WIP FRIDAY
I apologize for getting this out two days late, I’ve been busy with lots of packing and events! But I have a little reprieve, so I wanted to post another WIP; this one is from Heart Full, Bowl Empty.
BE AWARE THAT THIS SEGMENT INVOLVES A CONVERSATION REVOLVING AROUND UNWILLING BUT INTENTIONAL STARVATION. I know there are people who say they can’t read this fic because of themes like this, so be aware of this before reading this WIP!!
I included this snippet in today’s WIP because I have like three versions of the entire segment this snippet is from. I feel like it’s a really important segment with a really important conversation, and I’ve had a hard time balancing all the emotions the way I want to between Ingo and Akari, with frustration, sadness, anger, and empathy, to realistically get them to the resolution I want at the end of it.
The final version will probably only include a few parts from this particular segment.
Enjoy!!
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“I knew it! You’re doing it again!” Akari’s eyebrows scrunched, trying to understand through the frustration. “You said you wouldn’t!”
“Circumstances will improve soon.” Clearly done with the conversation, that was all Ingo said, but it was confession enough that he had fallen back on his word. Shame contaminated his voice, but if there was any regret, he hid it well.
“No, it won’t!” They were not even half-way through winter yet. “And you know it won’t!”
Ingo said nothing as the kits carefully moved around his slumped form, finding comfortable places to settle around him. She didn’t know if he intended to snuff the conversation out with angered silence, or if he was just too exhausted to care about arguing with her anymore. If it wasn’t for his small occasional signs of movement or acknowledgement, she’d think he was actually sleeping.
Akari carefully stepped into the nesting layers, moving to sit down next to Ingo. She settled with her back against the cavern wall, pulling her knees close as a few kits shuffled around to accommodate her. “You know I’m right.”
Huffing out an irritated sigh and nothing more, it didn’t seem like Ingo had any intentions to engage with her argument anymore.
“You couldn’t even pull yourself up over the ridge,” She prodded at him again, trying to motivate more conversation out of him. “I had to help you!”
“There are many, many factors that go into that.” A reluctant answer, perhaps a reflexive attempt to quell her worry; Ingo feebly rubbed his wrapped hand, almost as a display for his excuse.
“I’ve seen you do more when you’ve been hurt worse.” Akari retorted, a little softer now but still cold.
Ingo’s eyes remained closed, though his hardened expression implied that it came across as more accusatory than she’d intended. But perhaps it was precisely the time to be accusatory.
“Ingo, you’re so tired all the time now – you stopped coming to the training grounds because you just can’t make the trips all the time anymore! And you’re sleeping so much more than you used to, and it’s like you’re always hungry all the time, even though all I see you doing anymore is gathering food!” Akari’s voice grew more jagged as she continued to jab at him, entirely uninterrupted.
It was getting difficult. With Ingo’s tunic still sopping by the bucket, still somewhat red from the exhausted effort of washing out the blood, it could not hide the ribs that pressed out just a little bit more, or help fill out what the waistline had lost under the loosening belt. The abject dread of directly acknowledging that was too much.
“And- and look! You aren’t even willing to hold a conversation with me anymore, and I don’t know if it’s because you just won’t, or because you can’t!” The kits shifted uncomfortably as Akari retreated back into her own frustration instead. “People think you’re sick, Ingo! They’re asking me about you! What are you doing?”
The exhausted man remained where he laid in the nesting material, only moving his hands to rub at his face and sigh — a deep, forced sigh that swelled his side before releasing. Akari almost didn’t think he’d answer her, but with some effort, he propped himself up first onto his elbows, then slumped forward. The teen watched him run shaky fingers through his hair as he sat next to her.
“…I don’t know what I should do.” The guilt. The weary guilt cracked his voice and tore Akari’s anger down to heartache.
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Suggestion/request if you need any, maybe Kim and Jean talking after Kim joins Precinct 41?
PERCEPTION (Hearing) [Medium: Success] — Wait. You can hear voices just outside the window. Familiar voices. If you concentrate, you can just make out what they’re saying through the pitifully thin glass.
JEAN VICQUEMARE — “…smoke Drouins, too?”
KIM KITSURAGI — “I’m giving them a try.”
ELECTROCHEMISTRY — Oh, *hell* yeah. You should go join them for a smoke.
SUGGESTION — Or… hang around by the window for a minute or two first.
YOU — What? Why?
SUGGESTION — Oh, come on, Harry. Aren’t you a *little* curious about what those two talk about when you’re not around?
INLAND EMPIRE — You don’t want to know. Don’t even think about it. Lock that thought away with her letter and anything else that might hurt you.
YOU — Isn’t it wrong to eavesdrop?
SUGGESTION — You’re not eavesdropping, you’re just getting a breath of fresh air by the window! It’s not *your* fault that your two closest friends also just so happened to be having a smoke right outside the same window. The precinct is public property, anyway. If this was a private conversation, wouldn’t they have it on *private* property?
ENCYCLOPEDIA — I think you’re confusing private ownership with privacy.
SUGGESTION — Oh, look, a new copotype. Grammar Cop.
They’re my friends, so I should respect their privacy. (Step away from the window)
They’re my friends, so they wouldn’t be talking about anything they wouldn’t talk to *me* about, right? (Eavesdrop)
INLAND EMPIRE — You’re too trusting. So are they, it seems. You’re going to be the death of each other, someday.
PERCEPTION (Hearing) [Easy: Success] — You casually lean against the wall beside the window, sipping water from the cooler and listening to the muffled voices outside.
KIM KITSURAGI — “…late nights?”
JEAN VICQUEMARE — “Everyone here works late. I’m sure you’ve noticed. But Jude and Trant have kids to look after…”
EMPATHY — He’s got nobody. That’s something you and he have always had in common.
JEAN VICQUEMARE — “This late, it’s usually just me and Harry.” He pauses, perhaps to take a drag from his cigarette. “…And you?” He asks more than says it.
KIM KITSURAGI — “And me.” His voice is flat and quiet.
EMPATHY — He’s got nobody, too.
JEAN VICQUEMARE — Another long pause. You can see Jean’s hand suddenly come into view through the glass.
COMPOSURE [Medium: Success] — Don’t panic! He’s just flicking the ash from his cigarette. See, it’s fine. If you’d flinched, they might have seen you.
JEAN VICQUEMARE — “How’s the Drouin?”
KIM KITSURAGI — “Not bad. I might make the switch.”
JEAN VICQUEMARE — “Ha. I like them better than Astras, but most people disagree.”
KIM KITSURAGI — He gives a noncommittal sort of hum, nothing more.
JEAN VICQUEMARE — “Any reason for the switch?”
KIM KITSURAGI — “Just wanted to try something new,” he says lightly.
DRAMA — A lie if I ever heard one, sire.
ESPIRIT DE CORPS — Astras remind him of Martinaise. Of loneliness. Smokers on rooftops and balconies and in traffic jams. A corpse on the boardwalk. A corpse that could have been *you.*
-1 MORALE
INLAND EMPIRE — I told you not to listen.
SUGGESTION — No, no, surely if you listen long enough, you’ll hear something *good* about yourself.
Walk away.
Keep listening.
JEAN VICQUEMARE — “…Can I ask you an unprofessional question?”
KIM KITSURAGI — He hesitates, just briefly. “I suppose.”
JEAN VICQUEMARE — “Why the hell did you agree to transfer here? I mean, don’t get me wrong, we’re glad to have you.” A pause. “Well, more like we were totally fucked without you.” Another pause. “Okay, we’re still fucked, just less fucked. But you could have stayed at the harbor and *not* been fucked.”
ELECTROCHEMISTRY — If only there was as much fucking going on around here as he makes it sound.
KIM KITSURAGI — “Hm… I suppose I could have.” He pauses for a smoke. “But I think that the 41st will be… more important in the grand scheme of things than the G.R.I.H.”
ESPIRIT DE CORPS — “UN JOUR SERAI DE RETOUR PRÈS DE TOI.” Whatever is coming, he feels it’s going to come here first.
KIM KITSURAGI — “And like I said, I’ve been wanting to try something new.” You can almost hear the smile in those words.
DRAMA — But they are still not entirely truthful. Oh, he *does* long for something new. That part was the truth, sire. But he won’t find it here. Deep down, he knows it. And there you find the lie he tells himself over and over again, every day he reports for duty.
CONCEPTUALIZATION — “Nulla sarà cambiato della luce.” Nothing will be changed about the light. Nothing will ever be changed…
PERCEPTION (Hearing) — Silence falls, so lengthy that you almost think that they must have finished their cigarettes and started their way back. And then—
JEAN VICQUEMARE — “I thought maybe it had something to do with the shitkid.”
COMPOSURE — To call the following silence “loaded” would be a massive understatement.
YOU — Oh… I don’t know if I want to hear this…
INLAND EMPIRE — Leave now. Please, just leave.
SUGGESTION — Stay! They care about you, that’s what they’re going to say!
INLAND EMPIRE — That’s what makes it all so sad.
Spare yourself.
Stay.
KIM KITSURAGI — “…And if it did?” His voice is calm, like deep, still water.
JEAN VICQUEMARE — “Then I was going to warn you not to bet everything on a losing dog.” His voice is calm, too. That’s what hurts the most. “You haven’t known Harry long enough to see the pendulum swing the other way. And it *will* swing, Lieutenant. It’ll happen right when you start to think that maybe it won’t. And then things will get uglier than you ever thought possible.”
DRAMA — …He isn’t lying, sire. Nor is he trying to intimidate the lieutenant. He believes every word he’s saying.
YOU — Wait, so then… then it’s true? All the progress I’ve made… is it worthless?
INLAND EMPIRE — Nulla sará cambiato…
VOLITION — No. He’s waiting for the past to repeat itself. But it doesn’t have to, Harry. At least, not always in the same way. Don’t lose hope.
JEAN VICQUEMARE — “…I’m not trying to be cruel.” His voice suddenly softens. Saddens. “I just don’t want you to end up with regrets. There’s no fixing that guy, Kim. People have tried.”
EMPATHY — *He* has tried. And for his troubles, he’s had all sorts of cruelties hurled at him. Humiliation, abuse, betrayal. Broken promise after broken promise. He’s almost exhausted any hope he ever had.
ESPIRIT DE CORPS — Almost, but not quite. That’s what hurts him the most.
-1 MORALE
INLAND EMPIRE — You’ll die at this rate.
VOLITION — Why are you doing this to yourself? Their words are not ironclad truth. You don’t need their permission to live. And you *definitely* don’t need to hurt yourself like this.
SUGGESTION — It doesn’t matter. You don’t have a choice anymore. You *need* to hear this.
Stay.
KIM KITSURAGI — An uncomfortable shuffle of nylon can be heard, even through the window. “…I appreciate your concern,” he says stiffly. And that’s *all* he says.
ESPIRIT DE CORPS — He knows he doesn’t sound like he means it, but he does. And he also knows that Vicquemare will be embarrassed, maybe even hurt, by the curt response. But he can’t think of a single word to say.
EMPATHY — It’s hard for him to face people head on like this. It’s easier when he has something to hide behind. Like you and your antics.
PERCEPTION (Hearing) — A long sigh. You’re not sure whose it is.
JEAN VICQUEMARE — And then you see Jean’s hand toss his cigarette butt into the grass. “Well, who knows? Maybe I’m wrong. Maybe you’re some kind of miracle worker. I mean, two of you apparently *attract* miracles. You know, with your pheromones.”
KIM KITSURAGI — “He wasn’t talking about *our*… khm. Actually, never mind. Let’s not start the cryptid thing again.”
JEAN VICQUEMARE — “Yeah, let’s not.” He sounds a little gruff as he says it.
EMPATHY — He is sad that no miracle ever happened for him, and angry that it came for someone else at all. But most of all, it hurts him that your miracle was someone else.
YOU — I’m sorry for forgetting…
EMPATHY — Forgetting what?
The things he did for me.
The things I did to him.
Why I am the way I am.
All of it.
EMPATHY — He can’t hear you, Harry.
VOLITION — There’s no point in being sorry for how everything played out. Your relationships with them, your sobriety, the case, the Insulindian miracle— all of it is as much a product of circumstance as anything else. A matter of who was in the right place at the right time. All you can do now is choose what to do with what came of it.
That is why they’ve run out of things to say now. They are sad and uncertain, but they have chosen to carry that. What do you choose?
To tell them I don’t need their fucking pity.
To be sorry all the same.
To distance them from me before the pendulum swings.
To make sure they never leave me alone to die.
I don’t know. I want to do what’s right, but I don’t know what that looks like.
VOLITION — None of us really do, Harry. Just do your best.
KIM KITSURAGI — “…I’m not trying to fix him.” His words come out clunky and awkward. Sudden, as if he said them against his better judgment.
JEAN VICQUEMARE — “Uh huh.” He sounds doubtful.
KIM KITSURAGI — The lieutenant clears his throat. “That is to say… I believe he can get better. He *is* getting better. But I don’t think… Well, let’s call it a… a chronic problem.” He clears his throat again, clearly uncomfortable.
EMPATHY — It’s hard for him to say that he doesn’t think you’ll ever put it all behind you. It makes him feel callous.
KIM KITSURAGI — “But… I think that’s all right. We all have things we simply have to learn to live with. But we do live with them. And I think he’s getting better at living with… with everything,” he finishes, trying to put it as delicately as possible. “That is all I can ask of him.”
ESPIRIT DE CORPS — Maybe someday, he’ll tell you and Jean about all the things he has learned to live with, and the times when he very nearly didn’t. But not today.
JEAN VICQUEMARE — You hear the click of a lighter. Another cigarette. “…I see. Well, if he’s made any progress, he probably owes it to you.” He makes a valiant effort to conceal the bitterness in his voice.
KIM KITSURAGI — “No,” he says quietly, “I don’t think so. I think… Well, it doesn’t really matter what I think.”
ESPIRIT DE CORPS — A freshly cleaned room. A little girl come in from the cold. A handkerchief pressed into the hands of a working class woman. A wall with the words “I LOVE YOU CUNO” painted in giant red letters. Dancing ecstatically around a hole in the world. He remembers it all, but he is at a loss for the words to explain the true miracle of it all. He wishes that Jean could have seen it and understood.
YOU — So do I…
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