The thing that gets me about history and humanity is that you never know what is immortalized, and the things that will be immortalized are things you would never think.
I saw a person sharing a new tattoo, and it was one of Onfim's drawings. A boy who lived so long ago he is barely a blip now, but his drawings meant so much to people that somebody is now permanently marked in their skin with one of those drawings. Do you ever look at the things you make and just sit there and wonder if this is the thing that future people look at? Do you ever look at your art, your writing, your schoolwork, or anything that is yours and just wonder who will find it, who will fall in love with a piece of your humanity and become overwhelmed with emotion over? It's not unlikely. It's not totally unlikely that somebody will find a piece of you in the distant future and devoid of any other context of who you were will still love you because you were here. You were here, and you are still here, even hundreds or thousands of years later. Treat yourself with the same love that so many have for dear Onfim.
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Publishing is weird. Especially when you're used to fic. Because you write this thing. And then a year later you cut it in half and edit it for publication. And then a year after that, the first part comes out. And then a year after that the second part comes out. And you finally decide to sit down and read both of them through after a bit of distance except then you're immediately going "look at this glaring plothole, why did you use so many en dashes, stop saying the word 'like,'" except, unlike Ao3 where you can just go...make adjustments as needed, you're stuck with everyone seeing your writing's flaws.
And now I'm being overly critical about the things I'm currently writing because god forbid I'm making mistakes (not recognizing them) that I will someday kick myself for once I have further matured as a writer.
I guess the good news is that I'm writing at all? But that bad news is I'm a neurotic mess.
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It’s not that Eddie is hanging out with someone else. It’s not that said someone is exciting, can give Eddie things that Buck can’t, can bond with him over things that Buck can’t.
It’s that Buck knew this would happen. He knew he would be replaced when Eddie found someone better, knew that it wouldn’t be hard.
Eddie deserves this. He deserves a friend who can take him up in the sky and bring him safely back down. Not someone who steps on his shoe and pushes him to the ground.
Buck deserves to be left. He’s been selfish. It serves him right for thinking he could hold on to Eddie, to their little family. He knew it was too good to last. Everyone leaves him sooner or later. No one wants to keep him forever.
Eddie has Marisol and now he has Tommy. What does he need Buck for?
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kira's ongoing narrative in relation to cardassia and post-genocide complication of easy stories -- not, of course, that it was not genocide, but that some people she thought of as enemies were allies, and many people who were a part of the oppressing forces, were later, in turn, the victims of a mass attempted-genocide
and the idea that she, personally, cannot hate every individual cardassian, because she genuinely wants to build and heal and what that looks like, versus many (understandably) traumatised bajorans who are still and will always be at war
it's such a complicated, ongoing, twisty-turny storyline that returns again and again, with dukat, with garak, with ghemor, with damar, with ziyal, with rugal (although he and kira don't really interact, but in terms of the wider complexity of bajoran-cardassian interactions), with marritza (I've forgotten characters I know it -- there's natima as well, although I don't think she and kira interact?)
and then her ongoing narrative related to healing vs punishment vs power with -- yes li nalas and bareil, with winn and opaka (battle lines really is the first realisation I think of kira's needs and ongoing journey), with the people she was in the resistance with, some of whom are trying to create new lives some of whom cannot, ziyal again...
i also wonder about a stitch in time, and the knowledge that cardassia's rich, spiritual life was all but stamped out by a military dictatorship, and how kira would feel about this/whether she would feel a connection with the underground religious space that survived despite it
i think the reason it (mostly, let's not go into the storyline with her mother) works is that it's something her narrative returns to over and over, like a worried tooth, not necessarily in a single straight line, but via individual stories from many directions, with this understanding that she's at the centre of this massive change and she may have to take on a leadership position in order to facilitate and hold together bajoran ideals and culture and history and pain and hope through that, and bit by bit she grows into that role. and in some ways it doesn't come across as conscious, but it builds up slowly like drops accumulating, until there's a picture there
it's so so good, and imo the most complete/successful storyline given to a character in ds9 (I think nog-and-rom as a somewhat more intimate ongoing push-and-pull storyline, and also benjamin sisko on a macro spiritual level have a similar kind of thorough exploration, if different in focus, and also - to an extent - odo). my one big thing with kira's narrative is consistently how they handled ziyal, that is my personal biggest detractor. shocking because -- perhaps with benefit of hindsight, perhaps with a little less sexism idk -- there were so many ways they could have gone with ziyal, it seemed obvious while i was watching, and yet
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A Whumpee who is so touch starved that they will do literally anything for just a ghost of contact but who also hates being touched for whatever trauma reason, so they’re stuck in this hellish limbo between their desire to just be held by someone and the awful prickling feeling they get whenever someone so much as brushes against them.
Bonus points if their master/caretaker/teammates/whomever within the context has no problem being affectionate but they just won’t do anything unless they are literally asked or something of that sort.
This opens up a lot of potential for some really soft emotional scenes
(prompt 12)
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Thinking about Lan Sizhui teaching Jin Ling how to play guqin.
Thinking about Jin Ling absolutely bored to tears by the fundamentals until he hears how beautifully Lan Sizhui plays and suddenly takes an interest (in the guqin, definitely the guqin, he’s interested in the guqin only, okay??)
Thinking about Jin Ling practicing outside of classes because he wants to impress Lan Sizhui by how much he’s improved and wants to make him proud and wants to see his face light up with a smile—I mean, what? No no no, he just wants to show initiative to learn, that’s all there is to it, nothing more. Nothing at all.
Thinking about Lan Sizhui finding Jin Ling asleep on his guqin after a night of wearing himself out with extra practice and gently waking him up to safely escort him back to his room so he doesn’t get caught by their seniors. Meanwhile, Jin Ling sleepily leans against him on the walk back to his room because it’s normal, he’s just tired, it’s obviously normal because Lan Sizhui slips his hand into his and smiles and Jin Ling’s heart feels like it’s on fire. Oh no.
Thinking about Jin Ling opening up to Lan Sizhui about his nightmares from all the trauma he’s endured and Lan Sizhui staying to play guqin for him until he falls asleep, each note chasing away every bad dream that tries to disturb him.
Thinking about them practicing guqin alone together the next day. And the day after. And the day after that—and they really are practicing but it’s a little hard to focus when Lan Sizhui keeps putting his hands over Jin Ling’s to move them to the correct strings, and Jin Ling’s face is a breath away from Lan Sizhui’s every time he leans over to help him.
It’s just guqin practice, that’s all there is to it, perfectly normal. 🩵💛
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seven sentence sunday
tagged by @theotherbuckley 💖
to no one's surprise, more alive shannon lol I'm gonna share way too much of it now bc apparently I can't get inspired to write anything else atm, too excited about this one haha
this time a bit of shannon's pov - I'm planning on switching povs, it's gonna be mostly eddie bc i feel most comfortable in his head lol, but a chapter here and there will be shannon or buck pov too
prev snippet
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She doesn’t remember the impact, the car hitting her – all she remembers is how much pain she was in after that, laying there in the street, unable to move. It was so scary, too. Shannon didn’t want to die. She was just getting her second chance at being a mom, at redeeming herself, trying to make up for it all, and suddenly she was faced with the prospect of being stripped away of it – what’s even worse, she could imagine how confusing and painful this would be for Christopher, getting his mom back just to lose her again. Honestly, that part, the thought of her kid hurting because of her, hurt much more than the fear of dying.
Fortunately, she’s still here, and she has no idea what crazy miracle happened, but she’s so grateful. Now she needs- she needs to see Christopher, promise him she’ll never ever leave him again, she never wants to be away from him again. She hopes Eddie will let her, despite the divorce bomb she dropped on him. It’s not even surprising to her how much of a mess they always end up in when they try to be together – which is why she sees divorce as the only option right now, it’ll be better for everyone.
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no pressure tags: @elvensorceress @gayarthur @diazass @thebravebitch @silentxxsoul @shortsighted-owl @eddiebabygirldiaz @transbuck @jesuisici33 @diazblunt @911onabc @eddiediaztho @housewifebuck @thewolvesof1998 @fortheloveofbuddie @lover-of-mine @gayhoediaz @jeeyuns @rogerzsteven @watchyourbuck @eowon @cowboy-buddie @monsterrae1 @hippolotamus @loserdiaz @ladydorian05 @giddyupbuck @forthewolves @honestlydarkprincess @wildlife4life @spotsandsocks @daffi-990 @disasterbuckdiaz
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