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#sort of I guess ha
egophiliac · 10 months
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redesigning my headcanon for Sebek's parents, based on important new information (SCALES)
(you can't see it but they're both wearing crocs)
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puppetmaster13u · 4 months
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Prompt 169
Danny is from a world where everyone has wings, even if most have long since lost the ability to fly. Something about loading and aspect ratio, wings being too small, body too heavy, now mostly used as display, whatever. 
It doesn’t matter even if he had blueprints from when he was like six of a jetpack to help fly. It won’t work anyway and hey, he has his ghost form! Which uh, might be perhaps, affecting his wings which were maybe sort of scorched black and practically down to the bone thanks to the accident. 
It doesn’t matter, he swears. Though he’s admittedly relieved to see the new feathers growing in are different from Dan’s angry sunset. Even if they’re not even supposed to be able to grow back. Alright, this is fine, no one is going to notice! It’s not like everyone knows about the poor Fenton kid whose wings were absolutely destroyed thanks to an accident! It’s fine. 
He’s not flying in a half-panic towards the Far Frozen while crying because his wings are coming back and he’s so scared. He didn’t panic and instantly fled the moment Jazz pointed them out while changing the bandages. 
He definitely didn’t trip over something while wiping away said tears and blacking out from all the stress and all of his problems that he definitely mentioned to someone and isn’t keeping a secret. Definitely. 
Hawkwoman and Hawkman would like everyone to know that neither of them were expecting a very small child to be spat out of the villain of that week’s machine that should definitely not be a portal. A very small child, maybe nine or ten, with a multitude of concerning wounds both old and fresh. Which isn’t even beginning to touch on the wings. 
Feathered, like baby down despite the gnarled scars, unlike their own metallic, with the beginning of tiny specklings like stars amidst the darker fuzz peeking from the wounded flesh. 
Who?! Who dared?! It’s (at least to the forever reincarnating duo) a literal baby! They still have down! Tiny baby fuzz! Was it the portal?! Oh this villain is going to taste their maces for causing this if that’s the case! 
The rest of the Justice League would honestly like to know what just happened and are honestly unsure on if they should stop the two…
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spacedace · 11 months
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Dp x dc idea:
Danny & Co joining the Justice League and everything...but it's that wonderful DC AU where Bruce died in Ethiopia instead of Jason and Tim decided to be Dad (TM) of Jason's Robin and runs around as kid Batman for awhile (eventually becoming full legit Batman).
Danny & Co joining up after all of that, they have only known Tim as Batman (and for fun let's make this Brian Dead where Danny & Tim are dating, or are dancing around each other, maybe Super Brain Dead because I love Kon being involved).
Anyway, Tim is Danny & the Pham's Batman...and then they ended up accidently in the normal DC universe and meet Bruce Wayne Batman and immediately are like "Press X For Doubt" about the whole thing
Danny, squinting suspiciously: who the fuck are you?
Bruce: I'm Batman
Danny: No the fuck you aren't
Elle: Yeah no way, I know Batman, Batman's a sleep deprived twink
Tim (as Red Robin) walks in
Danny: holy shit they fucking shrunk Red Robin
Tim: What??
Elle: Okay what the fuck, first Batman isn't a twink and now Red Robin is???
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lanawinterscigarettes · 3 months
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I like to think that there's at least one version of The Doctor out there somewhere in the vast multiverse who would've done anything to keep Jack Harkness by their side and never would've left him alone in the first place :((
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syn0vial · 7 months
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how each of the BG3 companions gained their combat expertise
wyll: i was trained as to be a formidable and honorable combatant since i was young, i've protected the frontiers for years, and i have magic devil powers karlach: i was forced to serve on the front line of the blood wars in hell for the past decade lae'zel: i was brought up in a strict, militaristic warrior society that emphasized martial prowess even in its youngest members shadowheart: i spent most of my life being prepared in the ways of subterfuge and magic by a brutal cult gale: i've spent decades obsessively studying magic and even studied under the goddess of magic herself to perfect my craft astarion: i've got a lot of repressed rage and a dagger i found on the ground 15 minutes ago. let's go turn someone inside out :)
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i love the contrast between ishmael and heathcliff's revenge plots because ishmael was willing to steer a boat into a whale of skyscraper proportions to tear that old lady limb from limb with her bare hands, whereas heathcliff was trying really hard to increase his credit score. ishmael is here not speaking of hubris. striking the sun if it insulted her. she is madness maddened. she is that wild madness only calm to comprehend herself. in the meantime, heathcliff has trodden on the bathtub mixed timeline moonshine landmine that cathy made in her basement
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puppyeared · 1 year
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RETURN TO MONKE (PUBERTY EDITION)
MK’s monkey form doesn’t feel right to me so i wanted to break up his transformation into stages. Maybe as he learns to accept that side of himself it becomes part of him, instead of changing between human and monkey randomly (which is probably painful). Love yourself, NOW!!!
@zymstarz im tagging you for FULL MONKE
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non-un-topo · 4 days
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Thinking about Yusuf and Nicolò as young men again
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lunarharp · 2 months
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What led to this (orufrey comic, cw an uncomfortable/creepy scene)
#witch hat tag#orufrey#er.... i'm too tired to have anything to say..i worked several days on this.#wait.. didn't i say just recently here that i probably wouldn't ever depict 'what if alaira is qifrey's sort-of ex'. What's going on#i don't even remember deciding to draw this..it's all a blur..i'm not sure why i WOULD decide to draw delicate scenes in my head#that i wouldn't really want to share with anyone/discuss so why did i draw it...#some part of me really really wants to draw things that are more and more true to myself...#maybe because of my alienation with most romance/shipping/dynamics the rest of the world depicts.#orufrey really is perfectly suited to me - what i read in the text and what is in my head. well anyway#i am TIRED of drawing poses and angles and..maybe now i will actually take a break from drawing bc of the tediousness of Angles#btw it really is a 'stretch of time' . . . assuming witches graduate age 18-20#well orufrey are canonically 30-ish. they've only had agott around for presumably about TWO years (?) bc she took the test age 10#and it feels like oru moving in/unknown atelier acquisition/building (?) .. i guess that could be a year or so before agott at most#(she was the first disciple) so... ????????? What about the other 7 or so years ?!?!?!!?!?! Unemployed Brimhat Hatred era#that time is very nebulous. after qifrey went to the tower i feel like it's been implied he and oru drifted apart a little.#certainly they didn't live together at first... no way. that doesn't feel like how it is based on things oru has said about becoming Eye#idk. I'm tired now. i don't usually think of alaira as necessarily qifrey's ex and this being how things went in that 'sliver of time'.#i usually prefer the idea that they have their first kiss with each other in their 30s cause That's Just The Orufrey Lifestyle#just felt like making a more relatable alternative view of my own Cai Orufrey Canon one time. btw im a big monoshipper and it hurt a bit#let's leave it there. this is surely the most i've worked on a 'single' art - though now i realise just how much longer the fic took :')
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1495-gauge · 1 month
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there's that fucked up three-eyed thing that lives in the woods. whose turn is it to chase it off again??
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lord-squiggletits · 4 months
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
#squiggposting#and like dont get me wrong barber wasnt trying to make cybertronians the bad guys or whatever#it's just a problem with his writing where like. he has A Message he wants to send#and so he uses the entire story literally just for The Message even if it involves bullshit plotlines#or familiar characters ppl were reading about for the past decade being shit on by OCs made up to fill a new roster#like barber's writing tends to lean way too much on a sort of lecturing tone#without giving proper care towards including moments where characters get to like. fucking express themselves and share their side#sort of like how barber couldnt be bothered to write pyra magna and optimus actually talking to each other during exrid#and instead during OP ongoing pyra is suddenly screaming about how OP is unteachable#even tho she never even tried to teach him bc she and OP never interacted bc i guess barber couldnt be bothered#he just needed someone to lecture OP so fuck making the story make sense or like letting OP get to say anything in defense#this is the infuriating part of barber's writing bc i think he has incredible IDEAS and was in charge of the lore i was most interested in#but most of the time his execution sucks and he's basically just mid with a few brilliant moments occasionally#or like he has a message about the cycle of violence he wants to convey#but his narrative choices trying to convey that theme made his story come off as super unsympathetic to the ppl who suffered#to the point where barber actively kneecapped some scenes that couldve been super fucking intense and emotional#in favor of the characters lecturing each other or some stupid plot to criticize OP#that time in unicron where windblade screamed about how this is their fault and then arcee replied that her planet is build on coloniation#shouldve happened more often than literally the last series of the ocntinuity. like goddamn stfu about your moral superiority#when your own sins are right fhere lol
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egophiliac · 7 months
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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
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and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
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(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
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and frame and control the focus:
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honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
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rennyrose · 7 months
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just wanted to say your razlo/meryl art is soooo good!! like even the idea of the pairing drives me a little nuts i love them so much lol and then your art of them is just *mwah* chef's kiss love the dynamic love their interactions love everything all around!
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Yessssss these two are so fun to come up with stuff for-
Since Razlo comes off as the type who loves getting a rise out of people and since Meryl is so easy to piss off a good chunk of his time is spent getting under her skin- but make no mistake that Meryl will take any and every opportunity to get one over on him- mutual goal of annoying the hell out of each other, but if there's a third person they both dislike they get real catty real quick pfffffft
But also the dynamic of two people who care a great deal for each other but neither will ever admit it hhhhh
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peachcitt · 3 months
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from: thirteen by @anna-scribbles
art by me :)
start from the beginning // read the november chapter // read the most recent chapter (january)
hey listen. look me in my eyes. have you read thirteen by anna scribbles. i think you need to read thirteen by anna scribbles. i think if you want your life to be forever changed you need to read thirteen by anna scribbles. i think if you are a person who is breathing and alive you need to read thirteen by anna scribbles. thank you
#thirteen#miraculous ladybug#ml art#emilie agreste#adrien agreste#miraculous ladybug fic#ml fic#ml fic rec#my art#THIS IMAGE HAS BEEN HAUNTING THE INSIDE OF MY BRAIN EVER SINCE I READ THE NOVEMBER CHAPTER BACK IN NOVEMBER#now. listen. in an ideal world i would've done this way back in november but uhhhhhhh i don't know what happened. suddenly it was december#and now it's february! not sure how that happened. anyway my goal is to be making a piece of art for each chapter to convey#just how fucking INSANE this fic makes me feel. like how crazy and insane and awesomely constructed it is. anna just GETSSSS ITTTTTTT#(and is using her 'get it' ability to hurt me bodily)#like with every chapter i read i am just assaulted with this intense desire to Make An Image which is not really an impulse im used to#since i don't draw a ton but anna's voice is just so evocative of images in a way that just. inspires every creative impulse inside of me#i took forever to read the december chapter but the moment i read it i already had an idea of something i wanted to draw for it.#my idea is. well. complex for me to say the least but as i told anna i am determined to make my skills match whatever i need to do because#the way she writes it is literally haunting me it is shooting me with a gun it is so something i have no idea how to handle#except i guess to repeat her themes and ideas and imagery in a collage of sorts#i don't know that's what my october chapter comic felt like- a collage. and this one does too in a way even though it's very different#i just like connecting the dots. and then smashing the dots together in an image#anyway. read thirteen. it is changing me all the way down to the dna
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rongzhi · 1 year
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An interview in Gannan, Gansu province
English added by me :)
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mortysmith · 5 months
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In theory i like the idea that rick is growing and developing as a person. In practice it ends up falling short though, because no one balances him out. rick is getting better while no one else is getting worse, and it causes the whole thing to end up feeling a bit stale. The biggest draw, at least for me, has always been rick and morty's shitty dynamic, but it barely exists anymore because rick has been so watered down.
The ideal solution is literally just to make morty into a bigger asshole. Essentially flipping the main characters' personalities would offer a wide variety of conflict into the show, and would also help keep it "fresh".
Instead it feels the writers are pretending that they can't possibly do anything with morty's character, that they have to keep him the same anxious idiot he was in season one. I've said this before, but it's incredibly frustrating to watch the show have no problem with expanding rick's character while struggling with keeping morty's heavily stagnated characterization consistent. Where rick has space to develop between multiple seasons, morty is constantly forced into one of two boxes (smart/stupid) depending on the episode.
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