HII KIRA KIRA looks at you :] persona names maybe... (feel free to choose from all games, but obviously 5 is the one I know :D)
yeye!! (nick)names from persona 5!!!
Aka, Akan, Akane, Aki, Akim, Akimi, Akimitsu, Akira, Al, Ali, Alice, Ang, Ango, An/Ann/Anne, Aoi, Ama, Amami, Amamiya, Ake, Akechi, Ara, Arai
Car, Caro, Carol, Caroli, Carolin/Carolyn, Caroline, Chi, Chiha, Chihay, Chihaya, Coach
Dem, Demi, Demiu, Demiur, Demiurge, Di, Dir/Dire, Director
En, Ena, Esc, Esca, Escar, Escargo/Escargot
Fu, Futa, Futaba, Fuji, Fujikawa
Go, Goro
Haru, Hi, Hif, Hifu, Hifumi, Has, Hase, Hasega, Hasegawa, Hi/Hii, Hiir, Hiira/Hira, Hiiragi, Hiraguchi, Hy, Hyo, Hyodo
Ichi, Ichiko, Ichiryu, Ichiryusa, Ichiryusai, Igo, Igor, Iss, Isshi, Isshiki, Ichino, Ichinose, Iwa, Iwai
Jo, Jose, Jun, Juny, Junya, Jyu, Jyun, Jul/Jule, Juli/Julie, Julia, Julian, Just, Justi, Justin, Justine
Kas, Kasu, Kasumi, Kaz, Kazu, Kazuya, Ko, Kob, Koba, Kobaya, Kobayaka, Kobayakawa, Koto, Kotone, Kumi, Kun, Kuni, Kunik, Kunika, Kunikaz, Kunikazu, Kuo, Kuon, Kiu, Kiuchi, Kita, Kitaga, Kitagawa, Kamo, Kamoshi, Kamoshida, Kawa, Kawakami, Konoe, Kage, Kageya, Kageyama, Kane, Kaneshi, Kaneshiro, Kat, Kata, Kataya, Katayama, Kabu, Kabura, Kaburagi
Lala
Mak, Mako, Makoto, Mari, Mariko, Masa, Masayo, Masayoshi, Mer, Mero, Merope, Mi, Mika, Miya, Miyako, Morg, Morga, Morgan, Morgana, Moto/Motoh, Motoha, Mune, Munehi, Munehis/Munehise, Munehisa, Mish, Mishi, Mishima, Maru, Maruki, Maki, Makigami, Mifu, Mifune, Mada, Madara, Madarame, Mon, Mont, Monta, Montag, Montagne
Nao, Naoya, Nat, Nats, Natsu/Natsuh, Natsuhi, Natsuhiko, Noge, Nii, Niiji, Niijima, Naka, Nakano, Nakanohara, Natsume
Od, Oda, Oku, Okumu, Okumura, Ohya, Owa, Owada
Pres, Presi, President
Ren, Ru, Rufe, Rufer, Ruferu, Rumi, Ry, Ryu, Ryuji
Sada, Sadayo, Sae, Sei, Seiji, Shadow, Shi, Shibu, Shibus, Shibusa, Shibusawa, Shiho, Shin, Shini, Shinichi, Shiny, Shinya, Shu, Shuz, Shuzo, Si, Siu, So, Soji, Sojiro, Soph, Sophi/Sophie/Sofi/Sofie, Sophia/Sofia, Sugi, Sugimura, Suguru, Sumi, Sumir, Sumire, Saku, Sakura, Su, Suz, Suzu, Suzui, Shira, Shirato, Shiratori, Saka, Sakamo, Sakamoto, Shido
Tae, Tak, Taku, Takuto, Tom, Tomoko, Tor, Tora, Torano, Toranosuke, Take, Takemi, Tan, Tana, Tanaka, Tsu, Tsuda, Taka, Takama, Takamaki, Togo
Ubu, Ubuka, Ubukata
Wakaba
Yu, Yuki/Yuuki, Yukimi, Yusu, Yusuke, Yuji/Yuuji, Yosh, Yoshi, Yoshida, Yoshiza, Yoshizawa
Zen, Zenki, Zenkichi
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Mingei -“ hand-crafted art of ordinary people"
“Mingei” an art form developed in Japan in the early 1920s by Yanagi Soetsu, Hamada Shoji and Kawai Kanjiro. Yanagi-san was a philosopher and Hamada-san and Kawai-san were potters.
The “ideology” of “mingei” as put forward by Yanagi-san that art was not only that what was created by artisans but ordinary daily objects made by ordinary nameless person have their own beauty.
Prior to “mingei”Japan was an isolated country (Edo period ~ 300 years ) and during this time it had developed its unique aesthetics like “shibusa” (simple, subtle, imperfection) and “iki” (aesthetic ideal, urban, stylish, simple, sophisticated). Given it’s isolation, theses aesthetics later developed into “mingei”. This was in opposition to the Western influence that had started to infringe into Japan after the Meiji restoration.
In the first book book on “mingei”, 1928, he put forward that daily objects made by the common people were "beyond beauty and ugliness”. [Yanagi Sōetsu, Kōgei no Michi (The Way of Crafts). Selected Works, Volume 1. Tōkyō: Nihon Mingeikan, 1955.]
For an object to be considered “mingei”, the object had to meet a certain set of criteria, cumulating to beauty;
1) Made by unknown craftsmen
2) Made of natural material and hand made
3) Using traditional methods and design
4) Simple in design
5) Form and design but functional
6) Inexpensive
7) Easily re produced
In this regard, art can be created by all not just by artists or artisans. It can be created and appreciated by non artisans.
The connection between the work of art and the individual is our sensory. That sensation is what makes the work appreciated. All of us have this sensory capability in one form or other. Without this common ground of connection, there will be no art.
Art in a true form is basic and pure. The energy of the maker is what makes it work.
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