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yourfavoritehouseplant · 5 months

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I watched James Somerton's final video, and all I got was this 6 page document

As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.

The TLDR (is this too long to be a TLDR?)

The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.

He makes a “haha this show is so weird right guys” joke 10 different times

He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good

He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”

He sees the sexual abuse as “not to be taken literally”

Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5

The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person.

He says Dios gets his powers by “deflowering women”

He calls Akio, known child predator, a chaotic bisexual

Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom

His final point is that Utena was the real prince all along

There are no citations

Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.

Part 1: Intro

This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:

0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.

1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido

4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)

As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime

Part 2: Part 1

(At least I know I’m not funny, unlike James Somerton)

Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01

Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40

6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga.

7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.

9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)

9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons

10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom.

He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done.

11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.

13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.

14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)

Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.

14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women

16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.

Part 3: Part 2

17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me.

The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?

You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.

Part 4: Part 3

Here’s where the reading falls apart folks

At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World.

This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical

This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.

I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.

24:36: Shiori slander, for those who care

After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him.

28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)

This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase

And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.

Part 5: Part 4

Thank god this part is short. Much like Dios’ on-screen presence.

32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.

Just to be a pedant, this is pretty explicitly disproven in the show

Confusingly, both earlier and later he will address these two as the same character.

33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?

Part 6: Part 5

This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.

38:30 The part where he states that Dios gets his powers from deflowering women.

38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”.

38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance” THE ASSAULT IS ABOUT AKIO NOW???

39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.

Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.

At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand

Part 7: Part 6

42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami

46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince

48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim

Part 8: Part 7

54:01: His concluding point is that Utena was the real prince all along.

In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.

#the autism won again you guys #revolutionary girl utena #james somerton #shoujo kakumei utena #utena #anthy #hbomberguy

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mayakern · 4 days

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hiiii it's me! devin! ur favorite!

maya is still banned from doing big business things on social media while she takes time to rest and detoxify from the poison that is running social media full time for ten years. everybody clap! yay!

i'm here to share some info on our button-up shirt and dress preorders!

as many of you already know, i lost my anti-preorder campaign due to the high minimum per design. there's been some confusion and uncertainty. carsyn's doing her best but preorders are overwhelming and i have some time today

SO TO ANSWER YOUR QUESTIONS:

how close are you to hitting the minimum goal for the button-up shirts and dresses?

not close lol. as of 4/26 we're at about 8% funded. i refuse to panic until after may 3rd

why the funeral design?

the funeral design won our design poll

initially we were going to run preorders for two designs: funeral as well as astronauts. when we got news that the minimum would be 400 garments per design (we're able to spread that across the button-up shirts and dresses) we decided to cut back to one design. we're really not big enough to expect 800 orders on an $80-90 item

why not another design?

another design did not win the design poll

what would have been chosen other than funeral or astronaut?

deadly florals, hiss from a rose, microorganisms, and hands were all the top placers in the design poll after funeral

can you do solid color?

yes

why didn't you do solid color?

you can buy a solid color button-up shirt or dress from anywhere. the plan has always been to introduce these garments in solid color after their initial introduction

...so can you do solid color?

we will consider doing solid color preorders if these preorders bomb

how much would solid color cost?

probably the same. it's not much cheaper. it's faster to make tho

how much would the ecovero viscose cost instead of cotton?

maybe like $10 cheaper

it's really soft tbh but it's a different weave from the viscose for the skirts. it's my number one fabric for the button-ups but alas the cotton fandom won for now

what happens if preorders bomb?

we cancel and refund all preorders.

maybe we'll try again with a different design or with fewer features after we have some time to decompress from the nightmare that is running preorders (can you tell i hate preorders). if they bomb bad enough we may completely nix patterned button-up shirts and dresses. we don't know yet!

does that affect the picnic top?

the picnic top is completely separate. since it's made out of a different fabric it has its own minimum, so it will not be affected by button-up shirt and dress preorders

and like, to be totally honest, it's way cheaper to produce. we can eat some of the cost and just make them. they're small enough to store easily and they're at a lower price point so we can expect to sell them after we receive them, like the wrap tops

btw, we have other ready-to-ship things already in production. we've been working on a whole secret project. surprise!

why did you launch preorders for the button-up shirt/dress at the same time as the picnic top?

the picnic top sample came in with the button-up dress sample and it needed very little alteration. also maya liked it. also we may be developing an entire line inspired by the picnic top so keep an eye out for that next spring

why is the new button-up shirt more expensive than the old button-up shirt?

it's more expensive to make

why is it more expensive to make?

this is a different factory from the one we used before. it's more expensive because they pay their staff a higher wage and likely have other costs

this is a different fabric from the one we used before. it's a stretch cotton with a GOTS certification

this is imported from a different country from the one we used before. turkey has much higher import fees to the US

what is a GOTS certification?

the short version is the fabric itself is more environmentally friendly and produced with more fair labor practices than standard cotton

you can read the long version here here

can you do fulfillment from somewhere other than the US?

we're working on it. it probably won't lower prices tho, since fulfillment centers also cost money

anyway...

none of this is to shame someone for not preordering. groceries are expensive and things are tight, plus it kinda sucks to spend on a tight budget and not get what you ordered for a few months

(can you tell i hate preorders)

i think there's a lot of surprise since we've never done preorders on a single design before, and that's fair! we debated on doing a kickstarter but a) i hate doing kickstarters b) kickstarter takes a percentage of sales and our profit margin on these is already lower than we'd like it to be

i'm tired and i can't remember anything else i wanted to say. i may answer any additional questions from my own tumblr (@punchyemblem and now i'm gonna get a notification that i'm gonna be jumpscared by) but carsyn will be handling most questions

also don't worry, when you say nice things we still show maya. also she's fine, she's just in her (forced and highly necessary and possibly permanent) limited social media era

#devin time #store stuff

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maidragoste · 5 months

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was your meme w the daemon au about the oneshot where she married him to avoid marrying viserys? because i would LOVE to know how people reacted when daemon (i assume it would be daemon) sends a message to viserys - 🩵

Hi Anon 💖, sorry for the delay in responding but I was actually writing something totally different but I saw your question and Viserys' reaction came to mind so I started writing haha

btw, I thought this would be shorter

I hope you enjoy it 🥰🥰💖💖

I recommend people read "The Decision" first to better understand this

At first, when barely an hour had passed since you had disappeared on the back of your dragon, your family had not worried, thinking that perhaps you had lost track of time while flying. It wouldn't be the first time that happens. But then it got dark and you still didn't show up. The worst thing was that Viserys wanted to dine with you in his chambers. Corlys excused your absence by sending your maid to tell the King that you were feeling ill. Rhaenys was furious with her husband for not telling Viserys that you were missing, if the king asked for it then everyone would look for you but Corlys didn't seem to care about your safety, he seemed more worried that Viserys would think that you had escaped to avoid marrying him. Of course, your father couldn't hide your absence for long. Somehow Otto Hightower had found out about your disappearance and reported it to the king.

The next day the entire council was gathered and the king's fury at having been kept secret from the disappearance of his fiancée was evident. Rhaenyra listened worriedly as her father asked Lord Velaryon for explanations. She feared that you had made a drastic decision to run away, her heart ached just thinking that you had left without saying goodbye first.

Corlys didn't even have the chance to excuse himself and make up some story about actually knowing your whereabouts when a maester interrupted the room. The Grand Master was already about to scold him when the youngest reported that a letter had arrived with the seal of House Targaryen. Viserys instantly ordered the parchment to be given to him, knowing that it must be a letter from his brother.

Everyone watched in silence as the king's face became redder and redder as he read the parchment. “Daemon took her as his second wife,” he announced as he twisted the letter into a bun in annoyance.

Rhaenyra felt her heart skip a beat and had to hold onto the table to keep from losing her balance. You were supposed to run away or find a way to break off the engagement, not get married. The worst thing is that you married her uncle. It was unfair that he could have you but she couldn't. If only she had been brave enough to tell you how she felt but she was a coward and she settled for your friendship. She settled for pretending that you were hers every time the two of you walked hand in hand through the hallways or when she exchanged her rings with yours as if it were some declaration of love.

“Poor Lady Y/n, Prince Daemon surely took advantage of her,” said the king's hand with mock regret. Corlys was not blind like Viserys so he could see how Otto Hightower was forcing himself not to smile. He should be the only attempt with this situation, now with you out of the way he could push his daughter Alicent again so that she could get the king's attention and thus make her queen.

“You can annul their marriage,” said the princess, drawing everyone's attention to the obvious desperation and pain in her voice. Years later, different versions of the reason for Rhaenyra's despair circulated in history books. Some would say it was because she was in love with her uncle. Others would say that you were actually the owner of her affections.

“The king can no longer marry Lady Y/n. Not now that Prince Daemon…”Lyonel Strong trailed off, trying to think of a not-so-shocking word to finish with.

“He ruined her,” Otto continued.

“You're talking about my daughter, watch your mouth!” Corlys demanded furiously, hitting his palm against the table. Lyonel had wanted to avoid exactly this.

Rhaenyra also glared at the king's hand. She hated that he had used that word to describe you but I can't help but think that maybe it was better that the lords thought that of you because then they wouldn't want to marry you. Her father would annul your marriage, you would come home to her and she would never have to worry about someone else trying to steal you from her.

“They married under Valyrian customs. It may not be valid in the eyes of faith but in my eyes, it is” declared the king. Besides, he wasn't going to annul your marriage and then marry you. It would be humiliating. He didn't want to spend the rest of his life with a wife who didn't love him. You had made it more than clear in the letter. He couldn't be mad at you, not when you had apologized for not telling him how you really felt sooner, had told him that you appreciated him but couldn't imagine loving him the way you love his brother, and that you thought he deserved a wife who truly loved him. Still, he was furious with his brother because he had taken advantage of you, it didn't matter that in the letter you said that Daemon didn't force you into anything and that it was your decision to marry, Viserys was sure that Daemon didn't love you, that he had only taken you as a wife to annoy him, as revenge for making Rhaenyra his heir.

“I am very sorry for my daughter's actions, your Grace,” Corlys apologized almost through his teeth. He was furious with Viserys for being so weak. Another man would have instantly annulled the marriage and gone to find his bride but he was not surprised by the king's attitude considering that he had been more interested in planning the wedding than in putting an action plan for the situation that was occurring on the Stepstones

He was so furious with you too. If before Viserys was not interested in the Stepstones, now with you breaking your engagement even less so. He couldn't believe you did this to him. He thought he raised you better. You could have made the Velaryons go down in history by giving the king a son but you ruined everything.

Taglist for all my House of the Dragon works

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uncouth-the-fifth · 10 months

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click, p.2 - Sam Winchester/Reader

read it on ao3.

Pairing: Sam Winchester/Reader (late s5) Tags/Warnings: angst, love confessions, romantic sex, oral sex/cunnilingus, (aka, Sam pussy addiction: the shequel), Sam is Lucifer's vessel, reader is AFAB. Word Count: ~11k. Notes: i was commissioned for the second time by the lovely @daffodil-mania, who wanted a continuation of her last fic set during the "say yes" era of s5. (sooooo dangerous to let me put my grubby hands on this version of Sam, btw). i cannot express how BUCK FUCKING WILD uncouth-nation went for the first part of this fic, so this is for all the wonderful people who gushed over click, commented, threw me some kudos, or even just read it and liked it. lots of love, and i hope you enjoy <3 i did my best to rip out your soul as best i could. THIS CAN STAND ON IT'S OWNNN AHHH. i mean. if u wanna read it <3 Ask to be added to my taglists for future posts!

FIVE YEARS LATER

The walk from the bus stop to your apartment is a safe and easy seven minutes. If you were any other person in any other world, you’d glide onto the bus after your night shift at the university, hop off at your stop, and bumble toward your apartment without a single care in the world. Maybe stare at your phone the whole walk back. Text a hot guy who isn’t the physical manifestation of the devil on earth. Normal stuff.

But this is your life, so you sit front seat on the bus, hands in your lap, tapping a nervous beat against the angel blade hidden in your book bag. The windows rattle in their frames and gleam with rain. You could get off at your stop and take those easy seven minutes home—but the bus driver could also be a demon, so.

Since you aren’t in the mood to die a slow death tonight, walking a few extra blocks to keep anybody from knowing where you live will have to work.

On day two of this, you’d called Dean and asked if you were being extra paranoid. He’d kindly pointed out: Extra-paranoid is just extra-survival. I dunno about you, but survivin’ a lil’ extra sounds fan-fuckin-tastic to me right about now.

He’s right. You know he’s right. But it still doesn’t feel like a good answer, and that makes you picture Sam, twenty-three and still bright-eyed, running his fingers down your bare back and scowling. I’m sick of surviving. One of these days, I want to actually live my life.

But that had been before the apocalypse, before Dean’s deal, before everything. Sam was a different man now. Hunting had reached into all three of you and ripped all sorts of things out, but you would never forgive it for taking Sam’s hope for something better. God, you missed that Sam. You missed him more than anything.

The city bus lumbers up to the curb and spits you out onto the sidewalk, where you superstitiously hover, waiting for the other passengers crawling away from their night shifts to scatter. It’s only when the bus is a dark spot in the mist down the street that you start to walk, your whole body caked head to toe with oily rain.

This time, you take a random left toward your apartment and serpentine street-to-street, never walking the exact same way the same week. By the time you’re closer to where the bus could’ve actually dropped you off, the lingering smell of old research books has been practically power-washed out of your clothes. You try to think of anything but the freezing, biting, face-stinging rain… and, like a moth to a flame, your mind floats back to Sam.

It’s been over two weeks since he dropped the nuclear option. Over two weeks ago, Sam wanted to say yes to Lucifer, and over two weeks have passed since the massive, unstoppable-force-meets-immovable-object fight that’d erupted as a result.

Dean had blown up. Sam had pushed. You’d burst into tears and clawed into Sam just as deep, because why, why would he ever go there—why would that even be a fathomable possibility in his mind? Did he really think so low of himself? How could he ever give up like that? How could he leave you—?

The worst part was easily the way Sam had reacted. With Dean or John, he could yell himself hoarse, but when it came to fighting you all he could do was sit and take it. He put his head down and nodded at everything you said, even the cruel things. In some ways it made you angrier, but also inconceivably, cosmically guilty. This was Sam’s choice. And of course, because this was Sam, his choice was to save the whole goddamn world. Not a single bone in your body carried that level of selflessness, yet Sam bled the stuff.

You were still furious with him, but only because being mad at him was the only option you had left. The right thing to do would be to tell Sam, I trust you to make this decision, this is your life, and let him take that jump… But you didn’t have it in you. Saying that felt like pushing him over the ledge yourself, or telling him you’d never cared about him in the first place. If you were angry at least you were still fighting for him in some way.

You’d been on board for everything—trying to find a way out of Dean’s deal, trying to kill Lilith, everything. But the argument with Sam had torn out the final piece of you that could stand this, so you packed a bag, told Dean you’d be in a strict research-only role, and booked it back to your hometown. It was cowardly and stupid and beyond selfish, but you knew your stance. The hunt had taken everything from you. You refused to let it take Sam, too.

Maybe, Sam would take you stepping away as a serious sign to change his mind. You couldn’t imagine a world where Sam and his Winchester stubbornness would ever do that, but. It was a nice wish to hold onto.

By the time you make it up the steps to your apartment building, you’re soaked to the bone and audibly making pathetic shivering sounds. Your bookbag feels heavier than ever, digging a trench into your shoulder as you fish around for your keys. The second your apartment door is open the true weight of your exhaustion hits you—

—and then utterly disappears, replaced by a shock of pure adrenaline.

There’s a new pair of boots by your front door.

You catch the heavy door before it goes swinging against the doorjamb, straining your ears against the ringing silence. The bedside lamp is on in your room.

On dead-quiet feet, you slip in, click the door shut behind you, and slip off your bookbag. Your angel blade is in your hand in a second, but you risk a few extra steps toward your kitchen table to wiggle loose the pistol you taped underneath. Just the weight of your weapons in your hands flicks the hunter muscle memory back on in your body, and before you can think you’re hiding in the shadow beside your bedroom door. Listening.

Soft breathing. The pages of a book turning.

You know, instinctively, who it is—you would know him dumb and blind and dead. But these days, anybody could be piloting his body around.

You suck in a deep breath through your nose, heart throbbing in your ears. You wait until the fingers on your gun aren’t shaking anymore, then burst inside the room, slamming the door into the wall and whipping your pistol up to eye level.

Sam’s head flinches towards you. He is exactly as you saw him two weeks ago; solemn, determined, and open, the air around him practically steaming with safety and goodness. He’s sat comfortably on your bed, reading a book he brought with him. Despite everything, your belly still curls with butterflies when you lay eyes on him. Sam. Definitely Sam, and no one else.

Still, your paranoia has gotten you this far. You both stare at each other for a beat, equal parts scared out of your minds and relieved. Without a word, you keep your gun trained on him, and Sam lets you, his eyes big and understanding. You shuffle sideways to your dresser, and without turning away from him, pop open the top drawer and toss him the silver flask of holy water you keep hidden inside.

He catches it. So, not a shapeshifter, then. Sam takes a drink of the holy water, even turning to the side so you can see the water go into his mouth. (A demon in Missouri had slipped past the three of you by pretending to sip—only Sam would know that.) You’re still a little terrified, but you manage to pull your weapons back down to your sides. You still don’t know what to say.

He’s really here. The part of you that had worried the argument with Sam would be your last wails with joy. He’s here, alive and in front of you. No matter how awkward you feel you can’t bring yourself to stop staring at him. By the buttery light of your bedside lamp, he literally glows with beauty, and you realize he’d scrubbed his boots off on your welcome mat to not track mud in, and he’d hung up his rain-soaked jacket in your shower to dry. Stupid polite Sam things.

You dare to glance back at your kitchen, then swivel to squint at him. “Did you… do my dishes?”

Sam lets his hands relax into his lap and nods, shy. He’s looking at you in a way he never really has before, eyes big and soul-rending. “…Yeah. I used the key you gave me to get in… Hope that’s okay.”

There’s another long pause. Usually when you stare at Sam, he doesn’t stare so intensely back, but you share a weird mutual moment where you just stand there and take each other in. It’s so obvious it’s painful, but if he’s doing it then you feel entitled to devour him with your eyes too.

“I got, uh, bored. Waiting for you,” Sam clarifies. “Thought I’d make myself useful.”

Sam stands from the bed. For a second you think he’s heading straight for you, but he moves toward the dresser behind you, kindly tucking the holy water back where it was stowed. You flit out of his way as fast as you can and set your weapons down on the closest available surface, feeling off-kilter. Why would he come here? Is he going to tell you that he changed his mind?

You hold onto the question, but you know it’s too out of character to hope for. Despair sinks into your gut like a rock in a pond. You know why Sam’s here. He would never make this decision without telling you first—without at least saying goodbye in person.

Your throat locks up with tears.

Behind you, Sam hums, “You changed your hair.”

Right. You’d altered it to be more undercover. You resist the urge to reach up and play with your hair, or give in to any of the fluttery feelings you always feel around Sam. “It’s safer.” Tightly, you ask him, “What are you doing here?”

Sam drags a long breath through his nose. You clutch the end of your bookshelf, your chest crumpling with misery. Please don’t say it. Please, please, lie to me if you have to.

“...I’m not taking the jump,” Sam breathes.

There’s more that he says after that. He talks about how you and Dean are right, and how, surely, after everything that the three of you have been through, there’s got to be another way to end this. You’ve always found another way in the past. Sam explains all this to you in a sure, quiet voice, like this is something he’s thought about for a long time, but you barely hear him after those first words. There’s this persistent tension in your chest that’s telling you that there’s something wrong here, but you don’t care—you don’t give a single fucking shit, because Sam—Sam isn’t saying yes. Sam’s staying.

“…are other ways I can make up for the mistakes I made,” he’s telling you, scrambling to fill the nagging silence.

You take a moment to force back your tears, and Sam, nervously, keeps talking.

He swallows, trying to smile. “I-I would’ve called and told you, but something tells me you wouldn’t have picked up.”

When you’ve got your bearings back, you push away from your bookshelf and turn to face him. Your legs are so leaden that you feel as if you have to physically pick up your body and drop it down the other direction, but you manage it. “What… what made you change your mind?”

Sam gets one look at your face and wilts with guilt. He doesn’t answer your question in words—just shoves his hands in his pockets and stares down at his feet, then around your room, as if his reason was in the air with the two of you. In the apartment. His eyes flicker over you just once, and you understand. Seeing you leave really had scared him.

“Be careful,” you start to joke with him, “you start validating my childish reactions and we’re gonna have a whole new set of problems on our hands.”

Sam scoffs. “It wasn’t childish to run away.”

You raise an eyebrow at his word choice, which gets an honest-to-god laugh out of him. A real good Sam Winchester laugh, dimples and all. The last dregs of anxiety in your gut melt at the sound, and Sam reassures you, shrugging, “You needed to get out. In case you forgot, I kind of invented wanting to get out. I understand. I really do.”

You know that he does. That’s not exactly going to stop you from feeling guilty about ditching them, but at least it kicked some sense into him. God. For the last five or six years, your every moment had been spent with Sam and his brother. Even just a couple weeks without him had drained you, and having him back only makes those feelings more clear. Sam’s presence commands the space in a way that turns your shitty, undecorated bedroom into someplace magical, someplace good and safe and warm, and just seeing him standing there draws the ache out of your spine.

Your reach out for his sleeve. Somehow, he’s more real than ever, a tangible person instead of the memory you’ve chased for so long.

“You’re really not saying yes?”

Sam unwinds your hand from the fabric so he can hold it instead, your fingers scooped in his fingers. You’re given a firm squeeze and are hypnotized by him in an instant, the world narrowing down to this moment between just him and just you.

Sam looks into your eyes when he promises, “I’m not going anywhere.”

The tears you’d resisted before return in one big, merciless wave. You’re so tired and the rain was so fucking cold and you’re so sick of being scared that Sam, thank god, Sam, is everything you could possibly need. He’s not going anywhere. Before you can stop yourself you’re clutching him for dear life, shoving your face in his shirt and crushing his body against yours. These last few weeks have submerged you in survival mode, and you don’t realize how deep until Sam pulls you out of the current. He’s warm and dry, and when you inhale to sob he smells like a 24-hour-laundromat, the Impala, and home home home. You could’ve lost that. You could’ve lost him.

“Th-thank you,” you choke out at nothing in particular, “thank you.”

You’ve cried a lot this week, so there are not many tears left to shed. Still, Sam holds you through all of them, swaying back and forth with you and cooing in your ear. You hear him sniffling too. When you’re both all sobbed out, you pull back to tell him you love him, to remind him of all the things he needs to hear, but Sam strangely doesn’t let you. The second he feels you pull away he clutches you back against him, and you get the uneasy impression that you’ve been comforting him more than he’s been comforting you. His whole body’s shaking.

Sam hugs you for longer than he ever has before. It’s a little worrying, but you’ve both needed it so much that you don’t even complain.

After a while, Sam slips back, and in traditional Winchester fashion tries to play off his vulnerability. He’s always been a dead-silent crier, so you have zero way to gauge how bad things are until you see his face. He looks like he’d sobbed his heart out. Your shirt is still wet from the rain, but even then you can feel Sam’s tears soaking your shoulder. Saying anything about it will just embarrass him, though.

“...I-I, uh,” you lick the tears off your lips, mumbling, “I don’t know bout’ you, but I’m beat. Do you have somewhere you gotta be, or,” you add hopefully, “or can you stick around?”

This is the part where Sam will start coaxing you to drive back with him to where he and Dean are holed up, you’re sure of it. You’re already plotting in your head what to pack and what to take, but Sam never brings it up. He doesn’t worry about tomorrow yet.

He presses his lips together. “I was hoping I could stay here tonight, actually.”

This is an even better answer. You’re nodding before he’s even finished the thought, stroking your hand down his chest. It twists your gut in knots to see him like this, so you start to steer the conversation toward something more playful, something less daunting to think about.

“You’re lucky I like you then,” you smirk. Somehow, you manage to peel yourself out of his bubble and teeter toward your dresser, scrubbing the tears off your face. “Make yourself comfortable. I dunno about you, but I’m getting the fuck out of these work clothes, I’m freezing. Do you need anything to sleep in? I’ve got at least five years of your stolen shirts in here.”

You hear him ease himself down on the end of your bed again, but there’s no sassy retort, sly comment, or any sort of line about you and your stealing habits. Instead, sweet and simple, he says, “I’ll just sleep in this. You can have them.”

Okay. Weird.

Since he didn’t take the bait, you throw out another line and try again. This time, you kick off your shoes, open a drawer, and turn back to him with two of his shirts in hand. “Really?” You wave them teasingly in the air. “You sure?”

They are some of his best shirts, easy. You’re not a cheap thief. The first is a holey, feather-soft Red Hot Chili Peppers tee, and the second is a deep maroon Stanford sweater. He has so few artifacts from that time in his life that there’s no way he won’t want this one back. Right?

But Sam just gazes at you, his whole face soft and loving as he says, “You should wear the Stanford one. It looks good on you.”

Those old hot-shivery feelings for him seep down your spine, and you feel in real-time how your cheeks flood with heat. Damn, okay. Consider yourself wooed.

You’ve been down this road with Sam many, many times—enough to know when he’s flirting with you. The forbidden labels had never been thrown around, but. Well. Sam had been your first time, as well as the many other times after that.

He’s usually leagues more subtle than his brother, but for whatever reason he’s pouring it on by the truckload tonight. When you turn around he’s nothing but big, happy puppy eyes, waiting patiently for you at the end of the bed. (Like you’re his girlfriend. Like anything about this is normal at all, and you and Sam are going to tuck into bed together like it’s any other night). Fuck, you missed him.

The bathroom is only a few steps away, but this is Sam, so you decide to just throw on your pajamas right here. Your shirt is so wet that it hits the floor with a slap. It also takes some experience to wring yourself out of your denim-turned-cement jeans, so it’s not the sexiest show in the entire world. Still, Sam’s gaze traces sensual lines down your back. You would rather go to literal, actual hell than wear your bra for a minute longer, so the second you’re free of its death grip, a long happy sigh drains out of you. A similar dreamy sigh drains out of Sam. Dork.

“I will never get tired of that,” Sam murmurs. You expect to hear some kind of hunger there, but the timber of his voice bleeds with admiration and fondness.

There are very few ways to be a normal human being while Sam Winchester adores your nude body with his eyes. The best you can do is burst into flustered, giggly laughter and give him a good eyeroll, your entire face cooking like a stove burner.

“Alright, loverboy,” you scoff, “I’m gonna go brush my teeth and take my makeup off—”

“Can I help?” Sam asks.

You sputter out another laugh, confused. “You wanna brush my teeth for me?”

“No,” Sam shakes his head, smiling big, “Lemme take your makeup off for you.”

Okay. Weirder. But it’s sweet, and you like this side of him, so you decide to indulge his mood. “...Sure.”

You go about your night-time routine. Sam continues to be a weirdo, trailing you into the bathroom, leaning against the doorframe, and blinking slow endearing blinks at you as he… watches you brush your teeth. Just. Stands there, watching, utterly enamored with this little moment of domesticity with you. On the surface level you’re a little thrown off, but it falls under the category of Freaky Sam Things that made you catch feelings for him in the first place, so. You grin into your toothbrush the whole time.

When he’s satisfied by his little ogling fest, he drifts off to hunt around for your makeup wipes. Either you’re predictable or he knows you too well, because he finds them within seconds, and patiently sits back as you finish up your routine, watching you like you’ll disappear on him the moment he turns away. Click click, you feel inside you.

“Okay,” he says when you’re done. “Close your eyes.”

You do. You wait for the cool touch of the wipe on your face, but instead, Sam’s big, rough fingers find your chin and hold you still. It takes conscience effort to not melt into his touch like a cat in a square of sunlight. Your willpower is nothing on Sam’s, though, so you give in quickly, sinking into his hand and sighing through your nose. In gentle swipes, he cleans your face. It must be a nightmare of smeared mascara considering how you’d cried earlier… And yet Sam had still been so transfixed by you. He’s the fucking best.

Sam’s hand tilts your head from side to side to survey his handiwork. Pleased, he tosses the wipe in the trash and says, “There you go.”

You open your eyes and go to double-check his work in the mirror, but Sam hasn’t removed his hand from your chin, and you really, really don’t want him to. His thick thumb comes up and caresses under your lips. He looks at you like he loves you, and with all the honesty in the world, he utters, “...You are so pretty.”

…The only way for you to survive this is by throwing him a dry look. “You’re full of shit. What’s your game, Winchester?”

That earns you another authentic Sam laugh, along with a handsome boyish smile. “There’s no game. What are you talking about?”

You squint at him. Liar.

“This.” You gestured between the two of you, suspicious. “You’re mooning over me. Why are you mooning? Are you planning something?”

A ripple of discomfort rolls across Sam’s face, but it passes too fast for you to read. His hands go right back in his pockets and he leans into the doorframe again. “I’m just… happy we’re not fighting,” he confesses.

Oh. That makes sense. Sam hasn’t exactly made up with you like that before, but. These times change everyone. You ease up on your teasing and admit, “Me too.”

“I’m sorry for scaring you away,” Sam says, and far, far too seriously for your liking, he whispers, “I’m sorry for everything.”

Your answer slips right out of your mouth without hesitation. “I forgive you, stupid,” your brows furrow together. “And I’m sorry, too. I said some pretty shitty stuff back there.”

Sam wilts against the doorframe a little. “Nothing I didn’t deserve.”

A dull pulse of anger flares in your chest, which flickers out and dies not a second later. There’s so much you want to say to that.

It is so fucking unfair—biblically, cosmically unfair—that Sam, the good guy to end all good guys, thinks of himself this way. He is the kind of righteous they make saints out of. And yet he sits in your silly little bathroom in your shitty little apartment and gives you that look, the look that says, I deserve this and so much more. I deserve to rot in hell for all eternity. He gave you that exact look when he brought up saying yes. He gives it to you now, because Sam sees everything as a sin to serve penance for—freeing Lucifer from the cage and making you a little worried. He thinks he’s so evil, so beyond saving. It makes you want to get your fists in your shirt and just shake him.

You’re good! You want to scream. Just for once in your life, listen to me! None of this is your fault!

There’s nothing you could say to him that would ever make him let go of his guilt. But, at the very least, you could help him forget about it for a while.

“You beat yourself up too much,” you scold. Then, softer, you add, “C’mere, Sammy.”

Sam does as told, planting himself right in front of you. God, he’s changed. You look him over with a bittersweet smile. He used to be so spindly. The last few years have filled him out, forcing his body into something ready for war. The hunt reached in and tore all sorts of things out of people, but you’d been wrong about what it’d ripped out of Sam. His optimism was still there, warm and humming in the tissue of his body, and just seeing it fills you with hope. He looks so different from the man you’d had all to yourself in that cabin, but you can feel that he’s still in there. He’s still your Sam.

You take his face in your hands, smoothing your thumbs into his dimples and quietly, needily rasping, “...Can I take care of you?”

Sam’s whole body shudders with relief. “Please, yes.”

The next few beats of this dance haven’t changed. Like always, Sam comes flying in with a big, smashing kiss that shatters any leftover barriers between you. You’re not Sam’s girlfriend and he’s not your boyfriend, but Sam makes you his with this kiss. (If only for a little while). Your noses mash together and his eyes squeeze shut and then everything is just Sam, Sam, Sam at every angle. His hands are at his sides then suddenly they’re all over you, taking two greedy handfuls of your waist under the Stanford sweater. He jams your hips against his and kisses you senseless, towering over you, surrounding you, so that when you pull back to gasp for breath your lungs are flooded with his familiar heady love potion.

Either he’s giving off some Poison Ivy-level pheromones, or your body is so familiar with these steps that it knows what comes after this kiss… because you’re instantly wet.

You realized a long time ago that you and Sam have sex a bit too often for it to be considered “casual,” but even if it was, Sam is not a casual kind of lay. After that first soul-stealing kiss, Sam stares you down like a four-course meal, spins you around, pushes you down chest-first onto the bathroom counter, drops to his knees—

—and shoves his face between your legs like it’s his goddamn job.

In the middle of all your surprised shrieking and squirming, Sam nuzzles his face into your panties and moans deep and bassy in his throat, “Yes.”

Like he’s won something. Like he’s been waiting weeks to do this. Holy fuck, you’ll never get tired of that.

The second you have even an atom of your reason back, you slap a hand over your mouth. Neighbors! Sam has already forgotten what neighbors are, and is holy-mission-from-god-determined to make you noisy. He’s extra hungry for it tonight, too. You squeak out his name, not so much in shock, but more because having those huge hands squeezing where your ass starts to round out tends to produce a reaction, and Sam rumbles like a lawnmower in approval. Holy fuck.

He doesn’t have to ask you to spread your legs. One of the hands appreciating your ass slides between your thighs, cupping you through your underwear, and you have to try not to squeal when the meaty pad of Sam’s thumb swipes across your clothed folds. He presses a big kiss in that exact spot as he drags your panties down your legs, and it’s a weirdly sweet gesture that makes your heart and your belly flutter with shivery heat. Fuck. Fuck, you missed him so much.

The first few times Sam had sprung this move on you, you hadn’t exactly had enough time to fully rev up. But Sam is deadly efficient in and out of the bedroom, so he makes a point to get you extra wet (for him) with his spit, laving his hot, slippery tongue over you in one long swipe. He eats you out with all the obscene, noisy enjoyment of somebody gorging on the juiciest fruit they’ve ever tasted. Even you are scandalized.

It becomes embarrassingly clear that covering your mouth isn’t going to keep Sam from what he wants. The high, desperate moan you try to stifle only makes him work harder. You press an arm flat to the counter and bury your face in it for strength, since you’re weak and whimpering for him already.

Sam was good in bed when you met him. But, by nature, he is a relentless and avid learner, and it’s been five whole years since he put his mouth on you for the first time. Now, Sam is a certified pussy-eating weapon. He knows your body better than anyone possibly could. You’re over the edge in a minute flat.

Your climax flies through you in one whizzing, sparking rush, then keeps flying, until your body’s squeezing out little squeaky pleas for mercy of its own accord. This is his favorite part. You claw into the countertop and wail for it, pushing at the floor in your socks to gain any sort of leverage. To press closer? To squirm away? You have zero fucking clue, since the thought part of your brain has been blasted into a smoking crater. Sam wraps a big arm around your spasming thigh to pin you open, and holy fucking shit, could that man suck the chrome off a tailpipe. His mouth is a whirlwind of licking and suction just on the right side of oh fuck too much that makes your skin feel like it’s fizzing. You are a thread that he’s just pulling and pulling until you’re so thin you could snap into nothing—

You wait for the moment when Sam pops off you, stands up, and goes for his zipper, but he never does. He remains on the floor, determined to lick you through overstimulation and straight into round two. But that’s a whole minute you could spend with his dick inside you instead, and there’s no fucking way you’re wasting that. Not when he’s here and real and not going to say yes. Sam’s not going anywhere. He’s staying, he’s alive, and the world isn’t going to end tomorrow.

“No no no,” you bite out in one short, rattling breath. “S-Suh—Sam, please please—” An unexpected sob shreds out of you. “Miss you. Need you.”

You’re actually, genuinely crying, and not entirely in the fun sexed-out way. Sam backs up. He’s not even halfway standing when you wrench him up the rest of the way, straight into a desperate, maddening kiss. It’s a brutal cross of teeth and tongue. The need for body heat and skin and him burns through you like genuine bloodlust, so you cram yourself up against him with life-or-death urgency. You get your nails into him until you feel something like shirt fabric and viciously yank it over his head, waiting for the moment when he grabs your wrists or shoves you onto the bed o-or—or starts to blow off steam. Cause’ that’s what this is all about, right?

He drags your mouths apart. Sam pants, “Slow down.”

You stop.

This is. This is new.

There’s no slowing, with this. You both go and you keep going until there’s no more fuel in your tanks, and you crawl out of bed the next day feeling like you’ve beaten the rot out of each other. You’ve never once slowed down during this before, and as your wheels spin to a halt for the first time, reality filters back in around you.

Sam stares at you. His hair is all over the place. A patchy blush speckles up his heaving chest, burning in his ears and in his cheeks. Your slick shines on his lips and the bulb of his nose. He’s just standing there and fucking looking at you, but for whatever reason it feels like the color has seeped back into the world.

“S’okay. Gonna be okay,” Sam hushes, bleeding with sweetness.

He picks up your hands, moving you as if you were a delicate glass he was turning over in each palm. Each of your hands are kissed in the center (oh my fucking god) then wrapped around his neck, and when he has you in his bubble he scoops up your face and kisses you.

It’s a boyfriend kiss. Not a blowing off steam thing, or any other excuse the two of you have used to feel each other. A genuine, I’m your boyfriend and I love you sort of kiss, foreheads pressed together, noses touching, the whole nine yards. It’s the kind of kiss that’s meant to say something. Every inch of what he’s trying to tell you echoes through your body in one ringing smash, like you’re a big cymbal he’s taken a mallet to.

He slips off your lips and hovers, bracing himself for impact. You suck in a rattling breath.

…Then you press up onto your tiptoes to give him a kiss of your own, just pressing your lips against his, unmoving. It’s undemanding; an answer. You try to find the words to describe the shift that’s occurred between you, and end up feeling stuttery and shivery and fucking elated. Romantic. It’s fucking romantic.

“Sammy,” you sob out.

“Shhh. C’mere,” Sam whispers, his voice throaty and whiskey smooth. “Lemme make it better.”

He tries to walk you straight back out of the bathroom and towards the bed, he really does, but you stop Sam every other step to overwhelm him with obsessed, affectionate kisses. God. His chapstick is all over your fucking mouth (along with your slick) and his hands are everywhere else, feeling instead of grabbing.

“You always do,” you breathe, and that might be the most honest thing you’ve ever said to him in bed.

Sam gets this quiet, pleased smile on his face. No matter how naked and turned-on you are, you’ve always got a snappy reply ready, and you’re about to throw one at him—until you’re fucking obliterated. He smoothes his palms down your arms. Your wrists are scooped up again. With all the tenderness on the planet, Sam slides in close, kisses your throat, and places both of your hands firmly on his belt.

“Take it off,” he rasps.

This. This isn’t the first time he’s given you that order. But knowing, feeling that he’s playing this all out like it’s more than a fling to him… that Sam’s gonna fuck you like you’re someone special to him… sweet jesus, it makes you lightheaded.

“Bossy,” your murmur, grinning.

You’re downright feverish going in to kiss him next. Sam parts your lips with a slow, sinful swipe of his tongue, and there must be a drop of psychic still in him, because suddenly you’re flooded with visions of that filthy mouth between your legs. You can still feel the ghost of him there, keeping you open with his thumbs as the blunt tip of his tongue pushes you somewhere vast and sparkly and wonderful. This is going to be even better.

He sounds like he’s praying when he says, “I just like to watch you.”

Muscle memory serves. You work his clasp open without peeking down and let it hang in his belt loops, mostly because it lets his jeans sling low on his hips in the most enticing way. His belly twitches at even the slightest touch of your hands; always so responsive. Sam drops his forehead on your shoulder to watch you work, and you take the rare opportunity to kiss the top of his head. This is one of your favorite parts. When his button is undone and his zipper’s down, you’re free to smooth your hand under his waistband and take a big handful of him.

You reach in and—squeeze. Sam’s hand snaps up to clutch your arm. His nails dig in, and he rocks forward onto his tiptoes to really dig into your touch. “Yes.”

It’s the kind of soft, needy sound that makes you want to smother him with kisses and hug him until he suffocates. Instead, you cooly purr into his hair, “So sensitive, Sammy.”

A hoarse, sharp laugh snaps out of him, which dissolves into a shuddering groan. You tug at his jeans until they’re somewhere you don’t care about anymore, and forget about everything else entirely at the sight of his cock. All these years of sneaking around with him have conditioned you. Just seeing the pretty speckling of dark hair that leads to it, then the real deal, hanging blood-hot and heavy between his legs, makes your tummy flip and your mouth water. One of a million embarrassing Sam-reactions you’ll have to bring to your grave.

You take his cock in your hand, trying to swallow back the slutty amount of saliva in your mouth. Sam whimpers. A real, desperate sound, with his nails stinging down your arms and everything.

“Know you wanted to slow down,” you struggle between open-mouthed pants, “b-but—can’t—don’t wanna wait—”

Sam physically curls towards you, his hips seizing into your hand and his arms hooking around your shoulders. You’re dragged in for a sloppy kiss so deep you swear it melds your souls together. Sam is just as affected, rumbling like a racecar in approval.

“Then don’t.” He begs.

If this was any other night, Sam would just take. You’d be face down and drilled halfway through the mattress by now, no preamble, all business. He got off and you got off and everyone was happy that way. Sam would want the room dark and you would hide your face in the bedding, the two of you eager to touch and experience but terrified of breaking the illusion. He’s so generous that you suppose he’s got to have at least one place in life where he’s selfish, and you’re happy to be his outlet for it, but.

You’ve never seen him take this way before.

He looks at you and he never really stops, transfixed. You don’t doubt you could walk in a circle around him and Sam’s eyes would follow you the whole way, his gaze oozing with longing and something else—resolution? Faith? You push him onto the bed, and he drops down as if hobbling into a pew for the first time, unsure how to clasp his hands in prayer because it’s only ever been something done in his head before.

You stand there for a moment, unsure of what to do next.

“God,” Sam utters, spellbound.

You’re blushing so hard that you forget to be sexy as you crawl into his lap, but Sam doesn’t care, still giving you those big slow doe blinks to express his love. It’s so different from the Sam you know (yet also so deeply, deeply him) that you forget what it means to be sexy entirely. He coaxes you closer to plant tender kisses under your chin, and the plan to seductively peel off your sweater for him and flash him your tits blips out of existence.

You wait for the moment when Sam shreds the Stanford sweater off you. Instead, those wonderful fucking hands tease under the hem to squeeze your waist, and Sam croaks out between kisses, “Should wear this all the time. You’re beautiful in anything, but this… you’re… mmn.”

Your heart gives a pathetic flutter. You press mindless kisses against his mouth and rock your bare core down on his lap, because he’s never acted this way before and you don’t know how else to return the favor. “Not nearly as beautiful as you, Sammy.”

The only reaction you get from him is a single huff out of his nose, like it’s something he can’t commit a whole laugh to. Like none of that matters anymore, like it would never matter for Sam, because his body may be beautiful, but it hardly belongs to him anymore. God, you’re shitty at compliments.

You’re fucking wonderful, you suddenly want to tell him. A whole swarm of little truths and sweet nothings roars straight up to the surface of your mind, a whole sea of better things you could say to him, but then one of those perfect hands is slipping between your legs and Sam’s asking you in that perfect, tinted glass voice, “You still on the pill?”

“Yes, doctor,” you tease.

Another flood of sticky heat rushes between your legs, because that question is always a precursor to being pressed into and filled and stuffed end-to-end by Sam’s dick. The one barrier that doesn’t—didn’t exist between you.

“Good,” Sam sighs, relieved, grateful. He never turned down going raw in the past, but he’s downright starved for it right now. Closer closer closer, his whole body begs.

You’re tugged in by a big hand hooked around your back, and you fall right into Sam’s summer-warm, sweat-sticky chest, giggling. He loops both arms around your middle and teddy-bear squeezes even more laughter out of you. The only way to hold yourself up is by planting two hands on his shoulders… which turns into his cupping his neck… then caressing his face, because it’s impossible to be witness to that quiet boyish grin and not shower him in affection. There’s all these little freckles on him that you can only see up close. He feels good, mystical good, prophetic-chosen-one type good.

This is the moment. You can feel the blood in your body pounding between your legs, and Sam’s cock bumps not-so-innocently against your core as you kiss one another. Every shift of his hands sends your muscles clenching tight, bracing for impact, but Sam doesn’t push into you just yet.

Your confusion must be clear on your face, because he says, “Just let me feel you for a second.”

And, obviously, you’re not an idiot, so you let Sam feel you for as long as he pleases. For the next ten uninterrupted minutes, you makeout like lovesick teenagers, whimpering and sighing and swallowing every sound the other makes. You’d always pegged him as a romantic. But seeing it, feeling it, adds a whole new dimension to him you hadn’t realized you’d been craving.

By the time the pool of need in your gut has opened up into a blackhole, Sam has caressed or squeezed or kissed every part of you ten times over. He continues to be weird and obsessed with you. (So still in character, then). Sam even pinches the ends of your ears and smooths his thumbs over the bumps of your ankles, being sexy about it but also a little terrifying. He touches you like he’s never gonna see you again.

Around the time that Sam starts suckling marks into your neck and trying to tickle you under your arms, you giggle out, “O-Okay—okay! Enough—!”

“Enough what?” Sam cocks his head. His hand makes another dive for your belly, making you shriek and squirm with more giggles. You try to wriggle away to protect your tickling sides, but Sam’s too strong and you’re a little in love with him, so it’s easy for him to pull you flush against him and blow tingly-warm breaths beside your ear. He purrs, “You need it that badly?”

“Fucking yes! So quit torturing me,” you pant, and you’re pretty sure this grin is going to get stuck on your face.

Sam’s smile gets even bigger. “Only if you say please.”

Your attitude slips from your grip like water. Next time, you’ll play push and pull with him, but right now there needs to be a lot more pushing and pulling in a different context.

The words are out of your mouth in an instant. “Please, Sam.”

As reluctant as he is to stop teasing you, Sam’s a little in love, too. He leans back enough to fist his cock in one hand, and you can’t help how your breath hitches when Sam’s touch follows the curve of your ass to where you’re soaked and sensitive for him. Those thick, maddening fingers spread you open. The velvety tip of his cock finds your hole right away, and your legs nearly give out when Sam starts to swipe himself up and down your folds one dizzying stroke at a time. Back…. and forth. Up… and down. Jesus fucking Christ.

“Okay, fine…” He concedes, his eyes glittering with joy. “You’re just so cute when you act all tough.”

Maybe not all of your attitude is gone. You bark out a laugh, telling him, “I hate you.”

Sam presses down for the last time, then presses in. You don’t mean to look into his eyes when he fills you up, and that’s probably what does you in. Sam’s rosy face flutters and twists with pleasure, but he never stops looking at you, not even once, terrified to miss even a small moment. The long hitching moan that slips out of you makes his whole face darken with desire. You’re pulled onto him deeper and deeper and deeper until—click. Cue the angel choir.

Your fingers dig desperately into his hair. Sam curls into you in one slow pulling movement, a thread pulled taut, until his face is stuffed in your neck and his hands are mindlessly scrabbling down your back.

“God, I love you,” he moans.

Soon your pussy feels achy and hair-trigger-sensitive and beyond full, which could mean that you’re all the way on him. It’s impossible to tell, since the first full minute of having Sam’s dick inside you sends you straight to the moon every time, where everything falls in peaceful slow-motion and the whole world hums with cosmic, sparkling pressure. You shove your face into him and nuzzle in a daze, little ripples of electricity sparking up your spine.

…Wait.

“What?” You register, slow.

Sam is still clutching you for dear life, even if the moment’s slowed and you’re both comfortable. He hugs you full-bodied, nose in your neck, tilted forward, the kind of hug where he sways you side to side with joy. Sam sucks in a harsh breath. Can’t hold back anymore.

“I love you,” he gushes. The words burn out of him, declarative, overjoyed.

There’s so much you want to say to that. But then Sam digs his fingers into your ass and pulls you off his lap, only to gloriously sink you down the rest of the way, and. Fuck fuck fuck. His cock drags thick and hot against the pliant walls of your pussy. You couldn’t be any more full if you tried, clamping down on him with long, silky ripples of pressure that outline the shape of him inside you in obscene detail. It’s the kind of mind-blowing that’s beyond comprehension, beyond feeble human understanding. Your eyes squeeze shut and you whimper into his hair.

“God, I love you,” he chants again through grit teeth. “So much. So fucking much.”

You find his face with your hands and kiss him quiet, tasting the promise in his mouth. When you part and the two of you really start to move, you kiss him again, and again, whispering where only he can hear, “I-I love you too.”

It should scare you how easily the confession slips out. You should be terrified, because even if you live to see next week, or next month, or next year, even if Sam isn’t saying yes to Lucifer, those words are a death sentence. And yet.

“I-I miss you,” you choke out, “I need you.”

“Me too. So much,” Sam soothes, his voice tight and sharp with restraint. You know his instinct is to jackhammer up into you and never stop, but he puts in effort to resist, letting you both marinate in the wonderful, glistening, twitchy feeling of each other. His hands are rubbing your back and he is so fucking warm, turning the rain outside to steam.

He doesn’t bounce you on his dick. It’s more of a slow, cresting drag, waves stroking a beach. You don’t think you could handle much more than that, anyway—sometimes these positions make him feel big enough to pop you like a balloon. What you can’t fit on your own, your weight pushes you down onto anyway, turning your whole body into a big expanding bubble of pressure ready to burst at any moment. You clutch at his shoulders and just throb around him for a second.

“Nuh-uh,” Sam leans away, not letting you shove your face in him like you want. Instead, a big hand cups one side of your neck and keeps you in front of him. “Wanna see your face. Look at me. Look at me,” he insists, genuinely pleading.

When your eyes find his, that’s when he decides to snap up into you for real. You don’t even get a full look at him. The arm slung around your waist drags you up off your wobbling knees, then slams you down into a beautiful, endless white space popping with color.

“Sammy!” You choke.

That’s the magic word. You’re instantly thrust up into four more lightning-fast times, one-two-three-four, and hitch out four squeaky gasps to match. Sam’s eyes bore into yours with every beat, blazing with liquid love. For a second you wonder if you’ve fallen back into your rough routine again. But then words and thoughts melt out of your brain altogether, because Sam draws you into the tenderest, sweetest kiss human beings are capable of, fucking into you deep and smooth with that deeper, smoother voice, “Keep saying that.”

Sammy Sammy Sammy, you rattle out under your breath. Sam hisses out your name the exact same way.

You do your best to help him out a little, bobbing up and down in his lap, but’s a drop of water in the ocean for him. All Sam cares about is seeing your reaction. He soaks up everything you do like a sponge, moaning when you moan, gritting his teeth when you bite your lip, grinding up as you stir down. The weight of his eyes on you is so heavy that your skin stings in its wake. Again, it’s Sam’s brand of freak-sweetness that makes you get stupid notions in your head about wedding rings and anniversary presents. But that’s—

…something he knows about. Something he just said to you five minutes ago. Above the haze of bouncing, rhythmic pleasure, you’re flooded with relief. You can tell him! Holy fuck, you can tell him!

“I love you,” you gasp out again, and just saying it feels like it could save the world. “O-oh, god, Sam—”

The breath you have left is stolen from you by another fierce kiss from him, so passionate it lets you taste the bassy, happy hum that rumbles in Sam’s throat. You’re devoured by feverish kisses for a full minute, then Sam pops off you to sob, “So much—so fucking much, yes.”

He slips a hand between the two of you to thumb your clit, stirring in and never once stopping. Every so often he’ll brush up against where you’re hot and filled to the hilt with him, your bodies sliding together with slick, filthy noises that are so—so fucking much that your thighs cramp up, protesting the constant pistoning. But the pleasure is easily worth the burn. Your core booms with long echoes of pleasure that shudder through the trembling spiderwebs that make up your nerves. You make a move to lean back on your hands and switch up the angle, (since you’re a damn good cowgirl, thank you very much), but Sam refuses to stop kissing you. He physically pulls you back in with a hand fished around your neck and kisses you breathless, determined to pound you to your climax one thorough snap of his hips at a time.

“So beautiful,” Sam gushes. His voice is hoarse and thready, like he’s moments away from bursting into tears of pure desire.

You smooth your hands down his flushed cheeks, telling him between huffy moans, “It’s okay, s’ okay, Sammy… so pretty… love you so much…”

You feel him pull the Stanford sweater up over your ass and out of his way, exposing more, more, more of your bare skin for him to touch. Sam palms the slope of your back and your belly in a daze, but that’s still not enough—he’ll never be satisfied with how little of you he’s had. He wants more. He wants forever. You embrace each other to the fullest, cheeks smushed together, chests flush, his parted lips claiming your throat, making you his—but. Sam’s breath ratchets up. Not enough not enough not enough—

In one ragged motion, Sam rolls you both over, tossing you back-first onto the bedding and smothering you with his weight.

A squeal of delight jumps out of you. “Hey!”

If Sam wasn’t all over you before, then he literally is now, dropping onto his elbows so he can cup your face in both hands and surround you completely. “Sorry,” he croaks, “need you. Need to fill you up.”

You whisper against his lips, “Then fill me up already.”

His thumbs press into your cheeks a little. Sam’s breath fans across your face, throttled by the lump in his throat.

“Tell me you love me again.”

Um. You don’t exactly have the sexy heat of the moment to hide behind this time, but you still want to say it for him. His eyes swim with something unreadable. Desire and love, enough love to put a lump in your throat too, but a third thing also. It worries you.

You bring your hands up to stroke his wrists, and give a bit too much of your soul to him when you promise, “...I love you, Sam.”

The words hit him like a bullet. Sam shudders from head to toe, unable to reign himself in any longer, and plants a long, surging kiss on your mouth that makes your belly flash with nuclear levels of lust. He squirms his hands underneath your body so he can cradle you against him—genuinely cradling, one palm cupping the back of your neck—and then burrows into you face-first, groaning your name as his cock nestles itself as deep as it can go.

With all of his weight on top of you, you couldn’t move if you wanted to. You caress and kiss and dig your nails into him, and somewhere along the way you’re given a dose of whatever has made him fucking insane for you right now. It fogs your head and turns your reason to ash, so when Sam returns to ruining you for any other man, you whimper, “Please don’t leave me.”

“Oh, baby,” Sam hiccups out, and something strange hangs in his voice.

You would ask him what’s wrong, but the shuddering, flimsy scraps left of your brain are busy being blasted all over by white-hot pleasure. Everything scorches. Sam’s bare skin and his breath and his hands feel fucking molten, melting you down like hot glass. You’re pinned down in every possible way, and it pushes the sinking, gorgeous pressure inside you all over your body, like it’s not just Sam’s cock filling you up, but him, just him, the source of all good in the world. Holy fucking fuck. His hips glide back and then thud back into you again and again and again. You get why it’s called making love, now. You can taste your love for him in the back of your throat, feel it sitting in a sticky film on your skin. It hangs like humidity in the air of your apartment. And jesus christ, it bleeds from Sam, glowing off him like fucking radiation.

When you’re shamelessly wailing gut-deep in ecstasy, Sam peels himself off you. He forces himself to sit up. His chest putters up and down with desperate little breaths, and a gloriously big hand scoops under your thigh and welds it against your chest. Whatever he sees from this new angle—probably your wet, abused pussy stretched tight around the full base of his cock—makes Sam gape, utterly transfixed. You watch as his mouth falls open, and then those dark, soul-swallowing eyes crawl up your body to meet yours.

“Keep lookin’ at me,” Sam rasps.

Even if he doesn’t sway your opinion with a few dizzying, stomach-deep drags of his cock, (which he does), you’re convinced. You lock eyes with him—and then suddenly feel stupid for not watching him the whole time. A long curl of hair hangs in his eyes and sways as he fucks into you. His expression flutters with these sinful little giveaways, exposing just how starved he is for you, how in love. Maybe if you’d looked back sometime in the past five years, that’s what you would’ve seen: how much this has always meant to him. He searches your face for the same pleasure, obsessed with his effect on you.

“Fuck,” you shudder out. “C-could cum just watchin’ you, Sammy.”

“That’s right,” he hisses, and you’ve never heard him sound so damn happy. “Cum for me. Please. Look so pretty when you do.”

Usually, when he makes you cum, it’s the roughest part of the whole act. He’d get both your wrists pretzeled behind your back and pinned viciously in one of his hands, and that’s when you’d know the big finish was coming. His pace would go from bouncing to bruising. But this Sam, your Sam, would stop time if he could, so he slows down even further, winding you closer and closer to the top of the mountain with little figure-eights of his hips. He gazes down at you the same way you’re sure you must gaze up at him. Beautiful, he murmurs under his breath.

You utter another, tight, almost-sob of, “love you so much, Sammy,” and his dick twitches wildly shoved in you to the hilt.

“Ohh—shit,” he chokes out, and his other hand snaps desperately towards yours on the bed. They find each other easily, and you squeeze his hand with everything you’ve got, infusing in him all the love he’s infused in you.

The slow, mounting tsunami of perfection you’ve been moving towards finally overcomes you, and in one long gorgeous slippery rush you cum for Sam. And because your life is a movie—he cums for you too. He rocks faster and falls forward to kiss you, your faces pressed together, your mouths slotting against each other, your pussy squeezing down on him in golden rippling strokes. Sam hisses your name out between his teeth as he cums. You’re lanced straight through by a whole fucking universe of fluttering, flickering pleasure. To be honest, you’re a little pissed about it—because it’s the best fucking orgasm you’ve had in your entire life, and it’s all because Sam raggedly chants those words to you again and again, laying sloppy, obsessive, head-over-heel kisses all over your face. Love you love you so much baby you feel so good squeezin’ down on me.

You could’ve had this ages ago. How much more time could you have had with him, if you had just stopped being stupid?

Sam’s crazed, sobbing, hitching I love yous somehow become, in true Sam fashion, a low spiral of thank yous. He lays there and clutches you until there’s a Sam-shaped imprint in your body. You’re pretty sure he would stay inside you all night if he could, but you coax him into some cuddling instead, since you both are in desperate need. It’s. It’s new, but it feels cleansing in the holy way.

What feels like hours later, your brain dimly connects to the rest of your body. You’re halfway through detangling Sam’s hair with your fingers as he hides face-first in your chest, pretending he’s not embarrassed that he cried. At least, that’s what you assume. The Winchester mind is a mysterious one, and as much as you would hope to know what Sam’s thinking, the slow hand drawing circles on your hip tells you nothing. Is he shy that he got emotional? That seems silly, since you both sobbed into each other earlier. Is he embarrassed about everything he confessed? Does he regret it?

Just when your train of thought really starts to take the curves of your spiral hard, Sam tiredly croaks into your neck, “I meant what I said, y’know.”

He draws in a lungful of your perfume through his nose, soaking up as much of you as he can possibly get. His hands smooth over your body, innocent and loving, caressing you, memorizing you, begging silently for forgiveness.

Sam is a dead-silent crier. But you hear him sniffle as he gushes, “God, I love you.”

Maybe if you hadn’t been so tired, you would’ve picked up on it. Or maybe you’d heard it in his voice, seen it, something, and ignored it, hoping it was something else. Everything he felt, he put into a teeny, unmarked box that he’d bury god knows where, far from where anybody could be hurt by it. Sam didn’t—he wouldn’t say that to you. Not unless it was the last time he ever could. He would feel it, but it’d go right into that box where it couldn’t hurt you. You should’ve known.

Lie to me, you’d begged him.

…And Sam had.

The dull realization that you are awake sets in around noon. Noon as in after-noon, well past when you’re normally up and at em’. When you wonder why the hell you slept in so late, you remember last night’s rain, thrashing against the windows all night, and Sam, his face haloed by lamplight and bleeding with quiet resolution.

Sam. Alive, and not going to say yes.

He’d been the one to keep you up all night. With his mouth and his hands, yes, but then afterward he’d been hellbent on talking. Just… talking. You’d been sluggish and cozy and sated after having sex, but no matter how close you came to falling asleep, Sam wouldn’t let it happen. For two straight hours he asked you every question he could come up with to keep you up with him.

Do you remember when we met? Cause’ I do. Do you remember what I said to you? Do you remember what you thought about me? I remember thinking how similar we were, y’know, how much we’d get along. You were so pretty… my whole face went red every time you looked at me. Do you remember…?

Being cuddled, kissed, and protected by the man you love really tempts a girl to doze off, too, so this was not an easy battle. But Sam persisted. He studied your face intently, uttering I love yous even when sleep started to pull you under. Hearing any Winchester drop those words on you still blew your fucking mind, to be honest. Sam especially. But it was romantic as it was worrying, so you’d shut him up with a kiss goodnight and echoed it back to him. Love you, Sammy. It was probably just an anxiety thing, you assumed—Sam, for some fucking reason, was a pretty insecure guy, so you imagined that was his way of making sure you wanted all of this. He seemed… scared. He wasn’t used to being wanted.

The apocalypse was still on. Maybe the world would end tomorrow, or maybe you’d get lucky and live a whole lifetime with Sam. Regardless, he’s never saying yes to Lucifer, and that alone means that there’s still hope for the future. You’re going to spend every second of it making Sam feel wanted.

Sitting up in bed, you scrubbed at your sleepy face with the heel of your hand and stared around the room. Sam was physically incapable of staying asleep after five in the morning, so the familiar evidence of his military-efficient morning routine was all over the place. You smiled to yourself. He’d picked up after the two of you, and had tucked another blanket over you in your sleep. Stupid chivalrous dumbass.

To think, you’d been terrified you’d never see him again just last night.

You push out of bed, only to almost buckle onto the carpet rag-doll style. Even being torturously gentle, that man manages to make you sore. With a very, very happy groan, you hop (and wince) into some clean underwear, then traipse out into your kitchen to show that dork who’s boss.

“Dammit, Samuel, you’re not my maid—” you start to say, but of course, this is Sam, who wouldn’t miss a morning run for anything. Right. That explains your empty kitchen.

…But it’s afternoon. Sam would be back by now. Your gut prickles with a bad feeling, and you superstitiously sweep your apartment, looking for him. His clothes from last night are still sitting in your hamper, his shirt folded neatly in your dresser and his watch on your nightstand. A spike of nausea rolls through you seeing that his jacket is gone—and his boots. But his duffle—it’s. It’s still on your kitchen table. It looks a little smaller than usual, but his books and his laptop are still inside. He probably just ran out to run some silly errand for you, determined to make up for worrying you so much. Yeah.

You force your hunter’s paranoia down to a simmer, padding over to your breakfast table. There’s a big ol’ note smack dab in the center of it, perched on his half-open duffle bag, and you start to play with one of the bracelets Sam left behind as you pick it up.

You cross your fingers, smiling ear-to-ear. “C’mon. All bets on breakfast. Please be getting me breakfast, please be getting me breakfast—”

…That’s not what the note says.

You read it.

Then you read it again, and the hammer falls, crushing the breath out of you and doubling you over the kitchen table. You read the note for the third time, needing to be sure, and the thin sliver of hope you had—maybe you’d just read it wrong, m-maybe he was fine—turns to ash. He wouldn’t. He wouldn’t.

You’re fighting back a surge of ugly, choking tears in an instant. He’s… Sam… he…

Your whole apartment lingers with the heat and goodness of him, like he’d been here just minutes ago. Just seconds. Even your clothes still smell like Sam. Just inhaling it tears chunks out of your reason, like—like you’d just missed him. Clawing around for something to do, you pace in a daze between your bedroom and the front door, desperate to recreate the moment you realized he was gone. You’re still just in the Stanford sweater and your underwear, but you don’t give a single shit and go careening out into the hall, stalking up and down your floor for him—because, b-because Sam wouldn’t, he wouldn’t do that to you—he would tell you first, he would never leave you in the dark like this—

…But you know Sam. And if it meant fixing his mistakes, saving you, saving everyone… Then he’d say yes in a heartbeat.

“These belong to you. You deserve a world to live in. I’m sorry - Sam.”

- tags: @samssluttybangs @cookiemumster1@lacilou@cevans-winchester @leigh70@ seraphimluxe @emily-roberts @emme-looou @aloneatpeace @williamstop @ornella0910 @chaoticshepardplaid @dakota-dream @lcvecstiel @goghkiss @spnexploration @stoneyggirl2 @urm0mmmbbg @mulattomoon @poeticsorcery @deansapplepie @rennydenny @babydollfoster @badlandsbrunette @hallecarey1

#uncouthspn #spn #supernatural #sam winchester #user uncouth #sam winchester x reader

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flamingpudding · 9 days

Note

I had a crack idea that I was thinking of so you know in Dan is Klarion au I was imagining a au based off of that one where all of Danny's children are Klarion is like the robin thing for Batman it started off with Danielle when nabu insulted Danny as the Ghost King and Balance

Ever since Ellie decided that she needed to get back in blood so she made the chaotic antihero Klarion and and her suppose it familiar 'cat' Teekl the way to help out her mother and mess with Dr Fate/Nabu Teekl is actually a bear with an illusion on that makes him look like a cat in the human's eyes

Whatever since the anti-hero Klarion in The Phantom family has been passed down each of them giving their own flair to the persona of Klarion with a different animal every time that they had pretending to be a cat

Tell her to finally passed on to Dan it is an honorary sibling thing each of them has their own antihero name once they passed down the title of Klarion

Diana's query and takes after his father's style of dressing and his tickle is a phoenix

First of Thanks for the Ask! Inspirational as always! Helps with my writers block [insert awkward laugh]

Either way because this is split in two asks... you get two version! One focused on how it started and the other on the reveal! Though the might be some little Shorts... Also there is something really funny to me about a giant bear letting Illusionen into a cat... So Enjoy!

(BTW still thinking over the other ask... and working on it don't worry!)

------------------

Ellie huffed as Danny reprimanded her for her actions. She just huffed crossing her arms. She was just helping Danny. Her mom got a lot on his shoulders and she as the sort of oldest saw that the best. Sure technically Dan was older then her but, he shrunk down to kid level again and now she was the oldest.

Well if she ignored her other brothers but they were only saved recently and still in treatment with Frostbite. So she was the oldest. End of story.

"Ellie you can't just go off like that you know that messing with an Ancient is not-"

"Mom, That Nabu-Guy was being a pain in the a- " - "Ellie!" - "A PAIN, babbling on to much about Order here Order there. How keeping Balance means keeping Order and bla bla bla!" She cut in stopping her mom before he could go on another rant about the Ancients, she needed to treat with respect.

"He doesn't respect you, the Ancient of Balance! You are the literal Symbol of Balance between Life and Death! Aside from being the Ghost King. So of course I had to mess with the one HE mentors!" Ellie added huffing as she crossed her arms.

Danny pinched the bridge of his nose. "Ellie, you created an entire alternate persona!"

"Yea so?"

"You used an illusion spell on Fluffels!"

"And? Any good Anit-Hero needs a Mascot." Ellie shrugged once more looking up at her mom before looking over to Fluffels, her pet ghost grizzly that was pretty much double maybe even tripple her size and the fluffiest ghost grizzly you could find in the entire Ghost Zone, and the cutest.

Danny on the other hand groaned, wondering if he had done anything wrong while raising Danielle. Sure he had been a teen himself but good damit why the hell did Ellie decided messing with the Ancient of Order or rather his mentee was a good idea. "I am calling Jazz! You can explain to her what you were thinking!"

He was definitely to overworked and stressed to deal with Ellies mischievousness right now. Well she did call her alternate persona Klarion, Lord of Chaos. Nope! He was not dealing with this right now, so Danny did the sanest thing he could think of. Turning on his heel and walking away. Where to? Who cares maybe he would check in with his old man Clockwork and see what Ellie had actually been up to, instead of just reading through Nabu's complains.

Ellie on the other hand blinked watching her mom leave before calling after him. "Does that mean I have to stop, being Klarion?"

"Mom?!"

"MOM!"

------------------

"Well hello my lovely Amadillos! Long time not seen!"

Ellie shouted cheerfully as she twirled into appearing hair styled into a horn like form, black suit and she might have over done it a little with the black eyeliner but hey it was an iconic look wasn't it. She smirked as Fluffles growled which translated into a meow for the mortals before her thank to the illusion spell.

The mortal teen looked up at her surprised as she floated down her hand glowing with red ectoplasm (a color change from her usual green ectoplasm that had taken a while to learn from Pandora). Young Justice was currently transporting something of interest to her. Well of Interest for the Justice League, really but Doctor Fate was involved which meant Nabu was involved, which naturally meant she would get involved. It didn't hurt that she would also get to try to try some new tricks.

"You got something interesting there... and I want that." She grinned. Ellie didn't give them long before she acted using the new tricks she had learned.

"Woah! Hey there, watch the pointy and sharp thowies!" She laughed making a quick shield as she blocked some batarangs and arrows before blinking.

"Hey they look different. Robin, did you change equipment? Did you get a new haircut too?" She asked curious but didn't really receive an answer as they ignored her questions and shouted something about distracting her while the others continue the transportation. Still she bend down to pick one of them up twirling it between her fingers. "What gives didn't they have a different design before?"

In hindsight it was probably not a good idea to just abandon her original goal but Robin was making her curious. And she could always find a different way to mess with Nabu. Her mom had given her an indirect okay years ago anyway.

"Teekl!" She called out and only her eyes could see how Fluffles jumped at the call growling in response as he swatted away some of the more annoying Young Justice kids. To the mortals it probably looked like Teekl was using ectoplasm, or well magic, in their eyes.

She used that change to go up into Robins face smirking widely as she looked at the other more closely, trying to get a read on him. "You are different! You aren't the same Robin I meet before!"

She ducked in time avoid Superboy as she hopped back excited with a new idea for her family.

But first she would have to deal with the little chaos and mischief she was creating.

------------------

".....and that is how I learned that the Robin title is getting passed down. So I was thinking of doing the same!" Ellie broadly stated looking at all her younger siblings before her. "We all get pretty annoyed with the way Nabu treats Mom so there always has to be a Lord of Chaos to 'balance' Nabu out!"

She grinned at her siblings expecting the same kind of excitement she had and they didn't disappoint. Danny had been there for all of them, even going so far as in to find a way with Clockwork to save some of their lives. So of course they all would jump at the change to mess with the one Ancient that was badmouthing their Mother just because Balance didn't entitle Order the way they wanted.

After all Chaos was needed to Balance Order out.

This was going to be fun...

[Follow up part Linked here]

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kanmom51 · 8 days

Note

https://twitter.com/parkjmwins/status/1782358915939774874

Idk whether you will even answer this ask or will block me but this is exactly why JK had similar concept pics like Jimin. Jikookers made it to be romantic while Fandom made it to a joke 'JK always copy Jimin' (ofcourse). I've seen you making multiple posts about Jikook concept pics being match is a proof of them being a couple when in reality Hybe don't even take permission of original artist before using their ideas for another. One hybe label just got into trouble for copying newjeans and according to CEO min heejin it was BANG SHIHYUK who wanted to copy newjeans to create a second version of them through illit. And guess what he made sure illit gets 10x more success than newjeans, a 2 day song was already charting in different charts including hot 100. The same bang shihyuk who ignored every bit of Jimin's success but shamelessly copied his ideas and visions of concept pics for another favorite member. He shamelessly asks staffs to copy original ideas of artists who created them and use them for a cheap version of the said artist, Newjeans and Jimin are just examples.

Was it JK's fault ? Not necessarily but unlike rookie Illit he had power and capability to make his own decisions and use his own visions instead of doing what he was asked to do by the staff (his words) but he didn't and sat comfortably while using another person's hardwork. If you still think those similarities were because they were couple then idk what to say because in that logic Newjeans girls and Illit girls are dating.

Talk about TikTok generation ask.

Linking me to a tweet that has zero actual information and/or proper discussion, just stating a fact that isn't necessarily even a fact. Ignoring the full picture (like y'all do when it comes to Jikook as well, btw).

And I also find it so so funny how you are basically hanging your all on something that a very problematic figure within the Kpop industry is claiming, all to try and deflect from despicable behaviour she's being accused of, including using and revealing private info of Hybe idols obtained in illegal and despicable manors, perhaps including having to do with certain private info leaking of certain BTS members (including the one person that you so vehemently claim to love and stand in defense of).

You think that by sending me this link you are proving something?

You say that you read through my posts. Well, obviously you've missed those many posts I've written explaining how JM and JK being a couple can be deducted not from one action or one behaviour alone, but the combination of many many actions or behaviours. A puzzle built of not 10 or 50 or 100 pieces, but one built of so many many more.

I find it funny how with everything that has been going on with JM and JK you guys are still at this.

We're back to JK copying JM.

Like seriously.

Like even if the whole NJ Illit thing was true there was some kind of a comparison to be made with these two men.

Like JK, who's album concept is 180 degrees different than JM's doesn't have stylists at his beck and call to create a concept that isn't a full on copy of JM's. Right down to the studs and colours and minutiae details of some of the outfits.

Like if he did copy JM, that same scorned poor JM (that's how you guys love to portray him, as a damsel in distress awaiting you to swoop in and save him) CHOSE to fly to NY to be with JK and spend Silver day there with him, travel with him multiple times and spend his entire 18 months in the army with that awful copy cat JK.

Your ask tells me that you have zero understanding in human interactions and relationships. JM saying time and time again, JOKING time and time again, about JK copying him, it's a tease but also something that he LOVES. How he inspires JK, how JK perceives him as his catalyst.

But this here, the photo concepts and the whole of JK's wardrobe while promoting, claiming it's all about copying JM is just bull crap. This was planned. And it was planned by the two of them. It's not a coincidence that JM happens to wear the bottom part of a two piece outfit months before JK wears the top part of the same exact outfit.

And if we are talking about copying, is it the concept he's copying or is he so far gone that he's literally copying down to the smallest of details?

Like seriously. You think that's about copying JM?

Or because it worked for JM so he thinks it will work for him? Literally same hairstyle rocking as JM had in Face? Cause why not use a concept that works? Seriously? JK's all "I should do this cause it worked for JM so it will work for me"?

Was that what he was thinking when he rocked a highlight of JM's hair colour over the years? That the colour works for JM so I should have a strand of that colour in my hair as well, copying his success? Is that the theory you're working with?

Or when JK wore the same jacket as JM on Valentines day, you know, in a clip that JM himself records and uploads, that JK also copying JM?

Babe, this isn't just about the concept pics either. And it's not just about Face and Seven or Golden. Wearing the actual same black leather or leather-like pants just because he couldn't find any other pants? That level of copying? Or perhaps it wasn't about copying and more about mirroring.

About "You are me I am you", which they have been screaming at the top of their lungs for years now!!!

It amazes me how you have zero issue in taking an over decade long complex super close relationship (no matter how you perceive it they are super close) and simplifying it into "JK copied JM's concept because JM's concept worked for him", or to even compare whatever went on with JK and JM and those similarities to a claim made (by a disgruntled and caught red handed employee of Hybe) about one new GG copying concepts and whatever from a GG that's been around for 2 years now. No connection between them. No long term relationships between the groups. One group supposedly copying from another. Yeah, definitely the comparison needed to be made between that and Jikook's behaviours or decision making.

How infantile of you.

Oh and that paragraph of yours at the end. Laughable really.

Like I already said, go compare 2 GGs in two different companies to 2 men that have been close for over 10 years now. And let's also disregard the long history of those two doing the similar and same outfit (during official shoots, performances etc, or during their free time) thing and look at this one single concept.

Probably styled (funny how the styling seems to be similar for years now on many occasions, and just with the two of them)

Not styled.

These are just examples of MANY MORE instances.

Oh, and I suggest you go read this post too. Not mine, but recently written and oh so relevant to the conversation.

I can't help but wonder how different your pov would have been if one of those two young men was a female. Just thought I would throw that in here too.

But I gotta give you an A for persistence. You guys, you never give up, do you? No matter what JK and JM will throw at you, you will find a way to twist it around to fit your narratives. I guess you also think that JM was forced into enlistment with JK, ah? And their trips together and the content that will drop, also forced on him? I guess him saying otherwise isn't enough to convince you guys either, right? I love the way how you guys are so intrenched in your belief of victimhood that you don't even listen to what JM himself tells you. You love him so much that basically call him a liar. Good for yous I guess.

So, to clarify my answer to you, just in case it wasn't as clear as day already...

You do you, cause nothing I tell you, or show you, or you know what? Nothing that even JM himself will tell you or show you will satisfy you. Because you are living in a self built fantasy of what and who JM is and what and who those that surround him are, all to fit that narrative of yours in which he needs you guys as his saviours and knights in shining armour to swoop in and save him from the big bad JK.

One more thing.

JM's Face was a masterpiece.

We all agree on that. JK included.

He adores JM, he's his no. 1 fan and he's been showing us this throughout 2023.

JK is not a person that would callously copy a concept used by a bandmate just because it succeeded for his bandmate and might work for him too.

Let alone from JM.

His person.

Not even if, as you put it, he was told to do so by the powers at be (which yeah, he'd tell to go shove it up their asses if they ever did 'tell' him to do that btw, and they wouldn't do it anyway seeing that they know that would be his exact reaction).

So, no.

That is my answer to you.

Just a whole big fat NOPE.

No to copying. And surprisingly no to blocking you.

Yet.

#Jikook #kookmin #minkook #jungkook #jk #jimin #jm

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acheronist · 10 days

Text

to the ghost of henry peglar, congrats on writing your poem down 177 years ago!!!

to the actual academic scholars who have studied the pages before me....

so I took the royal museum greenwich's scan of the poem page (which is available online hereeee) and screwed around with its light levels in photoshop until henry's script was darkened enough to see more clearly. then I digitally traced over the darkened letters as best as I could, while also trying to discern his handwriting, and type up how I was reading it & this process took me about a week to get done between like... living my regular day to day life lmao.......

so when it WAS done, the final isabel acheronist peglar papers ["the open C"] transcript seemed a bit different than how I remembered the readily available russell potter transcript going ? (the poem is on the last two pages of that pdf for those of you who don't spend a billion hours a week looking at it btw)

it felt like I was getting more/different information out of it, compared to the potter transcript, which was kind of stressing me out honestly. so THEN I compared mine with barry cornwall's original poem and found more words that matched up? particularly in the second and third stanzas?

so!!!!! almost two hundred years later here's what I've landed on:

April 21 1847 the C the C the open ) ( it grew so fresh the Ever free the Ever free the Ever free without it without it covered it will Run to Earth above Re gions Round I love the C I love the C when I whare & I wish to be with and and silence whare Never go if a sailor should a Come and Make the meek What matter what matter Come Ride Or Sleep there was shores white and of red morn at the noisy hours knew I was ever near I was Born the [...] in felt Unto the Maid the wale the young dolphin ...... yet thes back of gold the Call of gods When I was on Old England Shore I like the young C more and more oftentimes time flew to a sweltering place like a bird thats seeks it mother Case and ware she was bird oft to me for have I loved a young and Hopen C

so then after going thru All Of That, I wanted to have a version of the original poem with parts that Henry did remember clearly highlighted for comparison purposes:

I know it's a popular theory that Henry was writing a dirty parody of the original poem? which if true, is funny as hell. me when i have to write cheeky victorian porn before i die.

But (serious voice) something about that hadn't ever seemed exactly right to me... IN MY HEART it seems more realistic that around 1847 he (and also by extension, the whole surviving expedition crew) were starting to experience confusion / brain fog symptoms from being ummmm quite physically unwell. the lead poisoning/scurvy combo would have severe effects on the brain's ability to function properly, and I started to wonder if Henry was trying to test his memory somehow? So he picked a widely known and popular Victorian era poem about being a sailor to see how much he could recall??? and he then got a little whimsical with it, and wrote in his own words to fill in the portions he couldn't fully recall, because it's his own diary and likely didn't expect anyone else to ever read it, much less have it turn into ONE of TWO surviving sources about the expedition?????

like... idk... this is probably the work of someone in the exact moment as they were starting to realize how bad things were, and then was trying to cope by using poetry. and That hurts my feelings enough as it is, but going through it was also just a very weird and haunting experience....... like, I can recognize all these tiny details in this dead guy's script and handwriting now. and to read his own account of his life in his own words, what stood out to him and what he recalled, what he wanted people in the future to know about him? insane. it literally felt like i was getting haunted by him for no reason. on top of knowing that Someone (#teamarmitage) loved this guy enough to keep his memory protected and safe, even though They Were So Totally Fucked And Going To Die There, unknowing if they'd ever be found again........

SIGHING + SIGHING + SIGHING + SIGHING + CRYING A BIT HONESTLY

anyways thanks for reading this all. I don't think that this is revolutionary franklin expedition news by any means, and idk if there's a better different transcript somewhere that i've not found that already covers all this? but it's consumed a lot of my life lately lol and i wanted to share. because its the anniversary of henry writing it, and it felt...... important....? 💌....????

#📜#henry peglar #this is my crazy person post i wanted to make two weeks ago #i really did do my best to follow his hand btw but let's all read this expecting a few mistakes #franklin expedition #peglar papers

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infizero · 9 months

Text

Why Ambrosius and Ballister’s Relationship Feels So Different in the Movie (Nimona)

As someone who read Nimona countless times growing up, I am very familiar with the story and these characters. Which is why when I watched the movie, I was struck by how different Ambrosius and Ballister felt. They seemed like totally different and unfamiliar characters to me, and it didn’t have anything to do with their designs.

After rereading the original Nimona graphic novel recently, I’ve come to the conclusion that the main reason they feel like completely different characters in the movie comes down to one thing: the removal of the joust.

When I watched the movie, I was surprised by the fact that they changed the circumstances that drove these two apart. But it didn’t hit me just how much this one event shapes both of their characters and their relationship to each other until I reread the book.

The joust is CRUCIAL to their dynamic. It pervades every interaction they have with each other, they bring it up constantly, it is literally the crux of their collective storyline. We learn about it on PAGE 5 of the whole book, and their big heart-to-heart when Ballister is captured near the climax of the story is based around Ambrosius finally admitting the truth about what happened. Honestly I’d say that him finally coming to terms with what he did and apologizing for it is probably what allowed these two to finally find peace together by the end of the book.

We get something similar to it in the movie. Ambrosius still is responsible for Ballister losing his arm, but it is under WILDLY different circumstances. So I want to talk about how the joust affects them in the book, and then explain why the movie’s version of events, while similar on the surface, has a completely different effect on everything. So let’s get into it!

(All images of the book are via pictures of my own physical copy btw, so apologies if they’re not the best quality.)

(Also I want to make it clear that I don’t hate the movie nor its adaptation of these two. I do personally greatly prefer the book, but this post is not here to tear down the movie and exclaim that the book was way better. I just find it interesting how changing one event can have huge ripple effects!)

Part 1: The Graphic Novel (AKA: “My Boyfriend Shot Off My Arm Because of His Wild Ambition!”)

Like I said before, we learn about the joust very early on; Chapter 2, page 5. It is told to us first via Ballister’s perspective. Nimona asks if she can kill Ambrosius while they’re making evil plans, and Ballister says no -- if anyone is going to kill Ambrosius, it’s going to be him. We then get a flashback to the joust itself.

Ballister explains how they were friends and how the joust was the first time they had been pitted against each other. Ballister won fair and square, but in his words:

BALLISTER: “but Ambrosius hates to lose.”

BALLISTER: “He always claimed it was an accident. No one could prove otherwise.”

BALLISTER: “Turns out the Institution had no use for a one-armed hero. I took the only other viable option.”

Ambrosius used a weaponized lance and blasted Ballister’s arm off. After the incident, Ballister was rejected by the Institution, and became a villain instead of the hero he had originally set out to be.

In Chapter 3 we see Ambrosius appear for the first time, and he and Ballister have a very relaxed sort of cartoon hero-villain dynamic going on. There’s definitely real animosity between them, but they don’t hesitate to simply talk casually to each other or help each other when things go south. It’s all pretty lighthearted and lowkey.

They fight briefly, but after Nimona triggers the building they’re in to self-destruct, Ambrosius doesn’t hesitate to help Ballister escape and Ballister doesn’t hesitate to accept his help. Ambrosius even tries to reassure him that Nimona will be fine. After they make it out, with Nimona presumed dead, Ambrosius puts a hand on his shoulder and tells him to go before more guards show up. They may be “arch-nemesises”, but they certainly don’t act like it.

AMBROSIUS: “Haven’t you missed our fights? We haven’t done this since you tried to clone the king’s daughter!”

BALLISTER: “Ambrosius, I really don’t have time for this.”

AMBROSIUS: “Are you trying to make me jealous?”

BALLISTER: “You’re an idiot.”

By the way, I’m not going to be doing a full breakdown of every single scene with them, don’t worry. I just think that their first interaction shows off their dynamic very well. This is presumably how they’ve been with each other since the incident, as it’s made clear both here and throughout the book that they’ve both been doing this for a while at this point. They have a very established dynamic, which is important as that is one of the big differences between the book and the movie. (I’ll get into that more later.)

Whenever these two interact throughout the book, it’s clear that they have very different opinions on the incident that drove them apart and how their relationship functions now.

Ambrosius tries to act like it was simply an accident and that it doesn’t matter. Ballister became a villain of his own volition, and now they are arch-nemesises who have to fight because that’s their job -- though he doesn’t exactly act like he hates Ballister.

Meanwhile Ballister saw it as a deep betrayal, and while he definitely still cares deeply about Ambrosius, he cannot get over the incident as easily as Ambrosius can.

Their respective feelings about what happened are shown perfectly in the scene in Chapter 7 where Ambrosius invites Ballister to meet with him in secret. Ambrosius tells him that the Institution has ordered him to kill Nimona and begs him to send her away, both so he doesn’t have to kill her and so things can go back to “normal.” Ballister then says that Ambrosius gave up normal at the joust.

AMBROSIUS: “I can’t believe you’re still hung up about that. It was a long time ago, you know.”

AMBROSIUS: “Besides, it was an ACCIDENT.”

BALLISTER: “I bet you’ve said that so many times you’ve started to actually believe it.”

Ambrosius insists it was an accident, and Ballister claims that he blasted off his arm because he couldn’t stand that Ballister was better than him. This sets Ambrosius off and they begin to argue.

AMBROSIUS: “You can’t blame me for how your life turned out! You made the choice to turn evil!”

BALLISTER: “Choice? I never had a choice! The Institution needed a villain. That lot fell to me. I never chose it.”

BALLISTER “And it could just as easily have been you, had that “accident” happened differently!”

AMBROSIUS: “Oh please! Do you really believe that?”

AMBROSIUS: “You never had it in you to be a hero! Everyone always knew that you were going to be the one to go bad!”

Ambrosius has convinced himself that Ballister chose to become evil, and that he isn’t responsible for what happened because it was an accident. We later learn that it wasn’t an accident though, which means that this really is him just making excuses so he doesn’t have to accept responsibility.

Ballister brings up the idea of Ambrosius becoming like him again after they fight, in one of if not my favorite scene between them in the whole book:

AMBROSIUS: “uugghh”

BALLISTER: “What if I cut off your arm right now?”

BALLISTER: “Then you’d see how fast the Institution would cast you aside. Just like they did me.”

AMBROSIUS: “You wouldn’t.”

BALLISTER: “No, I wouldn’t.”

BALLISTER: “And I’m the villain.”

BALLISTER: “What do you suppose that says about you?”

Ballister and Ambrosius are both very complicated individuals, and I think they lose a lot of their moral grayness in the movie. (Which I will get to later.)

Ambrosius is the “hero”, but it was his ambition that drove him to blast Ballister’s arm off, and he’s never accepted responsibility for it, instead trying to convince himself that Ballister turned out this way because of his own actions. But he doesn’t disagree here that the Institution would throw him out if he were to lose his own arm, which I think is very telling. He knows deep down that he is not a good person, and he is not working for good people. But he doesn’t want to admit it.

Ballister is the “villain”, but in many ways he is better than Ambrosius. He abides by his own rules of never killing unless it’s necessary, and goes out of his way throughout the book to make sure that as few people are harmed as possible. He knows that the Institution is corrupt, because he was one of the people it failed. And he works to try and bring it down.

Ambrosius cannot accept what happened, and because of that they aren’t able to get anywhere. They both know it wasn’t an accident. But because Ambrosius cannot admit it, they are stuck like this.

It’s a fascinating part of Ambrosius’ character that though he is adamant about Ballister being the one to destroy himself, he still cares about him. Much more openly than Ballister does in return, in fact. Ambrosius consistently does whatever he can to avoid having to kill him and always seems to have his wellbeing in mind. While he initially refused to kill Nimona, revolted at the idea that he should be ordered to kill “a little girl”, he eventually agrees to do so, but only under the condition that Ballister would be spared.

THE DIRECTOR: “Your motivations are quite transparent. I KNOW what the nature of your relationship was. I made it clear at the time that I disapproved. If your fixation on him has impeded your ability to do your job, then he truly has outlived his usefulness.”

THE DIRECTOR: “We’ll find you a new nemesis. Perhaps you will be more competent without Blackheart as a distraction.”

AMBROSIUS: “I won’t kill him. If you demand I kill the girl, I’ll do it - but I won’t kill him.”

Despite him and Ballister’s separation being his fault, he is the one who wishes most for things to go back to the way they were. And this is likely why he refuses to accept responsibility about the joust. If it were truly an accident, then there shouldn’t be anything preventing them from continuing to be together. By painting it as an accident, Ballister becomes the villain for refusing to move on and let things go back to the way they were, not Ambrosius.

But finally, after Nimona disappears and Ballister lets himself be captured, we get probably the most important scene between these two. Ambrosius has been demoted due to his failure to kill Nimona, and is now forced to guard Ballister’s cell. Ambrosius is at his lowest that he’s been throughout the story, disgraced and discarded by the Institution who he had always been so loyal to.

It’s notable that Ambrosius says here that they both know Ballister is not evil, since he has been paddling that idea this whole time that Ballister made the choice to turn evil. By admitting that he is not, it shows that he is both starting to turn against the Institution, and starting to be more honest about what really happened.

Naturally, after Ambrosius wonders how things ended up like this and reminisces on when they were together, Ballister once again brings up the joust. And finally...

AMBROSIUS: “I- I never wanted to hurt you. I- I didn’t- It was-”

BALLISTER: “Don’t you dare try to tell me again that it was an accident.”

AMBROSIUS: “It wasn’t.”

...he admits the truth.

Ambrosius shares his side of the story, letting both us and Ballister in on what really happened that day. It wasn’t fully his fault -- the Director had called him into her office the night before the joust and told him that he had promise, that he was her choice out of the two, but that he had to prove himself against Ballister or that opportunity would go away.

On the day of the joust, Ambrosius received a weaponized lance instead of his regular one, which he instantly noticed. He asked what the Director expected him to do with it, and was told that she expected him to win.

To Ambrosius’ credit, he had no intention of using it, as he was confident that he would win. But the weight from the weaponized lance threw his balance off, and he ending up losing. And so...

AMBROSIUS: “I wanted it, more than anything. You never wanted it as much as me. You were just BETTER, without hardly even seeming to try.”

AMBROSIUS: “I don’t even remember- but I must have-”

[...]

AMBROSIUS: “I’m sorry, Ballister. I’m so sorry.”

To be fair, Ambrosius is not entirely to blame here. I doubt he would’ve come up with this idea on his own; he only acted on it because the Director had already given him the weaponized lance, and stressed the night before that the opportunities she dangled in front of him would not be given to him if he did not win. He was manipulated.

But he still made the decision to do it. He could’ve simply not used the lance. But he chose to. It is his fault.

It’s fascinating that the version of events Ambrosius had been swearing by this entire time is the exact opposite of what really happened. He claimed that it was an accident, he didn’t choose to do it, he had no choice, and that it was Ballister’s choice to become evil that caused all of this. But in reality, Ambrosius was the only one who got a choice here. And that choice is why their relationship was destroyed.

Ballister then brings attention to something even more damning:

BALLISTER: “You’ve never said it before.”

AMBROSIUS: “What?”

BALLISTER: “You never said you were sorry.”

AMBROSIUS: “I- didn’t?”

AMBROSIUS: “Oh god.”

I feel like you could interpret this in a lot of different ways, but the way I see it, they probably didn’t see each other much right after the incident. Ambrosius was catapulted into stardom as the kingdom’s beloved knight, and Ballister became a villain. I don’t think they really interacted much until their hero-villain antics started up, so I don’t think Ambrosius really had a chance to apologize. And if he did, he didn’t think to. Regardless of why, I do think it is messed up that he never apologized, and it goes to show just how much this event destroyed the bond they used to have.

From here, there’s not too much, as Plot Stuff starts getting serious around this point. Ambrosius ends up betraying the Institution after they continuously attack Ballister to provoke Nimona, attacking the guards who are holding him. This is when Ambrosius finally chooses Ballister over the Institution, which is great for his character, but there’s not really much more than that to say about it.

He and Ballister plan together to try and save the kingdom, with Ambrosius being adamant that they have to kill Nimona while Ballister refuses to. It’s during this conversation that Ambrosius mentions that he “never did anything good [his] whole life”, which is really sad but also kind of accurate, and it goes to show how he’s finally accepted responsibility for everything he’s done and had a part in up to this point.

Eventually Ballister is able to find a way to nerf her and they split up, with Ambrosius wanting to tell him something in case they don’t see each other again, but Ballister shuts him down.

BALLISTER: “We can’t do this now. Just... just promise me you won’t get yourself killed.”

It’s easy to assume this was something romantic and it likely was, but I imagine Ambrosius could’ve also wanted to say sorry again for everything. Perhaps it would’ve been a mix of both.

Regardless, they split up and climax stuff happens: Ambrosius attempts to kill Nimona but gets seriously injured, Ballister tries to reason with Nimona, etc. etc. Eventually at the very end, we see that these two have made peace and are together again, living on after everything. And that’s these two in the book!

Whew. I know that was a lot, but don’t worry. I won’t be going into as much detail about the movie’s version of events, as Ambrosius and Ballister have a much more cut-and-dry dynamic there than in the book. Their relationship in the original is very complex, so I wanted to make sure I covered all of those little nuances.

The joust is what defines their relationship and a lot of their respective characters; it is unimaginably important. Ballister became a villain because he lost his arm and was cast aside by the Institution. Ambrosius became the kingdom’s hero because he took Ballister out of the picture. They are unable to be around each other normally for very long because of their divided views of what happened. It is only after Ambrosius finally faces the truth that they are able to find peace together once more.

All of this is to say that it’s extremely hard to imagine what their relationship would be like in the graphic novel had the joust not happened the way it did. Which brings us to...

Part 2: The Movie (AKA: “My Boyfriend Sliced Off My Arm Because I Literally Killed Someone!”)

Before we start, I want to again stress that I am not trying to argue that any changes made here are inherently inferior. I am merely pointing out the differences between the book and the movie that contribute to the overall dissonance I and many others have felt when it comes to these two across versions.

Right off the bat, we are greeted with the movie’s version of Ambrosius and Ballister’s backstory. Like was implied in the book, they appear to be together (or something along those lines) which is great to actually see. But it quickly becomes clear that the events here are far different.

Instead of a joust, it is a knighting ceremony. There is no competition between Ballister and Ambrosius here. Ambrosius is knighted and cheered for, and then it is Ballister’s turn. He is knighted and everyone is silent before breaking into cheers as well. And then...

...his sword suddenly turns into a cannon and kills the queen. And in retaliation...

...Ambrosius chops his arm off.

Now if you’ve listened to ANYTHING I’ve said so far, this should immediately set off alarm bells. Because this one little difference changes everything about these two’s dynamic.

In the book, Ambrosius shot off Ballister’s arm in order to win his position. It was an entirely selfish and evil action spurred on only by his uncontrollable want to be the winner.

But here, Ambrosius is debatably justified in his response. Sure, he didn’t have to be as drastic as slicing his whole arm off (and I know there’s symbolism there with how the kingdom has taught people to get rid of problems), but Ballister -- to him -- literally just shot the queen. The queen who Ambrosius has sworn to protect. It is completely reasonable for him to respond in this way. And that’s a huge difference.

By changing this, we already have a completely different situation. Ambrosius here didn’t particularly want to cut Ballister’s arm off, it was a reflex, a response to a sudden danger. (Not saying he wanted to in the book, but there he made the deliberate decision to do so. In the movie it seems much more like an actual accident -- an overreaction that he immediately regrets and, as we’ll see, continues to regret.) And there was justification for it. There was no justification for it in the book.

Instead of an Ambrosius whose ambition caused him to commit an evil act of betrayal against the man he was closest to, we now have an Ambrosius who, in the heat of the moment, overreacted like he was trained to after Ballister seemingly betrayed him. We’ll see over the course of the movie how this affects things, but that’s not the only major change here.

As we figure out shortly afterward, the movie makes a huge change when it comes to how the story functions, and that’s the timeline of events. In the book, the joust and the subsequent fallout between Ballister and Ambrosius happened years ago. We don’t know how long, but it’s clearly been a while. Enough time has passed where they are fully settled into their roles as hero and villain, and they look significantly younger in the flashbacks as well.

Like previously stated, book Ballister has been a villain for a while. He is completely settled into this role and has been making schemes and having fights of the week with Ambrosius for a considerable time. He knows what he’s doing. He has his own way of doing things, and when Nimona inserts herself into his life much of their early dynamic is him teaching her how he does things. In the book, Ballister is the teacher, Nimona is the student.

But in the movie, this incident just happened. It's unclear how exactly long it's been, but judging from Ballister's arm being created and his wounds healing it's probably been around a month.

Regardless of exactly how long it's been, the point is that these events are still very fresh. Ballister seemingly has just been laying low, not villain-ing it up, and he and Ambrosius haven't seen each other since the knighting ceremony. This changes literally everything about Ballister’s character. This post is specifically about Ambrosius and Ballister’s dynamic and not a Ballister character analysis so I’ll try to keep it brief, but movie Ballister seriously could not be more different from the book.

Compare this to movie Ballister, who I’m pretty sure never knows what he’s doing ever, at any point. He was training to be a knight. He has seemingly never once questioned the Institution. Now he has suddenly lost his arm and been thrust out into the unknown of being treated as a villain, and he has no idea how to handle it. Then Nimona shows up, tells him “hey, the Institution sucks”, and eventually he ends up believing so as well. In the movie, Nimona is the teacher, Ballister is the student.

Book Ballister actively resents the Institution and has no doubts that what they did to him is wrong. He has been plotting their downfall for a while. Nimona, on the other hand, seems to be out of the loop when it comes to the Institution and seemingly only starts hating them after she finds out how they threw Ballister out. Again, I’d just like to stress how completely and totally opposite their dynamic in the movie is compared to this.

There’s also Ballister being a scientist and being much more jaded in the book, but that’s not really important for the purposes of this post. So alas, I shall move on.

This different timeframe greatly impacts Ambrosius and Ballister’s dynamic, and obviously it would. There is a huge difference between a falling-out that happened years ago and you’re both still bitter about, and a falling-out that happened very recently. This, along with the different course of events resulting in said falling-out, is what causes their dynamic to feel so alien.

Also while talking about their early interactions in the movie, I’d just like to point out that while here Nimona is the one to assume Ambrosius is Ballister’s arch-nemesis and call him such, which Ballister doesn’t agree with, they were actually arch-nemeses in the book. Just something I noticed.

Something else I find interesting is later on, Ballister seems to be almost in disbelief about Ambrosius cutting off his arm and makes excuses for him.

BALLISTER: “He didn’t cut off my arm. He disarmed a weapon.”

BALLISTER: “It’s how we were trained.”

(Side note, but I wonder if book Ballister ever felt this way right after the joust? Did he try to convince himself it was an accident too, once upon a time? Did he try to make excuses?)

And to be fair, he is sort of right. Like I said before, Ambrosius’ reaction to Ballister seemingly killing the queen was debatably justified. While we’re obviously supposed to side with Nimona here and agree that Ballister should be more upset at Ambrosius for what he did, the movie definitely paints Ambrosius as more sympathetic overall. We see him freaking out internally about cutting off Ballister’s arm, and there is a lot of emphasis placed on how he and the others were trained by the Institution, inviting the audience to place more of the blame on the system that taught Ambrosius to act this way rather than him as a person.

And again, I’m not saying this is a bad thing! I love a good "taking down a corrupt system” story, and with the different circumstances of the movie it definitely makes more sense to play it this way. But in comparison to the book, Ambrosius is much easier to sympathize with. His character is changed from a very morally gray person who did something horrible and won’t admit it, to a pretty okay person who did something horrible and wholly accepts and bemoans that fact. He’s almost the opposite of what he was in the book.

So we have an Ambrosius who accepts what he did to Ballister and feels awful about it, and a Ballister who has no idea what he’s doing and is basically just being dragged around by Nimona. With both of them being basically the complete opposite of how they were in the book, is it any wonder that their relationship with each other feels so different when they themselves are so different?

Also, once again, the circumstances are very different. There is no Queen murder plot in the book, nor is their any attempt to clear Ballister’s name. A significantly different setting makes a difference too.

I don’t see a need to go into further detail about specific scenes in the movie as I think I’ve made my point clear. But going back to the movie’s lack of Ambrosius and Ballister’s already established hero-villain dynamic, I think these differences are made quite apparent just contrasting how they talk to each other. I mean, just compare these two scenes:

AMBROSIUS: “What? You’re gonna kill me now too?”

BALLISTER: “You believe that?”

BALLISTER: “Then you never knew me at all.”

AMBROSIUS: “uugghh”

BALLISTER: “What if I cut off your arm right now?”

BALLISTER: “Then you’d see how fast the Institution would cast you aside. Just like they did me.”

AMBROSIUS: “You wouldn’t.”

BALLISTER: “No, I wouldn’t.”

BALLISTER: “And I’m the villain.”

BALLISTER: “What do you suppose that says about you?”

Their relationship in the movie is much softer and healthier than it was in the book. Their dialogue in the movie tends to lean much more towards tried-and-true “friendship betrayal” stuff; the wound of Ballister’s “betrayal” may be fresher, but it’s clear both of them love each other far more than they resent each other. In the book, it is the opposite. The movie could NEVER have the bar fight scene. It’s too ugly and bitter to fit these softer versions of Ambrosius and Ballister.

Part 3: Conclusion

So, that was a lot. I hope it’s a little clearer now how big the differences are between these two’s dynamic in the book and the movie! Especially if you’re someone who is only familiar with one or the other. While I prefer the book due to me tending to prefer more complex and messy relationship dynamics, I totally understand the appeal of the more loving and healthy relationship Ambrosius and Ballister have in the movie.

To summarize, here are some of the main takeaways:

Ambrosius causing Ballister to lose his arm is completely unjustified in the book and happens due to Ambrosius’ wild ambition, while in the movie it is a debatably justified reflexive action in response to an active threat.

Ambrosius overall is portrayed as much more sympathetic in the movie, with the system itself being more to blame for what happened.

In the book, the main thing keeping them apart was Ambrosius’ refusal to take responsibility and admit what he did. In the movie, it’s a misunderstanding about Ballister seemingly turning evil.

In the book, Ambrosius and Ballister have a very established hero-villain dynamic with the joust having happened years ago. In the movie the “betrayal” is still very fresh, which leads to very different interactions between the two.

And that’s about it! Thank you for reading this very long post. And if you haven’t read the original graphic novel or watched the movie, go do that!!! Much love to ND Stevenson and the rest of the people who made this story come to life.

Let me know your thoughts in the tags or the replies! Which version do you prefer? Are there any other factors you feel have a significant role in why their relationship feels so different? Or do you think I’m totally wrong about this and they feel basically the same to you?

Either way, thanks again for reading and goodbye!

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