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#slavic aestetic
thunderboltfire · 3 months
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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.
It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.
The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.
What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.
But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.
There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.
On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.
But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.
My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.
The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.
I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.
And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.
It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.
And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?
There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.
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newermindiary · 2 years
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Як користуватися гештегами на тамблері і нащо це потрібно??? (і ще трошки про порівняння твіттера і тамблера)
У реблозі до мого допису про порівняння ТВІТТЕР/ТАМБЛЕР @fernsensei​ (а також багато інших людей) дуже доречно зауважила про традицію ставити хештеги при реблозі чужого допису:
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... і дійсно, я повсякчас зустрічаю тут таку традицію. Звісно, це нова річ, не присуща твіттеру, до якої треба звикати, але дотримуватися етикету теж важливо! І річ не тільки в етикеті. Це також спрощує вашу навігацію по власному блогу для себе і для інших. Нащо це потрібно?🧐 Це знову ж таки випливає з різниці користування твіттером і тамблером. В твіттері ви досі рідко або взагалі не шукали більшість своїх старих постів або реблогів без якоїсь вагомої причини. Тим паче цього не робили ваш�� підписники. Все ж таки твіттер - це спосіб розповсюдження інформації. Там простіше і ефективніше написати новий твіт чи оприлюднити картинку наново, ніж ретвітити старе. Я неодноразово впевнювалась, що ретвіт старих робіт ажніяк не привертає до них більше уваги! Але на тамблері, де ви ведете свій блог/щоденник, дотримуєтеся певної теми чи естетики, пишете дописи/тексти, які можете захотіти переглянути знову, оновити в пам’яті, знову ними насолодитися як якимись улюбленими фотографіями, у вас може виникнути потреба знайти їх серед купи інших своїх дописів, а по хештегу це зробити простіше всього! А при реблозі чужого допису - тим паче!  Якщо у вас виникне ✨настрій✨, ви значно спростите собі насолоду мемами, артами, чужими розповідями про їхні гедканони ваших спільних фд, які ви реблогнули, якщо поставите відповідний тег. Тобто, окрім усіх інших можливих гештегів, вам можуть знадобитися і власні типу #мої твори, #мої малюнки, #моя творчість тощо. Чи будь-які інші, що маркерують ваші дописи. ***  А, раптом, ви не знаєте, що ставити?..
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Звісно, на будь-який допис як на мене доречно ставити 💕#укртумбочка💕 Цей тег існує, аби “втікачі” з твіттера могли знайти один одного як твіттерська діаспора на тамблері, але також він чудово справляється з задачею виокремити 👁👄👁укртамблер 👍 споміж усіх користувачів. Особисто я шукаю тут українців, які пишуть українською, тому мені цей гештег дуже допомагає, бо я знаю, що за цим тегом точно їх знайду!  Але особисто мені одної укртумбочки не вистачає і я ставлю на свої дописи інші гештеги, за якими мене тут можна знайти як україномовного блогера. Вам теж пропоную використовувати щось або все з цього списку💛💙: #укртамблер, #український tumblr, #українська мова, #український блог, #українська, #українською, #україна, #україномовний блог, #україна #ukraine  ...тощо
Письменникам і фікрайтерам рекомендую такі гештеги✍:
#укррайт, #укрфф, #квіррайт #укрквіррайт, #онлайнкобзарство, #оріджинал, #фандом, #фанхата, #фх, #фантворчість, #рукопис, #письменництво
...тощо
А також в окремих випадках, якщо ви хочете поділитися цитатою з твору, можливо показати якийсь діалог з твору в форматі тутешнього “чату”, або такий, що просто щойно прийшов до голови: #діалог, #вигаданий діалог, #вигадані діалоги, #цитата персонажа
...тощо
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Художникам і артерам🎨: 
#украрт, #ukrart #арткозацтво, #УкрАртПідтримка, #art, #artist on tumblr, #живопис, #мистецтво, #digital art  #digital drawing, #digital illustration, #illustration, #commission, #ілюстрація
...тощо
...Звісно, хештеги також варто розставляти і інші, залежно від того, що ви дописуєте: альбом, фоторепортаж, подорож, відгук, огляд, рецензія...
Особливу увагу раджу звернути на естетичні теги, теги типу (...)core:
#gothic, #ciberpunk, #astronomy #cottagecore #fairycore #witchcore #spasecore, #slavic stuff #dark academia #light academia
...тощо
Бо на такі теги навіть підписуються люди, тому у вас більше шансів, аби ваш пост побачили і вподобали!  (Звісно, якщо допис відповідає цим естетикам) Якщо ви пройдетеся по тегу, наприклад, #dark academia то можете побачити, що кількість заміток сягає там від 5000 до 50000! (Але це у "популярному", до популярного ще треба дійти, проте головне, що тег затребуваний)
Для репрезентації української спільноти на тамблері також дуже не вистачає тегів типу:
#українська культура, #українська естетика, #ukrainian culture, #ukrainian aestetic, #український стиль, #укрреал, #ukrainian stuff, #madeinua 
...тощо
***
Беззаперечно, я рекомендую також ставити різні відповідні до допису гештеги англійською, але також і українською. Хоча це також на ваш власний вибір.
Ви могли б помітити, що україномовного контенту тут покищо обмаль і канал україномовної навігації (тобто україномовного тегування дописів) не облаштований.
Якщо ви створили новий щоденник, хочете вести його українською і знаходити таких самих україномовних користувачів, то було б чудово якби ви не гребували україномовними тегами також! (Тобто, якщо ви робите допис по фанхаті Гаррі Поттер, ставте не тільки #harry potter але й #гаррі поттер.)
Звісно, якщо ви орієнтуєтеся на англомовну аудиторію, пишете дописи англійською, то англомовні теги допоможуть англомовним користувачам вас знайти. 
Хоча зараз з масовою міграцією з твіттера вчинилася потужна хвиля взаємної підписки українських користувачів на українських. Саме тому, коли я зустрічаю в стрічці когось з твіттера, хто дописує англійською мені трохи дивно. Як на мене, якщо ми тут знайшли один одного як українці і цікаві один одному тому що ми українці, то очевидніше було б спілкуватися один з одним українською мовою чи не так? 
Я просто хочу сказати, що якщо наразі ваша аудиторія - українці, то їм було б приємніше, якби ви зверталися до них у дописах українською. Так вони б розуміли, що це
для них
. І тоді вони б давали вам більше фідбеку!
Отже,
Напишіть, якою мовою ви б хотіли спілкуватися на тамблері?
Також щодо гештегів, які вам подобаються і які б ви порадили використовувати іншим, пишіть у коментарях! 👇💝 гадка на згадку/// інші поради з користування тамблером ви можете знайти за тегом #поради з користування тамблером
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kit-williams · 6 months
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Vilka the Bloody
Vilka the Bloody Class: Barbarian Species: Asimar? (She's never asked her father) Alignment: Chaotic Neutral/ she swings between evil and good
Vilka is a bundle of chaos!
She is the most akin to Sanguinius' Blood Angels when he first found them
She embraces the bloodlust she feels
Also has a habit of ripping off her clothes when she fights as she loves to feel the blood against her skin and feathers
Thanks to Martel she has an item that she can hide her wings, as much as she loves to show them off it doesn't help her when she wants to not be recognized
She has long blonde hair, like her father and mother, and bright blood red eyes
She tries to only show her tough side to others but is very sweet at her core liking to keep that core safe by just presenting her blood lust and aggressive half first
very close with Kharn as he will use his powers to pull Vilka out of a frenzy once the battle is done and she loves to feed off of him
She knows she is one of the physical powerhouses of the group and prides herself on that
She wears pelts and furs (think viking aestetic) but when it is celebration time she will wear dresses (think more slavic/polish)
But if you can get her off kilter then she get flustered and a nervous wreck; she knows she is not the most eloquent of speakers and doesn't hold herself to a larger than life sort of nature
She inherited a strong "primarch" aura
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dunno how to explain but i prefer to self-identify by this bimbo jan svankmajer slavic milorad pavic pagan shaman whatever-this-is princess in a cave current 93 taxidermy aestetic
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russianfolklore · 3 years
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THEODOR BASTARD - Лес / The forest
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tinyhorror · 2 years
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she is wearing vyshyvanka with embroidery of Zhytomyr region
(bg photo by me, one of my fav bogs in my grandma’s village)
instagram | twitter | redbubble | inprnt
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allyouneediswall · 5 years
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I’m happy to share this little lookbook for my collaboration with a small brand Lyoclothes
I made patterns, Olya from Lyoclothes made these beautiful dresses.  All the dresses are made from 100% Viscose (rayon). Our dresses are handmade, sewn locally in my hometown - Saint Petersburg. Due to the nature of a small brand, we have a very limited amount of dresses at this moment! Most of the dresses were made in 5 copies. If you want to purchase a dress - it is possible to make via Etsy at lyochothes.etsy.com with free shipping. Also, we will update the shop very soon with two new dresses!
Also, I’d like to explain the price because it’s important for me to be transparent. Sadly we can't offer anything by the fast fashion\mass market prices. Most of the dress price is aiming to cover our expenses for good natural fabric, custom high-quality printing, and sewing dresses locally with all the details. I hope for understanding!
Art direction by me.
Photos by me & Fromcelticpark
Models: Liza, Ksusha, Dasha
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smudgedeyeshadow · 4 years
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i’m always torn between choosing between whether i want to express my hispanic, lithuanian, or greek side because each of those have a very different but beautiful aesthetic and place in my heart
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Created this page to be able to share the aesthetics of everyday life in the heart of Siberia.
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russianfolklore · 3 years
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[Cavill/Khodchenkova] OCs - ...на свете всех румяней
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