Bakusquad + “Why are you awake” Part Two
PART ONE HERE
So here’s part two! Fun fact, the song Jirou plays you in her part is actually a song I wrote! I didn’t include any of the lyrics though because its lowkey really cheesy :/
I hope you like this! This one is for Sero, Mina, and Jirou.
Warnings: insomnia, depression kinda
Sero Hanta
- Sero is very much a hypocrite when it comes to getting enough sleep
- He’s constantly up at all hours, even sending you random texts if he can’t sleep
- But when you aren’t going to bed at a normal time?
- He’s so sad
- He looks like you kicked his puppy and then him in rapid succession.
- It’s crazy because he seems to just instinctively know when you’re awake
- Like he bolts up in his bed all, “they ain’t in bed. I’m abt to beat some ass.”
- He’s never sure if he’s right though, so he texts you a meme he made specifically for you being up too late
- It’s probably really cheesy and outdated, but the effort is there
- If you respond to it (because you will) he knocks on the wall between your dorms and talks to you
- Often, you both just stay up like that
Sero’s body is awake before his mind, moving him to sit up in bed before he can think. He was having a really intense dream; something about talking mice. He didn’t mind it, but he woke up as if he’d had a nightmare.
Faintly, from the wall beside him, he can hear low music playing, but he can’t make out what song it is. It’s coming from your room, though, so he’s concerned.
The sky outside is dark, clouds drifting across his windowed view of the moon. It must be pretty late; all the noise is gone, leaving nothing but static air, and the music. He leans over his bed to look at the time on his phone. It’s around 2 am. The song you’re playing ends, and he recognizes the next one. It’s on your sad playlist.
He sends you the meme, as well as an invitation for a hug as soon as it’s morning. You respond almost instantly, assuring him that you’re fine, you just couldn’t sleep. But he knows you better than that.
Knocking on the wall between you, he hears the music stop suddenly. He calls out to your wall.
“Mi amor? What’s keeping you awake?” He’s met with silence for a moment before your shaky voice responds.
“I’m okay. I just kinda got hit with some sad, y’know?” He does know. He knows that this happens sometimes. It happens to him, too. But he hates hearing your voice sound so lost. You almost sound hopeless, and he can’t bear it.
“I understand.” He places his hand up to the wall, wishing he could hold you. Unfortunately, you had both been told off by Iida for sleeping in each other’s rooms more than enough times lately, so he couldn’t just go see you. He opts instead for hugging a stuffed giraffe you had gotten him after the Sports Festival.
“Do you want me to distract you, or do you want to talk about it?” He asks, stroking the giraffe’s head as if it’s your hair, not knowing that on the other side of the wall, you’re holding a stuffed lion the same way.
“Distract me?” Your voice comes out only just loud enough for him to hear you, but he understands. He begins to tell you a story. He’s told it before. It’s about a great hero, one who fights crime valiantly, and his partner, also a fantastic hero. He ad-libs parts of it, making pretend villains say silly slogans, and recounting how the heroes save the day.
As he reaches the end, he hears you giggle a bit. “Oh? Did it work? Are you smiling over there, my sweet?” He calls to you, a teasing lilt to his voice.
“A little bit.” You respond, playing with your stuffed animal. “If you keep talking, maybe I’ll even smile more.”
He laughs, eyes bleary with sleep, but happy to talk to you the whole night.
Mina Ashido
- Honestly, she’s no better than you about staying awake
- She tries to sleep, but her thoughts are always racing
- Sometimes it’s thoughts of you, sometimes of new things she wants to try in training, or things she wants to see if she can convince her friends to do
- But she wants you to get adequate rest, even if it’s hard for her to do the same
- She used to get told off for sneaking to your room every night, but then Momo and Iida saw how much better you were performing in school on the days after she’d been there, and they started letting it slide
- It’s nicer for her, too, because she has someone to ramble to as the two of you fall asleep
Mina skipped down the hallway toward your room. It was a bit past midnight, and usually, you would be asleep by this time. It was well past lights out, and classes had run long that day, not to mention the endless exams that were happening at UA right now. So when she reached your door, she was surprised to find you watching a movie on your phone instead of snoring.
“Hey bug! Why are you still up, don’t you know what time it is?” She says, throwing a grin your way as she puts her blanket down next to you.
You shrug, yawning. “I could ask you the same thing, love.” She pouts at that, tossing her arm around your shoulder and pressing a kiss to your temple.
She watches you watching your show for a few minutes before saying anything. It looks good, she supposes, but she has a better idea of what to watch. “Scoot over.” She pushes you lightly, giggling as you scrunch to the side to give her more room. “Do you wanna watch something with me?” She asks, holding up her phone.
You look at her for a moment. “That is what we are currently doing, is it not?” You hold up your phone in return, showing her the paused screen.
“But I have a better movie!” She insists, unlocking her screen and shoving it above yours so that you can see her pick. She’s right, it is a better movie. You guys have watched the entire Studio Ghibli filmography, but even you know that her favorite, “When Marnie was There,” is the better option at this particular moment.
You toss your phone to the side, pulling her in to lay next to you. “Fair enough, bubs, I guess yours is better.” You feign reluctance, watching her excitedly press play and tuck the blanket in around the both of you. Her arm curls tighter around your shoulders, and she giggles as the opening credits start.
“Hey Minari?” You use her favorite nickname, looking at her through hooded, sleepy eyes. She hums in response. “Why is this one your favorite?”
Hearing the question, she pauses the movie, turning to look right at you. She’s quiet for a moment, thinking about her answer. “I guess because they remind me of us! Like I’m Marnie, and you’re Anna, and we’re having this great adventure together!” You feel your face heat at her words, thinking about the movie more critically now. Mina continues, “It’s like…” she pauses, finding the right words. “Like Anna is learning how her friendship with Marnie can make her feel more right, as a person. And I feel like that about you!”
You’re tearing up now, unsure how to respond. Mina is so many things, and being with you is that important to her? It’s a new feeling, but certainly a welcome one. You pull her down, giving her a kiss. And then another kiss. And one on her nose.
“Press play, Mina.”
Kyoka Jirou
- Lol u think she sleeps?
- She does, but not at night
- Were it not for classes, Jirou would be essentially nocturnal
- So you try to remind her to go to sleep
- Sometimes you’ll walk past her dorm at night, and you hear her guitar, softly playing her favorite songs
- Before you got together, sometimes you would sit outside her door and listen to her play
- Not in a creepy way, there’s just a little common area right outside her room and you like took a book there, you weren’t like ooh it’s late i think i’ll sit outside someone’s room and listen to them
- You aren’t Mineta.
- But anyway
- Now that you are together, Jirou thinks it’s really sweet that you listen to her play
- Sometimes she leaves her door cracked open so you can come in
It’s 4 o’clock in the morning, and the light is on in Jirou’s room. You had come out to go to the bathroom, but you noticed her guitar, and decided to stay. The soft strumming is pretty, and you’re glad to be one of the few people allowed to hear it.
Opening Jirou’s door just a bit more, you nod toward her desk chair in a silent question. She nods, so you go sit down.
She’s playing a song you don’t recognize, and the lyrics are sad. Even still, it’s beautiful, and your eyes seem to naturally close, taking in the melody of her voice. She used to tell you her voice wasn’t anything special, but she seems content now to let you listen.
The guitar resonates with the last few chords, and the ending note is held for three beats. When she’s finished, Jirou opens her eyes and looks at you, waiting for your thoughts.
“It was beautiful. Did you write that?” You ask her, your hands fidgeting with the urge to hold her own. She nods, but doesn’t say anything.
You don’t acknowledge the sad theme of the song. She’s told you before that sometimes sad songs are easier than happy ones. That the melody is clearer. You don’t mind. All her songs are beautiful, and they reflect her in them, and isn’t that what makes a piece of art?
“I have another one, if you’d like to hear it?” She looks nervous; something you never see on her.
“I’d love to!” Your exclamation seems to snap her out of the anxiety in her eyes, which narrow a little.
“Just…” She starts, looking away from you to adjust the capo on her instrument. “Don’t freak out, okay?”
Confused, you nod, and she starts playing.
The song starts out with a few chords repeating in a loop, and then she begins to sing. The lyrics are confusing to you at first, and you still aren’t sure why she’s told you not to freak out. But then she gets to the chorus, and it begins to make more sense.
Lyrics, in essence, are a poem, and this one is a love poem. Her thoughts, written out, are so sweet and loving, that you’re sure you don’t know what to think. She sings elegantly, like someone who’s never known how to dance, and yet is waltzing perfectly across a shining floor.
She finishes the song with a declaration of loyalty, and you realize your eyes are watering. She looks at you, waiting for your thoughts.
You say nothing. You don’t know how to say anything, so you stand, cross to her, and pull her into a hug. She’s not usually one for physical touch, but she holds you tightly.
“It’s about me, right?” You laugh, leaving a kiss on her calloused fingers. She rolls her eyes.
“Obviously.”
She smiles at you, pulling you to lay on her bed as she puts her guitar in its case, taking the capo off the strings. “You should sleep. It’s like, morning now.”
“You should too.” You retort, still holding her hand.
“No.”
182 notes
·
View notes
@shallow-gravy jess..... jess jess jess...... where do i even begin huh? what do i even say? you are the sweetest, the most obnoxiously talented, and i just!! hm!! i just really adore you all to tiny bits and pieces. merry christmas my beloved friend, thank you so much for all of your love and support and listening to my ramblings, for loving my girl elliot, for letting me gush over diana. the list really do be endless!! i could probably wax poetic about how grateful i am to have made a friend as wonderful as you, but in the interest of time, i will just say: thank you thank you thank you! and merry christmas!
ii. a venom dripping in your mouth
elliot honeysett/john seed/deputy diana baker, the unholy trinity, in full-fledged terroristic force. this is pure self-indulgent trash, and i can’t believe this is an acceptable christmas gift to give you but i so hope you like it!
canon? who is she. i don’t know her. herald!elliot au, largely canon divergent but like it doesn’t REALLY matter bc i don’t go into detail that much. idk man just roll with it
words: 8.8k because i’m incapable of having any Chill
warnings: naughty language, some blood warnings, mentions of past trauma. nothing super explicit but like idk when elliot and john set their sights on diana i do think they need a warning of their own lmao. also, i guess i should warn i don’t know how anything works ever and don’t come for me, don’t drag me, this is supposed to just!!! be fun!!! thanks!!!
“Who the fuck is that?”
Burke’s crossing the street with Pratt and the rookie in tow. Diana drags a few feet ahead, smoking and attempting to not be a part of the conversation, which is hard to do when there’s only a handful of them at the office anyway.
Pratt glances up at the blonde they’re about to pass. She’s propped against the hood of a jeep, the hem of her daisy dukes barely reaching mid-thigh, taking a long drag of a cigarette. He notices the head of a snake tattoo coming down her thigh. It’s hot; the air is buzzing with bugs and heat from the midday sun, and Burke can feel the sweat collecting in the hollow of his collarbones and at the nape of his neck.
From here Burke can tell she’s not looking at them—she’s looking at Diana. Hungrily.
“Elliot Honeysett,” Pratt replies, keeping his voice low, and he spits on the ground. “John’s wife. Fucking psycho.”
Ah. A Seed, Burke thinks, with no absence of venom. A Seed but with her own last name. An uninteresting but unexpected detail.
“You know her, rookie?” Burke asks, looking over at Diana. The brunette stares at him and drops her cigarette to the ground, grinding it out with her shoe.
“No,” Diana replies shortly. “I’m not from here.”
She says it like that’s supposed to explain it, like that’s going to make it make sense why the blonde’s eyes are fixed on her, and of course it doesn’t.
“I went to school with her,” Pratt offers up, and Burke looks at him curiously.
“Yeah? She a psycho then, too?”
“Nah.” The deputy crosses his arms over his chest, refusing—pointedly—to look at Elliot even once after identifying her the closer they get. “John made her that way.”
Diana’s been quiet, lighting up a second cigarette, when she says, “I dunno. To join a cult you've probably gotta have that shit in you all along.”
Burke makes a low noise of agreement. He watches Elliot wiggle her fingers at Diana in a little wave as the cluster of them nears, flashing a most pretty smile; at first glance, he thinks that the blonde looks more bubblegum than cyanide, all curled hair tucked up in a high pony and red cupid’s-bow lips and white, white teeth.
“Howdy, deputy,” she calls, Southern drawl honeyed.
Diana visibly grimaces, pointedly pushing her gaze forward and fixing it on the office. There’s a split second where Burke thinks he sees something flash across her face, but she’s stuffed it down and the sharp lines of her expression smooth out.
And then Elliot looks at him. Burke waves, but he doesn’t smile—it’s not meant to be nice, it’s meant to relay the message that he sees her. When she regards him expectantly, he goes ahead and greets, “Mrs. Seed."
I fucking know you. No surname fuckery is going to throw Burke off the scent. There are so many boogeymen and monsters in the world that don’t want you to know their name, and he thinks Elliot Honeysett might be one of them.
She doesn’t stop smiling at the misnaming, necessarily—her expression smooths out into mild amusement—and then she opens her mouth and pushes the lit end of her cigarette onto her tongue. Pratt says, under his breath, “Jesus Christ,” and Burke thinks he can hear the sizzle for a split second before it’s out, and then she tosses the cigarette to the side.
“Marshal,” she greets him, and he slows his walk for just a moment. “Lookin’ a little flush. You not used to the hot weather, honey?”
“It’s cooling off up in D.C.,” he replies, keeping his tone conversational despite the urge to punch those pearly whites in, “but I used to come here every summer. Nothing I can’t handle.”
Elliot smiles. It’s all teeth. Burke thinks about how most animals do that as a threat. “Good. I’d hate for you to be uncomfortable.” And then her gaze turns to Pratt, and she says flatly, “Pratt.”
“Honeysett,” Staci returns, and he might not have been able to sound more disingenuous, but it’s well-deserved—the blonde makes no effort to hide her disdain. She rolls her eyes, mouth twisting in amusement before she swings around the front of her jeep and into the driver’s seat.
Like he can’t resist the blatant dismissal, Pratt tacks on, “Tell the hubby I said hello.”
The engine revs. Burke watches her pop a pair of blue shades on, leaning against the rolled-down window. “Eat shit, bud,” Elliot says, and smiles just before she kisses the air in Burke’s direction and pulls a hard u-turn. The tires squeal on sizzling pavement, and she waves at them through her open window before she speeds off.
Burke watches the receding vehicle and says, “They all that peachy? Can I plan on Joseph being a fuckin’ breeze?”
“Fuckin’ whatever,” Pratt says, biting the words out as Diana swings the door open. “She’s all golden princess until you get close enough to see she’s picking the wings off of flies. Why’s she so interested in you, rookie?”
“I wouldn’t know,” Diana snaps. “I don’t know what goes on in that psycho’s brain.”
Burke grimaces.
“Might do well to find out,” he says, “before we learn the hard way.”
━━━━━━━━━━━━━━━━━━━━
“John.”
He makes a low noise, staring at the map stretched out before him; it’s his first mistake, because Elliot has never been very patient when she has something to say, and this time is no different. She ducks under his arm and settles herself on the table, on the map, effectively breaking his eyesight with the thing which is keeping him perfectly and completely unfocused on her.
“Do you remember what you said to me when we got married?” she asks him, her voice suspiciously light and unfettered by the usual components of her timbre—like venom, or sharpness. Elliot skims her fingers along the skin exposed by the undone buttons of his shirt.
He watches her. She’s up to something. “I remember every single thing I’ve ever told you,” he replies, stifling his amusement, “and I said many things. Which are you referring to?”
“Pick one and try.”
The neckline of her tank top brushes the bottom of her Wrath scar, the jagged lines marring what was otherwise perfectly unblemished skin. What game are you playing? he thinks, but not without affection, digging his thumb past those little shorts she likes so much. “How about... ‘I can’t wait to rip this fucking dress off of you’?”
“Try again.”
Ah, so that kind of game. Not the sexy kind. “‘I’m going to give you anything you want’?” He says it with a border of cautioning, because Elliot doesn’t cash that line in very often, but when she does it’s almost always for something big. She’s in a mood tonight, this wife of his, the kind of mood that he’d normally like to take advantage of if he wasn’t busy trying to make sure they keep eyes on the Marshal.
Elliot beams at him. “You know me so well, handsome,” she murmurs, and tugs him down by the front of his shirt for a kiss; luxurious, open-mouthed, and slick, and then against his mouth she says, “I want the deputy.”
“For what?” John asks. “Dinner? She’s been around that Marshal, who’s almost certainly here for something to do with Joseph.” When the blonde blinks at him, as if this has no bearing on her request, he barks out a laugh. “You’re asking too much.”
“You said anything.” Elliot pulls back to look at him, fingers still fisted in his shirt.
“I did,” he says, slowly.
“So,” the blonde murmurs silkily, “get her for me.” And then, as though she is the most gracious: “Consider her a belated wedding gift.”
John exhales out of his nose. He’s hard-pressed to say no to Elliot, but he’s got the sneaking suspicion that this is one of the instances where he should. It’s not like Elliot ever asks for anything that’s really unreasonable—not usually—but this? He could get her just about anyone, and she wants Diana Baker?
“For what?” he asks again, brows furrowing as Elliot undoes the rest of the buttons of his shirt so that she can drag her nails against his abdomen. “What could you want the rookie deputy for, hm?”
“Does it really matter?” she prompts, looking up at him through her lashes, and he thinks no, not really, but he knows better.
“Yes,” he replies, the corner of his mouth ticking upward. “It does matter. Really. I’m going to have to pitch this to Joseph and Jacob.”
“I like her,” Elliot says without hesitation. That’s how it always goes—John will push as long as he has to, until he doesn’t anymore, because they always give each other what they want. In the end. “And we could use her.”
He scans her face. Elliot doesn’t say she likes someone without merit. He’s come to trust that she’s got an eye for people, even if he can’t always see it—and he doesn’t see it, not really, in a fresh-in-town junior deputy that’s in over her head.
For a second, he thinks about it; it wouldn’t be the first time that they’ve allowed a third party, but it would be one of few times that she’s chosen, which is different in and of itself. If he knows her at all—and he does—she doesn’t usually pick unless she intends to keep them around for a long while.
“I’ll consider it,” John says finally. “After tomorrow.”
A smile curves her mouth. She slides her arms around him and kisses his sternum, just beneath his own sin, revealed—a pair, the two of them, closer than just lovers.
“That’s all I ask,” Elliot murmurs sweetly as his thumb sweeps the slope of her cheekbone.
It’s not, John thinks, but he thinks it with love, because he does—he loves his wretched little viper, this monster that looks at him through her eyelashes and says things like, I want her, so get her for me.
It’s not all you ask, but that’s just fine.
━━━━━━━━━━━━━━━━━━━━
“Absolutely not.”
Jacob is the first to speak after John’s proposition, which is not uncommon. The eldest brother does tend to be the most unforgiving, John finds, of his wife’s aspirations; even though, between all of his siblings, Elliot and Jacob get along the best.
John heaves a sigh. “Elliot is convinced that the deputy can be of use to us, if she’s allowed to—”
“Your wife,” Joseph interrupts, “shows a great lack of self-control asking such a thing.”
John bites back the gut-instinct response—that Elliot shows the most control for asking, rather than just taking what she wants, because as a woman capable of it, she can—and instead swallows back, “She would like to serve the Project, Joseph. In this way.”
“Maybe I wanted the deputy,” Jacob drawls. “Didn’t you ever think of that?”
Turning his gaze to his eldest brother, John says, “Well, have you expressed that to our brother, Jacob?”
“It didn’t occur to me until now,” the redhead replies, feigning an air of innocence. “But now I think I do.”
He can feel his teeth grinding. “Funny, that until Elliot showed an interest—”
“Yes,” Joseph acquiesces after a moment. “You and our most holy sister may pursue the deputy by your own means, but you must—” And here he looks at John, pointed. “—let the love into your heart, brother.”
A wash of relief crashes over him; after the fucking shit show that the last evening had been, John thinks that it’ll be good to bring some good news back to Elliot, who’s been itching to get out into the thick of the madness. Even if Joseph seems to be implying he doesn’t want their typical means used, that’s fine. Open to interpretation, right?
“I want the deputy brought to heel, John,” Joseph continues. “It is crucial for the survival of not only us, but also our people, that you show you are capable of doing this.”
“Of course,” John replies, smiling. “Elliot and I would do anything for you.”
━━━━━━━━━━━━━━━━━━━━
When the junior deputy finally comes to, Elliot is sitting across from her. Diana makes a low, vicious sound as she lifts her head and fixes Elliot with her eyes—lovely eyes, Elliot thinks admiringly, while her molars grind and the noise vibrates through her head. John’s reluctantly left her alone; he thinks he should be the one to soften Diana for her, but Elliot thinks John’s just going to push her farther away.
“Good morning, sugar,” she greets, and Diana spits onto the floor.
“Fuck you.”
“Yes,” Elliot replies sweetly, “if you behave.”
Diana’s eyes flutter for a moment, like she isn’t expecting that so soon and so fast—but certainly she expected it in some respect, because Elliot’s been purposefully obvious about her intention for the deputy, to both Diana and John. She doesn’t want a mindless convert, dulled and emptied out by Bliss and agreeing blindly.
Her fingers itch. She tugs absently at the sleeve of her sweater, rolling her chair forward as the brunette pulls at her binds.
“What the fuck did you do with Hudson?” Diana grinds out.
“I wouldn’t worry about her,” Elliot dismisses, and waves her hand. “She’ll be just fine.”
There’s a brief moment where the brunette looks at her, sweeps sharp, green eyes over Elliot and she cocks a half-done smile at her before she says, “Yeah, Joey told me all about you.”
Elliot smiles. “Only good things, I’m sure.”
“Said you’re a fucking bitch.” Diana arches a brow loftily. “A nutjob.”
“That checks out.”
Diana spits on the floor again, ridding her mouth of the blood from her rough handling, but this time she spits it out at Elliot’s feet. Elliot sighs and tucks some hair behind her ear just before Diana asks, “So, what’s the plan here, princess?”
She blinks at the deputy. She's a little pleased at the pet name, but she doesn't want to let it show. “Plan?”
“Yeah,” Diana says, rolling her eyes. “C’mon, I’m not fucking stupid. What’s the plan? What’s the dynamic? John sends you in because you’re the pretty one, soften me up, and then he comes in to finish the job and cleanse my sins or what the fuck ever it is he thinks he’s doing?”
Elliot feigns bashfulness and flutters her lashes. “You think I’m pretty?”
“Fucking come on,” Di bites out viciously. “Whatever the ploy is, get it over and done with.”
It’s no fun when you say it like that, she thinks, but she can tell Diana’s sort of at her limit—not quite, because if this was her limit, then Elliot would have greatly overestimated her—but she’s getting there. Residual Bliss still burning through her system, and for what? For her to have more of an attitude? How well she’d chosen.
“There’s no ploy, Diana,” Elliot says after a moment, leaning back in her chair. “John wanted to cleanse you his way—I told him no.”
The deputy regards her for a moment, tugging absently at the binds on her wrists. “Why?” she asks, warily.
“Because it wouldn’t work,” Elliot replies. “You can’t make someone get better. They have to want it. And I don’t think that you do, honey.”
Diana’s eyes flicker for a moment. Elliot can tell that she’s trying to regulate her breathing, trying to smooth it on the way in and out of her so that it isn’t so laborious, but it’s hard to do when there’s Bliss wreaking havoc on all of your defenses. She would know—she tries not to expose herself to that shit if she doesn’t have to.
“You’re right,” she says after minute, “I don’t want to “get better”, and I sure as fuck don’t want anything you’d give to me.”
“I don’t want that either,” Elliot tells her. “Not through any kind of religious baptism or cleansing, anyway.” She waves her hand and settles back against the seat, fishing a carton of cigarettes out of her pocket and sticking one in her mouth before she wiggles the box at Diana. “Smoke?”
The brunette regards her hatefully, silently, and Elliot shrugs before she lights her own, tosses the cigarettes onto the nearby workbench and takes a drag. When she blows the smoke out through the corner of her mouth, she says, “I don’t think we’re that different, Diana.”
“No?” Diana prompts, her mouth twisting around the words ruefully. “I could count the ways. One of us is a married to a fucking psychopathic kidnapper...”
“Colorful.”
“... and one of us also is a psychopathic kidnapper....”
Elliot smiles, but she doesn’t show her teeth, not the way that she smiles at Burke or Pratt because she wants to make them squirm. Diana rolls her neck.
“So if you don’t wanna cleanse me,” she begins, barely modulating the venom in her voice, “why the fuck am I here?”
“I like you,” Elliot says plainly, because she’s never been able to beat around the bush, not really. She’s not as sneaky as John, as brutal as Jacob, as smooth as Joseph. She’s not like any of them, and sometimes, that’s lonely.
The deputy regards her with something close to a poison-riddled look. Instead of addressing I like you, Diana seems to take advantage of this and makes a demand, instead.
"That Bliss shit makes me feel like garbage," she says. "Don't give it to me anymore."
"You did puke it up quite a bit, didn't you?"
Diana grimaces. She looks like she might want to say something, perhaps regarding Elliot's explanation, but the blonde waves her hand to stop whatever is about to come out of the deputy's mouth. She's not there to argue the logistics of a cosmic pull, anyway.
“I moved out of Hope County straight after high school,” she explains, “and back home to Georgia. Big city. Very exciting. I was tired of this little town and how few opportunities it had. Atlanta? That shit had so much going on.” Elliot pauses, crossing her leg over her knee.
“So glad,” Diana seethes, “that I’m getting a fuckin’ origin story.”
Elliot sucks her teeth. “Anyway, I date a shithead, I break up with him, and then he breaks into my apartment and holds a knife to my neck.” Elliot waves her hand again, because these details are so inconsequential to her at this point; she can barely remember the boy’s face, or anything about that moment except for a few key details. The color of his sweater sleeve (cream); the smell of his cologne (expensive); the paint chipping around her doorframe (small, baby blue chipping to white plaster underneath).
The brunette stares at her. Elliot takes a drag of the cigarette and taps the ash off of the end.
“I’ll spare you the details,” she continues, “but do you know what I was thinking that whole time? And after?”
Diana’s jaw works loosely, absently, like her brain is firing off neurons without needing to. “I don’t fucking know.”
“Try and guess.” She pauses, and then says meaningfully, “I’m sure you’ve got an idea of the kinds of things your mind says when you’re in a moment like that.”
When she watches Diana and smokes her cigarette with leisurely, relaxed movements, the brunette’s eyes flicker over the smoke cloud and she manages out in a wobbling sneer, “Probably something like—like that it wasn’t your fault, or some other kind of psychological-drivel to make you feel like you were in control.”
Elliot comes to a stand. The deputy’s closer than she thinks; it is about control, but just a different path.
“No,” she says, planting a hand on the arm of the chair Diana’s tied to so she can lean down. “I kept thinking, ‘this isn’t going to ever fucking happen again’.”
There’s a strange suspended moment between them. Diana’s lovely—more lovely than she’d let on, probably—but more than that, watching the deputy claw and rake her way through group after group of Eden’s Gate members, causing them problem after problem, Elliot can only think, aren’t we a little pair, the two of us?
A person didn’t get used to killing so fast unless they’d at least thought about it before. Maybe done it before.
“Do you know what it’s like, Diana,” Elliot continues, “to realize that you’ve reached a point of being able to do anything to stop something like that from happening again? It’s not oppressive. It’s liberating. Why do you think an animal stuck in a trap will chew its own foot off to get out?”
She straightens up. She wants to touch—tuck the hair away from her face, trace the lines of her face—but she won’t. Not yet. She’s more patient than John is, more willing to wait for that moment of satisfaction.
Diana says, “It’s real fucking liberating knowing Hudson’s chained up somewhere.”
“You have to stop giving a shit,” Elliot replies, “about other people’s freedoms before you’ve gotten your own.”
The brunette opens her mouth to say something, but before she can, Elliot plunges on. “We’re the same because we’re both going to get it done, whatever it is for us,” she says. “By any means necessary.”
Diana’s staring at the wall. She’s silent, and spitefully so, and she won’t look at Elliot; maybe because she knows that’s exactly what Elliot wants. In fact, that’s almost assuredly what it is.
“I want a cigarette,” the brunette says after a moment, petulant.
Elliot smiles thinly and brings her own to Diana’s mouth. More enunciated, Diana says, “I want my own cigarette.”
“It’s nice to want things, deputy,” Elliot idles. “Take it or don’t, it’s up to you.”
She does, after a moment of deliberation. Elliot drops the cigarette to the concrete floor as she breathes the smoke out and stamps it out with her foot. Diana takes a long time to blow the smoke out of her mouth, and she shifts in the chair; her eyes flicker up to meet Elliot’s, and she’s sure she can see something wicked in them.
“Animals chew themselves out of a trap because they’re animals,” Diana says after a second, not exactly the profession of attraction Elliot was hoping for. “Not because it’s liberating.”
Elliot laughs and pushes the chair she’d been sitting in back and out of the way. She picks up her carton of cigarettes from the tool bench and replies. Glancing over her shoulder, she can feel her expression softening when she looks at the deputy—soaking wet, rattling with cold and what Bliss they’d manage to pelt her with. Not much, they told her, whatever “much” meant.
“We’re all animals, deputy,” she acquiesces after a moment. “In the fucking end, anyway.”
━━━━━━━━━━━━━━━━━━━━
“Glad you’re getting along with your deputy.”
John knows he sounds petulant. He knows, and he still can’t stop it from coming out of him as Elliot peels her sweater off over her head and drops it onto the floor. She glances at him over her shoulder.
“Green with envy looks good on you, baby,” she idles, and he feels his molars grind.
“You could play a little hard to get,” John says, trying for lofty and failing. “She’s a fucking menace, after all. She’s been causing problems nonstop, she took Fall’s End from us—”
Elliot says, “Our,” without stopping her undressing, which is two parts frustrating and one part endearing because John knows she’s trying to disarm him. She’s not stealthy about her tactics, and she doesn’t try to be.
“Our what?” he asks her, barely containing his irritation.
“Our deputy,” his wife replies sweetly. She turns, finally, to look at him—giving him her eyes, because she knows that he hates when she doesn’t—and leans against the dresser. “You called her my deputy. She’s not mine. She’s ours.”
John presses his lips into a thin line. He knows Elliot. He knows what it is she’s doing, because even though Diana has been nothing but a fucking thorn in his side, hearing the blonde say she’s ours gives him a pleasant, wretched kind of thrill writhing slick and hot in the pit of his stomach. As much as he knows her intimately, so too does she know exactly the kind of thing to keep him interested.
But it is a little different, if she’s considering sharing. If Diana isn’t her own private conquest.
“Is that so?” he asks, managing to keep his voice conversational now despite his piqued interest, sidling over to her. “I seem to recall that she was supposed to be my belated wedding gift to you.”
Reaching up, he drags his fingers along the inked scales of the serpent curved around her hip, swallowing up some of those gossamer-fine scars she had given herself and stretching down her thigh.
“Well,” Elliot murmurs demurely, “would I be a very Godly woman if I didn’t share with my husband?”
The words push the corners of his mouth upward.
“No.” He sweeps his eyes over her face. “I suppose not.”
━━━━━━━━━━━━━━━━━━━━
Joseph quickly comes to think that the deputy is more trouble than she’s worth. John hates when he says things like to Elliot with him still in the room, because he knows that Elliot isn’t going to cow to his brother—even though she should. It’s one of the most irritating traits of hers.
“She’s making a mess,” Joseph says, standing in their kitchen, watching Elliot with his eyes—the same way that he watches Jacob, sometimes. With wariness. “More of a mess than the good she would do us if she were converted.”
Elliot replies tartly, “It’s a good thing you don’t lift a finger to clean up a mess then, isn’t it? John does it for you, no questions asked, and by proxy, I do too.”
“If you have an issue with the way things are,” his brother articulates carefully, “then perhaps you should discuss the expectations that have been set out for you by God, with God.”
Elliot’s jaw sets. The contention sits there, her death, locked in her jaw.
Oh, John thinks, and he says, “I’ll be back.” She gives him a sharp look.
“I think that’s best,” she bites out. He knows what that means—she wants to be alone to argue with Joseph as she pleases, without having to worry about Joseph going, well, what do you think, John? Because he will, inevitably. He will, and John will have to look at Elliot and say, you know that he’s right, Joseph knows best, we’re here to shepherd.
As he descends to the lower bowels of the ranch, he stops at the bottom of the stairs.
“... do more for you than you fucking realize...”
“—refrain from speaking to me like—”
“—deserve to have this, Joseph—”
They should have taken Diana to the bunker, not kept her here. Not where there is so little space between them and her. The lack of distance lets Elliot feel close to her, and like any unloved animal, when she has something to keep, she guards it viciously. This is no different.
Diana is no different.
“You’re quite the conversation piece,” John tells the brunette when he walks into the room. She’s been with them for three days, and in that time she’s nearly escaped; unfortunately, the only exit from the basement is to go up, and she’s easy to catch up there.
The deputy regards him with a half-lidded gaze that reeks of impudence. “What’s it like?”
“Having a conversation piece?”
“Being so pathetic you have to kidnap someone to be able to have conversation,” Diana drawls venomously. The words spike a bout of irritation in him, hot and wretched, and he thinks he doesn’t know if it was worse to come down here to avoid Joseph and Elliot’s argument or if he should have stayed.
“My brother thinks you’re more trouble than you’re worth,” John bites out.
“I’m really fuckin’ concerned about Joseph’s opinion of me.” She smiles, all teeth, and the gesture strikes him as eerily reminiscent to Elliot. “So what, you’re gonna baptize me now or whatever instead?”
“Oh, I don’t think so,” he snaps, circling the chair that has been her home. “He doesn’t even want you cleansed. I’m thinking he’s just going to have us kill you. Stick your head up somewhere to send a message to all of your little friends in the resistance.”
Diana’s quiet at that for a minute, before she says, “Wifey won’t let that happen.”
“You—” John sucks in a sharp breath. “Don’t call her that.”
“Why not? She’s been making fucking bedroom eyes at me every second, that’s not my fault.”
Diana’s goading him, but it’s hard to see around the irritation. She’s impertinent, and impudent, and there’s nothing that he wants to do more than to just break that inside her—until she’s saying his name and begging and begging and begging. It’s the part of him that Joseph wanted him to cleanse and cut out, but that Elliot tells him she likes the best.
We’re closer than lovers, she would say, digging her nails in hard enough to draw blood, the same sin binds us.
The same sin that she sees in Diana, too. Wrath, he knows, even though he hates it.
“She has taken a particular interest in you,” John relents after a moment, though he doesn’t like to, “deputy.”
“I’m a catch,” Diana agrees. He sucks his teeth.
“My wife has always been a purveyor of wretched things.” John leans against the tool bench, narrowing his eyes. “I suppose she must think there’s something salvageable about you.”
“Is there a point?” the deputy asks, sounding tired. “To this... Monologuing? It’s very Marvel-villain of you, but I don’t have any popcorn or alcohol, and it makes it a lot less enjoyable.”
“Look,” he hisses, pushing off from the tool bench, “if we had it my way, you’d have your sin revealed and you’d be on your fucking knees begging us to keep you, you wicked little—”
“John?”
Elliot’s voice drifts down from the stairwell, and he snaps his mouth shut. She’d be furious if she knew he’d lost his temper. Maybe. Probably.
“Uh-oh,” Diana sing-songs, just low enough for him to hear, “here comes the ol’ ball and chain. Isn’t that right, buddy?”
The insinuation hangs there, between them, that Elliot is their ball and chain, and he feels his blood pressure spike. “Shut. Up,” John grinds out between his teeth, just as he hears footfalls descend the stairs above. When his wife does finally turn the corner, there’s a lovely high colour in her cheeks, and her eyes look a little wild.
“Bonding time?” she asks.
“Hardly,” John replies, just as Diana says, “Oh, you know it,” and he shoots her a look. Elliot had called her their deputy, their shared conquest, but both he and Diana look at Elliot more than they want to look at each other.
He does want, he thinks. He feels that tell-tale itch. It wouldn’t be so strong if Diana didn’t just buck against them all the fucking time, but he does want, which makes it all the more frustrating when she turns that venom on him.
“We should give the deputy a little blissful encouragement,” John remarks, turning his gaze to Elliot. “It might make her behave.”
“I don’t think so,” the blonde idles, as he reaches up and tucks a strand of hair away from her face. Oh, yes—she is furious. He can feel the tension from the grind of her molars against each other. The conversation with Joseph didn’t go well, then.
“Joseph wants to speak with you,” Elliot tells him as he runs the pads of his fingers down the column of her throat. There’s a nasty, jagged scar there—he’s trying to remember where it’s from, but he can’t.
“About what?” he says, brows pulling together.
“Wives, submit to your husband as to the lord,” she intones, the obedience in her voice cloying and all-too-sweet to be genuine, “for the husband is the head of the wife as Christ is the head of the church, his body, of which he is the Saviour—”
“Fucking unreal,” Diana says from the chair, and Elliot’s mouth ticks upward.
“As the church submits to Christ,” she finishes, fixing John with her eyes, “etcetera and so on.”
John is filled with dread. He thinks maybe Elliot’s mouthed off one too many times—she’s never liked Joseph, never even been particularly religious, and her own heritage is such a violent mishmash of religion and criminal activity that she’s hardly got the track record for piety. Scarlet is a practicing Catholic and Ambrose’s opinions on religion are unknown, considering that he’s been vanished for so long, so it’s no surprise that Elliot views religion as something like ambiguity.
“I’ll be quick,” he murmurs, which they both know isn’t true, but he says it anyway.
“Don’t rush on my behalf.” Her eyes are dark—he can see the pupils eating away at the baby blue of her irises, and when she reaches up and brushes his hand away from her face, there is a tiny tremor in her hands.
Not good at all, he thinks, stepping around her and looking at Diana. Her eyes are on Elliot for a heartbeat longer, and then she looks at him, and he knows that she’s seen it too. She’s too sharp not to have.
As he approaches the stairs, John says, “Play nice, hellcat.”
“I always do.”
Near the top, he hears Diana say, “I don’t think you’re capable of playing well with others, princess,” and Elliot says, “He said play nice, not play fair, and I can be plenty nice,” and he feels a little surge of warmth at the playfulness in her tone. It’s a timbre that he doesn’t hear out of her often, and almost exclusively with him, so to hear it now not only makes him a little envious, but also pleased.
The deputy is a wretched, wicked thing, yes; she should be cleansed, but there is also a part of him that knows Elliot would not want her any other way, just like he wouldn’t want Elliot any other way.
And that’s good enough for him.
━━━━━━━━━━━━━━━━━━━━
The deputy escapes.
It’s not a surprise to Elliot when he tells her, and he thinks maybe she was waiting for it all along, considering that Joseph had conditionally allowed them their pursuit of Diana as long as they can keep her under control; it would not be completely unfounded to think maybe Elliot gave her a way out, to keep the chase fun. To keep it fresh.
She takes Fall’s End back. She takes the fucking plane back. She takes Hudson back. She takes, and takes, and takes, and that’s all Diana Baker is capable of doing, John thinks—fucking taking, even after he and Elliot had been so gracious with her. It grinds against his patience as though his nerve endings have been exposed; it shreds the last of his control, sinks its claws into him like nothing else.
Sunrise Farm. Rae Rae’s. The Lamb of God Church. One after another, they play this game of existential tug-of-war; where Diana takes one and moves on, Elliot surges back in to take it back again. He thinks that his wife should be able to crush the Resistance under her bootheel, but he has the sneaking suspicion that she doesn’t want it to be done so quickly. And, in many ways, Diana outfoxes them with what appears to be little effort; their supply trucks get mowed down. The silos burn. Men keep dying.
These are all things that should disparage Elliot, but each time John points it out to her—“She’s wicked, Ell,” he’ll posit—she regards him loftily and says, “Well, she can’t be anything less than us, can she?”
Diana gets pulled back to them. She escapes. It happens over and over, until the lines start blurring, until John thinks maybe, sometimes, she lets them catch her—like she’s looking forward to those moments. When she’s there, at the ranch, things feel different; Elliot moves with a strange surety around the deputy, like they know each other already, deep in the marrow of their bones. Maybe, in a way, they do.
And in those moments, there’s a shift. Elliot allows her freedoms on good behavior, which run on such thin ice considering Diana herself, and are almost always immediately broken at first. But no matter how many of their things she destroys or spits on or takes, no matter how many times John finds himself disgustingly exasperated with her—he is always happy to see her back.
In part because he knows Joseph has given Jacob and Faith both leave to kill her if they have the misfortune of coming across her, and in part because he sees the way Elliot leans into her like a flower to sunlight; her fingers ghost over Diana’s skin, and she pulls Diana into her lap and kisses her, hot and open-mouthed, and sighs when Diana petulantly sinks her teeth into her lower lip.
It draws blood, and John knows from the way his wife looks at him that it delights her.
“Wicked,” Elliot murmurs then, tongue peeking out to swipe the blood from her lip, reiterating the word that John favors Diana with the most. “Don’t you think so, baby?”
“Incredibly,” John agrees. He climbs onto the bed behind Elliot, sweeping the hair from her shoulder and pressing a kiss to the junction of her shoulder.
“How well we chose,” the blonde purrs, dragging her fingertips along the column of Diana’s throat, and he can see the goosebumps rise in her skin. Diana’s eyes flicker, dreamily, and their gazes meet over Elliot’s shoulder. She’s tame, like this—or nearly-tame, close to domesticated, at least for a little while. It’s only ever for a little while. And though they fall into a strange, tentative routine every time she’s here—even though John can lean over Elliot’s shoulder and pull Diana into a bruising kiss, until he feels her breath hitch.
He loves it. He loves the feeling of Diana’s mouth parting under his, loves that their fingers meet, tangled, in Elliot’s hair, grounding Diana to them. At night, when Elliot has contented herself with enough of a taste of Diana and John both, when they lay tangled together, Diana kept between them.
Our deputy, Elliot had said; in moments like these, it feels true.
“You missed us,” the blonde says against Diana’s neck. “We missed you, too. Especially John.”
Her eyes are sly when she looks at him, when he pulls back from Diana to regard his wife curiously. She takes the brunette’s chin in her grip and guides her back, brushing their noses together.
“Missed having both of his little vipers,” she murmurs silkily, and John sees the flicker of her tongue against Diana’s lips. “Didn’t you, John?”
Yes, he thinks, but does not say, because his mind is encompassed with the way Elliot kisses Diana; reverently, with the intent to worship. Never rushed and never urgent, only ever luxuriating in it.
At first, he and Diana get along for Elliot’s sake—as much as they can, anyway, because even Elliot is not enough of a bridge to force them to get along—but when they have the deputy, and his wife gets called away, they fall into a kind of rhythm with each other. It’s not a familiar cadence. It’s daunting, and a little jarring, the way they bite and scratch at each other for comfort, both missing their girl.
“I’m not going to stay,” Diana says then, against the blonde’s mouth, the same way that she said it into John’s mouth. Her neck and shoulders are littered with the remnants of their time together, and he wonders if the Resistance members ask.
“We know,” John says, leaning down and grazing his teeth across the fading bruise of a love bite. He drinks in the way Diana hisses and squirms. “You’ll always leave.”
“And always come back,” Elliot agrees. She noses past the hair gathering in the crook of Diana’s shoulder.
“Like you were never gone at all.”
━━━━━━━━━━━━━━━━━━━━
It becomes her mantra. I’m not going to stay, Diana says every time, and every time she only sticks around for a day or more before she dissipates into the air like a wraith. He doesn’t know how long it goes on like this, but he does know that each time Joseph becomes more impatient. Each time, the act of losing her strikes a chord of panic in John—she won’t come back this time, he thinks, or maybe this time she’ll come back with more than just her, or or or—but Elliot doesn’t feed into his panic; she treats it like anything else, with the confidence that the deputy will come back. He desperately wants to keep Diana there with them, where he can see and touch and taste her, where he is certain Jacob hasn’t gotten her, but she always follows through on the promise of leaving.
“Aren’t you at your limit?” John asks, late in the evening, watching Diana from across the island counter in the kitchen. This time around, Elliot has been gone for most of the time Diana has been here, which makes it more difficult to know that her tolerance for sticking around is going to be running out soon. By the time Elliot comes back, Diana might already be gone.
“I’m always at my limit,” she replies, her idle venom more a comfort now than ever, “with you.”
“You’re a real comedian, deputy.” He saunters around the island, his hands finding her hips and his mouth finding her neck. He likes hearing the way her breath slides out of her when he does. “Though I seem to recall a specific instance in which you were not at your limit, and couldn’t stop asking me for more—”
He’s about to follow through on the insinuation, because Diana’s eyes narrow when she looks at him but she’s warm and close and he watches her gaze flicker down to his mouth, but the sound of the front doors to the house opening startles him out of the dreamy haze the brunette tends to put him in. John pushes off from the counter and walks out of the kitchen, brows knitting together at the impudence of someone to come barging in without being announced.
“Herald.” It’s one of the men, and his face cloudy. “It’s—I’m sorry, we—”
“Spit it out,” John grinds out between his teeth. He hears the sound of Diana rustling in the kitchen behind him, and then from outside, Elliot’s voice.
“Don’t fucking touch me—”
The blonde shoulders her way through the doorway as someone flutters nervously behind her. John takes in a number of details very rapidly: she’s clutching at a spot close to her shoulder, just below her collarbone, there is blood coming out of her mouth, and she’s fucking pissed.
“Get a doctor,” John barks out, just as Diana steps around him and goes to Elliot. He does, too, but mostly to clear the members of Eden’s Gate out of the room because he knows Elliot’s going to come unglued if they stick around.
“Fucking Pratt,” Elliot seethes, even as Diana’s hands go to her, trying to guide her to the couch. The blonde jerks when she feels hands on her, looking wild, and John tenses for just a second; in moments like these, his wife’s ability to differentiate between threat and non-threat is almost non-existent, and he’s suffered the consequences of it plenty of times. “Don’t—fucking—”
“It’s me, you monster,” Diana snaps. “Sit the fuck down.”
The blonde’s breathing is labored. She swallows back what he can only assume is a mouthful of blood before he says, “Hellcat.”
“I’m going,” she bites out, and then she does. Diana touches her elbow, and she stiffens, and then sits down where the brunette tells her to. When she pulls her hand away from her shoulder, it’s sticky and wet with blood.
“Jesus Christ,” Diana says, a little wrench in her voice that she quickly snuffs out. “Getting sloppy?”
“Eat shit,” Elliot wheezes. “I hate that fuckhead. Can’t wait til I—” She sucks in a sharp breath. “—til I g-get my fucking—hands—”
Diana is circling Elliot, trying to get a good look, as John grabs a first aid kid from under the kitchen sink. He keeps thinking about all of the blood coming out of her mouth; it’s not the first time he’s seen her like this, but it’s definitely not any easier, either.
“Exit wound?” the deputy asks.
“Fucking shot me with a 9 milli FMJ,” the blonde says between her teeth, “there’d better fucking be an—”
“Stop,” Diana interjects as John returns with the first aid kit, “being unhelpful.”
It’s a torturous amount of time between Elliot’s arrival and the arrival of the doctor they have for such occasions. In the meantime, Diana does what she can—she knows probably more than both of them, even Elliot with her close proximity to violence, about how to stabilize a gun wound; she cleans it and stops the bleeding as much as she can, her face set in a grim, tight expression.
The brunette packs the wound with gauze and says, “You’re a goddamn idiot.”
“Cute one though, huh?” Elliot asks, her voice a little hoarse and her eyes fluttering. “Be cuter if someone could get me some fucking oxy.”
“Save it for the doctor, princess.”
“So glad,” John manages out tartly, Elliot’s fingers loosely curling against his palm, “so glad we have your calming presence here, deputy.”
Diana regards him for a moment, and she looks about to say something when the doctor chooses precisely that moment to arrive. He doesn’t do much by way of conversation; he works silently, intensely, his fingers moving a sort of surety that comes with many years of practice, but he hardly looks at John or Diana while he works.
It’s probably odd. People know that Diana is around, but they don’t know-know, in the sense that there’s never been an official announcement or acknowledgement of what’s going on. Occasionally, the doctor’s eyes furtively flicker towards the brunette; but if he’s feeling pressed to ask, he doesn’t let it show.
By the time Elliot is stitched-up, drugged-up, and planted into the bed, the heat and bubbling fury have died out of her, the embers smothered by the painkillers. Diana lays in the master bedroom next to her while the doctor talks to him outside in the hall.
“Bed rest, minimum three weeks,” he says. “If she keeps coughing up blood, call me. No strenuous activity, no stress—”
“Doctor,” John says tightly, “with all due respect, let’s keep the expectations under control.”
The doctor grimaces. “Bed rest, three weeks. Everything else, just—try your best.”
John nods, short and impatient, and dismisses the man with a gesture of his hand before he steps into the bedroom. Elliot’s murmuring something to Diana, but the words are slurring and her voice is pitched so low beyond normal volume he can’t make it out, even from there.
He wanders to the side of the bed, sitting down on the edge by Elliot’s hip.
“What’d he say?” the blonde asks, her words slurring and her fingers tangling in strands of Diana’s dark hair. “Two days, ready—go?”
“Don’t be stupid,” Diana says irritably.
“Three weeks bedrest,” John tells her. “He thinks you have a collapsed lung.”
“Fuckoff,” Elliot groans, the words blending together.
“He also said no strenuous activity, no stress—”
At that, Diana laughs, the sound billowing out of her in a short, disbelieving bark. “Fucking what?”
“That...means you t-two have to….behave,” Elliot mumbles, her eyes flickering. “No stressin’ me—no streeeessin’—”
“Stop.” Diana sounds almost affectionately exasperated. “You are so painful to listen to.”
“—no stressin’,” Elliot finishes stubbornly, “me. Out.”
Later that night, when she’s finally drifted off into sleep and John and Diana have her settled between them, John props his head up in his hand and sees Diana still awake. She’s looking at the window. It’s open, and the late-August breeze comes drifting in, bringing with it the smell of pine and wilderness.
“At your limit?” John asks as he did before, keeping his voice soft so as not to stir Elliot. Normally, he wouldn’t ask—he would just wait to realize that Diana’s not there, and go from that point on. But it’s different, now, with Elliot like this.
The brunette turns her gaze to him. For a second, her eyes flicker over Elliot, who stirs a little.
“She always this annoying?” Diana says, instead of answering, and by annoying he thinks she means worry-inducing.
“Like it’s an Olympic Sport,” John replies.
She exhales out of her nose. They sit like that for a little while, until Diana settles back against the pillow. Elliot’s fingers are knotted loosely into the sleeve of her t-shirt, and the blonde’s breathing stutters and hitches in her chest.
“Not yet,” she answers, finally. “Not at my limit yet.”
━━━━━━━━━━━━━━━━━━━━
“How many days has it been?”
John’s voice breaks Elliot out of her reverie. She blinks, and realizes that she’s been checked out. The painkillers make her brain foggy, and if it weren’t for the excruciating, searing pain in her chest and shoulder, she’d just stop taking them.
The sound of the shower running in the bathroom adjacent to the bedroom trickles in through the fog. That’s right: she’s in bed. She’s in bed, and John is next to her, his fingers tracing the coil of the tattooed serpent on her thigh, the cigarette in her fingers burning for who knows how long since the last time she’s taken an inhale of it.
“Since what?” Elliot asks, looking at her husband. John slides his hand up and snags her fingers, bringing the wedding ring she sports to his mouth.
“Since our viper came back to us.”
She tries to think back that far, but it’s hard. Elliot reaches over with a wince and taps the cigarette out into the ashtray. In the bathroom, she can hear the water switch off.
After a moment, she replies, “Must be over two weeks.”
Her husband makes a low noise. She brushes her fingers through his beard, and he murmurs, “Longer than usual.”
“What are you two gossiping about?”
Elliot’s gaze flickers up sluggishly to Diana, standing in her towel, propped up against the doorway. She’s such a far cry from the girl that she was when they first got their hands on her that it’s almost easy to forget she ever existed in a place where she wasn’t theirs. How absolutely dreadful, Elliot thinks, just absolutely fucking dreadful, to think she was once not ours.
“How long we have to wait for you to come back over here,” John says easily. “Not only are you using up all the hot water, but Elliot’s pining.”
“Oh, yeah?” Diana sounds amused as she makes her way to the bed. “Poor little bed-ridden snake, aren’t you?”
Elliot laughs, because it should be absurd—it should be, that Diana is here, leaning in when Elliot beckons her, the brunette’s mouth soft and sweet against her own. It should be absurd, but it isn’t, because this isn’t the first time Diana’s kissed her like this and it won’t be the last, either.
“Every time we’re apart,” Elliot confirms resolutely, “I wallow around. Just ask John.”
“I have a hard time picturing you wallowing.”
“She does,” John says, planting a kiss on Elliot’s jaw. “She wallows around and says, when do you think our Di will be back? Does she think about us?” And then, grinning wickedly, he adds, “Do you think if I ask nicely, she’ll shove her fingers in my mouth?”
Elliot laughs, grabbing John’s jaw and jostling him. “You fucker.”
“I will,” Diana says, and now she sounds sly, and in the way that Elliot does. “If you ask.”
Pausing, Elliot feels her chest tighten a little. Mine, she thinks tiredly, glancing between John and Diana both. They’re here, and hers, and even though she told John the deputy is for them she thinks maybe they’re both for her.
“What else?” She turns her gaze back to Diana. “What else will you do, if I ask?”
Diana’s gaze flickers. Her lips press into a thin little line. I’m not going to stay, she looks like she wants to say, but she doesn’t. She just says, “You’re chatty as fuck tonight, aren’t you? Sounds like it might be time for you to pop another painkiller,” and goes to fetch the pill bottle.
Elliot settles back against the pillows and watches the brunette rifling through the dresser. This is when Diana says, I’m not going to stay, her little mantra, but she doesn’t, and John tangles their fingers together and squeezes her hand.
The deputy always leaves, and she always comes back. She hasn’t said yes, she’ll stay, and she also hasn’t said no, she’ll go, and in this instance maybe that means exactly what Elliot wants it to.
Maybe, it means this time, she’ll stay.
11 notes
·
View notes