#so we know that before that case klavier had probably been working on other cases and just wasnt like the prosecutor in charge of em | Explore Tumblr Posts and Blogs

bevioletskies · 3 years

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meet me halfway (across the sky)

summary: Video calls back home were a rare treat for Apollo, considering how busy his life in Khura’in could be. Catching up with Trucy, Athena, and Phoenix was one thing. Getting a sudden call from Klavier was another. And talking to Klavier every day for hours about everything they never knew about each other was possibly the most unexpected thing of all.

word count: 12k | read on ao3

a/n: For @klapollo-week, day five of seven (prompt: "parallels"). All seven of my fics take place in the same continuity! However, each can be read as a stand-alone, with the exception of day seven being a sequel to day five.

Mild spoiler warning for Spirit of Justice, along with implied spoilers for Dual Destinies. Fic title is from the song Meet Me Half Way by Kenny Loggins.

“Uh, Mr. Wright, you’re way too close to the screen. Can you sit back a little?”

“Oops - sorry, Apollo! Still not used to this kind of technology, heh.”

“Sheesh, Daddy, you make yourself sound ancient - ”

“Ah! Did you guys start already? Attendez-moi!”

Chuckling, Apollo leaned back in his seat and waited while the three of them rearranged themselves in front of their webcam. He’d missed this, this camaraderie that he didn’t quite have with his current companions in Khura’in. There was something immensely comforting about it, about every time he managed to schedule a video call with everyone back home. It didn’t happen as often as they would’ve liked, given how busy they all were, how tricky the time difference could be, but when it did, it was the best part of Apollo’s week.

“Hey, guys,” Apollo said, waving sleepily. “What’s been going on?” He leaned closer, peering at his screen. “...Athena, why do you have a banana sticker on your forehead?”

“Why don’t you have a banana sticker on your forehead?” Athena retorted, peeling hers off with a flourish. “Anyway, everything’s been sehr gut! We’ve had, hm...I think four clients since we last talked? All acquitted, of course!”

“Anything interesting?” Apollo asked. “I’ve had twelve clients, myself.”

Phoenix frowned. “I’m...not so sure that’s a good thing. Are you getting enough sleep? I can’t imagine you having that many cases and not mixing them up. Keeping track of evidence alone must be a nightmare!”

“It’s been...a process,” Apollo said diplomatically, trying not to think about the dozens of folders he had on both his desktop and his actual desk that needed to be sorted in a way that made some semblance of sense. “Don’t worry about me, Mr. Wright, I-I’m fine!”

“Famous last words,” Trucy huffed. “Polly, you need rest! We want you back home in one piece, after all.”

“At least I’m not accepting odd jobs anymore,” Apollo chuckled. “I don’t mind helping someone set up their internet or move their couch every now and then, but I can’t do everything.” He startled suddenly at the sound of his phone going off. “Oh - sorry, one sec.” His brows knitted together when he read the call display: Klavier Gavin.

“Apollo? Is something wrong?” Athena asked, concerned.

“I - uh…” Apollo hesitated, unsure of what to do. “I’m gonna mute myself for a second, hang on.” He did just that, then answered his phone. “Gavin? Are you...wait. Did you call me by accident?”

There was a long, lingering silence. Then, “Ach, I only just realized what time it is where you are. I should’ve texted first, ja?”

“Yeah, probably,” Apollo said, laughing awkwardly. “Is this, uh, urgent? It’s just - I’m in the middle of a video call, so…”

“Nein, nein, not all!” Klavier’s voice was too loud, too sharp. Apollo didn’t need to see his face to know what that meant. “You know what? Forget I called, it’s nothing.”

“Hey, no, don’t do that,” Apollo protested, frowning. “If you wanna talk for whatever reason, we can - ”

“I have somewhere I need to be, anyway, so, er - Auf Wiedersehen, Herr Forehead.” Klavier quickly hung up before Apollo could get a word in edgewise. He stared at his phone, perplexed, before unmuting himself. The others looked as confused as he was.

“What happened?” Phoenix asked.

“...Prosecutor Gavin called me?” Apollo shook himself a little. “I’ll get back to him later, so - anyway, what were we talking about?”

_____

Three days passed before Klavier responded to the inquiring text message Apollo had sent him after he’d finished talking to the others. He still didn’t seem ready to talk about it - whatever it was - but he did suggest they do a video call of their own, to which Apollo agreed. Something about Klavier’s behavior was bothering him, and he was more curious about it than he expected to be.

“Forehead? You’re staring, achtung. I know I’m handsome, but you should really keep those eyes of yours under control. They’re going to get you in trouble someday, I’m sure of it.”

“I - ” Apollo’s eyes narrowed. “Really, Gavin? That’s how we’re starting this?”

“It was you who started it,” Klavier said petulantly, his tone not unlike a five-year-old’s. But really, Apollo couldn’t stop staring - not because of Klavier’s looks; he’d long made peace with how attractive he thought Klavier was and how much he didn’t want Klavier to know, but because of how tired Klavier seemed. Apollo had expected him to be in his usual “uniform”, his silver jewelry and perfect makeup and impeccably styled hair. Instead, Klavier was wearing an oversized sweater, his hair up in a loose topknot, his face completely bare. He still had that lazy, slightly flirtatious smile on his face, but he was slouching quite a bit, his arms loosely wrapped around his propped-up knee. With his cracked lips, acne scars, and hunched shoulders, he looked more human than Apollo had ever thought possible.

“How’ve you been?” Apollo asked, ignoring him. “I’m surprised you called. I haven’t heard from you in, like. Three months? Four? I swear, I’m losing all sense of time here.”

“Well, it’s not like we had a habit of talking in the first place, ja?” Klavier pointed out. “But...to borrow a phrase, I’m fine, though the courts have been so boring without you here. I almost miss the ringing ears I got after every single one of our trials.”

“Har, har,” Apollo drawled. “Congratulations, you and everyone else have broken me down into exactly two personality traits: sarcastic and loud. Are you proud of yourself?”

“You forgot ‘oblivious’,” Klavier supplied helpfully.

Apollo blinked. “...to what?” He blinked again. “Wait - ”

“Too late,” Klavier interrupted gleefully, beaming. “You’ve proven my point beautifully.” Apollo glared; not five minutes in, and he was already prepared to hang up. “Anyway, I’ve been sehr gut, for the most part. Work has been keeping me busy. You?”

“I’m pretty settled here by now,” Apollo said, shrugging. “It’s rough, y’know, trying to rebuild an entire legal system as the only defense attorney in the country, but, uh...at least I’m not completely alone. And as nerdy as it sounds, I’m actually really liking the work. Not the stress - that, I could do without - but the fact that I get to be a part of this big...thing. It’s exciting, I guess.”

“It’s not that nerdy,” Klavier reasoned. “Nerdy is reading law textbooks at night, under the covers. As a child.”

“...is it weird that I actually did that?” Apollo asked, wincing.

Now it was Klavier’s turn to blink, stunned. “Wait, really? I was talking about me.”

“Oh.” Apollo shifted in his seat, surprised. “Never would’ve guessed. I mean, obviously, I know you became a prosecutor at seventeen, but I just assumed you were a musical child prodigy and...I dunno, switched career paths at some point.”

Klavier let out a soft laugh. “Again, you flatter me, Herr Forehead, but I’m not a prodigy of any kind. Just some good old-fashioned hard work, you know?” He then frowned very slightly. “Though...I’ll admit, I’m not sure how much of my standing at the prosecutor’s office also came down to good old-fashioned nepotism. After all, Kristoph…” He trailed off, unwilling to say more.

Apollo shuddered. Even after all this time, he couldn’t get his former boss’s maniacal laughter out of his head. “Right, um...oh, have you had any interesting cases lately? Athena was telling me she had a literal gravedigger as a client - no prizes for guessing where the victim’s body was discovered…”

The next hour seemed to fly by surprisingly quickly, with the two of them exchanging light-hearted anecdotes about work. As it turned out, they’d both had many interesting cases since the last time they spoke. It wasn’t until Apollo could barely keep his eyes open that he realized what time it was.

“Ach, don’t let me keep you,” Klavier said when Apollo yawned for what seemed like the hundredth time in a row. “You have work in the morning, I’m sure.”

“Wait, but - ” Apollo yawned yet again “ - but we never got around to...whatever it was you were calling about the first time. Your so-called ‘nothing’.”

Klavier’s expression sobered instantly, his mouth pulling back into a hard line. “I’m not going to bother lying to you, Apollo. But I’m not interested in telling you, either. So let’s leave it at that, ja?”

“I...oh.” Apollo nodded, feeling somewhat chastised. “Fine. Fine, we don’t have to - but if you wanna, y’know, catch up again sometime, let me know, okay? I’ve got time to talk. Er, I think.”

Klavier laughed, surprised, though his eyes were still wary. “Do you actually...miss me, Forehead?”

“You really know how to ruin a moment, Gavin,” Apollo sighed, shaking his head. “Anyway, talk to you later...maybe. Haven’t decided on whether I actually want to anymore, jerk.”

Klavier continued to grin. “Auf Wiedersehen, baby.” Apollo tried not to think about how the last word had made him shiver.

Weeks went by before Apollo heard from Klavier again, a few days after he’d had a two-hour long call with Trucy. Apollo’s voice was a bit hoarse from all the talking he’d done - not to mention how angry he’d gotten in court just yesterday after a particularly smug witness tried to take over the entire trial - but nevertheless, he was surprised at how happy he was to see Klavier, a feeling he was mostly unfamiliar with.

“Do you have a cold?” Klavier asked. “Your voice sounds a bit strained and raspy.”

“My brain feels strained and raspy,” Apollo groaned. He then paused; for some reason, the exchange sounded familiar, but he couldn’t quite put his finger on why. “It’s nothing, I just got pissed and yelled at someone in court yesterday. Not my finest moment, I’ll admit.”

“But isn’t yelling your default?” Klavier smirked. He looked more relaxed than last time, the tension in his face less noticeable. “I hope the rest of the trial went well, at least.”

“Oh, it didn’t,” Apollo said, snorting. “But...past’s in the past. I have too many cases to deal with to bother worrying about one crappy witness. My client was acquitted, I got the real culprit, you know the deal. It’s all starting to blur together, to be honest.”

“It sounds like you need to get out more,” Klavier suggested, not unkindly. “Is there any sort of...nightlife in Khura’in? Recreational activities, maybe? Don’t make me bother Fräulein Detective and get her to drag you to a bar every now and then.”

“We go out to eat or drink sometimes,” Apollo replied, shrugging. “But...I dunno. I don’t really have the time to take up a new hobby or whatever. My free time is for eating, sleeping, and catching up with people back home.”

“Fair enough, though you really should lighten your workload,” Klavier said sagely. “It’s not like you took cases every day when you were here, ja? I know Khura’in needs your help, but what good are you to them if you’re burnt out?”

Apollo’s eyes widened slightly, stupefied. Then, he tried - and failed - to stifle a laugh. “Okay, Dad. Sheesh, you sound like Mr. Wright trying to give me a pep talk.” He sat back in his seat, loosely running his fingers through his hair. “Fine, then, question for you - when’s the last time you took a day off?”

“I went to visit my parents last Saturday,” Klavier answered after taking a moment to think. “They needed help cleaning and packing away some of...some of his things.” He visibly swallowed, though he tried to hide it with a sharp cough. After some consideration, Apollo decided not to comment on it.

“That’s hardly a day off,” Apollo retorted instead. “I mean, it’s technically not work, but - wait. Do you usually work on weekends, too?”

“Natürlich,” Klavier replied, confused. “Do you mean to say you don’t?”

“No, I - I work on weekends more than I should,” Apollo admitted. “But it’s kinda hypocritical of you to tell me to get out more when you don’t have much of a life, either, y’know. Also, are you seriously telling me you don’t have, like. Other things to do? People to see, places to be? Not that spending time with your parents is a bad thing, I-I mean, it’s cool that you do, it’s just...well.”

Klavier averted his eyes, reaching across his desk to pick up his mug of tea. He took his time with it, drinking at a leisurely pace, before finally speaking again. “Do you actually care to know, Forehead? Or are you just asking to ask?” he said evenly.

“I…” Apollo found himself caught off-guard by both the question and his own answer. “No, I actually wanna know. ‘Cos it’s just - it’s not what I imagined. I’ve seen all the headlines and photos and stuff, so…”

“Ah.” Klavier smiled ruefully. “From the early Gavinners days, I take it? Back when I had Daryan around to be my bad influence? Nein, that’s not exactly my style anymore. I already feel too old for that kind of scheisse. Now, I do these things out of obligation, you know? Work parties, family events...nothing too wild. Not when I’ve been involved in too many scandals. Better to lay low than to put myself out there again, ja?”

“I...I see.” Apollo went quiet for a moment, ruminating. He couldn’t help but notice Klavier had neatly avoided the word “friend”; he was starting to wonder how many he actually had. Honestly, he couldn’t remember the last time Klavier had ever mentioned anyone outside of people that Apollo himself already knew.

“You’re staring again, Forehead.” Klavier leaned closer, resting his chin in his hands, a wicked grin plastered across his face. “There’s no one nearly as pretty as me in Khura’in, I take it? Don’t worry, I’d be surprised if there was.” Apollo said nothing, instead lifting a hand from his own mug of honey lemon tea to flip him off. Klavier merely laughed in response, delighted.

_____

After that, the gap between video calls went down from a few weeks to a few days. Neither of them knew why, but somehow, they’d come to a silent agreement that they were going to talk once or twice a week about nothing in particular. However, Apollo still hadn’t quite figured out why Klavier had called him the first time. Initially, he suspected it had something to do with Kristoph, given that the Gavins were finally starting to pack up his things. Maybe Klavier had visited him recently, or maybe he’d reminisced a little too long about their shared childhood, whatever that looked like. But when Apollo had asked, Klavier had simply shrugged it off.

“It’s no secret that even thinking about thinking about Kristoph puts me in a foul mood,” Klavier had replied. “But I haven’t seen him lately, nein. I’m done, I’m - I just want to move on with my life, without his shadow lurking in the darkness.”

Not all their conversations were so heavy, though; once they’d finally caught up on everything they’d missed out on over the last several months, their topics turned mundane, even silly. Apollo never expected to spend one of his precious free Saturday mornings arguing with Klavier, of all people, about breakfast, of all things, but here he was.

“Yes, I’ve had instant ramen for breakfast, what of it?!” Apollo had exclaimed defensively. “Add an egg, some bacon bits...what’s your problem?”

“My problem is your sodium intake,” Klavier had protested. “Bitte, tell me you eat actual fruits and vegetables from time to time. Tell me you have some semblance of a balanced diet and your stomach hasn’t just turned into a toxic wasteland.”

Apollo wasn’t sure why he was talking to Klavier so often, so suddenly, in all honesty. Part of him supposed it was because Klavier just happened to be there - after all, he seemed freer to talk than Phoenix, Trucy, or Athena, and he wasn’t bad company when he wasn’t not-so-stealthily insulting Apollo in court. But another part of him, the part he desperately wanted to ignore, felt oddly comforted by Klavier’s probably-fake accent and his too-wide smile. Klavier’s presence in his small, chilly Khura’inese bedroom almost made him feel like he was back home.

“Have you seen the others lately?” Apollo asked one evening, bundled up in the thickest blanket he could find. There was a draft coming in from somewhere that he had yet to take care of, and neither Datz nor Ahlbi were too interested in checking it out, either. “Or...I dunno. Watched any of Trucy’s shows?”

“I’ve only seen them around at crime scenes and the courthouse,” Klavier replied. Apollo couldn’t stop himself from sneaking a peek over Klavier’s shoulders at his surroundings in curiosity. For once, Klavier was sitting on his bed instead of at his desk or in what was presumably his home office. Unsurprisingly, he seemed to have a huge, ostentatious-looking bedroom that was probably bigger than Apollo’s office. “Things have been...busy at the Gavin estate. I don't have much time to socialize with colleagues.”

“Busy?” Apollo echoed, sitting up. “More cleaning, you mean?”

“My parents aren’t retired, but sometimes, they act like they are,” Klavier said wryly. “They want to remodel so many rooms - the kitchen, the conservatory, my old playroom...so I’ve been going home quite a bit these days, helping them with the little things. It was nostalgic, seeing all the toys I used to play with. Feels like a lifetime ago, achtung.”

“What was your thing?” Apollo asked. “Beanie Babies? Barbie Dreamhouses? Legos? Wait, let me guess - you had one of those Fisher-Price piano playmats, didn’t you? Don’t even lie to me.”

“I would never own something so tacky,” Klavier protested; he almost seemed offended. “Nein, Mama was all about wooden toys - blocks, cars, dollhouses, kitchen sets - it’s very aesthetically pleasing. With the occasional soft toy, ja, but we never had plastic.”

“Interesting,” Apollo said, humming. “Same here, no plastic for us. Only, uh - not for the same reasons. More out of...necessity.”

“Oh.” Klavier’s expression softened. “Ja, I suppose in your...situation, you wouldn’t be able to get new things easily.” He then smirked. “Now I’m trying to imagine you and Herr Sahdmadhi as children. I can’t picture either of you with dolls or teddy bears.”

“Try actual frogs and actual bunnies,” Apollo said, sinking down further into his chair. “We were outdoorsy kids, believe it or not. Scraped knees and sunburns and all. But now, uh, good luck dragging me away from air conditioning and indoor plumbing. You couldn’t pay me to abandon my weighted blanket.”

“Picky, picky,” Klavier teased, grinning. “I don’t blame you, though. I’m too comfortable with being comfortable to like change. Though...I suppose that’s not really up to us, is it? Changing?”

“How philosophical of you,” Apollo drawled, rolling his eyes. “It’s not that deep, Gavin, I’m just saying I’m not interested in sleeping outdoors again anytime soon. One instance of me waking up with ants in places that you definitely don’t want ants was enough.” He then chewed his bottom lip thoughtfully. “And honestly, who does like change? It’s like when I get a new client, right, and every time, something changes on me. Evidence, circumstances, logic...hell, it’s your fault sometimes!”

“When did this become about me?” Klavier chuckled, still smiling.

“Isn’t everything?” Apollo shot back. “It’s like you have this...this uncanny ability to turn any normal conversation into an opportunity for you to wax poetic, just so you can sound cool. If you ask me, it’s more dorky than anything else.”

Klavier’s mouth dropped open. “...Apollo Justice, are you calling me a dork?”

“Maybe I am, Klavier Gavin. What are we, Prosecutor von Karma?” Apollo snorted. “Sorry, Gavin, but between you and her, I think I know which one of you is actually German.”

“I’ll have you know that I’m very German,” Klavier protested, wagging an accusing finger at his screen. “Both of my parents grew up in Germany; they only came to the States so they could get their master’s. They had me learn German by watching Janoschs Traumstunde and Die Sendung mit der Maus, and Mama taught me how to make spätzle and schupfnudeln and reibekuchen - ah, and my favorite dessert? Bienenstich.”

Apollo held his hands up in surrender. “Okay, okay, I believe you. I just think your accent’s a little...questionable. You sound like someone who got too overconfident in their dedication to Duolingo.”

“Ach,” Klavier said, laughing. “Anyway, do you mean it? Am I really...dorky?”

“Wow, you’re even more hung up on that than I thought,” Apollo teased, biting his lip to stop himself from laughing as well. “Though I guess I shouldn’t be too surprised. Image is a big deal to you, after all. Yes, Gavin, you’re a huge dork. How can you not be when you say shit like - like ‘tell me you share my angst, Herr Forehead’ - ”

“And you think my accent is terrible,” Klavier mused, sighing. “So sue me, I like to embellish. I like a little romance in my language - it makes life more interesting, you know? Though I suppose you wouldn’t understand, being the kind of person that you are. You wouldn’t know romance if it asked you to dinner.”

“Ugh, that reminds me.” An involuntary shudder went through Apollo’s entire body. “I had a client ask me out a few weeks ago. Like, seconds after I got him acquitted. As if that was all he was thinking about while the judge declared him not guilty.”

Klavier went still. “...really? What happened? What did you say?”

“I said no, obviously!” Apollo exclaimed, loud enough that he briefly wondered if he’d accidentally woken up his neighbors. “He wasn’t a murderer, but he was still a shitty person. Besides, shitty or not, it’s kind of an unspoken thing to not date clients and co-workers, isn’t it?”

“Ja, of course,” Klavier said, waving a hand aimlessly. “I’m just...surprised.”

“That someone was interested in me? Thanks, Gavin,” Apollo drawled, rolling his eyes.

“That someone thought it was a good idea,” Klavier corrected, mouth twisting into a slight frown. “You’re perfect...ly acceptable, Forehead. As a, ah, person to go on a date with, I mean.” He cleared his throat; it seemed to get stuck quite often these days. “Anyway - surely, he didn’t think you would agree!”

“I dunno what he was thinking, if he was thinking at all in the first place,” Apollo sighed, shivering once more. “At least Ema got a good laugh out of it.”

Klavier straightened up, his expression quickly returning to normal. “How is she, by the way? I can only imagine that Khura’in is completely covered in luminol by now.”

“She’s adjusted pretty well, though she’s used to living overseas,” Apollo shrugged. “Her Khura’inese needs some work, though. Er, not that mine’s much better, I’ve been gone for too long. It’s coming back to me...slowly. Very slowly.”

“Sometimes I forget that you speak another language, too,” Klavier remarked. “Considering your grasp of English…”

“My English is fine, thanks,” Apollo huffed; it seemed like he couldn’t go one conversation without wanting to stick his tongue out at Klavier like they were unruly children on a school playground. Or, alternatively, flipping him off like they were fighting over the last parking spot. “Just ‘cos I don’t get all fancy with it - ”

“Here we go again,” Klavier sighed, dropping his chin into his hands. “And you say I make everything about me, hm?”

“Two-way street, Gavin. Two-way street,” Apollo said, leaning back in his chair with a smirk. “Besides, that’s...it’s kind of our thing, isn’t it? Poking at each other until someone gets legitimately pissed? Usually me, but still.”

“I didn’t know we had a ‘thing’,” Klavier said, cocking his head in curiosity. “Tell me more about this ‘thing’ of ours, bitte.”

“See? There you go again!” Now Apollo’s neighbors were definitely awake; he didn’t have to look out the window to know that their lights were coming back on. “You can’t go two seconds without being...smarmy about something. It’s like a bad habit of yours, and I know a thing or two about bad habits.”

“What’s yours?”

Apollo blinked. Klavier had asked so suddenly, so immediately, that he’d barely heard what he’d said. “Huh? What do you mean?”

“Your bad habit,” Klavier elaborated. “I know you were talking about spotting other people’s tells, but I’m more curious about yours. You’d think that, since I get on your nerves so easily, I’d be able to see it myself, but…” He shrugged, still smiling. It was one of those indiscernible expressions of his that frustrated Apollo so much, the kind of bland, indifferent smile that seemed to mean anything and nothing at the same time. The kind of smile Klavier had in court as he reviewed the facts of the case, or when he ran into Apollo at a crime scene, or even when he talked about not talking about his brother.

“I...I, uh, never really thought about it.” Apollo hummed, thinking it over. “Messing with my hair, I guess? I’ve definitely, literally pulled my hair out before whenever I’m, like. Nervous. Stressed. Worried. Or, y’know, all of the above. I even had a crooked hairline in high school ‘cos I used to do it all the time.”

Klavier lifted his head from his hands, looking at Apollo in awe. He was quiet for so long that Apollo almost asked him if his internet connection had cut out, only to watch Klavier fuss with his bangs, then push them back completely, exposing his hairline, near-identical to what Apollo’s used to look like. It was only then that Apollo realized he’d never seen Klavier with his hair completely up. Of course, he’d seen Klavier do ponytails, braids, even space buns if he was feeling particularly stylish, but his bangs were always swept over his left eye. Now, he could see why.

“...oh.” Apollo wasn’t sure what to say. “I...I see. Is that, uh, recent?”

Klavier nodded shortly, then briefly turned away to grab a hair tie from his bedside table. He held the hair tie between his teeth while he gathered up his hair and twisted it into a neat knot; Apollo tried not to stare at the fullness of Klavier’s bottom lip, sticking out in a perfect pout, as he did. “Can I tell you a secret, Herr Forehead?”

“Oh - er - okay, abrupt change of topic there,” Apollo muttered, more to himself than to Klavier. “I guess so. What’s up?”

“I...haven’t decided how I feel yet about my parents remodeling our family estate.” Klavier’s tone was casual, but Apollo knew by now that it meant nothing. “I know why they’re doing it, I just don’t know why they’re doing it now. Nothing has changed, you know? They’re still working, I’m still working...Kristoph is still in prison.”

“Well, I don’t...know your parents or anything,” Apollo said carefully. “But i-it could be, like, a healing process thing. Starting fresh and all that, you know? But maybe it’s really not that deep. Maybe they literally just felt like, hey, now’s the right time to renovate. You could ask ‘em.”

“Ah - nein, I couldn’t inconvenience them like that,” Klavier said, chuckling awkwardly. He was already starting to mess with his hair once more. “If I expressed anything other than my complete support, they would stop immediately. And they’ve already sacrificed so much for me, I would never...I can’t…”

“Gavin,” Apollo said softly.

“It’s just a few rooms.” Klavier inhaled sharply. “What does it matter? It’s not like I live there. If Mama wants to turn our playroom into a crafting room, it...it makes sense.”

Their conversation, understandably, didn’t last too long after that. Apollo crawled into bed, still wrapped up in his blankets, with over a dozen trains of thought trekking through his mind, more of them about Klavier than he wanted to admit. He’d never thought of Klavier as an inherently private person - at times, he seemed almost too open to speaking his mind - but now, he could see that in some ways, he had been completely wrong.

_____

Unlike before, a few weeks passed before they had another video call. Klavier was wearing a muscle tank this time, his hair scraped back into a messy bun, his bangs perfectly placed. Apollo found himself more than a little distracted by the broadness of Klavier’s shoulders, by the length of Klavier’s neck. “Entschuldigung for last time,” Klavier said smoothly, by way of greeting. “Let’s not have me treat our conversations like my therapy sessions, ja?”

“It’s fine, Gavin,” Apollo reassured him. “One comment about how you’re feeling is no big deal. If you wanna talk, then...talk. Honestly, I’m a huge law nerd, and I could talk about Khura’inese legal practices all day, but, uh, I could definitely use a conversation or two that’s about something completely different.”

Klavier nodded, seemingly thinking it over. “...I like your hair.”

Apollo raised an eyebrow. “...and I like your shirt. What, are we on a shitty speed date? C’mon, you can do better than that!”

“Ach, you didn’t let me finish,” Klavier protested, chuckling. “I just meant...I like your hair like this. It looks...soft. Less severe. Something that would be nice to touch, you know?”

“I...oh.” A pleasant tingle went up Apollo’s spine. Klavier’s voice was low, warm, especially through his headphones. He brushed his hair back behind his ears, ducking his head slightly so Klavier wouldn’t notice the heat rising in his cheeks. “Trucy introduced me to some new hair products a while back. Said it was stuff she uses to make her hair look extra shiny under the stage lights. Er, n-not that that’s why I’m using it, just...it’s nice to treat myself every now and then.”

Klavier suddenly perked up. “Speaking of treating yourself, that reminds me - you know the best way to help you with all that stress and tension you’re dealing with? A gut massage. Surely, there are some facilities like that in Khura’in, ja?”

Apollo fixed Klavier with a withering look. “...Gavin, we just had a revolution here, like, six months ago. Getting a massage and a facial is hardly anyone’s priority right now, believe me. It’s not like the legal system is off in its own little world, y’know? The economy, the sociopolitical order…everyone considers themselves lucky that they can go about their day-to-day lives, but luxury goods and services? Not here, not yet.”

“Shame, though I can’t fault Khura’in for having its priorities in order,” Klavier said, frowning slightly. “Well, if I ever get bored enough and feel like hopping on a plane, maybe I’ll come visit and give you a massage myself.”

“I’m not paying for your ticket,” Apollo retorted, his cheeks reddening once more. “And are you even qualified?”

“I always massage Papa’s shoulders whenever I go to my parents’ house,” Klavier mused thoughtfully. “He gets sore from all the gardening he does. You should see our estate garden; it’s like something out of a fairytale.”

Apollo’s nose twitched. “I’m, uh, I’m sure it does. Hey, so - tell me about your parents. You’ve mentioned them a bunch of times, but I don’t actually know that much about them.”

“High school sweethearts,” Klavier said with an almost dreamy smile on his face. “The old-school kind, slipping love letters into each other’s bags between classes and all that. Now, they’re both college professors at the same school. They both act like practical, no-nonsense people, but the truth is, they're both romantisch at heart.”

“And then passed that on to you,” Apollo nodded. “Makes sense. They sound adorable, actually.”

“I never had a high school sweetheart of my own,” Klavier sighed wistfully. “I can’t imagine how...all-consuming that must feel. To be so young, to be so sure that this one person, the only person you’ve ever loved, will be the only person you’ll ever love.”

“I guess that’s where we differ,” Apollo said quietly, shifting uncomfortably in his seat, surprised at himself. He wasn’t sure where his comment had come from, why he’d blurted it out loud without a second thought. “I, uh, I had...something like that. Someone like that.”

“...oh.” Klavier furrowed his eyebrows, confused. “What happened?”

Apollo ducked his head, unable to look Klavier in the eye. “...you know what happened to him.”

Klavier’s eyes widened in realization. “Ach - Apollo, I’m so - ”

“Don’t, I - don’t,” Apollo insisted, a lump forming in his throat. “It’s not, uh. It’s not something I really wanna talk about.”

Klavier seemed unable to speak for a moment, his eyes shining with pity. Apollo hated it, hated how genuinely sorry Klavier looked, as if he had anything to do with it at all. Klavier opened his mouth, then closed it, then opened it again. “...I’ve written songs about my parents, actually. Not that you’ll find them on any Gavinners’ albums, just little love ballads that I played at their anniversary parties and vow renewal. They were big hits with my extended family - the one I wrote when I was ten years old is an absolute classic.”

“I’m sure it was,” Apollo chuckled, shaking himself out of his thoughts. “How about now, you write anything recently?”

“Barely a tune since the Gavinners disbanded,” Klavier admitted. “I haven’t felt all that inspired lately. Maybe someday it’ll come back to me, but right now...nothing. Nichts.”

“Good luck, I guess,” Apollo offered. “By the way, what’s with the tank top? Is it that hot over there already?”

“I’ve always been hot, Forehead, I don’t know what you’re talking about,” Klavier said, grinning victoriously at the almost too obvious bait.

Apollo groaned, dropping his head into his hands. “I will hang up on you someday, Gavin, don’t think I won’t.”

_____

The gap between video calls quickly dwindled down from a few days to no days at all. Text messages were constant, to the point where Apollo had to sheepishly ask Nahyuta how to upgrade his phone plan. Even phone calls started to increase in frequency; Apollo was starting to think he heard Klavier’s voice more often than he heard Ema’s, and they often spent entire days in each other’s presence.

“How do you feel about peaches?” Apollo asked, his phone carefully sandwiched between his ear and his shoulder as he deftly navigated his way through the farmer’s market, nearly tripping over a stray dog as he did so.

“Great emoji,” Klavier replied semi-seriously, though Apollo could tell he was trying not to laugh. “Although...Forehead, if this is your subtle way of asking me for my opinion on Call Me By Your Name, I’ll have you know I never learned how to play Capriccio sopra la lontananza del suo fratello dilettissimo. Now, Zion Hört Die Wächter Singen, on the other hand - ”

“Need I remind you, I only speak English, Khura’inese, and college-level Spanish?” Apollo interrupted, shaking his head. “Anyway, peaches are basically a delicacy here. Sucks for me, since I’m allergic to stone fruit.”

“Same, I can only eat them cooked. I love a good cherry pie,” Klavier hummed. “Did you remember to get kale this time?”

“Yeah, I got a huge bundle of it right here,” Apollo said, jostling his wicker basket loudly enough so Klavier could hear. A few market patrons turned to look at him strangely. “Thanks again for the tip, by the way. I’m still getting used to cooking stuff that’s not instant or frozen, so roasting vegetables is a total game-changer.”

“Glad to hear you’re eating actual fruits and vegetables now,” Klavier replied, chuckling. “So, I had a case go kaput today. Thought you might want to hear about it.”

“Obviously!” Apollo said, lighting up. “What did you do?”

“Achtung, why do you think it was my fault?” Klavier protested, his laughter warm in Apollo’s ear.

“Isn’t everything?” Apollo shot back, laughing as well. “Seriously, what happened? Can’t be as bad as...literally anything that’s happened to me.”

“Nein, not quite,” Klavier agreed. “Don’t worry, I wasn’t up against Athena or Herr Wright. Some rookie, I think; I was going to go easy on them. That is, until the defendant, apparently overcome with guilt, decided to bring their own decisive evidence to prove that they did, in fact, kill the victim.”

“No!” Apollo exclaimed. More market patrons turned in his direction, glaringly so. He shot them apologetic grimaces, then ducked behind a watermelon display. “Really? Like, are we talking fingerprints, photographs…”

“Everything, Forehead, everything. I couldn’t have convicted them better myself,” Klavier remarked. “Obviously, I take no joy in celebrating crime, especially murder, but ach, I consider that one of the highlights of my career. The only thing that would’ve made it better was if you were there. I can picture your dumbfounded expression now.”

“You’re terrible,” Apollo informed him, with no real bite behind his words. “But...not gonna lie, that’s kind of incredible. I feel bad for the defense, though. I’ve been screwed over by clients before, but usually not that badly.” He then heard a sharp wuff somewhere by his feet; he glanced down to see the dog he’d nearly tripped over before was now sitting on top of his toes, looking up at him with literal puppy-dog eyes. “...uh, hello. Did you need something?”

“What’s that?” Klavier asked.

“Oh - sorry, not you, Gavin. A stray dog just came over to say hi, I guess.” Apollo crouched down, taking care not to tip his basket. “Hey, buddy. I’m not the one to beg for food, if that’s what you’re looking for. All I can offer is, like, a belly rub.”

“Wait, switch to video, I want to see this,” Klavier pleaded, laughing again. Sighing, Apollo turned on his camera, then aimed his phone at the dog, who was now rolling over onto its back, its tail thumping enthusiastically against the cobblestone. “Ah, what an adorable hündchen! Go on, Forehead, don’t make him wait.” Sighing yet again - at Klavier, naturally, not the dog; he could never begrudge the dog - Apollo carefully set his basket down, then began rubbing the dog’s belly, smiling at the adorably goofy look the dog gave him in return, his tongue lolling out of his mouth, his eyes closing in utter bliss. “Hold still for a moment, bitte? I want to make this my contact photo for you.”

“Gavin, I swear - ”

“Uh, Apollo? What are you doing?”

Apollo startled at the sound of a new voice; his eyes widened when he looked up and realized who it belonged to. “Ema! He-e-ey, wh-what are you doing here?”

“I could ask you the same thing,” Ema replied, raising an eyebrow. “Why are you petting a dog while video-calling Gavin at the farmer’s market?”

“...because I can?” Apollo offered meekly, straightening up. He quickly hung up on Klavier before Ema could attempt to talk to him, silently noting the need to send him an apology text later. “Hey, um - th-there’s a discount on tangyuan today, you wanna go all out and split the cost with me?”

Ema continued to eye him suspiciously. “Sure. But please don’t insult my intelligence - you can’t just distract me with snacks, you know.”

“I know, I know,” Apollo sighed, giving the dog one last pat on the head before leading Ema across the market, towards the aforementioned snack stall. “We just...we talk sometimes. What’s the big deal?”

“Nothing, if you guys just do video calls every now and then,” Ema said. “But here you are, shopping for produce and chatting with Gavin at the same time. It’s...a little domestic, don’t you think?”

“D...domestic?” Apollo echoed, scratching the back of his neck.

“I just didn’t think you and Gavin had that kind of relationship, that’s all,” Ema continued, shrugging as she popped a grape from her own basket into her mouth. “Listen, I couldn’t care less about that guy. But you’re my friend, so...I have to ask. Is something, y’know...going on there?”

“Wh - no, no, no, o-of course not!” Apollo ducked behind Ema the second he felt the glares of the market patrons turn to face him, again. He was starting to think he wasn’t going to be welcome back for a couple of weeks, at least. “I - he - we’re friends! It’s kinda new, b-but we’re friends. Just friends. He’s, like...pretty decent when he’s not being obnoxious in court. Or at a crime scene...or just in general.”

Ema snorted, reaching over to steal a strawberry from Apollo’s basket next. “I think it’s time you hop off that bicycle of yours, Apollo, because you’re obviously backpedaling.”

“Tortured metaphor, but okay,” Apollo muttered, glowering at her.

“How’d you guys end up talking in the first place, anyway?” Ema asked, chewing noisily. “I can’t imagine you were the one to initiate it.”

“It...I’m not sure, actually,” Apollo admitted, slapping her hand away before she could steal his entire carton of freshly-picked strawberries. They were probably more expensive than all the vegetables he’d purchased, combined. “Gavin called me a while back, seemed embarrassed about it, and then hung up. I asked him later what was going on, we started doing video calls and stuff, and then it turned into a thing, but…I never figured out why he called the first time. And I don’t think there’s any point in asking.”

“Fair enough, though I gotta admit, I’m still curious. For scientific purposes, of course,” Ema added, humming to herself. “Maybe he...no, there’s no way.”

“You know something I don’t?” Apollo asked, nudging her. “What happened to ‘I couldn’t care less’?”

“Believe me, I really couldn’t,” Ema retorted, elbowing him back. “Surprises me that you have enough to talk about, though. I mean, it’s Gavin.”

“Hey,” Apollo protested; suddenly, he felt weirdly defensive of Klavier. Again, it wasn’t a feeling he was too familiar with. “We have more in common than you think. It’s not all just - just guitar riffs and hair tosses with him.”

“If you say so,” Ema sighed, clearly uninterested in pursuing the topic any further. “C’mon, let’s pick our flavors already. And if you short me on black sesame, I will be taking those strawberries of yours.”

Later that evening, Apollo was cocooned in his usual plethora of blankets, poring over the evidence for three separate cases - honestly, the autopsy reports were starting to blur together, which explained why, for a moment, he thought one of the victims had somehow ended up with a bullet hole in their stomach from being stabbed with a blunt object - when his phone went off. He immediately perked up when he read the call display. “Gavin, hey. Sorry again about earlier, you know how Ema is.”

“Keine Sorge, you already apologized,” Klavier replied. “That’s not why I was calling, in any case.”

Apollo frowned slightly, putting Klavier on speakerphone and nestling his phone among his files. “Oh? I, uh, I thought you were just calling to chat.”

“Ja, we can talk about whatever we feel like after, it’s just - I had a question for you.” The deep breath Klavier took before speaking again made Apollo nervous. “Are you homesick?”

“...huh?” Apollo wasn’t sure what he’d been expecting, but it certainly hadn’t been that. “Well, I mean. Yeah. Yeah, obviously. Khura’in was my home once, so it’s not like I’m in a completely new place, but it’s...yeah, I miss being back home, traffic jams and heatwaves and all. Why do you ask?”

“No reason,” Klavier said innocently, in that sort of tone of voice that made Apollo want to reach through the phone and strangle him. “You’ll find out soon enough.”

“There’s either no reason, or a reason that I’ll learn soon enough. Pick one, Gavin,” Apollo drawled, rolling his eyes good-naturedly. All he got in response was warm, throaty laughter that sent pleasant tingles down his spine. “Fine, don’t tell me. So, what’re you up to?”

“Just got back from my morning run.” There was a rustling of sound on Klavier’s end that suggested he was still walking around somewhere, presumably inside his apartment. Apollo could only imagine how sweaty he still was, how his skin glistened in the mid-morning sun - and now, he realized belatedly, he wasn’t sure if it was something he should be thinking about at all. “You know, after all this time - I still hate it. Running, I mean.”

“Then why do you do it?” Apollo said, trying not to laugh. “Though to be fair, I feel the same way. Athena used to make me run laps around the agency’s neighborhood sometimes ‘cos I need to ‘improve my cardiovascular health’ or whatever. Never got any good at it.”

“I do it because it’s good for me, but achtung, I wish I actually liked it,” Klavier sighed. “The fresh air, the endorphins, it’s all gut and well, but you know what I can’t stand? Sweat-soaked hair. Sore ankles and stiff knees. Don’t get me started on the sunburns, ach.”

“Okay, old man,” Apollo chuckled. “You sound like a guy twice your age, you know that?”

“I’m not the one who once said they were starting to prefer blander foods over spicy foods - calling me an old man, mein Gott, the disrespect - ”

A few hours later, Apollo was fully curled up beneath his duvet, head resting on his pillow, eyes closed, with his phone tucked under his ear. Neither of them had spoken in a little while, though Apollo could hear Klavier humming under his breath while he worked on clearing out his email inbox. “...you really should take a day off, Gavin.”

“You first,” Klavier said without missing a beat. “Don’t trick yourself into thinking you have to take every case in the country, ja?”

“Same to you,” Apollo mumbled; he was starting to drift in and out of consciousness. “You’re working, like...stupidly long hours. It’s not like you’re the only prosecutor in the district.”

There was a long pause. “Mama said that to me the other day. She told me I should live a little.”

“And she’s right,” Apollo yawned. “Anyway, I’m not gonna get into this again. And it’s not like you have to do anything major, just...take a day off. Go get a massage or whatever. Hang out with friends, go on a date, I dunno.”

“Go on a date, right,” Klavier drawled sarcastically. “Easier said than done, ja?”

“What, is it the fame thing?” Apollo asked, eyes snapping open in curiosity.

“It’s the, ah. ‘Trusting people’ thing.” Klavier let out a quiet laugh. “After convicting mein Bruder, after convicting someone I thought was my best friend...who’s to say any future romantic partner of mine wouldn’t end up facing that same fate?”

“...oh.” Apollo’s face softened; part of him wanted to see Klavier’s expression, while another part of him had the feeling it was better this way, to only hear the slight rasp, the slight crack in Klavier’s voice as he spoke. He could only imagine the noticeable twitch in Klavier’s eyes, the forced smile on his lips, that he’d seen a surprising amount of times over the past few months. “I see. I-I get it. Not like I’m any good at trusting people, either.”

Klavier went quiet again. “Apollo?”

“I...oh. Yeah?” He couldn’t remember the last time Klavier had called him by his actual name.

“Be honest with me, ja?” Klavier murmured. “When we talk every day, when we text and chat and send each other silly things...is it something you actually like doing, or...or are you just bored?”

Apollo snorted. “Oh please, you know my schedule. I couldn’t be bored if I tried.” He nestled deeper into his pillow, yawning. “Nah, you’re...we’re friends. Talking to you is like...part of my routine now.”

“You mean it?” Klavier asked. He sounded so uncertain that it made Apollo’s heart ache.

“I don’t send stupid memes to just anybody, you know,” Apollo teased. “And look, I’m not pretending like this isn’t weird. If you asked me a year ago if I could see myself talking to you on a daily basis, I would’ve said, y’know, ‘never in a million years’. But things are different now, so...yeah. You’re not so bad, Gavin.”

“Ah, danke. What high praise, coming from you,” Klavier drawled, laughing. “But really, I’m glad to hear it. I...wasn’t sure if I was bothering you. When I called that first time, I suppose I had my answer. Then after that, I never really knew for sure.”

“Now you do,” Apollo affirmed, biting his bottom lip to stop himself from smiling too much.

“Now I do,” Klavier echoed, satisfied. “So, how about you, Forehead? Any clients ask you out again recently?”

“No, thank god,” Apollo said, shuddering. “Besides, I’m, uh. I’m not exactly looking to date right now, either. I’m...I’m pretty good with how things are going at the moment. Maybe after I get back. Thinking about thinking about dating, I mean.”

“Smart.” Klavier’s voice was so clear, so warm, that it almost sounded as if he were in Apollo’s bedroom, too. Apollo briefly wondered what it would be like to have Klavier visit, to wander the farmer’s market with him, to take evening walks along the river and watch the fireflies together, to go through an endless number of cases with him by his side. He had to admit, it didn’t sound half-bad. Better than half-bad, really, not that he was going to say so out loud. “Long-distance is never easy. The time zones, the uncertainty, the inability to truly be together...I can only imagine.”

“Right,” Apollo hummed, his eyes drifting closed once more. “I can only imagine.” When he woke up the next morning, he found a text message waiting for him - a screenshot of Klavier’s home screen; its background was a photo of Apollo and the friendly dog. sehr süß, Klavier had texted, and the hündchen isn’t so bad, either. It was too early, in Apollo’s opinion, for his heart to be racing this quickly.

_____

Almost four months to the day since they started talking, Apollo arrived at the post office with a delivery slip in hand, visibly confused by its earlier presence on his front door. “Was this really meant for me?” he managed to ask in his steadily improving Khura’inese. “I never ordered anything from the United States. Just paying customs would make me broke!”

“It really is for you, Mr. Justice,” the receptionist replied. Apollo watched, stunned, as she dragged a crate-sized package out from behind her desk. “You must have people who really love you back home, sir.”

“I...w-wow.” Apollo didn’t know what to say. “Er, do you have someone who can help me bring this back to my office?”

Twenty minutes later, Apollo was sitting on the floor of Justice Law Offices, embarrassingly sweaty and sore from how much effort it had taken him and one of the post office employees to haul his delivery here. Groaning, he reached for his pocket knife, then carefully sliced through the tape, unwrapping the enormous package layer by layer. When he finally reached its actual contents, he sat back on his haunches, stunned by the sheer amount of items inside.

The package consisted of two sturdy boxes; one was labeled with Ema’s name, so Apollo took it out and set it aside. He then opened the one that bore his name, only to find it was packed surprisingly tight. Boxes and boxes of his favorite snacks that were too expensive to import to Khura’in, well-loved copies of his favorite manga that had clearly been taken from his apartment back home, thick stacks of the most obnoxious California-themed postcards known to humankind with handwritten notes on their backs - before Apollo knew it, his eyes started to well up with emotion. Finally, at the bottom of the box, cushioning the other items nicely, were a few of his sweaters and hoodies, some of which still had a few stray Mikeko hairs on it.

“Oh,” Apollo said faintly, wiping his eyes hastily despite being completely alone. Then, he frowned. “Wait, what is…” He pulled out the only item of clothing he didn’t recognize, an unusually large hoodie in a familiar shade of purple with an embroidered rose on its breast pocket. Stuck to its left sleeve cuff was a sticky note; Apollo peeled it off and began to read what was on it.

herr forehead,

wear this the next time you go out, just in case you run into that hündchen again. It smells just a little bit like my parents’ dog - and like me, if you’re into that sort of thing.

alles liebe, klavier

Later that day - well into the evening, really - Apollo was eating dinner at his desk, rummaging through a hefty stack of police reports, when his laptop pinged, reminding him he had a scheduled video call that was about to start. Grinning, Apollo turned on his webcam, his heart pounding in anticipation. “Hey, Gavin. So, what do you think?”

“What do I think about - oh.” Klavier’s mouth fell open. “You’re...I didn’t think you were actually going to wear it.”

“Is, uh...is that a bad thing?” Apollo asked, suddenly nervous.

“Nein, nein, not at all! You look...achtung, you look good,” Klavier said hoarsely, swallowing. He then cleared his throat; his cheeks were flushed pink, much to Apollo’s delight. “Bitte, stand up for me? I want to see how long it is on you; it’s amazing you haven’t completely disappeared inside of it.”

“Asshole,” Apollo said affectionately, getting out of his chair and taking a few steps back so Klavier could see. He smoothed out the front of the hoodie, realizing belatedly that its hem only just grazed the tops of his bare thighs. “Er, don’t mind my legs. I-I’m wearing shorts underneath, I swear!”

“I don’t mind at all,” Klavier replied, cocking his head. His eyes were darkening, shining with something that Apollo couldn’t quite identify. “Have you worn it outside yet?”

“Nah, not yet. I was actually planning on wearing it to bed since it’s kinda cold, and this thing’s the biggest thing I have,” Apollo admitted, sitting back down. At Klavier’s exaggerated eyebrow raise, he groaned. “Shut up. Don’t make it weird.”

“I said nothing,” Klavier teased, dropping his chin into his hands. “So, did you like our care package? Trucy reached out to me on the same day you ran into that hündchen and asked if I had anything to contribute. I also sent Ema some old Gavinners’ merchandise, in case you didn’t know.”

“Oh, I heard about it from her, alright,” Apollo chuckled, brushing his hair out of his eyes. “Amazing how you manage to continue torturing her from several continents away. Maybe that’s your real talent.”

“To be fair, I was also the one who got her the beaker shot glasses and the glow-in-the-dark periodic table blanket,” Klavier pointed out, laughing as well. “I think all would be forgiven if she knew that was me.”

“So she gets new stuff and I get hand-me-downs, huh? I see how it is,” Apollo said, tucking his knees into his chest and yawning. “Seriously, though, thanks. This thing smells like that cologne of yours I don’t like.”

“And the backhanded compliments continue,” Klavier said, amused. “I hope you feel a little less homesick, at least.”

“Oh, I’m more homesick than ever,” Apollo snorted. “But I appreciate the care package, really! Having all this stuff here is amazing. It’s just...well. Stuff isn’t, uh...it’s not exactly a substitute for people, y’know?”

Klavier nodded thoughtfully, his smile sympathetic. Apollo took a moment to look at Klavier, to really look at him, and see how he was doing. He looked good; his skin had a glow to it, and his eyes and hair seemed to shine a little brighter than they had the very first time they’d talked. Klavier was bare-faced more often than not - aside from his tattooed eyebrows and eyelash extensions - though he seemed to be experimenting with his hair here and there, occasionally sporting different styles of ponytails, braids, and updos. It almost made Apollo forget how sullen he’d looked four months ago.

“Is that why you’re staring again?” Klavier asked, smirking. “Are you finally ready to admit you miss me, Forehead? That you miss my charming personality and my devastatingly good looks?”

“So what if I do?” Apollo huffed. He then frowned at Klavier’s wide eyes. “...what?”

“Nichts, it’s just - you do realize you just said you actually miss me, ja?” Klavier said disbelievingly. “Do you really mean it, or...or are you just saying that?”

“I-I...well.” Apollo shot him a small smile. “Yeah, Gavin, I miss you. Thought that was, uh. Kinda obvious by now.”

Klavier grinned victoriously; he looked seconds away from pumping his fist into the air. “Achtung, I knew it!”

“And the dorkiness continues,” Apollo said mockingly, rolling his eyes. “I mean it, how did you convince an entire generation of teenagers that you were cool? You go around saying crap like ‘let’s rock with these documents’ and ‘you have to get on up in order to get on down to prosecuting’ - are you an internationally-renowned rockstar, or an awkward dad trying to connect with his teenager through the power of classic rock? What’s next, Gavin, you gonna go buy a lawnmower and some cargo shorts? Fire up the grill and wear a kitschy apron?”

“Mein Gott, you’re vicious sometimes,” Klavier sighed, his eyes sparkling with mirth. “Ich vermisse dich auch, by the way. I think I've been...a little more obvious than you.”

“Maybe,” Apollo hummed. “But hey, I’ll take it. It’s nice to feel appreciated for once.”

“When do you think you’ll be coming home?” Klavier asked.

“I’m, er...I’m not sure,” Apollo said hesitantly, leaning back in his chair. “I didn’t think I was gonna be sticking around for this long to begin with, and now it’s...it’s gonna be the rest of the year, at least. Maybe even another year on top of that.”

“You...you think so?” Klavier’s voice was small. Nothing about his expression seemed remotely cheerful now.

“It’s not like I can leave whenever I want to,” Apollo shrugged, sighing. “Khura’in needs more defense attorneys before I could even begin to consider it, and that’s not gonna happen overnight. Not with their deeply ingrained feelings towards ‘em.”

“Wait - you’re not still in danger, are you?” Klavier asked worriedly, his voice suddenly filling with urgency. “No threats, no death sentences - ”

“I-I’m fine, Gavin, don’t worry,” Apollo reassured him. “It was a little touch-and-go there for a minute, back at the beginning, but everything’s fine now. Trust me, if something was going on, you would’ve heard about it earlier.”

“Gut,” Klavier said, satisfied. “After all, if something were to happen to you…” An odd expression flitted across his face, too quickly for Apollo to catch, though he had his suspicions. “Well. Trucy would be devastated, natürlich.”

“Right...just Trucy, huh?” Apollo murmured, chewing his bottom lip thoughtfully. “What about...oh, I dunno. Athena would be upset for sure. Can’t forget Mr. Wright, either.”

“Nein, definitely not,” Klavier said, clearing his throat. He paused before speaking again. “Forehead, do you ever wonder what Herr Wright really thinks of you?”

“Sure, all the time,” Apollo admitted. “We didn’t, uh...well, let’s just say we didn’t start off on the best foot, you know that. Why?”

“Because I do, too,” Klavier confessed. “Ach, I want to go the rest of my life not thinking about mein Bruder and all the lives he ruined, all the lives I helped him ruin, but - ”

“Gavin, that’s not what happened and you know it,” Apollo said gently. “And I’m not exactly sure how Mr. Wright feels about you, but I seriously doubt he still has a problem with you. He probably just feels a little, y’know, awkward. You guys went seven years without knowing the whole truth, after all.”

“Ich weiß, ich weiß, it’s just…” Klavier laughed bitterly. “...I’d like to go at least one day without worrying about what someone else thinks of me. Just one.”

Apollo suddenly found himself wishing he could reach through the screen and pull Klavier into his arms; it wasn’t the first time, and he knew it wasn’t going to be the last. “Well, you don’t have to worry about me. You already know what I think about you.”

“Do I really?” Klavier teased, though he still looked somewhat worried.

“Yeah, sure,” Apollo replied, smirking. “You’re the most insufferable person I’ve ever met. And, uh...I wouldn't have it any other way. I think.”

Klavier laughed, shaking his head in amusement. “You have a way with words, Forehead, you really do.”

“Thanks,” Apollo drawled, chuckling. “So, today’s case went about as well as expected - meaning it didn’t go well at all…”

_____

Khura’in was beautiful year-round, Apollo mused as he walked alongside the riverbank, but it was especially picturesque in the height of spring, during the month of May. He’d woken up unusually early today, especially given it was one of his very rare days off, not to mention the fact that he’d stayed up late last night, talking to Trucy, Athena, and Phoenix. For whatever reason, he had felt like taking his breakfast - anpan and a warm thermos of green tea - outside, while the sun was still rising. It was a peaceful backdrop for the start of what he hoped would be a peaceful day.

Yawning and stretching, Apollo dropped down to sit in the long grass, the worn-out toes of his boots grazing the water’s edge. He lifted his saddlebag off his shoulders and set it aside, raking his fingers through his hair. It was getting quite long in the back, he noted, but he didn’t care enough to cut it. Before he could take his first bite of his anpan, his phone started to ring. “...Gavin? What’s up, aren’t you going to bed soon?”

“I just wrote a song for the first time in ages, so I’m too alert to sleep at the moment,” Klavier admitted, his voice deeper and raspier than usual, sending shivers up Apollo’s spine. “I’m surprised you’re awake, too. It was only when I started calling you that I realized you were probably still in bed.”

“Felt like catching the sunrise for once.” Apollo turned on his phone camera, then switched it to the rear-facing one so Klavier could see what he was seeing. The entirety of Khura’in, it seemed, was momentarily bathed in a warm, yellow-orange glow. “Nice, isn’t it?”

“It’s wunderschön,” Klavier remarked, awed. “Almost makes me wish I was in Khura’in.”

“I wish you were here, too,” Apollo said quietly. His eyes then widened. “Er, I-I mean - ”

“...Apollo?” Groaning internally, Apollo fumbled with his phone, reluctantly switching to his front-facing camera so he could shoot Klavier a nervous smile. He could see now that Klavier had turned on his camera, too; he appeared to be sitting on his bedroom floor, leaning up against a window, his face illuminated by moonlight. Somehow, his blue eyes were even brighter in the darkness, the angles of his jaw and cheekbones sharpened by the shadows. Apollo’s breath hitched as he was momentarily rendered speechless. “Achtung, you still manage to surprise me after all this time.”

“I-I said nothing!” Apollo said hastily. “You’re - I - i-it’s early, I don’t know what I’m saying!”

“If you’re planning on staying for even longer, I really should come and visit, ja?” Klavier continued, his grin equal parts sleepy and teasing. “For one thing, I can finally make good on that massage I promised you, get all that stress and tension out of your body. I could also bring you more of my clothes, since you seem to really like that hoodie of mine.”

“What would you even do here, anyway?” Apollo asked, momentarily looking away so Klavier wouldn’t see how red his cheeks had gotten. “There’s no nightlife, barely any recreational activities...not to mention the wi-fi kinda sucks. Besides, it’s not like you’re allowed to prosecute in Khura’in.”

“Let me be your co-counsel,” Klavier offered. “After all, if Herr Blackquill can help Athena, why can’t I help you?”

“That...would be kinda interesting, actually,” Apollo admitted. “And where would you stay?”

“WIth you, natürlich,” Klavier replied like it was the most obvious thing in the world. “After all, if you want me there, I should be as close as possible. I’d make the perfekt roommate, you know. I can cook for you, clean for you...it’d be domestic, nein? Like I’m your stay-at-home husband or something.”

Apollo shivered again. Despite his distaste for his lyrics, Klavier certainly had a way with words. “You wouldn’t be...I dunno, bored out of your mind? Things are definitely slower here compared to California, you know.”

“The change of pace would be nice,” Klavier said diplomatically. “And I certainly wouldn’t complain about the company.”

“Well, uh, sorry to break up your super-specific fantasy, but I think I’m actually pretty close to getting out of here,” Apollo said, trying not to linger too much on his own mental picture of what Klavier had described. “Another few months, maybe? Six, at most. And since it’s sorta unknown, I wouldn’t recommend booking plane tickets anytime soon.”

“Really?” Klavier perked up. “You’re coming home? Have you told the others?”

“Yeah, I talked to ‘em last night,” Apollo said, setting his phone down by his bag so he could finally take his first bite of anpan. “It’ll be weird once I return, that’s for sure. I’ve been in Khura’in for exactly one year, right down to the day, but...well. It’s definitely grown on me, even with all my...my mixed feelings about it. Though I, um...I guess those mixed feelings are more about a person than a place, and he’s...he’s, well...you know.” He swallowed thickly, reaching for his thermos and taking a generous gulp of his tea.

“Any regrets?” Klavier asked softly.

“About Khura’in, or d’you mean in general?” Apollo asked, his sarcastic tone betrayed by his nervous laugh.

“However you’d like to interpret it,” Klavier said, gesturing aimlessly. “I can be generous sometimes.”

“Yeah, real philanthropist, you are,” Apollo retorted, chuckling. “Well, you know I’ve had days where, like. I feel like I shouldn’t have stayed behind, after all. Like I’m way in over my head, and..like I’m not...not good enough. Like I’m just winging this whole thing, which is scary, ‘cos it’s like the entire country’s future is in my hands, and I can’t just - I can’t improvise. I can’t make it up as I go along, I-I have to know it. Do it, be about it. Make it my whole life, you know?” He stopped to take a breath; the sympathetic crinkle of Klavier’s brow was more welcome this time. “But no, I don’t regret sticking around. I just wish I’d gotten some closure.”

“Closure?” Klavier echoed.

“Yeah, there’s...I’ve got stuff I wish I’d been able to do or, or say before I ended up living here for twelve months,” Apollo confessed. “It’s not like I knew I was moving here when I did, so...it’ll be nice to head back home and settle in and...and get all of that out of the way.” He took a few more bites of his anpan as they ruminated in their shared silence. “How about you? Any regrets about, well, anything?”

“Me?” Then, to Apollo’s surprise - though maybe not to his surprise, given all that had been said and done between the two of them, just the two of them - Klavier let out a bitter laugh. “Always.”

Apollo’s face softened. “Wanna talk about it?”

“Not particularly, nein,” Klavier said, visibly shuddering. “Just once, I’d like to not drag our conversation down. Ach, and I used to think you were the buzzkill. Now look at me, ja?”

“Don’t worry about it, Gavin,” Apollo insisted. “I get it, you - you feel things really intensely. I know that now, and, uh. Well, I do it, too. And we hold it all in and we don’t say anything ‘cos there’s bigger things to worry about, a-and then it’s like...like a dam breaks. Like everything just comes rushing at you all at once. There’s no way of stopping it, as much as you want to, and when it’s finally over...you never know how to feel about it. Because it’s not cut and dry, i-it’s not black-and-white, it’s just...it just is. So you move on, ‘cos there’s nothing else you can do about it, and you keep going. And then it starts all over again.” He let out an awkward laugh. “Or, uh, or maybe I’m just describing what a trial feels like.” Apollo glanced back at his phone, only to see Klavier staring at him in wonderment. “...er, too much?”

“Not at all, it’s just...you’re always full of surprises,” Klavier murmured; he almost sounded impressed. “That was incredibly astute, especially for you.”

Apollo wilted. “...thanks. Glad to know you think so highly of my intellect.” Still, Klavier’s warm laughter managed to get him to crack a smile. “So, you said something about writing a new song? How’d that go?”

“I had a burst of inspiration, you might say,” Klavier said, nodding. “Like my muse sat beside me on the piano bench and hummed a melody in my ear.”

“That sounds more creepy than anything else, but okay,” Apollo snorted. “Can I hear it?”

“Nein, not yet,” Klavier replied mysteriously. “When the time is right, ja? Besides, it’s...it’s a bit personal.”

Apollo shifted slightly in his spot. “Personal, huh?”

“It’s about...someone who means a lot to me, and something I’ve been meaning to say to them,” Klavier said carefully. “Because...I’ve been looking for closure, too. And possibly, if I do it right, I might also get a new beginning. Does that make sense?”

“It’s a little cheesy, but, uh, yeah. Makes sense.” Apollo pulled his knees into his chest, resting his chin on top of them with a quiet exhale. “Do I know this someone of yours?”

“Ja, definitely,” Klavier murmured, his voice barely above a whisper. “And they’re not mine, but...I want them to be.”

“I...I see.” Apollo felt his own pulse pounding in his ears, so loudly that he could barely hear his own voice. “Hey, Gavin, I - I wanted to - there’s something I’ve been wanting to say, and...and I…”

“What is it?” Klavier asked, sitting up, hopeful.

“Well, I...no, n-never mind.” Apollo cleared his throat. “Probably should, um. I should probably save it for when we see each other in person.” Klavier leaned back, disappointed. “Anyway, you, uh, you should probably sleep now if you wanna be awake enough for work. Unless you take the day off like I did.”

“I might actually consider it,” Klavier chuckled. “And we’ll talk tomorrow, ja? Or later today for you, I suppose.”

“Definitely,” Apollo confirmed, nodding.

Something in Klavier’s eyes seemed to shift then, something Apollo couldn’t quite understand. It happened more and more with each passing day, with every conversation, and Apollo wasn’t sure if he was ready to figure out what it meant, if it meant something other than what he hoped it meant. “Du siehst wunderschön aus in diesem licht.”

Apollo blinked. “Sorry?”

“Never mind,” Klavier said, a sleepy grin stretching across his face. “Guten Morgen to you, Herr Forehead.”

“And goodnight to you, Gavin,” Apollo replied, waving briefly before ending the call. He sat in silence for a few minutes, finishing his tea and enjoying the sun’s warmth. Then, he stood, stretching his arms over his head, and smoothed out the creases in his pants and what was now his oversized purple hoodie. “Someday,” he mumbled to himself, slinging his bag over his shoulder and turning back in the direction of the bazaar. “Just...not yet.”

_____

a/n: Welcome to my fifth entry for Klapollo Week 2021! Continuity-wise, this is the second of seven fics, but again, there is no need to read the others to follow each fic on its own. However, as I mentioned in the top notes, day seven is a sequel to this one, so look out for it! This is the second-longest fic of all my Klapollo Week fics, and for good reason - I could've easily included an endless number of random conversations and made this fic twice as long if it weren't for the posting deadline. One of my favorite things about writing Klapollo is their back-and-forth, so I love writing fics where they simply just...talk, and hang out. And I know it's definitely a concept that's been done before, but someday, I wanna write my own version of "Klavier visits Apollo in Khura'in and they fall (more) in love". That might end up being my longest Klapollo fic yet 😜

Thank you so much for reading and I hope you enjoyed! Likes and reblogs would be much appreciated. Hoping you’re all safe and healthy and doing well ❤️

#KlapolloWeek2021 #klapollo #kyodoroki #klapollo fic #ace attorney #ace attorney fic #myfic #long post #not sure if this one or day seven is my favorite #i definitely wanna write an extended version of this in the future

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queen-ofsunflowers · 3 years

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DadWorth AU: Part 2 (Phoenix Wright: Ace Attorney)

More DadWorth AU! And here we finally get into the details of the games, so the parts that remain the same will be briefly touched upon. This is gonna be longer than the last post, so here we go!

< Part 1 | Part 3 >

Turnabout Sisters

Things actually start a bit before the game does, and its with Kay at age fourteen and ready to start high school. (to me her birthday is in December, so she would be fourteen by the time the school year begins). And she has a certain one in mind.

I’ve mentioned before that Kay ends up idolizing Mia and follows her cases. Being surrounded by law for the past couple of years and wanting to help people (because Kay has yet to learn about the true Yatagarasu), Kay decides that she wants to be a defense attorney like Mia as opposed to a prosecutor like her dad and Miles (I am one of few people that I think subscribe to the idea of Defense Attorney!Kay... but that’s where we’re going here.)

Miles hestiates when he learns that Kay “wants to be a lawyer”, but after pressure from both Franziska and Gumshoe, he agrees to the idea. After studying and working hard, Kay ends up getting accepted to Themis Legal Academy in the defense attorney course -- something she hides from Edgeworth because she’s afraid that he’ll disapprove. But this is something that she really wants to do. i have an idea, shhh--

So, Kay’s first day of school just happens to fall on September 6. If anyone recognizes this date, it means Edgeworth is going to be home late, as he almost always is when he’s working on a new case. Because this is where we hit Turnabout Sisters.

Kay’s first day of school goes pretty well. It’s all getting to know you stuff, so it’s gonna be easy. Everyone tries to keep Kay from finding out about the details of Edgeworth’s newest case throughout the course of the day, but this fails because Miles doesn’t know that Kay looks up to Mia. So he gets very much confused when she gets upset upon learning Mia Fey had been murdered when he goes about their usual conversation about his latest case the next morning.

So, she’s upset and Miles has no idea why. On his side, he finds out the defense attorney for this case is Phoenix Wright. So he’s not doing so well because the past is coming back to bite him in the butt, and Kay goes to school feeling like crap. And things only start to get worse from there when two students in the prosecutors’ course decide its a good idea to mess with one of the students in the defense attorney course.

Enter Sebastian Debeste and Klavier Gavin. (i know klavier’s a good guy, but he still needs the character development to happen) They are not the nicest of people when Kay first encounters them. She’s down, and they decide its a good time to kick her while she’s down.

She confides in this to Ema, who gets super mad about this. She knows that she needs to tell an adult about it, so she somehow manages to tell Gumshoe about this (how they know each other, i’m not sure, probably happened after she met Kay.) And then Gumshoe goes to Miles while they’re investigating the next day and tells him that Kay’s been having a tough time adjusting (Ema had left out the bullying bit, since Kay had made her promise not to tell, thinking it would make things worse.)

Miles takes things into consideration a little bit (he’s too focused on his case), and promises to pick Kay up from school the next day if Gumshoe drops her off (an idea that came up from Gumshoe mentioning it would be a good idea to have someone she trusts there after a bad day.)

The date is September 9, Gumshoe drops Kay off at school as planned while Edgeworth goes to trial. And everything for both of them goes downhill from there. Edgeworth gets his ass handed to him by Phoenix and gets his first loss. Kay’s bullying continues. Too absorbed in his loss and the repercussions of it, Miles forgets about Kay entirely. Kay’s left outside of Themis, heartbroken and her trust in Miles barely even remains. After about an hour or so, she calls Badd to come and get her since she knows he’ll always be there if she needs him.

Miles hears Kay come home, and gets confused when she runs past him and up to her room. Badd explains everything and how Miles is an idiot.

So, Badd’s pissed at Edgeworth. Gumshoe gets mad at Miles when he finds out about what happened with Kay. von Karma is pissed at Edgeworth for losing at case to a rookie of all things. Kay’s upset with him because of what happened. Franziska’s mad at him on both fronts. The media is having a field day with his record being broken. It’s the second worst day of his life.

Turnabout Samurai

So, time goes on since the horrible, no-good very bad day. Miles is trying to deal with everything and everyone being mad at him. He’s becoming emotionally unavailable and Kay’s not helping at all since she’s pulled away from him. Since he forgot about her, she thinks he doesn’t care about her anymore. She just stays out of his way.

Miles is emotionally out of the window and does just what he needs to do to keep Kay happy or so he thinks. He’s too absorbed in his work and stressed out from his previous loss to try and reverse the damage caused to his reputation. Meanwhile, Kay’s bullying at Klavier’s and Sebastian’s hands continues. She doesn’t know what to do about it (even though Ema continually tells her to tell someone, Kay doesn’t want to make things worse.)

Things come to a head for her right around the same time that Edgeworth gets assigned the Steel Samurai case against Phoenix Wright. Kay’s absolutely done with Sebastian’s and Klavier’s treatment of her and remembering Ema’s words, she acts.

Kay ends up punching Klavier in the face when he pushes her over the edge, much to everyone’s surprise. They both get dragged down to the office by a teacher after the fight escalates a little (if it even can be called that, only physical blows traded was Kay’s punch.)

They’re in trouble, they start arguing over who started it, etc. The teacher (who I should note is Courte) puts an end to it, believing that they are both to blame for what happened -- Kay for retaliating the way she did and Klavier for antagonizing her in the first place. With the principal’s agreement, both of them are sent home for the day after their guardians are called.

For Kay, she immediately gets called back by Edgeworth while waiting. Edgeworth is in the middle of the Steel Samurai case, so he can’t do anything. He actually grows irritated over what Kay did, not listening to her explanation over what happened and only saying that they’ll talk about it when he gets home. Kay tries to find someone else who

Meanwhile, Courte takes Klavier aside and tries to find out what happened to cause the whole mess in the first place. Something got into his head that this was how it was supposed to be with defense attorneys and prosecutors (what this is or who that was that planted it is up for debate). He’s told that he’s wrong. They’re both on the same sides of the law, and they’re both there to find the truth -- not to fight about it until there’s a victor. They are allies. Not enemies.

And then Klavier comes back and overhears Kay’s conversation with Edgeworth with Courte’s words echoing in the back of his mind. Klavier’s just like... “okay, she may be a defense attorney, but i don’t think she’s that different from me at all”. Kristoph is a terrible guardian, but the only one that can take care of Klavier, and he understands a bit of what Kay is going through right now because of that.

And immediately feels like shit for how he treated her prior. So when Kay goes to apologize to him from ya know... punching him, it’s him that starts apologizing. And after a very, very long conversation, they decide to start over and Klavier invites Kay to eat lunch with him and Sebastian the next day and even offers to see if he can get her a ride home. Kay reluctantly agrees.

And so their friendship starts there.

It takes Sebastian a bit longer to warm up to Kay like Klavier has, but eventually takes to her when she doesn’t hesitate to point out the mistakes he makes. She corrects him without missing a beat. Kay’s not hesitant to call him out on bullshit when needed. As a result, Sebastian’s a bit smarter than compared to canon.

So, the chaotic duo of Ema and Kay grows to include Klavier and Sebastian. (ema has no reason to hate klavier yet, that’s not until phoenix is disbarred if my theory is right, but his attitude does tick her off sometimes).

Things are starting to get better for Kay, that’s for sure. Miles, on the other hand... not so much.

We all know what happens with him. Unnecessary feelings, questioning just about everything that you know and who you are, etc. This doesn’t go unnoticed by Kay, who wants to try and do something to help. What that is, though, she doesn’t know yet.

Turnabout Goodbyes

Winter break is coming up, and it’s pretty clear at this point that Sebastian and Klavier (the latter moreso than the former) are in tight with Kay and Ema. Kay wants to do something to fix her relationship with Edgeworth, leading to a suggestion of being honest with him about how she feels. If he listens (unlike their guardians), then that means things could turn around.

Kay declines this idea as the first thing they decide Kay should do is tell Edgeworth that she’s in the defense course. She’s still wary about what he might say or do if he finds out she’s going to be a defense attorney rather than the prosecutor he thinks. She does, eventually, agree to talk to him about how she feels. Confessing to being in defense does still linger in the back of her mind.

Christmas starts to draw nearer and nearer, and the two usually spend it together (a tradition born from the first one they had. As bad as that time of year is for Miles, he tries to not let it show for Kay’s sake. Kay doesn’t know about DL-6 and he wants to keep her as far away from it as possible.) So Kay is confused when he heads out Christmas Eve.

Kay has no idea who to turn to... except for one person. So, Christmas morning, while Gumshoe does his best when it comes to figuring out the truth with the investigation, Kay runs all the way down to Wright & Co. Law Offices. (Edgeworth had talked about Wright before in conversations that Kay overheard. That, and it was talked about that he was the only one who managed to take down Edgeworth at school.)

This is the first time that Kay meets Phoenix face-to-face, so he’s pretty confused about as to why a teenager is banging down his door on Christmas asking for help. But, he’s not someone whose going to say no, so he and Maya head down to the detention center with Kay.

Imagine their shock when they learn that the person Kay was talking about is Miles Edgeworth. Who immediately turns around and refuses their help. At all. Because he wants them as far away from this as possible.

Phoenix and Maya leave with Kay, and two out of three are not about to give up so easily. So, yeah. Kay’s finally part of the main storyline.

She helps Phoenix and Maya on their investigation and in the process does learn about DL-6. And her heart just breaks when she learns that her guardian went through all of this. Which is why Kay is relieved when Miles finally

In the meantime, Phoenix and Maya are trying to figure out what Kay’s connection to Edgeworth is since neither of them explained. And all they can get Gumshoe to say is that Kay is someone that knows Miles rather well. (something that’s supported with Kay knowing about Edgeworth’s fear of earthquakes.)

Kay’s in the audience during this case, primarily because Miles expresses that he doesn’t want her anywhere near von Karma (especially for something that would technically be her first trial). But she’s also not going to leave, so she just watches. Kay gets excited when Phoenix starts tearing von Karma’s case apart. (at this point, Kay only vaguely knows von Karma from Reminiscence. She knows that he’s Miles’s mentor and nothing more than that.)

She helps with the DL-6 investigation. The one thing I should note surprises her the most about it is the date which it takes place. Added angst for this whole case (primarily comes from my headcanon birthday for Kay) -- It’s revealed that Miles was careful on December 28th to not let Kay know what was going on with him since it was also her birthday.

Kay has only known Larry for two days, and he’s already giving her a headache (and making her question how Miles and Phoenix are friends with him a little bit). But she’s super excited that he was able to help in the end. She also finds the story about the class trial super sweet, remarking how it reminds her about how Edgeworth used to be like when they first met.

She ultimately is incredibly worried about Miles as the case goes on. Especially with how he thinks that he killed his father. The man Kay knows would never do that -- even on accident. She wants to help as much as possible, even if she can’t stand with the defense. She also wants to stick it to von Karma after everything he’s done. Especially after the confrontation in the evidence room, where Kay lets loose more information than she should, so von Karma (along with Maya and Phoenix) end up finding out about Kay’s relation to Miles.

Phoenix asks her about this later, and Kay explains everything. She begs him to get Miles a Not Guilty verdict since she doesn’t want to lose yet another father of hers. He promises her that he’ll try.

So we get to the final trial day. Kay thinks that Phoenix calling the parrot as a witness is one of the most hilarious things ever later on, but in the moment, she thinks he’s gone crazy, but it works. Miles is declared innocent and she couldn’t be happier... until he flips the switch and confesses to DL-6 after von Karma brings up

Kay gets so mad and upset about this. She corners him in the defendant’s lobby, which is not a pleasant conversation. She knows that Miles is innocent. They’ve been fighting this whole time and he’s just willing to give up that easily? Kay feels like she’s being left behind all over again. She doesn’t understand why Miles won’t “believe in me, who believe in you”. And she storms out. So there’s a bit more guilt on Miles’s shoulders, and a small bit of incentive for him to actually get a not guilty.

So, it cuts to Kay in the hallway making her way back to the gallery. She’s relaying to what’s going on to her friends over a text conversation (understandably, they’re all pissed) when she bumps into someone on her way back.

Yeah... Kay runs into von Karma again. And knowing what she does about him, Kay’s just fucking pissed. There’s a confrontation between the two where Kay comes to understand why Miles is so afraid of this man. He puts an immense amount of fear into her. She just wants to get away.

Kay hits his shoulder by accident in the process and notices the amount of pain it causes him after she runs off. So, long story short, Kay manages to figure out where the second bullet is before Phoenix does, and the trial concludes similar to how it does in canon, but with Kay’s intervention. She’s beyond relieved that Miles is free and von Karma is arrested.

She also feels horrible about yelling, and decides to take her friends’ advice to heart. She almost lost Miles once, and if that ever happens again, she wants him to know the whole truth.

The first thing Kay does after Miles is declared innocent is confess everything to Miles. She’s stammering and nervous and is barely through it when Miles cuts her off because he already knows Kay’s studying to be a defense attorney. She’s not as slick as she thinks, Gumshoe had mentioned multiple times that Phoenix could be someone Kay could learn a lot from, etc. That, and he is Kay’s guardian. He keeps in contact with the school.

He’s not disappointed in her either, which is the one fear that Kay had. He understands not following in your father’s footsteps. If it makes her happy, then that’s fine with him. He is surprised that she finally told him the truth, though. Kay promises not to keep anymore secrets from him. She wants to trust him again.

Things end well between them... as well as they could be after that whole mess, but their relationship is steadily on the mend and all is right with the world.

...until February.

Rise From the Ashes

IF YOU ALL REMEMBER SOMETHING THAT I MENTIONED IN PART 1, THEN YOU KNOW THAT THIS CASE IS GOING TO GET WORSE FOR ONE MILES EDGEWORTH THAN IT ALREADY IS.

Kay gets dragged into this one by Ema when she comes by in tears over Lana getting arrested. Kay mentions what happened back in December and says that Phoenix might be able to help, so Ema drags her down there. Phoenix is responsible for two teenagers rather than one. Again.

let’s just pretend that they don’t have school for whatever reason

Not much changes other than Kay’s involvement in SL-9. People keep bringing up the fact that Ema was not alone. And Kay’s thief skills starting to show up a little bit. Again, she won’t discover the truth about the Yatagarasu until later down the line.

She also wants to kick Gant in the shin more and more as the case progresses.

When it gets to the point where they find out that Miles is going to resign,

It’s only during the last day of the trial that Phoenix (and by extension, everyone else but Maya) finds out about Miles’s connection to Kay when he brings up the fact that there was another witness present when Ema was attacked. And Miles isn’t able to hide who it is any longer.

So, Kay has to testify. And it’s not fun. It all ends with her asking them to leave Edgeworth alone, since he didn’t do anything wrong (or he didn’t know that he was doing anything wrong -- something that is later provable.) So, this case is full of family feels, and Phoenix feels like shit for having to do this.

But in the end, Kay’s memory is a bit more clearer than Ema’s, which leads to Gant’s arrest being a bit easier. Ema still leaves the country to study forensics in Europe, and there’s a tearful goodbye and promises to stay in touch between her and her friends. But the impact that the case leaves on Edgeworth does not change. He feels like he isn’t fit anymore -- as a prosecutor or as a guardian for Kay since he couldn’t protect her.

So, the night of February 25, Kay’s woken up in the middle of the night by Miles. She’s half-asleep, and really doesn’t understand what he’s saying at the moment. He’s saying that he has to leave for a while, and tells her that he cares about her. She’s just like “okay” and ends up falling back asleep.

The next morning, Kay wakes up and the house is just about empty. She can’t find Miles anywhere. She just thinks that he’s busy with a new case that needed him in the office early, or they needed him to help clear up what happened yesterday or something, so she doesn’t think much of it.

That is until Gumshoe picks her up from school early. He never does this. No one really does this without warning, like if its a doctor’s or dentist appointment or something.

Her entire world falls apart when he tells her about the note that they found on Edgeworth’s desk that morning.

Prosecutor Miles Edgeworth Chooses Death.

And that ends Phoenix Wright: Ace Attorney. Kay doesn’t interact with the story all that much, but we already have Egdeworth’s perspective on the game for the most part. A lot of this takes place from Kay’s POV... including Justice for All. Which I have some... interesting things in mind for.

#ace attorney #ace attorney au #miles edgeworth #kay faraday #ema skye #phoenix wright #maya fey #dick gumshoe #klavier gavin #sebastian debeste #manfred von karma #queen speaks #dadworth au #kay edgeworth au

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aceredshirt13 · 3 years

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Today in “Things I Shouldn’t Be Unreasonably Bothered About But Super, Super Am” - Raymond Shields apparently having passed the bar at nineteen.

First off, this is absolutely not a dunk on Ray. Anyone who knows me knows that I love him to death, and he proves numerous times throughout the game that despite his laid-back attitude and entrenched self-deprecation, he is clearly very intelligent, capable, and good at his job. This series is full of bright young law prodigies, after all, and it’s easy to think Ray would be no exception. I mean, we’ve got Edgeworth prosecuting at twenty. We’ve got Klavier prosecuting at seventeen. We’ve got Franziska prosecuting at freakin’ thirteen. Heck, by the time we hit Dual Destinies, the fact that Athena is a lawyer at eighteen and Simon was at twenty isn’t even really considered noteworthy by the cast. But it bothers me a lot because when it comes to every other lawyer pre-DD, it is considered a MASSIVE deal how young they are.

Like, everyone’s talking about how much of a prodigy Edgeworth is for becoming a prosecutor at just twenty years old, and this is in the time period of AAI-4 and AA3-4 - which means that even in 2012-2013, this is not considered a normal thing in the AA universe. If Raymond became a defense attorney at an even younger age than that, more than ten years before Edgeworth became a prosecutor, how is that not a more well-known fact?? I understand that Ray would not be going around boasting about his youth, and unlike Edgeworth he didn’t have a perfect win record and wasn’t working under the flashy, frequently-discussed von Karma, but I just can’t imagine he flew under the radar entirely. The first case he stood in court as an assistant for was the trial of one of the most famous chefs in the nation, immediately followed by the incredibly bizarre unsolved murder of his mentor. Combine these factors with him becoming a lawyer at nineteen and trying to pick up that very case where Gregory left off, and... wouldn’t that shit be all over the news?? I could see the news dying down initially, but if Raymond passed the bar and began consistently studying law, that history would follow him everywhere he went. People would know the name of the nineteen-year-old law prodigy with the unimaginable trauma.

So, since it bothers me - and I know it goes against canon, and for that I apologize - I instead always imagined that Ray didn’t actually become a lawyer at nineteen, but was allowed to take over the case because no one else wanted to touch it, because he’d been Gregory’s assistant, and probably even because von Karma and his replacement prosecutor figured it would be easy to win against a teenaged rookie without a law degree. When the appeal failed, he had nowhere to go, and no one to look up to, but because of the press he’d gotten from his involvement in the Master case, he was given a good scholarship to a university and went through law school there. He then returned to the lawyering sphere after graduating, took over Gregory’s old office, and bam, went on from there. That’s where we get the Ray we have today.

#red randomness #ace attorney #raymond shields #I have no idea why this bothered me so much but it did #the anxiety strikes again #ace attorney spoilers

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sophistopheles · 4 years

Text

Where’s Ace Attorney 7?

A few days ago it was the third anniversary of the most recent Ace Attorney game, Dai Gyakuten Saiban 2- which means we’re going through a 36-month hiatus; longer than any we’ve had before, excluding the gap between Trials & Tribulations and Apollo Justice.

So what gives? Why haven’t we seen AA7 yet? Will we ever see it in the future, or is the franchise dead?

Well, I have a few theories for the first question, and some evidence concerning the second. This will probably get long, so I’ll put it under a cut.

Why is this hiatus so long?

Theory #1: Difficulties in porting the franchise to Switch

Ace Attorney has been on handhelds for its whole lifespan, so the sudden change to consoles may be slightly problematic in terms of gameplay- forensic evidence mechanics, the loss of a touchscreen, etc. The problem with this theory is that by all (w)rights, it should already be resolved; a port of the Trilogy already came to consoles last year, fingerprinting and all, and it worked just fine. It’s possible that creating a new AA game from scratch is difficult in its own way, and/or producing games for multiple platforms takes longer, but it doesn’t account for such a long delay.

Then again, Switch games might just take longer to make. I’d rather have a well-crafted AA game every three years than a rushed/poorly-made one every year.

Theory #2: Difficulties in finding a new director for the franchise

As most people know, Yamazaki, the director for the AAI duology, AA5, and AA6, left Capcom about a month ago. However, he said all the way back when SoJ was released that he only really stayed as AA’s director because of the fans, and also had Fuse, the games’ artist, step up as co-director for SoJ.

Takumi, the original trilogy/Apollo Justice/DGS writer and director, should theoretically have been available since 2018, but he has stated that he’s done with Phoenix’s story, and given that his last games haven’t sold very well (more because of marketing and bad timing than any flaws in the games, but I digress) it’s not guaranteed that he will return for AA7. Maybe if he does, we’ll get some answers to the many loose ends and questions left by AA4, but given that Apollo’s relocated to Khura’in as of the end of AA6, that’s not guaranteed either.

This leaves the only other candidate, co-director of SoJ Takuro Fuse. Personally I think his involvement as a full-on director in the future is quite likely, for reasons I’ll explain later.

Theory #3: We were supposed to get a game in 2019

This is just a pet theory of mine, but hear me out.

Dai Gyakuten Saiban was originally supposed to be a trilogy of games, until the Switch absolutely flattened the 3DS as the definitive Nintendo handheld, and Takumi decided to compress the remaining two games into just DGS2. This is why the third-case culprit and twists in DGS2 feel so sudden; the culprit was supposed to appear all throughout DGS2, and be arrested at the end, with DGS2-3’s big twist as a finale cliffhanger. DGS3 would have then completed the story.

My point is that DGS3 was likely slated for a 2019 release, given the release pattern of DGS (2015) and DGS2 (2017). That would have lessened the current three-year hiatus to just a two-year one, more standard for the AA franchise.

Theory #4: The franchise is dead, there are no plans for more games.

I find this difficult to believe given that Capcom is still creating content, running café promotions, releasing ports, and has stated plans for more AA games in the past, but I have to acknowledge the possibility.

Is Ace Attorney 7 coming soon?

After the 2018 Kotaku UK rumour (suggesting that ports of all six games and a new game were going to be released on the Switch by the end of 2018’s fiscal year) was disproven, I almost lost hope for any future AA games- but this year, there’s been a lot to suggest something’s coming soon.

1. The July 2020 Café

This one pretty much explains itself. If Capcom has decided to put money towards a café feature that promotes both the Trilogy and Apollo Justice- with Klavier and Apollo both featuring prominently on the café’s menu and in its merchandise- it stands to reason that they’re doing something with it. You don’t promote a franchise if there’s nothing to promote, after all.

2. The Café Art

So, remember two months ago when Ace Attorney dropped this new official art of Phoenix, Edgeworth, Maya, Apollo and Klavier, and the fandom lost their shit to the point of Ace Attorney trending on tumblr for about half an hour? Well, what I personally found most interesting was the style of the piece- because it was new. A quick scroll through Capcom Café’s twitter proved that as far as I can tell, when non-chibi art is called for, the official artists of the brand in question are the ones to draw the art. So who drew this one?! I could rule out Iwamoto, Fuse, Suekane and Nuri by their styles (Apollo especially looks quite unfamiliar)- so unless there’s someone I’ve forgotten, it seems like there’s a new Ace Attorney official artist.

And, well… they don’t hire new artists for fun. This artist, whoever they are, probably weren’t hired for a one-time café promotion either; as far as I know, most of the old AA artists are still working at Capcom. They’re probably doing something for the franchise.

Remember when I said Fuse, AA5/6’s art director, was a candidate for full time director? My personal theory is that he’s become the main director, and this new artist has taken his role as art director. It’s all speculation, of course, but it stands up to scrutiny.

3. Capcom X B-Side Label Maya Acrylic

Capcom have also had a recent merch collab with B-Side Label, and a certain merch image of Maya stood out to me… because it’s an entirely new design.

I could understand if it was only a discrepancy in the fact that she has four necklace beads while appearing to be an adult, or that she has arm guards but lacks an under-robe; they’re minor details. But to leave out her topknot, one of the most distinctive parts of her design?! Either the artist made a major mistake and no one called them up on it, or it was intentional- that this is a design meant to be an older and wiser Maya, who we’ll see in an upcoming game. I wouldn’t be surprised.

4. The 20th Anniversary

This is more of a meta point than anything else, but it’ll soon be 2021, the twentieth anniversary of Ace Attorney. AA is usually very good with anniversaries; in 2011 (10th anniversary) we got Investigations 2, and in 2016 (15th anniversary) we got both SoJ and an AA anime. I think if they’re ever going to release AA7, they’ll do it next year: at the very least, we’ll have another orchestra and more official art. And with TGS 2020 hosted online and fast approaching, I’m hoping for news very soon!

Either way, the future of Ace Attorney isn’t as dark as it seems! Keep your hopes up!

#ace attorney #aa7 #speculation #phoenix wright #soph's meta #this will either age like wine or milk #mine

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sylvanfreckles · 3 years

Text

Day Three: Family

Fandom: Ace Attorney

Summary: A chance meeting with Klavier Gavin pushes Phoenix to invite the younger man to the company Christmas party. After all, no one should be alone for the holidays...not even a prosecutor.

* * *

Snow was starting to fall as Phoenix Wright climbed the steps to the front of the prison, bottle of wine under one arm. He still didn't quite understand how his old friend had gotten to keep so many amenities in his cell, but that didn't really matter...Kristoph Gavin would be behind bars for the rest of his life.

He reached for the handle to the front door, only to jerk back when the door swung inward without his touch. For just a moment Phoenix stared, almost sure he was seeing Kristoph here in person, only for the slight difference in the man in front of him to sink in—hair and skin a shade darker, fewer lines in his face, dressed in an elaborate jacket that Kristoph would never have been seen dead in.

For his part, Klavier Gavin looked just as startled to see Phoenix. He recovered quickly, nodded his head to the defense attorney, then turned to the side to slip past him.

Phoenix adjusted his coat and ran one hand through his spiky hair. He didn't hold anything against the young prosecutor—they'd both been deceived by Kristoph all those years ago. It was just still awkward, sometimes, now that they were working in the same city again.

“Are you going to see my brother, Herr Wright?”

He paused and glanced back over his shoulder to find Klavier looking up at him from a few steps down. He had his hands jammed in his pockets, and was staring at the bottle tucked under Phoenix's arm.

“He's still allowed visitors, isn't he?” Phoenix asked. Damn, he hadn't even thought to check...just assumed.

Klavier made a face and crossed his arms over his chest. “He won't see anyone.”

Phoenix let the door close and studied the younger man for a moment. “Anyone?”

“Not even me...not even his family.”

Blowing out a sigh, Phoenix leaned back against the railing that ran up the center of the prison's front steps. “Do you know why?”

Klavier's eyes met his briefly before looking away. He was uncharacteristically subdued, with no sign of the flamboyant prosecutor that had made Apollo's first cases so challenging. “He says he doesn't want pity.”

“Pity?” Phoenix frowned. He could imagine Kristoph saying something like that, but there was no way Klavier would actually act that way. From everything Phoenix had heard the younger Gavin still held his older brother in high regard—Kristoph had practically raised him, after all.

“It's his way,” Klavier shrugged.

Phoenix shifted away from the railing and took the few steps to be closer to the young prosecutor. “Are you all right, Klavier?”

Klavier shrugged again. He met Phoenix's eyes for another brief second before looking out over the empty steps and blowing a lock of hair out of his eyes. “He's all I have, Herr Wright. He's never...I didn't want it to be like this.”

With a grimace, Phoenix looked away. It was hard...they'd both been deceived by Kristoph, and they'd both had a hand in making sure he stayed behind bars for good. And while that had been the first steps for Phoenix getting his life back after losing his attorney's license, it had been one final loss on top of a year of losses for Klavier.

“Hey,” he grabbed Klavier's arm as the younger man was turning to leave. “We're, uh...we're having a party. At the office. You should come.”

Klavier stared at him with raised eyebrows. “With Herr Forehead and all the little frauleins? I'm not so sure I'd be welcome.”

“It's not like that,” Phoenix scoffed.

“And what is it like?” Klavier challenged. “Hmm? My brother won't accept your pity so you try to force it on me?”

“This isn't pity!” Phoenix dropped the wine, not caring if the bottle shattered on the ground, and took Klavier's other arm to force the younger man to face him. “This isn't about pity, Klavier. This is about friendship. About family. About being together to...to celebrate what we do have.”

Klavier's head was lowered and his shoulders slumped in Phoenix's grasp. “Herr Wright...”

“You know Apollo and Athena respect you. Hell, Trucy asks about you all the time...and it's not just us who'll be there, Edgeworth's coming.”

Edgeworth. High Prosecutor Edgeworth. Klavier almost perked up at that, glancing up at Phoenix through his bangs.

Encouraged, Phoenix went on. “I invited a few old friends from the police force, and Athena's bringing a couple of students she's tutoring. Maya and Pearl are coming...Larry will probably show up whether I invite him or not...” He knew Klavier didn't know half these people, but something about the thought of the young prosecutor spending the holiday season alone was just unbearable.

Impulsively, Phoenix pulled Klavier into an embrace, right on the steps of the prison. “You're not alone,” he murmured. “You've still got us, Klavier. I know it's not the same, but...please. You've got us.”

Klavier froze for a moment, then his arms came up to wrap around Phoenix. God, when was the last time someone had hugged this kid? “Danke, Herr Wright. I'll try.”

* * *

Larry had finally given up on trying to spike the punch and was by the table with Maya, engaged in an all-out competition to see who could make the most disgusting plate of meatballs. So far Maya was in the lead, Phoenix thought, with her creative use of wasabi and chocolate syrup, but Larry had downed that like a champ and was creating an abomination with tartar sauce, whipped cream, and a jar of pickled onions he'd dug up somewhere.

A knock on the door pulled Phoenix out of his conversation with Edgeworth, and when he opened it he was pleasantly surprised to find Klavier on the other side, holding up a box from the bakery like a peace offering.

“Herr Wright,” Klavier began, hesitantly, but a squeal from behind Phoenix had the older man jumping out of the way.

“You came!” Trucy yelled. She wrapped her hands around Klavier's forearm and tugged him into the room. “We've been waiting—why are you late? I need you on my team for trivia, Athena and her kids are trouncing us and Polly's no good with anything other than nerd stuff!”

There was a protesting “Hey!” from the corner where Pearl was presiding over a game of trivia (currently Trucy and Apollo vs Athena and her students).

“Trucy, let the man take off his coat first,” Phoenix complained as he rescued the bakery box before Trucy's enthusiasm sent it crumbling to the floor.

“Never!” Trucy shouted. “Take no prisoners!”

“But you're taking one now!”

“Never!”

Phoenix dropped the box on the table, wincing as Larry immediately dived into it for an eclair to add to the monstrosity he was about to force-feed Maya, and chased after Trucy and Klavier. “Klavier, quick! I'll distract her and you can run!”

Klavier was already laughing, and he simply shrugged out of his coat as Trucy shoved him down to sit next to Apollo. “No, no, the fraulein's honor must be avenged.”

“Yes! Take that, Athena! We're here for vengeance!”

Phoenix held his hands up in surrender and picked up the prosecutor's coat to drape over the back of the couch with the other winter jackets and retreated.

“I didn't realize your parties would be so...enthusiastic, Wright,” Edgeworth observed when Phoenix returned. His expression was carefully controlled as usually, though a muscle in his cheek was twitching as he watched Maya take a big bite of Larry's disgusting meatball-and-eclair combination.

“Yeah, well,” Phoenix shrugged. “Sometimes family's like that.”

Edgeworth snorted, though Phoenix was pretty sure that was just to cover a gag as Maya swallowed down the last bite of Larry's creation. “Indeed.”

Phoenix smiled, looking from where Maya was triumphantly pulling a jar of Vegemite out of her pocket (to Larry's horror) to where Trucy was pumping both hands in the air in victory at Klavier's first correct trivia answer. “Yes, indeed.”

* * *

(The Ace Attorney series is the second of my top three video game series that I’m writing for. There was some headcanon here, but I hope you enjoyed it!)

Next Time: Warmth - “Yes, of course. Because a cold nose to the jugular is such a renowned aphrodisiac.”

* * *

Day Two - Master List - Day Four

#ace attorney #fanfic #phoenix wright #klavier gavin #trucy wright #miles edgeworth #kristoph gavin (mentioned)#Christmas #friendship #post-dual destinies #angst #klavier needs a hug #twelve days of fictmas 2020

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letapollojusticesayfuck · 3 years

Note

💎⛰️🎢☀️📜✏️⭐📣🔦 for currents & 💡 for the scurvy fic. i need to know.

sparrow that’s. so many. (but you’re asking me to talk about currents and I am always looking for a reason to talk about currents so. Thank You)

(also, obvious spoilers under the cut for undeniable you (the currents pulling me onward so. if you care about that you might want to read the fic first)

💎- What was your favorite part?

I’d probably say...the beginning of chapter 7? Where it’s immediately post-trial and Klavier and Apollo are just so tired and at loose ends and they go and sit on the courthouse steps and talk. I basically wrote the entire fic in order to write the last 4 chapters--the emotional aftermath of the trial, but I had to write the trial first so it would have context.

⛰️- What was the hardest part?

Figuring out the whole Gramarye Siblings situation, for sure. Because--the thing is that canon isn’t entirely cohesive on who did what when. I did a ton of research by perusing the wiki and taking notes on Jove, Thalassa, Magnifi, etc--and then I kind of just decided that if there was no coherent canon timeline, then I didn’t need to stick to it--and made as much of it up as I felt was necessary.

🎢- Were there any scenes you were nervous about? For audience reception or otherwise?

With every single courtroom scene, I was worried that it would be super boring or wouldn’t live up to the games or that all of the arguments I used would be Wrong and Bad? also this isn’t unique to currents but every single time I write a kissing scene I worry that it’s going to be bad

☀️- Was there symbolism/motifs you worked in?

A little? If anything, I was trying to emphasize the symbolism and Themes that I felt the canon games after AA4 didn’t utilize at all--like, I deliberately used Apollo flying across the ocean after hearing about Klavier as a parallel with Edgeworth flying across the ocean when he heard something happened with Phoenix, and obviously the “POV defense attorney defends rival prosecutor” is a deliberate parallel with 1-4. I guess Klavier’s hair might be a bit of a motif but that’s mostly because I think it’s pretty and less of a deliberate choice lmao

📜-Do you want to write something like this again in the future?

Depends! I would maybe write another casefic if I had a really good concept for one, sometime In The Future (because they are So Annoying to plan)--but as for multichaptered fics, I definitely want to write another one sometime. I just need to have a Good Idea and the motivation to stick with it--currents was written mainly out of spite at the dropped plot threads from AA4 and my determination to resolve a bunch of them and also further my Klapollo Agenda.

✏️-Would you go back and change anything if you could?

At the moment, I don’t think I would--but if you asked me again in a year or so, I probably would change things. I still want to write a series of oneshots in the currents universe--stuff focusing on characters we didn’t see enough of, like Trucy and Phoenix; and Kristoph pre-fic; and Phoenix and Miles; and Klavier and Apollo after everything

⭐- What’s a scene/paragraph you’re proud of?

“We can’t dwell too much on that part. But one more thing—if they planted the nail polish back then, and the powder in the mortar and pestle—how could they be sure you wouldn’t...accidentally…”

Apollo trails off, but they both know how that sentence ends. Klavier shudders.

“I almost never use that thing, anyway—it was a housewarming gift, and I’ve only ever been ambitious enough to grind my own spices about twice. Otherwise, it’s just easier to use the stuff in jars. I guess they must have known that, somehow? Either that, or...it didn’t matter if…”

“So, they’re someone who either wanted you to be found guilty for a murder you didn’t commit, or didn’t mind if you were poisoned by accident—and who probably works for that dogsitting company,” Apollo murmurs, pulling out his planner and jotting down a few notes. On the other side of the glass, Klavier sighs, tilting his head so that his fringe obscures his eyes.

“I wonder...if they’d gotten me, accidentally...would they still have killed Kris? Or would they have been satisfied with just me?”

The question is nearly inaudible, but Apollo looks up sharply, staring at Klavier.

“You think they killed him just because...it would hurt you?”

Klavier shifts, meeting Apollo’s eyes. “What would be the point, otherwise? Vengeance? Apollo, who’s left alive that would need to enact revenge on him? He was already on death row—what does this accomplish, besides hurting me?”

As much as Apollo tries, he can’t come up with an answer.

I don’t know if I can think of too many specific scenes I’m proud of--but I really do like this one, because I think it shows Apollo’s pragmatic side--trying to solve the murder mystery, pushing his emotions aside when he can--while illustrating Klavier’s attitude of “usually I would brush this off but we both know this premise is a little wonky and this isn’t adding up.”

...that might not have made sense, I’m not always the best at analyzing my own writing. I just throw words at the page and what happens, happens.

📣-What was the best piece of encouragement you got?

It’s cheesy, but everyone who commented on each chapter was an invaluable source of encouragement? like, the absolute best feeling in the world was posting a new chapter and then seeing all the comment notifications come in, and spending the rest of the day replying. I’d written 6 chapters before I posted the prologue, but having people give me their reactions to each chapter really was the most important thing that made me keep going <3

🔦-Did you learn anything while writing it? About yourself? Writing?

I learned a lot about How To Write A Murder-Mystery--first and foremost, that it involves so much planning. And I maybe had to spoil the ending of AA6 entirely for myself--fun fact, I still haven’t finished the game, I’m stuck on Trial Day 1 of the Maya case (because I’m Tired, okay?). About writing and myself--I learned that I definitely need a deadline, and that using external “word count goal” tools is pretty essential for me if I want to write anything longer than a oneshot.

For The Scurvy Fic:

💡-What was the motivation behind the story?

okay SO. There was a conversation going on in a Klapollo discord server. Somehow we ended up talking about Klavier and/or Apollo being cheapskates. I think I mentioned something about Klavier surviving entirely on ramen noodles because they’re cheap? and then it devolved into a conversation about how they’d totally get scurvy if they did that. And I started thinking about how Klavier and Apollo are inherently pretty competitive, and how they’d totally just get into a stupid bet and be so stubborn that they wouldn’t back down, because they have to Prove A Point, even if they get scurvy from their awful diet of Whatever’s The Cheapest. And then...Scurvy Fic Happened. (along with the Other scurvy fics, because there’s Three of them!! I was just the only person who went with the obvious title).

Thank you for the ask!! Hope this was...enlightening??

#ask #asks #thank you!!#ask game #aa currents #exitcorners

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soveryanon · 4 years

Text

Reviewing time for MAG181!

- Little nice touch: the fact that time was passing normally inside of the house… immediately felt through the sound of the clock in the background, marking the passage of time:

(MAG180) SALESA: [SAD SIGH] [SILENCE BUT FOR CLOCK TICKING IN THE BACKGROUND] ANNABELLE: I did say this might happen. SALESA: You did, you diiid. Well… so much for my big reveal… Shame.

(MAG181) [CLICK–] [CLOCK TICKING IN THE BACKGROUND] [CLASSICAL MUSIC IS PLAYING; LOUIS SPOHR’S “SECHS DEUTSCHE LIEDER FÜR EINE SINGSTIMME, KLARINETTE UND KLAVIER, OP. 103: N°2 ZWIEGESANG”] [SOUNDS OF CROCKERY AND LIQUID BEING POURED] SALESA: Hmmm.

(I still have the reflex of associating the sound of a ticking clock with Elias’s office, so I was expecting Big Talk from the get-go! Aaah, I wonder if we’ll “hear” Elias’s office again, before the end…)

As they discussed, time was quantifiable again, existing outside of Jon&Martin (even when they were sleeping), not solely as events succeeding to each other. … On the other hand: it’s concerning that the tape’s case number was still “########-21”: time passes and is quantifiable on a day-to-day basis, Martin was able to conclude that it was daytime thanks to the light, but there was still no date inside of the house. It’s a “little bubble” of normalcy and time, but still existing in the middle of a chaos.

- In the same vein as last episode it was also neat how we could already understand that this space was operating differently, since Jon&Martin needed to physically take care of themselves again:

(MAG180) SALESA: Ah, well. We can talk after they’ve slept, I suppose. Urgh! And had a bath. And some food. No rush. [SOUNDS OF CROCKERY MOVING] We have all the time in the world.

(MAG181) [CLICK–] [CLOCK TICKING IN THE BACKGROUND] […] SALESA: Come in! Did you sleep well? Have you had something to eat? Annabelle said she’d shown you the pantry? [SALESA CEASES THE MUSIC] ARCHIVIST: [UNCOMFORTABLE] I, er… We… slept. I, I don’t know… H–how long’s it been? SALESA: About seventy-one hours by my clock. […] Come on, sit down, have a drink. [CLINKING SOUNDS OF GLASS AND ICE] MARTIN: You’re… sure? What time is it? I– Oh, huh. Huh! I can actually ask that question here! SALESA: You can indeed. MARTIN: And the sun’s high, so… SALESA: Good eye…! Martin, was it? MARTIN: Uh, uh… Yes. SALESA: Well Martin. It’s about ten in the morning, more or less. […] You’re sure you won’t have a drink? We definitely had some tea around here somewhere. MARTIN: Uh, I… already had some, thank you, uh! Some of us know how to be polite guests. ARCHIVIST: [SHARPLY] I don’t intend to accept anything offered by Annabelle Cane.

They slept, drank and ate! (But did they bathe. We don’t know if they did bathe. Though, Salesa would have probably commented on it again, if they didn’t.)

And on the one hand, I’m laughing really hard that they needed to sleep for three whole days to compensate for time spent in the apocalypse (that’s a long nap.), on the other hand… that’s weirdly optimistic for the rest of humanity trapped out there: I was fearing that if Jon&Martin managed to turn the world back, everyone would just collapse and die on the spot from exhaustion/hunger/thirst but, no, it seems like they could recover in this case?

- More on the differences between Jon and Martin later, but I like how it was quickly clear that Jon was less in control than his usual, and very aware of it: Jon was “disorientated”, his sentences were more hesitant, while Martin was quick to notice things, bouncing off from Salesa’s or Jon’s sentences, able to make small jokes. I loved and got sad over the Beholding one, since:

(MAG181) SALESA: How’re you feeling? MARTIN: [BLOWING AIR] ARCHIVIST: Disorientated. It’s like, hum… li–like I’ve lost my sight o–or, uh… SALESA: Well, you have, haven’t you? [HE CHUCKLES. IT ISN’T THE FRIENDLIEST SOUND] Annabelle tells me you work for “The Eye”. [PAUSE BUT FOR CLOCK TICKING IN THE BACKGROUND] ARCHIVIST: … Well, I–I wouldn’t exactly say I, I “work” for it… MARTIN: Uh… Well, I–I mean, you say that, but when you stop to think about it, it was literally our employer, Jon, so… Mmh! ARCHIVIST: I, I suppose.

They were actually talking about two different levels, each correct in his own way? Back in season 4, Martin had already pointed out to Jon that working in the Archives meant working for Beholding (MAG129: “I just– I worry. You’re working for someone… really bad!” “Yes, I’m not an idiot, Jon, but it’s no… worse than working for something really bad, so…” “At least, The Eye hasn’t gone after our own. Lukas has vanished two people!”); but on the other hand, Jon… has tried to distance himself from The Eye and what he wanted (by stopping to take live statements, by refusing to indulge in any contentment induced by the apocalypse, by deciding to stop the smiting spree): “working for” is both true (as a neutral stance, since they were tricked into working for Beholding through the Archival contract) and wrong (“working for” also implies some level of active participation?). It reminds me of Melanie’s stance about it (MAG150: “I didn’t say I was going to quit. I said: I’m not going to do my job. No researching; no filing; no… field trips. Nothing that is going to help the Institute in any way. […] Because this place is evil, Jon! And so… doing this job… Helping it out… even in small ways, i–is in some way… evil too! Every time we try to use it to do good, it just seems to make everything worse, and… and I will not be a part of that anymore. […] If I’m… just another cog, er… Maybe I can’t leave the machine, but from this moment? I–I–I’m not turning. I’m… jammed.”), and makes me wonder whether Martin and Basira’s ties to Beholding have been more or less protecting them in the apocalypse… Basira said that she thought she had been protected from the first wave because she was in the Institute, and Jon told her he couldn’t ensure her safety if they went their separate ways, and it didn’t prevent Daisy (who had been bound to the Archives by her own archival contract since season 4) from losing herself to The Hunt, but I still wonder if their ties to the Institute will factor in at some point…

- Blowing kisses in Martin’s direction for being a Polite Boy… and also absolutely doing with Salesa what he did with Peter and Simon – he KNOWS how to play older and potentially terrible men like cheap whistles and/or to get information out of them, and how to get them to like him!

(MAG120) MARTIN: W… what… What are you doing here, mister Lukas? PETER: Please, call me Peter. MARTIN: N–no. No, I think I’m okay.

(MAG151) SIMON: Let’s start over. Simon – Simon Fairchild. Peter asked me to look in on you and… have a small chat. Well! A big chat, really. Answer all those… nagging questions. MARTIN: Simon Fairchild. [PAUSE] [NERVOUS CHUCKLE] Wait, “Simon Fairchild” as in… SIMON: As in “all those people who said I did horrible things to them and their loved ones”? Yes. They have been in, haven’t they? I’d hate to think I’m underrepresented in here, not when Peter tells me that that… “bone” fellow has at least half a dozen. MARTIN: N–no, no, [NERVOUS CHUCKLE], not… not at all. Y–you’ve sent plenty of people our way. […] Right. SIMON: Sorry. Too “big” picture? I get that a lot. MARTIN: No, it’s… [INHALE] Thank you. This has… actually been quite helpful.

(MAG181) MARTIN: Uh… Mr.… Salesa? SALESA: Mikaele, please. Come in!

(MAG126) PETER: He managed to convince himself that he could get his ritual off first, which would have made all of this a… bit moot, but that’s not really an option anymore. So it’s down to us. You and me. The dynamic duo.

(MAG151) SIMON: And he’s not at all certain the world as we understand will come out the other side. MARTIN: And let me guess – you think he can’t see the “big picture”? SIMON: [INHALE] I see why he likes you! MARTIN: [SIGH] […] I thought you said that the maths doesn’t work. SIMON: Oh, you are a quick one! […] And this has been fun! [INHALE] Now. [CHAIR SCRAPES ON THE FLOOR] If we’re about done– MARTIN: We’re not. Sit back down. SIMON: Boooold~ [CHUCKLE] [CHAIR SCRAPES ON THE FLOOR] I like it.

(MAG181) MARTIN: Uh… Well, I–I mean, you say that, but when you stop to think about it, it was literally our employer, Jon, so… Mmh! ARCHIVIST: I, I suppose. SALESA: [FRIENDLY CHUCKLES] I like this one! [SHUFFLING] Come on, sit down, have a drink. [CLINKING SOUNDS OF GLASS AND ICE] MARTIN: You’re… sure? What time is it? I– Oh, huh. Huh! I can actually ask that question here! SALESA: You can indeed. MARTIN: And the sun’s high, so… SALESA: Good eye…! Martin, was it? MARTIN: Uh, uh… Yes. […] [SCOFF] In my experience, open books can actually be pretty dangerous…! SALESA: Ha! I do like this one! […] MARTIN: [LAUGHS] So–sorry, sorry! Y–you did look kind of funny, it was… li–like, like you were flunking an exam or something! SALESA: [CHUCKLES] Yes! Exactly that! […] MARTIN: Look, fo–for what it’s worth, I’d, I’d also quite like to know how this all happened? SALESA: … Fine. I’ll tell you how it happened. But you must sit quietly while I tell it.

I love Martin’s ability to get what he wants by weaponising his politeness/social niceties/a sense of familiarity.

- How Dare You, Salesa.

(MAG181) MARTIN: [SCOFF] In my experience, open books can actually be pretty dangerous…! SALESA: Ha! I do like this one! [SOUNDS OF CROCKERY BEING PUT DOWN] Now you mention it, you actually remind me of Jurgen a bit. In his– MARTIN: Ah, uh… SALESA: –younger days of course.

That was SO RUDE (who, in their right mind, would like to be compared to Leitner), and:

* Martin’s comment was quite interesting given that he never got directly involved with a Leitner, unless there is a Secret Story incoming from the time he worked at the Institute library, before the start of the show? But statements-wise (the ones Martin recorded, at least), the “DIG” book from MAG088 hadn’t been identified as such… and Martin had however speculated that Dexter Banks’s book, destroyed by Alexia in MAG110, was “a Leitner”. And it was a Web one.

* Not a direct experience, but he witnessed someone use one:

(MAG158) MARTIN: … That’s a Leitner. PETER: It is! MARTIN: And the, hum… the blood on it? PETER: That’s Leitner too! MARTIN: … Riiight… PETER: Do you want to see how it works? MARTIN: Uh, n–no; no, I’d really rather you didn’t mess it up– PETER: No, I insist! Watch. [SILENCE] MARTIN: Very impressive. PETER: I’m reading. Shush.

… And had been the one to discover the body of Leitner himself, alongside Tim, at the end of MAG080. Martin, especially Martin, wouldn’t want to be compared to Leitner given how he lived his life and how he ended.

* “In my experience, open books can actually be pretty dangerous” says Martin, who WANTED TO TOUCH THE BOOKS:

(MAG113) MARTIN: Ooh! Ooh! There’s a book in this one. ARCHIVIST: [HASTILY] Don’t…. touch it! MARTIN: Ooh… OH! Right. Yes. ARCHIVIST: Let’s… not touch any books we don’t know. MARTIN: Right.

(The books, and the plastic explosive. Arsooooon!)

- … So, Martin hadn’t had a direct first-hand experience of how dangerous ~open books~ could be, but meanwhile, someone who had a direct encounter with a Web one withdrew from the exchange and only chirped in when prompted, and to be distrusting of the Spider person. Jon wasn’t having a perfectly excellent time at the moment, uh?

(MAG181) SALESA: You’re sure you won’t have a drink? We definitely had some tea around here somewhere. MARTIN: Uh, I… already had some, thank you, uh! Some of us know how to be polite guests. ARCHIVIST: [SHARPLY] I don’t intend to accept anything offered by Annabelle Cane. MARTIN: [SIGH] SALESA: Oh, you know Annabelle? [SILENCE BUT FOR CLOCK TICKING IN THE BACKGROUND] ARCHIVIST: … Sort of. You do know she’s part of The Web? SALESA: [SARCASTICALLY] No? I assumed the thread holding her head together was due to a childhood knitting accident! [CHUCKLES] MARTIN: Ha!

* … I’m REALLY, REALLY, ABSOLUTELY NOT SURPRISED that Jon, especially Jon, would want to avoid any “gift” from a Spider-person, given how 1°) he read enough statements about Hill Top Road to know that Raymond Fielding was making the teenagers eat apples full of spiders to turn them into eggs sacks (don’t accept the Spider’s food!), 2°) it mirrors guests bringing gifts to Mr Spider in the hope of not getting devoured. Was Jon internally panicking during their stay, fearing that Annabelle would take Martin like Mr Spiders had taken the gifts and the people bringing them, including Mr Horse’s son…? (I doubt that Martin made that “guests” comment on purpose; I’m still not sure he knows the details of Jon’s childhood encounter with The Web? He knows that Jon hates spiders and is wary of them, that he has suspicions about Annabelle Cane, but did Jon tell him the whole story about the book?)

* … However, that brings to mind the lighter again: Jon “I don’t intend to accept anything by [Web-related individual]” has kept the Web-design lighter since he realised it had been delivered to him in MAG036, had been unable to question it when prompted by Gerry (MAG111) and Daisy (MAG136), complete with static-indicating-that-something-supernatural-was-going-on in the latter case… So, hum. Jon, your lighter. Think about your lighter, Jon. Was it a gift, and for what, Jon. Is it a 100% Web-flavoured gift, or is there a bit of something else (Desolation, Agnes) in that one making it more acceptable, Jon.

* Uh, so quite strangely, we got confirmation that Annabelle does look like the description we previously had of her, with her head injury:

(MAG069, Darren Harlow) “With a sudden, unexpected motion, he charged at her and slammed his full weight into her side. The attack took her completely off guard and she fell hard against the edge of the broken window, the side of her head making a god awful crunching sound as it hit. […] I looked at the crumpled form of Annabelle Cane just as it started to get back up. I could see the side of her skull had been caved in, and beneath the wet mess of blood and bone, I saw a mass of dull white cobweb.”

(MAG123, Angie Santos) “As he told it, she was young, rail-thin underneath an oversized brown hoodie, which she kept pulled up, trying to cover up a network of pale stitches that stretched over one side of her head. […] All through it, she just kept staring at him, hands pressed into the pockets of her hoodie – occasionally pushing long, spindly fingers out against the fabric, smiling to herself.”

(MAG136, Alison Killala) “It was almost six months ago when the woman came to our door. She looked like a film student, and at first I took her for a fan. […] I was about to ask her to wait while I checked with him but as I started to speak, she turned her head, revealing a mass of white thread, criss-crossing all over the side of her temple, standing starkly against the dark brown of her skin. She told me to sit down. And I did.”

… Which is… rather distinctive, so how come Jon apparently got a bit of trouble recognising her immediately when she opened the door?

(MAG180) [DOOR OPENS] [MUSIC CAN BE HEARD PLAYING MORE CLEARLY] MARTIN: Oh. Oh no, uh… [FOOTSTEPS] ANNABELLE: Good morning. ARCHIVIST: [FAINT GRUNT] MARTIN: Uh… Yes… ANNABELLE: Come on in. He’s waiting for you. ARCHIVIST: Oh. And who exactly– MARTIN: J–J–Jon. Jon. ARCHIVIST: What? MARTIN: I think… Hum… Annabelle? Annabelle Cane? ANNABELLE: Come on. He’s very excited, you know. [FOOTSTEPS AS SHE TURNS TO LEAVE] MARTIN: [FAINT GROAN] So, do we… follow or…? [PIANO CEASES] ARCHIVIST: I… I suppose. [FOOTSTEPS] [DOOR CREAKS] [STATIC RISES ABRUPTLY, WITH A GLITCH, AND FADES] ARCHIVIST: Oh… MARTIN: Oh, hum… ARCHIVIST: Oh. [PIANO RESUMES] [DOOR CLOSES] [FOOTSTEPS ECHOING AS THEY GO] MARTIN: [INHALE] [SIGH] ARCHIVIST: So… Annabelle, what are you playing at, what are you doing here?

Was it Jon recognising her but not making a fuss about it? Being so used to relying on his powers that he didn’t even have the reflex of connecting the dots himself? Was Annabelle’s head covered, or was she showing another side of her head?

- Letting The Web do whatever is confirmed as the most popular tactic to deal with it, uh.

(MAG121) OLIVER: Honestly, I’m… still not exactly sure why I’m here. But… you know better than anyone how the spiders can get into your head. Easier to just do what She asks!

(MAG147) ARCHIVIST: I’m sure the flares will work fine. … I mean, un–unless it’s all some… elaborate… plot… to have us… burn this place down again. BASIRA: So what if it is? ARCHIVIST: I don’t follow…? BASIRA: I mean. Anything we do could be part of the “Grand Master Plan”. So – what, we do nothing? Just… sit on our hands, and hope that’s not what the spiders want? ARCHIVIST: [SIGH]

(MAG148) BASIRA: Or that we were being stalked by some freaky spider woman. Don’t tell me you didn’t know about that! ELIAS: Ah, uh, y–yes… W–well… To be honest, I’d… advise you to leave that one – well alone. BASIRA: Oh yeah? ELIAS: Uh! Look, look, look. I’ve… been doing this a long time now and, if there’s one thing I’ve learned about The Web, it’s that it plays its own game. All you can really do is… hope it doesn’t get in the way of whatever your plan is. Because the Spider usually wins…!

(MAG150) ARCHIVIST: O–kay. [SIGH] It’s just… The Web can be subtle, you understand? MELANIE: And? For all you know, its plan is to paralyse you with indecision…! ARCHIVIST: [SIGH] MELANIE: Leaving you… sitting here, terrified that… everything you do is somehow all part of its Grand Plan… And who do you think that fear is gonna feed? ARCHIVIST: Yes, well. [INHALE] You are… not the first, to make that point.

(MAG181) SALESA: Of course I know she’s with The Web. ARCHIVIST: … And that doesn’t bother you? SALESA: Not especially. And even if it did, what good would it do? MARTIN: … Uh, so what’s the deal with you two anyway? SALESA: It’s an odd situation, but not a complicated one. Shortly after I decided to stay here, she arrived; wandered in from the chaos out there and told me she was going to stay with me. I didn’t get this far by pitting myself against The Web, so I welcomed her in. ARCHIVIST: … “And”? SALESA: And sometimes she cooks. ARCHIVIST: She “cooks”? SALESA: I don’t know what you want me to say, it’s a big house and I don’t see her much. Can’t even say which corner she’s made her nest in! Whatever she’s doing… all I can do is hope it doesn’t wreck my little oasis. And if it does… then I hope that by keeping her in good graces, she’ll at least do me the courtesy of killing me first? MARTIN: Mm-mm… SALESA: … Anyway. Let us talk of happier things, or perhaps just take a moment to enjoy not being out there…! […] She keeps… mostly to herself, and when she does talk, it’s usually more of the sinister monologue variety– MARTIN: Ah! SALESA: –or cryptically telling me I’ve got “guests”…! […] ARCHIVIST: I… It’s going to be difficult to relax, with a spider lurking around. MARTIN: [SIGH] SALESA: … It gets easier with practice.

I mean, as mentioned by Salesa, there is still the risk that Annabelle will kill him or make him suffer worse, and has just been using him for her own goals… But also: not worrying about it means not feeding The Web? Unlike Jon, who spiralled so heavily into paranoia during season 4, worried about being trapped in The Web’s plans, about being potentially influenced and threatened by it.

I love how Salesa depicts Annabelle’s arrival and behaviour towards him: it’s… absolutely spider-like? She entered the house, made herself at home (she even has a “nest”), and gets rid of the insects. She had told Martin&Jon that Salesa was waiting for them:

(MAG180) ANNABELLE: Come on in. He’s waiting for you. […] I’m just helping out around the place a little bit. Making myself at home. You know how it is. MARTIN: … Jon, I don’t like this. ANNABELLE: You can relax, Mr. Blackwood. You’re safe here. […] Well. There you go, then! Just in here. [OPENS THE DOOR] Your guests are here, Mikaele. [PIANO CEASES] SALESA: Hoo-hoo-hoo! Excellent! Come in, come in! Ah, a pleasure to meet both of you. Thank you, Annabelle! ANNABELLE: You’re quite welcome. [PIANO RESUMES] Have fun.

… but it was initially her who just Informed Salesa That Yep, He Has Guests Coming, Lucky You, and Salesa rolled with it.

- On the one hand, Salesa is going with the flow hoping that Annabelle doesn’t intend to make him suffer much even if she needs/wants him dead, and sounds pretty rational about it… But on the other hand, OOFT, BIG RED FLAG that Salesa, who sounds like his situation is still on his terms… was and is at the same time shown as a heavy drinker, who could potentially die from over-consumption:

(MAG141) FLOYD: He was drunk for the next two days, and we kept sailing on towards Cape Town. We no longer had anything to deliver there, but no-one was really sure what else to do. Whenever there’d been similar disasters before, Salesa was quick to make a new plan, let Captain Gaultier know what the next steps were. It was one of the reasons the crew trusted him so much. He just always seemed to know what we needed to do next. This time, though… felt different. He was distant, quiet. His words, when he spoke to you at all, were blurred with alcohol and regret. Nobody knew what the plan was, so we just kept going.

(MAG181) SALESA: Well Martin. It’s about ten in the morning, more or less. [PAUSE BUT FOR CLOCK TICKING IN THE BACKGROUND] MARTIN: … And you’re drinking. SALESA: Of course! Even in my little bubble of peace, I find drinking after dark leads to some rather morbid thoughts. […] And when I realised that the power moves with the camera, well, hm!, let’s just say I loaded up a truckload of supplies and went on some journeys of my own, before I found… this place. [MORE CLINKING GLASS AND ICE] No reason to not live the apocalypse in style…! [STIRRING NOISES] In the end… I find myself quite happy. I’ve supplies, for a good few years, and then I… plan to take my own life. I think perhaps that’s the greatest blessing the camera can bestow: I – can – die – here. Escape this place. Not yet, of course; and maybe the wine will do me in before I have to take matters into my own hands, but still… it remains a comfort. Anyway, no more stories, I think. Let us relax, and talk, and drink […].

Which. Is self-destructive on its own, and clearly indicating that Salesa hasn’t been quite as fine as he likes to pretend (assuming his role, hiding himself behind it with his friendliness and knack for stories), but also concerning when associated with Annabelle’s presence:

(MAG147, Annabelle Cane) “Looking back, of course… and remembering the crunch of used syringes beneath my feet, I realise that addiction… is one of the strongest vectors of control there is.”

We-oops.

- Did Annabelle gossip about Jon&Martin here and there?

(MAG181) SALESA: Annabelle tells me you work for “The Eye”. […] Your powers won’t work here, Jonathan Sims, Head-Archivist-of-the-Magnus-Institute-London! The Eye can’t see this place…! […] You know, Gertrude once used that little trick to ask if I was trying to sell her a forgery? Admittedly I was, so I don’t hold a grudge; but I didn’t much care for the experience. Anyway.

He knew about the compulsion from Gertrude, as well as the nightmares induced by giving a statement (MAG115: “So I suppose if it’s a statement you’re wanting… it’s no inconvenience to me. I don’t sleep well anyway.”), Annabelle apparently introduced Jon&Martin a bit (and had warned him that they would pass out when entering his “little bubble”)… but what about Jon’s title as “Jonathan Sims, Head Archivist of the Magnus Institute, London”? It was Jon’s way of introducing statements from season 1 to 3, not Gertrude’s (“Gertrude Robinson recording.”)

Did Annabelle make him listen to a few tapes? Specifically the ones about Salesa? Or did she report the way Jon used to introduce himself, a lot, to the point of Salesa internalising it as a way to chide and make fun of Jon?

- Oh JON…

(MAG181) ARCHIVIST: What is this place, how did you find it? SALESA: [SLIGHTLY CURT] I didn’t find anything. I made it. ARCHIVIST: [COMPELLINGLY] Tell me what happened. SALESA: … “No”. ARCHIVIST: I– Uh… Wh… Wh–what? SALESA: [DEEP AND LONG CHUCKLES] The look on your face! [CHUCKLES] Look, he’s so confused! MARTIN: [LAUGHS] ARCHIVIST: Martin! MARTIN: [LAUGHS] So–sorry, sorry! Y–you did look kind of funny, it was… li–like, like you were flunking an exam or something! SALESA: [CHUCKLES] Yes! Exactly that! MARTIN: [CHUCKLES] SALESA: Your powers won’t work here, Jonathan Sims, Head-Archivist-of-the-Magnus-Institute-London! The Eye can’t see this place…! [SILENCE BUT FOR CLOCK TICKING IN THE BACKGROUND] ARCHIVIST: … So what now? SALESA: Ah, no need for the suspicion, I’m not going to hurt you…! You’re quite safe! I’ll tell you soon enough; like I said, I have no secrets. But it will be… in my own time. ARCHIVIST: … Right. SALESA: You know, Gertrude once used that little trick to ask if I was trying to sell her a forgery? Admittedly I was, so I don’t hold a grudge; but I didn’t much care for the experience. Anyway. For now, just relax, and no doubt I’ll get there eventually; I haven’t had anyone to talk to properly in months! MARTIN: I thought… What about Annabelle? SALESA: She keeps… mostly to herself, and when she does talk, it’s usually more of the sinister monologue variety– MARTIN: Ah! SALESA: –or cryptically telling me I’ve got “guests”…! MARTIN: Uh…! Yeah, that sounds familiar. ARCHIVIST: I’m trying to be less cryptic…! MARTIN: I know, I know.

* That was incredibly rude of Jon, technically, so I laughed altogether with Salesa&Martin! Jon… is not used to people refusing to answer anymore, uh? But, on the other hand: YIKES that Jon is not used to people refusing to answer him and that he would try to rely on his compulsion… on someone who had been pretty chill and friendly so far, and wasn’t actively hiding anything or saying that some topics were forbidden. Jon was cut from The Eye in there, so it’s really… him, and him alone, who still has the reflex to ask / order people to give him an answer? It’s him and him alone trying to rely on his powers to gain control of a situation, when said powers weren’t currently influencing him? He wasn’t asking/ordering for The Eye or pushed by The Eye? I wonder if the few days he spent in the house helped him a bit to think about the habits he grew as Archivist, what had become a reflex that he had to let go of…

* Keyboardsmashing over Salesa cheerfully explaining that Gertrude had compelled him to check if he was trying to swindle her, and that he was, so he found it fair. Though, “I don’t hold a grudge”: he might have been a bit more pissed at the moment? I remember his MAG115 statement, where he was clearly annoyed and frustrated and toying with her, after one of his artefacts caused damage in the Institute – I like the permanent ambiguity, in Salesa’s words, making you wondering if he’s absolutely sincere… or “playing his role” of the good-natured and jovial merchant, who does awful things but is above feelings like regrets, heartbreaks or annoyance. There is definitely a bit of unreliable narrator vibe to his whole persona?

* Sarcasm was through the roof, tho (Annabelle’s knitting accident, Jon’s face when failing to compel, Annabelle being cryptic), but AHAH for Martin joining him – he’s getting to see many new deluxe Jon faces! (Pretty sure Martin must have found Jon’s bewilderment super cute?)

- I love how Martin can be laughing and the instant afterwards be firm about words that could cross a line:

(MAG181) SALESA: So what’s it like out there? I assume the Archivist must be a rather… powerful position, since you seem to be travelling through it pretty freely? ARCHIVIST: It’s, uh… Uh… Hum… MARTIN: … Jon? ARCHIVIST: Uh, sorry, I–I just, uh… Hmm. MARTIN: Uh, i–it’s bad. Really bad. [SIGH] It’s, it’s all carved up between the powers, and everyone has just been, sort of… scooped up and chucked into their deepest fears, it’s just… it’s just nightmare after nightmare after nightmare, and… I… uh… Why are you smiling? SALESA: I’m sorry. You’re quite right, it’s inappropriate. It’s simply… [INHALE] I have spent the last decade preparing for this to happen. Not just something like this, but almost exactly this situation. There was every chance, in fact, the great likelihood… that I was wasting my time, and throwing away years of my life on a ridiculous precaution. But I was right. I. Was. Right. … And now here I am, safe, warm and comfortable while out there the whole world screams! I don’t mean to sound… uh, uh, a–as if I’m happy that people are suffering– MARTIN: Good, ‘cause it does sound a bit like that. SALESA: … Then I apologise. I’m just not sure I can fully communicate the sense of… of vindication that I feel, all those long nights I spent wondering if I was paranoid or overreacting. But no! I am here. And I am safe. MARTIN: [SIGH] I mean… I guess that makes sense?

* So, unlike other avatars, who were able to tell on sight that Jon had a “powerful position” in the new order, Salesa deduced it from facts! That was a nice touch.

* … Worried over the fact that Jon… didn’t seem able to describe the apocalypse spontaneously. Was he trying to “know” about it from inside the house, once again hitting a blank wall, just like when he tried to compel Salesa? Has he lost the habit of just… storing, remembering and using information regarding what he experienced? It’s interesting that there was no static at all during the whole exchange: Jon was indeed unable to use his powers there.

* LOVE HOW QUICKLY MARTIN REACTED when he saw Salesa’s reaction; Martin was probably gauging him? He had been quick to ask for smiting (and was even planning for the possibility when they were at the door of the house), so… did Salesa dodge a bullet. (Martin, please.)

* Salesa has been shown to be quite prideful, uh? “I made it”, “it will be… in my own time”, “I was right”… (And I can’t tell whether he’s absolutely sincere about that pride! Is it, genuinely, an absolute comfort, or is he grasping at straws because what’s the point of being right when you’re alone and basically waiting for your death with a few luxuries?)

- So, confirmation that Annabelle does know about their journey! It was rather obvious but technically… we didn’t know for sure, since Martin had bullshitted a bit when reporting her words to Jon:

(MAG166) MARTIN: Just, what do you want? ANNABELLE: I want to help you, of course. [SILENCE] MARTIN: … No. Thank you. ANNABELLE: It’s a hard place to find yourself in, maybe I can be of some… assistance…! MARTIN: You can assist me by giving the… “creepy phone” thing a rest…! ANNABELLE: He is more powerful here than he’s ever been, isn’t he? [PAUSE] And you’re not sure what that means for you. MARTIN: [INHALE] I’m hanging up now. ANNABELLE: Does he even need you at all?

(MAG167) ARCHIVIST: Help us with what? MARTIN: ‘xcuse me? ARCHIVIST: Annabelle, help us with “what”? Our–our, our journey, killing Elias, vanishing the Entities – what? […] So. What did Annabelle say? MARTIN: She offered to help, but she didn’t say what with; she… asked us where we were going. I didn’t tell her, but… [SNORT] it was pretty obvious she had a good idea.

(MAG181) SALESA: So what of you two, what, what, wh–where are you going? You seem to be travelling with some purpose…! ARCHIVIST: Did Annabelle not tell you that? SALESA: She said you were travelling to the Tower, the, hm, “Panopticon”, she called it? Whatever that might be; she didn’t say what for. [SUSPICIOUSLY] Nothing that might cause me trouble, I hope? MARTIN: We’re going to try and end this. Turn the world back. ARCHIVIST: Martin…! MARTIN: Wh–what? Okay; maybe he can help. We could use some support and it’s, it’s not like he wants the world to stay like this either! SALESA: You are right. To a point. [INHALE] I would welcome a return to the real world. Eh! To be the only man to weather the greatest disaster in history of reality, utterly unharmed… What an achievement that would be, quite the boast! But alas, no, [INHALE] I can’t help you. MARTIN: What? Why not? SALESA: I have nothing to offer. Well, except perhaps some… basic provisions. I have food, drink, a few luxuries, but none of that would help you out there, and I’m certainly not going to follow you. No, I think the best thing I can do is to welcome you to stay in my sanctuary as long as you wish…!

* Annabelle at least knew their destination already; which means she might have a good eye on the map, and would know that (according to real-world geography) they’re also coming closer to Hill Top Road…? Also: was she expecting them to change their mind about their initial plans to turn the world back? Or did she not tell Salesa because she assumed it was doomed already, or in order to not worry Salesa too much?

* … I keep hearing Salesa and going “Welp, that’s someone who is VERY depressed and also good at hiding it”: the way he jumped with such curiosity and passion on Martin&Jon’s current journey, the fact that they had a “purpose”? It feels to me like someone who currently doesn’t have any, is missing company, and wants to hear about anything that could manage to break his routine.

* Martin had mentioned with Helen already that they were lacking allies, and he&Jon just separated from Basira… So he really craves any help they could get, uh… AND AT THE SAME TIME: Martin is very good at weaving truths when he’s trying to manipulate people; he did that with Elias to make Elias accept (/feel like he had decided) that Martin would stay behind at the Institute in MAG116, he did that with Peter all through season 4 (believing in The Extinction, wanting to stop it… but also, loathing Peter and refusing to serve his plans)… so was he trying to do the same with Salesa, sneaking into his good graces and pretending to be absolutely transparent, nothing to hide sir!, before evaluating whether Salesa was a threat to be disposed of or just harmless?

- … So, Annabelle had been there for at least a month, so she definitely banked on them finding this place on their way… or did she find ways to influence their journey in order for them to walk by the house…?

(MAG181) SALESA: It’s an odd situation, but not a complicated one. Shortly after I decided to stay here, she arrived; wandered in from the chaos out there and told me she was going to stay with me. I didn’t get this far by pitting myself against The Web, so I welcomed her in. […] ARCHIVIST: … Alright, I… [INHALE] I guess we can stay. Just for a bit. SALESA: Excellent, ah! I haven’t had guests since the world ended. ARCHIVIST: [FLAT] Lovely. SALESA: Oh, saying that, I suppose there was that insect thing that stumbled in here a month or so back… MARTIN: Oh, uh, uh, in–“insect thing”? SALESA: Some creature of the Crawling Rot. Anyway, it didn’t actually make it into the house before Annabelle managed to get rid of it. So, I refuse to count it as a guest. MARTIN: Mmm. ARCHIVIST: I suppose that makes sense…! SALESA: Of course, I can’t actually stop things crossing the border into my hideaway, as you both discovered. Another reason I’m content to leave Annabelle to whatever schemes she might be weaving.

Or did she influence Salesa in taking residence there? The fact that he would be there and that Jon&Martin would come close enough for Jon to notice that the whole area was weird (and that they both agreed to take a look) is… a lot of coincidences. Jon “baited” Basira when they were close enough, and they then hunted Daisy; and as for Helen, she has been explicitly following them – those weren’t coincidences, but intended. On the other hand, the current layout is a bit more suspicious?

… It also takes us back to the start, for a Web-affiliated person to go against a Corruption-thing. We had witnessed this since season 1: spiders attracted by worms because they’re food (as Martin suspected in Carlos Vittery’s building), a spider warning Jon of the incoming Prentiss attack (end of MAG038), big spiders eating worm corpses in the tunnels under the Institute…

(… Salesa mentioned that Annabelle was cooking, WHAT IS SHE COOKING. DID SHE COOK THE CORRUPTION THING… DID SHE FEED THEM ALL WITH THE CORRUPTION THING…)

- Aaaaah, I’m having so many feelings over Jon asking so many questions and being so curious!!

(MAG181) ARCHIVIST: What is… this place? SALESA: I just told you. It’s my little bubble. My silver lining on an otherwise cloudy day. ARCHIVIST: [HUFF] That’s not an answ– SALESA: Now tell me […]. ARCHIVIST: … So, you wouldn’t mind answering a few questions? SALESA: [SIPPING FOLLOWED BY CONTENTED SIGH] … I am an open book. […] ARCHIVIST: What is this place, how did you find it? SALESA: [SLIGHTLY CURT] I didn’t find anything. I made it. ARCHIVIST: [COMPELLINGLY] Tell me what happened. SALESA: … “No”. ARCHIVIST: I– Uh… Wh… Wh–what? […] How big is your safe zone, is it… is it always the same size? H… How did this happen? SALESA: [CHUCKLES] Look at him! Not three days without his master spooning knowledge into his head, and he can’t bear it! I thought ignorance was meant to be bliss? ARCHIVIST: [FRUSTRATED SOUND]

Same as last episode, that was Jon! It was Jon being himself and curious… Georgie had pointed out that it was Jon’s personality (MAG093: “If your job is asking questions, I mean. You were always the one who pushed too far, and asked smart-arse, awkward questions. I always was surprised you never got punched.”), even before the influence of The Eye – and now, we have the additional dimension that Jon might have grown a bit too accustomed to, indeed, Knowing things, and to getting people to answer him whenever needed or desired… But still. It feels like he was back to his roots?

(And Salesa was doing his best to frustrate him, cutting him off or commenting on it, pfft.)

- While Jon was more pressuring and blunt, I’m reeling over Martin who sugarcoated his approach a bit (joking with Salesa, sometimes agreeing with him or not antagonising him too much while having clear limits)… and got Salesa to give up his story:

(MAG181) SALESA: Of course I know she’s with The Web. ARCHIVIST: … And that doesn’t bother you? SALESA: Not especially. And even if it did, what good would it do? MARTIN: … Uh, so what’s the deal with you two anyway? […] Mm-mm… SALESA: … Anyway. Let us talk of happier things, or perhaps just take a moment to enjoy not being out there…! You are, of course, welcome to stay as long as you like. MARTIN: Uh, that’s… very generous…! […] I thought… What about Annabelle? SALESA: She keeps… mostly to herself, and when she does talk, it’s usually more of the sinister monologue variety– MARTIN: Ah! SALESA: –or cryptically telling me I’ve got “guests”…![…] I am here. And I am safe. MARTIN: [SIGH] I mean… I guess that makes sense? […] SALESA: No, I think the best thing I can do is to welcome you to stay in my sanctuary as long as you wish…! MARTIN: … Oh, well. [EXHALE] Thank you. I–I think we just might. Jon? […] Look, fo–for what it’s worth, I’d, I’d also quite like to know how this all happened? SALESA: … Fine. I’ll tell you how it happened. But you must sit quietly while I tell it. MARTIN: [CHUCKLE] Don’t worry, I have had lots of practice. SALESA: … And you? ARCHIVIST: [DISGRUNTLED SOUND] MARTIN: He’ll behave. SALESA: … My story is not a long one.

(GRUMPY JON WAS SO CUTE… JUST LIKE AN ANNOYED CAT…)

Martin has had experience with Peter and Simon, knows how to be strategical, and it worked. Salesa was clearly craving to give his story, to be the centre of the attention (the main star of the show?), and Martin… played the right cards to get him there?

There was no static, Salesa pointed out that Jon couldn’t use his Eye powers here, Salesa insisted that his statement was on his own terms… but I still wonder if he wasn’t compelled a bit? We didn’t learn much, it had a bit more flourish than our usual (but it’s not unheard of: avatars were shown to be very happy to portray themselves at their best during them), there were some potentially unreliable bits here and there (not unheard of either), but it was also… pretty coherent. Flowing naturally. A long tirade going straight to the points.

Could Salesa have been influenced by Martin? Simon had made it clear that Beholding had compelled him (through Martin) to give him his piece. Or was it… the tape recorder, somehow? It turned on when Jon&Martin were arriving (so, when a discussion would happen), and turned off after Salesa was done:

(MAG181) SALESA: Anyway, no more stories, I think. Let us relax, and talk, and drink, and… not worry about who might be… listening. [CLICK.]

So it was there for Salesa’s statement. Did it compel him?

- I like how we technically didn’t learn much through Salesa’s statement! Well, not much factual info, at least: we already had gotten a recent-ish written statement from him (MAG115, from January 2007); we knew that he had been Leitner’s assistant and had fled when he understood what Leitner was dealing in, that he initially mostly wanted to use his list of clients and had ended up dealing in supernatural artefacts almost coincidentally, that he let (rich) people acquire the artefacts they wanted and too bad for them if they caused them misery, that he was getting angstier between 2011 and 2014, culminating in the last mission to retrieve the camera, and that he had then vanished, presumed dead.

But I feel like we mostly learnt about his personality, in contrast to MAG115 (in which he was a bit more on the defensive, given that the Institute and/or Gertrude was going at him for a Slaughter artefact that had… got out of control) and MAG141, in which Floyd Matharu, who clearly kinda liked and respected him (“He was a good boss.”), had given us another look on Salesa: someone who was tired, who had lost people and was growing tired of this life. I find it really interesting to compare MAG141 and MAG181 since, in this episode, Salesa is clearly putting on a show of his own story:

(MAG141) FLOYD: Once found him pouring over an old photo album. The ship was there in the pictures, but a different captain, different crew. I asked him who they were, and he just looked at me, eyes sunken like he hadn’t slept, and for a second I felt like he was seeing someone else, not me. But then he just shrugged. “Dead now,” he said, “doesn’t really matter.” […] I followed slowly, unsteadily, but got there just in time to see Salesa throw both him and what looked like a blank rug over the side and into the ocean. Then he collapsed against the railing, a look of intense exhaustion passing over his face, and I left him there. He was drunk for the next two days, and we kept sailing on towards Cape Town. We no longer had anything to deliver there, but no-one was really sure what else to do. Whenever there’d been similar disasters before, Salesa was quick to make a new plan, let Captain Gaultier know what the next steps were. It was one of the reasons the crew trusted him so much. He just always seemed to know what we needed to do next. This time, though… felt different. He was distant, quiet. His words, when he spoke to you at all, were blurred with alcohol and regret. Nobody knew what the plan was, so we just kept going.

(MAG181) SALESA: But the years, they wear on you, and as I talked to more and more people versed in that secret world, more acolytes and would-be cultists about “rituals” and “destinies”, I began to come to a conclusion. As the number of people in the world grew, and the amount of fear grew with it, I began to become convinced that it was only a matter of time before one of them… succeeded. Before the world was transformed into… Well. You’d know better than me…! So I began to plan for my… retirement. I spent most of my fortune preparing. Some on supplies, but mostly hunting down an artifact that I hoped might give me some… protection. One I had sold right at the start of my career: an old broken camera. One that through some… quirk had the ability to hide you from the Powers…! […] Staging my death was a… comparative, erm, afterthought. In some ways… just a happy accident. And so I waited, and lived out my days in comfort. For the longest time I thought that, well… maybe I had simply entered normal retirement really dramatically! But then… well… I was right.

* “a happy accident”, says the person living with a Web person who knew he was there and threw Jon&Martin at him. (What happened, back then? Why the explosion, why did Gaultier report that they had been “betrayed”? Was someone else after Salesa, or “helped” him hide? If Gertrude was behind the explosion, it would have been mentioned at this point… Was it Annabelle, to ensure that Salesa would be a reliable trump card in the apocalypse?)

* It had been addressed during Arthur and Gertrude’s discussion, and has been a reccurring theme in the series: who really are these characters?

(MAG145) GERTRUDE: What was Agnes like? ARTHUR: … What? GERTRUDE: Well, for all The Web bound us together, I never actually met her. What was she like? ARTHUR: I… [PAUSE] I don’t know. Not really. You got as many answers to that as… folks who met her. Never really knew what she felt ‘bout any of it! Not really. Not in her own words. Guess that’s the thing about being the… Chosen One, or… I mean, Agnes was always quiet; but even if you spend all day, every day, throwing out commandments and… laying down parables… At the end of it, you’re always just the… point of someone else’s story. Everyone clamouring to say what you were, what you meant, and… your thoughts on it… all don’t mean nothing.

Is the real Salesa the self-serving and self-centred man who explained his story to Jon and Martin, all about money and then self-preservation, not giving any retrospective thought about his crew and the people who were following his orders and yet died because of it? Is the real Salesa the “good boss” Floyd had described, who was clearly nostalgic and affected by the losses throughout his life (why keep pictures of the deceased, if they hadn’t mattered at all)? Or is the truth somewhere within the mix, every statement a bit of it – how these characters used to be perceived, how they want to be perceived right now, how they acted then and how they act now?

* There is a bit of a parallel with Jonah, with the way both reached the fatalistic conclusion that someone would eventually manage to bring forth the apocalypse:

(MAG160, Jonah Magnus) “Why does a man seek to destroy the world? It’s a simple enough answer: for immortality, and power. Uninspired, perhaps, but – my God! The discovery, not simply of the dark and horrible reality of the world in which you live, but that you would quite willingly doom that world and confine the billions in it to an eternity of terror and suffering, all to ensure your own happiness; to place yourself beyond pain, and death, and fear. It is an awful thing to know about yourself, but the freedom, Jon, the freedom of it all…! I have dedicated my life to handing the world to these Dread Powers, all for my own gain, and I feel… nothing but satisfaction, in that choice. […] Of course, this desire did not manifest overnight. When Smirke first gathered our little band – Lukas, Scott and the rest – to discuss and hypothesise on the nature of the things he had learned from Rayner… I felt what I believe we all felt: curiosity, and fear. But as he compiled his taxonomy and codified his theories on the grand rituals, I began to develop a very specific concern. Smirke was still so obsessed with his ideas on balance, even as our fellows began to experiment and fall to the service of their patrons: I began to worry that if one of them successfully attempted their ritual, then I would be as much a victim as any, trapped in the nightmare landscape of a twisted world. At first, I attempted prevention, but the cause seemed hopeless. The only way to ensure I did not suffer the tribulations of what I believed to be… an inevitable transformation, was to bring it about myself. So what began as an experiment… soon became a race.”

Both came to the conclusion that an apocalypse would be likely to happen, and both of them worked on a way to mitigate the effects for them and them only, instead of ensuring that others wouldn’t succeed. … And in both cases, it doesn’t feel like they realised how they might have been used rather than in control: Jonah could have just NOT LAUNCHED ANY RITUAL when he discovered that anyway, a ritual would never work unless all the Fears were to be brought through together; and Salesa… had a few holes in his story? Admitted that there was an “accident” leading to his official death, allowing him to go into hiding? Is drinking heavily while having a Web-person as housemate, who explained how “addiction is one of the strongest vectors of control there is”?

- I wonder whether Salesa knew what had truly happened to Leitner, or not at all?

(MAG181) SALESA: … My story is not a long one. Not the parts that you care about, at least. The Powers I first learned about from Jurgen Leitner – you’re familiar with him? Then I don’t need to explain further. When I say I was one of his assistants, you know exactly the kind of education that would be. Terrifying, fascinating, misguided. The man was a genius, and an idiot. It didn’t take me long to see what he was blind to his whole life: that trying to control the Fears was a good way to get yourself killed, or worse. … I left long before he got what was coming to him, and tried to forget what I knew.

He probably assumed that Leitner had died when his library was attacked? Not brutally pipe-murdered by Elias.

(And sidenote, but: Salesa wasn’t presented as an avatar but he also joins the list of people in season 5 not even mentioning Jonah at all as an agent who matters, while Jon was identified as A Big Deal in the apocalypse. I don’t know if Jonah is still in any state to know and watch these things (merged with the Panopticon? Trapped within his old decaying body at the centre of the tower?), and he was certainly not able to see anything inside of the camera’s domain, but I hope that it Stings.)

- I’m not so surprised that Annabelle and Salesa seem to be getting along, since they both sound aware of their “role” in the overall narrative frame:

(MAG147, Annabelle Cane) “Now, I believe the tradition is to tell you the story of my life; the sinister path that led me inevitably to the sorry state in which I now find myself. Well, let it never be said I do not dance the steps I am assigned.”

(MAG181) SALESA: I lived my life, and I lived it well – successful, wealthy, and a little bit feared…! Smuggler to the rich and famous! There wasn’t an art dealer or curator out there who didn’t pretend not to know me! But the trouble is, once you’ve seen backstage, it’s hard to believe in the show anymore. You understand, I’m sure. You can never quite shake off the desire to have a peek…! To see what’s waiting in the wings…! […] Again, I made a lot of money, and remained untouched. It’s the sort of thing to set a man thinking about his life, you understand? I began to think hard about the world, about my place within it, and about fear! About the figure of the merchant, the trader who deals in strange and dangerous goods – how it can be found in so many myths and fables, dealing in second-hand nightmares. And how rarely the merchant themself is ever punished in those stories. […] To tell you the truth, I got a real kick out of playing my role. To think of myself as a purveyor of curses, walking softly through the most dangerous edges of reality, so that the rich and arrogant could buy their own doom.

(+ in some ways, Peter, too: “Thinking about it now, perhaps one of the reasons I lasted as long as I did was that I was, at the end of the day, predictable. A ‘known quantity’. I had my little patch, sending my poor lost sailors to their Forsaken end, but I rarely stepped outside of it. When I think of all those I met who travelled in this secret world we found ourselves in – Gertrude, Simon, Mikaele, even Rayner… there are plenty whose lives might well have been easier with my death, but it was rare that I strayed outside my habits.” (MAG159))

- So, who was the thing/person Salesa was “working for”?

(MAG181) SALESA: Sometimes people would come to me for solutions, protections or talismans to ward off the attention they had already called down on themselves. I sometimes did what I could to help, but I had to be careful. I could never afford to forget who I actually was working for.

Himself? The Fears, given how he made them more impactful by digging out and spreading cursed artefacts?

(Also, aaaah, I’m guessing that Noriega had been asking for help, back in MAG016, while he was suffering from Angela’s curse and had met with Salesa…)

- Salesa reminded me a bit of Leitner, and he would haaaaaaaaaaaate it? Leitner also wanted to take on a “role” and it… had backfired very badly:

(MAG080) LEITNER: I… thought that I could control them. That I alone had the knowledge to contain them. Back then, I believed they were simply books. Horrifying, powerful, yes; but with rules, limits that could be charted. … I was a fool. I had no idea what forces lay behind them, or that they had other servants that might come searching. […] I saw myself as a guardian, a reverse Pandora, gathering the evils of the world and locking them away. And so I branded them with my seal. I told myself that if any should escape such a mark could help me retrieve them. But I think, in my heart, I dreamed of my work becoming known. That “The Library of Jurgen Leitner” would stand as a symbol of courage and protection. Hubris. I suppose it is fitting punishment that my name has become a watchword for evil, spoken by those who only know it as marking the darkest, most terrible of secrets. My name has become a curse.

Is the merchant truly never punished in all these stories? Quite clearly, Salesa has it waaay better than the people out there (he’s not trapped in a personal nightmares, forced to relive terrible experiences over and over again)… but it’s also such an empty existence, with him having become what he used to loathe – as someone who felt like he was punishing the rich, he’s now living in luxury (Upton House, playing the piano, listening to classical music, drinking alcohol in the morning in nice crockery and assuming that said alcohol might end up killing him)…

- Aaaah, I love how the way the camera works does feel like it makes sense within that universe:

(MAG181) SALESA: So I began to plan for my… retirement. I spent most of my fortune preparing. Some on supplies, but mostly hunting down an artifact that I hoped might give me some… protection. One I had sold right at the start of my career: an old broken camera. One that through some… quirk had the ability to hide you from the Powers…! It was in the possession of another scared old man, one who had long been running from his own supernatural debts. I believe it operates as a sort of, uh, battery, charging itself on all the quiet worries that come from living in hiding, and then when the sanctuary collapses, eh!, all that fear flows out at once. … No doubt if my oasis breaks before I die, The Eye will get quite the feast from me. But in this new world, I would hope it has other things to keep itself busy. […] it hid me from The Eye, which, in the new order of reality, also protects where I am from the hellscape all around us. And when I realised that the power moves with the camera.

I also like that… just like a regular camera, it puts some distance between the one who is protected and anybody else, cutting them from reality. It explains why everything went to hell on that island after they took the camera (MAG141) and might be a curse in itself: feeding from the fears of the people into hiding… and anticipating their demise? (We also got told how Salesa could “end”, if it happens offscreen: if Annabelle’s plan is to use the camera without him… either she’ll be charitable and kill him, or tell him in advance for him to kill himself beforehand, either she will just leave with the camera, and Salesa will have it worse than everyone else.)

Also explains why Jon didn’t “know” anything about Salesa’s fate after talking with Floyd, and why he might have been drawn to him? Since he was a blind spot for Beholding, someone hidden from it. It’s quite interesting that we’ve seen so many different ways to get a (temporary or permanent) protection from Beholding? Gertrude was cutting eyes from pictures all around her (and Elias admitted that she had grown quite good at hiding from him); Leitner had the A Disappearance book, preventing Elias and Beholding from seeing him; Eric and Melanie discovered that gouging out their eyes freed them from the Archives; and now, Salesa pointed out that the camera was even specifically anti-Eye – thus, Jon not being able to use his powers around it… Was it initially a Dark artefact? Or an Eye one, just with a delayed reaction (as the fear of “being watched, being followed, having your deepest secrets exposed”)?

- CRIES, because it was to be expected that Jon wouldn’t fare for long in this place:

(MAG181) [PACKING NOISES] MARTIN: You’re sure we can’t stay longer? ARCHIVIST: Yes, I–I–I’ve been, hum… Uh, these last few days I–I’ve been… getting weaker. Dizzy spells, vagueness, you’ve seen it. Being cut off from the Eye, i–it’s not good for me. MARTIN: Yeah, but if… [INHALE] If you’re that connected, that… dependent, what happens if we actually, y’know, do manage to– ARCHIVIST: We’ll cross that bridge when we come to it. For now, I just need us to be moving on. MARTIN: Hm… […] Feeling better? ARCHIVIST: Uh… Yeah. I’m afraid I am…!

And he reminded me a lot of how he sounded during his partial withdrawal (from live statements), in the second half of season 4: raspier voice, tiredness, the feeling unwell…

(MAG150) ARCHIVIST: … Still feeling weak. Restless. I want to be proactive, but there hasn’t…! That hasn’t been going quite so well for us lately.

(MAG152) HELEN: Hungry, are we~? ARCHIVIST: That’s not…! I haven’t done anything– HELEN: Yet. [SILENCE] ARCHIVIST: I feel like if I don’t… I might die. Fade away into nothing.

(MAG154) MARTIN: No, ’t’s fine, I ju– You just surprised me, that’s… Jesus, you all right? You… you look like hell. ARCHIVIST: Oh! Uh, right, I, em… ki–kind of weak. Hungry, I–I guess, sort of. I–I’ve been trying to a–avoid, being, hum… Sticking to old statements?

(MAG155) ARCHIVIST: I feel weak. Like I’m… fading away. Do I restrain myself, keep my appetite in check, even at the cost of my life? Or do I try to rationalise what I am, like… Ms. McHugh? I find myself… hating her, her… callous self-deception. But am I so different…?

Except that, back then, Martin hadn’t directly witnessed it – Jon went without statements after MAG159, for three weeks at most (after taking Peter’s live statement), and he sounded mostly fine if eager to read when they received Basira’s statements. Here, it feels like Jon’s degrading state went much quicker and more impressively… and it was a reminder of Jon’s connection to The Eye. Jon cut the conversation short, but they really will have to talk about it, and about how setting the world back, as of now, really sounds incompatible with Jon’s survival…

(Sob at Jon’s “moving on”, because it echoed MAG180’s title: back then, “moving on” had given the feeling of… reaching another chapter, accelerating after a stagnation? But now, “moving on” means returning to the apocalypse, the Fears, their journey towards the Panopticon, and did they learn anything that could help their quest inside of the house? The camera could be useful, maybe, but then…)

-I am HOWLING at Martin’s outburst of rage towards Annabelle because AHAHAH, who used to accept her tea and be a ~polite guest~?

(MAG181) SALESA: Did you sleep well? Have you had something to eat? Annabelle said she’d shown you the pantry? […] You’re sure you won’t have a drink? We definitely had some tea around here somewhere. MARTIN: Uh, I… already had some, thank you, uh! Some of us know how to be polite guests. ARCHIVIST: [SHARPLY] I don’t intend to accept anything offered by Annabelle Cane. […] [FOOTSTEPS] [A DOOR CREAKS OPEN] ANNABELLE: All packed? ARCHIVIST: Mm. MARTIN: Oh! Finally showing your face? ANNABELLE: I’m sure I don’t know what you mean. MARTIN: Oh, pffft! All week, you scuttle around with… with food and drinks and all that other stuff, whatever we need, and just when we need it, but if we actually try to talk to you, you’re gone. ANNABELLE: [SMILINGLY] I’m very busy…! ARCHIVIST: Martin, don’t… bother, we–we’re not going to get any answers out of her. MARTIN: You–you’re joking, right? She’s been lurking at the edges of this whole thing since the beginning, and now we can finally actually talk to her, and…! What, you’re just going to pass? You don’t have any questions, nothing at all?

WHO usually provides food and drinks to get some results with people?

(MAG053) MARTIN: I was just going down to the café, did you want a sandwich? ARCHIVIST: Uh, that, that depends. Are you… hum, are you going to keep hovering around me if I go to the canteen? MARTIN: [SIGH] I just worry. You needed five stitches after you “accidentally” stabbed yourself with a breadknife. If you’re still claiming that’s what happened. ARCHIVIST: I am. MARTIN: Then you’ll forgive me for worrying when you use sharp knives. ARCHIVIST: [SIGH] Fine. I’ll come with, just… give me a second to grab my coat.

(MAG069) MARTIN: … Look. Jon… when was the last time we all just… talked? Just talked, without all of this– ARCHIVIST: Thank you for the tea, Martin. MARTIN: … Oookay. Fine. [DOOR OPENS] He’s not wrong, you know. [DOOR CLOSES]

Annabelle is just doing The Usual Martin Things, and Martin accepted it at first, probably thinking that it could put her into good dispositions to talk, except that tactic is NOT working with her and he’s SO PISSED about it =D Oh, Martin…

I’m super amused at Annabelle having so much fun being domestic and taking care of the guests while looming in the background; it’s an interesting dynamic where you can clearly feel like… everything is happening on her terms, and Martin and Jon don’t have any control over it. (And Martin is SO annoyed at the lack of control, ooooh Martin…)

(- And this is how Web!Martin can still w- (No but, seriously, I thought about how spiders can be territorial and usually don’t share the same living area?))

- I adore how you could HEAR Annabelle’s smile while she was clearly having fun.

(MAG181) MARTIN: Oh! Finally showing your face? ANNABELLE: I’m sure I don’t know what you mean. […] ARCHIVIST: Look. I–it’s no accident we finally meet face-to-face in the one place I–I can’t get any answers out of her. ANNABELLE: [SMUG] I’m sure I don’t know what you mean…! MARTIN: … Why are you here? Mm? What’s your game? ANNABELLE: Perhaps I just value my privacy. MARTIN: Fine, fine! Why did you call me before? ANNABELLE: Perhaps I thought you could use a friendly voice…!

Not committing to any answer, and it was driving Martin mad, uh.

- LOVING HOW MARTIN IS JUST “RESENT AND REMEMBER”:

(MAG166) ANNABELLE: He is more powerful here than he’s ever been, isn’t he? [PAUSE] And you’re not sure what that means for you. MARTIN: [INHALE] I’m hanging up now. ANNABELLE: Does he even need you at all? MARTIN: Bye! [BEEP] [SIGH] [LOUDER, CLOSER HOWL] … I know, right?

(MAG181) ANNABELLE: Perhaps I thought you could use a friendly voice…! MARTIN: “Friendly”!? You told me Jon didn’t need me! ANNABELLE: Objectively true. MARTIN: [AGGRAVATED SIGH]

(Jon was out of it for most of the exchange, but… If he had been in a better state of mind, he might have reacted to this: Martin hadn’t told him about that part of the phone call, Martin hadn’t shared that with him in the following episode. So, that was new information… unless he had already “known” about it from Martin’s mind and didn’t tell Martin?)

And! We! Still! Don’t! Know! What Annabelle! Wanted! To Achieve!

(MAG181) ANNABELLE: And more importantly, perhaps I thought you might need a little bit of righteous indignation to help you power through the next steps. […] For what it’s worth, I’m sorry. The call was… clumsy. There were so many things to keep track of at the moment. I must confess it did lack my usual… nuance. ARCHIVIST: And perhaps you’re now just trying to humanise yourself so we underestimate your next move…! ANNABELLE: Perhaps.

* What was that “righteous indignation” about? At this point, Martin was already pro-smiting. Did she want him to focus on his resentment towards her? Did she want to prompt a conversation between Jon&Martin, as it happened in MAG167, leading to Jon admitting to Martin that he was his “reason”? I still feel like if that exchange hadn’t happened, Martin would have had it way worse in the Lonely house a few episodes later…

* It feels like the “Jon does(n’t) need Martin” might be about two different things? It’s objectively true that Jon would still be fine without Martin… but would he keep going on his quest without him? Jon said that Gertrude likely would have given up (implying that his difference with her is that he had “a reason”, in Martin). And Jon himself had told Martin, that it wasn’t just about what he needed in the “survival” sense; it was… about what he wanted for himself:

(MAG159) ARCHIVIST: Listen – I know you think you want to be here, I know you think it’s safer and w– … well, maybe it is… But we need you. I need you. MARTIN: [DISTANT, VOICE ECHOING] No, you don’t. Not really…! Everyone’s alone, but we all survive. ARCHIVIST: I don’t just want to survive!

- Martin and Being Manipulated~~

(MAG126) MARTIN: But if I could just explain– PETER: And how do you think Jon’s going to react, to that explanation? Hm? Do you think he’ll accept it calmly? Come through with a well-considered, rational response– MARTIN: That’s not fair– PETER: –or would he assume he knows better than you and do something rash? [SILENCE] MARTIN: … I don’t like being manipulated. PETER: That’s fair. But I’m not wrong.

(MAG181) MARTIN: … I, I don’t like being manipulated. ANNABELLE: Then we probably aren’t going to be friends. MARTIN: Urrrgh! [SIGH]

(And both times, about Jon.)

- Jon was exhausted, but also kind of fatalistic over the fact that they couldn’t do anything against Annabelle anyway; had Salesa been right when he had told them they would get used to it? And in a way, Jon being less angsty over it… might be good for him – not spiralling into paranoia, being just aware that anyway, he can’t know anything for sure about Annabelle. (… Or is the feeling of powerlessness feeding her anyway?)

(MAG181) MARTIN: So, so that’s it, then? We, we’re just going to leave her here? ARCHIVIST: Yes. MARTIN: We could make her tell us. ARCHIVIST: No, we couldn’t. I don’t have my powers, if it came to a physical fight I really don’t rate our chances…! MARTIN: Hey, I can handle myself! ANNABELLE: But can you handle me? [SILENCE] MARTIN: … I don’t like you. ANNABELLE: I know.

GNIIIIIIIIIIIIH over Martin just. Being absolutely too honest and just telling her, to her face, that he doesn’t like her. Martin, you rude brat.

I got Michael flashbacks, too, because it wasn’t the first time that:

(MAG079) MICHAEL: I think I might also kill you. It would be easier than killing the Archivist; none of you are protected down here. MARTIN: No, no, now hang on… MICHAEL: You are going to try and help him. And I want to see what happens without you there. TIM: Martin… MARTIN: No, no, okay, because there’s two of us and there’s one of you, okay. He’s not killing anyone! TIM: Martin, look at his hands! MARTIN: Oh.

MARTIN WAS READY TO THROW DOWN.

- YIKES over what Annabelle has ~in mind~:

(MAG181) ANNABELLE: Don’t worry, Martin. We’ll meet again. Hopefully when you’re feeling a little bit more… open-minded…! MARTIN: I wouldn’t count on it. ANNABELLE: I would. MARTIN: [SIGH] ARCHIVIST: That’s the trouble with old houses, I suppose. Full of spiders. ANNABELLE: You boys better take care of yourselves. I’m sure we’ll see each other again very soon. Here! Why don’t I show you out?

* Was the “open-minded” a reference to the fact that her own head was opened and is currently stitched together thanks to spiders.

* So, they’re meeting again “soon”… at Hill Top Road, maybe?

* Annabelle is implying that they were refusing something about her, as if there was currently an offer on the table – what was it? Was it about the fact they were antagonising her? Jon didn’t trust her (or at least raised the possibility that she could be trying to make them underestimate her; she had explained that “I have always believed that the key to controlling people… is to ensure that they always under, or overestimate you. Never reveal your true abilities or plans” in MAG147), they were wary of her… and were they right about it? She made sure they drank and ate, she encouraged them to be well; she needs them functioning and still going, but what for? I’m still really curious about Annabelle; it felt to me that she needed them to reach a certain conclusion by themselves, and that they have failed so far… Or is it way more sinister than that, is she waiting for them to ask for her help regarding Jon’s current state?

* Overall, it feels to me like she’s focusing on Martin more than Jon, as if Jon was a “given” in her equation but Martin a more active and rebellious piece?

- Ooooh, Salesa… he really was craving for company, uh.

(MAG181) SALESA: Aaah! You are off, then? [FAINT SOUNDS OF MUSIC IN THE BACKGROUND; LUDWIG VAN BEETHOVEN’S “9TH SYMPHONY: FINALE”] ARCHIVIST: … Yes, uh… MARTIN: Uh, thank you, for all your hospitality. SALESA: You are sure you won’t stay a little longer? You’re more than welcome! ARCHIVIST: N–no, I, uh… I got to, hum… leave. MARTIN: What he said. SALESA: Ah, such a shame. And you’re sure I can’t give you a little something for the road? Uh, food, wine? MARTIN: Uh, no, thank you. Uh… [SIGH] Nice things, they… tend not to stay nice out there. SALESA: [SCOFF] True enough.

And sob about the fact that Martin has learned to not trust “comfort” too much. (What about the tea he had stored in his own bag? And the bandages he used on Jon didn’t turn against them either, so a few things stayed safe.)

- I love how Annabelle and Salesa seem to be getting along with their cruel humour:

(MAG181) SALESA: Well: best of luck I suppose. And if in the end, you can’t save the world… you know where I am. ANNABELLE: Actually, he doesn’t. SALESA: [CHUCKLES] Of course. What a shame. [INHALE] Well then, I guess it really is goodbye. Travel well. Don’t be Strangers! [MORE CHUCKLES, LOWER AND DARKER]

(SOB, Salesa, “Don’t be strangers” had been copyrighted by Georgie in season 3 already!)

… Really curious that Annabelle seemed to already know that Jon would quickly forget about the place, as soon as they would leave; in the same way that she predicted that they might pass out when entering the domain protected by the camera. She… knows… stuff… and understands how things work, uh…

- Cries about Jon just fading from conversation, it REALLY was time for him to leave:

(MAG181) ARCHIVIST: Yes, I–I–I’ve been, hum… Uh, these last few days I–I’ve been… getting weaker. Dizzy spells, vagueness, you’ve seen it. Being cut off from the Eye, i–it’s not good for me. […] MARTIN: You don’t have any questions, nothing at all? … Jon? Jon! [CLICKS HIS FINGERS IN FRONT OF THE ARCHIVIST] ARCHIVIST: [DISTANT] Wha… Oh, yes, uh, sorry… Look. […] MARTIN: God, fi–fine. Fine! [BAG IS GRABBED] Come on, Jon. ARCHIVIST: [VAGUE] Mm… Oh, I’m… sorry, what? MARTIN: We’re leaving. […] SALESA: You are sure you won’t stay a little longer? You’re more than welcome! ARCHIVIST: N–no, I, uh… I got to, hum… leave. MARTIN: What he said. […] Y–yeah, uh, come on, Jon. Let’s go. ARCHIVIST: Mm, what? Oh. Yes, ri–right. Yes…

Jon prompted their departure, but it sounded like he forgot about it multiples times during the conversation… He was absolutely drained and ready to collapse, uh?

(Or is it linked to his other memory losses, such as forgetting his bully’s name, or that he had gone for ice-cream with the assistants for Martin’s birthday? I think it really was exhaustion in this particular case (head empty), but…)

- … Jon’s sense of humour…

(MAG181) MARTIN: Feeling better? ARCHIVIST: Uh… Yeah. I’m afraid I am…!

“Afraid I am” – said he, who is currently back to feeding on fear.

- I’m glad that Jon apologised for making them leave, was aware of what Martin had to give up for him, but also that Martin was clear about his Priorities (and differences from Salesa, who was satisfied being protected and safe in his “little bubble” while others are suffering) and absolutely not holding it against him:

(MAG181) ARCHIVIST: I’m sorry, I… It would have been nice to stay. MARTIN: [WISTFULLY] Yeah… I’d almost forgotten what it was like, you know? A bit of peace, eh! ARCHIVIST: I mean, you could have… MARTIN: No, don’t say it, Jon. You know I never would. I–I can’t just “forget” about all the people out here! Besides, I’d rather be trapped in a post-apocalyptic wasteland with you than spend one more moment in paradise with her. ARCHIVIST: [FAINT CHUCKLES] That might just be the nicest thing you’ve ever said to me!

… But it also makes me worry about the alternatives Martin didn’t mention: what about “spending time in paradise without her nor you”, or “going back to the normal world without you”…

- I personally interpreted the last scene as the camera taking back the memories with it, since it was supposed to protect itself and the perimeter around it from The Eye, and Jon knowing/remembering about it would mean giving Beholding access to it:

(MAG181) [STATIC RISES] ARCHIVIST: Ah… Pity. MARTIN: What? ARCHIVIST: It’s, uh… It’s going away. That… peace; the, the safety, the memory of ignorance… MARTIN: That’s… [INHALE] Yeah, I guess that makes sense. [STATIC FADES] Do you… remember any of it? Wha–what Salesa said? Annabelle? ARCHIVIST: Some. I–I think. It’s, uh… Do you mind filling me in? MARTIN: Wait, you need me to tell you something for once? ARCHIVIST: I guess so! It’s, uh… It’s gone. Like a dream. … What was it like? MARTIN: … [SIGH] Nice. It was… It was really nice.

(“Ignorance” both as willingly ignoring something you’re aware of, and not knowing what’s happening out there…)

But CRIES about the tinge of nostalgia, at the fact that Jon had been so hopeful during MAG180 while discovering this place (… and was now walking out of it with mixed feelings), and the fact that… these nice memories are stored within Martin, and Martin only.

… And the tape which recorded Salesa’s statement.

- WHAT ARE THE TAPE RECORDERS…

(MAG181) SALESA: Hmmm. [SHUFFLING] Interesting… […] Now tell me, do you know why there’s a tape recorder here? I noticed it just now, but I don’t believe I actually own one. ARCHIVIST: … Uh… Not really. MARTIN: They sort of just … follow us round? SALESA: Hmmmm. Interesting. Did you carry it in? Things shouldn’t be able to manifest in here like that. ARCHIVIST: … You had one in your… bag, I–I think, Martin, did, did you drop it here? MARTIN: Uh… I, I don’t think so…! SALESA: … Very well. In that case, we shall leave it to be. It’s hardly valuable, and it’s probably best not to upset whatever it might be involved with. Besides! I have no secrets to hide. […] Anyway, no more stories, I think. Let us relax, and talk, and drink, and… not worry about who might be… listening.

Jon had already told Tim back in MAG114, but the fact that this place was an anti-Eye zone kinda confirms they’re not Beholding? But outside of that…

* It’s interesting that Jon immediately asked Martin if it was his. Did Jon have his own in his pocket and could tell it wasn’t his? When did Martin acquire one: was it the one drifting alongside him in the water (or not water), in MAG163? Or was the one in MAG170 different?

* We’ve seen with the mention of the Corruption creature that people can go inside of Salesa’s property. We’ve seen that Jon was cut off from Beholding, but what about other powers? Jon was still fearful of Annabelle – so The Web could still be active inside of it? Is the recorder Web, another power?

- Why did Annabelle want them there? Was it for them to learn about the camera, to use later? To close the Salesa chapter? To give them some respite, for funsies? To introduce herself properly while in control of the situation, where Jon couldn’t compel her? To make them lose time because something was happening outside?

- It’s getting clearer and clearer that there are maaaany holes in Jon’s pseudo-omniscience: he’s unable to see inside of the Panopticon. He can’t see the future. He can’t know about The Web’s plans due to it being too fragmented and complex. He doesn’t know about Melanie&Georgie. He couldn’t know about Salesa’s “little oasis” since it was safe from The Eye.

What else is he missing from the big picture?

- So now, what’s coming next?

* If it was indeed Upton House, they’re getting pretty close to London, and with a slight detour, Oxford (and Hill Top Road) could be on their way; given how Annabelle told them they would meet again “very soon”, they might revisit the house… well, Martin would be visiting it for the first time. It was already weird before the apocalypse; how is it as a place, now?

* We still haven’t seen Georgie&Melanie, so they could be coming soon, unless Jon is reuniting with them in MAG189, right before the hiatus, in the same way as they managed to trap Basira in MAG176 as the ending to Act I… (And as usual, where are they? Unlike Annabelle, Jon had been able to hypothesise that they could be in London (MAG164: “Hm! I’m… I’m not… sure, I–I can’t really see Melanie o–or–or Georgie. […] if they were dead, I– I think I would know that, I just… I–I don’t know… where they are, w–what they’re doing. L–London, maybe?”). Are they in the Institute? Behind Helen’s door? Protected because Melanie cut her connection to The Eye and Georgie can’t feel fear, putting them off Beholding’s radar?)

* Basira was supposed to meet them again at the Institute; given that Martin&Jon stayed at Salesa’s for a while, I wonder if she’s ahead of them, now…?

* Last time we saw Helen was in MAG177, and we know that she was usually spying on them…Was she able to materialise her Door into Salesa’s house, or not even? I’m guessing she could be popping up soon, if she couldn’t get her hands on Jon&Martin for a while… (Oh no: given how she liked to casually torment them, she probably witnessed Daisy’s death and bring that topic back on the table just for funsies…)

I’m a broken record, but wow, MAG182’s title is concerning (WHEN IT SHOULDN’T BE…). Spiral (and Helen), Corruption or Lonely stuff? And with the second meaning, a discussion about Jon’s status in the apocalypse? (I’m also thinking about The Admiral ;_;)

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