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#so obviously i’m having thoughts
m00nagedreamin · 2 months
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pepper: what’s your social security number?
tony:
tony: 5
pepper: and what’s your social security number?
peter:
peter: 6.
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steveharrington · 3 months
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listening to students tell me “yeah i can’t figure this out i’m just a girl 🤣” listening to my coworkers tell me “honestly i just can’t wait to become a stay at home girlfriend so i never have to work again!!” looking at my online feeds which have all become like pictures of cigarettes with a pink bow on them captioned “girlhood” i’m ACTUALLY going to start freaking the fuck out
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metamatronic · 11 months
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God I wonder how the Elric's are gonna feel about Hughes being back and. Shit. Who's gonna tell his wife!? It's been two years! He has so many photos to catch up on...
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roy “hughes retired to his farm up north” mustang did not, in fact, alert the elrics before the fake news story went public.
bonus doodles below:
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also i’m trying not to get emotional over the fact that while missing 2-3 years of most relationships is negligible in the grand scheme of things, 2-3 years away from raising a toddler is huge. Fortunately (?) for Maes, he got back before Elicia could really understand the concept of death, but he still probably missed a lot of milestones. :,(
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wavesoutbeingtossed · 2 months
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Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.
But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”
Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)
Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.
I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.
Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…
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newvision · 9 months
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Every time I drink wine I am will graham looking down at a shot hannibal and we have become each other and he is bleeding out and I am savouring the moment by drinking wine the way he does and I gloat like god often does and he takes the violence the way I did every time he violated me and he almost dies from a distant form of violence but what ultimately really kills him are my hands the way I said I’d do it anyway who wants another glass
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mylittleredgirl · 1 year
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i always sing the praises of having a beta reader if you want that sort of thing, but actually there are two separate fic-editor types:
alpha reader: just fucking uncritically loves your work. #1 fan. fully obsessed with the pairing you're writing to the exclusion of all good sense. might correct a comma or two but they are there to tell you that you are amazing and that you have never done anything wrong in your life and you should post that shit immediately. you ask them "does this part work?" and they say yes before the question is fully out of your mouth. the golden retriever of writing friends. every writer 100% needs one of these in their back pocket.
pros: THE best preemptive defense against the gaping chasm of self-doubt between "post work" and the first kudos.
cons: this is the reason why sometimes you see a fic that has eight beta readers thanked in the author's notes and the main character's name spelled wrong.
beta reader™️: these friends also fucking love your work, but the way they want to love it is to stick their fingers in your fic like a fruit bin at the grocery store and gently squeeze your characters (and commas) to see if they're ripe.
a good beta reader will copy edit your fic, notice if you've used the same sentence three times, and let you know if your sex scenes seem to contain the intended number of dicks per person.
a great one will highlight for you what's unique and wonderful about your writing, will help you problem-solve and plot through long fic, and will lovingly bug the shit out of you with how did she get here? and would he really say that? and is this what you meant? and when you say "oh shit no it isn't" their eyes light up and they go OKAY! let's figure this out!!!
more of a border collie kind of situation.
pros: the best way to polish your fic and grow as a fic writer. in my experience, it's also an incredible way to work through impostor syndrome. knowing someone you respect has been all up in your fic's junk and still says "it's great and you're great, now post it!" is a game-changer.
cons: if they show you what's not working, you're probably going to have to take time to fix it :/
caveats: not everyone who wants to give constructive feedback can deliver it in a way that works for everyone, so if the experience ends up making you feel bad, this is not a good match! it's also VERY helpful to tell your beta reader what level of editing you're looking for. if someone asks "can you give this a quick once-over before i post?" i know they want me to look for obvious mistakes and reassure them that it's post-worthy. if you ask me to "rip it apart" i'm going in there with a fine tooth comb.
(the primary motivation of both of these editor breeds is, of course, that they want you to write more and they want to read it before everyone else.)
bonus mode:
specialty reader: sensitivity readers and subject matter experts! if you are lucky enough to find and motivated enough to use one of these, their job is not to look at commas or to tell you that you're great, but to give advice on something specific in your fic.
edit: check the reblogs for a correction! turns out “alpha reader” is a pre-existing term in some circles for someone who helps you during the process, a lot like the great beta-reader i described above. taking suggestions for renaming my version of the alpha reader above. i’m thinking “hype man.”
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bpdohwhatajoy · 4 months
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BPD IS SOOOO SILLY with how quickly you can get attached to someone. Like what do you MEANNNNN I’m attached to my tattoo artist who I knew for 3 hours and got salty that he has other clients????
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wiseatom · 10 months
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i tried for a well thought out post. instead you get this mess that i’m begging you not to twist:
the outraged cries of “cliques” are people being actual friends with each other. the people complaining about certain blogs or creators being on pedestals are usually the same people putting them there. i’m not one to belittle feelings - i understand where the upset is coming from. i even understand my place in it! but at the end of the day, we’re working ourselves up over what? notes? followers? hits on a fic? things based on luck and timing??
i can only speak for myself, but i work a full time job and i’m hard scheduled 45 hours a week. all of my free time goes towards fic writing, because that’s For Me and that’s what’s important for my mental health, and even then, i am usually too exhausted to do that. i would love to read fic and interact more! my to-read list is a mile long! it is just genuinely hard for me to find the time. i prioritize my friends because they are my friends — real, actual people i know beyond tumblr mutualship, who i talk to about more than just fic writing — and even then i am late getting around to it. i’m not saying this as a “woe is me, my life is hard” moment, but moreso trying to offer a perspective that is not even being thought of. and i get it, no one wants to hear it, because you’re frustrated, and being vocal about frustration feels nice (i know, bc here i am)!!
someone is going to come for my throat for making this post as a “big author” and “part of the clique we’re all vagueing” and maybe it’s juuuuust me but like. if you’re that unhappy, log off. if seeing a friend group you’re not part of interacting makes you unhappy, log off. if seeing the engagement other people get on their posts or fic or art makes you unhappy, log off. you cannot force people to interact with you or your creative work, and aggressively posting about it when they don’t is not inviting them to. i am begging you to stop having expectations of people you do not know, because at the end of the day, you’re setting yourself up for disappointment.
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ruthytwoshakes · 2 months
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holy freakshow I tototally forgot to show off my new epic fursona deisgng
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bask in her glory whyis this image so large
her name is Ruth becuausde my name is awesome and it stands for ruthless unstoppable terrorizing hellspawn . She’s 16 and wants to kill you but she can’t because she has braces and it hurts to bite. She glows in da dark because she’s really cool and her favorite food is caramel apple lollipops.
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jacarandaaaas · 7 months
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I am so SICK of people saying mirabel was a doormat that “forgave abuela immediately” she didn’t even forgive her?? “nothing can ever be broken that we can’t fix together” seems more like a wow this is a bad situation but I’m willing to let you help me fix it and fix our broken bond too. Like idk I never interpreted that as forgiveness. Some argue that the hug was the forgiveness but I’m pretty sure alma initiated that not mirabel. Also she hugs almost everyone in the movie hugs can have multiple meanings it’s just a form of support.
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comradekatara · 7 days
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Hi! Sorry if this has been asked before/you’ve answered this before, but I’m curious what you think of how Sokka acts just… overall.
To me, he’s always read as being someone who’s emotionally repressed, and doesn’t quite know how to deal with his emotions and blames himself for a lot, and micromanages as a way to try and overcompensate for things in his past that have been out of his control. (And he’s definitely a prodigy. I don’t think that, especially after the massacre, the southern water tribe would have many scrolls to read on, so it’s my personal hc to believe he taught himself physics lmao. But even without that, definitely a prodigy.) Who is, unfortunately, doomed by the narrative. But he’s still a loving guy, and very protective over his family.
But I’d love to see how someone else sees it! He’s one of my favorites ever lmao.
sorry for leaving this ask to fester in my inbox for over a month (hastily shoves away the asks i’ve been sitting on for multiple years) but at the time I had received a bunch of asks about sokka’s tormented psyche in quick succession, and I was trying to get through those first before approaching this broader, more open-ended question. I mean, obviously you could always just peruse my sokka tag, because at this point I’ve clocked so many hours analyzing him that it’s actually quite dire, and I’m pretty sure that you already have. but if I was to distill “sokka’s whole deal” into a few key sentences, I would first emphasize that his survivor’s guilt/martyr complex really underscores who he is and how he operates in any given situation in a crucial way.
I don’t think any of what you said in this ask is remotely incorrect, for the record, but focalizing the formative traumas that defined him: his mother’s sacrifice, and his father then passing that mantle onto him (in fairness, not deliberately on hakoda’s part, but when kya sets such a blatant precedent for what it means to “protect your sister,” it’s hard not to internalize that logic). he feels personally responsible and implicated in every single thing that could go wrong, because unlike katara, who (very understandably) gets angry when bad things happen and are done to her, sokka gets guilty. he was never able to process his grief in a remotely healthy way, so he has internalized that his singular role above all else is to die so that others may live, without ever actually acknowledging that this mentality is a byproduct of his trauma (because, like you said, he is absurdly repressed), and he feels guilty every time he is unable to prevent anything bad that happens to anyone he cares about, whether it’s remotely his fault or not.
he wants control over every situation because he feels responsible and thus guilty no matter what happens. not only is control the one thing he has, but he’s even more controlling when leaving his tribe because unlike with his grandmother, whom he trusts, he does not trust 99% of people on the planet, and is constantly wary of any ulterior motives they may have (which is why it’s a very good thing that all his friends are so sincere it’s almost concerning), or just their sheer stupidity leading them (and him by association) into trouble (in fact I think sokka would far rather ally with a two faced bitch than with an idiot, because at least you can reason with a two faced bitch). as katara rightfully points out (frequently), sokka is a paranoid cynic, but it’s hard not to be a paranoid cynic when the last time you had any shred of hope whatsoever is when you thought the southern raiders were retreating from your village and then you went home to find your mother’s charred corpse in the living room.
moreover, his trauma at the hands of imperialist violence has informed so much of who he is to the point that he genuinely feels that he isn’t, because that’s how throughly he has been dehumanized by the fire nation’s colonial project. it’s not just that he feels worthless, it’s that he feels unpersoned. due to assuming the mantle of protector before he was old enough to form a coherent sense of self, that role became his entire sense of self, and now he feels that he is nothing more than a shield with which he can protect katara (and others, but mainly katara), and can’t detach himself from that role even though it’s unhelpful and unhealthy, because (in his mind, at least) it is truly all he has.
so in summary, he’s a paranoid, miserable, depressed misanthrope who is repressing a fuck ton of grief and trauma to simply get through the day, including the fact that he feels it is his duty to die for his people and his loved ones—especially katara, to the point that he has an unhealthy codependent attachment towards her because he stakes his entire identity to her existence—and has no sense of self beyond his role as provider, protector, and (inevitable) martyr. obviously that’s just what his deal is psychologically, which is different from his personality (cue the, here I was thinking he’s just a fun, silly guy!) but you will also never get anywhere in understanding sokka if you think that he somehow has less trauma than katara, rather than the fact that unlike katara, who is able to process her emotions in an open and healthier way, sokka simply ignores it. but he also does a pretty bad job of hiding it most of the time, because he literally acts like a trapped prey animal in basically every situation once you look past the sarcasm and witticisms that provide his favorite tried and true coping/deflection mechanism. you just have to care enough to look past the surface, which most people don’t, including himself.
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sincerely-sofie · 2 months
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Does Opal still speak very formally around Team Skull? Because this scenario is playing out in my head and I want you to hear it.
Opal: *says something in an archaic manner, the specifics don't really matter*
Skuntank: "Chaw-haw! Uh, Yeah! Sure I can do that!"
Opal: *content, leaves to go do something*
Skuntank: *leans over to zubat and koffing, sweating* "Do either of you boys know what I just agreed to?
Oh my word.
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string the sinner by his wings. in his head, a brittle bone. (advice - alex g)
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could not for the life of me think of a background so we’ve got this weird circle thing happening again.
this original piece was called “nosebleed” for this reason but i decided that i liked the other version better
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without background and sketch
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vulcanette · 7 months
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I really loved Nope. I can’t stop thinking about the scene when Emerald is talking about how she was supposed to train Jean Jacket and Pops never looked up at her at the window but OJ did. OJ acknowledged her and saw her. He named the Creature “Jean Jacket” as a way of saying, here’s the chance you wanted. The chance you never got. And she is the one who finally solved the puzzle and killed it/got it to leave. And she got her picture. I’m so proud of them, best siblings ever
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the-raging-tempest · 6 months
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🌹 Love on the Bloodstone Rose - Ophenia Thwait 🌹
💕 Lariel and featuring @aelyosos’ lovely lad Ocean 💕
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mxgoldenwood · 8 months
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I CAN NOT stop thinking about Astarion with cleric-of-Ilmater Tav, so a few thoughts that have crossed my mind….
First… what could possibly be a more powerful religious experience for a follower of Ilmater than giving up your own blood, so that a friend in need won’t go hungry? The way Astarion’s first bite is narrated, it would almost certainly be a transcendent, divine experience.
Following on from this, though… the more Tav and Astarion spend time around each other, the more I think they would both gain from their relationship.
Yes, Astarion is annoyed by his companions playing the hero and he doesn’t like it when Tav promises to help people just because they’re sworn to relieve suffering wherever they can. He’s selfish and jaded and nobody ever did that for him (before now) so why are these strangers so special?
But on the flip side, there comes a point when Astarion has a point!! Tav doesn’t need to open their veins for every stranger in need. Maybe they shouldn’t sell their soul to help someone who would as soon kill them as look at them. You can’t fill up anyone else’s glass when your own is empty, and all that. I can easily imagine Astarion’s annoyance with Tav’s heroics shifting gradually from “ugh, what makes these people so special that they deserve help for nothing?” to “darling, you’re killing yourself slowly— and for what?” as he finds himself becoming more genuinely attached to Tav.
When you have people who care about you, your suffering becomes theirs. Cleric-of-Ilmater Tav may not see this at first, but they could come to understand it. By all means, help where you can. But don’t make your loved ones watch as you bind yourself onto the rack for someone whose gratitude can never cancel out the vicarious suffering of your (found) family watching you suffer. If anyone would speak up and talk some sense into Tav about this, it would be Astarion.
Just as Tav can set a good example for Astarion, reminding him that he has some goodness and maybe a little heroics of his own, buried under all the bitterness and trauma…. I believe Astarion would have a thing or two to teach cleric-of-Ilmater Tav about when it’s fine to help, and when they’re hurting themself for no good reason.
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