#seigi no se

[redsamuraiii]

My 5 Favorite Legal J-Dramas

I love them because they have perfect balance of seriousness and humour, not too dark and not too comedic. And the chemistry of the main leads are fun to watch with their constant bickering. 😂

1. Hero (2001)

Kuryu (Kimura Takuya) is an unconventional prosecutor who has a habit of investigating the criminals himself before prosecuting, which agitates his paralegal, Amamiya (Matsu Takako) has it delays the process while more cases are piling up, and often conflicts with the police who thinks he does not trust their investigation skills.

The series is so good that it has a second season with a newcomer played by Keiko Kitagawa, a special episode with Haruka Ayase and a movie with both Keiko Kitagawa and Matsu Takako. I like their chemistry, not just between the main leads but the supporting characters as well that got pulled into Kimura Takuya's shenanigans.

2. Miss Justice (2018)

A similar tale of a public prosecutor, Ririko (Yoshitaka Yuriko) whose strong sense of justice get in her daily work as she takes time to solve each cases diligently, playing the role of a "detective" to ascertain that the suspects are really guilty before she prosecutes them. However, it only delays her other cases which snowballs.

This agitates her older and experienced paralegal (Yasuda Ken) who is tasked to ensure she completes each task on time without delay. But over time, both him and the entire department who got pulled into her shenanigans finally understands her reasoning and begin to respect her as a fellow prosecutor and not as a newbie.

3. Police and Prosecutor (2023)

Gota (Kiritani Kenta) and Minami (Higa Manami) are siblings who work as a law enforcer and a paralegal respectively. She works for an ambitious public prosecutor, Shuhei (Higashide Masahiro) whose values and principles are opposite of Gota, which often puts them at odds with one another when they work together on every case.

While Minami and Shuhei know the grey world in their line of work, Gota is a brash detective who only sees thing in black and white which often puts them at odds with one another. But their opposing personalities and styles of work eventually help to solve the cases in arresting and prosecuting the right criminal.

4. Ishiko and Haneo (2022)

Ishiko (Kasumi Arimura) is an obstinate law graduate who aspired to be a lawyer but after failing the bar four times, she gives up her dreams and works as a paralegal at her father's private law firm where she met the prodigy Haneo (Nakamura Tomoya) who passed the bar on first attempt due to his photographic memory.

Ishiko is a bit insecure in having to work with a prodigy while Haneo is actually terrible at adapting that he often mask it with his "superior intellectual". Their different personalities and styles of working contradict each other as the two of them, with their own inferiority complexes, are thrown together to solve cases.

5. Binta : Love and Law (2022)

Minowa (Matsumoto Toshio) is a former delinquent who doesn't have a regular job and never really thought seriously about life until he had to look after his young step-sister left behind by his late father. He lands a job as clerk, working for a strong headed lawyer, Natsumi (Yamaguchi Sayaka) who is dumbfounded by his "stupidity".

But his strong sense of justice is a welcoming change that she needed having work in a corporate law firm surrounded by "vultures" that the two decided to start their own private firm to genuinely help people that really need help and not simply for the big money. But with each case, they realize things are not as simple as they think.

#legal drama #japanese drama #hero #kimura takuya #matsu takako #keiko kitagawa #miss justice #seigi no se #yoshitaka yuriko #yasuda ken #police and prosecutor #Keiji to Kenji Shokatsu to Chiken no 24ji #kiritani kenta #higa manami #higashide masahiro #ishiko and haneo #kasumi arimura #nakamura tomoya #binta #matsumoto toshio #yamaguchi sayaka #my recommendations #dorama #j drama

[kez19h]

You know when they say that children can’t lie, it’s not always true!

#seigi no se #jdrama #Yoshitaka Yuriko #yasuda ken #funny #yuriko our forever onee-san #poor oji-san #haha

[pikahlua]

MHA Chapter 371 spoilers translations

This week’s initial tentative super rough/literal translations under the cut.

1 病院内の安全？ びょういんないのあんぜん？ byouinnai no anzen? [What about the] safety of those in the hospital?

tagline 1 代弁者、混濁した意識の中で… スピナー、こんだくしたいしきのなかで… SUPINAA (kanji: daibensha), kondaku shita ishiki no naka de... Spinner, (read as: Representative) inside his muddled consciousness...

tagline 2 No.371 しょーじくんといっしょ。　　堀越耕平 ナンバー371 しょーじくんといっしょ。　　ほりこしこうへい NANBAA 371 Shouji-kun to issho.   Horikoshi Kouhei No. 371 Together with Shouji-kun.   Kouhei Horikoshi

2 あると言え…‼︎ あるといえ…‼︎ aru to ie...! "If it did, then speak...!!"

3 じゃなきゃ俺はおまえ達を許さない！ じゃなきゃおれはおまえたちをゆるさない！ ja nakya ore wa omae-tachi wo yurusanai! "If not, I won't forgive you all!"

4 考ぇがあアるかってェエぇえ？ かんがえがあアるかってェエぇえ？ kangae ga aAru ka tteEEee? Did that thought oCCUr to me, he sAYs?

5 痛ってえエナんだあこいつうう⁉︎ いってえエナんだあこいつうう⁉︎ itteeE NAndaa koitsuuu!? It hurTS, whAaat's with this guuuuuy!?

6 障子くんの声… しょうじくんのこえ… Shouji-kun no koe... Shouji-kun's voice...

7 なんだあのガキ… nanda ano GAKI... "What's with that brat..."

8 ひでえ傷… ひでえきず… hidee kizu... "[Those] awful wounds..."

9 いや…でも…‼︎ iya...demo...! "No...but...!!"

1 代弁者あんた言ってた筈だ！ だいべんしゃあんたいってたはずだ！ daibensha anta itteta hazu da! "Representative, you'll definitely tell him!"

2 俺たちは従う おれたちはしたがう ore-tachi wa shitagau "We will follow [you]"

3 「黒霧奪還」に伴う犠牲は！ 「くろぎりだっかん」にともなうぎせいは！ 「Kurogiri dakkan」 ni tomonau gisei wa! "The sacrifices associated with recapturing Kurogiri"

4 言ってくれあんたが正義だ！ いってくれあんたがせいぎだ！ ittekure anta ga seigi da! "Tell him, you are [our] justice!"

5 あァあァあア⁉︎ aAaAaA!? AAaAaAh!?

6 あっ a Ah[?]

7 あっ a Ah[?]

8 あ〜〜〜 a~~~ Aaagghhh

9 知らネぇよ しらネぇよ shiraNEe yo "DunnOOo"

1 知らねえって… しらねえって… shiranee tte... "He doesn't know..."

2 これは‼︎ kore wa!! "He means:" (Note: Literally, "This.")

3 "流れる血こそ歴史を紡ぐ"と‼︎即ち　やむなしだとそう言っているのだ "ながれるちこそれきしをつむぐ"と‼︎すなわち　やむなしだとそういっているのだ “nagareru chi koso rekishi wo tsumugu” to!! sunawachi yamunashi da to sou itte iru no da "of course history is spun by flowing blood!! In other words, he's saying that it's unavoidable."

4 あの小僧…それにスピナー！余計な事を！ あのこぞう…それにスピナー！よけいなことを！ ano kozou... sore ni SUPINAA! yokei na koto wo! That kid... [saying that] to Spinner! Those excessive things! (Note: He means that Shouji is overloading Spinner with excessive thoughts, which he can't handle at this time.)

5 前進せよ‼︎ ぜんしんせよ‼︎ zenshin se yo!! "[Now] move ahead!!"

6 スピナーこれでまた SUPINAA kore de mata "Spinner, this will"

7 30年退行する 30ねんたいこうする 30nen taikou suru "set us back 30 years."

8 ウる…���え…！ Uru...see! "SHUt...uuup...!"

9 マジでもう MAJI de mou Seriously, geez

10 その「剛躯」でも手こずるようなら その「ごうく」でもてこずるようなら sono 「gouku」 demo tekozuru you nara If that "rigidity" becomes a problem,

11 これも使うといい これもつかうといい kore mo tsukau to ii you should use this too.

1 本当にもう俺はもう ほんとうにもうおれはもう hontou ni mou ore wa mou Really, I'm already...

2 「スケイルメイル」これで力と防御と 「スケイルメイル」これでちからとぼうぎょと 「SUKEIRU MEIRU」 kore de chikara to bougyo to "Scale Mail, with this you will have the combined power, defense,"

3 容姿を兼ね備えたリーダーだ ようしをかねそなえたリーダーだ youshi wo kane sonaeta RIIDAA da "and appearance of a leader."

4-5 そういうのもうイイカラ sou iu no mou II KARA "BEYOND that sort of stuff." (Note: Literally, he says something like "what you're saying, I'm good [without it]" but that doesn't make much sense in English.)

6 LoL⁉︎ ロル⁉︎ RORU!? “LoL?”

7 俺もやってた おれもやってた ore mo yatteta "I also played that."

small text ソロだけど SORO dakedo "Only solo though."

1 イィかラ Ii kaRA "I'm beYOND that, so"

2 進 すす susu "press"

3 めぇえ meee "oooon."

1 障子くん‼︎ しょうじくん‼︎ Shouji-kun!! “Shouji-kun!!“

2 同志よ‼︎代弁者の歩みこそ どうしよ‼︎だいべんしゃのあゆみこそ doushi yo!! daibensha no ayumi koso "Comrades!! [Only our] representative's path"

3 虐げられた者の逆襲と勇気！ しいたげられたもののぎゃくしゅうとゆうき！ shiitagerareta mono no gyakushuu to yuuki! "[is for] the counterattack and courage of the oppressed!"

4 革命に殉じよ！今日の血が未来の異形に権益をもたらすのだ かくめいにじゅんじよ！きょうのちがみらいのいぎょうにけんえきをもたらすのだ kakumei ni junji yo! kyou no chi ga mirai no igyou ni ken’eki wo motarasu "Martyr [yourselves] to the revolution! Today's blood will secure the interests of future mutants."

5 ふざけるな…障子くんは…‼︎ ふざけるな…しょうじくんは…‼︎ fuzakeruna...Shouji-kun wa...!! "Don't mess with him... [not with] Shouji-kun...!!"

1 障子くんはーー！ しょうじくんはーー！ Shouji-kun wa---! Shouji-kun---!

2 両親にこの腕はなかった りょうしんにこのうではなかった ryoushin ni kono ude wa nakatta "My parents didn't have these arms."

3 酷い村だったよ人に触れようものなら総出で「血祓い」だ ひどいむらだったよひとにふれようものならそうでで「ちはらい」だ hidoi mura datta yo hito ni fureyou mono nara soude de 「chiharai」 da "It was a cruel village, where if I should have come into contact with people, it was all about 'pure blood.'"

4 常闇や口田ら都会生まれには教科書の中の話かもしれんが とこやみやこうだらとかいうまれにはきょうかしょのなかのはなしかもしれんが Tokoyami ya Kouda-ra tokai umare ni wa kyoukasho no naka no hanashi kamoshiren ga "To those born in the city like Tokoyami and Kouda, it might [sound like] a story from a textbook, but"

5 子どもにこんな傷を負わせる地域がまだ残ってるんだ こどもにこんなきずをおわせるちいきがまだのこってるんだ kodomo ni konna kizu wo owaseru chiiki ga mada nokotterunda "there are still regions that inflict these kinds of wounds on children."

6 ゆるせんそんな奴ら根絶やそ…！ ゆるせんそんなやつらねだやそ…！ yurusen sonna yatsura neda yaso...! "Unforgivable, that those sorts of people would exterminate others...!" (Note: Not fully confident on this one.)

7 それもいいが sore mo ii ga "That's fine, but"

8 やはり"差異"というものはある… やはり"さい"というものはある… yahari “sai” to iu mono wa aru... "there really are those who are 'different.'"

1 オイラ…"タコ"って言った気ィする…！ オイラ…"タコ"っていったきィする…！ OIRA...”TAKO” tte itta kiI suru...! "I...just realized I said 'Octopus'"

2 ごめんなァでも気味悪ィとかそんなん考えてねーよ ごめんなァでもきみわるィとかそんなん考えてねーよ gomen naA demo kimi waruI to ka sonnan kangaetenee yo "I'm sorry, I don't think that's creepy or anything!"

3 この腕から蛸を連想するのは当然だ このうでからたこをれんそうするのはとうぜんだ kono ude kara tako wo rensou suru no wa touzen da "It's natural to associate these arms with an octopus."

4 ヒーロー名テンタコルだし ヒーローめいテンタコルだし HIIROO mei TENTAKORU da shi "My hero name is Tentacole." (Note: The "tako" in TENTAKORU, Shouji's hero name, means "octopus.")

5 それに俺だって"敵っぽいヒーローランキング"とか下世話なもの見たりしてるし それにおれだって"ヴィランっぽいヒーローランキング"とかげせわなものみたりしてるし sore ni ore datte “VIRAN ppoi HIIROO RANKINGU” to ka gesewa na mono mitari shiteru shi "And then even I watch the 'Villain-Like Heroes Rankings' and other vulgar things like that."

6 触れないで変に気を遣ってほしくない ふれないでへんにきをつかってほしくない furenaide hen ni ki wo tsukatte hoshikunai "I don't want [people to] strangely fuss over [me] without touching on the subject,"

7 けれどこの"傷跡"と けれどこの"きずあと"と keredo kono “kizuato” to "but these scars and"

8 "異形"は意味を強制する "いぎょう"はいみをきょうせいする “igyou” wa imi wo kyousei suru "mutations would force the issue." (Note: Contextually, he's saying "I don't want people to coddle or treat me differently while walking on eggshells about his scars and mutations, which cannot be ignored aka they're elephants in the room.)

9 だからマスクをしてる俺は"復讐者"と思われたくない だからマスクをしてるおれは"ふくしゅうしゃ"とおもわれたくない dakara MASUKU wo shiteru ore wa “fukushuusha” to omowaretakunai "That's why I wear this mask, because I don't want people to think I'm [some sort of] avenger."

10 …強いのだな …つよいのだな ...tsuyoi no da na "...You're a strong one."

11 嫌なことは山ほどあったし忘れる事はない いやなことはやまほどあったしわすれることはない iya na koto wa yama hodo atta shi wasureru koto wa nai "There's a mountain of terrible things that I'll never forget,"

12 でも demo "but"

1 嫌な思い出を数えるより いやなおもいでをかぞえるより iya na omoide wo kazoeru yori "rather than count the terrible memories,"

1 たった一つでも たったひとつでも tatta hitotsu demo "even just one memory"

2 この姿で良かった思い出に このすがたでよかったおもいでに kono sugata de yokatta omoide ni "[when I] was glad for this form--"

3 縋りたいんだ すがりたいんだ sugaritainda "I want to cling to that."

4 "たった一つ"とかやめて…マジでえ！ "たったひとつ"とかやめて…マジでえ！ “tatta hitotsu” to ka yamete...MAJI dee! "Stop with the ‘just one’ stuff...seriously!"

5 これからいっぱいつくろおよお！もぉお‼︎ kore kara ippai tsukuroo yoo! moo!! "From here on, let's make a ton! Come on!!"

6 ぬくいの知ってるの ぬくいのしってるの nukui no shitteru no "Do you know how warm you are?"

7 ぼくらとさぁ‼︎良い思い出をさぁー！ ぼくらとさぁ‼︎いいおもいでをさぁー！ bokura to saa!! ii omoide wo saaa! "Come with us!! Make good memories!"

small text ぬくいぬくいよぉ nukui nukui yoo "It's warm, so warm!"

1 うん un "Yeah."

2 100年以上続く柵を一世代でフラットにできるとは思わない 100ねんいじょうつづくフェンスをいちせだいでフラットにできるとはおもわない 100nen ijou tsudzuku FENSU wo ichi sedai de FURATTO ni dekiru to wa omowanai "I don't think I can flatten a fence that's been around for 100 years in one generation."

3 だからこそ先人たちがそうしてきたように だからこそせんじんたちがそうしてきたように dakara koso senjin-tachi ga soushite kita you ni "That's precisely why, just as my predecessors did,"

4 俺も紡いでいきたいんだ おれもつむいでいきたいんだ ore mo tsumui de ikitainda "I want to build upon [their work]."

5 世界一かっこいいヒーローになって せかいいちかっこいいヒーローになって sekai ichi kakkoii HIIROO ni natte I will become the world's coolest hero,

6 "次"に "つぎ"に “tsugi” ni and to the next [generation]

7 良い思い出を いいおもいでを ii omoide wo [give] good memoeries.

1 俺も迫害を受けてきた おれもはくがいをうけてきた ore mo hakugai wo ukete kita "I, too, have suffered persecution."

2 俺たちを傷つけてきた者に正当性などない！ おれたちをきずつけてきたものにせいとうせいなどない！ ore-tachi wo kizu tsukete kita mono ni seitousei nado nai! "Those who have hurt us have no legitimacy!"

3 でもやり方が違うだろう⁉︎ でもやりかたがちがうだろう⁉︎ demo yarikata ga chigau darou!? "But will this method be any different!?"

4 異形は入れられないって… いぎょうはいれられないって… igyou wa irerarenai tte... "They said mutants won't be admitted..."

5 何か所か避難所断られちゃってね なんかしょかひなんじょことわられちゃってね nan ka sho ka hinanjo kotowarare chatte ne "I've been rejected by some shelters."

6 知ルか しルか shiRU ka "Who cares?"

7 全部ブッ壊れロオ ぜんぶブッこわれロオ zenbu BUKkowareROO "DEStroY everything!"

1 怒りの使い方を考えろ!!!考えられる筈だ‼︎ いかりのつかいかたをかんがえろ!!!かんがえられるはずだ‼︎ ikari no tsukaikata wo kangaero!!! kangaerareru hazu da!! "Think about how to use your rage!!! You should be able to think [about it]!!"

2 だって俺たちには傷があるんだから‼︎ だっておれたちにはきずがあるんだから‼︎ datte ore-tachi ni wa kizu ga arunda kara!! "Because we have the scars!!"

3 水に流せるならこうはなっていない‼︎ みずにながせるならこうはなっていない‼︎ mizu ni nagaseru nara kou wa natte inai!! "If it can be flushed with water, it won't become like this!!"

4 具体性もない！所詮其方の望みを叫ぶだけ！ ぐたいせいもない！しょせんそなたのエゴをさけぶだけ！ gutaisei mo nai! shosen sonata no EGO (kanji: nozomi) wo sakebu dake! "Nor do you give specifics! After all, you're just shouting your ego (read as: wishes)!"

5 青臭さに打たれる胸はとうにヒトにつぶされた!!! あおくささにうたれるむねはとうにヒトにつぶされた!!! aokusasa ni utareru mune wa tou ni HITO ni tsubusareta!!! "My chest, struck by naivety, was crushed by people long ago!!!"

1-2 障子くんを嗤うな…!!! しょうじくんをわらうな…!!! Shouji-kun wo warauna...!!! "Don't ridicule Shouji-kun...!!!"

1 キモ KIMO "GROSS"

2 ああ aa "Yes."

3 これが俺だ これがおれだ kore ga ore da "This is me."

tagline 逆境を征け‼︎ ぎゃっきょうをゆけ‼︎ gyakkyou wo yuke!! Conquer adversity!!

#my hero academia leak translations #bnha 371 #mha 371 #my hero academia manga spoilers #final showdown spoilers #precious bean shouji #i see why you left this backstory until now horikoshi #i don't think you could have been any louder #reached out his hand to save a drowning child from a creek eh?

[atr-esp]

Wasuremono わすれもの (Mafumafu) - Letra y traducción al español

※En el caso de querer utilizar nuestra traducción, por favor, pedirnos permiso y darnos los créditos.

Composición, letra y arreglo: Mafumafu

橙色の空の下　ふたりだけの空の下 daidai iro no sora no shita  futari dake no sora no shita ちっぽけな砂場に夢を乗せて chippokena sunaba ni yume wo nosete 笑う　君と夕焼け warau  kimi to yuuyake

Debajo del cielo anaranjado Debajo del cielo únicamente de nosotros dos Un atardecer riendo contigo en esa pequeña caja de arena cargada de sueños

前へならえ　前へならえ mae e narae mae e narae 誰にならって何になれる？ dare ni naratte nan ni nareru?

Pónganse en fila, pónganse en fila (*¹) ¿Los pasos de quién seguirás? ¿En qué te convertirás?

あの日のボクは　もういないのかな ano hi no boku wa  mou inai no kana

El yo de aquel entonces, me pregunto si ya no existe

誰かに汚された背中を　今日は隠して歩こう dareka ni yogosareta senaka wo  kyou wa kakushite arukou 答えは何処にもありはしないって　泣いてわかった kotae wa doko ni mo ari wa shinaitte  naite wakatta

Detrás de la espalda sucia de quién me voy a esconder y caminar hoy No hay manera en que encuentre la respuesta en ningún lugar, lloraba porque entendí eso

心の隙間に　無理やり詰め込んだ正当性 kokoro no sukima ni  muriyari tsumekonda seitousei 幸せってさ　僕もわからないんだ shiawasette sa  boku mo wakaranain da おうちへ帰ろう？ ouchi e kaerou?

Todas esas ideas de justicia que me obligaron a acumular en la brecha en mi corazón, eso que llaman "felicidad", ni siquiera yo lo entiendo ¿Volvemos a casa?

おかえり okaeri

Bienvenido a casa

橙色の空の下 daidai iro no sora no shita 崩れ　消えた　空の下 kuzure  kieta  sora no shita 笑い方なんて　あの校舎の錆びた下駄箱の中 waraikata nante  ano kousha no sabita getabako no naka

Debajo del cielo anaranjado Debajo del cielo que se derrumbó y desapareció Cosas como mis risas quedaron dentro de la estantería de zapatos de ese edificio deteriorado de la escuela

大嫌いな　大嫌いな daikirai na  daikirai na 杓子定規な先生が shakushijougi na sensei ga 廊下の隅で泣いていたんだ rouka no sumi de naite itan da

Ese que odiaba tanto, ese que odiaba tanto, Ese profesor tan estricto estaba llorando en la esquina de un corredor

大人も涙を流すんだ　大人になって知れた otona mo namida wo nagasunda  otona ni natte shireta 僕らが嫌いで憎んでいた　ありゃいったいなんだ bokura ga kirai de nikunde ita  arya ittai nanda

Supe que los adultos también derraman lágrimas cuando me convertí en uno ¿Qué demonios era eso que sólo por odio aborrecíamos tanto?

心の隙間はとっくに満たされない kokoro no sukima wa tokku ni mitasarenai 願っていた何一つも　どうせ叶わないのなら negatte ita nani hitotsu mo  douse kanawanai no nara おうちへ帰ろう？ ouchi e kaerou?

La brecha en nuestro corazón nunca puede ser satisfecha por completo Todas las cosas que deseé, si ninguna se va a cumplir sin importar qué, ¿volvemos a casa?

おかえり okaeri

Bienvenido a casa

正義も悪者も seigi mo warumono mo

La justicia y la malicia

天国地獄も缶けりの鬼みたい　じゃんけんぽんで決まる tengoku jigoku mo kankeri no oni mitai  jan ken pon de kimaru 答えは何処にもありはしないって　泣いてわかった kotae wa doko ni mo ari wa shinaitte  naite wakatta

El cielo y el infierno, es como si los decidiera el demonio de las escondidas con un piedra, papel y tijeras (*²) No hay manera en que encuentre la respuesta en ningún lugar, lloraba porque entendí eso

心の隙間に　無理やり詰め込んだ正当性 kokoro no sukima ni  muriyari tsumekonda seitousei 幸せってさ　僕もわからないんだ shiawasette sa  boku mo wakaranainda おうちへ帰ろう？ ouchi e kaerou?

Todas esas ideas de justicia que me obligaron a acumular en la brecha en mi corazón, eso que llaman "felicidad", ni siquiera yo lo entiendo ¿Volvemos a casa?

愛して　愛して aishite  aishite すぐにいなくなっちゃうからさ sugu ni inaku nacchau kara sa 愛して　愛してくれていいでしょ aishite  aishite kurete ii desho そんな戯言ひとつで今日も生きていこう？ sonna tawagoto hitotsu de kyou mo ikite ikou?

Ámame, ámame Porque pronto desapareceré, ¿sabes? Ámame, está bien si me amas, ¿verdad? ¿Y si simplemente vivimos hoy también sólo con esas cosas sin sentido?

ただいま tadaima

Estoy en casa

(*¹) para ser honesta, ni yo termino de comprender al 100% la expresión 前へならえ (mae e narae), así que corríjanme si me equivoco o faltó algo. Hasta donde tengo entendido, es una expresión que se usa tanto en el ejército como también en las escuelas primarias y secundarias para indicar a las personas que formen una fila. Todos tienen que estirar sus brazos hacia la persona de adelante para calcular que estén separados por las mismas distancias.

Esto tal vez ya sea conclusión más subjetiva, pero el uso de la expresión en la canción me lleva a la imagen mental de una escuela en la que se les hace a los alumnos formar para ir haciéndoles uno por uno las preguntas que siguen después de eso en la letra: "¿Los pasos de quién seguirás? ¿En qué te convertirás?", como si esas fuesen cosas que tendrían que tener claras desde temprana edad.

(*²) en realidad, 缶けり (kankeri) es un juego un poco diferente a las escondidas, y una traducción más literal al nombre del juego sería "patear la lata", lo ajusté de esa manera para que se entienda tanto como sea posible. En esta clase de juegos infantiles en Japón, la persona que "las queda" o que "las toca" (dependiendo de cómo se diga en cada país) es llamada "oni", que literalmente significa "demonio" en español. En el kankeri, se tiene que ubicar una lata en el suelo y dibujar un círculo al rededor de ella en un radio de 5 a 10 metros. Una persona de entre los jugadores debe patear la lata fuera del círculo y el "oni" tiene que ir a buscarla para ponerla de vuelta en el centro del círculo. Ese, más el tiempo que tarde el "oni" en contar (igual que en las escondidas), es el tiempo que aprovecha el resto de los jugadores para ir a esconderse. Durante el juego, el "oni" debe permanecer dentro del círculo mientras busca con la mirada a los jugadores. Si encuentra a uno, pisa la lata y dice su nombre, y el jugador nombrado tiene que acercarse al círculo y permanecer sobre la línea. Mientras tanto, los otros jugadores tienen que intentar acercarse sin ser vistos y patear la lata. Si alguien lo logra, libera a todos los jugadores que habían sido atrapados para que puedan volver a esconderse; y así sucesivamente hasta que se logre atrapar a todos.

Lo que se intenta expresar con esta frase es que se siente como si lo que es considerado "correcto" o "incorrecto" o lo que "está bien" y lo que "está mal" fuera decidido con un piedra, papel o tijeras, igual que aleatoriamente el "oni" atrapa a las personas que van a estar en el círculo en el kankeri, o tal vez de la misma manera en que se decide quién va a ser el “oni” en el juego. Aunque, otra vez, esta puede que esta sea una conclusión más subjetiva.

#after the rain #atr #kuro crest story #mafumafu #utaite #utattemita #まふまふ #歌い手 #soraru #そらる #wasuremono #わすれもの #歌ってみた #クロクレストストーリー #Traducciones #traducción

[carsinoska]

復仇シークエンス

Album: Fukkyuu Sequence Artist: Otsuki-sama Koukyoukyoku

Kieyuku Koe to Zanmei no Chikai

tetsusabi no nioi   mugotarashii nakigara zouo no hate ni yakitsuku kioku de saigo ni kazoku ga nokoshita kotoba de sae mo soukyuu no hate ni kasumi kieuseta

moeru toushin   mitomeshi kami ga sazukeru kataki utsu chikara sore ga shimei da   sorekoso zen da subete no aku wo konzetsuse yo--!

nakisakebou to mo   yurushi wo koou to mo igyou ni kakeru jihi nado nai urami wo chikara ni kaero chiriyuku kurenai   yorokobi wo kanjite senketsu nomasete yaiba migake sono koe ga kiesaru made

yamiyo ni ikidzuku   unari wo ageru kemono wo subete kataki to ikyoku suru you youma wo utsu tabi   aratana chi ga nagareru fukkyuu no rensa   tomaru koto wa nai

mure nashi osou   igyou no kazu wa hi wo ou do ni fueteyuki yaiba wo motanu   kayowaki mono wo miseshime no you ayamete yuku

koko ni heion wo!   katsute no ansoku wo! ikkou ni osamaranu boudou ni tsunoru tami kara no fuman kyoufu to hitan to zouo no hokosaki wa yuuku ga yue ni umu kyokkai ka teikoku wo na noru mono e

sei wo idomeru tabi   yomigaeru osanaki zanzou kataki to toraeshi sariyuku kage sukumi ugokanu ashi   kyoufu ni ononoku kono mi ga nikukute   tada urameshikatta

nakisakebou to mo   kami ni sugarou to mo sukuenu itoshi mukuro no kage nouri ni yakitsuita mama chiriyuku kurenai   yorokobi wo kanjite senketsu nomasete yaiba migake sono koe ga kiesaru made

fukkyuu no sono saki made—

Tairitsu ni Kakeru Onmyou no Kotowari

odoshi de wa nai   yaiba ni te wo kake nao kao iro hitotsu kaezu kare wa misueru odayaka na kao   nani mo yomitore nakute iradachi dake ga tada tsumotteiku

heion no tame ni tatakai nuke sono ibunshi wo haijose yo atama no naka ni hibiku keiteki

suzaku no kago wo ukeshi shinsei naru basho yo kono chi ni igyou wo tachi irasete wa naranu mashite ya han'you nado imubeki sonzai da surudoi zankou de sono ishi wo tsuranuite

kono yo wa subete in to you de naritatsu dochira ga aku nadonai   sore ga kenkai hito ga you nara in wa youma ga seou kotowari, kowashi nani wo eru no ka

sono koe ni mimi wo katamukeru na shosen igyou no tawagoto da watashi wa nanimo machigatte wa inai

tami kara todoku fuman   ikari no hokosaki ga kono chi no kintou kuzure hajimeta shouko izure wa hito doushi no hageshii arasoi e teikoku no subete makikonde yuku deshou

youma wo kyoyou suru na   enshuu kizamigome sono koe ni madoi   onore wo miushiunau na

kyouzon sore wa kyogen   futatsu wa aiirenu igyou wo horoboshi   an'nonte ni suru no da jijou mo shiranu yatsu no kotoba wa keshisarou watashi ga, warera koso, aku wo utsu homura to naru--!

Kurenai to Shiro no Kousaku

ano hi no chuukoku nandomo nandomo watashi no atama wo kakete wa kieta osanaki kioku ni toraware tsudzukete ima mo uchi katenu yowasa wo kakushita

kyou de saigo ni shiyou modorenu kako ni sugaritsuku no wa ikudo chikatta darou ka soredemo ashi wa bohyou e to mukau

seigi wo waigyoku suru watashi wa koko de te wo awaseru shikaku nado nai kazoku no kataki sore wo riyuu ni ayamatta shikou wo seitou kashiteru

itami wo tomonai kuzurete kuzurete kokoro wa zouo ni yakitsuku sareta imubeki sonzai kowashite ayamete daremo nozomanai rensa wo kizuita

yaiba ni te wo kake nagara shizuka ni maai wo tori atozusaru hitori de wa bu ga warui ga kazoku e hitotsu hanamuke to naru ka

haigo ni kikoeshi youma no koe koko de yatto jishin no senkyou wo nomu shihou wo kakomu igyou nasu kage attouteki na kazu   nigeba nado wa nai

kokoro wo midasu na   osore wo sutesare amata no junan wo norikoetarou? keredomo kesenai shichi e no senritsu imada nuguezu ni mata ashi wa sukumu

osoi kuru kiba wo yoke   shounen wa karui mineuchi de senkyou kizuku azayakana sono sugata ni okureru na shikou megurase yami to taijise yo--

ichiru no nozomi ni kakeru ka kuchiru ka eranda kotae wa tagai ni onaji shiranu ma kare e to kono se wo azukete hachou no kyoumei   sono shuusou ni

chiisaki igyou ga furueru teashi de chi ni fusu sono kage kabau you tatsu kioku no katasumi   jishin to kasanaru nouri yomigaeru osanaki ano zanzou

Not Empty

enkon to iu na no katachi no nai noroi ni shibarareta mama de tada hitori kokou ni yaiba furui sashinoberareta te   harainoketa

tsuminaki igyou wo ayameru tabi nanika ga ushinawareteiku you de ayamachi, orokasa, mitometa nara ikitekita akashi ga kiesaru ki ga shiteta

"Not Empty...?"

torawareta kusari wo ima tachikirou susanda chi ni hikari wo tomosu you ni hajimari no chiisana ippo fumidaseba osanaki muryoku na watashi mo yuruseru ka

taisetsu na mono nado umidase domo ushinau dake to kimetsukete hitori de ikiru to tsuyogaru dake mamorinuku kakugo sura nai mama

kataki wo motomete kurui   shidai ni kazashita taigi miushinatteta orokana shikou to tozasu kokoro hakugin no hikari ga yawaraka ni tokashita

"Not Empty"

me wo samashi midase kono kago no imi kore wa dareka gaisuru tame no mono ka? himeteita uchinaru sono yowasa suru ima kara tsuyosa ni nurikaete ikunda

watashi kawaru kara kondo koso taisetsu na hito wo mamorinuite miseru kara--

kako ni wakare wo tsuge   ima yoake e to te wo hikarete hikari ni me wo hosometa mabushikute mabayui sono aishita basho afureru mirai e   saa ayumidasou ka

#otsuki sama koukyoukyoku #moon symphony #fukkyuu sequence

[petrosolgas]

Multinacional japonesa Toyota está contratando Analistas, Técnicos e Operadores para preencher as vagas de emprego disponíveis em SP

Multinacional japonesa Toyota está contratando no Brasil! As vagas de emprego abertas pela empresa são destinadas aos profissionais de São Paulo e região, que possuem experiência anterior nas funções. Caso tenha interesse em participar dos processos seletivos, abaixo elencamos algumas oportunidades que se encontram disponíveis. Há também os requisitos exigidos pela companhia, onde os candidatos precisam ter um perfil compatível com a vaga desejada para se inscrever.

Veja as oportunidades ofertadas pela Toyota no Brasil

Técnico (a) de Avaliação Veicular Pleno

Para ser o novo funcionário da Toyota no Brasil, os candidatos precisam possuir o curso técnico completo em eletrônica, mecatrônica ou mecânica. Necessário ter vivência anterior na função, para poder desenvolver bem as atividades obrigatórias. É imprescindível que os candidatos nesse processo seletivo tenham CNH categoria “B” e saibam usar os programas do pacote office (Word, PowerPoint e Excel).

Além de ter um bom português, os profissionais interessados nessa oportunidade devem ter domínio intermediário de inglês. Por fim, para ser o técnico de avaliação veicular da companhia, é imprescindível possuir disponibilidade para viajar em território nacional e para outros países. Haverá possíveis trocas de turno, portanto, precisa ter horários disponíveis. O local da vaga de emprego é para atuar em Sorocaba, São Paulo.

Clique aqui para se inscrever ou conhecer outras vagas de emprego abertas.

Analista Processos e Produção Pleno (Seigi Pintura)

Mais uma vaga de emprego ofertada pela Toyota Brasil, a qual exige que os interessados devem possuir o ensino superior completo nos cursos de engenharia química, de produção, elétrica, mecânica ou mecatrônica.

Importante que participem dessa seleção, os candidatos que possuem CNH categoria “B” e tenham domínio intermediário de inglês. Além disso, a empresa lista como pré-requisito obrigatório, que os profissionais tenham conhecimento prévio do Word, Excel, Power BI e PowerPoint.

Além dos requisitos obrigatórios, a Toyota também elencou alguns que podem ser diferenciais nesse processo seletivo. Dessa forma, pode-se citar: noção prévia de pintura industrial automotiva, AutoCAD, SAP e Carott. O local de trabalho será em Indaiatuba, São Paulo.

Clique aqui para se inscrever ou conhecer outras vagas de emprego abertas.

Conheça outras vagas de emprego ofertadas pela companhia para profissionais de São Paulo

Analista de Gestão Ambiental Jr

Outra oportunidade disponibilizada para os moradores de São Paulo, dessa vez, para o município de Sorocaba. Poderão participar desse processo, os profissionais com a graduação completa em gestão ambiental, engenharia ambiental ou cursos semelhantes.

Requer habilidade intermediária com o Excel e, para conseguir participar das reuniões e ler documentos, é exigido possuir inglês intermediário ou avançado.

Como requisitos desejáveis, a empresa busca profissionais que tenham noções prévias acerca de gestão ambiental e um nível intermediário de espanhol. O aprovado nessa seleção terá um contrato com prazo determinado com a empresa.

Clique aqui para se inscrever ou conhecer outras vagas de emprego abertas.

Analista Logística JR

Dentre as vagas de emprego abertas na Toyota Brasil, há para o cargo de analista de logística Júnior. Poderão participar dessa seleção, os profissionais com a graduação completa nos cursos de engenharia, administração, logística ou correlatos. Trata-se de um contrato determinado, para atuar de forma presencial na cidade de Sorocaba, em São Paulo.

A empresa está procurando candidatos com noções prévias no sistema SAP ou outro ERP com foque em manufatura. O cargo exige que os interessados tenham CNH categoria “B”, domínio avançado no Excel e inglês fluente, para poder participar de reuniões e reportes sem dificuldades.

Clique aqui para se inscrever ou conhecer outras vagas de emprego abertas.

Analista de Qualidade Pleno

O cargo exige que os profissionais interessados possuam o ensino superior completo em Engenharia, CNH categoria “B” e inglês avançado ou fluente. Além desses requisitos obrigatórios, a Toyota revelou que, aqueles candidatos que possuem domínio avançado no Excel, serão tidos como diferenciais no processo. O local de trabalho será em Sorocaba, São Paulo.

Clique aqui para se inscrever ou conhecer outras vagas de emprego abertas.

O post Multinacional japonesa Toyota está contratando Analistas, Técnicos e Operadores para preencher as vagas de emprego disponíveis em SP apareceu primeiro em Petrosolgas.

[lollipopicecreamcake]

JAPANESE DORAMA QUICK REVIEW/NOTES

I have done the movies list before and now I feel like how about the doramas hehe well anyway as always these are all my opinions, we all have different opinions so don’t take this too seriously. Doing this 4 dorama per post just like before with the movies.

Here we go~

NOBUTA WO PRODUCE  |  RATING: 10/10

- 2018 and I could still sing and dance to Seishun Amigo that’s how addicted I was to this dorama - Akira-shock! Lol Yamapi was too adorable in this - Plus young beauties Maki Horikita and Erika Toda 

NODAME CANTABILE  |  RATING: 10/10

- This was a perfect live action adaptation - Juri Ueno is forever Nodame in my eyes glad she still had the same hairstyle up to now - Made me love classical music

SEIGI NO SE  |  RATING: 9/10

- Ahhhh I want a season 2 of this! - I learned some stuff here, like how a prosecutor's job is different to that of the detectives, I've always thought they're kind of the same hehe - The cast was good! Aihara-san is really funny and Otsuka's reaction every time Ririko gets too close is priceless - Each episode had a different case, each case looks simple at first but then you realize "ah this kind of complication could actually happen"

SPROUT  |  RATING: 8/10

- I've read the manga so uhhh I think the manga was better - The thing is it has that selfishness that I hate about shoujo manga leads - This is Aoi Morikawa's acting debut and from this dorama she has grown into a great actress today

>>>Check this tag for the movies and this one for the dorama

#jpndoramareview #nobuta wo produce #nodame cantabile #seigi no se #sprout #live action #dorama #japanese

[queengurako]

Seigi no Se / Ms. Justice (jdrama 2018)

New Spring drama of 2018 that I recommend you a lot !

Plot.

Ririko Takemura has worked as a prosecutor at the Yokohama District Public Prosecutor’s Office for the past 2 years. She is 29-years-old and single. Even thought she is not good at her work yet, she tries hard. Dealing with the various cases, Ririko Takemura grows as a prosecutor and a woman. 

[Source AsianWiki]

Cast [source DramaWiki]

Yokohama District Public Prosecutor’s Office

Yoshitaka Yuriko as Takemura Ririko

Yasuda Ken as Aihara Tsutomu

Miura Shohei as Otsuka Hitoshi

Hirano Kinari as Kimura Hideki

Shukugawa Atom as Enokido Osamu

Tsukaji Muga as Tokunaga Taichi

Terawaki Yasufumi as Umemiya Yuzuru

Takemura Family

Hirose Alice as Takemura Haruko (Ririko's younger sister)

Miyazaki Yoshiko as Takemura Yoshiko (Ririko's mother)

Namase Katsuhisa as Takemura Koichi (Ririko's father)

My opinion. 

There are three episodes for now with subtitles and I can tell that I already love this show ! It’s just so hilarious, emotionnal and refreshing. The main character, Ririko, is very touching and funny. She always tries her best but need to deal with her empathy and her spontaneity with everyone and moreover the suspects. Aihara, her assistant-prosecutor, is so hilarious because he is like a sister-in-law who always tries to control Ririko and give her advices. Their relationship evolves little by little in something very touching like father and daughter. 

And honestly I just love their chemistry and how Aihara can be so done with Ririko’s naivety but how he can be so proud of her when she succeed. Also the running gag where everyone think Aihara is the prosecutor and...nope “plot twist that young woman is the prosecutor” makes me smile ^^

Bonus...I really love Otsuka-kenji (Miura Shohei) 

#seigi no se #ms justice #jdrama #drama #gurako's watching #gurako's review #miura shohei #yoshitaka yuriko #yasuda ken

[harudokuro-traducciones]

BLOODY KISS (Español)

Intérprete: LOS†EDEN Saga Latour (CV. Takuya Eguchi), Mist Flaive (CV. Shimazaki Nobunaga), Veuve Elizabeth (CV. Nagatsuka Takuma), Jack Mouton (CV. Yano Shogo)

Single: Zankoku Shangri-la / BLOODY KISS / Gyokuza no GEMINI

Fecha de lanzamiento: 06 octubre 2021

BLOODY KISS Beso sangriento

非日常ノ土壇場 Hinichijou no dotanba En un inusual último minuto,

ヨウコソ重低音ノ桃源郷 Youkoso juuteion no tougenkyou Bienvenido a este Edén de graves intensos

Call our name･･･LOS†EDEN Di nuestro nombre… LOS†EDEN

｢･･･愛してやろうか？｣ “...Aishite yarou ka?” “... ¿Quieres que te ame?”

反逆の火を散らし Hangyaku no hi o chirashi Esparce las llamas de la rebelión

闇の道を照らし Yami no michi o terashi E ilumina el camino de la oscuridad

Rebellion Será una rebelión

蹴散らすまで Kechirasu made Hasta aplastarte

Bring it on! ¡Aquí vamos!

騒つき苛立つLost heart Sawatsuki iradatsu Lost heart Este corazón perdido es ruidoso y está frustrado

偽善に憂う世界の破壊 Gizen ni ureu sekai no hakai La destrucción de un mundo afligido por la hipocresía

We‪”‬ll break fake world Destruiremos este mundo falso

全てを無くしたピエロ Subete o nakushita piero Este payaso que lo perdió todo

消失こそ美しいリビドー Shoushitsu koso utsukushii ribidoo El desvanecimiento es una hermosa libido

We‪”‬ll judge real world Juzgaremos el mundo real

血のワインを杯に Chi no wain o sakazuki ni Quiero sacar una copa

抉りたい Eguritai De vino de sangre

正義の面した Seigi no tsurashita Del cuello de los tontos

愚者の Gusha no Que se enfrentan

首筋を Kubisuji o A la justicia

吸わせよ Suwase yo Déjame beberla

吸いたい Suitai Quiero beberla

吸わせて？ Suwasete? ¿Puedo beberla?

吸ってやる Sutte yaru Voy a beberla

唯我独尊Glorious 呪縛を振りほどき Yuigadokuson Glorious jubaku o furihodoki Egocentristas y gloriosos, nos liberaremos de esta maldición

伸ばした手の先に？･･･Bro Nobashita te no saki ni? ...Bro ¿Qué hay más allá de nuestras manos extendidas? ...Hermano

時間の檻の中で 死神を望んで Jikan no ori no naka de shinigami o nozonde Esperando por el dios de la muerte dentro de la jaula del tiempo

壊れて笑う それでいいのか？ Kowarete warau sore de ii no ka? ¿Realmente está bien estar quebrado y riendo?

(Shout out) (Grita)

此の牢獄(プリズン) Kono purizun Negándolo todo

(Shout out) (Grita)

全否定せよ Zenhiteise yo En esta prisión,

(Shout out) (Grita)

絶望の中 Zetsubou no naka Buscamos el Edén

(Shout out) (Grita)

楽園(エデン)を探す Eden o sagasu En medio de la desesperación

･･･ついてきたい奴だけにKissを ... Tsuitekitai yatsu dake ni Kiss o ...Besaremos sólo a aquellos que quieran seguirnos

ギラつく瞳のVoltage Giratsuku hitomi no Voltage Voltaje de mirada deslumbrante

その果てしない野望に夢を Sono hateshinai yabou ni yume o Soñando con una ambición sin fin

We‪”‬ll kill old world Mataremos al viejo mundo

慟哭の夜に杭を Doukoku no yoru ni kui o Con una estaca en la noche de lamento,

生と死の意味を魅せてほしい Seitoshi no imi o misete hoshii Quiero que fascines el sentido de la vida y la muerte

We‪”‬ll kill old world Mataremos al viejo mundo

欲のままに牙を剥け Yoku no mama ni kiba o muke Muestra tus colmillos tanto como quieras

答えは Kotae wa La respuesta

進む先だけに Susumu saki dake ni Estará brotando y ardiendo

芽吹き Mebuki Solamente

燃えている Moete iru Si sigues avanzando

抱かせよ Dakase yo Déjame abrazarte

抱きたい Dakitai Quiero abrazarte

抱かせて？ Dakasete? ¿Puedo abrazarte?

抱いてやる Daite yaru Voy a abrazarte

一世風靡のEcstasy 感じたい奴だけに Issefuubi no Ecstasy kanjitai yatsu dake ni Sólo para aquellos que quieren sentir el éxtasis de gobernar

従う悦楽を･･･Cry Shitagau etsuraku o… Cry Llorarán… El placer de obedecer

今宵も月は嗤い 歌が光を喰らい Koyoi mo tsuki wa warai uta ga hikari o kurai También esta noche la luna se ríe y esta canción devora la luz

歪んだ声がお前を奪う Yuganda koe ga omae o ubau Una voz distorsionada te lleva lejos

(Shout out) (Grita)

此の牢獄(プリズン) Kono purizun Rompe la llave

(Shout out) (Grita)

鍵を壊して Kagi o kowashite De esta prisión

(Shout out) (Grita)

自由の空に Jiyuu no sora ni Y escribe tu vida

(Shout out) (Grita)

命を記す Inochi o shirusu En un cielo de libertad

熟れたその紅い果実 Ureta sono akai kajitsu Ofrezcamos esta madura

捧げよ Sasageyou Fruta roja

確かめたいだろ？ Tashikametai daro? ¿Quieres que nos aseguremos?

愛の Ai no De los límites

限界を Genkai o Del amor

吸わせよ Suwase yo Déjame beberla

吸いたい Suitai Quiero beberla

吸わせて？ Suwasete? ¿Puedo beberla?

吸ってやる Sutte yaru Voy a beberla

唯我独尊Glorious 呪縛を振りほどき Yuigadokuson no Glorious jubaku o furihodoki Egocentristas y gloriosos, nos liberaremos de esta maldición

伸ばした手の先に？･･･Bro Nobashita te no saki ni? ...Bro ¿Qué hay más allá de nuestras manos extendidas? ...Hermano

時間の檻の中で 死神を望んで Jikan no ori no naka de shinigami o nozonde Esperando por el dios de la muerte dentro de la jaula del tiempo

壊れて笑う それでいいのか？ Kowarete warau sore de ii no ka? ¿Realmente está bien estar quebrado y riendo?

(Shout out) (Grita)

此の牢獄(プリズン) Kono purizun Negándolo todo

(Shout out) (Grita)

全否定せよ Zenhiteise yo En esta prisión,

(Shout out) (Grita)

絶望の中 Zetsubou no naka Buscamos el Edén

(Shout out) (Grita)

楽園(エデン)を探す Eden o sagasu En medio de la desesperación

･･･ついてきたい奴だけにKissを … Tsuitekitai yatsu dake ni Kiss o ...Besaremos sólo a aquellos que quieran seguirnos

Si te gusta mi trabajo, considera apoyarme en ko-fi nwn

PV

Apoya comprando el original

#visupuri #visual prison #lost eden

[redsamuraiii]

Tenshi no Mimi: Kotsu Keisatsu no Yoru / Angel's Ears: Night of the Traffic Police (2023 Drama)

This looks interesting. It has the vibes of Hakozume: Tatakau! Koban Joshi (2021) and  Seigi no Se (2018). 

Official Web : https://www.nhk.jp/p/ts/RJ8ZXKQXGX/schedule/

#tenshi no mimi ktosu keisatsu no yoru #angel's ears night of the traffice police #nhk drama #japanese drama #j drama #jdrama #dorama #japan #asian drama #crime drama #hakozume tatakau koban joshi #seigi no se #koshiba fuka #fuka koshiba #ken yasuda #yasuda ken #rika izumi #izumi rika #dan rei #rei dan #2023 drama

[kez19h]

adorbs UwU

#seigi no se #jdrama #opening #yoshitaka yuriko #masahiro tokuda is the composer #he's so great #but he still haven't uploaded gossip on spotify lol #even this

[seeingteacupsindragons]

Richard  Ranasinghe de Vulpian’s Backstory is Very Queer: The A-Spec Amendment

I know, I know. I just posted the essay this morning, and I already have an amendment? Yes, I do, and here’s why:

When I wrote the initial essay, I kept things to an overview for a lot of reasons, but the initial concept I wanted for it was “queerness” and the way that essay was structured dove into a lot of experiences from a lot of different labels under the queer umbrella and a lot of experiences that are universal to the community. There’s a reason why it’s a united community. I just wanted to use that essay to write about queerness.

Also, technically, this one isn’t going to be about backstory, per se.

I didn’t specify any labels for Richard in that essay except “queer” and “cis” because those are what I know he is. Richard never labels himself in the series, and it’s because of the way the series is, I think that’s at least half intentional. Labels get used…sometimes in the series, but usually not in reference to actual characters, just as theoreticals.

But you know what I like? Labels. And Richard’s a fictional character so he can’t protest when I staple some on him. Labels like “ace” and “aro.” Because that’s what I think he is.

(Labelling real humans with words they don’t use is bad and wrong; don’t do that.)

I concluded that essay earlier with Richard having sorted himself out and figured out who he was by the time he was leaving Sri Lanka, or at least by the time he landed in Japan, since there was a little layover in Hong Kong for a while. But what if…no? What if?

Wait, wait, hear me out! This essay isn’t going to totally contradict my last one (although if it did, I wouldn’t care, because Lit Interpretation means allowing for more than one interpretation to be correct, and there’s plenty I don’t know). I think this amendment is compatible in a lovely way.

Queer is an umbrella term. Remember that post I made saying Richard spent the first three books with a crush he did not ask for being very mad about it? You want to know what makes people really frustrated and angry? Thinking they’ve figured themselves out and then something comes along that confuses that. You know who that happens to a lot? Gray-ace and gray-aro people. Because when you realize you’ve never really felt romantic or sexual attraction to someone, you get used to that, you work on accepting a queer identity that society is hostile too, and then suddenly you feel attractions you’re not used to? What even is that, why is it happening, and what do you do with it? Can you make it stop? Do you want it to? This was not you assumed your life experience was going to be like. Why is it changing? Are you still ace? Are you still aro? What if those people who told you that you’d change if you me the right person were right all along (they weren’t, fuck those people)?

There are so many questions that pop up when things change in your life. Richard has a long lecture about “sexuality can be fluid, suckers,” in Paraiba Tourmaline, and while gray-aspec identities are not inherently fluid, they can seem that way a lot, and Richard could well feel he transitioned from aro to gray aro or even from aro to gay, or aro to bisexual, or anything else. He was talking to Tanimoto, but that doesn’t mean his words weren’t rooted in things he experienced himself.

I think Richard knew he was at least queer by the time he made it to Japan. But I don’t know how much he knew beyond that. He knew he was weird and different and couldn’t conform to society’s expectations of him gender and relationship-wise. That’s all “queer” really requires, which is why it’s a lovely umbrella term for people who can’t or don’t care to puzzle it out further than that, and for all the people who fall under that umbrella.

And if he didn’t have romantic attraction to Deborah, which is a solid possibility, that means Seigi may very well be the first time he did have a crush, and once he recognized what it was…what? Why now? Why couldn’t this happen sooner? He lost so much not feeling that way about people. He spent so much time coming to terms with not having a typical romantic relationship; why does he want one now? Is what he feels for Seigi romantic? It’s certainly not the same as what he feels for most people. How can he tell?

And thus: frustrated Richard being frustrated and annoyed for books, until he, like Seigi, made it to the end of White Sapphire and went “Whether I know what this is or not, whatever it is, it’s desperately important to me and I’m going to fight to keep it forever.”

We don’t know for sure when Richard’s realizations were, or what specific moments they were caused by. If Act Three gives us this, I will lose my entire mind with joy. But there are a lot of little places it can slot in, and much like with Seigi, it can be a work in progress.

#Housekishou Richard #The Case Files of Jeweler Richard #Jeweler Richard #aromanticism #Richard Ranasinghe De Vulpian #asexuality

[cinnamon-jp]

Housekishou Richardsshi no Nazo Kantei - Reseña

Start date: Jan 16, 2020 End date: Mar 26, 2020

Si habrá series con giros complejos esta es una de ellas.

Empezando como un anime con historia simple sobre un joyero y su asistente las realidades de ambos comienzan a complejizarse para mi sorpresa con el pasar de los capítulos. 

La realidad de Richard si bien dramática, es algo esperable entre comillas ya visto en series románticas occidentales. Sin embargo, en este último capítulo dónde se muestra el trasfondo de Seigi las cosas comienzan a revolverse cada vez más con pequeños detalles. 

Este tipo de guión y desarrollo de la trama donde no nos revelan toda la historia con una introducción prefabricada, es el tipo de historias que más se quedan conmigo. Los diálogos extraños, las escenas cortadas, incluso las expresiones de los personajes están muy bien logradas. 

Es una historia que dado los tintes de BL, no hubiese estado demás seguirla por ese lado, pero supongo que si quisieran haberlo hecho más explícito, habría sido así. 

Overall score: 9

#housekishou richard-shi #houzekishou richard-shi no nazo kantei #anime #anime review #anime reseña #reseña #review #spanish review #español #reseña español #spanish

[courage-a-word-of-justice]

Plunderer 1 | Hanako-kun 1 | Richard-shi 1

Plunderer 1

It seems…there was some kind of promotional showing which I missed the boat on? Well, that’s why Plunderer is on my winter visual, anyway. (refers to coverage on Animanga Spellbook)

My mother was watching Hatena Illusion earlier today – I didn’t go to watch much of it, since that would spoil the surprise for when I tackle it later – but the one thing that annoyed me was the high-pitched girl voice, as it does. I bring it up because it’s pissing me off here too.  

Okay, when you se CGI in the first few minutes of a show…that can’t be good. At all.

Hina’s Count is in her inner thigh, because she needs to flash everyone while she advances the plot. Thanks a lot, ecchi show. (words dripping with sarcasm)

Um, call me “feminist”, but why was the assumption she was looking for a boyfriend first up??? Can’t girls survive on their lonesome???

*facepalms* Why is the focus on Hina’s thighs when she’s being asked for money?!

Gah…faced with boobs, nosebleeds and thighs…this is ecchi paradise. Not a place I’d like to be, really.

Kanji are rare, huh? Must be a non-Japanese or Chinese place.

This hat…Hina’s hat. It’s pretty rare to see that style of hat in an anime.

Lemme guess, the Ace is that pervert *points at Licht*. I wouldn’t be surprised if it were.

This star guy is probably a fake. You can tell from Nana’s reactions.

Ohhhhhhhhhkay, can we not…? This is basically sexual harassment.

If this guy were so high and mighty, couldn’t he just steal the Ballot with those Abyss hands of his…?

*shrugs* Why should I give a s*** about this guy anyway? I already guessed Licht is going to be the Ace…

Lemme guess, the “negative” is also fake.

This action scene isn’t very good…

See? I knew it. I’ll f*** off now. (Yeah, I should probably phrase it better than that.) I’ll pause it until I can hear Ume, then drop this show like a hot rock.

Hanako 1

I was put off by the title and the style of the characters, but the reviews were good, so I’m here.

The shadow aesthetic reminds me of the one episode of Utena I watched.

The Hozuki aesthetic is very striking! It reminds me of Ranpo Kitan.

What’s up with the perverts today? *points upwards at Plunderer’s Licht* Also, those magatama hair decs Nene has are pretty interesting. (Note if I randomly bring up someone’s name without having to have learnt it, I probably read the promo stuff and/or reviews.)

Well, in the context, it is “high hopes”, but the characters just mean “expectations”, so they’re not that high, so to speak…

LOL, this (Nene) is basically me and my seasonal husbandos.

Oh, I just saw Minamoto passing by and Nene didn’t even notice it! LOL! Update: Turns out it’s just a guy who has red glasses but otherwise looks like him.

Lemme guess…she’ll bump into him from around the corner. It’s a shoujo cliché - c’mon, you can do better than this, show!

Did Nene turn into a fi-wait, that would mean this is the second time in anime that’s happened since Classicaloid! *eyes sparkle* Amazing!

A-Aw, Nene…? That’s…so cute!!!!!!! Gah! I wanna support you!

That action scene relied on shaky camera a bit, but it was better than I was expecting for a show like this (a Hozuki-style supernatural romance).

I thought this was gonna pull a Noragami and Hanako wanted Nene’s soul, but nope. Just her labour. Guess this is another In/Spectre, huh?

The preview blended so seamlessly into the episode I couldn’t tell which was which and I don’t know if that’s a good or bad thing…

Oh, Akari Kito! Nezuko’s VA.

Lerche, huh? Makes sense. They did do Ranpo Kitan, which has much the same aesthetic.

The actual preview was…more interesting (i.e. more like a comedy TV short), which is a lot less impressive than the thing I thought was a preview.

Richard-shi 1

This is the 3rd entry on my hype list. ID: Invaded made 2nd by debuting beforehand and 1st was a spinoff to an established premise (Magia Record), so I hope I was putting my support in the right place.

The scenery is nice in this show.

The pun is that Seigi = justice, so the ep title could be “justice of the pink sapphire”.

I was using the spelling of Richard’s name from ANN when I put this series on AniList, so I didn’t expect it to be “de Vulpian”.

The joke (Hero of Justice) is that Seigi Nakata is kinda like seigi (no) mikata (ally of justice).

Wait, why, whatttttttttttt?! Who keeps jewels in their fridge?!

It turns out Takadanobaba Station actually exists.

Education major? No wonder she’s so trusting…likewise, economics is probably why Seigi is so black and white on his morals (although Richard did just throw that back into his face earlier). Update: I say that because in order to succeed in education, you need to be sociable and trusting of parents, colleagues etc., while economics is very numbers-based (even if the people behind it may be money-grubbers).

LOL, that “Tfantasy and Co.” was so clearly a parody on Tiffany and Co.

This thing about records reminds me of how hackers (or crackers) can resurrect most things if they have enough to work with. It makes me feel nostalgic, to think about IT like that again.

Is it just me, or is there CGI in this show…?

Padparadscha…the only thing I remember about that stone is that it’s got lotsa holes in it (from Houseki no Kuni). Hmm, I can see why Richard thought it was a pink sapphire, though. Update: Then again, the link says padparadscha can be a sapphire too and the bit just after this says padparadscha is a sapphire of a certain colour. (Richard was only saying it was pink – and thus less valuable than the padparadscha - to ascertain Seigi’s motive, as he says.)

The quality of animation that occurred when Seigi was crying…it’s a bit worrying in comparison to some other shows (*thinks about Eizouken*).

I completely was able to predict Richard had the buns for Seigi to share with Hiromi.

Y’see? Words don’t lie, but they have a lot of nuance to ‘em. I say that because when I was researching Richard to submit his info to AniList, I discovered his foreign looks are because at least one of his ancestors was British with Sri Lankan heritage.

LOL, I like how Richard dismisses all the other royal milk teas. He’s just a little bit snarky, but not too much.

Update: Oh yeah, Shouko’s name has the character for “crystal” in it and it can alternately be read “Akiko”.

#simulcast commentary #housekishou richard-shi no nazo kantei #the case files of jeweler richard #Plunderer #jibaku shounen hanako kun #toilet-bound hanako-kun

[putrilaurant]

憧憬と屍の道 FULL Size Lyrics

憧憬と屍の道 歌詞 ― Shoukei to Shikabane no Michi Lyrics

Kanji

Der Weg der Sehnsucht und die Leichen

あの日人類は思い出した―――

薄闇の中進む影は 誰も心許なく 不確かな未来は何時だって 薄氷の上に咲く 夜は訪れる度に幾度も 冷たい手で俺たちの首筋を 優しく撫でた

黄昏を裏切って 灯る希望の背に縋り 追い駆けた　地獄へと 向かってると知っても

夢の続きが見たいなら お前は何を差し出せる 悪魔は甘く囁いた 屍で道を作れ

「この壁の向こうに何がある？」 幼き日々に憧れた 真実がすぐそこにある 屍の道の先にーー

箱庭で繰り返す 悼[痛]みと恨[怨]みの 《円環構造》 流れ込む　記憶の果て 自由の意義を問う

嗚呼… 可能性に満ちていた筈の 少年達の器に 運命はそれぞれ　何を吹き込んだ？

ーーそれは… 誰の悲願か 誰の夢か 悲しみ　憎しみが　交わって 紅蓮の矢は　互いを目指す

鳥の翼に憧れた 人は空へと羽撃ける 悪魔は狡く嘯いた 屍よ道を辿れ

この空の向こうに何がある？ 幼き日々に囚われた 昔日の灯が照らしだす 屍の道の先をーー

空の上から見たら 一体　何が見えるのだろう？ 【ここ】ではない【どこか】へ 行ってみたかった

幼き日に夢見た 広い　世界の果てには 目眩　覚えるほどの 不条理が潜む

自由を夢見た代償は 冷たい土の 《棺》 時に 《獣》の姿借りて 正義は牙を剥く 檻の中も　檻の外も 等しく地獄か？

罪の重さを背負うほど 踏み出す明日に意味がある 悪魔は低く呟いた 屍の道を進め

この闇の向こうに何がある？ 幼き日々に呪われた 現実はいつ報われる 屍の道の先でーー

《紅蓮の衝動》が翔け抜けた軌跡→ 《自由への覚悟》を散らして→ 《捧げられた花弁》を束ねても→ 《手向けるべき真の暁》には早過ぎる→ 太陽はまだ沈んでいないのだから→ 進み続ける波の彼方へーー

Romaji

Der Weg der Sehnsucht und die Leichen

Ano hi jinrui wa omoidashitaー

Usuyami no naka susumu kage wa  Dare mo kokoro motonaku  Futashikana mirai wa itsu datte Hakuhyou no ue ni saku Yoru wa otozureru tabi ni ikudo mo Tsumetai te de oretachi no kubisuji o  Yasashiku nadeta 

Tasogare o uragitte Tomoru kibou no se ni sugari Oi kaketa jigoku e to Mukatteru to shitte mo

Yume no tsudzuki ga mitai nara Omae wa nani o sashidaseru Akuma wa amaku sasayaita Shikabane de michi o tsukure

"Kono kabe no mukou ni nani ga aru?" Osanaki hibi ni akogareta Shinjitsu ga sugu soko ni aru Shikabane no michi no saki niー

Hakoniwa de kurikaesu  Itami to urami no《enkan kouzou》(loop) Nagarekomu kioku no hate  Jiyuu no igi o tou 

Aa… Kanou sei ni michiteita hazu no  Shounen-tachi no utsuwa ni  Unmei wa sorezore nani o fukikonda?

ーSore wa…  Dare no higan ka  Dare no yume ka  Kanashimi nikushimi ga majiwatte Guren no ya wa tagai o mezasu 

Tori no tsubasa ni akogareta  Hito wa sora e to habatakeru Akuma wa zuruku usobuita  Shikabane yo michi o tadore 

Kono sora no mukou ni nani ga aru?  Osanaki hibi ni torawareta Sekijitsu no hi ga terashi dasu  Shikabane no michi no saki oー

Sora no ue kara mitara  Ittai nani ga mieru no darou?  [Koko] de wa nai [doko ka] e  Itte mitakatta 

Osanaki hi ni yume mita  Hiroi sekai no hate ni wa  Memai oboeru hodo no  Fujouri ga hisomu 

Jiyuu o yume mita daishou wa  Tsumetai tsuchi no《hitsugi》(Beddo) Toki ni《kemono》(oni) no sugata karite  Seigi wa kiba o muku Ori no naka mo ori no soto mo Hitoshiku jigoku ka? 

Tsumi no omosa o seou hodo Fumidasu ashita (ashi) ni imi ga aru  Akuma wa hikuku tsubuyaita  Shikabane no michi o susume 

Kono yami no mukou ni nani ga aru?  Osanaki hibi ni norowareta  Genjitsu wa itsu mukuwareru  Shikabane no michi no saki deー

《Guren no shoudou》(yumiya) ga kake nuketa kiseki → 《Jiyuu e no kakugo》(tsubasa) o chirashite → 《Sasagerareta hanabira》(shinzou) o tabanete mo →  《Tamukerubeki shin no akatsuki》(requiem) ni wa haya sugiru →  Taiyou wa mada shizunde inai no dakara → Susumi tsudzukeru nami no kanata eー

#Linked horizon #lyrics #shinjitsu e no shingeki #shingeki no kyojin #attack on titan

[queengurako]

I’m watching episode 3 of Seigi no Se / Ms. Justice [For the curious check this post : here] and I begin to have an idea of AU!Prosecutor for Hakuouki. 

Ririko makes me think a lot of Chizuru with her behaviour : spontaneous, trying her best to make justice, a little bit naive, sweety and so precious for this world, really funny and stuborn... Well cutie. Now I imagine an AU where Chizuru is a young prosecutor. 

My big issue now is to find who is Aihara the assistant-prosecutor of Chizuru ? 

I hesitate with Hijikata (because I looove the idea of Hijikata being assistant of Chizuru, being Hijimama with her and dreaming of a Hijizu in the future hihihi) buuut Hijikata could also be Otsuka. The prosecutor who works with Ririko and who always make her reflexions concerning her attitude or naivety...but he is curious about her and sometimes my gosh...that look...I hope Ririko and Otsuka would be together at the end of the show x)

Well so maybe Hijikata for the assistant prosecutor...or maybe he is a prosecutor of the same District of Chizuru (and Heisuke is his assistant-prosecutor/slam)(or Souma/slam)...and I need to find a character in Hakuouki who is a little bit grumpy but not bad, acting like a sister-in-law with all his advices...I hesitate between Serizawa and Amagiri for the moment. Lolz. 

#hakuouki cracks #hakuouki #au hakuouki #yukimura chizuru #seigi no se #ms. justice #hijikata toshizo #Also as Ririko has a boyfriend I imagine Chizuru being with Iba ahahaha #serizawa kamo #amagiri kyuju #gurako's confession