying to come alive. There’s just one issue.

“This,” you proclaim, scrolling down to expand the comment section with your finger. “This,” you repeat, “is the problem.” You wrap your arms around your legs, hugging them to you with an empty expression.

He looks back and his face immediately darkens into a scowl. “You know they’re just spewing shit out of their asses, right? Bunch of dumb fucks that don’t have anything better to do,” he grumbles, more curses following under his breath.

“They’re not all wrong though,” you let out a dry chuckle.

“No, uh uh.” He shakes his head, the words spilling out fast and like that of a growl, “Do not do that to yourself. Don’t think for a second this shit means anything.”

“I can’t stop thinking about it!” you exclaim, drawing out each word. Your fears have come alive as the dam breaks. The tears that fall from your eyes are hot and heavy, flooding down your cheeks. “Every single thing they say sticks with me, and I hear it all the time in my head!”

He moves to sit in front of you, placing one hand down on your knee. “You shouldn’t listen to anything on here,” he says more calmly this time, scrolling further down the post. “It’s all garbage, they’re garbage.”

“I wish I could, but I can’t,” you mumble, tightening your grip around yourself to the point your nails are digging into the fabric of your pants to reach your skin. “I hate it so much,” you drawl, “and I hate mys–“

“No.”

His tone makes you flinch, stopping you from continuing. The only noises shared between you two is that of the sobs you try and hold back to not make a sound. To not let another hear you sob.

“Look at me,” he almost whispers to you. “Please?” he insists when you don’t respond.

You eventually do, keeping half your face hidden beneath your forearms, but your eyes finally meet his own and you see the worry behind them.

“No matter what anyone says, you deserved to be on that magazine. Satoru didn’t make you the model you are, that was all you, do you understand?” He pauses, waiting for you to nod before he continues, “Listen to me when I tell you that you are beautiful. These assholes don’t mean shit, and even he agrees,” he finishes by handing you your phone back.

You’re puzzled until you see what Toji is referring to ─ a recent update on Satoru’s page where he expresses how disgusted he is by the comments. He goes on to bash the people spewing hate at someone he deems his friend and how you deserve none of it. The words bring more tears to your eyes, but not all of them are sourced from a well of sorrow this time around.

Toji goes on to say, “You should post your own pics too from that day. Be proud of yourself and the work you put in.”

You still can’t help but scoff, “Yeah, and give them more fuel? It’s bad enough they’re under all my other photos too.”

“So?” he scoffs back. “Fuck whatever they have to say. Remember what I told you.”

“Okay,” you sigh, wiping your tears. “I’ll do it.”

His lips upturn into a wolfish grin. “Good girl. Show ‘em who’s boss.” He pats your knee a few times before returning it to his side. “Now what do you say about ordering in some food? We can watch that fish thing too with Megs if you’re up for it.”

Your eyes widen, darting to the clock on your phone to see how late it is. “Oh my god, Megumi! I’m so sorry, is he–“

“Relax, he’s fine,” he states, appeasing your worries. “I had his sitter pick him up from school.”

“Oh, thank god,” you sigh again. “I was so caught up with my own shit, I completely forgot.”

“No harm done, so quit apologizing already,” he teases.

“I’m sorry ─ fuck, sorr–“ You clasp your hand over your mouth to shut yourself up. Toji gives you a blank stare with his mouth stretched in a fine line before your stomach breaks the silence with a loud growl. You hide yourself behind your legs from the humiliation, meanwhile Toji breaks out laughing.

Funny how the tables have turned.

“I’ll take that as a yes then.” He stands up, pulling his phone out from his back pocket. “Speaking of the kid though, his birthday is coming up.” His hand meets the back of his neck. “It’d mean a lot to him if you’re there for it, we’re havin’ a small party.”

“I’d love to,” you reply with a bright smile ─ the first and most genuine one you’ve made in several days.

“Thanks.” He returns your smile. “I’ll go get the kid then and order your favorite, so get comfortable while I’m gone.”

As he leaves, you go back to some of the latest posts on your profile. To your surprise, a lot of the hate and threats you saw were no longer there. Even the threats in your DMs disappeared or their accounts suspended. You have a feeling Kento has something to do with this, to which you’ll have to thank him later.

You pan through the official photos from the shoot, choosing all your favorites. With a shaky hand, you remember Toji’s words and hit the button to upload your post. Moments later, a new message comes through from your group chat.

Satoru Gojo oi oi, you’re posting again! are you okay??? we miss you :(

You I’m okay now, I’m sorry for worrying you guys.

Suguru Geto Don’t be, you have every right to want your own space. We’re just happy to hear from you again.

Shoko Ieiri next time though you should tell us so we can help you feel better 💕

Satoru Gojo yeah^^^ I was this 🤏 close to getting that double D DILF you like to drive us to your place so we could see you

You oh my god, don’t even start

Satoru Gojo hehehe I can see you blushing through the screen >:3 Shoko Ieiri no need to deny the obvious :)

Suguru Geto I’m with them on this. :)

You wipe the happy tears off your face just in time for Megumi to come running in. He throws himself into you for a nice big hug, with Toji following closely behind.

“Food’s on its way, you feelin’ better?”

“Yeah.” You nod in response. “And thank you, Toji. I’m glad we’re friends,” you tell him with a sincere sounding voice.

“Me too, sweetheart.” He plops down next to you, pulling Megumi into his lap to bounce on his knee. “Now let’s get this movie going then so we can watch Alien later.” He gives you a devious grin.

You scoff, rolling your eyes. “Yeah, funny joke.”

“We’ll see about that,” he teases.

Megumi ends up thoroughly enjoying Finding Nemo, reciting Dory’s iconic line “just keep swimming” over and over to the amusement of you both. Toji on the other hand tries his best to deny the Gill allegations, but it proves to be an impossible battle once Megumi began to point it out and back you up on the claim.

After dinner, Tsumiki ends up joining you three on the couch as well, feeling better than ever now that she has the laps of three people to choose from for love. But between all the laughing and combined joy, you can safely say that in this moment, you feel a whole lot warmer than you did before.

☆ Notes: I will self-indulge myself with movie and song titles that I know and love unapologetically. It’s my way of giving recommendations in a self-insert fic where I try and make the reader as inclusive as I can within the realm of what I’m trying to achieve. jennifer tilly is my celebrity crush <3

also I don’t know about you all, but when I get super stressed out and cry, my nose starts bleeding like hell which is why I wanted to add that scene in specific to add to the depth of the reader's anxieties

revising this chapter makes me realize how much dialogue is hard to do for me. I get so stuck on whether or not I believe a character would actually say what I’m making them say, but then I try to remind myself that there’s some wildly outlandish stuff I’ve seen in other fics that’s still enjoyable to read even their personalities are crazy OOC. Hope that isn’t too much the case here, as soft!toji is something I really try to focus on given all the shit he’s been through.

Here's a fun toji edit by the way >:)

#jjk #toji fushiguro #jjk toji #jujutsu kaisen #toji zenin #toji x female reader #toji fushiguro x reader #toji x reader #jjk au #toji x you #model!reader #megumi fushiguro #shoko ieiri #gojo satoru #geto suguru #nanami kento

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chastainromanova · 7 months

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what the fuck are they doing with mags and bash???? this is the last season for fucks sake do not fuck with them please!!!!! 😭😭

#transplant ctv #bashir hamed #magalie leblanc #transplant season 4 spoilers #transplant season 4 #tay watches tv

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juanarc-thethird · 6 months

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Kid Jaune is on TV after he makes it on the news for some reason. He makes a pun, which Kid Yang sees and realizes that she wants to marry him.

Tai and Yang are watching TV

Tai: Yang look, the pizza festival is on TV.

Kid Yang: Nice!

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Reporter: Hello friends, I am at the Pizza festival here in Vale. As you can see many people attended this year. It is estimated to be double that of last year. But let's leave that aside, let's ask people about their pizzas.

The reporter looks around and sees a little boy carrying a large pizza.

Reporter: Hello little one. What have you got there?

Kid Jaune: Oh this, it's a diabola pizza from Montanos restaurant.

Reporter: Oh isn't that spicy pizza?

Kid Jaune: Yep

Reporter: Are you going to share it with your family?

Kid Jaune: Nop, is all for me.

Reporter: Isn't it too much for you?

Kid Jaune: Nah, this is a pizza cake!

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Kid Yang: *Gasp!*

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Reporter: What?

Mama Arc: Jaune there you are. *She takes his hand* How many times did I tell you to stay close to me?.

Kid Jaune: Sorry mom.

Mama Arc: Sorry for the inconvenience, we're leaving.

Kid Jaune: Bye, it was slice to meet you!

Mama Arc: Jaune, enough with the bad puns. You're starting to sound like your dad.

Reporter: Anyways, let's find someone else.

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Tai: *Chuckle* That kid was something, right Yang.

Kid Yang: I'm going to marry him. *She says smiling as she looks at the screen with loving eyes*

Tai: Whut? (I didn't think I'd have to worry about boys so soon!)

#jaune arc #jaune #rwby jaune arc #rwby jaune #rwby yang #yang #yang xiao long #rwby yang xiao long #rwby dragonslayer #rwby #rwby shitpost

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mizunoryuu · 2 months

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Bonus #2: What is the first memory you associate with Digimon Adventure?

Tai and Matt fighting and rolling around in the snow.

Basically, this was my thought process as a 9 year old child on this episode: "What is this Pokemon rip-off, oh god why is the intro theme catchy but also cringy, wait is the main character punching him? And the other guy is crying about his worries?"

… "We are calling this a Pokemon rip-off???? I'm confused. This is NOTHING like Pokemon."

I saw these two idiots throwing punches in the very first episode of Digimon that I got to catch on TV and had to wait for reruns to catch up and find out what exactly the deal was with this show. Kids shouldn't be fighting each other. Also the monsters were cute and cool.

Never regretted my curiosity.

Not once.

Except for maybe when my mom actually brought me to the theaters to watch Digimon: The Movie and had to sit through Angela Anaconda followed by the Digi-Rap.

#daweek2024 #digimonadventureweek #digimon #fan art #taichi yagami #yamato ishida #tai kamiya #matt ishida #my art

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canmom · 2 months

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Ping-Pong The Animation: eps 1-3

So Masaaki Yuasa [AN12, AN28, AN150] can do no wrong, right? OK, well, I'll admit Ride Your Wave was kinda mid, and Devilman Crybaby goes hard as hell at the beginning and end but sorta treads water in the middle, but... generally speaking! No-one does it like Yuasa.

For reasons I don't really remember, I didn't get very far watching Ping-Pong The Animation some years ago. It should be entirely my shit: Yuasa pulling in a gang of wildly creative animators to put their unique spin on something. However, the first episode didn't entirely hook me, and I never got round to trying the second before something else punted 'watching Ping Pong' out of my brain. ADHD, y'know.

This is a shame because even the very next episode seriously goes, as does the one after that. But also this anime isn't entirely what I was expecting (crazy sakugafest full of Yuasa weirdness). Not to say it doesn't do a lot of really unique stuff with its cinematography and animation, but these first episodes at least are more about like... dissociation! ennui!

But more on that in a mo. First I wanna continue the thread of 'how do you animate sports'.

So, ping-pong, or table tennis. Not a sport I know much about, I'll be honest. (To be fair I don't know a lot about sports in general outside of some very specific niches. The sports I've pursued so far are rather eclectic: swimming, fencing, tai chi chuan, and roller derby; I never got particularly far in any and it's been years since I've done them.)

I'll inevitably be drawing a lot of comparisons to The First Slam Dunk, the other sports anime I've watched recently. I do think it's a productive comparison though! Both of them bring something of the visual language of manga into their presentation in unique ways. I have not yet read the Ping Pong manga, but it's by Taiyō Matsumoto, otherwise known for scifi manga like Tekkonkinkreet (god tier movie, still need to read the manga) and Number Five. So that's a pretty impressive track record!

If you go take a look at some scans of Ping Pong, what will immediately jump out is the shaky, rough line style and unusual camera angles and compositions.

The stylisation is also very different from a lot of manga. Noses are fully drawn, eyes are realistically small, and in contrast, lips and mouths tend to get the emphasis - as well as hands.

Knowing this makes a lot of the creative choices in the anime make sense! It also adopts a shaky lineart style, and makes use of heavy line weights and spotting blacks to add definition. It also has a lot of crazy closeups and layouts, and it loves a visual metaphor. But most of all, the most striking element of this anime is how often it loves to split the picture up into little panels...

...which [eli]'s subs do a really good job of typesetting, incidentally, moving the dialogue to fit naturally into the split composition. And while this shot with 7 smaller shots is perhaps on the extreme end, splits of three or more are pretty frequent. It's a really interesting way to evoke the effect of seeing a whole page of manga

So, as you proooobably know, ping-pong is a game of bouncing balls off a little table and directing them into places the opponent will find it hard to hit them back. From watching this anime I picked up that there are a number of styles of holding the racket (e.g. 'penhold grip' and 'shakehand') and approaches to hitting the ball (e.g. 'chopping'). A lot of this pretty much went over my head, but honestly it didn't matter, since the narrative significance was pretty much always evident.

Compared to basketball, though, ping-pong is a pretty tricky sport to make visually interesting! Sure, you have the players running to and fro, and that can lead to some interesting poses, but how do you get the drama and tension into this?

Ping-pong additionally is all 2D, it doesn't have the sort of resources that Toei could throw at making the best looking 3DCG basketball game ever. It is limited to a TV-feasible drawing count. So it has to make use of clever limited-animation tricks to get the most impact out of fewest drawings.

Let's take an example sequence from episode 3. A minor character is about to get his ass kicked by Tsukimoto. Tsukimoto is something of a pingpong prodigy, and yet he is very emotionally closed-off and even standoffish; he doesn't particularly seem to like the game very much, and doesn't particularly feel inclined to flex on other players and get into the status games. But other players, like Wenge, have heard about him and want to see what he's got.

First we have the setup. Other characters are observing and discussing the game. Since ping-pong tends to involve very rapid exchanges, it can follow the classic shōnen model where there's a lot of talking, flashy fight sequence, more talking...

The cut happens in two steps, maintaining the vertical dividing line. This approach to cutting is used a lot in Ping-Pong, and it's quite a creative way to keep visual interest when it's using a lot of largely static shots. The panel on the right is more animated than the panel on the left, a naturalistic depiction of bouncing the ball off the table.

Things start moving faster here. A rapid pan on the image on the left disguises the fact that this anticipation pose is actually not moving at all. This then goes into a rapid, explosive moment as this guy serves.

The final pose is held for a couple of seconds while the voiceover line discussing his intended move finishes. This sort of elasticity of time is a very Osamu Dezaki type of move - it's something that Hayao Miyazaki and Isao Takahata actually really disliked.

A sound effect hits as Tsukimoto appears on the right in silhouette, anticipating his reaction, and setting up the next shot which leaves the split picture and hides the background for just a moment, as if to put us in Tsukimoto's shoes: he only sees the ball.

Tsukimoto follows through and holds this pose - the ball is the only thing moving here. The ball moves mainly on 2s while Tsukimoto moves on 3s and 2s, and he and the ball move on alternating frames. He holds the pose as the ball zips off to the right (bouncing off the corner of the table), with a speed lines-like effect. At the end of the shot, the ball freezes in the air for the moment while the sound echoes.

The actual table-tennis round lasts just seconds, and the drawing count involved is pretty minimal, but it does a lot with those drawings.

We go back to voiceovers and reactions in the next few shots, returning to the split video as Tsukimoto's opponent thinks about how he'd really rather be at the beach...

Often, these comic-like compositions will change one panel at a time, and while one panel is animated another panel will be still, naturally moving your eyes across the screen. It is an approach similar to some experiments I've seen in 'animated comics' viewed in a web browser, where the panels do not appear all at once, but enter with some animation.

So this is the sort of animation technique that Ping Pong uses. It's effective! Elsewhere the cuts are used in a less direct, continuity-editing way and more in a juxtaposition/montage way. For example, Wenge's desire to return to China is symbolised by match cutting/fading to shots of an aeroplane.

And there is a recurring image, which I'm sure will be expanded on, of Tsukimoto hiding in a cupboard and wishing for a tokusatsu hero to come save him from his isolation. As Tsukimoto's feelings about himself change, the toku hero is replaced by a robot. At this points it starts to feel like an outright Ikuhara anime.

There is occasionally a little bit of CG, mainly when Tsukimoto uses a different type of racket surface, and the way the ball and racket make contact is the crucial thing that the shot is trying to convey...

It gets the job done, but I'm glad they stuck with 2D for most of it.

So I went in the first time expecting like, crazy elaborate sakuga - and to be fair, the OP, animated by none other than Shinya Ohira, delivers on that front - but if anything what I've seen so far in Ping-Pong is actually a triumph of storyboarding and limited animation techniques. I think back then I didn't have the eyes to appreciate it in the same way.

OK, that's the film nerd stuff, but what about the story? Ping Pong follows two school friends, Makoto Tsukimoto aka "Smile" (right), and Yutaka Hoshino aka "Peco" (left). Smile is defined by a flat affect and a standoffish persona. He's just going through the motions. He's very good at ping-pong, but to him it's just a way to pass time, and he's scornful about the idea of caring all that much about it. Much like Shinji with his casette player, Tsukimoto is pretty much always staring at a handheld games console rather than make eye contact with anyone.

Peco on the other hand is the more childish one - playful, kinda arrogant, very much an 'emotions on his sleeve' kinda guy. He sulks when he loses and gloats when he wins, and is constantly seen with bubblegum or other kinds of candy. He provides a lot of our commentary when he chats with the other players.

日本語上手 readers probably noticed the tsuki (moon) vs hoshi (star) symbolism thing they've got going on here!

High-school table tennis in this story seems to be a rather 'tough love' kinda world. Most of these players tend to look down on those who can't meet their level. Going easy on someone is seen as weakness, or cultivating bad habits, by almost everyone. Tsukimoto doesn't play at his full potential because he isn't as invested in winning as all these weirdos, but it seems that might be starting to change...

The coach is interesting. He's an old man and fairly disdainful of the club at large, and prone to speaking English randomly with a heavy accent. But he gets excited at the prospect of getting Tsukimoto to unleash his full potential, in terms that are repeatedly metaphorically compared to romance/marriage.

And when Tsukimoto gets sick of it, he challenges him to a game, with the stakes as...

Cue Makima/Beatrice images here I guess.

Tsukimoto de facto wins when the coach collapses, but this episode marks a change of heart. He starts to think of himself as a robot - the affect of a robot replacing the affect of the toku hero in his fantasy. And in this way he does what people seem to want and plays ping pong with mechanical precision, expressed once again in visual metaphor (shot here from a cool transformation sequence)...

What if I just dissociate harder? This is gonna end well.

So it really is one of those kind of like 'ennui of being a teenager' kind of stories - c.f. say FLCL. 'Boy with complicated emotional landscape' is Yuasa bread and butter, but the particular variant here seems a little unusual for him - they tend to be a little more earnest. I'm curious to see how Tsukimoto develops.

I am definitely enjoying the arrogant Chinese player Kong Wenge. Dude's got a lot of screen presence, and while I'm sure he'll get shown up sooner or later, he makes for a very fun antagonist of sorts.

In comparison to Slam Dunk... one thing that's significantly different about table tennis is that it's an individual rather than a team sport, which means it's harder to have an ensemble cast all contributing to the protagonists' eventual victory - instead it's about a lot of individual arcs interweaving with each other, individual duels. Besides that, it does seem like it will be following a similar arc of a character in an emotional hole (grief for Ryota, depression for Tsukimoto) finding new meaning and purpose through sports - though I can't be sure how things are gonna go for Tsukimoto here!

The tone however is quite different. Even when it's silly, I feel like Slam Dunk is a very sincere story. There's little detachment or irony, or false consciousness - with perhaps the major exception of Ryota's mother, who lets her own grief and trauma get in the way of understanding her son. But ultimately 'why would you care this much about basketball' is not a question that anyone would ask in Slam Dunk. Even the judo guy in the manga who's trying to recruit Sakuragi is just as hot-blooded about his own sport of choice.

There's a difference in like, general affect about the players as well, which has something to do with the sport itself. Yeah, Sakuragi's superpower is his 'genius' ability to predict rebounds, and there is plenty of strategising in Slam Dunk - but basketball is still a sport that very much emphasises physical power, and as much as Slam Dunk will work hard to sell you on a clever trick pass, the visuals are also emphasising the speed that players are dashing, the height they're jumping, their physique. Table tennis by contrast seems to be a sport that's more about prediction and mind games.

That said it is equally just like Matsumoto's style being different from Inoue's. Now I know it's by the guy who wrote Tekkonkinkreet, a lot about this series falls into place! There's a sense of tension here, of being fundamentally at odds with the world. The autismfeels. This is reflected also in the drawings - the characters don't entirely seem comfortable in their embodiment.

So if that's what I'm getting from just three eps, I'm very excited to see what the remaining 8 have to offer. This series is probably too long to cram into Animation Night format, but we'll see...

#anime #manga #ping pong the animation #masaaki yuasa #animation

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