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#sword and stone
pilot-boi · 4 months
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Question: which guys would make jaune go into a gay panic
There’s some caveats that need to be declared before I answer this
First of all, Jaune isn’t the most AWARE character, bless his heart. He’s actively flirted with people and not even noticed he’s doing it, which is for the best, cause when he actually TRIES he’s pretty abysmal at it
Second of all, Jaune has always struck me as similar to Blake, someone who has been aware that they’re bi for a while, in his case mostly thanks to having Saphron as a sister. So none of these characters would be a gay awakening for the boy
Caveats out of the way, let’s get to who I think would make him go 😳
Lie Ren, lets just get that one squared away. Especially when he lets his hair down in Mistral. Has Jaune going “boy pretty”
Marrow Amin. He’s like Jaune but if he was confident, plus he’s a little bit older. Kiddo is weak to the coffee wanting puppy dog eyes
Flynt Coal. He literally does the awkward bi peace sign at him when the guy suggests that they should party some time
He’s barely met Mercury, but probably also him. Boy is a sucker for confidence, what can I say
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rolandrockover · 1 month
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Power of the And
80's movies week continues (Two-In-One Edition).
To stay true to Sword and Stone's soundtrack references, I can't resist throwing another OST this time from 1986, taken from the Gremlins riff Critters, into the cheerful movie round not without its raison d'être.
The simple, but by no means bad, contemporary and extremely catchy pop-rock earworm that we are talking about here doesn't really exist outside its own movie universe, but comes along with its own music video which is more or less interwoven into the plot of the movie and is therefore played often enough not to be forgotten so quickly. And what can I mean by that other than Power of the Night by Johnny Steele?
There is this small but succinct passage in Power of the Night, in which the last line of the chorus is melodically and dramatically prolonged, only for the last two words to be delivered with exaggerated masculine determination. The exact same description would also apply to a certain part in Sword and Stone.
(...)
Interestingly, Power of the Night's verse lyrics are not entirely unrelated to those of Gene's While the City Sleeps on Animalize, to put it mildly. But this is probably due to the fact that both While the City Sleeps and Power of the Night know how to make the best use of pseudo-dramatic clichés that would do a ham actor a credit.
In the process, when two stereotypically composed songs collide, something like this can surely happen, but, admittedly, I still like Johnny Steele's much better.
All links are highlighted:
Sword and Stone (1986)
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Power of the Night (1986)
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While the City Sleeps (1984)
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Power of the Night (1986)
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lichfucker · 2 years
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[audio description: a fast-paced acoustic song about Silver and Flint, with rough, aggressive guitar and dark, smooth vocals. lyrics below. end ad]
you're the eye of the squall you're the gravity that makes the bodies fall I am keeper of your name I see what you've become and fear I'm destined to the same
sword and stone you and I are never going home
left leg or right hand I've seen the sea submit to your command bloodlust in your eyes your hope is buried right next to your prize
sword and stone give me what's mine or I'm leaving here alone
be the bestial shadow on the wall let the gentlemen imagine you with claws and fangs and ten feet tall but your nightmare's running out you've taught me too well— I'm the thing they're scared of now
sword and stone don't make me pull the trigger on the best thing that I've ever known
you and I are never going home you and I are never going home you and I are never going home you and I are never going home
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ncoley · 16 days
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fellas does your boyfriend ever feel a little sad so you create an elaborate story that makes him think he's the chosen one from ye olde prophecies and you have everyone he's ever known stand around and clap for him
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zegalba · 5 months
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Urs Fisher: Untitled (2003)
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theunvanquishedzims · 3 months
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Character concept: kindly old mentor figure who is scouring the land in search of The Chosen One to pull the sword from the stone. They find the kid destined to be king, whisk them away on a magical adventure full of lessons like "be a good sport" and "always see the best in people," and guide them to the stone.
The child pulls the sword out and immediately gets knifed in the ribs by their mentor, who takes the sword, hides the body, and gets declared the rightful king.
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scurviesdisneyblog · 1 year
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𝙳𝚒𝚜𝚗𝚎𝚢 𝚌𝚘𝚗𝚌𝚎𝚙𝚝 𝚊𝚛𝚝Iᴛʜᴇ ꜱɪʟᴠᴇʀ ᴀɢᴇ (1950 - 1967)
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foragedmoonlight · 5 months
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Excalibur’s Geode № 45
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jack-o-phantom · 6 months
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Possible redesigns of the guards!
Since they haven't done much in the past hundred years, im guessing they're pretty dusty in the creaks, poor Y/n has to deal with two large cats who see y/n as a toy
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soundsofmyuniverse · 4 months
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The Sword in the Stone (1963) dir. Wolfgang Reitherman
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strawlessandbraless · 11 months
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I don’t make the rules
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rolandrockover · 1 month
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Heartburn and Stoned
80's movies week.
In certain hardcore fan circles, Sword and Stone is often confused with Time Traveller, or rather Time Traveler with Sword and Stone. Incidentally, these are the same fans who, for example, also prefer to confuse All For the Glory with All For the Love of Rock N' Roll. No wonder, because after all Eric Singer sings both titles. Who wouldn't make such a faux pas? (1)
In the case of Sword and Stone, however, there is a direct reference to the OST of the 80s box office hit Rocky IV due to its great similarity to the beginning of Survivor's Burning Heart, which, tied to the strict idiocy alluded to above, makes Time Traveller preferable and not infrequently associated with training montages, although this title has more than little in common with the music taking place there and its zeitgeisty visualization. What else can I say?
Maybe you don't know what I'm talking about now, but believe me you will when it's over. You will when it's over!
Side Note:
(1) I can't keep track of two titles either.
Sword and Stone (1986)
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Burning Heart (1985)
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lichfucker · 2 years
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[audio description: a slow, contemplative, pained song about Madi and Silver, played on piano. lyrics below. end ad]
you cast your gaze across the sea searching for the ghost you made you've spent all your bullets you've laid down your blade your head hangs heavy with the weight you know that I once saw the best in you a mind and tongue as sharp as glass and shining just the same I wish you'd told me something that were true
the man who made the sky turn pink and the water run red you could tell anybody what to think but never shared what was in your head intoxicating as the sweetest drink you held me precious in your bed but the power of your disbelief left our hands in shackles instead
maybe I was just too young for a love that lit me up and a battle hard-won maybe it would have been enough to settle for just one maybe I wanted too much
a chorus of voices chose me to lead the fight a chorus of voices entrusted me with their lives you spoke too loud you were too proud have you thought about what could have happened if we had been right?
I thought we would change the world standing side by side along the way you lost your nerve you looked at me and lied they called you "king" 'til you believed it was your place to decide and now even if the man still breathes someone you loved has died
I see the way it aches in you I see the shipwreck you've turned into sitting somber on the sand do you regret giving the command? you may not ever understand I may not ever understand
your head hangs heavy with the weight you know that I once saw the best in you how can I reach out to take hold of you again if you're never really there and my hand just passes through?
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yen-sids-tournament · 3 months
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SuperbOwl Day!!!!
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~We interrupt your regularly scheduled program to bring you coverage of an important competition~
please comment or tag whichever SuperbOwl we forgot
~Thank you, your regular program will resume shortly~
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disneydreamdaze · 8 months
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Disney Cottages
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nonsensology · 2 months
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This was supposed to just be a rough sketch, but then I started getting really invested in it.
I hadn't initially intended to include so many picture book characters, but the nostalgia was overwhelming. Does anyone remember the animated short films produced by Weston Woods? My local library used to have a bunch of them on the Scholastic VHS tapes from the late 90s. (I know some shorts were released on the Children's Circle VHS tapes back in the 80s (🎶 Come on along! Come on along! Join the caravan!), and some were packaged in Sammy's Story Shop in 2008.)
Characters:
Max, from Where the Wild Things Are, written and illustrated by Maurice Sendak
Peter, from The Snowy Day, written and illustrated by Ezra Jack Keats
Brother Bear and Sister Bear, from The Berenstain Bears series, written and illustrated by Stan and Jan Berenstain
Pooh and Piglet, from the Winnie-the-Pooh books, by A. A. Milne, illustrated by E. H. Shepard
Owen, from Owen, written and illustrated by Kevin Henkes.
Mouse, from If You Give a Mouse a Cookie, by Laura Joffe Numeroff, illustrated by Felicia Bond
Louis, from The Trumpet of the Swan, by E. B. White
Mr. Toad, from The Wind in the Willows, by Kenneth Grahame, based on the illustrations by E. H. Shepard
Mr. Tumnus, from The Chronicles of Narnia series, by C. S. Lewis
Pippi and Mr. Nilsson, from the Pippi Longstocking books, by Astrid Lindgren
Willy Wonka, from Charlie and the Chocolate Factory, by Roald Dahl, based on the illustrations by Quentin Blake
Matilda, from Matilda, by Roald Dahl, based on the illustrations by Quentin Blake (with an homage to the Mara Wilson movie)
Peter Pan and Tinker Bell, from Peter Pan, by J. M. Barrie
Merlin and Archimedes, from The Sword in the Stone, by T. H. White, based on the illustrations by Dennis Nolan
Pinocchio, from Pinocchio, by Carlo Collodi, based on the illustrations by Enrico Mazzanti
Alice, White Rabbit, and Cheshire Cat, from Alice's Adventures in Wonderland, by Lewis Carroll, illustrated by John Tenniel
Rupert Bear, from the Rupert stories, created by Mary Tourtel and continued by Alfred Bestall, John Harrold, Stuart Trotter, and others.
Arthur Read, from the Arthur series, written and illustrated by Marc Brown
Tin Woodman and Scarecrow, from the Land of Oz series, by L. Frank Baum, based on the illustrations by W. W. Denslow and John R. Neill
The Cat in the Hat, from The Cat in the Hat, written and illustrated by Dr. Seuss
a frog on a flying lily pad, from Tuesday, written and illustrated by David Wiesner
Charlotte, from Charlotte's Web, by E. B. White
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