i keep thinking about the datamined conversation between halsin and minthara and what gets me about it is that if you side with halsin and turn minthara away, thats objectively the bad choice.
like at this point, you've rescued minthara from moonrise. you know now that she was being controlled to act against her will. you've gone to the trouble of rescuing her from her tormentors, and you've experienced what it felt like as they tried to destroy her mind. you know what will happen to her if you turn her away. and if you do, you're willingly condemning her to that fate. you've essentially allowed her to experience freedom, to regain her sense of self, only to tear that away from her again.
whereas if you side with minthara, and halsin leaves, that's the only consequence he experiences. that he's not a companion anymore. at this point, we've saved the grove, we've saved him, and we've lifted the shadow curse. we've helped him achieve what hes been hoping to do for over a century. leaving your party won't see him lose his free will. he can return to the grove and live his life.
the choice is essentially either condemn someone to a fate worse than death, knowing exactly what that entails vs not letting someone travel with you anymore. its pretty clear cut to me.
its just interesting to me that they've switched the morality of it around given that minthara is considered the 'evil' companion by so many.
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the frozen ii ending makes me soooooo angry like the whole POINT of frozen i was that elsa learned that she could rule arendelle with her powers and with anna by her side!!! literally in the bway musical she sings ‘i know i’ll never see that sunny day / when this trial is finally through / and it can just be me and you’ like. elsa WANTS to stay with anna
and they try and explain this somewhat in into the unknown, with the ‘who knows deep down i’m not where i’m meant to be’ but. WHY isn’t she where she’s meant to be. all of the first film was her learning that she belonged in arendelle and her powers/herself wasn’t something to be afraid of. why isn’t she meant to be with her family? with her sister who’s been desperate to reconnect with her? why doesn’t she belong where people readily love her and accept her and want the best for her?
and then, what about anna? there is no mention of her wanting/being ready to be queen in either two films. we don’t even see the offer on screen; we don’t get the sisters’ quiet, vulnerable conversation where elsa admits to wanting to live with the rest of the nature spirits and anna offers to take her place as queen. we don’t see anna begging elsa to stay in the forest because she can rule if elsa’s happier there. we never see their dialogue. it’s just so sudden. is anna once again just going along with what her sister wants? is elsa isolating herself all over again? we just don’t know. they both seem happy, but there’s barely any indication that it’ll lead up to that point.
it just makes no sense for either of their arcs, or their previous wants/needs. if they were meant to stay together, why separate them again? they just got each other back. and now they’re alone again.
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please say more about jilypad + diverging parenting styles... perhaps even a possible scenario >:) i imagine harry has very cunning tactics for using this to his advantage
helloooooo <3 thank u for this ask bc i love talking about these three and harry. i went looking thru the archives to find this post; my first foray into this side, and really, i’ve never looked back after that.
so i’ve talked ab this a bit before but i fully think that james was a very overprotective ‘mother hen’ type parent. i tend to read his behaviour in lily’s bday letter to sirius as being scared of his child on a broomstick and i fully, fully think he’ll never be able to let go of that as harry grows up. he’ll be anxious and suspicious and paranoid, and his first instant will always be to wrap harry up in cotton wool and hide him away. (i low-key connect this to his childhood as well; going from being spoiled and sheltered to dropped in the middle of a war, black & white thinking, living in extremes etc etc makes it v hard for him to be Normal about his child. as he shouldn’t be, really, but yeah) that’s why he thrives during the initial years; he never minds the hard parts of being a new parent, loves it in fact, and it makes it better that he can keep harry close to him at all times w/o coming off as a helicopter parent (not that the notion bothers him ofc).
it’s good, then, that he has two partners to even the scales, no? i think lily was the most…balanced out of the three. she had a relatively normal childhood, grew up in a working class family/neighbourhood and had to deal w adversity from a young age so she’s developed a nice, thick skin. she also has a sibling with whom she has a v rocky relationship so she knows that kids are, ykno, a bit unhinged. and a little bit of hardship is not a problem. i hc her as needing time to get used to parenthood, unlike james who stepped into it natural as breathing, or even sirius who loved harry on much on first sight that it made up for everything else. ofc lily loved her son, but it didn’t come w the same blinding intensity of her partners and made her feel really shitty in the beginning. but, i think she’d shine during his teen years actually, because she’s not overbearing or intense and becomes the quiet, calm strength that a hormonal, spotty teen boy would probably need.
and sirius <3 our poor baby falls in love with harry, perhaps even more quickly than james, with such startling speed that it shakes his entire foundation. he doesn’t regret it but he’s constantly discombobulated. i also imagine that…it takes him longer to settle into the role of parent, esp bc he’s not biologically one ykno? not like it matters to anyone, ofc, but it takes him a long time to truly accept his authority and place, to believe that he has just as much right as j&l to be there, to parent harry. this has the consequence of him always being more indulgent than the other two; after all, he considered himself a godfather before a parent and a lot of that thinking stayed. he lets harry get away with stuff the others might not (and the little mf figures this out later); some of it also comes from sirius seeing so much shit, and facing so much shit himself, that he rationalises a lot of stuff as ‘well, this isn’t the worst it can be, so what’s the harm’ (because his life has been such a roller coaster that he’s forgotten that not everyone’s like that, if that makes sense?)
its obviously not this clear cut but i imagine harry looks at it like this: if he needs unconditional love, he goes to james; rationality and logic, lily; acceptance and calm, sirius. when someone has to be beat up for hurting harry, james steps in. if he needs help burying a body, it’s sirius. dealing with some asshole boss/teacher/classmate’s mother who’s making harry’s life hell? lily. i can keep going but,,,u get the idea, right? this makes sense, i hope lol
i actually think harry’s first birthday is a great example. sirius pushes the boundaries by gifting lil harry a broom; james loses his mind running after him; lily places an industrial sticking charm on harry’s butt, leans back with a glass of wine, and enjoys the show. even as he grows up, lily and james act as the disciplinarian, and sirius is the emotional outlet. all of them fill in each other’s cracks so well, and it’s only when harry grows up that he realises how effortlessly they worked off each other to parent him.
also oh man o man. harry being cunning is,,,,,see, i’ve not considered it this far but it makes perfect sense. i think canon harry actually had so much manipulative energy and it’s often overlooked for his goofier traits but! this is the same dude who used his dead parents to trick slughorn into revealing sensitive info! imagine if that could be channelled into his jilypad interactions 😈
it’s like, it takes him a bit, because his three parents r so smooth, but once he realises that all of them have certain weak spots, he does NOT hesitate to exploit them. (it has the unintended consequence of truly strengthening the jilypad relationship into an unbreakable one bc one thing their kid taught them is to have ironclad communication going at all times so nothing they’ve said, or not said, is used against them). so like, he knows if he wants to sneak out to a party, it has to be sirius and in a specific way—‘i’ll be totally safe, papa, plus i really wanna see what it’s like and idk when it’ll get a chance to again’. if he widens his eyes to pitiful levels, pouts a little, and blinks faster than usual, then james is putty in his arms as long as he’s separated from the other two. divide and conquer becomes the main tool in harry’s arsenal, actually. lily’s the toughest nut to crack, purely bc she doesn’t run on emotions or irreverence, but harry soon learns that if he comes up with a solid, logical case that proves his argument has unbiased merit then he has a good chance of getting her to say yes. (this is good, bc u can arrange words in the correct order, but u can’t always control emotions)
so overall yeah, you’d think one kid + 3 parents would be an easy bet, but harry keeps them on their toes all the fkn time.
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i just think a "friended/romanced + saved + trust aj" violet does such a good job rounding out the plot and characters of S4 and i dont say that lightly
she walls people off out of fear just like S3 clem did and learned to grow out of through the compassion of others. feeling like she could have done more to save minnie being what initially makes her step up to lead, but her accepting her love for clem (and clem choosing to save her) is what leads to her Truly accepting the school and everyone inside it as her Home and gives her something to fight for ("i tried my damnedest not to care about either of you. and i still couldnt tell you why." "i know where youre coming from. after losing so many people, sometimes its easier to keep everyone at arms length." "and then you wonder why you fight so hard to stay alive. i dont wonder anymore."). this being the reasoning behind violets detachment from the school, as well as a negative home life impacting her idea of what a home even was. but together they turn ericson from a prison into the home theyve BOTH been looking for, renaming it together, and envisioning it for the future together. the two of them understand each other deeply, from what theyve lost to how its affected them and the poor ways theyve decided to react to it. but through their support of the other, they BOTH get to evolve into more relaxed and confident versions of themselves, who know Exactly what theyre fighting for
her troubled relationship with brody and getting to learn more about what happened with the twins/violets reaction to it and how she ultimately blames herself/brodys guilt about her part in it and how she misses violet. getting the chance to mend that relationship before its too late. the 3 of them becoming closer because of it. and getting to develop clems friendship with brody leads to a more impactful moment later in the basement
her relationship with tenn reflecting clems relationship with aj, in the way they both made the decision to look after their respective boys after their primary guardians died (ajs parents, tenns sisters). both of them can understand the responsibilities they have taken upon themselves, and how hard it can be to do right. the 4 of them become a tight knit group quickly. especially in EP2 as vi supports clem while tenn supports aj through the marlon fiasco
her confused relationship with minerva introducing interesting conflict both within her relationship with clem (who has her own personal conflict with minerva, which vi still ties into through her relationship with both minnie and tenn) and the over arching plot, which has themes of learning when to let someone go because they are no longer who they once were (clem and lilly "we were family once", mitch about ms martin "you get all caught up in who people used to be, and you cant deal with whats in front of you", violet about minnie "the real minnie? shes been gone this whole time and i have to stop mourning her")
having a saved violet on the boat expanding the conversation with minerva about her motivations with the delta. violet apologizing for never looking for her, minnie saying she knows she would have but that its too late now, so sure this is just the way things have to be. getting to hear minnie say "you can be rewarded, just like i am", giving us insight into her character. and clem getting the last word before she rams the door down, her and violet fighting minnie Together. and violet saves clems life, making the Choice to shoot minerva, which in and of itself is a huge moment for violets character in regards to her relationship with both minnie And clem
and aj shooting tenn on the bridge brings things full circle, by putting violet in the same position louis was in EP2, where aj has killed the most important person to her, in an effort to save her life, and now she must reckon with those feelings the same way louis had to about marlon. not so easy now is it violet? ("so youre mad, but sad" "can i be that for a while?" "yeah, its ok")
just... ough... violets whole character just fits into Everything so well, but in a way that elevates the characters and plots around her, while also developing her into her own
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sorry for speaking my truth it will happen again. i think my main issue with valax’s redemption arc is literally just that there’s never a moment where the mc gets to actually talk to her about what she did—there’s not really a cathartic conversation, so valax and mc moving past what she did to them feels less like forgiveness and redemption and more like an agreement to ignore the elephant in the room
like sure we got to talk about our trauma (in chapter 17 of 20. lol. lmao, even) to the party, but valax wasn’t present for that?? and like, sure, she says once that she is sorry “for the pain she caused [them]”, but there’s a difference Tew Me between “sorry for hurting you ig ✌️😗” and actually being like “yeah, i abducted you and forced you into a magically induced coma and stole your blood and robbed you of a full year of your life and repeatedly tried to murder you, to say nothing of the grief i caused your loved ones. i did all that shit and i’m sorry for it and deeply regret it, and i acknowledge that you don’t owe me forgiveness, but i will spend the rest of my life working to build a better world for my people instead of being my mother’s pawn”, and a difference between “my mother is unhappy with me for saving you :(” and actually like, giving the mc space to talk about the impact of her actions towards them. like girl you are not getting out of this shit with one sentence’s worth of apology and a sex scene lmfao!!!
during the first half or so of the book the focus for mc is not falling the fuck apart bc they have a friend group to tentatively piece together and they’re averse to showing fear in front of valax, so they’re repressing all their trauma—and by the time valax joins the party, the narrative has gone full Valax Cool And Good mode, and fully allows you to flirt with her and tease her and generally stops taking her seriously as an antagonist. which would be all fine and good if we had actually at any point gotten to be like, “hey, you abducting me and keeping me in a magically induced coma and stealing my blood and trying to kill me has actually caused me a lot of lasting fear and pain,” followed by some set of choices wrt forgiving or not forgiving her for all that in light of the revelation that she did all that shit bc her mom tortured and brainwashed her
like why are my friends more pissed off about the time this bitch abducted me and did evil little experiments on me than i am. free valax she did all that shit bc of her mommy issues but i should’ve gotten to call her a cunt just once. pb stop making all your mcs generals in the idgaf war challenge (IMPOSSIBLE)
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Something that's been on my mind is seeing the idea that in order for smut to be valid to write it has to have a purpose. It has to say something about the characters, it has to serve as a tool for the plot, it has to have some deep meaning beyond the sex acts involved.
And honestly, that's not true no matter how much some very vocal people might insist that smut without a 'purpose' is just porn and porn is shameful to make and consume.
It's okay to write smut because you think the concept is hot. It's okay to write it just because you want to give your readers jerk off material about their favorite characters. It's absolutely, 100% fine to write smut for smut's sake.
And sure, you want it to be in character, you want to write it so that you can't just file the names off and replace them with anyone. But you can just write something because you think character X should fuck character Y in this very specific way and have that be the end of it.
Call it smut, call it porn, call it whatever. Write the stuff you want to write. You don't have to do literary gymnastics in order to make it 'valid' for anyone, and you especially don't have to make excuses to yourself to justify writing it in the first place.
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