#matsumoto toshio

[zegalba]

Matsumoto Toshio: Átman (1975)

#Matsumoto Toshio #Átman #oni #madk #demon #japan #art #1975

[gacougnol]

Matsumoto Toshio

Shura

1971

#matsumoto toshio

[redsamuraiii]

My 5 Favorite Legal J-Dramas

I love them because they have perfect balance of seriousness and humour, not too dark and not too comedic. And the chemistry of the main leads are fun to watch with their constant bickering. 😂

1. Hero (2001)

Kuryu (Kimura Takuya) is an unconventional prosecutor who has a habit of investigating the criminals himself before prosecuting, which agitates his paralegal, Amamiya (Matsu Takako) has it delays the process while more cases are piling up, and often conflicts with the police who thinks he does not trust their investigation skills.

The series is so good that it has a second season with a newcomer played by Keiko Kitagawa, a special episode with Haruka Ayase and a movie with both Keiko Kitagawa and Matsu Takako. I like their chemistry, not just between the main leads but the supporting characters as well that got pulled into Kimura Takuya's shenanigans.

2. Miss Justice (2018)

A similar tale of a public prosecutor, Ririko (Yoshitaka Yuriko) whose strong sense of justice get in her daily work as she takes time to solve each cases diligently, playing the role of a "detective" to ascertain that the suspects are really guilty before she prosecutes them. However, it only delays her other cases which snowballs.

This agitates her older and experienced paralegal (Yasuda Ken) who is tasked to ensure she completes each task on time without delay. But over time, both him and the entire department who got pulled into her shenanigans finally understands her reasoning and begin to respect her as a fellow prosecutor and not as a newbie.

3. Police and Prosecutor (2023)

Gota (Kiritani Kenta) and Minami (Higa Manami) are siblings who work as a law enforcer and a paralegal respectively. She works for an ambitious public prosecutor, Shuhei (Higashide Masahiro) whose values and principles are opposite of Gota, which often puts them at odds with one another when they work together on every case.

While Minami and Shuhei know the grey world in their line of work, Gota is a brash detective who only sees thing in black and white which often puts them at odds with one another. But their opposing personalities and styles of work eventually help to solve the cases in arresting and prosecuting the right criminal.

4. Ishiko and Haneo (2022)

Ishiko (Kasumi Arimura) is an obstinate law graduate who aspired to be a lawyer but after failing the bar four times, she gives up her dreams and works as a paralegal at her father's private law firm where she met the prodigy Haneo (Nakamura Tomoya) who passed the bar on first attempt due to his photographic memory.

Ishiko is a bit insecure in having to work with a prodigy while Haneo is actually terrible at adapting that he often mask it with his "superior intellectual". Their different personalities and styles of working contradict each other as the two of them, with their own inferiority complexes, are thrown together to solve cases.

5. Binta : Love and Law (2022)

Minowa (Matsumoto Toshio) is a former delinquent who doesn't have a regular job and never really thought seriously about life until he had to look after his young step-sister left behind by his late father. He lands a job as clerk, working for a strong headed lawyer, Natsumi (Yamaguchi Sayaka) who is dumbfounded by his "stupidity".

But his strong sense of justice is a welcoming change that she needed having work in a corporate law firm surrounded by "vultures" that the two decided to start their own private firm to genuinely help people that really need help and not simply for the big money. But with each case, they realize things are not as simple as they think.

#legal drama #japanese drama #hero #kimura takuya #matsu takako #keiko kitagawa #miss justice #seigi no se #yoshitaka yuriko #yasuda ken #police and prosecutor #Keiji to Kenji Shokatsu to Chiken no 24ji #kiritani kenta #higa manami #higashide masahiro #ishiko and haneo #kasumi arimura #nakamura tomoya #binta #matsumoto toshio #yamaguchi sayaka #my recommendations #dorama #j drama

[2001hz]

Funeral Parade of Roses (1969) Dir. Toshio Matsumoto

#funeral parade of roses #toshio matsumoto #toshio matsumoto archive #shinnosuke ikehata #1969 #avant garde #experimental #punk #lgbtq #film #stills #japan

[wetgeliscasualinterval]

Ātman (1975) by Toshio Matsumoto

#toshio matsumoto #film #cinema #movie #movie stills #film frames #cinematography #movies #films #experimental film

[nobrashfestivity]

Toshio Matsumoto, Enigma, 1978

#Toshio Matsumoto #enigma #experimental film #japanese art #gif #nobrashfestivity

[crystallizati0n]

Funeral Parade of Roses, 1969

#funeral parade of roses #Toshio Matsumoto #japanese movie

[ghostnight]

Expansion (1972)

#toshio matsumoto

[oxhide]

Everything Visible Is Empty（色即是空), 1975 by Toshio Matsumoto

#Toshio Matsumoto #s

[disease]

"EVERYTHING VISIBLE IS EMPTY" @ EMPTY GALLERY, HK | SEPT 9–NOV 18, 2017 TOSHIO MATSUMOTO 松本 俊夫 | 1975

Everything Visible Is Empty seeks to embrace Matsumoto's trenchant critique of 'the visible—the ideologically constructed gaze which conjures social reality—by forgoing a curatorial approach based on stylistic or chronological groupings and instead presenting a non-linear mosaic of works from different contexts and eras.

#toshio matsumoto #video art #japanese new wave #conceptual #contemporary art #experimental #eyes #empty gallery #hong kong #70s #japanese #art #u

[junglejim4322]

Funeral Parade of Roses (1969)

#Funeral Parade of Roses #pita #Pîtâ #japanese cinema #film #Toshio Matsumoto #lgbt cinema #c

[onyearning]

#Funeral Parade of Roses #Funeral Parade of Roses (1969) #薔薇の葬列 #Bara no Sōretsu #Toshio Matsumoto

[redsamuraiii]

Binta! (Ep 5)

🤣

#binta! #love and law #yamaguchi sayaka #matsumoto toshio #sayaka yamaguchi #toshio matsumoto #japanese drama #j drama #jdrama #dorama #asian drama #japan #love

[2001hz]

Toshio Matsumoto: 'Everything Visible is Empty' (1975)

Everything Visible is Empty contains a selection of short experimental films, documentaries, and sound pieces from two decisive periods in the cultural history of Japan and frames them as pivotal in Matsumoto’s avant-garde filmmaking practice. Shown in near darkness, they reemphasize the urgency of his “visual spectacle” as an unnerving physical experience, and stressing the importance of the Happening as a radical form of art practice.

#toshio matsumoto #Everything Visible is Empty #1975 #avant garde #dark #experimental #metaphysical #imagery #film #documentaries #japan

[davidhudson]

Funeral Parade of Roses (1969), directed by Toshio Matsumoto (March 25, 1932 – April 12, 2017).

#toshio matsumoto #cinema #film #movies #movie posters #movie poster

[nobrashfestivity]

Toshio Matsumoto

Funeral Parade of Roses, 1969

#Toshio Matsumoto #funeral parade of roses #film